English disc jockey, radio presenter, record producer and journalist
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[PATREON ONLY] The lads have got the 'blindness' for this Peel session, as they head into it without any prior listens or knowledge (well, that's usual). Let's get into a blind listen of the entire 1994 Peel Session 17 by The Fall. Hint: It's fun. Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on WATF PATREON: Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.Follow WATF Pod on: Instagram // YouTube // Twitter // FacebookFor more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org // Annotating The FallTheme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/Produced and presented by Watts Happening Records: www.TheWattsHappening.comAdvertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
"Give Me Your Attention" heißt ein Song auf dem aktuellen MaidaVale-Album "Sun Dog". Und auch, wenn der Text des Liedes sich kritisch mit allzu blindem Vertrauen in Anbieter vermeintlich einfacher Wahrheiten befasst, sei ein Beherzigen des Titels in Hinblick auf seine Verfasserinnen hiermit nachdrücklich empfohlen. Denn die vier Schwedinnen Matilda Roth, Linn Johannesson, Sofia Ström und Johanna Hansson spielen einen bissig-groovigen Psychedelic-Rock, der allen Hinhörens wert ist. 2012 auf der Insel Gotland gegründet und zwei Jahre später nach Stockholm umgesiedelt, ist es sicher kein Zufall, dass das Quartett sich nach einem Londoner Stadtteil benannt hat. Befinden sich doch in besagtem Maida Vale legendäre Studios der BBC, Aufnahmeort vieler "Peel Sessions", mit denen der immens wichtige Radio-DJ John Peel etlichen zum Teil noch unbekannten, nicht selten aber schon wenig später die Entwicklung der Pop- und Rock-Musik entscheidend mitprägenden Bands und Künstler:innen in seinen Sendungen erstmals Gehör verschaffte – darunter David Bowie, Jimi Hendrix oder Led Zeppelin, um nur einige zu nennen. Angemessen geschichtsbewusst und zugleich eine ansteckende Frische ausstrahlend gehen auch MaidaVale zu Werke. Nachzuhören auf dem eingangs erwähnten neuen Album, ihrem 2024 erschienenen dritten, und direkt erfahrbar bei ihrem morgigen Konzert im Cassiopeia im Friedrichshain.
"Give Me Your Attention" heißt ein Song auf dem aktuellen MaidaVale-Album "Sun Dog". Und auch, wenn der Text des Liedes sich kritisch mit allzu blindem Vertrauen in Anbieter vermeintlich einfacher Wahrheiten befasst, sei ein Beherzigen des Titels in Hinblick auf seine Verfasserinnen hiermit nachdrücklich empfohlen. Denn die vier Schwedinnen Matilda Roth, Linn Johannesson, Sofia Ström und Johanna Hansson spielen einen bissig-groovigen Psychedelic-Rock, der allen Hinhörens wert ist. 2012 auf der Insel Gotland gegründet und zwei Jahre später nach Stockholm umgesiedelt, ist es sicher kein Zufall, dass das Quartett sich nach einem Londoner Stadtteil benannt hat. Befinden sich doch in besagtem Maida Vale legendäre Studios der BBC, Aufnahmeort vieler "Peel Sessions", mit denen der immens wichtige Radio-DJ John Peel etlichen zum Teil noch unbekannten, nicht selten aber schon wenig später die Entwicklung der Pop- und Rock-Musik entscheidend mitprägenden Bands und Künstler:innen in seinen Sendungen erstmals Gehör verschaffte – darunter David Bowie, Jimi Hendrix oder Led Zeppelin, um nur einige zu nennen. Angemessen geschichtsbewusst und zugleich eine ansteckende Frische ausstrahlend gehen auch MaidaVale zu Werke. Nachzuhören auf dem eingangs erwähnten neuen Album, ihrem 2024 erschienenen dritten, und direkt erfahrbar bei ihrem morgigen Konzert im Cassiopeia im Friedrichshain.
"Give Me Your Attention" heißt ein Song auf dem aktuellen MaidaVale-Album "Sun Dog". Und auch, wenn der Text des Liedes sich kritisch mit allzu blindem Vertrauen in Anbieter vermeintlich einfacher Wahrheiten befasst, sei ein Beherzigen des Titels in Hinblick auf seine Verfasserinnen hiermit nachdrücklich empfohlen. Denn die vier Schwedinnen Matilda Roth, Linn Johannesson, Sofia Ström und Johanna Hansson spielen einen bissig-groovigen Psychedelic-Rock, der allen Hinhörens wert ist. 2012 auf der Insel Gotland gegründet und zwei Jahre später nach Stockholm umgesiedelt, ist es sicher kein Zufall, dass das Quartett sich nach einem Londoner Stadtteil benannt hat. Befinden sich doch in besagtem Maida Vale legendäre Studios der BBC, Aufnahmeort vieler "Peel Sessions", mit denen der immens wichtige Radio-DJ John Peel etlichen zum Teil noch unbekannten, nicht selten aber schon wenig später die Entwicklung der Pop- und Rock-Musik entscheidend mitprägenden Bands und Künstler:innen in seinen Sendungen erstmals Gehör verschaffte – darunter David Bowie, Jimi Hendrix oder Led Zeppelin, um nur einige zu nennen. Angemessen geschichtsbewusst und zugleich eine ansteckende Frische ausstrahlend gehen auch MaidaVale zu Werke. Nachzuhören auf dem eingangs erwähnten neuen Album, ihrem 2024 erschienenen dritten, und direkt erfahrbar bei ihrem morgigen Konzert im Cassiopeia im Friedrichshain.
"Give Me Your Attention" heißt ein Song auf dem aktuellen MaidaVale-Album "Sun Dog". Und auch, wenn der Text des Liedes sich kritisch mit allzu blindem Vertrauen in Anbieter vermeintlich einfacher Wahrheiten befasst, sei ein Beherzigen des Titels in Hinblick auf seine Verfasserinnen hiermit nachdrücklich empfohlen. Denn die vier Schwedinnen Matilda Roth, Linn Johannesson, Sofia Ström und Johanna Hansson spielen einen bissig-groovigen Psychedelic-Rock, der allen Hinhörens wert ist. 2012 auf der Insel Gotland gegründet und zwei Jahre später nach Stockholm umgesiedelt, ist es sicher kein Zufall, dass das Quartett sich nach einem Londoner Stadtteil benannt hat. Befinden sich doch in besagtem Maida Vale legendäre Studios der BBC, Aufnahmeort vieler "Peel Sessions", mit denen der immens wichtige Radio-DJ John Peel etlichen zum Teil noch unbekannten, nicht selten aber schon wenig später die Entwicklung der Pop- und Rock-Musik entscheidend mitprägenden Bands und Künstler:innen in seinen Sendungen erstmals Gehör verschaffte – darunter David Bowie, Jimi Hendrix oder Led Zeppelin, um nur einige zu nennen. Angemessen geschichtsbewusst und zugleich eine ansteckende Frische ausstrahlend gehen auch MaidaVale zu Werke. Nachzuhören auf dem eingangs erwähnten neuen Album, ihrem 2024 erschienenen dritten, und direkt erfahrbar bei ihrem morgigen Konzert im Cassiopeia im Friedrichshain.
In true 'WE ARE THE FALL' fashion, get ready to go off the rails on the B-side. The lads go 'no holds barred' on Peel Session 16 (1993). Choose your weapon. Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on WATF PATREON: Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram // YouTube // Twitter // Facebook For more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org // Annotating The Fall Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records: www.TheWattsHappening.com Advertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
We have another couple fun Peel sessions on our hands from 1992 and 1993. On this episode of WATF, we cover the group's 1992 session (Peel Session 15) with great enthusiasm. Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on WATF PATREON: Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram // YouTube // Twitter // Facebook For more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org // Annotating The Fall Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records: www.TheWattsHappening.com Advertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
Today we're sharing an interview recorded this week with Gabriel Kuhn speaking about the West German urban guerrilla group the 2nd of June Movement, the book he co-edited on this subject entitled From Hash Rebels to Urban Guerrillas: A Documentary History of the 2nd of June Movement (from PM Press and Kersplebedb), the milieu from which it arose, how it compared to other groups at the time like the Red Army Faction, and some of the legacy of their critiques and interventions on radical politics in the autonomen movement and beyond. For the hour we speak about the context from which the 2nd of June Movement grew (alongside the Red Army Faction, Revolutionary Cells and others) in the 1970's, their goals and actions, the timing of the book and the legacy that these groups left to German society and the autonomous movements that continued. • Our prior interview with Gabriel on Liberating Sapmi • Gabriel's blog: https://lefttwothree.org/ • A blog collecting documents of this period: http://germanguerilla.com/ . ... . .. Featured Track: 5:45 by Gang of Four from The Peel Sessions
Time to wake up John Quays, as the lads gather around yule log for the 'substitute crucifix for Christ'-mas celebration. We celebrate this festive episode with a listen-along to the 1994 Peel Session (on the 30th anniversary of its original broadcast), which is full of holiday riffs and cheer. Gavin and Steve also take a look back at their favorite WATF moments of the past year and offer a giveaway contest for our Fall-heads! Lots to come in 2025 for the WATF Pod, but for now, let's bask in Fall cheer. Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on WATF PATREON: Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram // YouTube // Twitter // Facebook For more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org // Annotating The Fall Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records: www.TheWattsHappening.com Advertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
After last week's Travel concept show - Planes, Trains & Automobiles- (check it out in the archives) this week Matt and Dom are back in the Cafe Atlas Obscura - going gangbusters all over the globe - hopping from place to place with the flick of the crossfader. Featuring new albums from The Cure and Primal Scream, a couple tracks on Vampi Soul, a couple Peel Sessions, Hip Hop from South Africa, Folk from Scotland- Sweden and downtempo electro take on Serge Gainsburg from France- Afro-Cumbia Fusion, Reggae, Funk from Stax, Peanuts Jazz and so much more. For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!David Pajo returns to discuss Papa M's Ballads of Harry Houdini and provide insights about each song, reflecting upon the profound memorial gathering for Steve Albini that we attended this past July and also Steve's talents and knowledge-sharing generosity, embracing improvisation and never touching a computer to make his new record, how playing in Tortoise still informs his work, unsettling songs and horror movies, reissuing Slint's Tweez and releasing Aerial M's Peel Sessions, making new music, touring with Gang of Four, other future plans, and much more. Support vish on Patreon!Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #910: The Hard QuartetEp. #877: Gastr del SolEp. #872: Mike Watt and Papa MEp. #869: Steve AlbiniEp. #736: Douglas Andrew McCombsEp. #609: Gang of FourEp. #303: David PajoEp. #240: A Way That's Clear – Tortoise & The Making of ‘The Catastrophist'Ep. #112: Britt Walford of Slint and WatterEp. #99: Brian McMahan of SlintSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Babes in Toyland [00:31] "Dust Cake Boy" Sugar and Spice Foxcore Records F9 1992 From a UK bootleg featuring demos and studio outtakes from Babes in Toyland, and Peel Session tracks from Hole. Talk Normal [04:09] "In Every Dream Home a Heartache" Sugarland Rare Book Room Records RBR005 2009 Blistering Roxy Music cover (https://youtu.be/boo5PDjf1Es?si=j-vWw2hnjJrb98DJ) from this Brooklyn duo (https://youtu.be/BgdDDJEzhJA?si=rXvYkftPvYkA8bJ4). Suicidal Tendencies [10:17] "Won't Fall in Love Today" Suicidal Tendencies Frontier Records FLP 1011 1983 This is a 2005 reissue on red-ish transparent vinyl. Produced by Glen E. Friedman, who is better known as a photographer (http://burningflags.com/home/) famous for documenting the nascent punk and skateboard scene. Bonnie 'Prince' Billy [11:13] "Ease Down the Road" Summer in the Southeast Sea Note SN11 2005 Live album recorded while touring Florida, Georgia, Mississippi, and North Carolina. Helping out Will Oldham here are his brother Paul on bass, Peter Townshend on drums, Dave Bird and Matt Sweeney on guitar. Wayne Newton [16:58] "Summer Wind" Summer Wind Capitol Records T 2389 1965 A young Mr. Entertainment taking a pass at this Johnny Mercer number adapted from a German/Danish single by Gerthe Ingmann (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7). I will forever associate this song with Martin singing this song (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7) at the end of The Simpsons episode Bart of Darkness (S06E01). Thou [19:33] "Grissecon" Summit Gilead Media relic 31 2018 An excellent reissue of Thou's 2010 album Summit originally released on Southern Lord, along with material from The Archer and The Owle EP released on Robotic Empire. I still think it is amazing that Thou were the first metal band to appear on NPR's Tiny Desk (https://youtu.be/IUVYgCwpv7Y?si=tOq09uk2XAP45o5x) (minus lead vocalist Bryan Funck). Be-Bop Deluxe [27:55] "Heavenly Homes" Sunburst Finish Harvest ST-11478 1976 Some excellent melodic guitar dynamics on this track from Bill Nelson and co's third studio album. Guided by Voices [32:51] "Heavy Metal Country" Sunfish Holy Breakfast Matador OLE 185-1 1996 EP from somewhere around the Alien Lanes/Under the Bushes Under the Stars era. On lovely translucent blue vinyl. Earl-Jean McCrea [36:09] "I'm Into Something Good" Super Girls Lake Shore Music OP 3507 1979 _As seen on TV (https://youtu.be/K2t9Iwl07sA?si=JmonzgyBe6Sr8MuV)! Forty original hits by forty original artists. In mono! Earl-Jean of the Cookies sends this original recording of the Goffin and King hit shortly thereafter by Herman's Hermits. _ 1000 Homo DJs [38:56] "Supernaut" Supernaut Wax Trax! Records WAX 9133 1990 Peak Industrial cover from Al Journgensen and friends. Certainly not as good as the Sabbath orignal (https://youtu.be/nUb0QaDjP78?si=QtuvXBJhZNFU4yFM) but still makes an impact, though it does go on a bit. Matt Sweeney and Bonnie 'Prince' Billy [45:33] "Bed Is for Sleeping" Superwolf Drag City DC179 2005 Excellent collaboration between the two, with some excellent illustrations by Matt and Spencer Sweeney. Produced by Superwolfmen. Jefferson Airplane [49:42] "White Rabbit" Surrealistic Pillow RCA Victor LSP-3766 1967 Normally I would go with "Plastic Fantastic Lover (https://youtu.be/NUc8vkO3oxY?si=OBKbSnjAAEQsJMbK)", but as I've said before, sometimes you gotta go with the hits. Grace was evidently inspired by Miles Davis' Sketches in Spain when coming up with the music from this piece. Survive [52:11] "Sorceror" Survive RR7349 Relapse Records RR7349 2016 Some tasty synthwave from the band behind the Stranger Things sound. Shizuko and Shinichi Suzuki [56:31] "Long, Long Ago (Bayly)" Suzuki Violin School, Vol. 1 & Vol. 2 Summy-Birchard Music CSM 1387 1970 I was a child violin prodigy... until I had to read music. Quintron and Miss Pussycat [57:10] "Witch in the Club" Swamp Tech Tigerbeat 6 MEOW119LP 2005 Organ magic from the one and only Quintron and the amazing Miss Pussycat. I'll have to remember this track for next Halloween. Music behind the DJ: "Quinn the Eskimo" by Arthur Greenslade and his Orchestra
Episode 718: October 29, 2024 playlist: The Legendary Pink Dots, "A Message from the C.E.O" (The Legendary Pink Hallowe'en Special 2024) 2024 [self-released] Throbbing Gristle, "Scabs and Saws (Single Version)" (Scabs and Saws) 3:29 Mute Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhisa Yamamoto, "III" (Album I) 2024 Bureau B Ladytron, "Misery Remember Me - Shiny Toy Guns Remix" (Time's Arrow Remixed) 2024 Cooking Vinyl Cate Brooks, "Blue Chip Fever" (Prismatics) 2024 Belbury Music Bill Callahan, "Beautiful Child (Peel Session)" (The Holy Grail: Bill Callahan's "Smog" Dec. 20, 2001 Peel Session) 2024 Drag City Jill Fraser, "Amen 2" (Earthly Pleasures) 2024 Drag City Angelo Harmsworth, "Trauma Arbitrage" (Without Blinking) 2024 Warm Winters Laibach, "Leben heisst Leben (Opus Dei Revisited 2024)" (Opus Dei Revisited) 2024 Mute Mike Cooper, "The Spider Of Dawn Had Appended And The Moon Had Far Descended" (Slow Motion Lightning) 2024 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Rick gets spooky with guests Ricky Vigil and Steve Thueson. Steve's horror-comedy comic The Night Never Ends was just released and Rick Vigil just released a mini comic called Skamigos Sneak into the Show. The trio talk about those releases, play some terrifying punk-adjacent songs and hear the horrifying tale of Steve's introduction to Marilyn Manson. Awwoooooooo! (That was supposed to be a howl)Tracklisting:Hour Of The Wolf, "Eat Your Alive" Power of the Wolf (Limekiln) (2006)- - -JER, "It's Terror Time Again," Skalloween (Counter Intuitive Records) (2021)Houseghost, "Night in the Woods", Another Realm (Rad Girlfriend) (2023)Hex Dispensers "One Less Ghost" III (Alien Snatch) (2015)- - -Cataphiles, "Silenced", Self-released (Sabatoge) (2022)Son Of Sam, "Michael" Songs From The Earth (Nitro) (2001)Desmond Dekker, "Dracula," Rudy Got Soul: The Early Beverley's Sessions 1963-1968 (Sanctuary) (2003)- - -The Creeps, "Follow You Home", Follow You Home (It's Alive) (2010)Matamoska, "I Turned Into a Martian", Skalluminati (In the Lake) (2017)The Damned, "Nasty", Peel Sessions (1978)- - -Hans Gruber And The Die Hards, "I Put a Spell on You", Tokyo Two-Step (Ska Punk International) (2024)Big D And The Kids Table, "Salem Girls", Salem Girls (Strictly Rude) (2005)Bambix, "X-Ray The Candy", Crossing Common Borders (Vitaminpilline) (1996)- - -Les Squelettes, "Nous Nous Appelons Les Squelettes" Téléfrançais! (1984)
Let's flip this baby over and head into the 1990 Peel Session (#13). Get ready to get melted because we have another great set, by an evolved Fall lineup: [THIS SIDE/SET]: Chicago Now / Black Monk Theme / Hilary / Whizz Bang. Let's get into it! Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us onhttps://www.patreon.com/WEARETHEFALLPod https://www.patreon.com/WEARETHEFALLPod Follow WATF Pod on: https://www.instagram.com/wearethefallpod/ // https://www.youtube.com/@WeAreTheFallPod // https://twitter.com/wearethefallpod/ // https://www.facebook.com/wearethefallpod/ For more Fall-related info, please visit our fellow Fall-heads' great work at: https://thefall.org/ // http://annotatedfall.doomby.com/ Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records:http://www.thewattshappening.com Advertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
Chicago later?! Not likely, mate. The lads get to investigate their hometown's namesake along with a number of other great tracks in this extremely powerful set from The Fall in 1989 (and 1990?). Sonically, it doesn't get much better than these Peel sessions. [THIS SIDE] Peel Session 12 (1988): Deadbeat Descendant / Cab It Up / Squid Lord (aka Squid Law) / Kurious Oranj Are you searching for the (next episode) now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join us on WATF PATREON: Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram // YouTube // Twitter // Facebook For more Fall-related info, please visit our fellow Fall-heads' great work at: TheFall.org // The Annotated Fall Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records: www.TheWattsHappening.com Advertising & Guest Inquiries - Contact: wearethefallpod@gmail.com
On this week's Talkhouse Podcast we've got a reunion of sorts, in celebration of a new release of old music: It's David Pajo, Cassie Berman, and Tim Furnish. These three met in the fertile Louisville scene of the early 1990s. Pajo played guitar in the wildly influential band Slint and went on to play with Tortoise, Royal Trux, Stereolab, and Interpol at various times over the years—he's currently a member of Gang Of Four. But the subject of this conversation is Pajo's sorta-solo career, which went through various M-names, from just M to Papa M and Aerial M. As Aerial M, Pajo brought on some friends for a brief time to tour Europe, where they recorded a Peel Session—more on that in a minute. The friends that Pajo recruited to play in the Aerial M live band were Tim Furnish, whose legendary Louisville band Crain had broken up recently—and who has since recorded experimental rock with the band Parlour—as well as Cassie Berman and Tony Bailey. Berman had been kicking around in Louisville bands, too, and she would go on to join Silver Jews, the band fronted by her husband, David Berman. Drummer Tony Bailey, as you'll hear, played in about a million bands in the area—he died, sadly, in 2009. The reason for today's reunion of the lineup that burned bright but quick is the release of Aerial M's new Peel Sessions album. In case you're unfamiliar, BBC DJ John Peel used to invite the coolest bands of his day—from the ‘70s into the 2000s—to record a few songs specifically for his show, many of which were later released with the same striking artwork. In 1998, Aerial M stopped by and recorded three songs that would turn out quite different to the versions Pajo crafted in the studio, and would really be the only evidence that this lineup left of its existence. Pajo was recently reminded of this session, so he set about tracking down the tapes, sprucing them up, and handing them over to Drag City for a proper release—including an amazing replica of those original John Peel Sessions sleeves. Check out the song “Vivea” right here. I don't think these three had sat down for a chat in a while, so it's like sitting in on a reunion with three people who have a lot of fond memories. They talk about their '98 tour, including the recording of this record, plus they get into fond remembrances of Tony Bailey, racing Stereolab to the record store, and even what they're up to now: Just a few days before this recording, Cassie Berman participated in a tribute to David Berman on the anniversary of his untimely passing, and Furnish has been working on some cool-sounding visual art for other bands. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to David Pajo, Cassie Berman, and Tim Furnish for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com and in our wider podcasting network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse
Twister(s) incoming! Join Gavin and Steve as they do a listen-along to John Peel's 1986 and 1987 sessions (10-11) with The Fall. This is a wildly fun one, so strap in mates! Are you missing an episode? Join WATF Pod on PATREON to get them all! Including bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube WATF Podcast Theme Song by Gavin Watts: https://wearethefallpod.bandcamp.com/ Produced and presented by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message Support this podcast: https://podcasters.spotify.com/pod/show/theanswersatx/support
We're back at BBC studios for a rambling listening-along where Gavin and Steve attempt to pitch and cast the John Peel bio film. Additionally, the lads discuss Chicagoan and record producer (no, engineer!) Steve Albini, which is strange because this episode was recorded almost exactly one week before his untimely passing (*Editor's note: We were also in the process of scheduling him to be a guest on the show). Anyways, enjoy this great set. Cheers mates! Are you missing an episode? Join WATF Pod on PATREON to get them all! Including bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube Produced and presented by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message Support this podcast: https://podcasters.spotify.com/pod/show/theanswersatx/support
Im Lauf seiner Karriere nahm BBC DJ John Peel über 4000 exklusive Sessions mit einigen der wichtigsten Bands aller Zeiten auf. Musikradsio360 präsentiert heute eine kleine Auswahl daraus. Am Start sind u.a. Led Zeppelin, Jimi Hendrix und die White Stripes.
We close out 1983 with a visit to our pal Mr. John Peel's studio to take in the sounds of the Fall as they explore Perverted by Language tracks as well as give us a taste of what's to come. This is their last JP session for a year and half so it must be a great one (and it is)! Are you missing an episode? Join WATF Pod on PATREON to get them all! Including bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube Produced and presented by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message Support this podcast: https://podcasters.spotify.com/pod/show/theanswersatx/support
Bonus listen-along hangout session with Gavin and Steve today as the tune their dials to the John Peel show to catch the Blue Orchids sessions from 1980 and 1982. Head or 'no head', it's going to be a good year. Are you missing an episode? Join WATF Pod on Patreon to get them all! Including bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube Produced and presented by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message
We're back in Mr. Peel's good graces after a rollicking first two sessions! Join Gavin and Steve in their dorm room as they fire up the radio and explore sessions 3-5, from 1980-1981. The boys will be sure to lock the door and turn it up to '11' as they tune-out university staff, and tune-into a bunch of new Fall tracks (which have yet to be released, at this time)! Side A only of the discussion here. Join us on Patreon to hangout with us for the full, three Peel Sessions (Side B)! Are you missing an episode? Join WATF Pod on Patreon to get them all! Including bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube Produced and presented by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message
Join Gavin & Steve as they tune-in to The Fall's first two sessions for John Peel's radio show in 1978. ---- Join WATF Pod on Patreon for bonus episodes, rare Fall content, merch, and exclusive hangs with Gavin & Steve as they discuss everything Fall-related. Follow WATF Pod on: Instagram Twitter Facebook YouTube Produced by Watts Happening Records: www.TheWattsHappening.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/theanswersatx/message
Ricardo speaks to me about the CubanBoys ,teletext, Eurovision and the Poundshop boys. Being championed by Radio One DJ's Jo Wiley and John Peel catapulted Ricardo and his band mates into superstardom when they were spotted by EMI records. Ricardo also speaks about his fascination with the Top 40 and his ZX Spectrum Coding career. The Peel Sessions are now available on preciousrecordingsoflondon.com - Please consider buying Sam Tan from poundshopboys.bandcamp.com as the proceeds go to local Charities. My Theme tune is courtesy of @mrnissness You can, if you wish, buy me a Ko-fi.com/bytehigh
Sarah Vaughan [00:36] "Hey Naughty Papa" Sassy Mercury Wing MGW 12237 1962 (originally released in 1956) Hey now. Evidently this one was written by Hoagy Carmichael? Here Sarah is backed by Hal Mooney and his Orchestra. Subway [02:51] "Jupiter" Satellites Soul Jazz Records SJR 157-12 2007 Beep boop boop beep. Jerry Byrd [08:27] "Cold Cold Heart" Satin Strings of Steel Monument SLP 8033 1965 Getting very aloha with Hank's classic. Glen Campbell [11:06] "Lonesome Jailhouse Blues" A Satisfied Mind Pickwick SPC-3134 1971 A repackaging of the Glen's Capitol Records 1966 album Big Bluegrass Special. Bee Gees [14:28] "Jive Talkin'" Saturday Night Fever (The Original Movie Sound Track) RSO RS-2-4001 1977 Sometimes you just have to go with the hit. Oh wait, they're all hits. The Hot Dogs [18:13] "Feel Real Fine" Say What You Mean Ardent Records ADS-2805 1973 A great little gem of a Big Star adjacent album. Digging this track by Terry Manning. Tom Jones [21:12] "Come to Me" Say You'll Stay Until Tomorrow Epic PE 34468 1977 That's right, the theme song from The Pink Panther Strikes Again (https://youtu.be/vH4-8qR79WY?si=t1IrFzJuuVfkDknP&t=7) (Edwards, 1976). You know, the one with the castle in Bavaria? My brothers and I went with my mother to see this one in the theaters instead of staying home and watching Super Bowl XI (Raiders v Vikings) (https://en.wikipedia.org/wiki/Super_Bowl_XI). Daniel Ocko [24:07] "The Guitar Player" Great Ghost Stories Troll Records 50-002 1973 Oops... right genre, wrong cover. The record is Great Ghost Stories but the sleeve is Scary Spooky Stories. Harry Nilsson [31:27] "Gotta Get Up" Schmilsson RCA LSP 4515 1971 (1979 reissue) Aleatoric glissando. Look it up. Rafael Kubelik conducting the Chicago Symphony Orchestra [33:51] "Schoenberg: 5 Pieces for Orchestra, Op. 16 - Peripetia" Shoenberg/Bartok - 5 Pieces for Orchestra, Op. 16/Music for Stringed Instruments, Percussion, and Celesta Mercury MG-50026 1953 blah Pete Townshend [36:04] "Squeezebox" Scoop ATCO Records 7 99063-1-F 1983 A pretty solid demo from a compilation full of Who demos. Scott Walker [38:34] "Amsterdam" Scott (Aloner) Smash Records SRS 67099 1967 Alright, so I'm cheating a little on this one too. The US release of Walker's first album, Scott, was titled Aloner. But I didn't have this album when we were running through Albums that begin with the letter A as in Alpha. It's really difficult to pick just one song to play here. My instinct wanted to go with "The Lady Came from Baltimore (https://youtu.be/7gFECZErdBY?si=Pi-CIpL5RRu22aA7)" but the atmosphere of his cover of Brel's "Amsterdam" (https://youtu.be/-Z0UGGvb4sQ?si=2SIFvLXn7CvA80UT) is so good. Siouxsie & the Banshees [43:21] "Mirage" The Scream Polydor POLD 5009 1978 The amazing debut album from Siouxsie and the Banshees. A pretty remarkable effort front to back. The version of "Mirage" that appears on this album gains a little polish but still retains the energy of the Peel Session version the year before (https://youtu.be/0S_vlZg7xBQ?si=1NqDL9OM6OhrSn50). Judas Priest [46:11] "The Hellion/Electric Eye" Screaming for Vengeance Columbia FC 38160 1982 One of the greatest 1-2 punches in album opening history. You know exactly what you are in store for. Fourteen year-old me was completely enthralled with the sound of this album. Hap Palmer [50:31] "Sweetwater Springs" Sea Gulls... Music for Rest and Relaxation Activity Records AR 584 1978 Woof. File under Easy Listening. Why do I feel the sudden urge to make a macrame plant hanger? Will Oldham [52:15] "Sapele" Seafarers Music Drag City DC261 2004 Music to accompany a documentery by. Music behind the DJ: "Cold Cold Heart" by Lawrence Welk and Orchestra
Gavin discusses The Cure's six appearances on the Peel Sessions.
Only a handful of bands made up the 2 Tone era of ska in late 70s England. Today, we bring on Rhoda Dakar, the singer of The Bodysnatchers, an all-female ska band that released 2 singles on the 2 Tone record label before breaking up. The band also recorded a few Peel Sessions and were featured on Dance Craze. Though short-lived, The Bodysnatchers were an important band and are still loved by many to this day. Rhoda also sang on the Specials' song "I Can't Stand It" (A really cool duet with Terry Hall), and was part of Jerry Dammers' Special AKA project. Their In The Studio record took 2 years to record. Rhoda tells us about "I Can't Stand It" and what it was like to work on In The Studio. (It was no fun!) We also talk about Rhoda's pre-Bodysnatchers years of being a punk kid and seeing Iggy Pop and Lou Reed, becoming friends with The Sex Pistols' Paul Cook and Steve Jones, and how she tried (and failed) to sneak into a Roxy Music concert in 1973. She tells us what it was like to work with The Interrupters on their most recent record, how she finally got to perform at the Brixton Academy Theater and the role that The Pogues' Shane MacGowan had in her joining The Bodysnatchers. She talks about writing "Ruder than You" with scenester Gaz Mayall (son of British blues legend John Mayall), playing on the Seaside Tour with The Specials and the Go Go's, and we talk about the legacy of her song The Boiler. Support the show
Dolan Hewison in conversation with David Eastaugh https://www.au-turn.com/about The band recorded three sessions for John Peel's radio show, the first two of which were compiled onto an album, The Peel Sessions in 1991. Their song "Big" also reached No. 14 in the Festive Fifty in 1990 and featured on the influential 1990 compilation album Happy Daze. Their lone charting success in the United States was the single "Stockholm", which reached No. 30 on the Billboard Modern Rock charts in 1993.
Transmissions from the Underground Show Episode 109"Transmissions from the Underground Show" Live from Melbourne Australia with Topher Denman & Christine Ries Thursdays at 4:00 AM USA EST - 8:00 PM AEDT Best artist around the world playing #heavyblues #stonerrock & #psychedelicrock #TransmissionsfromtheUnderground AND it's ONLY on Cowboy's Juke Joint Radio #cowboysjukejoint www.cowboysjukejoint.com1. Magick Touch - Apollyon - Cakes & Coffins (2023) 3:302. Saint Karloff - Psychedelic Man - Palaeolithic War Crimes (2023) 6:403. The Machine - Reversion - Wave Cannon (2023) 6:164. Found Missing? - Nobody - Blind Leading The Blind (2023) 4:155. Dead Meadow - Good Moanin' - Peel Session (2023) 3:196. Condors in the System - Spooky Action at a Distance - Reflections Of Falcons(2023) 3:297. Dødsferd – Το βάρος να νιώθεις ζωντανός (The Burden of Feeling Alive) –8. Asphyxiating Late Night Sessions: Collaboration with Sarvok (2023) 5:099. Orbita - La Piel - Otra Dimensión (2023) 6:5410. Shadow Witch - I wanna be your dog - Magicka Sun, Mystic Moon (2023) 3:4811. Ursus Quaver - Leech - Pitch Black Dawn (2023) 4:4112. Bis*nte - Army of Faith - Broken (2023) 8:1513. Heezer - Red Giant - Sungrinder (2023) 5:09
We've reached double digits! As we progress in our journey through the Smiths career, we need to pay mention to one of the most influential figures in the progress of their journey, BBC 1's John Peel. For this episode, we have returning guest Ethan Seegmiller (@erseegmiller) on for an episode nearly three times as long as I'd told him he'd be on... Whoops...John Peel Sessions: https://youtube.com/playlist?list=PLl78s5lyn9CMsPbxVJH11KMRIJcSuB1qASocials: @SmithscyclopediaEmail: Smithscyclopedia@gmail.com Hosted on Acast. See acast.com/privacy for more information.
Spray anyone? 2023 sees Spray ring in the new year by bringing their Songs Already Sung project – a collection of carefully curated cover songs – to streaming services. Spray is comprised of Ricardo Autobahn (synthesizers) and Jenny McLaren (vocals, guitars), both formerly (and once again) of the Cuban Boys, who took their chaotic technopunk to number 1 on the Festive 50 (twice), recorded one of the best Peel Sessions ever and went head-to-head with Sir Cliff Richard in a Christmas Chart Battle. For the duo, Songs Already Sung was something of a experiment and a departure from their standard way of working. Says Ricardo in his own inimitable style, “Songs Already Sung was an ongoing project throughout 2022, which built into a whole album month by month of popular beat group Spray performing some great hits of yesteryear.” Though there's only 12 months in the year, in a very Spray move Songs Already Sung actually comprises 14 tracks. That number is a tribute to both the band's expansive musical taste, unique approach to the project, and the sheer number of fantastic fan-generated ideas the band received after a callout on social media. As Ricardo stated at the commencement of what was then called the Untitled Covers Project, “We have a number of cover versions to keep our live set interesting, but as for our albums, they've been strictly originals only. So, we felt it might be fun, and also a good way of keeping ourselves proactive, to record a covers album, recording and releasing the songs one a month. This allows for an element of interactivity, fan suggestions, and also the possibility we'll end up with more songs than we expected. Or possibly less.” He added, “These won't be necessarily what you'd expect from us either. The idea of Spray cover versions is to take something as far away from our oeuvre as we can find and then drag it kicking and screaming into the Spray Universe.” The fourteen tracks on Song Already Sung include classics from The (Detroit) Spinners, Living Color, KISS, Nine Inch Nails, and Tori Amos. Also featured and given the Spray treatment are songs by Roger Whittaker – a rare vocal outing from Ricardo – Hazel O'Connor, Faith No More, Chas and Dave, Glenn Hoddle and Chris Waddle, The Connells, Lil Nas X, and Blink 182. Last but not least, fans of 70s British educational TV will be intrigued by the inclusion of Paddy Kingsland's The Boy from Space, given a suitable cosmic-sounding and rather cheeky Spray makeover. The collection of tracks on Song Already Sung is sure to bring a smile to your face, and maybe the odd tear of joy to an eye or two. Music Available on AnalogueTrash
Andrea Parker & Paul Adams - Melys - in conversation with David Eastaugh The group was formed by Andrea Parker (vocals) and Paul Adams (guitar and keyboards) when the two met in Betws-y-Coed in 1996. The two became both musical and personal partners and recruited Adams' brother Gary Husband on drums and their friend Carys Jones on keyboards. After releasing two EP's with local label Ankstmusik the group was signed to Pinnacle Records releasing their first album Rumours and Curses in 1998. Unfortunately their relations with Pinnacle, always strained, fell apart completely when that label went bankrupt at the end of the year. The group subsequently founded their own label, Sylem Records, on which their second album Kamikaze was released. Jones left the band at around this time to be replaced by Richard Eardley who continues as bassist with them to this day. John Peel, a long-time fan of the group (and for whom they recorded 11 Peel Sessions) introduced the group to Dutch band Seedling in late 2000 and they released a split single in collaboration with them (the song on Seedling's side was called "Cool Baby My Hips Go Woo") in early 2001.
James Smith - The Nightingales - in conversation with David Eastaugh https://uknightingales.bandcamp.com/album/the-last-laugh The Nightingales are a British post-punk/alternative rock band, formed in 1979 in Birmingham, England, by four members of Birmingham's punk group The Prefects. They had been part of The Clash's 'White Riot Tour', recorded a couple of Peel Sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by US indie label Acute Records. Described in John Robb's book on 'post punk' Death To Trad Rock as "The misfits' misfits" and comprising an ever-fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early 1980s as darlings of the credible music scene and were championed by John Peel, who said of them – "Their performances will serve to confirm their excellence when we are far enough distanced from the 1980s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans".
To close out Pavement's triumphant 2022 tour, another gift…Back in December 2021, Spiral Stairs was our very first guest on the program. Not only is our Roxy Music episode one of our best and most popular, but Scott remains one of the greatest and most gracious guests we've ever had. Have at it, fellow Pavement lunatics! -Listen to a curated Roxy Music playlist on Spotify -Check out Roxy Music emerging fully formed on a legendary Peel Session from 1972. Not available on streaming services but essential -Roxy Music looking and sounding like the coolest human beings on the planet on The Old Grey Whistle Test in 1972 -A return to The Old Grey Whistle Test a year later, so good it's not fair -Tearing up "Pyjamarama" on Musikladen in 1974 -Still looking and sounding fabulous in 1982 -Excellent Roxy Music fan site if you're looking for more information CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Link Tree: https://linktr.ee/discograffiti Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ Patreon: www.Patreon.com/Discograffiti CONTACT DAVE Email: dave@discograffiti.com Twitter: https://twitter.com/DaveGebroe Instagram: https://www.instagram.com/davidgebroe/ CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/discograffiti/message
Vince Rogers - Testcard F - in conversation with David Eastaugh Norwich, experimental synth pop band formed in 1981 - formed in the early 1980s at the UEA. Famously had an indie chart hit with Bandwagon Tango. They completed a second EP and also did a Peel Session. Before releasing solo material as alpha seven, Pete used to be in Testcard F, an early experimental synth pop outfit based in Norwich, reaching the dizzy heights of a Peel session in 1982 and two singles on the Backs record label. Instrumentation included electronic percussion built from Maplin kits, augmented with a coat rack and waste bins to give a human feel. There was a borrowed EDP Wasp, 1960s Farfisa organ, Casio VL-Tone and a drum machine that held a single song, hence they used backing cassettes
“The Circle” The singer/guitarist Jim Shepherd is probably best known for being a part of the legendary indie Scottish outfit the Jasmine Minks. One of the first bands signed to Alan McGee's Creation Records, the ‘Minks put out a handful of albums, including classics like Another Age and 1,2,3,4,5,6,7 All Good Preachers Go To Heaven. They played with bands like the Violent Femmes, Jesus and Mary Chain and The Go-Betweens, recorded a Peel Session, got tons of critical acclaim and got airplay on college stations all across the U.S. The band went on hiatus in 2001, reformed in 2010, played sporadic gigs here and there since then, put out a handful of new singles and have a new album brewing as we speak. In the meantime, Shepherd's first solo album has just hit shelves. Titled The Circle, Shepherd's band for the record includes members of The Loft, The Weather Prophets, June Brides and The Distractions. A ferocious and thoughtful collection filled with indie rock stomp, melodic mod hooks and introspective ballads, The Circle is stirring, satisfying and altogether thrilling work. www.jimjasmine.bandcamp.com www.bombshellradio.com www.alexgreenonline.com Stereo Embers: The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine/com
Arrancamos recordando a Jordan Mooney, la cara del Punk, icónica mujer de los primeros días del punk británico cuyas estrafalaria imagen marcó la estética de aquel movimiento. Suenan los últimos avances del próximo álbum de Jack White, charlamos con Rocio Verta-Ray sobre una de las bandas que han pasado por el estudio NYHED y en el tramo final recibimos al trío mallorquín Go Cactus que nos presenta su álbum "We have wasted the chance but we are fine" y se sube a nuestro rincón de los directos. Playlist; ADAM and THE ANTS featuring JORDAN “Lou” (Peel Sessions, 1978) RAMONES “Love kills” (Animal boy, 1986) JACK WHITE “Fear of the dawn” (adelanto del álbum Fear of the dawn) JACK WHITE “Hi-de-ho” (adelanto del álbum Fear of the dawn) PILOT ON MARS “Sunday morning” (Eternal face, 2019) Selección NYHED; BAD JUICE “Neon devil” GO CACTUS “On time” (We have wasted the chance but we are fine, 2022) GO CACTUS “Achievement” (We have wasted the chance but we are fine, 2022) GO CACTUS “Dirty hand” (We have wasted the chance but we are fine, 2022) GO CACTUS “Is it today” (directo en El Sótano) GO CACTUS “No money” (directo en El Sótano) GO CACTUS “Burning thing” (We have wasted the chance but we are fine, 2022) Escuchar audio
Matt McManamon is perhaps best known as the febrile frontman of the one-time Deltasonic darlings, The Dead 60s. His incredible musical journey has seen him play Peel Session, replace Roddy Radiation to become a touring member of The Specials and appear twice on Top of the Pops. Nearly two decades since since tracks like “Riot Radio” hit the charts and tore up indie dancefloors across the nation, McManamon has now returned with an altogether different outlook on his passion for recording and playing live music, and the release of his debut solo album ‘Scally Folk'. We finally managed to meet up with Matt (along with fellow musician, Vinny Redmond) as he arrived in Liverpool to play an acoustic set at the amazing St Michael's Sessions, where we talked to him about his incredible career, how it feels to be back on the road again and what music means to him.
Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. Show archives at brianturnershow.comBRO SMITH - Bigfoot - 7" (Big Tree, 1976)BRIAN TURNER THE ACNE/VEGAN DIET GURU GETS FED GARBAGETHE GIZMOS - Human Garbage Disposal - Raw '76/'77 (Gulcher, 2022)BELASTUNGSPROBE - Alternaiv - Platzdruck 90 ATÜ (Play Loud, 1982)THE DRIN - Full Moon Natural Sickos - Engines Sing for the Pale Moon (Drunken Sailor, 2022)DÄLEK - Boycott - Precipice (Ipecac, 2022)PARK JIHA - Light Way - The Gleam (Tak:Til/Glitterbeat, 2022)VIRGIN PRUNES - Twenty Tens (I've Been Smoking All Night) - Artfuck: A Compilation of Rarities 1980-83 (New Rose, 1993)SWELL MAPS - Harmony In Your Bathroom (BBC, 1978 Peel Session, Unreleased)BÖRN - Norn - Drottningar Dauðans (Iron Lung, 2022)THE HUNTERS - Fuchs Geh' Voran - 7" (Colorit, 1975)PHARAONS - The Paedophilia From Vatican - Evil World (1989, re Supreme Echo, 2022)THE WANT - Supertoker - Acid Millenium (Mack-Daddy, 1997)NOSFERATU - War - Solution A (La Vida es en Mus, 2019)STIIP - It/In - Butter (cs, NL, 2022)CHEATING HEARTS - Miss Bad News - Cheating Hearts (Goodbye Boozy, 2006)MEOWING WOLF LIVETH' FAITH HEALERS - Moona-Ina-Joona (live on my old WFMU show, 3/26/06)FAR CORNERS - Pull To One Side - 7" (BC, 2022)VARIÉTÉ KONTRAST - Modernité - Variété Kontrast (Good Noise, 1984)BENDLE - Red Squirrel (cs, NL, 1981)CASUAL LABOURERS - A Lapse Is Due - Demo/Hent Petty Glock (cs, NL, 1982)URBAN:DENTIST - Abyss Walkers - Style of Friends (cs, Kalkatraz, 2022)JEAN-CHARLES CAPON / PHILIPPE MATÉ / LAWRENCE "BUTCH" MORRIS / SERGE RAHOERSON - Blues For Guy Labory (s/t, 1977 re Souffle Continu, 2022)KINLAW & FRANCO FRANCO - Milizie Ovunque - Mega Dopo Mega (Avon Terror Corps, 2021)MARCIA BASSETT - Auric Kaleidoscope - One Million Vibrant Astral Tints (BC, 2022)UNKNOWN - Suite De Cithare Inanga Avec Voix Chuchotée (Bujumbura) - V/A: Burundi: Musiques Traditionelles (Ocora, 1968)UNKNOWN - Akazéhé Par Deux Jeunes Filles (Kayanza) - V/A: Burundi: Musiques Traditionelles (Ocora, 1968)STAUBITZ AND WATERHOUSE - Runoff - Common Metals (Music Is the Worst, 2022)
Nick and Ewan are joined for these two episodes by Jeffrey McDonald and the Punk Girl Diaries (Lene Cortina and Vim Renault), to talk our way through the outstanding (mainly) discography of Siousxie and the Banshees. We talk Punk, not-Goth, drummers, albums vs singles, Peel Sessions, and much more more. This episode looks at the first 6 albums; S&B: Tinderbox (1986) S&B: Through the Looking Glass (1987) S&B: Peepshow (1988) S&B: Superstition (1991) S&B: The Rapture (1995) Siouxsie solo: Mantaray (2007 As always there is a accompanying Spotify playlist, or if you subscribe for 2.99 per month you can get access to this episode with all the tunes to listen to. Find out more at infrequency.co.uk or mixcloud.com/tempfans Visit the amazing punkgirldiaries.com to read their blog or ORDER AN ACTUAL ZINE!!!!!!! All incidental music provided, as always, by Jonathan Fisher
Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to.Joining Tim this time is author, restaurant critic and broadcaster Grace Dent, and they're comparing notes on what they would bring to an Ultimate Christmas Experience including the Have A Cracking Christmas At Woolworths and Christmas '82 - Today's Tesco adverts, Vic Reeves and Bob Mortimer pilot The Weekenders, Stephen Fry and Hugh Laurie pilot The Crystal Cube, John Peel's Festive Fifty, The NME Singles Of The Year 1991, Sky Star Search, the lost Doctor Who panto episode from 1965, The Butthole Surfers appearing on Snub TV, a disastrous interview from Channel 4's Naked City, Chas'n'Dave's Christmas Knees-Up, Chorlton In The Iceworld, Banned From The Pubs by Peter And The Test Tube Babies, Weed Bus by The Stairs, and some unwelcome intrusions from Max Headroom, a shower of 'refreshed' Granada announcers and the Test Card Clown - but no Test Card Girl. Along the way we'll be testing the scientific veracity of Schrodinger's Peel Session, querying whether David Quantick is the real Santa, suffering from Hugh Laurie Seasickness, discovering the exact wrong Pulp song to serenade someone with, and calling for the immediate abolition of Sexually Assertive Butter Men.You can find more editions of Looks Unfamiliar at http://timworthington.org/.
Discograffiti welcomes its very first guest: Scott Kannberg aka Spiral Stairs of the rock band Pavement. Scott selected one of his all-time favorite bands, Roxy Music to explore on this episode with hosts Dave and Joe and he reveals a deep personal connection he has with the band. Each release in the Roxy Music discography is rated 0 to 5 stars by our hosts and our guest, and all three share their picks for the top three must-own releases from the band, as well as the worst entry in their catalog. -Listen to a curated Roxy Music playlist on Spotify -Check out Roxy Music emerging fully formed on a legendary Peel Session from 1972. Not available on streaming services but essential -Roxy Music looking and sounding like the coolest human beings on the planet on The Old Grey Whistle Test in 1972 -A return to The Old Grey Whistle Test a year later, so good it's not fair -Tearing up "Pyjamarama" on Musikladen in 1974 -Still looking and sounding fabulous in 1982 -Excellent Roxy Music fan site if you're looking for more information --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/discograffiti/message
Lol and Budgie are joined by Michael Dempsey, the third founding member of The Cure. Lol and Budgie discover that Michael really dug Lol's hairdo. They find out they were both misfits of no fixed abode in a progressive In-a-Gadda da-Vida” where “Electric Warriors” congregated against the miasma of Apathy. Michael notes that not being able to play is a singular benefit. They had chips and beer, and watched the Banshees from the wings which is where they learned their stagecraft. Budgie talks about his love for the Cure's Strange screens on stage during Carnage Visors and Faith (meet the Pink floyd of the new wave) For more info about topics discussed by Lol, Budgie and Michael in this week's episode, visit us online at https://curiouscreaturespodcast.com/ Socials: Website: https://curiouscreaturespodcast.com Facebook: @CuriousCreaturesOfficial Twitter: @curecreatures Instagram: @CuriousCreaturesOfficial Lol Tolhurst: Facebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whoo Instagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.
If you wander the fabled corridors of Maida Vale Studios you will walk past MV4: the studio where John Peel recorded his famous ‘Peel Sessions', which is marked with a picture of the great presenter to celebrate his legacy. Just a few metres away is the now famous MV7, home to Elis and John's Maida Vale Sessions. Though it is marked with a sign saying “Please wear ear protection during live sessions” and a portrait of James and Robins is absent it surely won't be long until it is nicknamed “The Elis and John (and Producer Dave) Studio”. To celebrate their final show at Maida Vale Self Esteem stopped by to talk about her new album and perform a song live in the studio, Dave dropped his hosting duties to take part in a Made Up Game for the first time EVER, the guys share one of the all-time great emails and Elis gets upset by a Beatles revelation.
Welcome back to The High Way with Kyle Shutt! This week I talk with the godfather of grindcore, Mick Harris! We go over the founding of Napalm Death, jamming with John Zorn, recording a Peel Session, and so much more. Be sure not to miss an episode by subscribing to our channel! Help us keep the show moving along by visiting our Patreon page at the link below. For a few dollars a month you can get early access to next week's episode, score some sweet merch, get a monthly guitar lesson from me, and even get a shoutout on a future episode. https://www.patreon.com/thehighway We couldn't do it without your support and we thank every one of you for listening. Listen to this episode anywhere podcasts are streaming. Support this podcast
THE BOO RADLEYS + COLIN MOULDING Doused - #DIIV [NR] Feel It - #TheClaret She's Only The Grocer's Daughter - #TelevisionPersonalities She Speeds - #StraitjacketFits [COVER ME] [NR] Delete - #NeonWaltzDMAs [NR] Breathe - #DirtyLaces facebook.com/dirtylacesband [NR] Swansea Sound - #SwanseaSound www.skepwax.bandcamp.com New Town - #LifeWithoutBuildings [CHOON THIS] He's On The Phone - #SaintEtienne #EtienneDaho Ghosts Of American Astronauts - #Mekons [ESSENTIAL WAX] Drop Out - East Village 1993 HEAVENLY RECORDS Circles - #EastVillage Silver Train - #EastVillage [NR] Far From Home - #JesseDKora jessedkora.bandcamp.com Holiday Surprise 1, 2, 3 - #OliviaTremorControl [OBLIGATORY FALL-AH] Theme From Sparta F.C. - #TheFall #MarkESmith Godstar - #PsychicTV [NR] Eddie Murphy - #SpangSisters spangsisters.bandcamp.com [PEEL SESSION] 8 AUGUST 1984 Rusholme Ruffians - #TheSmiths #PeelSession #JohnPeel Daisy Chain - #LooseMeat Gone For Good - #Smiles [A RELATIVELY NEW RELEASE HATTRICK] [NR] Home - #TeenageFanclub [NR] Promises - #Bnny bnnyband.com [NR] At Your Feet - #HelenParadise helenparadise.bandcamp.com [INTERVIEW FEATURE 1] Colin Moulding + The Tunnock's Caramel Bar burningshed.com I Remember The Sun - #XTC #ColinMoulding [NR] The Hardest Battle - #ColinMoulding [NR] Say It (Original Version) - #ColinMoulding #XTC Some Days - #TessParks Simon Templar - #Splodgenessabounds [INTERVIEW FEATURE 2] Simon 'Sice' Rowbottom - The Boo Radleys + The Chocolate Rich Tea thebooradleys.com [NR] A Full Syringe & Memories Of You - #TheBooRadleys Meltin's Worm - #TheBooRadleys High As Monkeys - #TheBooRadleys [TARA]
Continuamos con la formula de combinar recuperaciones y novedades. En este programa están presentes The Loves con su último single December Boy, así como otras novedades que nos han cautivado, como el nuevo proyecto de Bill Ricchini, Summer Fiction, con la canción Chandeliers, que nos recomendó nuestro colaborador Carlos Segura. También hablamos de la aparición del blog "La Conjura de las Danzas", y para ello rescatamos a los Raw Herbs, y a Biff Bang Pow. Echamos la vista atrás para continuar recuperando singles de Astrid, o Peel Sessions de Cinerama, o incluso el proyecto de Francis Macdonald y Michael Shelley: Cheeky Monkey.
On the third episode of the Post-Punk Podcast music industry veteran and contributing editor Thomas Thyssen joins Editor in Chief Alex Baker for an interview with Clan of Xymox founder and frontman Ronny Moorings. During the interview, we look back on 40 years of the band, beginning with their rare Demo EP Subsequent Pleasures, and discuss how with the help of Dead Can Dance's Brendan Perry, Clan of Xymox were signed to 4AD. Throughout the interview, we delve further into Clan of Xymox's 4AD years. During this time, they would release their classic 1985 self-titled debut album, which features the fantastic single A Day, and Stranger, both remixed by John Fryer into dancefloor hits as the and its follow-up Medusa. In light of Clan of Xymox's recent release Peel Sessions on vinyl, we also discuss the two recording sessions for John Peel's radio show, which, as legends goes, is how the Genre 'Darkwave" was coined. For the first time in decades, these Peel recordings are finally available on vinyl and digital formats through Dark Entries. George Horn remastered all songs at Fantasy Studios. Eloise Leigh designed the sleeve, taking inspiration from Vaughn Oliver's iconic designs for 4AD. A 2-sided insert with archival photos and notes from Ronny and Anka recounting their experiences recording at the BBC studio. Order Here If you enjoy the show, please support the Post-Punk Podcast through our Patreon Page, or directly via our Contact Form here. And don't forget to leave a review on the podcast platform of your choice. Thank you to Jason Corbett from Actors for creating our intro music, Korine for creating our outro, and our Editors Frank Deserto and Andi Harriman. We also, of course, thank Thomas Thyssen for co-hosting this episode. --- Support this podcast: https://anchor.fm/postpunk/support
Here's another bonus episode about Autechre's second Peel Session (1:02), from 1999, and a few excellent listener emails (16:27). Email us: GonkcastPod@gmail.com Follow us on Twitter: @GonkcastPod
Enjoy this bonus episode about Autechre's 1995 Peel Session (1:09) and a few listener emails (16:10). Email us: GonkcastPod@gmail.com Follow us on Twitter: @GonkcastPod
Hi, here's 30 minutes of all rock and no talk. All songs by Man or Astroman? Radio Promo Lo Batt. (Peel Sessions ‘97) The Miracle of Genuine Pyrex The Universe's Only Intergalactic Radioactive Breakfast Bar Maximum Radiation Level Man Made of CO2 Um Espectro Sem Escala Happy Fingers Psychology of A.I. (Numbers Follow Answers) Reverb 1,000 Structo (Mr. Microphone Mix-Up) Mach One A Simple Text File
John Peel fue un grandísimo agitador cultural. Nacido como John Robert Parker Ravenscroft y considerado como el más grande locutor y periodista musical de la historia, puso en marcha las conocidas Peel Sessions, que durante más de cuatro décadas hicieron que pasaran por su programa las bandas más importantes del momento, dejando como legado un archivo sonoro absolutamente imprescindible que puede consultarse online. El show, emitido en la BBC Radio One Peel grabó más de 4.000 sesiones con más de 2.000 artistas internacionales entre los años 1967 y 2004. Lo grande de su programa y de la figura de Peel es que fue en parte responsable de la eclosión de los grandes movimientos musicales de los últimos cuarenta años del siglo XX. Ahí estuvo el rock, la psicodelia el punk, el reagge, luego llegó el postpunk, el pop alternativo, el grunge, la música Manchester, el indie… grabar una Peel Session era tocar el cielo, por eso hoy en Conexiones MZK hemos querido hacer un recorrido cronológico por algunas que nos gustan especialmente. Dirige Manuel Pinazo.
¡Bienvenido a los Vinilos de Barbarella! El podcast donde sólo se escucha música en formato de vinilo ¡Se acabaron las vacaciones! Por ello, ya estamos de vuelta con un primer programa de esta temporada de ‘Los Vinilos de Barbarella’. Como siempre, cuando empieza una temporada tenemos gran cantidad de nuevas ideas, proyectos y mejoras que esperamos poder llevar a cabo durante la misma. Algunas de ellas, las más importantes, serán de tipo técnico, pero no queremos adelantar acontecimientos, y las iremos anunciando según las vayamos poniendo en marcha. Lo que sí os podemos adelantar, sin ningún tipo de rubor, es que estamos preparando un especial 100 programas para principios de 2021. ¡Estad atentos! De momento, aquí tenéis un nuevo programa para vuestro use y disfrute. Esperamos que todos estéis bien y con muchas ganas de escuchar música en vinilo. Seguimos con las entregas de las famosas sesiones ofrecidas por el disc-jockey y productor John Peel. En esta ocasión dedicada a los 80, una década que, aunque no fue especialmente buena para los grupos de rock clásico, sirvió para acercarnos a nuevos sonidos: new wave, rock gótico, y muchas más tendencias y modas, algunas de ellas olvidables y prescindibles, pero otras muchas que crearon las bases de un sonido posterior. También llegó al cenit la música disco, no como la vimos en los 70 donde hubieron grandes bandas a medio camino entre el funky y el disco. En los 80 aparecería un sonido mucho más bailable y que, por suerte, ha quedado en su mayor parte en el olvido, y sólo los más fieles visitantes de las discotecas de moda retienen en su cabeza. Por ello, hoy hablaremos de esas bandas que sí hicieron historia, algunas han estado yendo y viniendo, pero han dejado su impronta y su buen hacer, teniendo a día de hoy, a pesar del cambio en las modas y los estilos, a grandes cantidades de fieles seguidores. Esperamos que este programa sea de vuestro agrado, y como siempre, aprovechamos para pediros esos comentarios y valoraciones en el medio donde escucháis estos programas, bien en iTunes, iVoox o Spreaker. Voces: Carlos Buendía y Antonio Buendía Guión: Carlos Buendía y Antonio Buendía Grabación y postproducción: Carlos Buendía En esta ocasión, reseñamos los temas: ‘Its Goes On’ de Psychedelic Furs, grabada el 2 de febrero de 1981 y emitida el 10 de febrero de 1981. El tema aparece en el álbum ‘Talk Talk Talk’ de 1981. ‘Too Late’ de New Order, grabada en fecha desconocida y emitida el 1 de junio de 1982. El tema es inédito, por lo cual no había aparecido anteriormente en ningún álbum. ‘The Killing Moon’ de Echo & The Bunnymen, grabada el 6 de junio de 1983 y emitida el 20 de junio de 1983. El tema aparece en el álbum ‘Ocean Rain’ de 1984. ‘This Charming Man’ de The Smiths, grabada el 14 de septiembre de 1983 y emitida el 21 de septiembre de 1983. El tema apareció en single en 1983. ‘All Cats Are Grey’ de The Cure, grabada el 15 de enero de 1981 y emitida el 15 de enero de 1981. El tema aparece en el álbum ‘Faith (The Cure Album’ de 1981. ‘Inside Me’ de The Jesus And Mary Chain, grabada el 3 de febrero de 1985 y emitida el 13 de febrero de 1985. El tema aparece en el álbum ‘Psychocandy’ de 1985. ‘Carry On Screaming’ de Extreme Noise Terror, grabada el 10 de noviembre de 1987 y emitida el 17 de noviembre de 1987. El tema se escribió a propósito para dicho programa de John Peel. ‘Raisans’ de Dinosaur Jr., grabada el 8 de noviembre de 1988 y emitida el 14 de noviembre de 1988. El tema aparece en el álbum ‘You’re Living All Over Me’ de 1987. ‘Flower’ de Soundgarden, grabada el 4 de mayo de 1989 y emitida el 7 de junio de 1989. El tema aparece en el álbum ‘Ultramega OK’ de 1988. Los enlaces que aparecen en el Podcast son los siguientes: Página de de la BBC dedicada a John Peel (actualmente desactualizada)
This week on the Yellow Brit Road, Decolonise fest, live music, Peel sessions and more! We heard new albums from Jehnny Beth and the Fratellis, whose album Half Drunk Under A Full Moon is out in October. Decolonise Fest, a music festival in London "by and for punks of colour", ran its 2020 edition online with performances that can be found on their Twitter and Bandcamp. We listened to DeLila Black, who played the festival this year, and from 2017, Art Trip and the Static Sound's unique afropunk sounds, and London pop punk feminist trio The Tuts. We had some live music from British multi-instrumentalist Georgia, performing at SXSW festival in 2019, and digging through the archives for some classic John Peel sessions from the 90s by PJ Harvey and Mogwai. We had dance folk from Scottish singer-songwriter Gerry Cinnamon, post-punk music from Northern Irish band Gender Chores, and a submission from Sunderland's Brass Monkey! Submissions can be sent in to yellowbritroad@gmail.com or through Twitter to @YellowBritCFRC This week's Masala Chai was graciously provided by Mozambique's influential alternative band 340ml, and Kingston's very own The Wilderness. Listen to the Kingston Live! podcast on kingstonlive.ca. This week's playlist can be found here. As always, I am honour-bound to remind you, support local artists directly if you can. Catch the Yellow Brit Road on your dial at CFRC 101.9 FM in the Kingston area, or on cfrc.ca, each Sunday at 8 PM!
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′0″ She's The Star/I Take This Time by Arthur Russell on World of Echo (Audika) 6′8″ Till Victory by Patti Smith on Easter (Arista) 9′39″ Evangelist by Ut on Peel Sessions 2/2/1988 (BBC) 11′25″ She Was a Visitor by Robert Ashley on Automatic Writing (Lovely Music) 17′9″ Cellogram by James Tenney on Postal Pieces (New World) 24′22″ Fresh Snow by Suzanne Ciani on Music from Denali (Finders Keepers) 28′45″ Movements of a Visionary by Tangerine Dream on Phaedra (Virgin) 35′55″ III by Miguel Flores on Lorca: Lost Tapes (1989-1991) (Buh Records) 43′14″ Little Darling Pal of Mine by The Carter Family on Les Triomphes De La Country Music (Habana) 46′50″ Loving You, Loving Me by Lee Hazlewood on For Every Solution There's A Problem (City Slang) 49′45″ Dress Sexy At My Funeral by Smog on Dongs of Sevotion (Drag City) 55′9″ Clementine by The Western Front on Orygun 7" (Whizeagle ) 59′6″ I Found My Way by Dusty Springfield on Dusty In Memphis (Atlantic) The next World of Echo is on Monday, September 7th at 7:00 am. Check out the full archives on the website.
Peel Sessions Special...with hosts: ninah pixie & dASaudio/playlist
Th' Faith Healers special with Roxanne Stephen in conversation with David Eastaugh Th' Faith Healers were an English indie rock band who were originally active between 1990 and 1994. The members of the group were Roxanne Stephen (vocals), Tom Cullinan (guitar and vocals), Ben Hopkin (bass), and Joe Dilworth (drums).[1] They recorded multiple EPs and singles along with two full LPs. Tom Cullinan, who handled the bulk of the songwriting, went on to help form the band Quickspace. Signed to Too Pure in the United Kingdom, their albums were released by Elektra in the United States. Both albums feature clear krautrock influences, most evident in their cover of Can's "Mother Sky", from Lido. Since their initial break-up in 1994, the band have reformed intermittently. They embarked on a short reunion tour in 2006 in conjunction with the release of their compilation Peel Sessions the previous year. The band reformed in 2009, playing at the All Tomorrow's Partiesmusic festival twice, first in May (curated by The Breeders) and then again in December (curated by My Bloody Valentine).
¡Bienvenido a los Vinilos de Barbarella! El podcast donde sólo se escucha música en formato de vinilo Hoy tenemos una nueva entrega de las famosas sesiones ofrecidas por el disc-jockey y productor John Peel. Si en un anterior programa pudimos escuchar algunos de los grupos que aparecieron por la emisora en la década de los 60, hoy vamos a dedicarlo a la década de los 70. A pesar que el programa, como veréis al final del texto incluye muchas actuaciones, vamos a destacar la relación de gran amistad que John Peel y Marc Bolan mantuvieron al inicio de la carrera de este último. La relación de John Peel con Marc Bolan (T. Rex) La amistad de Marc con el disc-jockey John Peel se inició cuando nuestro artista le envió una copia de ‘Hippy Gumbo’. Peel no se cansó de pincharla en su Perfumed Garden Show en Radio Caroline, y poco tiempo después en Radio One. En efecto: el aprecio mutuo duró unos cuantos años como veremos más adelante. Pero ahora es Peel quien recuerda su primer encuentro con Bolan: “Un día de 1967, Marc y Steve (Peregrin Took) vinieron a mi apartamento, se sentaron en el suelo y comenzaron a cantar su repertorio. Yo les dije que tenían que registrar aquellos temas inmediatamente”. En esta ocasión, reseñamos los temas: ‘Jewel’ de T. Rex, grabada el 26 de octubre de 1970 y emitida el 7 de noviembre de 1970. El tema aparece en el álbum ‘T. Rex’ de 1970. ‘Jailbreak’ de Thin Lizzy, grabada el 12 de febrero de 1976 y emitida el 12 de marzo de 1976. El tema aparece en el álbum ‘Jailbreak’ de 1976. ‘She’s Lost Control’ de Joy Division, grabada el 31 de enero de 1979 y emitida el 14 de febrero de 1979. El tema aparece en el álbum ‘Unknown Pleasures’ de 1979. ‘Lady Stardust’ de David Bowie, grabada el 11 de enero de 1972 y emitida el 28 de enero de 1972. El tema aparece en el álbum ‘Ziggy Stardust’ de 1972. ‘Son And Daughter’ de Queen, grabada el 5 de febrero de 1973 y emitida el 15 de febrero de 1973. El tema aparece en el álbum ‘Queen’ de 1973. ‘Louie Louie’ de Motörhead, grabada el 18 de septiembre de 1978 y emitida el 25 de septiembre de 1978. El tema aparece en el álbum ‘Overkill’ de 1979. ‘This Is The Modern World’ de The Jam, grabada el 26 de abril de 1977 y emitida el 2 de mayo de 1977. El tema aparece en el álbum ‘This Is The Modern World’ de 1979. ‘Put This Way’ de Colosseum II, grabada el 15 de agosto de 1977 y emitida el 23de agosto de 1977. El tema no aparece en ningún álbum de estudio de la banda. ‘Boys Don’t Cry’ de The Cure, grabada el 4 de diciembre de 1978 y emitida el 11 de diciembre de 1978. El tema aparece en el álbum recopilatorio ‘Boys Don’t Cry’ de 1980. ‘Sex & Drugs & Rock And Roll’ de Ian Dury and The , grabada el 30 de noviembre de 1977 y emitida el 12 de diciembre de 1977. El tema aparece en el álbum ‘New Boot And Panties!’ de 1977. ‘Down At The Doctors’ de Dr. Feelgood, grabada el 5 de septiembre de 1978 y emitida el 18 de septiembre de 1978. El tema aparece en el álbum ‘Private Practice’ de 1978. ‘Message In A Bottle’ de The Police, grabada el 23 de julio de 1979 y emitida el 30 de julio de 1979. El tema aparece en el álbum ‘Reggatta de Blanc’ de 1979.
¡Bienvenido a los Vinilos de Barbarella! El podcast donde sólo se escucha música en formato de vinilo Nacido en Heswall, Cheshire, el 30 de agosto de 1939, como John Robert Parker Ravenscroft, hijo de un comerciante de algodón. Trabajó en varias emisoras de radio en Estados Unidos desde 1961, y a su vuelta a Londres en 1967, con muy poco trabajo y una perspectiva nada favorable, probó suerte al ingresar en Radio London en ese mismo 1967, transmitiendo durante toda la semana desde la medianoche. A instancias de una secretaria, John, cambió su apellido por el de Peel. Ahí nació la leyenda, y su clásico y famoso programa de radio ‘The Perfumed Garden'. En sus ediciones, Peel, huyó de estar al día con las listas de éxito, las cuales odiaba; sin embargo, fue todo un descubre talentos como fue el caso de Marc Bolan y su por entonces Tyrannosaurus Rex, Captain Beefheart, John Fahey y Fairport Convention, y muchos otros, radiando discos en su totalidad que nunca hubiera permitido la BBC. También pasó seis meses en alta mar, a bordo del barco MV Galaxy, desde el que se emitía ‘Radio London'. Finalmente, la ley alcanzó a las radios piratas y Radio Londres tuvo que cerrar definitivamente el 14 de agosto de 1967. A su vez, la BBC tenía planes de lanzar su propia estación de pop, y John, una vez más, estaba en el lugar ideal en el momento correcto. Se unió a la nueva estación de música de la BBC, Radio 1, que fue lanzada al mes siguiente. Peel que falleció en 2004, demostró gran acierto con sus ‘Peel Sessions', en las que citar todos los artistas que aparecieron sería casi imposible, ya que de la A la Z, integra cientos de grupos que todavía hoy siguen agradecidos a la oportunidad que les ofreció este gran DJ. Son muy recordadas las sesiones con Marc Bolan (antes citadas), pero también las que realizó a David Bowie, The Cure, Nick Drake, The Smiths, Nirvana, y Joy Division, por citar tan solo algunas de las más representativas. Texto: Juan Manuel Escrihuela Voces: Eduardo Antón, Carlos Buendía y Antonio Buendía Guión: Juan Manuel Escrihuela, Eduardo Antón, Carlos Buendía y Antonio Buendía Grabación y postproducción: Carlos Buendía En esta ocasión, reseñamos los temas: 'A New Yesterday' de Jethro Tull, emitida el 16 de junio de 1969. El tema aparece en el álbum 'Stand Up' de 1969 'I'm A Mover' de Free, emitida el 17 de marzo de 1969. El tema aparece en el álbum 'Tons Of Sobs' de 1969 'Set The Controls For The Heart Of The Sun' de Pink Floyd, emitida el 1 de octubre de 1967. El tema aparece en el álbum 'A Saucerful Of Secrets' de 1968 'Long Grey Mare' de Fleetwood Mac, emitida el 7 de noviembre de 1967. El tema aparece en el álbum 'Fleetwood Mac' de 1968 'I Don't Live Today' de The Jimi Hendrix Experience, emitida el 4 de febrero de 1968. El tema aparece en el álbum 'Are You Experienced?' de 1967 'Child Star' de Tyrannosaurus Rex, emitida el 4 de febrero de 1968. El tema aparece en el álbum 'My People Were Afraid And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Bows'' de 1968 'Secenescof' de Tyrannosaurus Rex, emitida el 11 de mayo de 1969. El tema aparece en el álbum 'Unicorn' de 1969 'Fotheringay' de Fairport Convention, emitida el 26 de agosto de 1968. El tema aparece en el álbum 'What We Dis On Your Holidays?' de 1969 Los enlaces que aparecen en el Podcast son los siguientes: Página de de la BBC dedicada a John Peel (actualmente desactualizada) Facebook de Juan Manuel Escrihuela Blog con entradas a cargo de Juan Manuel Escrihuela en esta web Web de Ràdio Taradell
Em 2015 criei essa mixtape em comemoração aos 20 anos do disco “The Bends” da banda britânica Radiohead. Agora, em comemoração aos 25 anos, resgato dos arquivos e publico nos streamings. [Texto original] Segue esta mixtape especial com algumas das principais influências deste grupo que na época de 1995 já começava a mudar a música. Nesta primeira parte do especial, referências musicais que ajudaram a construir Radiohead nos primeiros anos com os primeiros demos e lados B de 1990 e os álbuns “Pablo Honey” (1993) e “The Bends” (1995), além de grupos e estilos que iriam voltam na discografia mais recente da banda. “The Bends” foi a ponte necessária entre as convenções pop do grupo e seu eventual papel como a mais audaz e influente banda desde Nirvana. Numa época de invasão grunge na terra da Rainha e da ascensão do britpop pelo mundo, o Radiohead conseguiu manter-se verdadeiros com seu espírito criativo incansável. “Creep”, primeiro sucesso do grupo teve sua melodia inspirada (ou plagiada, chame como quiser) na música “The Air That I Breath”, do The Hollies. Não foi só o nome que o grupo de Oxford tirou dos Talking Heads, a visão e os experimentos de David Byrne e Brian Eno em relação a música estão presentes até hoje nos integrantes do Radiohead. O lado pop do primeiro disco teve ouvidos nos lançamentos americanos do R.E.M., enquanto as guitarras e vocais fortes dos Pixies e do Sonic Youth chegaram ao som do grupo britânico. O krautrock também tem forte presença na construção da música do grupo, assim como influenciou David Bowie na sua Trilogia de Berlim. As letras emocionais e confessionais vieram de seus conterrâneos Joy Division e The Smiths, misturando com melodias calmas e passivas como as de Tim Buckley e Nick Drake. 01 The Hollies - The Air That I Breath 02 R.E.M. - Radio Free Europe 03 Talking Heads - Radio Head 04 Japan - Quiet Life 05 Can - Vitamin C 06 Joy Division - Shadowplay 07 The Smiths - How Soon Is Now 08 Magazine - The Light Pours Out of Me 09 Neu! - Hallogallo 10 Sonic Youth - Teenage Riot 11 Pixies - Where is My Mind 12 The Fall - C.R.E.E.P. (Peel Session) 13 Elvis Costello & The Attractions - I Hope You’re Happy 14 Swell - This is How It Starts 15 David Bowie - Always Crashing in the Same Car 16 Syd Barrett - Octopus 17 Suede - Sleeping Pill 18 Nick Drake - Day is Done 19 Tim Buckley - Sing a Song For Your 20 Jeff Buckley - Grace
23 Skidoo with Alex Turnbull in conversation with David Eastaugh Formed in 1979 by Fritz Catlin, Johnny Turnbull and Sam Mills, and later augmented by Alex Turnbull and Tom Heslop, 23 Skidoo had interests in martial arts, Burundi and Kodo drumming, Fela Kuti, The Last Poets, William S. Burroughs, as well as the emerging confluence of industrial, post-punk and funk, heard in artists such as A Certain Ratio, Throbbing Gristle, Cabaret Voltaire, The Pop Group and This Heat. Their first 7", "Ethics", was released in 1980, followed by "The Gospel Comes To New Guinea" & "Last Words" 12" single which was co-produced by Stephen Mallinder, Richard H. Kirk and Chris Watson from Cabaret Voltaire at their studio, The Western Works in Sheffield. A Peel Session was recorded on 16 September 1981. Their début album, Seven Songs, was released in 1982 and is said to evoke the claustrophobic humidity of an African forest. The album went straight to number 1 in the Independent charts. Seven Songs, which was recorded and mixed in three days, was co-produced by Tony, Terry and David, aka Genesis P-Orridge, and Peter Christopherson of Throbbing Gristle/Psychic TV and engineer Ken Thomas. A hastily executed EP, Tearing Up The Plans, was produced in the absence of the Turnbull brothers, who were travelling in Indonesia. The personality clashes that arose from this experiment resulted in guitarist Sam Mills and vocalist Tom Heslop leaving the band soon after. The band performed for the first time as a three piece, joined onstage by David Tibet of Current 93, at the first WOMAD festival. This live performance would go on to become the first side of the band's most challenging release, The Culling Is Coming, which also features Skidoo's exploration into gamelan on side two. The album resulted in the band being criticised for being 'too abstract'. 1984 saw the arrival of bassist Peter "Sketch" Martin following the break-up of Linx. Skidoo recruited Aswad's horn section for the "Coup" 12", which featured samples from Francis Ford Coppola's Apocalypse Now and which was interpolated from their track "Fuck You G.I." from the album Urban Gamelan (1984). Urban Gamelan features Sketch on side one and, on side two, the original three piece line-up experimenting with metal percussion using patterns inspired by gamelan. After having been evicted from their rehearsal space at Genesis P-Orridge's "Death Factory" the band shifted their focus towards hip hop and turned their attention to production and building a studio, Precinct 23. In 1987 they released a compilation album, Just Like Everybody, featuring work from this period. In 1987 the Turnbull brothers formed the Ronin label and released Jailbreak by Paradox, widely regarded as one of the first breakbeat records, as well as tracks by British photographer Normski and MC FORCE. In its later incarnation, Ronin released material by Deckwrecka, Roots Manuva, Skitz, Mud Family and Rodney P amongst others. They signed to Virgin Records in 1991 and were able to build a new studio with their advance. In 2000 they released a self-titled LP, which featured contributions from Pharoah Sanders and Roots Manuva. This was followed by a compilation of singles, The Gospel Comes To New Guinea in 2002, and for the first time on CD, reissues of Seven Songs and Urban Gamelan. In 2008 the expanded catalogue CD reissues were issued by LTM, who also issued a double-vinyl edition of Seven Songs in 2012. This issue featured the 1981 John Peel session and 12" versions of "Last Words" and "The Gospel Comes To New Guinea". In November 2013, the band played the final holiday camp edition of the All Tomorrow's Parties festival in Camber Sands, England. In 2012 Alex Turnbull co-directed Beyond Time, a documentary film about his artist father William Turnbull. The film was narrated by Jude Law and scored by 23 Skidoo with both new and old material. The soundtrack album (packaged with a DVD of the film) was released by Les Disques Du Crépuscule in 2014.
Why Do skeletons have low self esteem? Because they have no body to love… 1. Sanford Clark - ‘It’s Nothing To Me’ from a 7” on Ramco Records 2. Round Robin - ‘I’m The Wolf Man’ from a 7” on Domain Records 3. Steve King - ‘Satan Is Her Name’ from a 7” on Mercury Records 4. Bob Fryfogle - ’Six Feet Under’ from a 7” on Wedge Records 5. Kip Taylor - ’She’s My Witch’ from a 7” on Ebb Records 6. Gary Spider Webb - ‘The Cave’ 7. Little Anne - ’Deep Shadows’ Daptone RecordS 8. The Murlocs ‘Loop Holes’- From Loopholes on FLightless RecorDS 9. King Khan and BBQ Show - ‘Zombies’ from Whats for Dinner on In The Red Records 10. Satan’s Pilgrims - ‘Haunted House’ from House of Rock on Estrus 11. Les Jaguars -‘Guitare Jet’ from Vol. 2 on Tournesol Records from 1965, the cover of this album is amazingggg 12. Igor And The Maniacs -‘The Big Green’ from Wavy Gravy on Beware Records 13. Larry & The Blue Notes-‘Night of the Sadist’ from Back from the Grave on Crypt Records. 14. Wipers -‘Scared Stiff’ from Rare on Red on Alien Records 15. King Gizzard & The Lizzard Wizard - ‘Rattle Snake’ from Flying Microtonal Banana on Flightless 16. The Coasters -‘The Shadow Knows’ from a 7” on London Records 17. The Mummies - ‘The Fly’ from Peel Sessions on Not A Label
Cud special with William Potter with David Eastaugh Cud are a British indie rock band formed in Leeds, England in 1987. The original line up included vocalist Carl Puttnam, guitarist/keyboardist Mike Dunphy, bassist William Potter, and drummer Steve Goodwin. In June 1987 they recorded a Peel Session and the band signed with Reception Records who released their first single "Mind the Gap". Two further 12" EPs followed in 1988 on Nightshift and Ediesta Records. Following extensive touring and positive press the band signed to Imaginary Records in 1989. Following three albums (one of which Elvis Belt was a compilation of previously released singles) on Imaginary the band signed with A&M Records in 1991. Although two singles broke into the UK Top 40 and they released two further LPs the band's fortunes declined and the band broke up in early 1995. The band reformed in 2006 to support the release of a greatest hits album with Felix Frey replacing Dunphy on guitar. When guitarist Mike Dunphy later rejoined, drummer Steve Goodwin decided to stop touring and was replaced by Gogs Byrn. The band continue to tour and attend Indie rock festivals such as the Shiiine On weekender.
Galaxie 500 & Luna special with Dean Wareham in conversation Guitarist Dean Wareham, drummer Damon Krukowski and bassist Naomi Yang had met at the Dalton School in New York City in 1981, but began playing together during their time as students at Harvard University.Wareham and Krukowski had formed a series of punk-influenced student bands, before Wareham returned to New York. When he returned in 1987 he and Krukowski formed a new band, with Yang joining the group on bass guitar, the new group deciding on the name Galaxie 500, after a friend's car, a Ford Galaxie 500. The band began playing gigs in Boston and New York City, and recorded a demo which they sent to Shimmy Disc label boss and producer Mark Kramer, who agreed to produce the band. With Kramer at the controls, the band recorded the "Tugboat" single in February 1988, and the "Oblivious" flexi-disc, and moved on to record their debut album, Today, which was released on the small Aurora label. The band toured the United Kingdom in late 1988 and in 1989, then signed to Rough Trade and released their second album, On Fire, which has been described as "lo-fi psychedelia reminiscent of Jonathan Richman being backed by The Velvet Underground", and is considered the band's defining moment.On Fire reached number 7 in the UK Indie Chart, and met with much critical acclaim in the United Kingdom, but was less well received by the US music press, who cited Wareham's 'vocal limitations' as a weakness. Galaxie 500 recorded two sessions for John Peel's BBC Radio 1 programme, these later released on the Peel Sessions album. Their cover of Jonathan Richman's "Don't Let Our Youth Go To Waste" was also voted into number 41 in 1989's Festive 50 by listeners to the show. The band split up in the spring of 1991 after the release of their third album, This Is Our Music. Wareham, who had already moved back to New York, quit the band after a lengthy American tour. Galaxie 500's records were released in the US and UK on the independent Rough Trade label. When Rough Trade went bankrupt in 1991, Krukowski and Yang purchased the masters at auction, reissuing them on Rykodisc in 1996 as a box set containing all three albums and another disc of rarities.
Mega City Four special with Danny Brown in conversation - talking about life in the band & much much more - with David Eastaugh Mega City Four were an English indie rock band formed in Farnborough, Hampshire, who obtained popularity throughout the late 1980s and 1990s. Mega City Four consisted of guitarist and vocalist Wiz, his brother and rhythm guitarist Danny Brown, bassist Gerry Bryant and drummer Chris Jones. According to Uncut magazine, the group "earned a reputation across the globe as an exciting live band". Wiz and Bryant were in a band together at school called 'Stallion', who performed two shows together. One of the shows took place at Cove Secondary School (where "Stallion will come for you" stickers were handed out in an attempt to bolster the bands following) and the show was concluded when the school cut the power. Wiz, seeking more independence to write his own music, decided he wanted to form a new band with Bryant and Danny Brown, named 'Capricorn', after the brothers' shared the star sign. Capricorn formed in June 1982. They consisted of drummer Martin Steib, vocalist and guitarist Wiz, rhythm guitarist Danny and bassist Gerry. The band had a personal fallout in regards to musical direction and dissolved in 1986. A four-track demo was recorded in 1982, and they released one demo, titled 'The Good News Tape' in 1985. The trio of Gerry, Danny and Wiz maintained closeness and enlisted Chris Jones (who drummed in local band Exit East) to join their new group. The new name, initially suggested by Steib in the Capricorn era, was decided as Mega City Four. The group were officially formed in 1987 and the band's career started with performing gigs around their local town of Farnborough before making their vinyl debut in September 1987 with "Miles Apart"/"Running In Darkness"[2]. The single led to a round of gigs with fellow punk-influenced bands like Senseless Things and Snuff. "Miles Apart" and "Running" were reissued (separately) in 1988 on the independent label Decoy, along with the more melodic "Distant Relatives" and "Less Than Senseless". A healthy following latched on to them quickly, and by 1988 the group were performing to packed audiences on a regular basis. Continuing on their local success, the band would eventually release their 1989 debut album, Tranzophobia. The band continued to tour extensively in the UK, Europe and North America, working with bands including Les Thugs, Ned's Atomic Dustbin, Carter The Unstoppable Sex Machineand Doughboys, amongst many others. The band's second studio album, Who Cares Wins, was released in 1990. Extensive touring across Europe began again, with the band performing in the Reading Festival that year. Who Cares Wins was followed by a compilation album of their early 7" singles, called Terribly Sorry Bob (1991). The band subsequently moved to a major record label to record two further studio albums, Sebastopol Rd. (1992) (recorded by Jessica Corcoran at London's Greenhouse Recording Studios) and Magic Bullets (1993). This album produced the singles Wallflower and Iron Sky, which both placed 69 and 48 in the music charts respectively. After falling out with their record label, they moved to Fire Records to record their final studio album, Soulscraper (1996). In addition to their studio albums, the band also released a live album, a Peel Sessions disc, and a number of singles. The British music journalist, Martin Roach, wrote a biography of the band, "Mega City Four: Tall Stories and Creepy Crawlies", published in 1993.
Welcome back to Yesterdays Jam and this Listener Special!!!John Robert Parker Ravenscroft, OBE, known as the legendary DJ, presenter, producer and journalist - John Peel. This is just under three hours of some of your favourite memories from the hundreds of Peel Sessions that were recorded. This man was a true inspiration for many people around the world...and I'm sure that a fair few of us have him to thank for the music tastes that we have cultured today. We also have a very apt Q+A from Tom of The Cool Greenhouse...I think John Peel would have loved his music. So as always...get yourself a comfy seat...or a large bit of the motorway to get through...and enjoy.
It's Selling Out's 27th episode, and there are some subjects loosely based on our hosts' relationships. Nate's girlfriend has brought home a new addition to their already ridiculous number of pets, and has also started to drift away from her skeptic roots into a more holistic path, much to Nate's chagrin. Dave brings up the issue of housework, and how his household tasks seem to garner a bit less enthusiasm from the Mrs. than he would hope for. We also get our obligatory update on Dave's ongoing battle with low testosterone, Then comes a discussion on the controversial final season of one of our generation's most popular and beloved TV shows, Game of Thrones. Nate, in particular, has some strong feelings on the direction the writers decided to take the show as it wraps up. Finally, Nate explores the legacy of John Peel, the influential British radio DJ who introduced his audience to countless bands that may have otherwise remained undiscovered. And in honor of John Peel, Nate decides to add something new to Nate's Notes going forward... 1:08- Nate's new furry family member 3:48- The smells we love 8:26- Dave's unnecessary testosterone update 9:14- House husbands- today's unsung heroes 13:23- A skeptic goes holistic 19:00- Game of Thrones: a post-mortem 28:55- Nate's Notes (Peel Sessions, and their namesake) VISIT OUR PARTNERS -Hemp Bombs for a variety of CBD products use code: sellingout for 15% off! hempbombs.pxf.io/O9qXK -Northland Vapor for all of your vaping needs use code: sellingout19 for 19% off! www.northlandvapor.com -Bio Bidet has an assortment of add-ons to give you the best bathroom experience use code: sellingout for 10% off! www.biobidet.com -Spunk Lube amazing sex is just a squirt away with the best lubricant on the market Buy three get one free! www.spunklube.com FOLLOW SELLING OUT ON TWITTER: @sellingoutshow FB: @sellingoutshow1 EMAIL: sellingoutshow@gmail.com LEAVE A VOICEMAIL: 774-701-1993
Would you please help us improve the show by voting for your favourite track from this episode?Walk On ByGod Bless the Ottoman EmpireBodyFilm SoundtrackHey LucianiDub Be Good To MeSailVote now! Welcome to the show with ex-Peel Session stars The Suncharms. Luckily for us the band has reformed following their split up in the '90s and are currently recording new material. There is an LP in the wings from The Suncharms. The band has been in touch and we are certainly looking forward to their upcoming release. Read on to discover more about the band and what to expect from them in the future. Also in the show we have Richard's father drop in on the studio and he stays for the entire show! Such is Old Man's musical taste that he offers a few nuggets of wisdom on the tracks in today's show. However, it's not all beer and skittles. After playing the Eastern European classic from A Hawk and A Hacksaw, he cites it obvious middle Eastern influences and then rambles on about Kashmir for a bit. Did you listen in Geography lessons all those years ago? And you always said my geography knowledge is appalling! We are always on the lookout for suggestions from you, our listeners. So, if you've got a track you'd like to hear on the show please do get in touch. Track Listing Walk On By NoosaGod Bless the Ottoman Empire played from the vinyl A Hawk and A HacksawBody SydFilm Soundtrack The SuncharmsHey Luciani played from the vinyl The FallDub Be Good To Me Beats InternationalSail Noosa [wpcd_coupon id=6553] Old Man Ian recommends... The Suncharms - straight out of Sheffield FTBOTRB's impression of The Suncharms Thanks to Marcus of the band for getting in touch with us here at Record Box HQ. We loved The Suncharms here, their musical innocence and melodies hark back to an era when flares were back in fashion. And people wore elephant leg jeans - remember those? A time when we all had floppy bangs of hair and wore long sleeve tee's printed all over with flowers. We all shopped at Affleck's Palace and spent embarrassing amounts of time in Vinyl Exchange. Janglie indie pop at its best describes The Suncharms brilliantly. It's an authentic sound and one we are hoping they are going to be able to replicate on their upcoming debut album release. As told by Slumberland Records Sheffield's The Suncharms formed in 1989, inspired by the flourishing indiepop scene. Also by the sonic experimentation welling-up around them that would soon come to be known as shoegaze. Following initial garage rehearsals the band soon found themselves supporting indiepop legends such as The Brilliant Corners, St Christopher, The Orchids and The Television Personalities. By 1990 the first Suncharms demo tape had secured support slots with emerging Shoegaze bands such as Cranes, Catherine Wheel and Curve which brought the attention of Wilde Club records and by June 1991 the first EP was released to favorable reviews, reaching a fairly respectable No.23 in the UK indie charts. https://www.youtube.com/watch?v=GZXXSksKG8A&feature=youtu.be In November 1991 the excellent second EP Tranquil Day was released, which led to a Peel session in April 1992. The Slumberland Records crew LOVED those two EPs. They had all the guitar overload we craved, but wrapped around some unusually crafty pop tunes. Less ethereal or abstract than a lot of shoegaze, accurate reference points might include early Ride or The Boo Radleys. We first approached the band about the possibility of releasing something way back in 1992. Sadly the familiar scenario of band members lives going in different directions began to hamper progress so a release never materialised. In April 1993 The Suncharms played the last gig of their initial phase. Life after the split Over the intervening years The Suncharms name was kept alive by a small group of indie enthusiasts, websites, online radio stations and bloggers. In 2014 Richard met Roque Ruiz of Cloudberry Rec...
Featuring new music by: Specimens- https://specimensmusic.bandcamp.com/album/in-the-dust-of-idols Thesis- https://thesisproject.bandcamp.com/album/thesis-14 Deaf Center- https://deafcenter.bandcamp.com/album/low-distance Dolphin Midwives- http://www.wearebeaconsound.com/shop/liminal-garden Odd Nosdam- https://nosdam.bandcamp.com/album/mirrors-4 The Caretaker- https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time Specimens- In the Dust of Idols a2 Chris Adams & Oliver Doerell- Thesis 14 a2 Lemon Jelly- The Bath 10” a2 múm- Peel Session a1 Deaf Center- Low Distance b3 Dolphin Midwives- Liminal Garden b1 Odd Nosdam- Mirrors b1 Tender Buttons- Hot Abductions a1 Hood- Cold House b5 The Caretaker- Everywhere at the End of the World - Stage 6 a1 Optic Echo Presents Tuesday nights 6-8pm PST Streaming www.xray.fm 107.1 / 91.1 FM KXRY Portland
The Very Things special with The Shend in conversation. When The Cravats split up in 1982, guitarist Robin Raymond (aka Robin R. Dalloway) and bassist/singer The Shend (aka Chris Shendo, born Chris Harz) formed The Very Things, recruiting drummer Gordon Disneytime (aka Robin Holland), bassist Jim Davis (guitarist with Redditch band CKV) for the first live gigs, followed by bassist Steven Burrows (aka Fudger O'Mad or Budge), who is band mate of And Also The Trees. The band also originally had a horn section of Vincent Johnson, John Graham, Robert Holland, and Paul Green. Debut single "The Gong Man" was released on Crass's label in November 1983, with "The Bushes Scream While My Daddy Prunes" following in June 1984, now signed to Reflex Records. A short film was made based on the latter for Channel 4's The Tube. The band's debut album was released in August 1984, after which the band was trimmed to the core trio. Several singles and EPs followed over the next few years, although a cover of R. Dean Taylor's "There's a Ghost In My House" was withdrawn in 1987 due to The Fall's version appearing at the same time.[2] By 1988 the band had split up, although they had recorded enough material for an album release on One Little Indian, the Motown-influenced Motortown. The original albums, along with a collection of non-album tracks, were reissued by Fire Records in 1994. The Very Things recorded two Peel Sessions, in 1983 and 1987, and two tracks, "The Bushes Scream While My Daddy Prunes" and "This Is Motortown" featured in the Festive Fifty. The Shend formed a new band, Grimetime, and has since gone on to an acting career, appearing in television series including EastEnders, Red Dwarf, The Bill, Men Behaving Badly, and Torchwood.
The Screaming Blue Messiahs special with Kenny Harris in conversation The Screaming Blue Messiahs were a rock band, formed in 1983 in London by guitarist and singer Bill Carter, bass player and backing singer Chris Thompson and drummer Kenny Harris. The group emerged in the wake of the pub rock and punk scenes that had been very predominant on the UK capital's live music circuit during the late '70s/ early '80s. The band, a classic power trio, was active between 1983 and 1990 and released three major label LPs. They toured extensively throughout Europe, North America and Australasia, garnering wide critical acclaim for their aggressive blend of rhythm and blues, punk and rockabilly. Before founding the Screaming Blue Messiahs, its three members had played together as The Small Brothers. Thompson and Carter had been part of the Captain Beefheart-influenced band Motor Boys Motor; together with Tony Moon on vocals, they recorded several tracks under that name on 24 August 1981 for John Peel's show on BBC Radio 1 and released a self-titled album. Initially, after Harris joined Carter and Thompson, the band briefly continued to perform under the name 'Motor Boys Motor'. According to Carter, the final name was chosen upon the suggestion of Ace/Big Beat's Ted Caroll, who was concerned that the band's initial proposal of 'The Blues Messiahs' sounded too pub rock. Carter employed a rhythmic, blues-influenced, feedback-laden guitar style, using mainly Fender Telecaster guitars together with two combo amps: a Mesa Boogie and an HH outfitted with Gauss speakers. For his occasional forays into slide, he favoured 'the mike stand, or whatever is handy',[4] and that he only used open tunings 'when the strings go open by accident'. Featuring a sound described as "rockabilly from hell" and a strong passion for Americana, cars, guns, aeroplanes and broadcast evangelism, the group released the mini-album Good and Gone on Big Beat Records. Its six songs, which had been selected from eleven songs recorded in spring 1984 with producer Vic Maile during a session at Elephant Studios in Wapping, London, included a version of Hank Williams' "You're Gonna Change". Upon its release, the EP entered the top twenty in the UK independent record chart, where it remained for six months. The Screaming Blue Messiahs played their first official gig at 'Downstairs at the Clarendon', Hammersmith, London on 11 June 1984. On 24 July 1984, they performed the songs "Good And Gone", "Someone To Talk To", "Tracking The Dog" and "Let's Go Down to the Woods And Pray" during their first recorded session for the John Peel show on BBC Radio 1. Broadcast on 2 August, the session proved so popular that it resulted in two BBC releases, one a 4-track 12" and a later inclusion of 'Good And Gone' on an album sampler of Peel Sessions. In December of the same year, The Screaming Blue Messiahs appeared on The Old Grey Whistle Test on the BBC, playing two live songs: "Let's Go Down to the Woods And Pray" and "Good And Gone", and then undertook a short tour of the Netherlands.
Damon Krukowski in conversation talking about life in music, Galaxie 500, Billy Krammer and much much more Guitarist Dean Wareham, drummer Damon Krukowski and bassist Naomi Yang had met at the Dalton School in New York City in 1981, but began playing together during their time as students at Harvard University. Wareham and Krukowski had formed a series of punk-influenced student bands, before Wareham returned to New York. When he returned in 1987 he and Krukowski formed a new band, with Yang joining the group on bass guitar, the new group deciding on the name Galaxie 500, after a friend's car, a Ford Galaxie 500. The band began playing gigs in Boston and New York City, and recorded a demo which they sent to Shimmy Disc label boss and producer Mark Kramer, who agreed to produce the band.[4] With Kramer at the controls, the band recorded the "Tugboat" single in February 1988, and the "Oblivious" flexi-disc, and moved on to record their debut album, Today, which was released on the small Aurora label.[5] The band toured the United Kingdom in late 1988 and in 1989, then signed to Rough Trade and released their second album, On Fire, which has been described as "lo-fipsychedelia reminiscent of Jonathan Richman being backed by The Velvet Underground", and is considered the band's defining moment.[4]On Fire reached number 7 in the UK Indie Chart, and met with much critical acclaim in the United Kingdom, but was less well received by the US music press, who cited Wareham's 'vocal limitations' as a weakness. Galaxie 500 recorded two sessions for John Peel's BBC Radio 1 programme, these later released on the Peel Sessions album. Their cover of Jonathan Richman's "Don't Let Our Youth Go To Waste" was also voted into number 41 in 1989's Festive 50 by listeners to the show. The band split up in the spring of 1991 after the release of their third album, This Is Our Music. Wareham, who had already moved back to New York, quit the band after a lengthy American tour. Galaxie 500's records were released in the US and UK on the independent Rough Trade label. When Rough Trade went bankrupt in 1991, Krukowski and Yang purchased the masters at auction, reissuing them on Rykodisc in 1996 as a box set containing all three albums and another disc of rarities.
On this episode we dive into "Oddballs" from Frank Black, a collection of b-sides, rarities, and non-album tracks that were recorded between 1994 and 1997. Continuing on with the b-side and rarities theme, we discuss what may be one of the most popular b-sides ever from The Beach Boys, as well as more non-album and special Peel Session tracks from Frank Black not featured on Oddballs. Also included is discussion of a track from a band you may not know yet, Tram Cops.
On this episode we dive into "Oddballs" from Frank Black, a collection of b-sides, rarities, and non-album tracks that were recorded between 1994 and 1997. Continuing on with the b-side and rarities theme, we discuss what may be one of the most popular b-sides ever from The Beach Boys, as well as more non-album and special Peel Session tracks from Frank Black not featured on Oddballs. Also included is discussion of a track from a band you may not know yet, Tram Cops.
Listening is a crucial part of our ability to communicate and succeed. It affects how well we sell and persuade, build and maintain relationships, teach and manage, and appreciate and understand. Our business and personal lives are often determined by it.However, listening is not a natural skill and unfortunately, it is one that we are in danger of losing. The result of this is a restricted ability to communicate and engage.We are losing our listening. We spend roughly 60 percent of our communication time listening, but we're not very good at it. We retain just 25 percent of what we hear. Now -- not you, not this talk, but that is generally true.Julian Treasure is a sound and communication expert. He travels the world training people to listen better and create healthier sound. He is author of the books How to be Heard and Sound Business.Julian’s five TED talks have been watched more than 40 million times. His latest, How to speak so that people want to listen, is in the top 10 TED talks of all time. Julian is regularly featured in the world’s media, including TIME Magazine, The Times, The Economist and the BBC.Julian is also founder of The Sound Agency. The audio-branding company asks and answers the question “How does your brand sound?”. The Sound Agency work with some of the world’s biggest brands to improve their sound. Their award-winning work has made headlines internationally.Julian’s love of sound stems from his early experience as a musician. He was a drummer for British brand The Transmitters, amongst many others, and played on their second Peel Session in 1981.Before The Sound Agency, Julian spent 30 years working in advertising and publishing. He founded, grew and sold contract magazine publishing agency TPD. Nowadays, Julian splits his time between London and Orkney, where he lives with his fiancee and youngest daughter- www.juliantreasure.com- https://www.linkedin.com/in/juliantreasure/Please do NOT hesitate to reach out to me on LinkedIn, Instagram, or via email mark@vudream.comLinkedIn - https://www.linkedin.com/in/mark-metry/Instagram - https://www.instagram.com/markmetry/Twitter - https://twitter.com/markymetryMedium - https://medium.com/@markymetryFacebook - https://www.facebook.com/Humans.2.0.PodcastMark Metry - https://www.markmetry.com/Humans 2.0 Twitter - https://twitter.com/Humans2Podcast
Welcome to another episode with 2 new music tracks from The Wedding Present and Black Belt Eagle Scout and the quiet beautiful Antony and The Johnsons. Like what you hear? Why not suggest some of your favourite music for us to play on the show here? Track Listing Kennedy The Wedding Present Ghosts Made in Heights Margate Sports Team Soft Stud Black Belt Eagle Scout Fistful of Love Antony & The Johnsons Hannah Ray La Montagne Brassneck The Wedding Present The Wedding Present – Bizarro Another great bookend from way in the North with anger management candidates The Wedding Present, fronted by mathematician David Gedge. I've long been a fan of the album Bizarro from my younger days, and I think it still sounds fresh today. Above all, it won Tobin's approval. Gedge has been prolific in output since the band's first LP, George Best. His solo works, instrumental material and the quite frankly weird Ukrainski Vistupi V Johna Peel. This was a mix of Peel Sessions and Ukrainian folk tunes inspired by the guitarist's Ukrainian father. The "Weddoes" latest release (at time or writing) is the 2017 Home Internationals EP. The boy Gedge has written some of the best love songs of the Rock n Roll era. You may dispute this, but I'm right and you're wrong – John Peel Fistful of Love from Antony & The Johnsons was very well received on the show. Front of the stage is Anohni, formerly Antony Hegarty, hailing from England but now firmly resident in the US after moving to the US (San Francisco Bay Area) with her parents at the age of 10 years old. What happened next to Anohni? Nine years later she relocated to the other side of the US and enrolled in the Experimental Theater Wing of the New York University. After forming Antony and The Johnsons with a mixed bag of musicians they went on to gain success with the Mercury Music Prize winning album I Am a Bird Now in 2005 as Tobin mentioned in the show. This is actually my favourite track in this episode of the show. There can't be many music fans who haven't heard Ray LaMontagne's Trouble album, it's a treasure, along with a lot of his wider body of work. Sadly, I believe he has either already or will shortly be touring for the last time in the UK. I stand to be corrected on this. From the Bottom of the Record Box recommendation: load up some of Ray's albums on your iPhone, purchase a decent bottle of bourbon and enjoy a lost weekend. New Music Selection Released only this month Sports Team's humorous and punchy single Margate hooked us from the start. The slight Jagger-esque vocals and mannerisms on the accompanying video are both comedic and authentic. There are echoes of The Velvet Underground in here, along with Psychedelic Furs and Television as we eluded to on the show. For me, this track was reminiscent of Television's 1977 track Venus, albeit more aggressive and arresting. One thing's for sure, it sums up British seaside resorts, and Margate is no different. We will definitely be keeping an eye on Sports Team for further releases.
Peel Session version of the full song. For Episode 02 we discuss the/both song(s) "Winter". There's probably a curse word. Contact: pgtfsg@gmail.com. The Annotated Fall lies here: http://annotatedfall.doomby.com/
Julian Treasure is a sound and communication expert. He travels the world training people to listen better and create healthier sound. He is author of the books How to be Heard and Sound Business.Julian's five TED talks have been watched more than 40 million times. His latest, How to speak so that people want to listen, is in the top 10 TED talks of all time. Julian is regularly featured in the world's media, including TIME Magazine, The Times, The Economist and the BBC.Julian is also founder of The Sound Agency. The audio-branding company asks and answers the question “How does your brand sound?”. The Sound Agency work with some of the world's biggest brands to improve their sound. Their award-winning work has made headlines internationally.Julian's love of sound stems from his early experience as a musician. He was a drummer for British brand The Transmitters, amongst many others, and played on their second Peel Session in 1981.Before The Sound Agency, Julian spent 30 years working in advertising and publishing. He founded, grew and sold contract magazine publishing agency TPD. Nowadays, Julian splits his time between London and Orkney, where he lives with his fiancee and youngest daughter- www.juliantreasure.com- https://www.linkedin.com/in/juliantreasure/Please do NOT hesitate to reach out to me on Instagram, Twitter or via email mark@vudream.comHumans 2.0 Twitter - https://twitter.com/Humans2PodcastTwitter - https://twitter.com/markymetryMedium - https://medium.com/@markymetryFacebook - https://www.facebook.com/mark.metry.9Instagram - https://www.instagram.com/markmetry/LinkedIn - https://www.linkedin.com/in/mark-metry/Mark Metry - https://www.markmetry.com/
Julian Treasure is a sound and communication expert. He travels the world training people to listen better and create healthier sound. He is author of the books How to be Heard and Sound Business.Julian’s five TED talks have been watched more than 40 million times. His latest, How to speak so that people want to listen, is in the top 10 TED talks of all time. Julian is regularly featured in the world’s media, including TIME Magazine, The Times, The Economist and the BBC.Julian is also founder of The Sound Agency. The audio-branding company asks and answers the question “How does your brand sound?”. The Sound Agency work with some of the world’s biggest brands to improve their sound. Their award-winning work has made headlines internationally.Julian’s love of sound stems from his early experience as a musician. He was a drummer for British brand The Transmitters, amongst many others, and played on their second Peel Session in 1981.Before The Sound Agency, Julian spent 30 years working in advertising and publishing. He founded, grew and sold contract magazine publishing agency TPD. Nowadays, Julian splits his time between London and Orkney, where he lives with his fiancee and youngest daughter- www.juliantreasure.com- https://www.linkedin.com/in/juliantreasure/Please do NOT hesitate to reach out to me on Instagram, Twitter or via email mark@vudream.comHumans 2.0 Twitter - https://twitter.com/Humans2PodcastTwitter - https://twitter.com/markymetryMedium - https://medium.com/@markymetryFacebook - https://www.facebook.com/mark.metry.9Instagram - https://www.instagram.com/markmetry/LinkedIn - https://www.linkedin.com/in/mark-metry/Mark Metry - https://www.markmetry.com/
Songs from Captain Beefheart, Bridget St. John, Imarhan, Babes In Toyland, The Ex, and Otis Redding, plus a little discussion of when Pavement played Peel Sessions.
Set your dials to the Third Men Podcast, because this week we're being taken over by the most notorious radio pirate of them all - John Peel! When British DJ and all-around music tastemaker John Peel discovered The White Stripes debut album on a trip to the Netherlands, both Peel and the Stripes would never again be the same. For Jack and Meg, John gave them crucial exposure and a solid gold endorsement right as their careers were truly taking off. In Jack, John gained a kindred spirit and a renewed sense of hope for music like he hadn't experienced since the dawn of punk so many years prior. In this episode we cover it all, exploring Peel's life and just what made him such a quintessential ingredient in not just english music culture, but the broader musical consciousness of the world. Plus, third man Colin White of Joe Symes and the Loving Kind shares with us his own musical origins, how playing drums in Liverpool brought him to the world stage, and what experiencing the "Peel Effect" first hand was like. Ahoy! See acast.com/privacy for privacy and opt-out information.
Ghost Town w/ Creepy Steve radio/internet broadcast from May 28, 2017, saluting the late, great, long-time BBC Radio 1 DJ John Peel. The entire program features Peel Sessions recordings by various artists.
John Robert Parker Ravenscroft, plus connu sous le pseudonyme professionnel de John Peel était un DJ, animateur de radio et journaliste anglais. Véritable catalyseur de la scène musicale indépendante britannique, il découvrit et diffusa dans son émission une multitude de jeunes artistes, dont David Bowie, Joy Division ou The Smiths. Renommé pour l'étendue extraordinaire de ses goûts musicaux et ses bourdes diverses à l'antenne (comme lire un vinyle à la mauvaise vitesse de lecture), John Peel était l'un des DJ les plus populaires et les plus respectés au Royaume-Uni et dans le monde entier. Il a eu une grande influence, non seulement sur la manière de faire de la radio, mais également sur l'évolution de genres musicaux comme la pop, le rock alternatif, le hip-hop et la dance music. Animateur sur BBC Radio 1 depuis le lancement de la chaîne en 1967, il y est resté jusqu'à sa mort. Il était alors le dernier animateur historique de la station. Il reçut, à de nombreuses reprises, le titre de DJ de l'année décerné par le magazine NME et fut ordonné chevalier de l'ordre de l'Empire britannique en 1981. L’émission est dédiée a sa mythique émission Peels Sessions qu’il anima sur la la radio BBC Radio 1 durant 37 ans jusqu’à sa mort d’une crise cardiaque en 2004. Killing Joke/Wardance (1979) The Slits/Newtown (1977) A Certain Ratio/All Night Party (1979) Helmet/Rude (1991) The Disposable Heroes of Hiphoprisy/Traffic Jam (1992) The Cure/All Cats Are Grey (1981) Pavement/Here (1994) The God Machine/Commitment (1992) Flipper/We’re Not Crazy (1993) Electrelane/Oh Sombra ! (2004)
The 6th episode of the UKPNW@40 Podcast focuses on The Vibrators! The band were the first punk group to have recorded and released a Peel Session! You will hear a track from that session (recorded on October 12th, 1976 and released on October 28th, 1976) along with both of the singles just a few weeks later in November, 1976. Host Bill Zanowitz guides you through an introduction to the band as well as offering up what a Peel Session actually was.
Ghost Town w/ Creepy Steve radio/internet broadcast from Oct. 23, 2016, featuring John Peel BBC Radio One live recording sessions of various artists, dating back to the early 70s through the early 80s.
Hamish and Nico are both prrretty bummed with the election result, but we strive to help you get through your pain. We talk a little about what happened before delving into a lack of news and a terrible game. Call of Duty: Infinite Warfare is a very poor man's Titanfall 2 Hamish gushes about Bloodborne's sound design Nico bought way more Game Fuel than he needed because he wanted Titanfall 2 codes but didn't get them Black Ops 2 had some... surprising moments Avenged Sevenfold is a bad band for bad people More games need to shove brands in our faces Sleeping Dogs is still one of the best games of the last few years PS4 Pro is nearly out and guess what - increased resolution Mass Effect: Andromeda looks like Mass Effect How are we still talking about No Man's Sky? How are we STILL talking about Mafia III?! WHO THOUGHT IT WOULD BE A GOOD IDEA TO SEPARATE COD: IW PLAYERS ON STEAM/WINDOWS STORE?! WHAT THE FUCK IS HAPPENING TO VIDEO GAMES SOCIAL MEDIA?!?! FOUR FUCKING HOURS?!?!? Also, incase you're wondering, the intro song is Dominator by Killing Joke (specifically the Peel Sessions version). Thought it was fitting given the situation. We'll get through this. We get through everything else. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/writingongamescast/support
Best of John Peel's punk rock sets... Play list here: https://www.facebook.com/NoiseAnnoysGirlsAndBoys/
Grandpa Punk's Peel Session
Noveno capítulo de Autómata, emitido el miércoles 18 de Noviembre del 2015 por Radio Ser FM. Especial dedicado al locutor radial John Peel y sus Peel Sessions. En este Programa Sonaron: The Fall, Nirvana, The Smiths, Smog, The Cure, Killing Joke, Fugazi, The Pop Group, Galaxie 500 y Spiritualized.
In this special spunk-o-matic, mega-huge pod, we offer a careful study of the lies of the current US Prez and his pals as they comment on spying, we look at breaking stories that refute their claims, and look at the unconstitutionality of FISA courts. We also look at former NSA, CIA head Michael Hayden, the number of innocent people killed by US drones in Yemen over the past two weeks, and the latest on the NYC "Stop and Frisk" program. We talk to the mighty Furb, creator of www.freedombookclub.com, about all this and new information on a lawsuit against Monsanto! A tonne of information, pertinent and historically accurate. Plus music by Witch "Seer", Suicidal tendencies "Institutionalized", The Damned "Plan 9, Channel 7", The Prodigy "Spitfire", and the Psychedelic Furs "Soap Commercial" (live, from their Peel Sessions)... Comment in our forum and add your own stories, at www.libertyconspiracy.com!
I first put this mix together a few years ago when we were recording The Crabapples to show the engineer what kind of sounds we were looking for. I've wound up listening to it quite a bit since then though, and I think this batch of songs pretty well represents a lot of what inspired me to start the label and make music myself: smart, succinct tunes with equal measures of noise and melody, played with maximum passion and minimum nonsense. 1. The Mekons - Where Were You? (7", Fast Product, 1978) - A spiteful punk rock love song from these Leeds legends. I'll be a heretic and say they're not my favorite band of all time, but the two singles on Fast always do the business for me.2. Subway Sect - Nobody's Scared (7", Braik, 1978) - Abrasively amazing artifact is the only real document of Subway Sect's first incarnation. I can only imagine how great an album they could have made at the time, and the recently released 1978 album of re-recorded 1977/1978 tracks only leaves me wanting the real thing.3. Swell Maps - Another Song (A Trip To Marineville LP, Rough Trade, 1979) - The Swell Maps kind of epitomize for me the prolific experimentation and restless energy of the early Rough Trade days. A total, glorious mess.4. Henry's Dress - Over 21 (7", Slumberland, 1996) - Henry's Dress were my favorite band for years and their records still blow my mind. An amazing mix of a super-catchy song and crazy guitar and bass noise, this song is from a split tour single with Rocketship and might be my favorite Dress moment.5. Blank Students - Background Music (Earcom 1 EP, Fast Product, 1979) - The post-punk DIY explosion was full of bands that made one great record or released one great song, and while I don't know anything about this band, the anonymity of it makes me love it even more.6. Jasmine Minks - What's Happening? (7", Creation, 1985) - Early Minks singles tend to be more modish and 60s sounding, but this single has kind of a spare, minimal punkiness to it that I always really loved. What a tune, what a band.7. Sportique - Definition '79 (Modern Museums 10", Matinée/WIAIWYA, 2002) - Greg Webster and mates delivered three mini-lps and a bunch of singles full of bristly, catchy, immediate punk-pop gems. This song argues for a rebirth of the DIY post-punk spirit of excitement, and I can dig it.8. Groove Farm - Just A Silly Phase I'm Going Through (Airspace II LP, Breaking Down, 1990) - Breathlessly fast guitar playing, shout-along vocals and quality indie horns. What's not to like?9. This Poison! - Poised Over The Pause Button (7", Reception, 1987) - The two This Poison! singles are just about legendary around my house. Being from Leeds and on Reception there is definitely a kinship to The Wedding Present, but TP! had incredible songs and a sound all their own. The comp on Egg is 100% essential.10. The Charlottes - Are You Happy Now? (7", Molesworth, 1988) - The Charlottes went on to some amount of shoegaze-pop fame on Subway and later Cherry Red, but this slice of rushing girlie pop is my favorite record of theirs. Dig the wild drumming!11. Mousefolk - Crazy Mixed-Up Kid (Songs Of Love And Hate EP, Teatime, 1989) - One of my absolute favorite post-C86 bands. Mousefolk were mainstays of the late 80s pop tape comp scene, and their is a sweet, homemade sincerity to their sound that elevates it way beyond most of the twee-by-the-numbers bands of that era. Plus, they rocked.12. Bubblegum Splash - Plastic Smile (Splashdown EP, Subway, 1987) - Only a few comp tracks and one single from this group, but what a single it is. Super-simple songs, basic buzzsaw guitar and, shall we say, untutored vocals. A great example of punk's "anyone can do it" ethic at the heart of C86 pop.13. The Slits - Shoplifting (Peel Session, 1977) - As much as I like Cut, there's something amazingly raw about the earlier '77-era tracks captured in their Peel Sessions and the untitled Rough Trade LP that really gets me going. "Let's Do The Split" is way up there as well - when the Slits played SF last year they had so much fun with it they played it twice. Pretty cool.14. The Killjoys - Johnny Won't Get To Heaven (7", Raw, 1977) - Nasty, bludgeoning '77 punk from the Midlands, featuring a young and apparently very angry Kevin Rowland. Pure amphetamine energy, and what a punchy sound. Classic single.15. Action Painting! - Laying The Lodger (7", Damaged Goods, 1994) - I have a very soft spot for Action Painting!'s noisier songs, and as much as I love "Classical Music" and "Collapsing Cloud," it's the out-of-control vibe of this single that marks it as my favorite. Magic.16. Boyracer - Spiteful Punk Rock Song #2 (AUL 36X EP, Slumberland, 1994) - One of my favorite bands of all time, so many sound to pick from how would you choose? This was the band's first Slumberland release and I have very fond memories of hearing them play it live and pogo-ing like a madman with A Turntable Friend's Ulrich.17. Buzzcocks - Breakdown (Spiral Scratch EP, New Hormones, 1977) - One could almost say the record that started it all. One of the first independently-released punk singles, and it just happens to be one of the best, IMHO. Howard Devoto's sneered, bored vocals are a perfect complement to the sawed-off, strangled guitar and tumbling drums. Buzzcocks are of course one of the greatest bands ever, but I'm surprised how many people I talk to aren't down with this record. Squares.18. Josef K - Sorry For Laughing (7", Crepuscule/Postcard, 1981) - The Postcard label remains a huge inspiration for me, and the alienated strum of this single is one of my faves. Josef K's blend of dark, angular post-punk and pop always surprises and delights, and I just love the trebly, scratchy guitar sound.19. Fire Engines - Lubricate Your Living Room (Lubricate Your Living Room LP, Fast Product, 1980) - What is it about Scotland? So much amazing music, and the Fire Engines post-Television/Velvet Underground guitar cacophony stands tall with the best. "Lubricate Your Living Room" was the theme to my radio show on WMUC back in the mid-80s, and even though I've listened to it about a thousand times I never tire of it. If you don't have their records already, the Fire Engines comp that Acute put out in 2007 is not to be missed.
If you're into Rock and Roll and living the Rock and Roll lifestyle then you are in luck: Justin Pearson is on TOAP! Listen in as Damian sits down with the 619 legend to talk about punk and why it sucks sometimes. From beef with the state of Arizona, to O versus everybody, to why John Reis is cooler than GG Allin, to Offsprings' DIY dayz, to Unbroken ruling and so much more: DON'T MISS THIS ONE!Also, don't miss and this awesome stuff from Justin: his brand new book "GG Alien and The Mystery Meat"' the reissue of Retox's "Beneath California", Deaf Club's split, the Swing Kids Reunion, The Locust's "Peel Sessions" LP and everything else going on at Three One G RecordsSupport this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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