Podcasts about auto iso

Kev gets dewy-eyed over the music of Ralph McTell, remember the Streets of London, and Neale is feeling hopeful and buoyant about people and business in 2025. Questions today about the best camera for sports photography from the Fujifilm range, the quirks of Auto ISO, content insurance for kit away from home, more issues, photo challenges for 2025, content creators snapping your original ideas, and what software the boys use for editing video. Email the show with your questions: click@fujicast.co.uk  Pic Time: https://www.pic-time.com/ - use FUJICAST when creating an account for discount offers to apply For links go to the showpage.

Join Ruth, James and Nick on September's podcast as we find out what Adobe has done this time to get on the wrong side of it's long-term customers, and debate if a simple way to track your gear is worth the risk. We ask if we really need further advancements in technology when it comes to new camera equipment and find out your thoughts on the matter, and we debate if there is any point at all to Auto ISO. And we decide if the world really needs a revolutionary new lens with swappable glass elements and a tiny printable tripod.   LINKS

Heute gehe ich einer brennenden Frage nach: Sollte man die Auto-ISO-Funktion nutzen oder nicht? Ich teile meine persönlichen Erfahrungen und gebe tiefe Einblicke in die Welt der ISO-Einstellungen. Erfahre, wie ich meine Kamera im Studio und bei Outdoor-Shootings einstelle und warum Bildrauschen das kleinere Übel ist. Klingt interessant? Dann schnapp dir einen Kaffee und tauche ein in die faszinierende Welt der Fotografie! Besuche auch meine Webseite, um mehr über meine Fotokurse zu erfahren und Abonniere dort den Newsletter um keine Updates zu verpassen. Folge mir auf Instagram: https://www.instagram.com/pixelcatcher.de/ Meine Fotografie Kurse zum Download: https://www.pixelcatcher.de/videotrainings/ Mein Youtube Channel: https://www.youtube.com/fotografmichaeldamböck

Better Fuji Photos Episode 3: AUTO ISO for Sharper Photos I was haunted by unwanted motion blur for years when I started my digital photography journey. Keeping track of an ISO that would produce noise-free photos and a shutter speed fast enough to freeze motion seemed to be beyond my grasp. But then I became comfortable using auto ISO. Suddenly (most of) my photos were sharp as a tack! And I've never looked back; it continues to be one of my favorite exposure features. In this episode, we'll discuss the argument for not caring about noise, letting the camera handle the ISO decisions, and how to set up Auto ISO in Fujifilm cameras. All for making exposure easier and getting sharper photos! (YouTube video) X-T4 vs X-T5 high ISO noise comparison: https://youtu.be/NJH1UVDW-5o Fujifilm Camera Tutorial Courses: https://photocourses.link/cameras. Use the code "POD20" for 20% off. Please subscribe, rate, and review wherever you prefer to listen to your podcasts so we can keep this show going. If you ever have any questions that you'd like to have answered in an episode, please send me an email at mail@jmpeltier.com. End music: Dylan Sitts - Tahoe Trip

You have photo questions, I want to answer them for you here on the show.Whenever you have a question about photography, day or night, 24 hours a day 7 days a week, head to https://beginnerphotopod.com/qa , and send me your questions.After shooting for more than a decade and interviewing 300+ world class photographers, its time to share some of that practical information with you!Todays Questions:What white balance should you use when shooting indoors when also using flash?If you had 1 hour to shoot any photography assignment, what would it be?How do you plan the story before you shoot? Do you know what you want to capture or do you just react to the story in the moment?What do you all do to stay active with your photography in the winter?Do you use Auto ISO? If so, when. If not, why not?Is there an all purpose lens that will let me shoot close ups and wildlife a quarter mile away?Do you have any recommendations on a camera that geared more towards photography that would be great for shooting wildlife?What are other ways to make money from photography other than portraits, weddings, or events?Resources:Ask your photography questions to get answered on the show!Join The Beginner Photography Podcast Facebook CommunitySign up for your free CloudSpot account to deliver beautiful images galleries todayFree Lightroom Presets!Grab your Free CloudSpot Account at DeliverPhotos.com Grab your Free CloudSpot Account at DeliverPhotos.com

This is The Digital Story Podcast #856, August 16, 2022. Today's theme is "Mastering Your Autofocus." I'm Derrick Story. Opening Monologue Like many other advanced features on our cameras, we often take autofocus for granted. These days, it works that well. But it's also quite customizable. And it's worth taking a few minutes to wander through the camera's AF menu to tailor its performance to our preferred way of shooting. We'll take a closer look on today's TDS Photography Podcast. AF 1 > AF by half-pressing(button symbol)> S-AF> No. Continuous Autofocus C-AF - Every camera is a bit different in its implementation, but generally speaking, once you indicate what you want in focus, the camera will continuously focus and refocus for you. I've been using this a lot for my event shooting with the OM-1, almost always in burst mode. It's a great way to capture moving action. A variation on this is Tracking Autofocus. This usually narrows the continuous autofocusing to a specific subject. Where it goes, so does the camera's AF sensor, literally "tracking" it across the frame or coming toward you. Canons and Nikons do this particularly well. Canon calls it Servo. Olympus lists it as C-AF+TR. Face and Eye Detection Autofocus - This works well when you only have one or two subjects. The camera identifies their face and/or eyes, and automatically focuses on them. This had improved a lot over the years with things like "right eye" or "left eye" AF. A neat trick is to set this up with back button focus to quickly enable it and have the shutter button use sensor focusing. Subject Detection - Now we're getting into some sweet computational photography. In this mode, the camera will look for the subjects that you've indicated, and focus on them. With my OM-1, the options are: Cars and Motorcycles, Airplanes and helicopters, trains and locomotives, birds, and mammals such as dogs and cats. This works remarkable well. Manual Focus - You take over the focusing chores and use the focusing ring on your lens. Another area that I've increased trust is the number of focusing points that I have active. I used to use a single point for all of my AF work. But now I've gone to a cross pattern that incorporates multiple AF points, and I position it in the frame using the jog stick. This protects me when there is slight subject movements right at the moment of exposure. Final Thoughts I'm trusting my camera's focusing decisions much more than I used to. I'm still a little hesitant with face detection in crowded conditions, but I do use Continuous, Cross Sensor, and Subject Detection regularly. And the results have been very good. Fujifilm confirms X Summit event in New York City on September 8 You can read the entire article on DP Review. Fujifilm has confirmed its next X Summit event will take place in New York City on September 8, 2022. Fujifilm hasn't shared any details about what all we can expect from the event, but we do know we'll be getting our first glimpse of Fujifilm's X-H2 camera. After announcing its new X-H2S mirrorless camera at its X Summit event back in May 2022, Fujifilm teased the X-Trans CMOS 5HR, a 40MP CMOS sensor it said would be used inside the company's forthcoming X-H2 camera system. Fujifilm didn't further elaborate on what else we could expect from the sensor and the X-H2 it will be inside, but the tagline for the X-Trans CMOS 5HR is '40MP, beyond the format boundaries.' Compared to the 'stacked layer, ultra fast motion capture' tagline used for the X-Trans CMOST 5HS sensor used inside the X-H2S, it's clear the 5HR - and the X-H2 as a whole - will likely focus on resolution and image quality above all else. It's unclear if any further announcements will be made beyond Fujifilm's new X-Trans CMOS 5HR sensor and X-H2 camera, but considering Fujifilm's current lens roadmap shows its new XF 56mm F1.2 and XF 30mm F2.8 Macro lens still due for 2022 launches, it's likely we'll see some additional details about these optics. Whatever the case is, we'll be here providing the latest updates as they're announced. In the meantime, mark your calendar for 6pm UTC for September 8, 2022. For anybody based in or near New York, Fujifilm is holding one of its 'Fujikina' events in the city on September 10th. This will include demonstrations and talks by a series of photographers and filmmakers, as well as a chance to get your hands on some of the company's latest gear. This is the first time Fujifilm has held such an event outside Japan. Tell a Friend I was thinking the other day about how people love to tell me about their favorite podcasts, which I appreciate! Then, I started thinking, we should be telling our friends about The Digital Story podcast. It's available on every service that's commonly used: Apple Podcasts, Google Play, Amazon, Spotify, and on and on. If each or our regular listeners told just one friend about this podcast and encouraged them to listen, those should be substantial numbers. So let's try it! Tell a friend about the TDS Photography Podcast. Not Using Auto ISO? You're Missing Out You can read the entire article on FStoppers. Auto ISO is one of those features that I ignored for a long time, considering it not much more than a gimmick. It wasn't until recently that I decided to try auto ISO, and I quickly realized that I was missing out on a valuable and practical feature. As the name suggests, in auto ISO mode, the camera will pick the correct ISO value for the scene being metered. Initially, the idea of letting my camera pick the ISO value seemed not only silly to me, but also like a genuinely bad idea, since I was afraid of winding up with grainy images if the camera chose a very high ISO. I was also firmly entrenched in a film shooter's mentality, since I grew up in an era when using ISO 800 film was pushing the boundaries of grain and typically only used as a last resort. Obviously, the world changed a long time ago, but as many of us know, old habits die hard, especially for us photographers! The beauty of using auto ISO is in the customization possible. The camera doesn't simply pick any appropriate ISO for your exposure, but gives you a number of other options to ensure you don't wind up with extremely grainy or blurry photos. In this article and video, I explain how these features work using a Canon EOS camera, but the basics will work with any camera that has auto ISO, although the customization levels will vary by brand. Once you've set your camera to auto ISO, you can tell the camera the lowest and highest ISO it is allowed to use using the "Auto Range" menu. At first, I thought of the auto range as a high-ISO cap, leaving the low ISO at 100 and setting the high cap at around 3200, which I felt was the most grain I would want to see in my images. I quickly realized that this was not the best way to use the feature and now fine-tune it a bit more based on the specific shooting conditions and not just on acceptable grain levels. By far, the most common way I use auto ISO is when shooting in aperture priority. In this mode, the camera picks the shutter speed and ISO, and I just dial in the aperture that I want. As a portrait photographer, selecting a wide aperture is almost always my main concern, and with two small children, I find this to be one of my favorite ways to shoot. I love not having to worry about the camera picking a shutter speed that is too slow for fast-moving kids or an ISO setting that's so high my images are too grainy. By dialing in my auto ISO settings, I am able to retain creative control in situations where I don't have a ton of time to fiddle with settings, in other words, any situation where kids are involved! I have found myself using Aauto ISO with aperture priority more and more when I leave my studio and work in natural light, whether it's taking some snaps of the kids or a concert in a dimly lit venue. Virtual Camera Club News Have you been unsubscribed? A number of listeners have let me know that they were unceremoniously unsubscribed from the show. If that happens to you, just go back to the app and click on subscribe. Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout. My Writing on Medium.com: I now have 51 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me! The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on

Emilie's spends the morning in the marsh, Susan's impromtu Zoom hang with a group of female photographers, and Ray has a Nikon Z9!Ray met Scott Dere while out shooting.Susan read the book Johnathan Livingston SeagullDo you call it a Bill or Beak

The latest episode of the Photography News podcast encourages you to grab your bucket, spade, and camera gear then head to the beaches to make the most of the coast. Everyone in the UK is lucky enough to live within a couple of hours of the seaside, so now the school holidays are over and the crowds are dying down, it's a great time to head there with your camera. The team discusses the photo opportunities that await, the challenges to overcome and - crucially - how to keep your precious kit free from grit and sea spray. Elsewhere on the podcast, Kingsley, Will and Roger take a trip down memory lane to recall cameras they owned in their 20s - which reveals some rather surprising choices - and they discuss the benefits of using legacy lenses. You'll also learn what's in the forthcoming issue of the magazine, when a macro lens isn't a macro lens (and when it is), plus the benefits and pitfalls of using the Auto ISO mode. Got a pressing photography question? Email podcast@photographynews.co.uk and you could find your question being answered by some of the best in the business. And don't forget to catch up on previous episodes, too!

In this episode of The Nature Photo Guys Podcast, Joe and Chris discus the benefits of Manual Mode + Auto ISOThe Nature Photo GuysEmail: info@thenaturephotoguys.caWebsite: www.TheNaturePhotoGuys.caFacebook: @thenaturephotoguyspodcastInstagram: @thenaturephotoguyspodcastJoe DesjardinsEmail: joe@joedesjardins.caWebsite: www.JoeDesjardins.caFacebook: @joedesjardins.caInstagram: @joedesjardins.caChris GibbsEmail: info@chrisgibbsphotography.comWebsite: www.ChrisGibbsPhotography.comFacebook: @chrisgibbsphotographyInstagram: @chrisgibbsphotography

Firmware frenzy, medium format love, and vacation cams are some of the topics that Marco and Scott discuss on episode #14 of the “We Shoot Mirrorless” podcast for May 2018.   This show is sponsored by: COSYSPEED - The fastest camera bags in the world.   Marco was interviewed about street photography and his work in the current issue of the German photography magazine “PHOTO HITS” 6/2018 (in German): https://shop.fotohits.de/catalogsearch/result/?q=foto-hits-magazin-6-2018   SmugMug acquired Flickr and Scott and Marco think that this could be a good thing for the photography community.   If you want to attend a 1 on 1 street photography workshop in Hamburg, Marco now offers this option. Check it out: https://www.marcolarousse.com/street-photography-workshops/   Marco draws the four winners for the PPN 1st birthday giveaway. 3 cool photo presents are gifted to 3 PPN listeners. These are the prices:   A COSYSPEED CAMSLINGER STREETOMATIC + camera bag. A copy of Skylum Luminar 2018 image processing software. A copy of Skylum Aurora HDR 2018 software. Panasonic announced the TS7/FT7 camera. It’s the first rugged compact water- and shockproof camera to have a built-in EVF. B&H: https://bhpho.to/2L1InfT   Fuji announced the GF 250mm f4 R LM OIS WR medium format lens. It gives an EFV of around 200mm, focuses via a linear focus motor and its OIS is rated at 5-stop shake reduction, according to Fuji. The minimum focus distance is 1.4m or 55” and it weight 1.4kg or 3.14lb. B&H: https://bhpho.to/2wRqttw   Fuji released a 1.4x teleconverter for the new 250mm f4 lens, boosting the FOV to 277mm at f5.6..And they have also released macro extension tubes for the Medium Format GF system. The MCEX-18G WR is 18mm long while the MCEX-45G WR is 45mm. Both are weather sealed. B&H: https://bhpho.to/2wRqttw   Fuji updated the X-T2 with FW version 4.0. Some of the added features are: Automatic focus bracketing up to 999 frames focus shift. (Stich later) F-log recording to SD card (previously only possible over HDMI) 1080/120p high speed mode (plays back in Slow Motion) Improved Phase Detect AF performance reducing the low light focus acquisition from  +0.5EV to -1.0EV, Flicker reduction (especially indoor sports in fluorescent light) Enlarged/customizable indicators in viewfinder and LCD   The Fuji X-T20 was upgraded to FW version 2.0, The X-E3 to FW version 1.20, the X100F to FW version 2.10, and the X-H1 to FW version 1.02. Fuji FW update website: http://www.fujifilm.com/support/digital_cameras/software/fw_table.html Olympus has also released FW updates to some of their OM-D series cameras: http://cs.olympus-imaging.jp/en/support/imsg/digicamera/download/software/firm/e1/ .   Hasselblad has released the XCD 21mm f4 lens for the X1D camera. It has a 17mm EFV with f4-f32 aperture range. B&H: https://bhpho.to/2rKZR7F   Hasselblad also updated the FW and added some features to the X1D camera with FW version 1.21. Some of the new features are: Interval timer. Exposure bracketing. Shutter speed limit for Auto ISO in P and full Auto mode. AF support for almost all HC/HCD lenses when using the XH lens adapter. https://www.hasselblad.com/x1d/firmware/   Sony released minor FW upgrades for two of their top cameras. a7R III FW version 1.10 adds Pixel Shift Multi Shooting interval of 0.5sec (1-30 seconds previously). Adds support for bracketing during silent shooting with uncompressed RAW. Adds support for turning of the peaking display level for S-Log shooting and improves the overall stability of camera. https://esupport.sony.com/US/p/model-home.pl?mdl=ILCE7RM3&template_id=1®ion_id=1&tab=download#/downloadTab   a7 III FW version 1.01 implements bug fixes and improves the overall camera stability. https://esupport.sony.com/US/p/model-home.pl?mdl=ILCE7M3&template_id=1®ion_id=1&tab=download#/downloadTab   Tamron launches 28-75mm f2.8 Di III RXD lens for Sony e-Mount. The lens was designed with a focus on IQ, compact size, and Silent AF. It weighs 550g or 19.4Oz. The new stepping motor is claimed to be fast, accurate, and silent, and the lens is moisture resistant. B&H: https://bhpho.to/2rMI8wq   Casio is pulling out of the digital compact camera market and Marco is going down memory lane as his first ever digital camera was a Casio QV-10. Check out the Skylum LUMINAR 2018 software: Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings) Mirrorless question of the month: Hi Scott and Marco, I am currently shooting wildlife with a Nikon D500 and D7200, the D500 is everything have always wanted for a wildlife shooting camera. I use mostly a tamron 150-600 lens, however, at the end of the day, my arm is so tired if I do a lot of shooting. I have been seriously thinking about changing to either the oly OM_D Mll or the panasonic G9. From reviews, I have read either camera is a toss up for my needs. The panasonic feels great in the hand. My main question does one brand of lenses work better on the competitors camera than the other? Both brands seem to have good long lenses for wildlife Oh by the way I am from Clearfield, UT. and I have a sony a6500 for street shooting and for doing landscapes. I did try the sony 100-400 on it, and I did not care for that set up. Thanks for your help. Question by: Mark from Clearfield, Utah, USA. We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Pics from Paul - Title: Bicycle and Bicycle (click here). Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

Gina shares a hack on how to use high speed sync when you normally can’t! It’s about getting your speedlite to become intimate with your studio light - and convincing your camera to do perform shutter speeds it usually won’t do. All is revealed in this episodes, along with the benefits of using auto-ISO - and why this is a great function to take advantage of especially if you’re doing events. Gina and Valerie love bringing this podcast to you. Hope you enjoy it. Sign up to the newsletter for great tips and free Lightroom presets. Join the dynamic Gold Membership in our Community which delivers monthly tutorials, live mastermind and lots of behind the scenes videos into the creative process. Find out more at ginamilicia.com. Read the show notes. Email Gina and Valerie news@ginamilicia.com  Visit GinaMilicia.com | ValerieKhoo.com

On this episode #9 “We Shoot Mirrorless” podcast episode for December 2017, Marco invited guest co-host Joseph Linaschke, also known as PhotoJoseph on social media, to discuss these new products and mirrorless topics:   This show is sponsored by: COSYSPEED and PhotoShelter   Joseph introduces himself and shares why and when he switched to mirrorless cameras for his professional work.   Panasonic announced a new camera. The LUMIX DC G9 has the latest 20.3 MPix m4/3 sensor (same as GH5 but tweaked and improved jpg image processing quality. It shoots up to 20 fps with continuous AF and its 5-axis sensor stabilization reduces shake up to 6.5 stops (it supports Dual IS, too). It has 225 AF points and an AF point selector joystick. The EVF has a huge magnification of 0.83x OLED EVF with 3.68 Mio dots next to a 3” fully articulating tilt-screen. Images can be stored on two UHS-II SD card slots. And connectivity options include HDMI, Mic, Headphone, Flash Sync, USB3, wired remote and WiFi 802.11ac standard. It shoots video in UHD 4K 60fps using the full sensor without an extra video crop. B&H: https://bhpho.to/2AYk4hr Amazon DE: http://amzn.to/2yKV9rM   Joseph also explained how the Panasonic LUMIX G9 compares to the LUMIX GH-5. B&H: https://bhpho.to/2yL4no4 Amazon DE: http://amzn.to/2k5LUhw   And they talked about some of the other cameras from the Panasonic LUMIX lineup like the G7: B&H https://bhpho.to/2yL3rjz  Amazon DE: http://amzn.to/2BzTAmg G85: B&H https://bhpho.to/2AYRJI6  Amazon DE: http://amzn.to/2ziSitN GX85: B&H https://bhpho.to/2yKLEZX  Amazon DE: http://amzn.to/2owB5Kb   Panasonic also announced the Leica DG Elmarit 200mm f2.8 OIS Tele Prime lens with a 400mm equivalent FOV in 35mm terms. It supports Dual IS and has 3 linear motors for speed. There is also a 1.4 TC available to boost the range up to a 560mm FOV in 35mm terms. The lens is also freeze proof and weather sealed B&H: https://bhpho.to/2AZDfaT Amazon DE: http://amzn.to/2yMLAZG   Leica announced the compact CL camera. It’s and L-mount camera with a 24 MPix APS-C sensor. And compared to the Leica TL2, which heavily relies on a touchscreen menu control operation, the Leica CL is a bit more conventional with two exposure dials, a 4 way-controller and a few physical buttons. The CL also has a built-in EVF with 2.36 Mio dots (this has to be purchased as an extra attachment for the TL) and it has a small “current settings” LCD on top next to the shutter release. The rear LCD is also touch sensitive. B&H: https://bhpho.to/2AYmKeZ   Leica also released the Noctilux-M 75mm f1.25 ASPH lens. This lens will offer a very shallow depth of field and should produce an amazing bokeh. The Minimum focus distance is 85cm or 3 ft, but the weight of approximately 1kg or 2.3 pounds is quite massive. B&H: https://bhpho.to/2yKT5jN   Sigma introduced the new 16mm f1.4 DC DN lens that will be shipping now for Sony APS-C (classic 24mm FOV with f1.4) and m4/3 cameras (32mm FOV equivalent). It has a stepping motor for fast and silent AF that should work well for still as well as video work. It’s dust and splash proof and has 9 rounded aperture blades for a circular bokeh wide open. The lens is also treated with an advanced lens coating to minimize flare and ghosting. The lens weighs 405g or 14.3 oz B&H: https://bhpho.to/2yM5vrD Amazon DE: http://amzn.to/2yM994B     Fujifilm updated the FW for many interchangeable lens cameras in the past month. The biggest upgrade came to the X-T2 with FW upgrade 3.0. The biggest improvement was made to the AF tracking algorithm for moving subjects. According to Fuji, it enhances the AF-C to track subjects twice as fast as previous FW as well as the ability to track moving objects up to 50% smaller than before. The FW also ads the ability to use “Fujifilm X Raw Studio”, improves radio flash controller usability, ads RGB histogram highlight warnings, and fixes a problem in Auto ISO setting with exposure compensation set to C.   Fuji’s FW site: http://www.fujifilm.com/support/digital_cameras/software/fw_table.html     This is the link to Joseph’s Panasonic LUMIX and GH5 training that he mentioned on the show: http://GH5Training.com Mirrorless question of the month:   Hello Scott and Marco, I have a question for Marco. I'm in process of selling my Nikon D300s camera (way to heavy for my age and use) with the intention to get a Fujifilm X-T2. I plan to get the EF-x500 flash too, primarily for fill light for indoor shooting. However, I have read that this flash does not work well and it dies after a few uses (poor manufacturing or design flaw..!) the word is the OEM manufacturer "Nissin Digital i60A" flash does a much better job. I know from the podcast that you don't use flash much. But I wanted to know your understanding/recommendation on to which flash to get - the Fujifilm EF-x500 or Nissin Digital i60A or a different one? I'll appreciate any advice. From: Viguen from West Hills, Ca. We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably.   You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Andrea Lanzilli - 06:40 AM - Pescara, Italy (click here).   Co-Host Joseph Linaschke Joseph’s Website: www.joseph.info Joseph’s Twitter: @PhotoJoseph Joseph’s Instagram: www.instagram.com/photojoseph Joseph’s YouTube Channel: youtube.com/photojoseph Joseph’s Panasonic LUMIX and GH5 training: http://GH5Training.com   Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

https://www.adorama.com David Bergman gives you a tip that makes aperture priority mode more useful. Related Products at Adorama: Canon EOS 5D Mark IV DSLR Body https://www.adorama.com/ica5dm4.html?utm_source=youtube&utm_medium=social&utm_campaign=Auto%20ISO%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video Canon EF 24-70mm f/2.8L II USM Zoom Lens https://www.adorama.com/ca2470.html?utm_source=youtube&utm_medium=social&utm_campaign=Auto%20ISO%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video You can keep up with David on Instagram and Twitter @DavidBergman Like, share, and comment on the video below...let's get the conversation started!

ISO, neboli citlivost snímače umožňuje fotografovi reagovat na různé světelné podmínky. Princip je stejný u chytrých mobilů, kompaktů i špičkových zrcadlovek. Jak správně nastavit ISO, kdy zvolit a kdy vypnout Auto ISO a jaké jsou důsledky různých hodnot? To vše v dnešním videocastu.

Welcome to episode 45! This time I share what I learned after forcing myself to shoot an entire hockey game using Auto ISO. It was a great experience and I share the successes and the teachings from it in this podcast.

When should you use Auto ISO? When Darren asked me this question on our last photo tour, the answer I gave was very different than my standard answer when I started leading photo tours in 2009 - 2010. It's not so much that times have changed but that technology has evolved significantly. Just five or six years ago, most digital cameras topped out at ISO 1600 - ISO 3200. With that narrow range, noise started to be visible at as low as ISO 800 in many cameras. It was downright distracting by ISO 1600. When your camera can't be trusted to create clean images north of ISO 1600, you shouldn't leave the ISO decision to chance. Back then, I counseled that you should change your ISO deliberately, so you can ensure you are always getting the sharpest image possible. ISO performance in 2015 is incredibly better. It is not uncommon for entry level DSLRs to top out at ISO 128,000. With such a wide range, a DSLR can create noise-free images at much higher DSLR levels. With that increased performance, Auto ISO is not as risky. Here are a few scenarios when Auto ISO might be helpful.  Listen to the podcast

PIP 14 -Gravado dia 31 de março de 2009 Muitos assuntos discutidos, alguns micos e complicações técnicas mas estamos no ar. 00:33 – GigaPan System – Alguns exemplos em GigaPan.org 03:31 – Velocidade dos cartões CF 10:14 – Canon 500D e Canon Speedlite 270EX 18:00 – Auto ISO na Nikon D3 com SB400 21:54 – […]