Podcasts about bourriaud

Sofian Audry wrote Art in the Age of Machine Learning, an absolute canon read that contextualizes the contemporary flurry of creative AI application and detournement within a much longer lineage of human-machine relations. Their chapter in Choreomata straddles theory and practice, situating Sofian's own work in the field of robotics within a history of questions: how do we communicate to an audience through and with machine performers? How does the external intelligibility of a system complicate its autonomy? How, and why, do we construct empathy with our machine collaborators? In this conversation we discuss Sofian's concept of Apprivoisement, a French term akin to domestication or taming, but one which leans into the mutuality of the relationship without the stain of dominance. We love this term and are eager to watch it seep into the discourse. A few references from our conversation with Sofian: Gene Kogan's Abraham AI (https://abraham.ai/).Simon Penny's “Aesthetics of Behavior” — which is meaningfully different from Bourriaud's Behavioral Aesthetics — see Penny's “Making Sense: Cognition, Computing, Art, and Embodiment.” In discussing the Aesthetics of Behavior, Sofian briefly discusses the history of cybernetics, including W. Grey Walter (e.g. the cybernetic tortoises) and Gordon Pask (the “Colloquy of Mobiles”). They also reference the influence of Rodney Brooks, who argued for the necessity of robotics as an embodying factor within the domain of AI, on the more recent school of cybernetic-adjacent artists (e.g. Bill Vorn, Louis-Philippe Demers, Ken Rinaldo).Sofian references Memo Akten as an inspiration for their concept of Apprivoisement. Akten's work is profoundly important to the media art scene and to the general art world especially with respect to questions about AI. (Come on the pod, Memo!!!!)Sofian also references Beyond the Creative Species: Making Machines That Make Art and Music by Oliver Brown in contradistinction to Margaret Boden's value-driven concept of creativity. In addition to Sofian's book, we of course strongly recommend checking out their artistic practice.

In Miguel Casco's “El desayuno” (The Breakfast) a group of young men and women gather naked to perform the sensual feast of eating. They meet in the darkness of the early morning and slowly shed shadow and clothing. Perhaps they are there to perform a Dionysian feast in which their bodies are integrated with food and nature as a puzzle that brings together actions and observable forms of behavior? Presented with his documentary film Desayunos, it begs the question: Does the video reproduce the paintings or the paintings the video? “I pay more attention to the synthetic edition because the search for an aestheticized documentary is more noticeable there, There is a post-production (Bourriaud would say) that strips the effect, that makes us understand that painting was born from video, that the technical destiny has been inverted, that the old ways of looking are now." --- Send in a voice message: https://podcasters.spotify.com/pod/show/micheal-swank/message

In questo audio il prezioso incontro con Marco Enrico Giacomelli giornalista e Vanessa Ferrari campionessa ginnastica artisticaIntervista a cura di Mariantonietta Firmani, in Contemporaneamente il podcast pensato per Artribune.In Contemporaneamente podcast trovate incontri tematici con autorevoli interpreti del contemporaneo tra arte e scienza, letteratura, storia, filosofia, architettura, cinema e molto altro. Per approfondire questioni auliche ma anche cogenti e futuribili. Dialoghi straniati per accedere a nuove letture e possibili consapevolezze dei meccanismi correnti: tra locale e globale, tra individuo e società, tra pensiero maschile e pensiero femminile, per costruire una visione ampia, profonda ed oggettiva della realtà. Marco Enrico Giacomelli e Vanessa Ferrari ci raccontano di empatia e determinazione tra giornalismo e atletica. Il giornalista dovrebbe essere mediatore tra fatti e cittadini, e la filosofia è struttura di pensiero con cui leggere il mondo presente. La passione per la ginnastica artistica nasce come gioco d'infanzia diventa impegno e sacrificio quando si è disposti a tutto per raggiungere i propri obiettivi. Se la cultura è costruttiva quando rompe gli schemi includendo molteplici punti di vista, lo sport è maestro nel governare cause ed effetti della vita. L'empatia è forse lo strumento più strategico per l'essere umano. Poi è fondamentale pretendere il massimo da se stessi, anche rischiando la sconfitta, piuttosto che vivere del rimpianto di non aver tentato. E poi parliamo di allenamento costante, linguaggio, alimentazione e molto altro. ASCOLTA L'INTERVISTA!BREVI NOTE BIOGRAFICHE DEGLI AUTORIMarco Enrico Giacomelli 1976 è giornalista e dottore di ricerca in Estetica, ha studiato filosofia alle Università di Torino, Paris8 e Bologna. Ha collaborato all'"Abécédaire de Michel Foucault" (Mons-Paris 2004) e all'"Abécédaire de Jacques Derrida" (Mons-Paris 2007). Insegna Critical Writing alla NABA di Milano. Cofondatore dell'e-journal ReF Recensioni Filosofiche, è vicedirettore editoriale di Artribune e direttore responsabile di Artribune Magazine. Oltre all'intensa attività giornalistica, con oltre 900 articoli pubblicati, Redige (insieme a Massimiliano Tonelli) la sezione dedicata all'arte contemporanea del rapporto annuale "Io sono cultura" prodotto dalla Fondazione Symbola. Curatore di "Achille Compagnoni. Oltre il K2", 2014, pubblicazione e mostra presso il Museo della Scienza e della Tecnologia di Milano. Nel 2018 ha curato la X edizione della Via del Sale in dieci paesi dell'Alta Langa e della Val Bormida. Ha tradotto e pubblicato testi di Augé, Bourriaud, Deleuze, Groys e Revel. Conduce seminari e lezioni in numerose istituzioni e università, fra le quali la Cattolica, lo IULM, l'Università Milano-Bicocca e l'Accademia di Brera di Milano, la Libera Università di Bolzano, l'Alma Mater di Bologna, la LUISS di Roma, lo IUAV e Ca' Foscari di Venezia, l'Accademia Albertina di Torino.Vanessa Ferrari 1990 con oltre 70 medaglie conquistate, in tutte le competizioni di valore, è la ginnasta italiana più vincente della storia. Sostenuta della mamma ex ginnasta bulgara, a sei anni inizia la passione sportiva con dedizione. È unica italiana Campionessa del mondo 2006, campionessa europea nel 2007, e vicecampionessa alle Olimpiadi Tokyo 2020. Nel 2007, è insignita dell'onorificenza di cavaliere al merito della Repubblica.Nel 2002 iniziano le vittorie: Campionato nazionale Categoria Allieve, nel 2003 Categoria Juniores, Campionati Assoluti, e il primo scudetto con la Brixia. A 15 anni, ai Giochi del Mediterraneo di Almería, in Spagna, vince una medaglia per ogni gara! 5 ori ed un argento, venne definita “la cannibale di Orzinuovi”. Alle Olimpiadi Londra 2012, Ferrari è stata la prima ginnasta ad eseguire un enjambé cambio ad anello con 360° di rotazione al corpo libero, dando quindi il suo nome a questo elemento. Dal 2009 gareggia per il gruppo sportivo dell'Esercito Italiano, con il grado di Caporal maggiore scelto. Detiene 22 titoli ai Campionati Assoluti Nazionali, e 11 scudetti con la squadra Brixia nel Campionato Serie A1. La straordinaria carriera, è costellata di problemi fisici, operazioni e riabilitazioni, che non le impediscono di recuperar ogni volta con incredibile determinazione. Alle Olimpiadi Tokio 2020 una storica medaglia d'argento al corpo libero.

This episode - The Season Two Premiere of The SpokenWeb Podcast - chronicles different phases in the evolution of Deep Curation as a poetry reading curation practice, from its earlier iterations with Klara merely choosing the poems read by the authors and the order of their presentation, to its more robust form, with excerpted and intertwined works creating a thematic, cohesive arc. Poets featured from Deep Curation archival audio, include Lee Ann Brown, Margaret Christakos, Kaie Kellough, Sawako Nakayasu, Deanna Radford, and Erin Robinsong.SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Episode Producers:Klara du Plessis is a third year PhD student in English at Concordia University and one of the governing board student representatives of the SpokenWeb research team. She experiments with a new practice of literary event organization called a Deep Curation, navigating the texts presented and their strategic, thematic arc. Klara's debut collection of multilingual long poems, Ekke, won the 2019 Pat Lowther Memorial Award, was shortlisted for the Gerald Lampert Memorial Award, and garnered much critical acclaim. Her second book-length narrative poem, Hell Light Flesh, is freshly released, September 2020 from Palimpsest Press.Jason Camlot's recent works include Phonopoetics: The Making of Early Literary Recordings (Stanford 2019), the co-edited collection, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill-Queen's UP, 2019), and the article, “The First Phonogramic Poem: Conceptions of Genre and Media Format, circa 1888” in the open access journal, BRANCH: Britain, Representation and Nineteenth-Century History (February 2020). He is the principal investigator and director of The SpokenWeb, a SSHRC-funded partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio.  He is Professor of English and Tier I Concordia University Research Chair in Literature and Sound Studies at Concordia U in Montreal.Voices Heard:Lee Ann Brown, Margaret Christakos, Isis Giraldo, Kaie Kellough, Kate Lilley, Sawako Nakayasu, Deanna Radford, Erin RobinsongPrint References:Bernstein, Charles. ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998.Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du Réel, 2009.Brown, Lee Ann. In the Laurels, Caught. Albany: Fence Books, 2013.Christakos, Margaret. charger. Vancouver: TalonBooks, 2020.du Plessis, Klara. “Santa Cova Muscles.” Unpublished.Kellough, Kaie. Magnetic Equator. Toronto: Penguin Random House, 2019.Longair, Sarah. “Cultures of Curating: the Limits of Authority.” Museum History Journal 8.1 (2015): 1-7.Middleton, Peter. “How to Read a Reading of a Written Poem.” Oral Tradition 20.1 (March 2005): 7-34. Web. 25 December 2016.Nakayasu, Sawako. Texture Notes. Seattle: Letter Machine Editions, 2010.Obrist, Hans Ulrich and Asad Raza. Ways of Curating. New York: Faber and Faber, 2014.Radford, Deanna. Poems. Unpublished.Robinsong, Erin. Rag Cosmology. Toronto: Book*Hug, 2017.Rogoff, Irit. “Curating/Curatorial.” Ed. Beatrice von Bismarck, Jörn Schafaff, and Thomas Weski. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 19-38.Vidokle, Anton. “Art without Artists?” Ed. Beatrice von Bismarck, Jörn Schafaff, and Thomas Weski. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 216-226.Wheeler, Lesley. Voicing American Poetry: Sound and Performance from the 1920s to the Present. Ithaca: Cornell University Press, 2008.Poetry Recordings:Deep Curation 4th Space. Feat. Margaret Christakos, Kaie Kellough, Deanna Radford. 7 November 2019. Personal archive.Deep Curation Boston University. Feat. Lee Ann Brown, Fanny Howe, Sawako Nakayasu. 30 January 2020. Personal archive.Deep Curation Mile End Poets' Festival. Feat. Aaron Boothby, Klara du Plessis, Canisia Lubrin, Erin Robinsong. 24 November 2018. Personal archive.Sir George Williams Reading Series. Feat. Jackson Mac Low. 26 March 1971. https://montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1Four Horsemen. Two Nights. 9 and 10 October 1987. http://writing.upenn.edu/pennsound/x/4-Horsemen.phpAmbient Sounds:Cmusounddesign. “02 Museum.” 03:02. 29 November 2009. Attribution License. https://freesound.org/people/cmusounddesign/sounds/84529/Ecfik. “Museum Ambiences.” 01:16. 2 August 2019. Creative Commons 0 License. https://freesound.org/people/ecfike/sounds/478349/Pastabra. “Lounge tea party: Ambience.” 03:21. 31 October 2016. Attribution License. https://freesound.org/people/Pastabra/sounds/366194/Wilhelmsqueek. “Cutting_Croissant_ST.” 00:20. 9 June 2016. Creative Commons 0 License. https://freesound.org/people/wilhelmsqueek/sounds/347384/Music:“Manny in Sound” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License.“Turning to You” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License.Tuned Down and Slowed “Turning to you” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License. Manipulations by Jason Camlot 

Here's a fun discussion with myself on some of the notes I took and interesting ideas that I ran across during my read-through of "Postproduction: Culture as Screenplay: How Art Reprograms the World". Nicolas Bourriaud is a prolific art curator and critic, this book looks into the recent phenomena of artists (beginning in the late '90s) which around that time began taking cultural artifacts and incorporating them into the works that they were creating. Bourriaud noticed that this was a completely new practice in the art realm and in turn discusses what it means to be original in a world where "everything's already been done" and what it may look like to criticize reality with reality. I hope you enjoy the show! Don't forget to click some of the links below to keep in touch with me, the artists I interview, and the further development of the podcast. :) Get plugged in: My site: https://lanehuitt.com/ Instagram: https://instagram.com/lanehuittart Twitter: https://twitter.com/AnotherChandler Youtube: https://www.youtube.com/channel/UCFJNUIXmhD2kxLn0HpiuQew Spotify: https://open.spotify.com/show/4X7cFn0KlzSUCbnG9DZilr Apple Podcasts: https://podcasts.apple.com/us/podcast/lane-huitts-canvas-shop/id1473695088?uo=4 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9jYzk3OGZjL3BvZGNhc3QvcnNz Donate: Patreon: https://www.patreon.com/lanehuittscanvasshop ETH: 0xEE78f45E820506D3ABeb9859f56885810966C0dd BTC: 3D45f8EBdbNTFKKkCY74amWygv7WHSPgFk Music by Funky Fella: https://www.patreon.com/funkyfella https://soundcloud.com/funky_fella

Hoy vamos a hablar de “Postproducción”, un libro escrito por Nicolás Bourriaud, teórico del arte francés, co-fundador, y  co-director del Palais de Tokyo, París, y curador de arte contemporáneo en el Tate Britain, Londres. Este libro fue editado en francés en el año 1998, y en Argentina fue traducido al español en el año 2002, por la editorial Adriana Hidalgo. Sus libros Estética Relacional y Postproducción se convirtieron en fundamentales para explicar el arte contemporáneo en el siglo XXI. Para Bourriaud, los artistas visuales realizan obra siempre a partir de materiales preexistentes; generan significado a partir de una selección y combinación de elementos heterogéneos ya dados. Ya no se trata de comenzar de cero, sino de encontrar el medio de inserción en las innumerables corrientes de producción.  Se trata de captar los códigos de la cultura, las formas de la vida cotidiana, las obras del patrimonio, y hacerlas funcionar. Si te interesa profundizar, te recomiendo leer el libro completo. Mi nombre es Evelyn Marquez, curadora y gestora cultural, y te invito a suscribirte a nuestro podcast en temporadaderelampagos.com  y en itunes. Buscanos en Facebook  (@temporadaderelampagos ) y en Twitter  (@TRelampagos)! Hasta el próximo episodio! *Agradecemos a Max Gómez Canle por la obra que acompaña esta publicación

What is Relational Art?How is it different from other forms of art and how is it different fromdaily life itself? Relational as a term applied to art indicates anendeavor where the artist provides a context for human interaction,where human interaction itself is the medium of the art piece. Somewould saythis kind of art is saving the human race. In this episode, a panel ofrelational artists will discuss why relational art is so important inour times.Invitations to participate in Relational Artprojects: Here is the number to God's AnsweringMachine: (800) 871-9012 x 3176632#. Call now and leave amessage. Say what you will and pass it on.Fifty-Cent Admissions: Pleasecall 646-462-4161ext. 43350 and answer the question: "Whatis something you don't like to admit about yourself?".Hear what others are saying here and here.First Childhood Memory Project: Whatis your earliest childhood memory? In your first language,please write your name, your age at the time of your first memory, thetown and country in which it took place, and a drawing of your memory,on a piece of paper. Submissions are accepted with both hand-writtentext and drawings. Please mail your memory to: First Childhood MemoryProject, 211 Church Hill Road, Augusta, Maine 04330 USAImage above is from artistPeter Buotte'sFirst Childhood Memoryrelational art project.

What is Relational Art?How is it different from other forms of art and how is it different fromdaily life itself? Relational as a term applied to art indicates anendeavor where the artist provides a context for human interaction,where human interaction itself is the medium of the art piece. Somewould saythis kind of art is saving the human race. In this episode, a panel ofrelational artists will discuss why relational art is so important inour times.Invitations to participate in Relational Artprojects: Here is the number to God's AnsweringMachine: (800) 871-9012 x 3176632#. Call now and leave amessage. Say what you will and pass it on.Fifty-Cent Admissions: Pleasecall 646-462-4161ext. 43350 and answer the question: "Whatis something you don't like to admit about yourself?".Hear what others are saying here and here.First Childhood Memory Project: Whatis your earliest childhood memory? In your first language,please write your name, your age at the time of your first memory, thetown and country in which it took place, and a drawing of your memory,on a piece of paper. Submissions are accepted with both hand-writtentext and drawings. Please mail your memory to: First Childhood MemoryProject, 211 Church Hill Road, Augusta, Maine 04330 USAImage above is from artistPeter Buotte'sFirst Childhood Memoryrelational art project.

This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program.