Podcasts about bohuslav martinu

Der Oboist Francois Leleux ist in München quasi zuhause. 1992 hat er den ARD Musikwettbewerb gewonnen, 12 Jahre lang war er Solo-Oboist des BRSO und inzwischen hat er eine Professur an der Münchner Musikhochschule. In der Reihe "Nachtwache" des Münchener Kammerorchesters tritt er morgen als Solist auf. Und hier auf BR Klassik ist er oft zu hören, zum Beispiel mit solch wunderschöner Barockmusik. Neben Mozart und Berio wird Bohuslav Martinu zu hören sein. Sein Oboenkonzert. Das gilt als ziemlich anspruchsvoll, vielschichtig - was erwartet das Publikum in diesem Stück?

Die Musik von Bohuslav Martinu gilt als sperrig. Zu Unrecht, findet der Cellist Johannes Moser. Er hat gemeinsam mit dem Pianisten Andrej Korobeinikov die Cellosonaten Martinus aufgenommen. Am 28. November spielen sie im BR-KLASSIK-Studiokonzert.

SynopsisPiero della Francesca was a 15th century Renaissance painter, whose series of frescoes entitled Legend of the True Cross inspired one of the best orchestral works of a 20th-century Czech composer named Bohuslav Martinu.In 1952, Martinu made a trip to the Tuscan hill town of Arezzo, where he saw the frescoes and got the idea for a new symphonic work that would attempt to capture in music what Piero had captured in painting.What Martinu sought to replicate was, as he put it, “a kind of solemn, frozen silence and opaque, colored atmosphere… a strange, peaceful, and moving poetry.”Martinu linked the first movement of his score to one Tuscan fresco showing the Queen of Sheba and some women kneeling by a river; and the second to another depicting the dream of the Emperor Constantine. The third movement was intended, in Martinu's words, as “a kind of general view of the frescoes.”Martinu's orchestral triptych, entitled The Frescoes of Piero della Francesca, received its premiere performance on today's date at the 1956 Salzburg Festival in Austria, with the Vienna Philharmonic led by the eminent Czech conductor, Rafael Kubelik.Music Played in Today's ProgramBohuslav Martinu (1890 – 1950) Les Fresques de Piero della Francesca Vienna Philharmonic;Rafael Kubelik, conductor. Orfeo C521-991 (recorded August 26, 1956)

Thu, 17 Aug 2023 15:00:00 +0000 https://musiksalon.podigee.io/74-new-episode 8a42b51cb5905369b489ee3c792b4014 Mit ihren Opernpremieren hatten die Festspiele heuer wenig Glück. Einzige Ausnahme: Das Flüchtlingsdrama „Griechische Passion“ von Bohuslav Martinů empfand das Publikum als beeindruckend und bewegend. Die Frage „Wer war Bohuslav Martinu?“ versucht der akt Mit ihren Opernpremieren hatten die Festspiele heuer wenig Glück. Einzige Ausnahme: Das Flüchtlingsdrama „Griechische Passion“ von Bohuslav Martinů empfand das Publikum als beeindruckend und bewegend. Die Frage „Wer war Bohuslav Martinu?“ versucht der aktuelle Musiksalon zu beantworten. Zu hören sind Ausschnitte aus folgenden Werken Martinůs: „Griechische Tragödie“ Chor der Grazer Oper Grazer Philharmoniker Dirk Kaftan (Oehms) „Der Schatten“ - Ballettmusik Sinfonia Varsovia - Ian Hobson (Toccata Classics) Streichquartett Nr. 2 Kocian Quartett (Praga Digitals) Quartett für Klarinette, Horn, Violoncello und Trommel H 139 V. Mares, V. Klanská, V. Koci, David Rehor (Harmonia Mundi) Doppelkonzert für Klavier, zwei Streichorchester und Pauken Tschechische Philharmonie - Karel Sejna (Supraphon) Die Fresken des Piero della Francesca Royal Philharmonic - Rafael Kubelik (EMI) „Julietta“ Juanita Lascarro, Kurt Streit Frankfurter Museumsorchester - Sebastian WEigle (Oehms) Symphonie Nr. 1 BBC Symphony Orchestra - Jiri Belohlavek (Onyx) full Mit ihren Opernpremieren hatten die Festspiele heuer wenig Glück. Einzige Ausnahme: Das Flüchtlingsdrama „Griechische Passion“ von Bohuslav Martinů empfand das Publikum als beeindruckend und bewegend. Die Frage „Wer war Bohuslav Martinu?“ versucht der akt no GG

Erstmals bei den Salzburger Festspielen wird in diesem Jahr die Oper "The Greek Passion" von Bohuslav Martinu gezeigt. Als Vorlage diente dem tschechischen Komponisten ein Roman von Nikos Kazantzakis, jenem griechischen Autor, der mit "Alexis Sorbas" weltbekannt wurde. Martinu schrieb das Libretto auf Grundlage der englischen Romanübersetzung selbst. Nachdem die zunächst in London geplante Uraufführung nicht zustande kam, folgte eine überarbeitete Fassung. Diese wurde dann erst nach dem Tod des Komponisten 1961 in Zürich uraufgeführt und ist nun in Salzburg zu erleben. Für Regisseur Simon Stone ist Martinus letzte Oper die dritte Festspiel-Inszenierung (nach Aribert Reimanns "Lear" und Luigi Cherubinis "Médée"). Am Pult der Wiener Philharmoniker debütiert Maxime Pascale. Meret Forster hat die Premiere gestern Abend in der Felsenreitschule besucht.

Synopsis On today's date in 1950, the orchestra of the Musical Arts Society of La Jolla, California gave the premiere performance of this music by the Czech composer Bohuslav Martinu. The "Sinfonietta La Jolla" was Martinu's response to the Society's call for a tuneful and approachable piece of new music for their chamber orchestra. Martinu modeled his 20th century work on the 18th century symphonies of Haydn, a composer he very much admired. In fact, in 1890, when Martinu was born, his native Bohemia was still a part of the Austria-Hungarian empire in which Haydn had lived and worked a hundred years earlier. Martinu's music blends the modernism of 20th century composers like Stravinsky with the rich 19th century tradition of Czech national composers like Dvořák – but Martinu's relations with his native land were anything but smooth. He was twice kicked out of the Prague Conservatory for his supposed lack of academic discipline, and instead established himself as a freelance composer in France and Switzerland. Then, just as his music began to receive some recognition and performances back in Prague, the Nazi invasion of World War II led to his works being banned. In 1941, Martinu settled in the United States, where his music was very well received. In 1948, Martinu returned briefly to Prague, but found the new Communist government there as distasteful to him as the Nazis. Martinu's "Sinfonietta La Jolla" was written shortly after he returned to the United States. Music Played in Today's Program Bohuslav Martinu (1890-1959) –Sinfonietta "La Jolla" (Saint Paul Chamber Orchestra; Christopher Hogwood, cond.) London 433 660

Ondes Martenot: la musique de chambre de Tristan Murail, Olivier Messiaen,Jacques  Charpentier, Gilles Gobeil, Bohuslav Martinu et pour finir Christine OTT.... à découvrir.

Ondes Martenot: la musique de chambre de Tristan Murail, Olivier Messiaen,Jacques  Charpentier, Gilles Gobeil, Bohuslav Martinu et pour finir Christine OTT.... à découvrir.

Synopsis In the 1940s, the Boston Symphony gave the premiere of more than 60 new orchestral works – most of them conducted by the very charismatic and very wealthy Serge Koussevitzky, the music director of the Boston Symphony. And why not? It was the Koussevitzky Foundation that commissioned most of those pieces in the first place, and certainly Maestro Koussevitzky had the knack for picking winners and advancing the careers of composers he admired. In the 1940s, for example, Koussevitzky premiered no less than four major works by the Czech composer Bohuslav Martinu. On today's date in 1943, one of these pieces, Martinu's Second Violin Concerto, received its first performance under Koussevitzky with Mischa Elman as the soloist. But not all the Boston premieres were conducted by Koussevitzky. Earlier that same December of 1943, the American composer and conductor Howard Hanson led the orchestra in the first performance of his Symphony No. 4, and on today's date in 1948, the premiere of his own Piano Concerto, with the Boston Symphony and the Czech pianist Rudolf Firkusny as soloist. Like the Martinu Concerto, this, too, was a Koussevitzky Foundation commission. Music Played in Today's Program Bohuslav Martinu (1890–1959) — Violin Concerto No. 2 (Josef Suk, violin; Czech Philharmonic; Vaclav Neumann, cond.) Supraphon 11 0702 Howard Hanson (1896–1981) — Piano Concerto, Op. 36 (Alfred Mouledous, piano; Eastman-Rochester Orchestra; Howard Hanson, cond.) Mercury 434 370

Synopsis On today's date in 1945, Serge Koussevitzky conducted the Boston Symphony in the premiere performance of the Third Symphony of the Czech composer Bohuslav Martinu. Martinu had finished the first two movements of his symphony as the Second World War was rushing to a close and later claimed he had Beethoven's Third, the “Eroica,” very much on his mind, convinced that there was somehow an ethical force at work in the creation of a symphony, and, just as in Beethoven's “Eroica,” it was possible to express moral and ethical ideals in music. As an exile from Nazi-occupied Czechoslovakia and France, Martinu had come to the United States in 1941, and his mood is understandable in the anxious yet hopeful spring and summer of 1945. After liberation of Czechoslovakia, Martinu returned to his homeland and was offered a teaching post in Prague. Martinu, unhappy with Czechoslovakia's new Communist rulers, declined the offer, and returned to America, where he became a naturalized citizen in 1952.  After his death in 1957, Martinu's remains were eventually returned to his family mausoleum in Czechoslovakia, and in 1990, the Centenary of his Birth was celebrated in that country as a major cultural event. Music Played in Today's Program Bohuslav Martinu (1890 – 1959) — Symphony No. 3 (National Orchestra of Ukraine; Arthur Fagen, cond.) Naxos 8.553350

Orgelmuziek vanavond. Maar dan wel volgens het recept van componist/pianist Guus Janssen. Dus energiek, verrassend, kolderiek, bloedserieus, tamelijk krankzinnig, losgeslagen, ingetogen, piepend en knarsend en volstrekt uniek. En ook heel mooi. En verder: Bohuslav Martinu; Christos Barbas [op de ney] met Efren López [op de ‘ud]; Dmitri Sjostakovitsj; en Viktor Orri Arnason, een IJslandse componist die een duizelingwekkende droom tot muziek heeft weten te maken. 23.04 CD Martinu Bartók (BIS 2457) Bohuslav Martinu: Vioolconcert nr 2 - II Andante moderato Frank Peter Zimmermann [viool]; Bamberger Symphoniker olv Jakub Hrůša 7'05” 23.13 CD Atlas (Seyir Muzik 2GN016) Christos Barbas: The Sea Christos Barbas [ney]; Efren López [‘ud] 5'17” CD Atlas (Seyir Muzik 2GN016) Tanburi Angeli: Kürdi Peşrev Christos Barbas [ney]; Efren López [rebab] 8'41” 23.28 CD Shostakovich (LINN CDK 659) Dmitri Sjostakovitsj: Pianotrio nr. 2 in e-klein, opus 67 - IV Allegretto Simon Trpčeski [piano]; Alexander Krapovski [viool]; Alexander Somov [cello] 10'54” 23.40 CD Organ (geestgronden GG28) Guus Janssen: Estampie Guus Janssen [orgel] 4'52” CD Organ (geestgronden GG28) Guus Janssen: Künckel Guus Janssen [orgel] 2'32” CD Organ (geestgronden GG28) Guus Janssen: Deep Blue Mode Guus Janssen [orgel] 2'31” CD Organ (geestgronden GG28) Guus Janssen: Telgang Guus Janssen [orgel] 2'57” 23.54 CD Eilífur (Pentatone PTC 5186 950) Viktor Orri Arnason: The Thread Budapest Art Orchestra olv Viktor Orri Arnason 4'22 ”

De Doorgeef-CD-van-de-Week! Een prachtexemplaar, met de twee vioolconcerten van Bohuslav Martinu, door Frank Peter Zimmermann en de Bamberger Symphoniker olv Jakub Hrusa. Wordt verloot onder alle inzendingen op de vraag: aan welk landschap doet deze muziek je denken? Maar we hebben ook mooie luitmuziek van John Dowland door Mike Fentross, liederen van de Amerikaanse componist Paul Edward Gay, een fijne knip uit de podcast Nooit van gehoord?! met muziek van Dame Ethel Smyth, en bedwelmende muziek van Viktor Orri Árnason, IJslands componist. 23.04 CD Martinu Bartók (BIS 2457) Bohuslav Martinu: Vioolconcert nr 2 - I Andante, Poco Allegro Frank Peter Zimmermann [viool]; Bamberger Symphoniker olv Jakub Hrůša 11'37” 23.16 CD Semper Dowland (Zefir ZEF 9680) John Dowland: Lachrimae Mike Fentross [luit] 5'07” CD Semper Dowland (Zefir ZEF 9680) John Dowland: A Dream Mike Fentross [luit] 4'30” 23.28 CD To The Thawing Wind (TRPTK TTK0054) Paul Edward Gay: Peony Shea Owens [bariton]; Madison Leonard [sopraan]; Artem Belogurov [piano] 5'20” CD To The Thawing Wind (TRPTK TTK0054) Paul Edward Gay: Descending into dreams Shea Owens [bariton]; Artem Belogurov [piano] 6'42” 23.40 CD Ethel Smyth (CPO 999 352-2) Ethel Smyth: Strijkkwartet in e-klein - II Allegro molto leggiero Mannheimer String Quartet 5'50” 23.48 CD Eilífur (Pentatone PTC 5186 950) Viktor Orrie Arnason: Var Karlakorinn Fostbraedur olv Arni Hardarson; Benedikt Kristjansson [tenor] 10'49”

Bohuslav Martinu ist in unserem Konzertleben nahezu unbekannt. Dass er Besseres verdient hätte, davon ist der Geiger Frank Peter Zimmermann überzeugt. Mit den Bamberger Symphonikern und deren Chefdirigenten Jakub Hrusa hat Zimmermann jetzt die beiden Violinkonzerte Martinus aufgenommen. Tolle Musik, fantastisch gespielt.

Eine CD von Frank Peter Zimmermann - vorgestellt auf NDR Kultur.

Piero della Francesca was a 15th century Renaissance painter, whose series of frescoes entitled “Legend of the True Cross” inspired one of the best orchestral works of a 20th-century Czech composer named Bohuslav Martinu. In 1952, Martinu made a trip to the Tuscan hill town of Arezzo, where he saw the frescoes and got the idea for a new symphonic work that would attempt to capture in music what Piero had captured in painting. What Martinu sought to replicate was, as he put it, “a kind of solemn, frozen silence and opaque, colored atmosphere… a strange, peaceful, and moving poetry.” Martinu linked the first movement of his score to one Tuscan fresco showing the Queen of Sheba and some women kneeling by a river; and the second to another depicting the dream of the Emperor Constantine. The third movement was intended, in Martinu’s words, as “a kind of general view of the frescoes.” Martinu’s orchestral triptych, entitled “The Frescoes of Piero della Francesca,” received its premiere performance on today’s date at the 1956 Salzburg Festival in Austria, with the Vienna Philharmonic led by the eminent Czech conductor, Rafael Kubelik.

Piero della Francesca was a 15th century Renaissance painter, whose series of frescoes entitled “Legend of the True Cross” inspired one of the best orchestral works of a 20th-century Czech composer named Bohuslav Martinu. In 1952, Martinu made a trip to the Tuscan hill town of Arezzo, where he saw the frescoes and got the idea for a new symphonic work that would attempt to capture in music what Piero had captured in painting. What Martinu sought to replicate was, as he put it, “a kind of solemn, frozen silence and opaque, colored atmosphere… a strange, peaceful, and moving poetry.” Martinu linked the first movement of his score to one Tuscan fresco showing the Queen of Sheba and some women kneeling by a river; and the second to another depicting the dream of the Emperor Constantine. The third movement was intended, in Martinu’s words, as “a kind of general view of the frescoes.” Martinu’s orchestral triptych, entitled “The Frescoes of Piero della Francesca,” received its premiere performance on today’s date at the 1956 Salzburg Festival in Austria, with the Vienna Philharmonic led by the eminent Czech conductor, Rafael Kubelik.

durée : 01:57:47 - En pistes ! du mardi 18 février 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : un opéra de jeunesse de Carl Maria von Weber, des grands classiques avec Beethoven et Mozart, le XXème siècle russe avec Chostakovitch et le répertoire pour enfants de Nino Rota et Bohuslav Martinu… - réalisé par : Lionel Quantin

Eigentlich unbegreiflich, warum Antonín Dvoráks Klavierkonzert kaum gespielt wird. Aber der tschechische Pianist Ivo Kahánek zeigt, dass man auch ohne virtuose Show begeistern kann, mit lyrischen Tönen und im subtilen Dialog mit den Bamberger Symphonikern. Chefdirigent Jakub Hruša ist sowieso der perfekte Partner am Pult, erst recht im hochexpressiven Vierten Klavierkonzert von Bohuslav Martinu.

durée : 01:29:19 - Bohuslav Martinu (3/3) - par : François-Xavier Szymczak - pour les 60 ans de sa mort, le 28 août 1959 - réalisé par : Céline Parfenoff

durée : 01:28:10 - Bohuslav Martinu (2/3) - par : François-Xavier Szymczak - pour les 60 ans de sa mort, le 28 août 1959 - réalisé par : Céline Parfenoff

durée : 01:29:06 - Bohuslav Martinu (1/3) - par : François-Xavier Szymczak - pour les 60 ans de sa mort, le 28 août 1959 - réalisé par : Céline Parfenoff

- direkte fra Trinitatis kirke. Oplev euforien, håbet og optimismen, der gennemstrømmede Europa efter 1. Verdenskrigs afslutning. DR VokalEnsemblet tager dig med på en musikalsk rejse til de nye nationer, som opstod med verdensfreden - fra Sibelius' elskede Finland til blandt andet Kodálys Ungarn og Szymanowskys Polen.Hør også musik af Max Reger, Bohuslav Martinu og Gabriel Jackson.DRVokalEnsemblet.Dirigent: Eamonn Dougan. Ca. 21.00Violinisten Isabelle Faust og pianisten Alexander Melnikov m.fl. spiller Debussy.Vært: Celine Haastrup. www.dr.dk/p2koncerten

Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met muziek van L'Arpeggiata olv Christina Pluhar, Philip Heinrich Erlebach, Thorwald Jørgenson, Thierry Besançon, Arvo Pärt, Bohuslav Martinu, en Olafur Arnalds.

Rolf Romei, Tenor | Dshamilja Kaiser, Mezzosopran | Chor und Extrachor der Oper Graz | Chor der Kunstuniversität Graz | Grazer Philharmonisches Orchester | Leitung: Dirk Kaftan

Donald Macleod explores the life and music of Bohuslav Martinu.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 11/2/2016, segunda y última de las dedicadas al compositor bohemio Bohuslav Martinu (1890-1958). En ella hablamos de la huída del compositor a EEUU y de por qué no volvió a Checoslovaquia tras la guerra. Por último, hablamos de su penúltima ópera, La pasión griega, la ópera de los refugiados.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 11/2/2016, segunda y última de las dedicadas al compositor bohemio Bohuslav Martinu (1890-1958). En ella hablamos de la huída del compositor a EEUU y de por qué no volvió a Checoslovaquia tras la guerra. Por último, hablamos de su penúltima ópera, La pasión griega, la ópera de los refugiados.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 4/2/2016, primera de las dedicadas al compositor bohemio Bohuslav Martinu (1890-1958). En ella hablamos en las vicisitudes de su vida hasta la invasión nazi de Checoslovaquia.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 4/2/2016, primera de las dedicadas al compositor bohemio Bohuslav Martinu (1890-1958). En ella hablamos en las vicisitudes de su vida hasta la invasión nazi de Checoslovaquia.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 28/1/2016, dedicada a la compositora y directora de orquesta checa Vitezslava Kapralova (1915-1940) y su relación con la ópera surrealista "Juliette ou la clé des songes" de Bohuslav Martinu.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 28/1/2016, dedicada a la compositora y directora de orquesta checa Vitezslava Kapralova (1915-1940) y su relación con la ópera surrealista "Juliette ou la clé des songes" de Bohuslav Martinu.

Co-Founders of D.C. newest, trend-setting orchestra, N. O. W. Grace Cho and Alejandro Hernandez-Valdez join Patrick for a lively and informative chat about the orchestra's inaugural concert season, "A TOAST TO SEASON ONE." The concert will take place at 4 p.m. in the sanctuary of Westmoreland Congregational United Church of Christ in Bethesda, MD.  Appropriately themed, "A Toast to Season One" the concert features music inspired by fanfares, food and beverages. Celebratory in nature, the program will include Peter Maxwell Davies' "Fanfare for Lowry" performed by the James Madison University trumpet studio and NOW members Chris and Christine Carrillo. Also featured on the program is the exuberant "Cafe Music" by Paul Schoenfield and Aaron Jay Kernis' highly innovative "Le Quattro Stagioni Dalla Cucina Futurismo" for piano trio and narrator. Rounding out the concert,  NOW will present "La Revue de Cuisine" by Bohuslav Martinu, a truly fun piece for an unusual combination of instruments.  

This podcast features Ancient Melodies of Russian Folk Songs by Rodion Shchedrin and the Sonata for cello and piano no, 1, H.277 by Bohuslav Martinu.