Podcasts about Harpo

Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music.   Playlist: TURNTABLISM   Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2.     Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3.     John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4.     Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5.     Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6.     Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7.     DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8.     Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9.     Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10.   Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11.   Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12.   Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13.   Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14.   Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15.   Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16.   Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from ‎Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Experience the artistry and versatility of Brandon Victor Dixon in this episode of “Takin’ a Walk.” A three-time Tony Award nominee, Dixon has left an indelible mark on Broadway with standout performances as Harpo in The Color Purple, Eubie Blake in Shuffle Along, Davis in Alicia Keys’s Hell’s Kitchen, Berry Gordy Jr. in Motown: The Musical, and Aaron Burr in Hamilton—among many others. His dynamic stage presence and vocal power have earned him acclaim not only as an actor but also as a Grammy winner and Emmy-nominated performer. Beyond the stage, Dixon is now expanding his creative horizons with a highly anticipated debut solo album, featuring a blend of R&B, pop, and soul. The project includes original songs like “Maybe,” which explores themes of hope and resilience, alongside inventive covers that bridge Broadway classics and contemporary hits. Collaborating with top musicians and drawing on his deep roots in musical theater, Dixon’s new music project showcases his signature storytelling and artistry, promising a fresh chapter in an already remarkable career. Join us as Brandon Victor Dixon reflects on his Broadway journey, the inspiration behind his music, and the creative evolution that continues to define his work on stage and beyond. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Experience the artistry and versatility of Brandon Victor Dixon in this episode of “Takin’ a Walk.” A three-time Tony Award nominee, Dixon has left an indelible mark on Broadway with standout performances as Harpo in The Color Purple, Eubie Blake in Shuffle Along, Davis in Alicia Keys’s Hell’s Kitchen, Berry Gordy Jr. in Motown: The Musical, and Aaron Burr in Hamilton—among many others. His dynamic stage presence and vocal power have earned him acclaim not only as an actor but also as a Grammy winner and Emmy-nominated performer. Beyond the stage, Dixon is now expanding his creative horizons with a highly anticipated debut solo album, featuring a blend of R&B, pop, and soul. The project includes original songs like “Maybe,” which explores themes of hope and resilience, alongside inventive covers that bridge Broadway classics and contemporary hits. Collaborating with top musicians and drawing on his deep roots in musical theater, Dixon’s new music project showcases his signature storytelling and artistry, promising a fresh chapter in an already remarkable career. Join us as Brandon Victor Dixon reflects on his Broadway journey, the inspiration behind his music, and the creative evolution that continues to define his work on stage and beyond. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 258 - Brad saw the remaining members of an 80's hard rock/metal band recruit two singers to help pay tribute to their legendary, fallen vocalist.  He saw Dio Disciples at Harpo's Concert Theatre in Detroit, MI on 11/10/12.  He invites Slamfest crew member, Mike to help him recap this show and talk about Ronnie James Dio's entire discography.  For the Band on the Bill Spotlight, they are faced with 9 song matchups including Dio-era Rainbow, Dio-era Sabbath and the Dio Solo Band and they have to choose their favorite.  After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?" - "Side 1 or 2" from Dio's sophomore solo album, The Last in Line, from 1984.Music in this episode by:DioRainbowBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcast

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

Nobody put baby in a corner In the blue light, I deny you Why ask if you're alright When I'm still crumpled up behind you All publicity Stint My growth is altered I want love You i don't know how To I am a monster I am a monster Joel I am a monster Make me feel Holy lighti I divide my lifht Between Divine And Denial So I deny it Denial I hide you Why Cause I like you Let's blow things all out of proportion Media media Publicity stunt And a drunken stupor I got my God at Coachella night one I got my blinders on I got a knife in my pocket A1 steak sauce anyone Well done, Harper Well done, Onyx Now where goes the dolomite! Lodestones I lost one Carry on Four kings My stream of conciousness rocks out My people are earth and your people You see that? Reach out I'm only a comic, comet Reach out! I'm in denial No conciousness Alright? Harper Long road High Road Short ones. You like Tall blondes I like Waffles You know? Can't we all suffer morbidly? (I'm in denial) Write one Right one Higher up off the red carpet I'm looking for something? Nothing, Internet shopping, A long road The more would have I The more horrible I am a monster I am a monster I am a monster Devil next door, and I I am a monster I am a monster And one And one And one I sent an angel Or five I'm a monster I'm in denial I am a monster Bloody conciousness I'm in denial So I deny Monster So I deny it all Encore! Encore! Run the score up Could be anything you know Bloody stream of conciousness Bloody streams and —leave it up, then I do not believe it Pandemic, Actors and then Publicity stunts for nothing Robbers. I'm not even good enough to be good enough for you. Morbid. I made Billie Ellish laugh so hard, The whole world noticed; Then everybody wanted to know me, Numbers, She goes, “I love electronic music” I said, “I have a lot of it.” But I thought Not nearly enough of it, I thought Not nearly enough, I think. Not nearly enough What did you do with six cinder blocks And Stop it What did you do with six bricks And a fortune What do you with with my Headache? Stop it? I want nothing more than an encore, I told them An encore, I said Not the Renaissance Encore I promise: As awkward as it all got It's coming up For once my stream of conciousness Is into something Lover lover lover Keep them coming Roll the dice and Tell me something, Schubert Tell me something, Harvard Tell me something Tell me something Science Why I don't like you I watch the tonight show. I try to find you But find her And her and her At night I dream of him Joel Her And her and her Wanted a lover A show Her and her and her A son and a daughter A mode Her and her and her Here and there and on again I know her and her and her I like Her and her and her I love Her and her and her I know her and her and her I am her and her and her I wonder what would become of us All And the body Were we not so old Scrap metal Carry on while I call my son And wonder what in God Was left after us Hostile motive Wonder wonder I've got nothing left to ponder I want Mark God Dawn Nah Nothing kept secret left Ponder what, helmet Tell you what, Talmud I like the host of the what's it called Danger show Brothel Brothel Opera Opera May Day May Day May is coming So I August I want nothing more Than the great big mouse on magic mountain How's that? … Sam? Flatline? Don't leave us. Encore. Where's he going? Nothing. Awful. I've been drinking. How about not? And well, we're all against the tide when ocean's coming Aren't I, Hollywood? Great big swell and a sailboat Ugh, why am I mad?! That's the old goat! Rock and Roller. Hall of fame god. Prostitots and brothels Some chord and three thousand year old Google documents What you want us! All I was worth was A special on $200, just under What did you want? An umbrella? I told you, the shit show was coming now Cry me a river! Cry me a river! Cry me a river! New York was a sold out show In all non concious conformists Look at God Go. I was all at the surface Sure you wanted a Harper A harpist Pianist and I've got suffering! Call my son back! I've got window pains And window panes And widows makes the none of us I might as well have died when I lost I might as well have died when I lost her — oh, but the husband had already had Her and her and her So no father was he to a daughter And she went beyond that, Calling for brother. Now who are I? Emotionally immature maggots. I sank ships over hatred I called mayday belatedly I show off in Morse code in a mouse head Now who's the helmet!! Now who's the— [BLACKOUT] [The Festival Project ™] Jimmy murmured somethin bout Joel Pilot took a plunge Now the old Rock is 1 for the 1 one Minus President Trump In the back of the car But if I pop the trunk Then we all have a gun in each hand, Huh punk? One for the road Bottle full of sauce I called the boss for the map And we all got lost on the run Interstate map as old as The all of us totaled up What does infinite cost? Two humps and a Tesla? Some hummas? A couple of rocks, and some hot sauce? All got a gun And we all got a God Can't we all get along Backroads, no Feds So it's all gonna cost Got a cot for the tour And a word for the world And a heart full of gold And a house full of fire Can't we all get a long Now we all got a God Call Conan, We all got a hook and a rod Call God, brah Nobody the friend to the world And we all got a girl And they all got problems Now we got a car On a train up a mountain A coin in the fountain A gun in each hand And a phone card Somebody call the opera Or better yet, Harpo, long God Long time We all got a song Somebody mumbled The troll to a hall far A hymn to a poem And a bump on a log Timber timber We all got garages Timber timber We all got a gun Timber timber We all got windfalls Windmills Blond dykes Klondikes Assholes Mayday Long trucks All got blondes All got a God All got a soul All made of gold And we all got goals here, miners Mumble the words of the poem Somebody left a voicemail At one point, though We all had a mom At one point though, We all had a blonde At one point, though we all got a God At one point though, We all got a song Now all we got is cars Long roads And guns At one point, though, We all got along At one point though We all fell in love At one point though we all had a Mom Now I'm so polar Bearr's on the run But we all got a song And we all got a thought And we all got God Now we all get along In the cars With the guns On the road With the blondes Cause we all got a song And we all got Moms And they all got blonde hair Moms got a gun, Hey, Mom's got a song, Hey, Mom's got a son, Hey, Mom's got a thought, Hey, Mom's got a God, No, mom's just a God, Huh, That's what you want, By the light of the sun And the sound of a gun And we all got a rap And we all got problems All got long days All got wants And we all got a God, so God's got problems. — I gotta solve em. Psychic tears and solvents— What do you want Joel? I got problems, I got a son! I got ten songs out, Ten albums so far, Nobody loves them Nobody loves me, I got problems, I got nothing I got too much to really be loveless, Yet, Here I am, Just watching WHAT. Call up my son, Ask him for a joke And the weather forecast I got a whole skeletal system of broken bones And a whole body cast Castrate this diamond, Call up the tin man— Tin man?! Cowardly lion And the straw hat, Call up the — what are those? Lollipops! No, I don't want that I just want a home with some tall grass. I'm really about to whoop this girl's assless ass and she knows that. She has to. Chilling in the bath though But Can't afford a bathrobe I collect Windfall I call the dolphins Shatter that asshole Staggered on stage, then Slandered my hammer, gathered up passwords X1, aren't I? Doctor? I've probably got a straw hat Don't have a heart, though Probably just a robot Somebody tried hard Guess I need a doctor Wombat? What? She looks like a wombat. Damn, dog. Bleed! I came from the world with the no sleep Bleed! I came from the world with the bonfires! Bleed! I parked my car in the palisades. Bonfires! I parked my car in the palisades! Bonfires! I pitched my tent in the Malibu mountains! Bleed! My coworker babysat in Calabasas! Bonfires! Pig and Whistle could spin slick but still doesn't own an apartment! Apartheid! Noah died on all of the story arcs, besides ours. Non partisan! I went to work on a cold hard Monday. Daughters! I wrote the poor some porridge, and they didn't want that! Pesticides! Still a stream of conciousness? I thought he was sober! Bonfires! I got no room for my heart, SO I CUT IT OUT BLEED. Fires. BLEED! Fires. BLEEEEED. Alright, you won. I need my medicine, Medicine, medicine I neee my medicine… Who are I, God? I need my medicine, medicine Medicine— I need my Really, a face with the Bandit? If Seth wants the role, he can have it. Which Seth? Exactly. Bad Son. Deadmau5 Hats off— Actually, a helmet Actually, a deadman. Who cried lurking? Who calls Art Lord? Why, Sir Jyre! My art deposit's on John, man. Art world Awkward Harvard? Aavark? An assless advark. Don't stalk me when I'm hark the halrold hallmark cards and half washed alters! (The last day of Passover, Easter Sunday) Don't pseudoscience Your gross meds have no stream of conciousness at all Your meds have no conciousness at all. Why yes, I terminal hate you, Mr. famous We broke up at an airport over coffee I dream your head But never just the body That I yearn for I'm trapped inside a suffix That was earned from just a metaphor I grasp at mediocre, As Flo said “I would have aspired to be a struggling actress” I would aspire just to b an arifaft A sanctioned little blonde In front row VIP With the pasties on Oh afterparty? Models and bottles and bodies And blondes Brunettes and redheads And a couple of ours with extensions And a dye job Long legs Court covers And awards, Having proven subtle standards set by All of yours When all I want is Hallmark cards. Hold that thought. Rinse out the conditioner Do you get the picture or not?! I don't live here! Do you remember the fact that I've been here Just a minute in my time— Into you! It's infinite forever. Forever, we'll. Forever. Ten minutes in and I don't remember any of it. Ten mirrors ten men and ten hammers, the hammer. Ten tonsils, ten fingers, ten toes and my hall award Ten helmets, ten cars in garages Ten mortals Attention, attention I've written a symphony! Attention, attention! I'm living in misery! Attention, attention, My toys in my toolbox: Attention, attention, My girls and my others Attention? Attention! I'm ten minutes into this Attention, attention. I bet you'll remember this. Mission accomplished? Yes, major. Detective. Agent. But I won't. No, I'm not okay. I'll never hold my baby again. No, what's my shoe size? Too grand? So I hideaway Then, I'm a Marxist, Forgot my own mantras I'm probably home, But no address to mark it Off the map Off the grid What's I miss Nothing much here Contact works Contact breaks Contact lenses Like my hazels? Like my blue eyes? Are they gorgeous? Still, I'm darker Forge the caverns, Then, there's this flaw: Seven numbers You're just like God, Only darker What harm have I brought you? Called your wind Nothing but heartache Cried Agatha, a moan And then I will go, Becoming nameless in code and essence Where willI—? And then nothing at all? As one ceases to be, So the the other; The tale before time Of immortal lovers I'm incognito You're in my his[tory] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. C'cxell Soleïl

The annual CSUN conference in California brings together some of the biggest names in accessible technology from across the globe. Dave Williams from RNIB Tech Talk has been on the conference floor this year to speak to some of the delegates. He heard about the new BraillePen when he spoke to Wojtek from Harpo.

In November of 2024, host Harpo finally moved out into an apartment of her own — as a brown girl, before marriage and not because of work or school. She captured the conversation she had when she first broke the news to her dadi, her paternal grandmother.Produced by HarpoEdited by Simran Dale

This episode is a short, heartfelt voice note from host Harpo to her long distance friend, Naina. Naina and Harpo, though miles apart, often connect over intimate WhatsApp voice notes. “Our friendship is really important to me”, says host Harpo. “I'm learning how to make new friends as an adult and my friendship with Naina is one that, though new, is one where I experience immense belonging.”Produced by HarpoEdited by Simran Dale

In the wake of an intense conversation with a friend that led to the ending of the long term relationship, host Harpo had a powerful meditation where her inner masculine and inner feminine were finally able to dialogue and see each other. Host Harpo's inner masculine is voiced by Randy Randhawa, a BC-based creator, author, and artist. Find him on social media @onlyrandzProduced by HarpoEdited by Simran Dale

This episode provides an intro level explanation of just what survival mode is. It's an audio recording from a conversation that host Harpo had with her grandmother, aunt, and mother on a random weekend morning, set in her grandmother's bedroom.Produced by HarpoEdited by Simran Dale

A quick, snappy episode of host Harpo reading out the message she sent to a man she was starting to see the beginnings of a situationship with. It was the first time she honoured her needs, communicated them, and believed in what she really wanted out of a romantic partnership.Produced by HarpoEdited by Simran Dale

This episode of Brown Girl Guilt is a capture from a moment in time. The moment in time? The moment host Harpo realized that just maybe, perhaps, possibly— she has intimacy issues.Produced by HarpoEdited by Simran Dale

In this episode, host Harpo reads out journal excerpts that she wrote during a period of romantic feelings for someone. This time was an incredibly healing time, as she found herself navigating an anxious attachment. The excerpts bring to light just how deep-rooted core attachment wounds can be and how healing them can be beautiful, painful, and cathartic all at the same time.Produced by HarpoEdited by Simran Dale

Welcome to The Nerdy Podcast ran by Northern Nerds!! Join us in this episode of The Nerdy Up North Podcast as we dive into the zany world of the Marx Brothers with a review of their classic comedy, Horse Feathers! Released in 1932, this film is a riotous romp through the absurdities of college life, featuring the iconic Groucho, Harpo, and Chico in their most outrageous antics. We'll explore the film's clever satire of higher education, its unforgettable one-liners, and the slapstick humor that has made the Marx Brothers legendary. From Groucho's quick wit to Harpo's silent shenanigans, we'll discuss how Horse Feathers captures the essence of their comedic genius while also reflecting the social attitudes of its time. Join us as we break down our favorite scenes, analyze the film's cultural impact, and share some behind-the-scenes trivia that will leave you laughing and wanting more. Whether you're a lifelong fan of the Marx Brothers or a newcomer to their work, this episode promises to be a delightful journey into the world of classic comedy. Tune in and let the laughter begin!

John's dog Harpo has a very specific way he shows his displeasure if he gets left alone!

GGACP celebrates January's National Book Blitz Month and the recent release of the book "Zeppo: the Reluctant Marx Brother" by presenting this ENCORE of a 2017 interview with author,  archivist and Marx Brothers fanatic Robert S. Bader. Also in this episode: Gummo goes to war, Harpo “courts” Amelia Earhart, Groucho cashes in on “Skidoo” and Gilbert pals around with Chico's daughter. PLUS: Swain's Rats & Cats! The real-life Sunshine Boys! Bugsy Siegel buys the farm! Dennis Hopper plays Napoleon! And the mystery of the disappearing Marx Brother!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Introducing How People Treat You Differently After Weight Loss | The Oprah Podcast from The Oprah Podcast.Follow the show: The Oprah Podcast In this episode of The Oprah Podcast, Oprah continues her conversation with Dr. Ania Jastreboff, an endocrinologist and associate professor at the Yale School of Medicine, about the anti-obesity GLP-1 medications that are changing the world of weight loss. Oprah and Dr. Ania talk about what happens to a person's mental health, body image and how the world treats them after losing a significant amount of weight. Joined by clinical psychologist Dr. Rachel Goldman, assistant professor at NYU Grossman School of Medicine, Oprah and Dr. Ania speak to people using the GLP-1 medications like long-time Harpo producer, Brian Piotrowicz, who reveals how people treat him differently now that he's lost a significant amount of weight in a short period of time. Several other guests from across the country also share how their lives have changed after GLP-1 weight loss including a woman who lost over 160 pounds. Finally, we will get an update from several guests that appeared on the ABC Oprah Special: Shame, Blame and the Weight Loss Revolution including high school student Maggie who lost over 100 pounds. For more information on Dr. Rachel Goldman Follow Dr. Rachel on InstagramFollow Michaela on TikTok Follow Michaela on Instagram Follow Anna on Instagram Follow Jewell on TikTok Follow Jewell on Instagram Follow Jewell on YouTube Follow Marissa on Instagram Follow Marissa on TikTok Follow Oprah's Producer Brian on Instagram Watch Part 1 Here.SUPPORT THE SHOW Subscribe: https://www.youtube.com/@Oprah Follow Oprah Winfrey on Social:InstagramFacebookTikTokListen to the full podcast: SpotifyApple Podcasts#oprahsbookclub Learn more about your ad choices. Visit megaphone.fm/adchoices DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 240 - The second of two shows in three days.  Brad saw the M.S.G. Reunion Tour featuring Robin McAuley on lead vocals at Harpo's Concert Theatre in Detroit MI on 3/3/12.  He welcomes Kevin Williams from the Iobscuria Podcast back to the podcast to recap this show and discuss various eras of M.S.G.  For the Band on the Bill Spotlight, they put the three Gary Barden-era M.S.G. albums up against the Robin McAuley-era M.S.G albums.  A Slamfest Tip of the Week tasks them with coming up with their own 18-song M.S.G. setlists from this 2012 reunion tour.  Finally, they are faced with a "Which Side are you On?", side 1 or 2 from Michael Schenker's Temple of Rock album, from 2011.Music in this episode by:M.S.G.Bon JoviMotorheadBlack SabbathKissMichael SchenkerOzzyShout it out Loudcast ARC clips from Episode 22 and 23.  Visit Shout it out Loudcast at: www.shoutitoutloudcast.comVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.comVisit Kevin Williams from the Inobscuria Podcast at:https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuria

Katy is eager to share some anxiety tips inspired by Oprah's life coach.

In this episode of Brown Girl Guilt, host Harpo sits down with her mentor Anoop Gill, a fellow brown woman pursuing Executive leadership. They chat about being racialized women in positions of leadership, the transition from girlhood to womanhood, and the roots of competition amongst brown girls in the Punjabi community. Underpinning the episode is the modelling of two brown women who love each other, uplift one another, and actually show up for each other. Produced by Harpo Edited by Simran Dale

My thoughts on Trump winning the 47th presidency, Kamala's failure to concede, and why we got here.Sleeper: Future, Metro Boomin, Rick Ross - Everyday Hustle

This episode of the Brown Girl Guilt Podcast is a deep conversation with self love and dating coach Sandeep Gill @she_writes_herstory. After having done her Worth the Wait Love program, host Harpo @harpodidi asks Sandeep why so many wonderful brown women in her life are experiencing blockages to finding lasting romantic love. Produced by Harpo Edited by Simran Dale

Our coverage of the Fantastic Fest continues with a look at Heads or Fails via a discussion with film making brothers Harpo and Lenny Guit alongside composer Simon Hanes.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Our coverage of the Fantastic Fest continues with a look at Heads or Fails via a discussion with film making brothers Harpo and Lenny Guit alongside composer Simon Hanes.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

In Wat blijft aandacht voor de nieuwe biografie over Thea Beckman, een van de bekendste Nederlandse jeugdboekenschrijvers die vooral beroemd werd met haar historische romans. Haar grootste succes Kruistocht in spijkerbroek (1973) won meerdere prijzen en werd wereldwijd vertaald. Beckman wist als geen ander geschiedenis spannend en toegankelijk te maken voor jongeren en inspireerde generaties lezers. In Geef me de ruimte, de eerste biografie over Thea Beckman, beschrijft journalist en schrijver Vivian de Gier hoe Beckman altijd haar eigen weg koos als schrijver en feminist. Lara Billie Rense praat met de Gier over het leven en werk van Beckman, en waarom zij – ondanks dat het haar werd afgeraden – tóch een biografie over haar schreef. In het tweede uur en de podcast van Wat blijft: In de podcast Wat Blijft hoor je de komende weken de 12-delige serie Grote Geesten over indrukwekkende denkers uit de Humanistische Canon. Van Aristoteles tot Hannah Arendt en van Simone De Beauvoir tot James Baldwin. Wat hebben zij betekend? Wat kunnen we leren van hun leven en denken?  En hoe leven zij voort?  In de derde aflevering volgt Fleur Jurgens het spoor terug van de Franse socioloog en filosoof Bruno Latour. Latour, geboren in 1947 in een wijnfamilie in de Bourgogne, was een intellectueel die meer dan 40 jaar een belangrijke rol speelde in debatten over kennisvorming, politiek en klimaat. Hij zag de praktijk van de wetenschap door een nieuwe, caleidoscopische bril. De wetenschapper in een witte jas was slechts een radartje in het grote geheel en zogenaamde ‘feiten' waren niet heilig. En daarmee werd zijn gedachtengoed ook meteen controversieel. Zijn prikkelende stelling was: we kunnen de wereld ook vanuit het gezichtspunt van ándere mensen, van dieren, planten en zelfs objecten bekijken. Zo is het mogelijk om ze een stem te geven in een ‘parlement der dingen'.   Bruno Latour overleed in 2022 in Parijs.                                                                                                                                       Fleur praat met filosofisch antropoloog Arjan Kleinherenbrink die een boek over Latour schreef, geluidskunstenaar Harpo 't Hart, één van de initiatiefnemers van de Ambassade van de Noordzee die de filosofie van Latour in praktijk brengt en hoogleraar wetenschapsfilosofie Huub Dijstelbloem die in de jaren 90 bij Bruno Latour in Parijs studeerde. Presentator: Lara Billie Rense  Redactie: Jessica Zoghary, Nina Ramkisoen, Geerte Verduijn, Sushmita Lageman  Eindredactie: Bram Vollaers   Productie: Mare de Vries

In de podcast Wat Blijft hoor je de komende weken de 12-delige serie Grote Geesten over indrukwekkende denkers uit de Humanistische Canon. Van Aristoteles tot Hannah Arendt en van Simone De Beauvoir tot James Baldwin. Wat hebben zij betekend? Wat kunnen we leren van hun leven en denken?  En hoe leven zij voort?    In de derde aflevering volgt Fleur Jurgens het spoor terug van de Franse socioloog en filosoof Bruno Latour. Latour, geboren in 1947 in een wijnfamilie in de Bourgogne, was een intellectueel die meer dan 40 jaar een belangrijke rol speelde in debatten over kennisvorming, politiek en klimaat. Hij zag de praktijk van de wetenschap door een nieuwe, caleidoscopische bril. De wetenschapper in een witte jas was slechts een radartje in het grote geheel en zogenaamde ‘feiten' waren niet heilig. En daarmee werd zijn gedachtengoed ook meteen controversieel. Zijn prikkelende stelling was: we kunnen de wereld ook vanuit het gezichtspunt van ándere mensen, van dieren, planten en zelfs objecten bekijken. Zo is het mogelijk om ze een stem te geven in een ‘parlement der dingen'.  Hij overleed in 2022 in Parijs.                                                                                                 Fleur praat met filosofisch antropoloog Arjan Kleinherenbrink die een boek over Latour schreef, geluidskunstenaar Harpo 't Hart, één van de initiatiefnemers van de Ambassade van de Noordzee die de filosofie van Latour in praktijk brengt, en hoogleraar wetenschapsfilosofie Huub Dijstelbloem die in de jaren 90 bij Bruno Latour in Parijs studeerde. 

In this episode, host Harpo brings back Summan Kandola, an entrepreneur and mindfulness coach - this time with an updated perspective on how we can and should manifest our most desired lives. Produced by Harpo Edited by Simran Dale

When you begin to grow, those around you may either evolve with you or remain where you left them. Choosing for yourself can trigger envy and jealousy from your circles, creating dynamics that seek to keep you in a past version of yourself that no longer exists. Executive Director of 5X, Harpo reminds us to stay grounded in who we are, affirming there's no right or wrong way to feel safe in truth, it just is. This episode is for those who are reaching for the stars. As an energy exchange, please rate, review and write a loving note to host Areena Antoine on Spotify, Apple Podcast and All major Platforms. Guest Speaker - ⁠⁠⁠⁠⁠⁠⁠⁠⁠Harpo is a dynamic cultural producer and leader in the South Asian arts scene in British Columbia, Canada. As the Executive Director of 5X, an organization dedicated to young South Asians, she embodies the South Asian identity in Surrey. Her tagline, "Building the world I want to live in," reflects her commitment to bicultural and hybrid identities. With a Bachelor of Arts in Sociology & Gender Studies from Simon Fraser University and a Master of Arts in Education & Society from McGill University, Harpo's research focuses on the challenges faced by second-generation Canadians. Since becoming Executive Director in 2023, she has led the 5X Festival, amplifying South Asian voices and narratives.Recognized as one of Surrey's Top 25 Under 25 in 2021, Harpo is also a community builder and thought leader, participating in panels for organizations like the BC Arts Council. Her insights on cultural dynamics have been featured in media outlets including CBC Radio and Radio Canada.  Additionally, she hosts the podcast "Brown Girl Guilt," which has garnered over 183,000 plays, showcasing her dedication to community empowerment and cultural representation in Canada.

In this episode, host Harpo chats with spiritual coach and reiki master Bhavneet Toor Kang on how we can draw boundaries around our energy, prevent nazar, and become more grounded, spiritual beings. Produced by Harpo Edited by Simran Dale

In this episode, host Harpo chats with her nutrition coach Meagan Chhokar. Meagan has dedicated her life to helping girls navigate their gut health issues and hormonal imbalances. This illuminating conversation unpacks why so many brown women and girls in masses experience gut health and digestive issues. Produced by Harpo Edited by Simran Dale

Watto Vato's are back. Bert badmouths Big Daddy at Wembley and almost had us get our asses kicked. We discuss AEW ALL IN 2024 from being there LIVE. As well as the Acolyte...one of the Star Wars series of all time. Oh and Harpo met Willie Nelson?! ★ Support this podcast on Patreon ★

Performed by Pat McCurdy and the Confidentials. Recorded at Harpo's 3/88.

Seann & Jack meet Harpo Barks, the Maltese, and chat to her owner, Roisin Conaty. Roisin tells us how Harpo came into her life, how she talks to her nonstop and we're treated to some of Roisin's dog songs. Mildred invaded a poetry reading, Dolly's getting recognised before Jack and Seann wants to see if “Oh My Tortoise” has legs. Follow @omdpod and @juniperomd on Instagram A Keep It Light Media Production Learn more about your ad choices. Visit podcastchoices.com/adchoices

Host Harpo chats with Dr. Peter Tsang, owner of Quantum Holistic Health— the acupuncturist who cured her PCOS. Harpo started seeing Peter for acupuncture in August 2023 and it changed her life. After 15 years of trying anything and everything, it was his acupuncture that healed her body. And she's chatting with him about the how and why. Hosted by Harpo Edited by Simran Dale

In this episode, host Harpo chats with Groundwork founder Amrita Ahuja about life in survival mode, life outside of survival mode, the roots of brown girl guilt, and what a life of clarity and ease can look like for high achievers. Produced by Harpo Edited by Simran Dale

Brown Girl Guilt: Ask Harpo Didi Edition! Questions addressed in this episode: 1. What are some things that you do to push yourself out of your comfort zone? How/where do you find the confidence with struggling with anxious feelings to navigate through those difficult situations? 2. I've been with the same person for seven years. Lately I've been feeling that this person is not my person. What do I do? Produced by Harpo Edited by Simran Dale

Fascism is scary AF but it's always been ripe for satire, so as counter programming to this week's RNC, we're pairing strains with two sendups of strutting authoritarians with THE ANTIFA EPISODE, aka the F--K FASCISM EPISODE. Hitler was named chancellor of Germany in January 1933, and the Marx Brothers spoofed the shit out of him by the end of the year with DUCK SOUP, which is widely considered to be their greatest work. Groucho is Roofus T. Firefly, who is installed on the throne of of Freedonia by wealthy widow Mrs. Teasdale (Margaret Hamilton). The plot hardly matters though, as it's all about the classic mirror gag, Harpo taking an oversized pair of scissors to everything he can lay his hands on, and the stellar word play between Chico and Groucho. Directed by Leo McCarey (AN AFFAIR TO REMEMBER) with a surprising amount of musical numbers. FREEDONIA! FREEDONIA! Then we pay tribute to Roger Corman with DEATH RACE 2000, his cult hit about a future fascist America where David Carradine, Mary Woronov, and Sylvester Stallone compete in a coast-to-coast race where they score points by running over hapless pedestrians in their rad muscle cars. Bob saw this at the Redwood City Drive In when he was 7-years-old and it's safe to say that the satire went waaaay over his head back then. Also featuring Martin Kove (KOBRA KAI) and Wendy Dio (wife of Ronnie James), and directed by the great Paul Bartel. Bob also tells you what he really thought of Kevin Costner's HORIZON, beardless Cory reveals the terrible new Paramount logo, Philena blames everything on people born in 1999, and Bob wonders what the hell is wrong with Generation X. Plus, it's FREEE SLURPEE DAY! Hosts: Bob Calhoun, Cory Sklar, Philena Franklin Greg Franklin is on assignment Special Guest Star: Holzfeuer, courtesy of ArnoCorps, the Greatest Band of All Time Trailer audio courtesy of Archive dot org "Sound Off Alert March" by the US Marine Band and "69 Bronco" by DJ Williams courtesy of YouTube Audio Library Sound effects via freesound.org Marching 3.wav by WebbFilmsUK -- https://freesound.org/s/200322/ -- License: Attribution 4.0 190318 pounding banging wood door close distant, mono, KMR82i.flac by TRP -- https://freesound.org/s/573808/ -- License: Creative Commons 0 Be back here on August 12th when Odie Henderson, author of “Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema," joins OMFYS for BLACULA (1972) and DARK TOWN STRUTTERS (1975) Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com

Brown Girl Guilt: Ask Harpo Didi Edition! Questions addressed in this episode: How do I move through being the only single friend when all my friends are in relationships? How do I protect my energy and set boundaries? I just cut my mean cousin out of my life, but my parents refuse to. What do I do? Produced by Harpo Edited by Simran Dale

It's more fastener industry squawking as 30 year veteran Al Bate of All America Threaded Products flies in to discuss European distribution models, fastener head hunting and an exciting new threaded rod offering (1:37:49).  Reporting from a high speed rail car, YFP star Parker Jensen of Atlas Distribution reports on the recent Taiwan International Fastener Show (21:49). AFC Industries VP of sales John Kovatch sits in with newsman Mike McNulty on the Fastener News Report to unpack the startling FDI reading for May (1:00:11). Jake "Valdez" Davis and Francesca Lewis of the MWFA preview this year's FSTNR Week (39:43). On the Fastener Training Minute, Carmen Vertullo looks at coatings for lock washers (1:28:23). RETRO BONUS from Ep. 161: GHIII of Brighton Best launches the era of fastener mud racing! (15:38) Brian and Eric wonder if an under reported headline will cause the economy to lay an egg. Run time: 02:28:41

Host Harpo took one year off from dating, citing, "I wish I knew I was allowed to do this a long time ago." Many of us have been taught that we're incomplete until we find a partner. And so, we're on a constant quest to find the one who can "complete us". BUT! What would happen if we granted ourselves time and space to figure ourselves out? What if we dated from a place of intention and ease, rather than trying to fill a gigantic, bottomless pit? Tune in to find out! Produced by Harpo Edited by Simran Dale

Duck Soup is a Marx brothers film. Groucho stars as Rufus T. Firefly as a dictator of a bankrupt (fabricated) country, Freedonia. The country declares war on neighboring Sylvania over the love of his wealthy backer Mrs. Teasdale.   Timecodes: 00:00 - DMP Ad :30 - Introduction :46 - The Film Facts 3:09 - Pick Up Line 5:20 - What we thought of the film 13:27 - Head Trauma 14:01 - Smoochie, Smoochie, Smoochie 14:18 - Driving Review 14:58 - To the Numbers   Next week's film will be Maltese Falcon (1941)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com Need help editing or producing your podcast, let us help you. Also, you can get 2 months free on Libsyn click here: https://signup.libsyn.com/?promo_code=SMOOCHIE

The finale of our season on the awesome movie year of 1939 features our audience choice pick, the Marx Brothers comedy At the Circus. Directed by Edward Buzzell from a screenplay by Irving Brecher and starring the Marx Brothers (Groucho, Chico, Harpo), Kenny Baker, Florence Rice, Eve Arden and Margaret Dumont, At the Circus prevailed over two other movies from classic Hollywood comedy stars in our 1939 audience choice poll.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/11/17/archives/the-screen-marxes-well-under-their-top-in-at-the-circus-at-the.html), Richard L. Coe in The Washington Post, and John Mosher in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1939 season.

Reed Martin has written Harpo and Chico and Bill, a new comedy about Harpo Marx, his son Bill, and Harpo's brother Chico as they try to put one final live stage show together late in their careers. Written during the pandemic, Reed's play is is now having its world premiere (under his direction) at San Joaquin Delta College in Stockton. Reed discusses how the script came to be, how it's evolving with his all-student cast, and where it might go from here; how he got to meet Harpo's son Bill; how Reed exaggerated the drama (but only a little); how you can't find a single person who has a bad word to say about Harpo; the importance of family both onstage and off; and how Reed's performing the public service of introducing a new generation to classic comedians and timeless bits. (Length 22:16)

There's something about Sofia. The iconic character was first born within the pages of Alice Walker's canonical 1982 novel, “The Color Purple.” She is a fierce, principled Black woman — friend to the protagonist Celie and wife to Celie's stepson Harpo, who tarnishes their relationship with violence. But what is most notable about Sofia is that she will not stand down, even against the backdrop of racism and sexism in the South in the 1930s. Today, actor Danielle Brooks is Sofia for an entirely new generation of audiences, taking on the role for the 2023 musical film “The Color Purple,” and earning an Academy Award nomination for Best Performance By An Actress In A Supporting Role. “Sofia taught me that I have all that I need inside of me,” Brooks tells Notes from America.    In this episode, she and Kai sit down for a conversation about a character who has been instrumental to her life and career. And hell no, that's not all! Hear their full conversation on Oscar night, March 10, at 6 p.m. ET on the Notes from America broadcast. Check your local public radio listings for more information about where to tune in, or stream the show at www.wnyc.org.    Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here. Notes from America airs live on Sundays at 6 p.m. ET., and listeners to the broadcast and podcast are invited to join the conversation at 844-745-TALK(8255). Podcast episodes are lightly edited from our live broadcasts.

RIP Carl Weathers, RIP Wayne Kramer, Shane Gillis to host SNL, Eli Zaret joins us, Trump looks like Elvis, a repeat offended on cop cam, and Gen Z still get allowances. Tonight's Viewing Pleasure: The 2024 Grammy Awards, but more importantly, Curb Your Enthusiasm returns on Max. Eli Zaret drops by to rip the terrible University of Michigan basketball team, the NCAA vs Tennessee, San Francisco talking smack about last week's devastating Lions loss, the upcoming NFL Draft, Patrick Mahomes Sr's DWI, the Kansas City Chiefs fans murder mystery solved, Taylor Swift prop bets and much more. Iowa women's basketball player Caitlin Clark's trading card is on fire. Joe Biden drops some retaliatory bombs. Dearborn is the US Jihadi Capital according to the Wall Street Journal. Trump Special Prosecutor Nathan Wade and Fulton County DA Fani Willis got it on. Some people are saying Donald Trump looks exactly like Elvis Presley. Gone Too Soon: RIP Carl Weathers… aka Apollo Creed aka Dillion aka Chubbs. RIP Wayne Kramer. Check out our interview with Wayne right here. Remember this cop cam? Well, she's back with a vengeance. Universal Group pulls their music from TikTok. Once fired before he even started, Shane Gillis is going to host SNL in 3 weeks. Poor Bowen Yang. Joe Rogan gets new $250M Spotify deal. He can also broadcast on Twitter. Not-a-Prince Harry and that beast, Meghan, are trying to stay relevant. Alyssa Milano teaches a masterclass on how not to respond when you do something stupid. Also, 12-year-olds probably shouldn't be on social media. Harpo's needs some cash. How about a GoFundMe? George Santos is not nailing Only Fan's model Michael Doherty. Teri Hatcher got booted off of Tinder. Mike Tyson is starting a school. Shaq is invested in schools as well. Will Smith's school was a FAILURE. Gen Z and Millennials are still pretty dependent on their folks. Loud Budgeting is a thing now, but isn't really a thing. Read the room, Demi Lovato. Amy Robach is being encouraged to get away from TJ Holmes. A Wendy Williams doc coming soon on Lifetime. No one seems to be able to diagnose her medical issues. Stars are Just Like US: Paulina Porizkova is showing off her scars. BranDon's vasectomy almost included feces… but totally didn't. Justin Timberlake, like everyone else, is so sick of Britney Spears. Quest Gulliford has the worst tattoos possibly ever. We check on who is performing at the Grammy Awards tonight. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

What I learned from reading the transcripts of Young Oprah on Her Life and Career and Oprah on Career, Life and Leadership. ----Get access to the World's Most Valuable Notebook for Founders by investing in a subscription to Founders Notes----Come and build in-person relationships at the Founders Only conference----(1:00) Oprah fired her agent and replaced him with a Chicago lawyer named Jeffrey Jacobs. "I heard Jeff is a piranha. I like that. Piranha is good."(3:00) I will just create. And if it works, it works. And if it doesn't, I'll create something else. I don't have any limitations on what I think I could do or be.(4:30) Dr. Julie Gurner's Ultra Successful newsletter Dr Julie Gurner's Website (7:00) Imitation precedes creation.  — Stephen King On Writing: A Memoir of the Craft by Stephen King. (Founders #210)(9:00) On getting demoted from anchor to talk show host: I was embarrassed by the whole thing because I had never failed before. It was that “failure” that led to the talk show. (Opportunity is a strange beast. It frequently appears after a loss.)(9:00) The talk show immediately felt right to her: This is what I should have been doing because it was like breathing to me. It was like breathing. I knew it was the right thing to do.(10:00) Oprah has an intense, powerful belief in herself. And she has had that since she was 4.(11:00) I truly believe that thoughts are the greatest vehicle to change power and success in the world. Everything begins with thoughts.(12:00) If you actually have to choose between the most experienced person, or the most educated person, or the person who actually wants it the most, you always pick the person who wants it the most. — Josh Kushner on the Invest Like the Best podcast (14:00) Visualize.If in your mind's eye you see a successful venture, a deal made, a profit accomplished, it has a superb chance of actually happening. Projecting your mind into a successful situation is the most powerful means to achieve goals.If you spend time with pictures of failure in your mind, you will orchestrate failure.Countless times, before the event, I have pictured a heroic sale to a large department store every step of the  way and the picture in my mind became a reality. I've visualized success, then created the reality from the image.Great athletes, business people, inventors, and achievers from all walks of life seem to know this secret.— Estée Lauder: A Success Story by Estée Lauder. (Founders #217)(17:00) I am going to have what I deserve.(19:00) I was watching my grandmother boiling clothes (they had no indoor plumbing) and I was four years old and I remember thinking: My life won't be like this. My life won't be like this. It will be better.(22:00) I thank whatever God there is for my unconquerable soul.(22:00) And whatever you do, if you do a lot of it, you get good at it. And that is how this broadcasting career started for me. I've been an orator for a long time. I've been an orator all of my life.(27:00) I feel that my show is a ministry.(27:00) I loved books so much as a child. They were my outlet to the world.(29:00) I had a very strict father. I remember my father saying you can not bring C's in this house because you are not a C student. You're an A student. It was just so matter of fact.(31:00) Paul Graham on how to make yourself a big target for luck:“When you read biographies of people who've done great work, it's remarkable how much luck is involved.They discover what to work on as a result of a chance meeting, or by reading a book they happen to pick up.So you need to make yourself a big target for luck, and the way to do that is to be curious.Try lots of things, meet lots of people, read lots of books, ask lots of questions.”— How To Do Great Work by Paul Graham. (Founders #314)(33:00) Her schedule in college was intense: I'd do all my classes from 8am to 1pm. Then I worked at the tv station from 2pm to 10pm. Then I'd study until 1am and then do the routine all over again the next day.(34:00) I demand only the best for myself.(35:00) Oprah on the parasocial relationship with her audience: It's not like other celebrities. I see people react to other people and it's not like it is to me.(37:00) Asking for help is a superpower no one uses.(39:00) The ability to read at an early age saved my life. I knew there was a better way. I knew there was a way out because I had read about it.(41:00) I sign every check. It is tedious. It gets to be a lot. I have piles of checks. The idea of having money and not being responsible and knowing how much money you have and keeping control of it is not something that I personally can accept. I watch it very carefully.(42:00) Henry Singleton pays all the bills and signs all the checks, calling it "a form of discipline. Through doing the signing it's amazing how much you learn about the business. There's a reminder of each event or action behind each check. — Distant Force: A Memoir of the Teledyne Corporation and the Man Who Created It by Dr. George Roberts. (Founders #110)(42:00) How do you learn to be a founder? You do it the same way you do anything else: 14, 15 hour days. I feel most comfortable working.(43:00) For me, work just meant discovery and fun. If I heard somebody complaining, “Oh, I work so hard, I put in ten- and twelve-hour days,” I would crucify him. “What the fuck are you talking about when the day is twenty-four hours? What else did you do?”  —Total Recall: My Unbelievably True Life Story by Arnold Schwarzenegger. (Founders #141)(43:00) It doesn't feel like work.(46:00) Intuition is a very powerful thing. More powerful than intellect in my opinion. That's had a big impact on my work. — Steve Jobs(48:00) I am only a little dress-maker, trying to make women young and pretty. These other designers that do the pretty little sketches, the boys, they don't understand women, they don't know how they live. Their idea is to make them weird, freaks. — Coco Chanel: The Legend and the Life by Justine Picardie. (Founders #199)(51:00) I live from the inside out.(54:00) Acquired's podcast episode on Oprah and Harpo (54:00)Self beliefOwnershipDo the same thing for 25 yearsStay within your circle of competence(55:00) Find what feeds your passion. Your real job is to find out why you are really here and then get about the business of doing that.----Get access to the World's Most Valuable Notebook for Founders by investing in a subscription to Founders Notes----Come and build in-person relationships at the Founders Only conference----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast 

"The Color Purple" adapts the stage musical for the big screen with one of the best ensemble casts of the year. Fellow friends and former Juilliard acting students Danielle Brooks and Corey Hawkins were kind enough to spend time speaking with us about their work in the film playing Sofia and Harpo, respectively. Brooks, in particular, has already been nominated for a Critics Choice and Golden Globe Award for her performance as Sofia, a role for which she was also nominated for a Tony Award on Broadway. Please be sure to check out the film, which is now playing in theaters from Warner Bros. Pictures and is up for your consideration at the 96th Academy Awards in all eligible categories, including Best Picture, Best Supporting Actress, and Best Supporting Actor. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices