Podcasts about german danish

Babes in Toyland [00:31] "Dust Cake Boy" Sugar and Spice Foxcore Records F9 1992 From a UK bootleg featuring demos and studio outtakes from Babes in Toyland, and Peel Session tracks from Hole. Talk Normal [04:09] "In Every Dream Home a Heartache" Sugarland Rare Book Room Records RBR005 2009 Blistering Roxy Music cover (https://youtu.be/boo5PDjf1Es?si=j-vWw2hnjJrb98DJ) from this Brooklyn duo (https://youtu.be/BgdDDJEzhJA?si=rXvYkftPvYkA8bJ4). Suicidal Tendencies [10:17] "Won't Fall in Love Today" Suicidal Tendencies Frontier Records FLP 1011 1983 This is a 2005 reissue on red-ish transparent vinyl. Produced by Glen E. Friedman, who is better known as a photographer (http://burningflags.com/home/) famous for documenting the nascent punk and skateboard scene. Bonnie 'Prince' Billy [11:13] "Ease Down the Road" Summer in the Southeast Sea Note SN11 2005 Live album recorded while touring Florida, Georgia, Mississippi, and North Carolina. Helping out Will Oldham here are his brother Paul on bass, Peter Townshend on drums, Dave Bird and Matt Sweeney on guitar. Wayne Newton [16:58] "Summer Wind" Summer Wind Capitol Records T 2389 1965 A young Mr. Entertainment taking a pass at this Johnny Mercer number adapted from a German/Danish single by Gerthe Ingmann (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7). I will forever associate this song with Martin singing this song (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7) at the end of The Simpsons episode Bart of Darkness (S06E01). Thou [19:33] "Grissecon" Summit Gilead Media relic 31 2018 An excellent reissue of Thou's 2010 album Summit originally released on Southern Lord, along with material from The Archer and The Owle EP released on Robotic Empire. I still think it is amazing that Thou were the first metal band to appear on NPR's Tiny Desk (https://youtu.be/IUVYgCwpv7Y?si=tOq09uk2XAP45o5x) (minus lead vocalist Bryan Funck). Be-Bop Deluxe [27:55] "Heavenly Homes" Sunburst Finish Harvest ST-11478 1976 Some excellent melodic guitar dynamics on this track from Bill Nelson and co's third studio album. Guided by Voices [32:51] "Heavy Metal Country" Sunfish Holy Breakfast Matador OLE 185-1 1996 EP from somewhere around the Alien Lanes/Under the Bushes Under the Stars era. On lovely translucent blue vinyl. Earl-Jean McCrea [36:09] "I'm Into Something Good" Super Girls Lake Shore Music OP 3507 1979 _As seen on TV (https://youtu.be/K2t9Iwl07sA?si=JmonzgyBe6Sr8MuV)! Forty original hits by forty original artists. In mono! Earl-Jean of the Cookies sends this original recording of the Goffin and King hit shortly thereafter by Herman's Hermits. _ 1000 Homo DJs [38:56] "Supernaut" Supernaut Wax Trax! Records WAX 9133 1990 Peak Industrial cover from Al Journgensen and friends. Certainly not as good as the Sabbath orignal (https://youtu.be/nUb0QaDjP78?si=QtuvXBJhZNFU4yFM) but still makes an impact, though it does go on a bit. Matt Sweeney and Bonnie 'Prince' Billy [45:33] "Bed Is for Sleeping" Superwolf Drag City DC179 2005 Excellent collaboration between the two, with some excellent illustrations by Matt and Spencer Sweeney. Produced by Superwolfmen. Jefferson Airplane [49:42] "White Rabbit" Surrealistic Pillow RCA Victor LSP-3766 1967 Normally I would go with "Plastic Fantastic Lover (https://youtu.be/NUc8vkO3oxY?si=OBKbSnjAAEQsJMbK)", but as I've said before, sometimes you gotta go with the hits. Grace was evidently inspired by Miles Davis' Sketches in Spain when coming up with the music from this piece. Survive [52:11] "Sorceror" Survive RR7349 Relapse Records RR7349 2016 Some tasty synthwave from the band behind the Stranger Things sound. Shizuko and Shinichi Suzuki [56:31] "Long, Long Ago (Bayly)" Suzuki Violin School, Vol. 1 & Vol. 2 Summy-Birchard Music CSM 1387 1970 I was a child violin prodigy... until I had to read music. Quintron and Miss Pussycat [57:10] "Witch in the Club" Swamp Tech Tigerbeat 6 MEOW119LP 2005 Organ magic from the one and only Quintron and the amazing Miss Pussycat. I'll have to remember this track for next Halloween. Music behind the DJ: "Quinn the Eskimo" by Arthur Greenslade and his Orchestra

On tonight's show with Obstetrician Dr Tom Cade and paramedic turned doctor Dr Sean Runacres, brought to you by Intensive Care at Home: PLACEBO VACCINES? Data from a German/Danish study raises whether placebo batches exist, and whether authorities already know about them. WE AREN'T MAKING BABIES ANYMORE Global fertility rates have been crashing around the world for a long time. Why? THE AUSTRALIAN HOSPITAL CRISIS All around the country hospitals are under pressure, with many reaching crisis levels. What can people do to 'protect' the health system or is that just an inversion of morality? RACIST MEDICINE New Zealand has decided to award preferential treatment to Maoris on surgery waiting lists. Is this ethical and will it be copied in elsewhere? NEWS WITHOUT NOTICE Discernable broke the story about police officers changing their gender identity in their HR system, thus being awarded higher pay. What was the response? Police Command is now demanding that officers 'look' gender diverse or they won't qualify for the extra payment. Ohio court rules that trans woman is too fat for her genitals to have been visible in flashing incident How the Titanic submarine conveniently covered bigger stories https://linktr.ee/discernableofficial

First, thanks to our listeners who have been so patient with us as we have been taking a little Sommerpause. Some of us have been travelling, some of us have have COVID, and it's been taking a little longer than usual to put a new episode out. That's why we're unlocking one of our premium episodes that was published on our Patreon back in April. The episode is part two of our series we've been doing on Patreon about Germany's border regions; on this episode we talk about the modern German-Polish border, aka the Oder-Neiße Line. For some more reading on this topic, here are some of the sources we cited on this episode: Gott behüte from Der Spiegel on May 3, 1970 Kohl riskierte seine Kanzlerschaft für deutsch-polnische Grenzfrage by Klaus Wiegrefe for Der Spiegel on July 23, 2021 Kohl Retreats, Says He Accepts Polish Borders : Europe: Warsaw cautiously welcomes the news. West Germany will propose a formal treaty Thursday. by William Tuohy for the LA Times on March 7, 1990 Waigel: Oder-Neiße- Grenze bitterer Preis from TAZ on June 25, 1990 Die Ziele der NPD? Österreich, Polen, Tschechien, Russland, Litauen from Die Zeit on December 17, 2007 And here's a link to Ted's Twitter thread from February that was mentioned several times, featuring some pretty astounding CDU election posters: https://twitter.com/ted_knudsen/status/1496103102537252865 To hear the rest of the Spaßbremse Grenzen series, subscribe to us on Patreon! We have other episodes discussing the histories of the German-Czech border, the German-Danish border, and the German-French border. -- Co-hosted by Michelle and Ted. Produced by Isaac. Music by Lee Rosevere. Art by Franziska Schneider. Follow Spaßbremse on Twitter: @spassbremse_pod.

First, thanks to our listeners who have been so patient with us as we have been taking a little Sommerpause. Some of us have been travelling, some of us have have COVID, and it's been taking a little longer than usual to put a new episode out. That's why we're unlocking one of our premium episodes that was published on our Patreon back in April. The episode is part two of our series we've been doing on Patreon about Germany's border regions; on this episode we talk about the modern German-Polish border, aka the Oder-Neiße Line. For some more reading on this topic, here are some of the sources we cited on this episode: Gott behüte from Der Spiegel on May 3, 1970 Kohl riskierte seine Kanzlerschaft für deutsch-polnische Grenzfrage by Klaus Wiegrefe for Der Spiegel on July 23, 2021 Kohl Retreats, Says He Accepts Polish Borders : Europe: Warsaw cautiously welcomes the news. West Germany will propose a formal treaty Thursday. by William Tuohy for the LA Times on March 7, 1990 Waigel: Oder-Neiße- Grenze bitterer Preis from TAZ on June 25, 1990 Die Ziele der NPD? Österreich, Polen, Tschechien, Russland, Litauen from Die Zeit on December 17, 2007 And here's a link to Ted's Twitter thread from February that was mentioned several times, featuring some pretty astounding CDU election posters: https://twitter.com/ted_knudsen/status/1496103102537252865 To hear the rest of the Spaßbremse Grenzen series, subscribe to us on Patreon! We have other episodes discussing the histories of the German-Czech border, the German-Danish border, and the German-French border. -- Co-hosted by Michelle and Ted. Produced by Isaac. Music by Lee Rosevere. Art by Franziska Schneider. Follow Spaßbremse on Twitter: @spassbremse_pod.

Post WW1, F.W. Murnau directs this German-Danish co-production, showcasing some of his best intentions toward future films. Der Gang in die Nacht (Journey into the Night) is derived from a screenplay by the Danish scenarist Harriet Bloch. It’s an example of the “nobility film,” a genre cultivated by the Nordisk studio where Bloch worked. In these stories, an upper-class man becomes obsessed with a working-class woman, and she leads him to disaster. In Murnau’s film, the well-to-do protagonist is Dr. Eigil Börne. Uneasy with his courtship of his wispy fiancée Helene, he plunges into an affair with the dancer Lily. They move to a seaside cottage, where their idyll is interrupted by the spectral figure of a blind artist (Conrad Veidt). After Dr. Börne restores the Painter’s sight, Lily falls in love with him and leaves Börne. Unhappiness ensues for all, and yes, suicide is involved. Be sure to join KANOPY if you currently have not. Check your local and surrounding libraries for access and entertainment. KANOPY is available throughout the United States. For a "live" accompaniment experience in the current age of the Covid-19 pandemic, Ben Model's Silent Comedy Watch Party on YouTube is a great way to enjoy film and live entertainment. https://www.youtube.com/user/silentfilmmusic One of Adam's film picks this week included Lon Chaney and Joan Crawford in 1927's The Unknown. A great article on Murnau before Nosferatu: http://www.davidbordwell.net/blog/2016/11/06/murnau-before-nosferatu/?fbclid=IwAR00jtMv4kcCR-AMnDKFQ7_3cCvqqvDkkvGOHQXXjbPn53NEenltRqw-Rl0 Hosted by YiFeng and Adam. Recorded on October 22, 2020

Welcome back to another episode of Corona Worldwide. It's April 5th and we have one of our very best friends, Lucy, here today. Socially distancing herself with a friend on the German/Danish border, Lucy shares how they staying sane. One important message that came up - stay safe but DON'T underestimate your mental health! Unfortunately the quality is a bit iffy, but all in all it's a great episode! If you do anything from her list, please let us know, we'd all love to hear!! Send us a message at kilohotel.hotelhotel@gmail.com --- Send in a voice message: https://anchor.fm/kilo-hotel5/message

What are the 4 properties of sound waves? Sound waves are often simplified to a description in terms of sinusoidal plane waves, which are characterized by these generic properties: Frequency, or its inverse, wavelength. Amplitude, sound pressure or Intensity. Speed of sound. Direction. Audio oscillator Featured snippet from the web Oscillators generate sound by, er, oscillating. That is, their circuitry basically changes or oscillates between two states very quickly, and just as a vibrating string produces a sound, so the oscillating electronic circuit generates a waveform that can be amplified and used as a sound source. #HowSynthesizersWork BY JEFF HARDER #Synthesizer Components Jay Blakesberg/Workbook Stock/Getty Images Jay Blakesberg/Workbook Stock/Getty Images WHAT MANY MUSIC BUFFS THINK OF WHEN THEY HEAR THE WORD "SYNTHESIZER." Even though many synthesizers possess the ebony and ivory keyboard of a piano, the rest of the machine -- a chassis lined with knobs, dials and switches -- looks more like it belongs in a garage instead of a concert hall. Nonetheless, the synthesizer contains the same two components as almost any other instrument: a generator and a resonator. Think of a violin, for example: the strings and the bow are the generator, and the body of the violin is the resonator [source: Rhea]. On a synthesizer, the generator is the oscillator, and the resonator is the filter. For starters, let's look at the basic parts of a classic analog synthesizer. (We'll talk about digital synthesizers later.) Analog synthesizers generate their sounds by manipulating electric voltages. The oscillator shapes the voltage to produce a steady pitch at a given frequency, which determines the basic waveform that will be processed elsewhere in the synthesizer. The oscillator can be controlled by the keys similar to a piano keyboard, a revolving pitch wheel or another tool on the synthesizer's interface. The oscillator feeds the signal to the filter, and the musician turns knobs and dials to set parameters around the frequencies of a sound -- for instance, eliminating and emphasizing specific frequencies like we talked about earlier. The sound passes from the filter to the amplifier, which controls the volume of the sound. The amplifier generally includes a series of envelope controls, which help determine the nuances in volume level over the lifespan of a note. In an analog synthesizer, each of these pitch, tone color and loudness functions is organized into a module, or a unit intended for a specialized purpose. The earliest modules were encased in their own individual housings. Each module creates a particular signal, or processes it in a particular way, and by connecting these modules together, the musician can layer, process and change the sounds into something different. Now that we know about #howsynthesizerswork, let's look back at their history. History Long before the invention of electronic signal processing, some people tried to build machines to emulate human speech. Some early legends of the existence of "Brazen Heads" involved Pope Silvester II (d. 1003 AD), Albertus Magnus (1198–1280), and Roger Bacon (1214–1294). In 1779 the German-Danish scientist Christian Gottlieb Kratzenstein won the first prize in a competition announced by the Russian Imperial Academy of Sciences and Arts for models he built of the human vocal tract that could produce the five long vowel sounds (in International Phonetic Alphabet notation: [aː], [eː], [iː], [oː] and [uː]).[5] There followed the bellows-operated "acoustic-mechanical speech machine" of Wolfgang von Kempelen of Pressburg, Hungary, described in a 1791 paper.[6] This machine added models of the tongue and lips, enabling it to produce consonants as well as vowels. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

What are the 4 properties of sound waves? Sound waves are often simplified to a description in terms of sinusoidal plane waves, which are characterized by these generic properties: Frequency, or its inverse, wavelength. Amplitude, sound pressure or Intensity. Speed of sound. Direction. Audio oscillator Featured snippet from the web Oscillators generate sound by, er, oscillating. That is, their circuitry basically changes or oscillates between two states very quickly, and just as a vibrating string produces a sound, so the oscillating electronic circuit generates a waveform that can be amplified and used as a sound source. #HowSynthesizersWork BY JEFF HARDER #Synthesizer Components Jay Blakesberg/Workbook Stock/Getty Images Jay Blakesberg/Workbook Stock/Getty Images WHAT MANY MUSIC BUFFS THINK OF WHEN THEY HEAR THE WORD "SYNTHESIZER." Even though many synthesizers possess the ebony and ivory keyboard of a piano, the rest of the machine -- a chassis lined with knobs, dials and switches -- looks more like it belongs in a garage instead of a concert hall. Nonetheless, the synthesizer contains the same two components as almost any other instrument: a generator and a resonator. Think of a violin, for example: the strings and the bow are the generator, and the body of the violin is the resonator [source: Rhea]. On a synthesizer, the generator is the oscillator, and the resonator is the filter. For starters, let's look at the basic parts of a classic analog synthesizer. (We'll talk about digital synthesizers later.) Analog synthesizers generate their sounds by manipulating electric voltages. The oscillator shapes the voltage to produce a steady pitch at a given frequency, which determines the basic waveform that will be processed elsewhere in the synthesizer. The oscillator can be controlled by the keys similar to a piano keyboard, a revolving pitch wheel or another tool on the synthesizer's interface. The oscillator feeds the signal to the filter, and the musician turns knobs and dials to set parameters around the frequencies of a sound -- for instance, eliminating and emphasizing specific frequencies like we talked about earlier. The sound passes from the filter to the amplifier, which controls the volume of the sound. The amplifier generally includes a series of envelope controls, which help determine the nuances in volume level over the lifespan of a note. In an analog synthesizer, each of these pitch, tone color and loudness functions is organized into a module, or a unit intended for a specialized purpose. The earliest modules were encased in their own individual housings. Each module creates a particular signal, or processes it in a particular way, and by connecting these modules together, the musician can layer, process and change the sounds into something different. Now that we know about #howsynthesizerswork, let's look back at their history. History Long before the invention of electronic signal processing, some people tried to build machines to emulate human speech. Some early legends of the existence of "Brazen Heads" involved Pope Silvester II (d. 1003 AD), Albertus Magnus (1198–1280), and Roger Bacon (1214–1294). In 1779 the German-Danish scientist Christian Gottlieb Kratzenstein won the first prize in a competition announced by the Russian Imperial Academy of Sciences and Arts for models he built of the human vocal tract that could produce the five long vowel sounds (in International Phonetic Alphabet notation: [aː], [eː], [iː], [oː] and [uː]).[5] There followed the bellows-operated "acoustic-mechanical speech machine" of Wolfgang von Kempelen of Pressburg, Hungary, described in a 1791 paper.[6] This machine added models of the tongue and lips, enabling it to produce consonants as well as vowels. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Dark Core of Personality Defined: New Study Exposes the D Factor in Dark Triad Qualities - Psychologists define 'the dark core of personality' - D-FACTOR Egoism, Machiavellianism, narcissism, psychopathy, sadism, spitefulness, and others are among the traits that stand for the malevolent dark sides of human personality. As results from a recently published German-Danish research project show, these traits share a common ‘dark core'. So, if you have one of these tendencies, you are also likely to have one or more of the others. Read the full study: https://news.ku.dk/all_news/2018/09/psychologists-define-the-dark-core-of-personality/ Discover. Understand. Overcome. It's how smart people change their lives! Subscribe to my channel: https://www.youtube.com/user/AuthorAngelaAtkinson?sub_confirmation=1 *****Closed captioning provided by Athena Moberg and CPTSDFoundation.org, providing Daily Recovery Support™ to survivors and practitioners through trauma-informed education, resources, and daily calls, led with compassion that can only come from those who have experienced first hand how trauma can poison every aspect of your life and health. ******* On this channel, I offer free daily video coaching to help you discover, understand and overcome narcissistic abuse in toxic relationships! I like to call it toxic relationship rehab. If that sounds good to you, hit that subscribe button. **LIVE EVERY MONDAY THROUGH FRIDAY! Never miss a live session! Just text "AngieLive" (no spaces) to 33222 and I'll send you a text each time I get ready to go live! If you enjoyed this video, please subscribe to my channel! https://www.youtube.com/user/AuthorAngelaAtkinson?sub_confirmation=1 Schedule a coaching appointment with me at http://narcissisticabuserecovery.online Learn more at http://queenbeeing.com. Get my books at http://booksangiewrote.com, schedule a coaching appointment and/or pick up your free 5-day fear-busting email course (specially designed for narcissistic abuse survivors) at http://narcissismsupportcoach.com. Join SPAN (Support for People Affected by Narcissistic abuse in toxic relationships) - AKA "The SPANily" - at http://queenbeeing.com/span. Let's Also Connect On: Facebook at https://facebook.com/coachangieatkinson. Instagram: https://www.instagram.com/coachangieatkinson/ Pinterest: https://www.pinterest.com/angyatkinson/ Twitter: https://twitter.com/angieatkinson #research #narcissism #darktriadSubscribe to Narcissistic Abuse Recovery with Angie Atkinson on Soundwise

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands. Learn more about your ad choices. Visit megaphone.fm/adchoices

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands. Learn more about your ad choices. Visit megaphone.fm/adchoices

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands. Learn more about your ad choices. Visit megaphone.fm/adchoices

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands. Learn more about your ad choices. Visit megaphone.fm/adchoices

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor... Learn more about your ad choices. Visit megaphone.fm/adchoices

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands. Learn more about your ad choices. Visit megaphone.fm/adchoices