Podcast appearances and mentions of Wayne Newton

We've dug into the podcast vault to bring back a show from the first year of USModernist Radio.  One of the best 80s films is Ferris Bueller's Day Off. Here's the plot: near the end of the school year, high school senior Ferris Bueller (played by Matthew Broderick) fakes being sick to stay home. His parents believe him, though his sister Jeanie (played by Jennifer Grey, the baby you don't back into a corner) is not convinced. Ferris persuades his best friend Cameron (Alan Ruck) to help lure Ferris' girlfriend (Mia Sara) out of school and let them use his father's prized 1961 Ferrari. Spoiler:  that Ferrari tumbles out of a really cool Modernist house, much to the chagrin of Cameron and his dad. Our pal Bob Langford, who pretty much knows every line in the movie, drops by to help us examine this cultural icon with guest Meghann Salamasick, who with her husband Chris are the owners of the that famous Modernist house. Later in the show, with apologies to Wayne Newton, it's George and Bob and Tom serenading Meghann.

We're pulling back The Tonight Show curtain, not only to reveal Johnny Carson, but to explore the lore and the legend that were Johnny's Tonight Show reign.Joining us are Love Johnny Carson author and The Carson Podcast host, Mark Malkoff, along with Carson Tonight Show guest and Leno Tonight Show writer, Jimmy Brogan.Mark's new Carson book offers a decade-by-decade deep look at the King of Late Night. Through his multitude of podcast interviews with Carson insiders, Mark peels away the stony myth to reveal that the real Johnny was more like the brilliantly charming, funny man you saw on TV and less like the icy, ramrod figure,  of legend, stealing himself from social intimacy. In actual fact, in order to get from points A to B, Johnny had to hold his gaze on the horizon and keep moving or he would attract a crowd. Mark and Jimmy share what made Johnny so important to them and to comedy itself. Jimmy recalls turning down his initial invitation to guest on the show because although his crowd work was extraordinary, you can't do that with a studio audience and he knew he wasn't ready.Fritz, a standup comedian who became an NBC weatherman worked upstairs from The Tonight Show. He was groomed by talent coordinator Jim McCawley to appear on Carson and then easily fill in when a guest fell out.Mark's deep research reveals a Johnny few have seen: the private man behind the poise. We learn about his secret yearning to be a singer. (he took three weeks of lessons to duet with Julio Iglesias as Willie Nelson ), his need for strong boundaries with fans, and his quiet interest in humanism and social justice. Mark also debunks myths about famous feuds with Wayne Newton and Joan Rivers, while Jimmy shares his own Joan Rivers talk show audition story and memories of the bumpy Carson into Leno transition.From Kermit the Frog guest-hosting The Tonight Show to Johnny's competitive streak, sensitivity and complex charm, this episode dives into the brilliance, insecurity, and humanity of a television legend. Plus, Mark tells us about his own outrageous social experiments, including overcoming his fear of flying by living on an airplane for 30 days, visiting every Starbucks in Manhattan in one day and collecting keys to cities from Mayors across America!In current media --Weezy:  Netflix Documentary, The Perfect NeighborFritz: Apple TV+ documentary, Stiller and Meara: Nothing Is Lost Path Points of InterestLove Johnny Carson: One Obsessive Fan's Journey To Find The Genius Behind The Legend by Mark MalkoffMark MalkoffMark Malkoff on WikipediaThe Carson PodcastMark Malkoff on InstagramJimmy BroganJimmy Brogan on WikipediaJimmy Brogan on InstagramJimmy Brogan on Mark's PodcastThe Perfect NeighborStiller and Meara: Nothing Is Lost

Ever wonder why Bob Hope still lands with new audiences today? I sit down with Bill Johnson, a gifted Bob Hope tribute artist who grew up in Wichita and found his way from dinner theater to USO stages around the world. We talk about radio roots, World War II entertainment, and how “history with humor” keeps veterans' stories alive. You'll hear how Bill built a respectful tribute, the line between tribute and impersonation, and why audience connection—timing, tone, and true care—matters more than perfect mimicry. I believe you'll enjoy this one; it's funny, warm, and full of the kind of details that make memories stick.   Highlights: 00:10 - Hear how a Bob Hope tribute artist frames humor to build instant rapport. 01:41 - Learn how Wichita roots, a theater scholarship, and early TV/radio love shaped a performer. 10:37 - See why acting in Los Angeles led to dinner theater, directing, and meeting his future wife. 15:39 - Discover the Vegas break that sparked a Bob Hope character and a first World War II reunion show. 18:27 - Catch how a custom character (the Stradivarius) evolved into a Hope-style stage persona. 21:16 - Understand the “retirement home test” and how honest rooms sharpen a tribute act. 25:42 - Learn how younger audiences still laugh at classic material when context is set well. 30:18 - Hear the “history with humor” method and why dates, places, and accuracy earn trust. 31:59 - Explore Hope's USO tradition and how Bill carries it forward for veterans and families. 36:27 - Get the difference between a tribute and an impersonation and what makes audiences accept it. 41:40 - Pick up joke-craft insights on setup, economy of words, and fast recoveries when lines miss. 46:53 - Hear travel stories from Tokyo to Fort Hood and why small moments backstage matter. 50:01 - Learn the basics of using Hope's material within IP and public domain boundaries. 51:28 - See the ethical close: making sure a “reasonable person” knows they saw a tribute.   About the Guest:   With a career spanning over thirty years, Bill has forged his niche on stage, screen, and television as a dependable character actor.   Bill's tribute to the late, great Bob Hope was showcased in New Orleans, LA at Experience the Victory, the grand opening of the National WWII Museum's first expansion project. In the ceremony, Bill introduced broadcaster Tom Brokaw, and performed a brief moment of comedy with Academy Award winning actor, Tom Hanks. Bill continues to appear regularly at the WWII Museum, most recently in On the Road with Bob Hope and Friends, which was under-written by the Bob & Dolores Hope Foundation.   Highlights from over the years has included the 70th Anniversary of the End of WWII Celebration aboard the USS Midway in San Diego, and the Welcome Home Vietnam Parade in Tennessee. Additionally, Bill has been honored to appear around the world as Mr. Hope for the USO in locations such as the Bob Hope USO centers in Southern California, the USO Cincinnati Tribute to Veterans (appearing with Miss America 2016-Betty Cantrell),  USO Ft. Hood (appearing with the legendary Wayne Newton), USO of Central and Southern Ohio, USO Puget Sound Area in Seattle, USO Guam, USO Tokyo, USO Holiday Shows in Virginia Beach for US Tours, and a Tribute to the USO on the island of  Maui with country music superstar Lee Greenwood.   Other notable appearances include Tribute Shows for Honor Flight chapters in Alabama, South Carolina, and Ohio, the Vietnam Helicopter Pilots Association, the US Army Ball, the annual 1940's Ball in Boulder, CO, “USO Cuties Show” at the Tropicana in Atlantic City, the Les Brown Jazz Festival in Tower City, PA, and Hosting “So Many Laughs: A Night of Comedy” at the National Veterans Memorial and Museum in Columbus, OH.   Through the years, Bill has been “murdered” on CSI, portrayed Michael Imperioli's banker in High Roller: The Stu Unger Story, as well as, roles in films such as Ocean's 11, Three Days to Vegas, TV's Scare Tactics, Trick Shot, an award winning short film for Canon cameras, and the series finale of Dice, where Bill appeared as John Quincy Adams opposite Andrew Dice Clay.     Bill is currently based out of Las Vegas, NV where he lives with his wife, author Rosemary Willhide, and rescue dog, Brownie.   Ways to connect with Bill:   http://www.billjohnsonentertainment.com http://www.GigSalad.com/williampatrickjohnson     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:23 This is your host, Mike hingson, and you are listening to unstoppable mindset. You know, we have a saying here, unstoppable mindset, where inclusion, diversity and the unexpected meet, and we're going to definitely have unexpected today. This is also going to be a very fun episode. By the time you hear this, you will have heard a couple of conversations that I had with Walden Hughes, who is the president of the radio enthusiast of Puget Sound. And he's also on the on other boards dealing with old radio show. And he introduced me to Bill Johnson, who is a person that is well known for taking on the role of Bob Hope, and I'm sure that we're going to hear a bunch about that as we go forward here. But Bill is our guest today, and I just played a little segment of something for Bill with Bob Hope and Bing Crosby, two characters by any standard. Well, anyway, we'll get to all that. Bill, I want to welcome you to unstoppable mindset, and I'm really honored that you're here with us today.   Bill Johnson ** 02:31 Oh, thanks a million. Michael, it's such a pleasure to be here. Well, this is going to be a fun discussion.   Michael Hingson ** 02:38 Oh, I think so. I think absolutely by any standard, it'll be fun. Well, why don't we start before it gets too fun with some of the early stories about Bill growing up and all that. Tell us about the early bill.   Bill Johnson ** 02:52 Okay, well, I was born and raised in Wichita, Kansas, of all places. And I used to say, I used to Marvel watching Hope's Christmas specials with my family that sort of spurred my interest. But grew up in Midwest, went to Wichita State University, and then after graduation, I had a job with an independent film company and a move to Los Angeles seeking my fortune. Well, the film company pulled it in three months, as those things do, and so I was left with my, I guess, my pursuit of the entertainment career from there.   Michael Hingson ** 03:42 So did you what you went to school and high school and all that stuff?   Bill Johnson ** 03:46 Yes, oh yes, I went to Wichita East High I didn't graduate with honors, but I graduated with a B,   Michael Hingson ** 03:56 that's fair B for Bob Hope, right? Yeah.   Bill Johnson ** 04:01 And then I actually went to college under a theater scholarship, wow. And so that, in those days, that would pay for everything, books, class, which delighted my parents, because we were a family of simple means. So that was the only way I was going to go to college was having a scholarship and but as it turns out, it was for the best years of my humble life, because I got a lot of hands on experience in a Wichita State medium sized College, yeah, but back then it was Much smaller, so I had a lot of opportunity.   Michael Hingson ** 04:43 I've actually been to Wichita State. I've been to Wichita and, oh, great, did some speaking back there. And we're probably going to be doing more in the future. But it's an it's a nice town. It's a great town to to be a part of. I think,   Bill Johnson ** 04:56 yes, people are so nice there. And what I. I've noticed living in other places and then going home to visit Wichitas are cleaned. Just something you noticed, the streets are usually pretty clean and foliage is well manicured. So hats off to the city for keeping the place up to date or keeping it clean   Michael Hingson ** 05:22 anyway. Well, yeah, you got to do what you got to do, and that's amazing. And in the winter, everything gets covered up by the snow.   Bill Johnson ** 05:30 Yes, you do get all four seasons in Wichita, whether you like it or not. See there, yeah, it's one of those places where they have that saying, If you don't like the weather, wait 10 minutes and it'll change.   Michael Hingson ** 05:43 Yeah. So, so, so there. So you majored in theater in college?   Bill Johnson ** 05:49 Yes, I did. Actually, the official designation at Wichita State was speech communication, ah, so that's what I got my Bachelor of Arts   Michael Hingson ** 06:02 degree in so what years? What years were you there?   Bill Johnson ** 06:05 I was there in the fall of 75 and graduated a semester late. So I graduated in December of 79 Okay,   Michael Hingson ** 06:17 yeah, but that was after basically the traditional golden days and golden age of radio, wasn't   Bill Johnson ** 06:24 it? Yes, it was still in the days of black and white television.   Michael Hingson ** 06:29 But yeah, there was a lot of black and white television, and there were some resurgence of radio, radio mystery theater CBS was on, and I think that was before, well, no, maybe later in 7879 I don't know when it was, but NPR did Star Wars. And so there were some radio, radio things, which was pretty good.   Bill Johnson ** 06:53 And I think our friends in Lake will be gone began.   Michael Hingson ** 06:56 Oh yeah, they were in, I think 71 garrison. Keillor, okay, it'll be quiet week in Lake will be gone my hometown. I know I listened every week. Oh, I   Bill Johnson ** 07:06 did too. So my interest in radio was, I think, started back then.   Michael Hingson ** 07:12 Yeah, I enjoyed him every week. As I love to describe him, he clearly was the modern Mark Twain of the United States and radio for that matter. Is that right?   Bill Johnson ** 07:26 Oh, gosh, well, I, I'm, I'm, I'm glad to agree with you. And a lot of that wasn't it improvised to his weekly monolog. He'd have, oh, sure, yeah,   Michael Hingson ** 07:39 he, had ideas. He may have had a couple notes, but primarily it was improvised. He just did it. He just did it.   Bill Johnson ** 07:47 I let some of the episodes you take a lot of find a lot of humor in the fact he's kind of pleased with himself. And he goes, Well, look what we just said, or something. He'll do.   Michael Hingson ** 07:57 Yeah, it was, it was fun. So what did you do after college? Well,   Bill Johnson ** 08:03 after college, when I had moved to Los Angeles, after that, did not work out. I pursued my living as a as an actor, which didn't last long. So I of course, had to get a secondary job, I guess. Let me back up. It did last long, although I didn't have enough to pay my bills. Oh, well, there you go. I had a secondary job as whatever I could find, bartending. Usually, I did a lot of work as a bartender and but you get at least doing something like that. You get the people watch, yeah, oh.   Michael Hingson ** 08:47 And, that's always entertaining, isn't   Bill Johnson ** 08:49 it? Well, it can be, yeah, that's true. Back in my that's where I kind of develop your little stick you do for customers to get them to laugh and maybe tip you. My big thing was that you'd always see a couple, say, making out at the bar because it was kind of dark in there. And I would always say, Hey fellas, you want to meet my wife, Carol? Oh, that's her boss. Don't worry about it. They're having a good time or something like that, just to try to get a few laughs.   Michael Hingson ** 09:23 I've done similar things at airports. I know that the TSA agents have a such a thankless job. And one of the things I decided fairly early on, after September 11, and you know, we got out, and most people, and most of the TSA people don't know it. But anyway, whenever I go through the airport, I love to try to make them laugh. So, you know, they'll say things like, oh, I need to see your ID, please. And, and I'll say things like, Well, why did you lose yours? Or, you know, or you why? I didn't want to see it. It's just a piece of paper, right? You know? But, and I get them to laugh. Mostly, there are few that don't, but mostly they they do. And then the other thing is, of course, going through with my guide dog. And we go through the portal. They have to search the dog because he's got the metal harness on that always sets off the detector. Oh my, yeah. And, and so they say, Well, we're going to have to pet your dog. I said, Well, just wait a minute. There's something you need to know. And I really sound very serious when I do this. You got to understand this before you do that. They go, oh yeah. And they back up, and I go, he only likes long searches. If you don't take a half hour, he's not happy because his tail is going 500 miles a second, you know? Oh, great coming. But it is fun, and we get him to laugh, which is, I think, important to do. We don't laugh at enough in life anyway.   Bill Johnson ** 10:57 Amen to that. It's That's my philosophy as well, my friend. And there's not a lot to laugh about these days. And hopefully we can find the humor, even if we create it ourselves.   Michael Hingson ** 11:11 Yeah, I think there's a lot to laugh at if we find it. You know, there are a lot of things that are not going very well right now, and there are way too many things that make it hard to laugh, but we can find things if we work at it. I wish more people would do that than than some of the things that they do. But what do you do?   Bill Johnson ** 11:31 Yes, yeah, from from your mouth to God's ears, that's a great plan for the future.   Michael Hingson ** 11:39 Well, we try so you you did some acting, and you had all sorts of other jobs. And then what happened?   Bill Johnson ** 11:47 Well, I finally got fed up with the whole bartending thing and the rat race of trying to make it in Los Angeles. I did some commercials. I had a couple of small roles in some independent movies, as they say. But on my first love being theater, I hit the road again doing some regional theater shows to where I finally ended up back in Kansas, once again, that the there was a dinner theater in my hometown of Wichita, and I got hired to do shows there. Oh, so eventually becoming a resident director so and my my family was going through some challenges at the time, so it was good to be home, so I hadn't really abandoned the dream. I just refocused it, and I got a lot of great experience in directing plays, appearing in plays, and I met my white wife there. So so that was a win win on all counts.   Michael Hingson ** 13:00 I first got exposed to dinner theater after college. I was in Iowa, in Des Moines, and the person who was reading the national magazine for the National Federation of the Blind, the magazine called the Braille monitor guy was Larry McKeever was, I think, owner of and very involved in a dinner theater called Charlie's show place, and I don't remember the history, but I went to several of the performances. And then he actually tried to create a serial to go on radio. And it didn't get very far, but it would have been fun if he had been able to do more with it, but he, he did do and there were people there who did the dinner theater, and that was a lot of fun.   Bill Johnson ** 13:45 Oh, gosh, yeah, although I must say that I was sort of the black sheep of the family being in the arts. My My mom and dad came from rural communities, and so they didn't really understand this entertainment business, so that was always a challenge. But there's one footnote that I'm kind of proud of. My grandfather, who was a farmer all his life. He lived on a farm. He was raised on a farm. Every year at the Fourth of July Co Op picnic. The Co Op was a place where they would take the crops and get paid and get supplies and so forth. They would have a picnic for all the people that were their customers every year he would supposedly play the unscrupulous egg buyer or the egg salesman. And so he'd go to the routine, was an old vaudeville routine. He'd go to this poor farmer and say, Here, let me pay you for those eggs. That's here. There's one two. Say, how many kids do you guys have now? For the No, five. 678, say, How long have you and your wife been married? What is it? Seven years, eight, they get the guy go, no, 1011, 12, so that was the bit, and he would do it every year, because I guess he did it   Michael Hingson ** 15:15 really well. Drove the farmers crazy.   Bill Johnson ** 15:18 Yeah, so, so humble beginnings in the lineage,   Michael Hingson ** 15:23 but on the other hand, once you started doing that, at least being in the theater was enough to pay the bills. Yes.   Bill Johnson ** 15:30 So my parents really couldn't complain about that.   Michael Hingson ** 15:34 Well, see, it worked   Bill Johnson ** 15:36 out, yes indeed. And I met my wife, so I'm not complaining   Michael Hingson ** 15:41 about any of it. Now, was she in the theater? Yes, she was a performer.   Bill Johnson ** 15:46 We met in a show called lend me a tenor, and she was the lead, and I was at this point doing my stage management duties. But suffice to say we have gone on and done many shows together since then, and even had been able to play opposite each other a couple of times. So that cool, yeah, that's, that's a you can't ask for better memories than   Michael Hingson ** 16:13 that. No, and you guys certainly knew each other and know each other well. So that works out really well.   Bill Johnson ** 16:20 Yeah, that works out pretty good, except, you know, you sometimes you have to have a conversation and say, Okay, we're just going to leave the theater on the stage and at home. We're at home. Yeah?   Michael Hingson ** 16:32 Well, yeah, there is that, but it's okay. So how did you get into the whole process of of portraying Bob Hope, for example, and did you do anything before Bob of the same sort of thing?   Bill Johnson ** 16:51 Well, interestingly enough, to complete the whole circle of my experience, when I was performing in Wichita, I got a job opportunity here in Lacher. I'm living in Las Vegas now, to move out here and audition, or come out and audition for a new dinner show that was opening at Caesar's Palace. It was called Caesar's magical Empire, and it was, it was in 1996 and during that time, there was this big magic craze in Las Vegas. Everybody was doing magic   Michael Hingson ** 17:27 shows. You had Siegfried and Roy and yeah.   Bill Johnson ** 17:30 So I came out, I auditioned and got hired. And so then it was like, Well, now you got to move. So we moved on a just on hope and a prayer. And luckily, they eventually hired my wife, and so we got to work together there, and I eventually went on to become the, what they called the show director. I didn't do the original show direction, but it was my job to maintain the integrity of the attraction. So during those years it was that was kind of difficult, because you have to listen to being on the administrative team. You've got to listen to all the conflict that's going on, as well as and try to keep the waters calm, keep peace. Yes. So anyway, doing my show and being interactive, you talk back and forth to the audience, and after it was over, you take them out to a next the next experience in their night, when they would go see magic in a big showroom. And a lady came up to me and and she said, say, I've got this world war two reunion coming up next month. I'd like you to come and be, pretend to be Bob Hope. Do you know who that is? And I was like, yes, he's one of my heroes. And so that was the first opportunity, suffice to say, I guess I did. Should have prefaced it by saying, when the magical Empire first opened, we were all playing these mystical wizards and dark characters. Well, that didn't fly. That wasn't any fun. So then the directors, the producers said, well, everybody, come up with your own character, and we'll go from there. And so I created this character named the Stradivarius, because I like to fiddle the room. I get it and   Michael Hingson ** 19:37 but I played it like Bobby and you like to stream people along. But anyway, hey, I wish I would have   Bill Johnson ** 19:42 thought of that. My approach was like Bob Hope in one of the road pictures. So the show would be sort of a fish out of water type thing. Come on, folks. You know, I laughed when you came in that type of thing. Yeah. So when this lady saw the show that. How she got that inspiration?   Michael Hingson ** 20:04 Well, your voice is close enough to his that I could, I could see that anyway.   Bill Johnson ** 20:09 Oh, well, thank you. Sometimes I'd say it drives my wife nuts, because I'll come across an old archival material and say, Hey, honey, how about this one? So she's got to be the first audience, yeah.   Michael Hingson ** 20:23 Well, I'm prejudiced, so you could tell her, I said, so okay,   Bill Johnson ** 20:27 that you would, you'd love to hear it, right? Yeah.   Michael Hingson ** 20:31 Well, absolutely. Well, so you went off and you did the the World War Two event.   Bill Johnson ** 20:38 Did the World War Two event shortly after that, the met this, well, I should tell you another story, that shortly after that, a young man came to my show, and during the show, he stopped me and said, say, You remind me of someone very dear to me. Have you ever heard of Bob Hope? And I said, yeah, he's again. I said, one of my heroes. The guy said, Well, you kind of remind me of him. Went on his merry way, and I didn't think much of it. Well, it just so happens. The next day, I was watching the biography documentary of Bob Hope, and all of a sudden this talking head comes up, and it's the same guy I was just talking to in my show the day, the day before, it turns out that was, that was Bob's adopted son, Tony Tony hope. So I took that as a positive sign that maybe I was doing something similar to Mr. Hope, anyway. But then, as I said, The show closed very soon after that, sadly, Mr. Hope passed away. And 2003 right, and so there was, there was no real demand for anything like that. But I didn't let the idea go. I wanted something to do creatively. I continued to work for the same company, but I went over and ran the 3d movie at Eminem's world in Las Vegas 20 years. So I had plenty of time to think about doing   Michael Hingson ** 22:26 something creative, and you got some Eminem's along the way.   Bill Johnson ** 22:30 They keep them in the break room for the employees. So it's like, here's all the different brand I mean, here's all the different flavors and styles. So to have a way and you can tell guests, oh yeah, that's delicious. It tastes like, just like almonds or   22:45 something. Yeah.   Bill Johnson ** 22:47 So based on that, I decided to pursue this, this tribute, and it, I'll tell you, it's difficult getting started at first, you got to practically pay people to let you come and do a show. I'd go to retirement homes and say, Hey, you want to show today. Sometimes they'd let me, sometimes they wouldn't. But the thing about doing a show at a retirement community is they will be very honest with you. If you ain't any good, they'll say, man, no, thanks. Oh, nice try. So know where my trouble spots were,   Michael Hingson ** 23:29 but, but audiences don't treat you as the enemy, and I know that one of the things I hear regularly is, well, how do you speak so much and so well. You know the one of the greatest fears that we all have as a public speaking, and one of the things that I constantly tell people is, think about the audiences. They want you to succeed. They came because they want to hear you succeed, and you need to learn how to relate to them. But they're not out to get you. They want you to be successful and and they love it when you are and I learned that very early on and speaking has never been something that I've been afraid of. And I think it's so important that people recognize that the audiences want you to succeed anyway.   Bill Johnson ** 24:17 That's so true. And you kind of touched on a quote I remember one of the books from Bob hopes. He said how he approaches it. He said, I consider the audience as my best friends, and who doesn't want to spend time with your best friend, right?   Michael Hingson ** 24:34 And I and I believe that when I speak, I don't talk to an audience. I talk with the audience, and I will try to do some things to get them to react, and a lot of it is when I'm telling a story. I've learned to know how well I'm connecting by how the audience reacts, whether there's intakes of breath or or they're just very silent or whatever. And I think that's so important, but he's. Absolutely right. Who wouldn't want to spend time with your best friend? Yes, amen. Did you ever get to meet Bob? Hope   Bill Johnson ** 25:07 you know I never did, although I at one point in my when I was living in Los Angeles, a friend of mine and I, we were in the over the San Fernando Valley, and they said, Hey, I think there's some stars homes near here. Let's see if we can find them. And we said, I think Bob Hope lives on this street. So we went down Moor Park Avenue in Toluca Lake, and we finally saw this home with a giant H on the gate. And it's like, Oh, I wonder. This has got to be it. Well, all of a sudden these gates began to open. And we, kind of, my friend and I were like, and here, here, Hope came driving home. He was, he arrived home in a very nicely appointed Chrysler Cordoba, remember those? And he had one, he just was just scowling at us, like, what are you doing in my life? You know, and they drove it. So that's as close as I got to the real guy. But I wish I could have had the pleasure of seeing him in person, but never, never was fortunate enough.   Michael Hingson ** 26:18 Well, one of the things that's interesting is like with the World Trade Center, and I've realized over the past few years, we're in a world with a whole generation that has absolutely no direct Memory of the World Trade Center because they weren't born or they were too young to remember. And that goes even further back for Bob Hope. How does that work? Do you find that you're able to connect with younger audiences? Do they talk with you know? Do they do they react? Do they love it? How   Bill Johnson ** 26:52 does that go? Well, interestingly enough, a lot of times, if there are younger people at shows, they're usually dragged there by their parents and I have found that they will start chuckling and giggling and laughing in spite of themselves, because that old humor of hopes that, granted, it is corny, but there's some great material there, if presented in the proper context. Yeah. I was funny story. I was doing a show at the National World War Two Museum in New Orleans. They were dedicating a new theater or something, and the color guard was a group of local leaf Marines that were serving in a local base, and they were standing there right before they went on, and this young man kept looking at me, and finally he said, very respectfully, says, I'm sorry, sir, but who are you? So I said, luckily, there was a picture of Bob Hope on the wall. And I said, Well, I'm trying to be that guy. And I said, Hang around a little bit. You'll hear some of the material so, but that's the thing I that you did bring up. An interesting point is how to keep your audience, I guess, interested, even though the humor is 4056, 70 years old, I call it like all my approach history with humor. The first time I did the Bob Hope, as in the national natural progression of things, I went to an open call, eventually here in Vegas to do they were looking for impersonators for an afternoon show at the Riviera in a place called Penny town. It was just a place for Penny slots. And they had, and they hired me. They said you can do your Bob Hope impression there. And so they had a stage that was on a one foot riser. You had a microphone and a speaker and a sound man, and you had to do a 10 Minute monolog six times a day every Yeah, do 10 minutes. You'd have about a 40 minute break. Do 10 more. And I didn't do it every day, but you would be scheduled. Maybe they'd have, you know, have a Reba McEntire one day. They'd have an Elvis one day. Well, so I would it was a great place to try your ad, because, and that's what turned me on to the whole idea of history with humor. Because when I started, I was just doing some of his material I'd found in a hope joke book that I thought were funny. Well, once in a while, people would be playing the slots. Granted, they were looking at the machines. Nobody was looking at me. And once, when I'd have somebody who. Ah, you know, crank the arm, one arm banded against and then, or I make the sound man laugh. And that was my goal. Well, there was a snack bar right in front of us with a rail that people. They weren't tables, but you could go, lean against the rail and eat your I think it was called Moon doggies hot dog stand so you could eat your hot dog and watch Bob. Hope so if I could make the moon doggy people hot dog folks choke on their hot dog while they were laughing. That was like a home run. Yeah. But to keep them interested, tell them something that they will know. For instance, Hope's first show for the troops was May 6, 1941 down in March field in Riverside California. And you start giving dates and specifics that i i can see the people in the audience go, oh yeah, in their mind's eye, they if they were around, then they will go back to that day. What was I doing then? Okay, and so you kind of make the world relevant for them. So that's how I approach World War Two, Korea and Vietnam. Is give dates and places, which you got to be accurate, because the veterans   Michael Hingson ** 31:27 will set you straight. Oh yeah, because they do remember. Oh yes, they were there.   Bill Johnson ** 31:33 So some of them and but it's, it's amazing, as you say, you can tell if the audience is engaged by if they inhale or if they make some complimentary noises during the show. Sometimes I'll get fellas who will sit there and ponder just looking at me, and then they'll come up afterwards and say, Man, I hadn't thought about that in years.   Michael Hingson ** 32:04 Yeah, thank you. And you know you're connecting, yeah, yeah.   Bill Johnson ** 32:09 And because hope represented, I think, a good memory in a kind of a rough time for a   Michael Hingson ** 32:16 lot of folks. Well, he did. He did so much for the troops with the military. And as you said, May 6, 1941, and it went from there. And of course, during the whole war, he was all over and entertaining people and and he was also very active in radio as part of all that.   Bill Johnson ** 32:38 Oh my goodness, I don't know how the man found time to sleep, because if he were alive today, he would love social media and podcasts and things, because he was always trying to get his name in the paper or get some publicity, but he never forgot about his audience. He would want to do a show for the troops, no matter where they were stationed or he said I couldn't look at myself in the mirror if I didn't try.   Michael Hingson ** 33:10 Yeah, well, you do a lot with veterans and so on. So you've kind of kept up that tradition, haven't you?   Bill Johnson ** 33:19 Yes, I have been fortunate enough to play a lot of reunions and some, maybe some uso themed shows, because that first show he did, hope did, in May of 1941 was they just was a radio show that his, one of his writers had a brother stationed it in Riverside, California, and the war hadn't started, so they had nothing to do, right? These guys were bored, and so he said, Let's take our show down there and hope. So hope didn't want to leave the comfort of his NBC studio. It's like, you know, what's the idea? And they said, how big is the crowd? And they said, Well, I don't know, maybe 1000 and of course, you know 1000 people. And you know, in Hope's mind, he says, I'd give my arm and a leg to hear 10 people laugh. 100 people is like a symphony, but 1000 people, yeah, sheer fantasy. So he said, Oh, wait a minute, are you 1000 people? Are you sure? And this guy, Al capstaff, said, Well, maybe two. So that was it. And they went down. And when the audience, of course, they were just hungry for anything, the response was just so great that hope said, well, where has this been? And he said, shortly after that, we teamed up with the USO and been going steady. Ever since, yeah,   Michael Hingson ** 35:02 and that's so cool. And again, you've, you've kept a lot of that going to now, we've talked on this show with Walden about reps and the showcase and so on. Are you going to be up at the recreation in Washington in September?   Bill Johnson ** 35:18 Yes, I am. I'll be there, and we're, I believe we're doing a one of the cavalcade of America shows that sort of incorporates a lot of his initial, well, one of his initial tours over in World War Two. But it's because a cavalcade is a recreation. A lot of it's drama, dramatized, but it's, it's and it's encapsulated you go bang, bang, bang across a big section of World War Two and Hope's experience in Europe. But it's, to me, as a fan of that genre, it's fascinating, so I just looking forward to it. I think it's going to be a lot of fun.   Michael Hingson ** 36:04 Well, we ought to, one of these days, we need to just do a Bob Hope radio show or something like that, and get you to come on and get an audience and and, and just do a show.   Bill Johnson ** 36:15 Oh, that would be great. I would love. That would be fun. That would be great, you know. And if there's any naysayers, you just say they said, Why do you want to do radio? Say, well, as hope would say, radio is just TV without the eye strain,   Michael Hingson ** 36:30 yeah, and the reality, you know, I'm one of my favorite characters, and one of my favorite shows is Richard diamond private detective, and I was originally going to actually be at the showcase doing Richard diamond, but I've got a speaking engagement, so I won't be able to be there this time, so we'll do it another time. But I remember, you know, at the beginning of every show, the first thing that would happen is that the phone would ring and he would answer it and say something cute, and it was usually his girlfriend, Helen Asher, who is played by Virginia, or who is, yeah, played by Virginia. Greg and one of his shows started. The phone rang. He picked it up. Diamond detective agency, we can solve any crime except television. That's great. I love that one. I love to use that.   Bill Johnson ** 37:20 I gotta remember that that's a great line, yeah,   Michael Hingson ** 37:24 but it's really fun. Well, so you classify yourself as a tribute artist. How do you really get started in doing that, and how do you keep that going?   Bill Johnson ** 37:38 Well, that's, that's a, that's the million dollar question. Basically, I I found all the archival material I could find, and there's a ton of information on Bob Hope on YouTube nowadays, and you need to decide, are you a tribute, or are you an impersonator? Because there is a slight difference.   Michael Hingson ** 38:04 What difference a tribute?   Bill Johnson ** 38:08 Well, first off, an impersonator is someone who resembles someone famous and dresses up in a manner as to portray them, and that can include a tribute artist who may not look identical to the person, but can capture a mannerism or a vocal vocal rhythm to suggest enough that the audience will accept it. I I do it. I am, I feel like I can capture a little bit of his face with some, you know, some of the expressions people have told me my eyes resemble his, as well as wear a hat or something from try to copy a costume from a picture that is very you feel like is iconic of this character. So if you can come out and present that, that's the battle hope would always he began his radio shows, as you recall, by saying where he was and like, how do you do ladies and gentlemen, this is Bob live from Santa Ana Air Base, hope and and then do a two, two line rhyme about his sponsor, usually Pepsodent, just to get on to start the show with a laugh like Pepsodent on your brush and use plenty of traction and none of Your teeth. They'll be missing in action.   39:39 Yeah.   Bill Johnson ** 39:42 Huge, but, but you to to pursue it. As I said, you've just got to, you've got to kind of forage out in the real world and see if see somebody's looking for a show, and hopefully get someone to take a chance. Okay? Give you an opportunity. That's why I went to that open call to do that show at the Riviera. It is difficult to tell jokes at people that are chewing at you, but it's a good learning ground, plus doing the shows at the retirement homes made you prepared for anything because, but I found that I got the strongest response from veteran mentioned some of those history moments, historical moments. And so I thought maybe I'll just focus on this, not to put together the other comedy. And the other experiences are very important too. But the things I have found people remember the most were those shows for the troops. Yeah, and basically, in a nutshell, and they don't remember what did he What did he say? Do you remember a joke? Sometimes they'll tell me a joke, but most, most times, they don't remember what he said, but they remember how he made them feel,   Michael Hingson ** 41:06 yeah, and the fact that he said it, yes, yeah,   Bill Johnson ** 41:10 there's a there's a common joke I'd heard for years, and a friend of mine told me he was a 10 year old kid at Fort Levin fort, Leonard Wood, Missouri. And hope came out and told the joke. The guy goes into a bar. Oh, no, excuse me. Let me back up. A grasshopper goes into a bar. The bartender says, Hey, we got a drink named after you. The grasshopper says, you got a drink named Irving cute. And I'd heard that. Yeah, I guess hope told it and so you never know what what inspires your comedy, but there's a lot of common things I heard growing up that I will find hope said. Hope said it at one point or another in his either his radio show or on one of his specials. So   Michael Hingson ** 41:58 do you think that a lot of what he did was ad lib, or do you think that it was mostly all written, and he just went from a script?   Bill Johnson ** 42:07 That's a good point. He was one of the first performers to use cue cards, okay? And a lot of it was was written, but from what I've read is that he was also very fast on his feet. That's what I thought. Because if something happened, he would come in with a bang, with with another line to top it, yeah. Well, you know, like we were talking about that command performance, where with Lana Turner that he said, she said, Well, they've been looking at ham all night, and you're still here. Ah, big laugh. Haha, yeah. And he said, Now I'm bacon with the double entendre, you know, like, yeah, you burn me, whatever. But that was, I thought that was   Michael Hingson ** 42:51 cute, yeah, and he, and he is, clearly there had to be a whole lot more to him than than writing. And so I absolutely am convinced that there was a lot of bad living. And there was just, he was fast, he was good at it and them, and the more he got comfortable, because of those big crowds that they got him started, the better he became   Bill Johnson ** 43:16 absolutely you can there's a great book by, I know, do you know Bob mills? He was one, was one of Bob Hope's writers wrote a right and he explains the formula behind a lot of their jokes situation, and then it would have a payoff, you know, like, I don't know what happened, but now that you know this is set up in a setup and then the joke. Hope supposedly liked an economy of dialog. He didn't like a lot of language going from point A to point B to tell his joke. That's why the rapid fire delivery. And he had a lot of jokes in his shows. The radio shows had, at least, was it something like 10 jokes a minute?   Michael Hingson ** 44:08 Well, they were, they were very fast. And there were, we've got a few rehearsals of Bob Hope shows. And clearly some of the things that he did, because at first he wasn't getting the reaction that he thought he was going to get, but he pulled it out. And again, it's all because he was fast. He was good.   Bill Johnson ** 44:29 Yeah, I've got some blooper reels from some of the Christmas specials, and he'll try and try and try. And then finally, he'll say, take that card and tear it up, throw it away. And that's funnier than the joke itself.   Michael Hingson ** 44:44 Yeah, than the joke itself. It's really cute. So you obviously like performing. Does that run in your family?   Bill Johnson ** 44:55 Well, not necessarily, as I said, I'm kind of the black sheep of the. Family, because I was in the arts, they would rather have a more what do I want to say? A more safe career, a career choice as a you know, because entertaining, you're always wondering, well, where's my next job? Yeah, as opposed to something else, where you might have a better idea of what are your next paychecks coming? But I do have always had a day job, and this is sort of like my way to flex those creative muscles.   Michael Hingson ** 45:33 So what's your day job today? My   Bill Johnson ** 45:35 day job is I still do technical support for the good folks at Eminem's world on the script. Only they after covid happened, they closed the 3d movie that I was overseeing. And another fellow, when I do tech support, we just basically make sure the lights come on. And as well as I have a job at the College of Southern Nevada, on the support staff, trying to help folks who have English as a Second Language get a job. So I find those are both rewarding challenges.   Michael Hingson ** 46:15 It's a good thing I don't go to Eminem's world because I don't really care if the lights are on or not.   Bill Johnson ** 46:20 Oh, well, there you go. We need somebody here doing rim shots.   Michael Hingson ** 46:26 Yeah, you like dependent people are all alike. You know, you got to have all those lights. Yes, I don't know that I've been to Eminem's world. I've been to the Eminem store in New York City, but I don't think I've been to the one in Las Vegas.   Bill Johnson ** 46:40 I was actually at the opening of that Eminem store in New York City. Funny story, they know they have people that put on the character suits, right? And when I was there to help them kind of get their get acclimated to wearing those suits and then peering in front of people. Well, the kids were doing around, say, two in the afternoon. Well, the New York Times showed up at noon, one pick they wanted a picture of and so I had to put on the I was yellow, the peanut, and this other person that was there put on the red suit, and we walked down on 46th Street and started walking on the street, wave and and carrying on. I thought, Here I am. I finally made it to Broadway. Yeah, and I'm and I'm dressed as a nut so,   Michael Hingson ** 47:30 and you had Hershey right across the street,   Bill Johnson ** 47:32 right across the street, so I don't know. I imagine her, she's still there, probably still going head to head, to this   Michael Hingson ** 47:40 day, the last time I heard they were so well, I don't know, I don't know whether anything really changed with covid, but the last I heard they were   Bill Johnson ** 47:49 well, more powerful, Yeah, funny story.   Michael Hingson ** 47:56 Well, so you will, you travel basically anywhere to do a show? Are there any limits?   Bill Johnson ** 48:03 Or no, I'll go anywhere. My this tribute has taken me as far as Tokyo, Japan for the USO there. I've done shows in the Pacific and Guam I'm not too sure I want to travel internationally these days, but if somebody has an opportunity, I'll think about it. Funny thing happened at that, that show I did in Tokyo, I was, it was, it was a gala for the local uso honor the the troops who were serving in that area. So they had that representative from each branch that was serving our Navy, Marines and the Japan, nation of Japan now has what they call, this, the Civil Defense Group. I believe that's what they call because after World War Two, they signed that document saying they would not have an organized military. But right, they have their civil defense, and so we were honoring them, that there was a group, an Andrew sisters trio, performing, singing and dancing and and I was standing off off stage, just waiting to go on and finish the show. And this, this has been 20 years ago. Let me preface that this older Japanese gentleman came up to me, and he said, I would like to make a toast. And there was a lady in charge who, you know this was. There was some, some admirals there, and leaders of the Seventh Fleet were, were there. So everything had to be approved. Everything went according to schedule. The military events are just boom, boom, boom. And so I said, Well, okay, I need to ask Judy, when this Judy was in charge, when we can do this? And he just said, I want to make a tow. Toast. And I said, okay, but I have to clear it with Judy. Well, I finally got Judy and said that older Japanese man would like to make a toast. And she said, Yes, let him do whatever he wants. Turns out, he was an admiral in the Japanese Navy during during World War Two, and he was attending the event here, although these many years later, just as you know, everyone else was sure. So to bail myself out of it, I went back on said stage and said, And now, ladies and gentlemen, our honored guest would like to make a toast. And he, of course, I can't remember the toast, but as I at the time, I thought that was very sweet and very eloquent. So it's just these incredible little snippets of life you you go through. It's like, how could I ever know, when I was a five year old kid in Kansas, that Monday I'd be chatting with a world war two Admiral from the Japanese Navy, right? Just, it's just mind boggling.   Michael Hingson ** 51:06 So I'm curious. Bob Hope copyrighted a lot of his jokes. Are you able to still use them? Well, that's a   Bill Johnson ** 51:13 good question. Yes, he did. He copyrighted his jokes and everything, however, and I have spoken to the lawyer for the hope estate. There are the, what do you call that? It just flew out of my head that the the laws surrounding   Michael Hingson ** 51:32 intellectual property, copyright laws and intellectual property and public domain, yeah, yeah.   Bill Johnson ** 51:38 The song, thanks for the memory is in public domain, and hope would always change the lyrics to where he went because he hated the song. Supposedly he had, how did I get hung with that old dog of a song?   Michael Hingson ** 51:52 Yeah, well, he kept using it every week, so I can't believe it was too anti song. Yeah,   Bill Johnson ** 51:57 that's true, but the hope is they did copyright his jokes, but as long as I don't write a book and try to sell them as my jokes, I should be fine as well as I am. Allow you the those laws allow you to present impersonate someone, no matter who it is. You could impersonate your next door neighbor, even though he's not famous, as long as you do not do something to harm them, yeah, or represent it in an unflattering way   Michael Hingson ** 52:28 well, and clearly, what you're doing is pretty obvious to anyone who knows at all that it's Bob Hope and that you're trying to do a tribute to him. So I would think it would make sense that that would work   Bill Johnson ** 52:39 well it should and but the final caveat is that a reasonable person must come away from the show knowing full well they did not see the original. You must tell them. And Bob Hope's been gone for   Michael Hingson ** 52:55 many years. Yeah, 22 years now.   Bill Johnson ** 52:59 So that's usually not a problem, but that's how I finished my tribute as vice is, I usually wear a hat to complete the illusion, with the bill flecked up. I'll take the hat off and say, now if I could break character and tell about how hope was named an honorary veteran, and at the age of 94 it was an amendment passed by Congress designated him as an honorary veteran, and it was received unanimous bipartisan support   Michael Hingson ** 53:30 as it should yes and   Bill Johnson ** 53:33 Hope went on to say, sort of all the awards I've received in my lifetime being now being listed among the men and women I admire the most. This is my greatest honor, so that's a good way for me to wrap up my tributes whenever possible.   Michael Hingson ** 53:54 Do you have, oh, go ahead, no,   Bill Johnson ** 53:56 I was gonna say there's another funny story. You know, hope lived to be 100 Yeah, and George Burns.   Michael Hingson ** 54:03 George Burns, lived to be 100   Bill Johnson ** 54:05 lived to be 100 Supposedly, the two of them had a bet as to who would live the longest. Now, the thing is, what were the stakes and how do you collect? Yeah, because some guy, you're not going to be there. But in any event, George Burns was born in the 1890s and so he was older than hope. Hope was born in 1903 George Burns lived to be 100 years and 10 days old. Bob Hope lived to be 100 years and 59 days   54:41 Oh,   Bill Johnson ** 54:42 so hope. Well, the story goes that in his final, final months, he was just he was pretty much bedridden and slept and slept a lot. His wife, Dolores went to his bedside. He had that 100 years 10 day mark, and she said. Well, Bob, you won the bet. You have now lived longer than George Burns. And supposedly, even though he was fat, he was like they thought he was asleep, this huge smile just curled up his lips so he heard, that's great.   Michael Hingson ** 55:18 That's great. Well, if, if you have, do you have something that you could do for us, or do you have something that you could play or something that would give us just a little flavor?   Bill Johnson ** 55:28 Um, yeah, I Well, if you, I would tell your listeners that they want to catch a little bit more. They can go to my website, Bill Johnson entertainment.com, and there's some video clips there, but I like to do is that hope would always, he would always joke about traveling to the event, and that's how I like to begin my shows with him arriving. Since I just flew in on a wing of prayer. I was on the wing because as a soldier, I wouldn't have a prayer nicely. My flight was very nice, but the plane was rather old. In fact, the pilot sat behind me wearing goggles and a scarf. This plane was so old that Lindbergh's lunch was still on the seat. The fasten seat belt sign was in Latin. To get to the washroom, you had to crawl out on the wing. But I come on, folks, I said, to get to the washroom, you had to crawl out of the wing. But hey, I don't know about you, but I have a fear of flying that dates back to my childhood. See, when I was a baby being delivered by the stork, that blasted bird dropped me from 400 feet. Yeah, he did that to stay out of the range my father's shotgun. See, Dad already had my brothers, Eenie, Meenie and Miney. When I came along, he didn't want   56:55 no moat. I get it just   Bill Johnson ** 57:00 it goes along in those words. Well, we are,   Michael Hingson ** 57:05 we are definitely going to have to just work out doing a radio show and getting you to to do a whole show, and we'll have to get some other people to go along with it. We'll figure it out. Oh, that sounds great. I would buy a lot of fun to do. Count me in. Well, I want to thank you for being here. This has been absolutely wonderful to be able to talk about Bob Hope and to talk about you. Even more important, I'm sure that Bob Hope is monitoring from somewhere, but by the same token, you're here and we're here, so we do get to talk about you, which is important to do as   Bill Johnson ** 57:41 well. Well, that's very kind, Michael. I was hopeful that you would be at the rips.   Michael Hingson ** 57:47 I was planning on it because I wanted to, I want to really do the Richard diamond show. I'll, I told you I'd send you the command performance that we talked about Dick Tracy and B flat, or, for goodness sakes, is he ever going to marry Tess true heart? Oh yes. And I'll also send you the Richard diamond that we're going to do the next time I'm able to be at the rep show. It's, it's   Bill Johnson ** 58:06 really hilarious. Oh, that sounds great.   Michael Hingson ** 58:09 But I want to thank you for being here once again. Tell us your website.   Bill Johnson ** 58:14 My website is, it's my name and followed by entertain Bill Johnson, entertainment.com there's there's some video clips there, and some great pictures of some of the folks I've had the pleasure of meeting and performing with. I don't want to name drop, but just to give the the act a little more credence, pictures with Les Brown Jr. Rest his soul. I did it floored. I was able to do a show with Lee Greenwood on the island of Maui Wow, as well as perform with Wayne Newton at Fort Hood, Texas. Wayne Newton actually took over for Bob Hope with the USO when Bob just got too old to travel. Yeah, so, so that's just for a humble, humble guy. It's some incredible stories   Michael Hingson ** 59:19 well, and you're keeping some wonderful memories alive, and we'll definitely have to do something with that. But I want to thank you for for being here and again. Bill Johnson, entertainment.com, so go check it out, folks and and there's a lot of old radio out there online. We've talked about yesterday usa.com or yesterday usa.net they're the same. You can listen. You can go to reps online, R, E, P, S online, and listen to a lot of radio programs there. There are a number of people we've had Carl Amari on who several years ago, did come. Complete redos of all of the Twilight zones, and he made them scripts for radio, which was a lot of fun. Have you ever heard any of those?   Bill Johnson ** 1:00:07 I've never heard. I was a big fan of the show when it was on TV, but I never heard any of the   Michael Hingson ** 1:00:12 radio. Stacy Keach Jr is is the Rod Serling character, but, oh yeah, Twilight radio,   Bill Johnson ** 1:00:19 that's great. I will check it out,   Michael Hingson ** 1:00:22 or we'll send you some that's even better. But I want to thank you for being here, and thank you all for being here with us. I hope you had fun today. It's a little bit different than some of the things that we've done on the podcast, but I think it makes it all the more fun. So thanks for being here. Please let us know what you think. Email me. I'd love to hear from you. Michael, H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to get your thoughts wherever you're listening. Please give us a five star review. We appreciate those a lot. Tell other people about the podcast. We really would like to get as many people listening as we can, and we want to be sure to do the kinds of things you want on the podcast. So if you know anyone else who ought to be on the podcast, Bill, that goes for you as well, please introduce us. We're always looking for more people to come on unstoppable mindset that we get a chance to chat with. So hope that you'll all do that and again. Bill, I want to thank you one more time for being here. This has been fun.   Bill Johnson ** 1:01:21 This has been a blast. Michael, thank you so much for having me. I really enjoyed it.   Michael Hingson ** 1:01:32 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

This episode of The Other Side of the Bell, featuring trumpet performer and instructor Chris LaBarbera, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Chris LaBarbera trumpet interview"   About Chris LaBarbera: Christopher LaBarbera began playing trumpet in middle school in 1974, and by the age of 14 was already sitting in on local jam sessions and gigs. By his early twenties he had become an in-demand freelancer, performing with artists such as Wayne Newton, Ray Charles, Frank Sinatra Jr., and many others. Chris studied with the legendary Donald S. “Doc” Reinhardt, whose “Pivot System” remains one of the most influential and detailed approaches to brass playing ever developed. Building on that legacy, Chris has taught the Reinhardt system for many years, helping countless students unlock their potential by tailoring embouchure, breathing, and playing mechanics to each individual. Today, Chris is recognized not only for his wide-ranging performance career but also as a dedicated teacher and mentor, carrying forward Reinhardt's principles while making them accessible and practical for modern players.   Episode Links: Vinnie Tanno performing with the Lon Norman Sextet in 1957 (mentioned by Chris) Fabulous trumpet solo by Chris, in "St. James Infirmary"   Upcoming Events: Virtuosity Musical Instruments Boston, October 16 & 18. We will have over 300+ trumpet mouthpieces, consultations, and on site valve alignments. Book your alignment here! Greg Black Mouthpieces, November 7 & 8 North Carolina Music Educators Association Conference, November 9 & 10   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Chris LaBarbera Audio Engineer - Ted Cragg

This week, Red and Jodie are joined by Christian Bladt to go through some Jazz/Lounge Music!! Can a weird lounge song about abandoning your family beat a pretty good Frank Sinatra impression? YOU be the JUDGE!!Wayne Newton - Daddy, Don't You Walk So FastVSTim McCarver - On A Clear DayFollow ⁠Christian Bladt on Twitter. Listen to their show here.Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

Welcome to The Amazing Watch Podcast! Wayne Newton is still alive Watch along with Season 15 of The Amazing Race on Amazon Prime Video, CBS. fuboTV, Spectrum On Demand, Paramount Plus, DIRECTV, or buy it as download on Google Play Movies, Vudu, Amazon Video, FandangoNOW, or Microsoft Store. Follow us on social media! Email: amazingwatchpod@gmail.com Facebook: The Amazing Watch Podcast Twitter: @amazingwatchpod Instagram @amazingwatchpod Don't forget to tag #AmazingWatchPod This podcast is hosted by ZenCast.fm

My guest... Award winner International seasoned performer/vocalist Berklee Conservatory School of Music,  own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchelle Jackson has performed at prominent concert events for the World Cup , Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee School of Music,  on Campus (standing ovation), Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada, and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with an interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound."  She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode.Produced, directed, edited and hosted by Stephen E Davis 

Nick teams up with Forbes music writer Jim Ryan to honor two towering figures lost last week: funk pioneer Sly Stone and Beach Boys genius Brian Wilson. Jim shares memories of past interviews with Norman Greenbaum, Jerry Harrison, and Steve Stevens, and breaks down two very different concert experiences—Wayne Newton in Michigan and AC/DC bringing the noise to Soldier Field. They also ponder Billy Idol's uncanny durability and confirm, once again, that Mike Love remains Mike Love. Later, Esmeralda Leon joins the mix to chat about city protests, brutal heat, and the growing list of celebrity doppelgangers. And yes, they attempt to solve one of the internet's dumbest mysteries: did Rob Schneider secretly swap sketches for suplexes and join the WWE? The truth may disappoint you. [EP 359]

Send us a textIf you're looking for a sonic palette cleanser from the mundane, Venamoris' new album To Cross or To Burn is the aural experience you didn't know you needed. Out now via Ipecac Recordings, the album is a seductive, shadowy, and soul-baring effort from the duo of Paula and Dave Lombardo. Yes, that Dave Lombardo—drum god behind Slayer, Mr. Bungle, Misfits, Dead Cross and countless other boundary-pushing projects. But this isn't thrash, metal, or hardcore. Instead, it's something far more intimate and atmospheric—part gothic lullaby, part cinematic fever dream, and entirely its own thing.Think: a darker, stranger Portishead raised on vintage synthesizers and heartbreak. And you're only halfway there.Venamoris, a name derived from the Latin vena amoris ("vein of love"), is a reflection of the real-life partnership between Dave and Paula Lombardo. The musical bond they've cultivated runs just as deep. Paula's roots include everything from backing up Las Vegas legends like Wayne Newton to chasing a singer-songwriter dream in Nashville. With this project, she brings a magnetic presence—equal parts elegance and eerie introspection—on vocals, piano, and synths. Every lyric feels lived-in; every melody, emotionally raw.Engineered and produced by Dave Lombardo, mixed by David A. Lombardo, and mastered by the acclaimed Golden Mastering team, To Cross or To Burn shimmers with sonic depth. Every note and nuance is deliberate, yet full of danger. The Lombardos handle all instrumentation themselves, with Paula on vocals and synths and Dave handling drums, guitars, and more.The album also features contributions from a formidable group of guest musicians, including:Trevor Dunn (Mr. Bungle, Tomahawk) – contrabass on “Stay With Me”Ra Diaz (Suicidal Tendencies, KORN) – bass on “Stain of Pain”Alex Skolnick (Testament) – guitar on “Stain of Pain” and “Burnt Paper”Gary Holt (Slayer, Exodus) – guitar on “Animal Magnetism”Each guest adds a unique brushstroke to the darkly emotional soundscape, enhancing but never overshadowing the central force: Paula's haunting voice and poetic songwriting.The album's opener, “Stay With Me,” is a cinematic dive into surrealist romance—starting in lo-fi crackle and ending in full digital immersion. "Holding On to Nothing" flexes Paula's lyrical teeth as she dissects betrayal with Ben Folds-style piano wrapped in Sabbath-inspired gloom.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Colin Sharp, professional comedian, joins us to try and understand a movie that Anthony's Dad could only excitedly describe to Anthony as a kid. Now we had to watch it. It stars Judd Nelson, Bill Paxton, Lara Flynn Boyle, James Caan and Wayne Newton. Find Colin on X here!https://x.com/colin_sharpand on IG here!https://www.instagram.com/colin_sharpSupport the podcast here for just five bucks a month! You'll get access to exclusive episodes and our first 100 eps.https://www.spreaker.com/podcast/bodegaboxoffice--1441069/support

Text us about this show.Alex Drossart and Sam Farrell have their hands in a lot of musical doings and they're having a blast! Both are members of Hang Ten, a popular laid back pop band, and they are instrumental in operating their studio they've dubbed The Hangar. Add to that their resumés that include playing alongside names like Butch Vig, Duke Erikson, Steve Porcaro, Freedy Johnston, and Wayne Newton. They've accomplished so much in their careers and, yet, they're just two guys just wanting to enjoy creating music whether that be their own or helping out other artists. It's a fun discussion with a couple guys who like to keep things fresh and interesting, so kick back and enjoy!"Oh Well Whatever" written and performed by Hang Ten℗ 2024 Hang Ten. Used with permission of Sam Farrell"Untrue & Not Enough" written and performed by Matty Day℗ 2023 Matty Day. Used with permission of Matty Day."Slow Down" written and performed by Hang Ten℗ 2022 Hang Ten. Used with permission of Alex DrossartSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Send us a textIn this episode, Lou and Paulie explore the vibrant culture of Las Vegas through movies, music, and personal anecdotes. They discuss iconic Vegas films, share humorous and cautionary tales from their own experiences in the city, and reflect on the impact of various bands that originated from Las Vegas, including Imagine Dragons and The Killers. The conversation is filled with laughter, nostalgia, and insights into the allure and pitfalls of Vegas life.  Oh!, and was that Wayne Newton?Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Keith sits down with Dave Lombardo to discuss collaborating with the Misfits and John Zorn, Dave and his family emigrating from Cuba to settle in Los Angeles, learning to play the drums, meeting Kerry King, the formation and early days of Slayer and some stories from Dave's time with the band. We also discuss collaborating with Mike Patton in Fantomas, Mr. Bungle and Dead Cross, meeting his wife Paula, collaborating with her on Venamoris, the making of their new LP "To Cross Or To Burn" on Ipecac Recordings, Dave's solo LP Rites of Percussion and more. Keith also meets with Paula Lombardo to discuss growing up in Canada, taking piano lessons and discovering her voice at a young age, and moving to Las Vegas to become a backup singer and tour with Wayne Newton. We also discuss Paula breaking off on her own in Nashville to try and become a singer/songwriter, moving to Los Angeles, meeting Dave Lombardo and teaming with him to write music once again as Venamoris, the making of their debut LP "Drown In Emotion" and the new LP "To Cross or To Burn", Paula's creative process and more. 

Send us a textDJ David Guetta has had a long career pumping out music that people love! He now has a residency at Fontainebleau Las Vegas' LIV Beach and LIV Nightclub. We chat with him about why you should come party with him! He also talks about Las Vegas, the changing party scene, and his thoughts on new artists. We also talk to pop icon, Debbie Gibson. Debbie is the Nevada Ballet's Woman of the Year. We attended the Black and White Gala fundraiser and interviewed Debbie about live performances and her new book. We also check out two restaurants. One at Green Valley Ranch and the other is new to the Downtown Arts District. More on Ortikia Mediterranean Grill and Bar Boheme. Plus, Sean gets a parking ticket! We also preview the new F1 Grand Prix Plaza attraction. Wayne Newton was there! VegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

It's a Trucker Thursday, and the morning meanderings are all over the place. From burritos (it's Burrito Day), and scooping poop (it's Pooper Scooper Week). We find out that Maino's family used dog poo as fertilizer on their vegetable garden. That answers so many questions for all of us! The guys also do a quick poll on whether our listeners are more familiar with a couple of songs: Merle Haggard - Mama Tried or Wayne Newton - Daddy Don't You Walk So Fast. Maino felt the winner would be Merle. The Mayor picked Wayne Newton. The winner, according to our listeners: Merle Haggard. Hands down. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor!

My co-host today is Close-up Magician Gavin Griggs, you can check Gavin out at https://gavingriggsmagic.com/  and at linkedin and facebook.  Today is National Barrito day.  Entertainment from 2002.  The Pony Express began, Unabomber was caught, TV Guide went on sale.  Todays birthdays -Marlon Brando , Jan Berry, Billy Joe Royal, Wayne Newton, Tony Orlando, Alec Baldwin, David Hyde Pierce, Eddie Murphy, Sebastian Bach, Jennie GarthIntro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/I'm a barrito - Perry GrippAint it funny - Jennifer Lopez  Ja RuleBlessed - Martina McBrideBirthdays - In da club - 50 Cent   https://www.50cent.com/Surf City - Jan & DeanDown in the boondocks - Billy Joe RoyalDanka Schoen - Wayne NewtonTie a yellow ribbon round the old oak tree - Tony Orlando & DawnFrasier tv themeParty all the time - Eddie MurphyYouth gone wild - Skid RowExit - A friend with weed - Kyle Daniel   https://www.kyledanielmusic.com/ countryundergroundradio.comHistory and Factoids website 

On the April 3 edition of the Music History Today podcast, a jazz legend passes away, Wayne Newton & Leona Lewis celebrate birthdays, and Jay Z signs a mega deal the day before he officially becomes part of a mega couple. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

In this episode of THE STORY SONG PODCAST, your hosts review the 1972 pop hit, “Daddy Don't You Walk So Fast” by Mr. Las Vegas, Wayne Newton.  Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Instagram (storysongpodcast), and Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. “Daddy Don't You Walk So Fast” by Wayne Newton (originally from the album Daddy Don't You Walk So Fast) is available on The Best of Wayne Newton on Apple Music, YouTube Music, Amazon Music, Pandora, and Spotify; on Greatest Hits on Tidal; or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Note: We do spoil a major part of David Copperfield's Vegas show in this. Vegas! Vegas! Vegas! It's our last episode before the paternity hiatus, and we're discussing a Laino family classic, and a not-great movie that we love deeply: Vegas Vacation! What's the kayfabe of Siegfried and Roy? Why isn't Audrey working at a strip club? How great is Wayne Newton in this!? Want to hear the rest? It's on Patreon, along with more than 25 additional episodes (More than 35 hours of content!)? It's all just $5 per month! AND you can listen on your favorite podcast app, including Spotify. Visit Patreon.com/DissectingThe80s for hours of bonus content! “NewsSting, Ouroboros” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Keywords: Vegas Vacation, Chevy Chase, Las Vegas, 80s, eighties, movie, podcast

How many things broke right to make this happen? What's the original kitchen nightmare? And who is going to reap what they've sewn for 9 YEARS? We introduce these questions and MUCH MORE as we watch Season 1, Episode 12 of Family Matters.Alex Diamond, David Kenny, and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:Website: jumpingtheshuttle.spaceEmail: jumpingtheshuttle@gmail.comInstagram: @JumpingTheShuttle / @ThatAlexD / @dak577Twitter: @JumpingShuttle / @ThatAlexD / @dak577TikTok: @JumpingTheShuttle / @ThatAlexD / @dak577Brought to you by Smooth My Balls

The titan of late night takes his turn on the other side of the desk for an in-depth interview with the ‘Our Way’ gang. Kimmel opens up about his early years in Las Vegas (when he played trumpet at Wayne Newton’s house!) and his breakthrough on the Comedy Central classic ‘Win Ben Stein’s Money.’ He also opens up about the rough beginnings of his long-running network talk show, some of the biggest guest star train-wrecks he’s encountered, and how he earned his reputation as one of the greatest pranksters in the business — even though it annoys his wife on occasion…And, of course, he reveals the origin of the epic televisual union between himself and Guillermo.See omnystudio.com/listener for privacy information.

Lucy zooms into the show to FINALLY pay off her punishment from the Venmo #LucyChallenge, but Greg and Dan are both disoriented. Is Lucy going to the Super Bowl? Did she get an expensive Iguanadon costume? Why is David Samson on her side? Then, remember when Wayne Newton almost fell at our Super Bowl event last year? Plus, the Shipping Container wants to send Gabe to Radio Row, Jessica's 80-year-old grandmother found the show on her YouTube algorithm, and David shares his thoughts on the Myles Garrett trade request. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This could be the single biggest issue of our time. Elon Musk turned loose on what's called "OMB" - Office of Management and Budget. Within OMB, are many taxpayer funded "NGOs". What are those? Stigall thinks this is one of the most critically important subjects to understand and spends time unpacking it with Congressman Scott Perry of the Freedom Caucus in the House. Two tragic plane accidents within a few days has many skittish and skeptical. The Democrats are wandering in the wilderness as they gather this weekend to pick their new leader and it's as hilarious as you would imagine. And, Stigall's Wayne Newton review! -For more info visit the official website: https://chrisstigall.comInstagram: https://www.instagram.com/chrisstigallshow/Twitter: https://twitter.com/ChrisStigallFacebook: https://www.facebook.com/chris.stigall/Listen on Spotify: https://tinyurl.com/StigallPodListen on Apple Podcasts: https://bit.ly/StigallShow -Global Coin, for exclusive listener offers go to www.shopglobalcoin.com/pages/stigallor call 1-888-560-3125.See omnystudio.com/listener for privacy information.

Born and raised in Kansas City, MO, Lonnie McFadden is a unique multi-talented performer who sings, tap dances and plays trumpet. Lonnie has traveled the globe performing and representing Kansas City Jazz at major jazz festivals and shows around the world. His performances have been seen internationally and include such events as the North Sea Jazz Festival in Holland and the Nice Jazz Festival in Nice, France.  Lonnie and his brother Ronald McFadden (The McFadden Brothers) have shared the stage with some of the biggest names in show business. Wayne Newton, Sammy Davis Jr., Tony Orlando, Lee Greenwood, Gladys Knight and The Count Basie Orchestra are just some of the great entertainers they have had the pleasure of working with. The McFadden Brothers have also performed for all types of audiences including a very special 2004 USO tour to Kuwait and Iraq for our troops.  Most recently The McFadden Brothers received Life Time Achievement Awards from the Jazz Museum in May 2016, and Living Legends Awards from Tapology October 2017. In 2017, Lonnie received the Best Entertainer award from Ingram's Magazine. And continues to entertain at his world famous - Lonnie's Reno Club in Kansas City.   lonniemcfadden.com/

Diane and Sean discuss the "better-than-the-original" Steven Soderbergh remake of Ocean's Eleven. Episode music is, "Clair de Lune" by Claude Debussy.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

GGACP marks National Book Blitz Month and celebrates the recent release of Bruce Vilanch's memoir, “It Seemed Like a Bad Idea at the Time” by presenting this ENCORE of a 2018 interview with the legendary writer-performer. In this episode, Bruce looks back at the “golden age” of TV variety shows and specials, including “Donny & Marie,” “The Brady Bunch Hour,” “The Star Wars Holiday Special” and “The Paul Lynde Halloween Special.” (all written or co-written by Bruce himself). Also, Margaret Hamilton makes her move, Robert Reed channels Carmen Miranda and Gilbert takes over the new “Hollywood Squares.” PLUS: Jack Palance! Bob Hope's filing cabinet! “Wayne Newton at SeaWorld”! And Bruce hangs with Tallulah Bankhead!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Ed is in Hawaii 'living it up like Wayne Newton!' but there's trouble in paradise in the form of some cats who like to spray his car -and not with sunscreen. Click and Clack strongly consider making a housecall on this episode of the Best of Car Talk.Get access to hundreds of episodes in the Car Talk archive when you sign up for Car Talk+ at plus.npr.org/cartalkLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We start off today with the new gummy popsicles that look very phalic, the world's worst tequila heist, a guy smuggling bugs, Raj's holiday cards where he and his dogs have matching sweaters, Trey tells a story about a night with Bo Derek and Wayne Newton, and Aussie's are tracking farts.  LINKS:Guy Fieri, Sammy Hagar's trucks carrying $1 million of tequila hijacked in double heist after crossing border | Fox NewsMan Caught Smuggling 320 Tarantulas by Strapping Them to His Body"Chart Your Fart" is asking one nation to track its gas – in the name of scienceThe Treehouse is a daily DFW based comedy podcast and radio show. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about current events, stupid news, and the comedy that is their lives. If it's stupid, it's in here.The Treehouse WebsiteFairLease | Lease a Car Online | Best Truck Lease Deals $0 downCook DFW Roofing & Restoration | Dallas, Fort Worth TX | Roofing Company Local Garland, TX Plumber | Brooks Plumbing, LTD. | Plumbing Installation & Repairs (brooksplumbingtexas.com

Babes in Toyland [00:31] "Dust Cake Boy" Sugar and Spice Foxcore Records F9 1992 From a UK bootleg featuring demos and studio outtakes from Babes in Toyland, and Peel Session tracks from Hole. Talk Normal [04:09] "In Every Dream Home a Heartache" Sugarland Rare Book Room Records RBR005 2009 Blistering Roxy Music cover (https://youtu.be/boo5PDjf1Es?si=j-vWw2hnjJrb98DJ) from this Brooklyn duo (https://youtu.be/BgdDDJEzhJA?si=rXvYkftPvYkA8bJ4). Suicidal Tendencies [10:17] "Won't Fall in Love Today" Suicidal Tendencies Frontier Records FLP 1011 1983 This is a 2005 reissue on red-ish transparent vinyl. Produced by Glen E. Friedman, who is better known as a photographer (http://burningflags.com/home/) famous for documenting the nascent punk and skateboard scene. Bonnie 'Prince' Billy [11:13] "Ease Down the Road" Summer in the Southeast Sea Note SN11 2005 Live album recorded while touring Florida, Georgia, Mississippi, and North Carolina. Helping out Will Oldham here are his brother Paul on bass, Peter Townshend on drums, Dave Bird and Matt Sweeney on guitar. Wayne Newton [16:58] "Summer Wind" Summer Wind Capitol Records T 2389 1965 A young Mr. Entertainment taking a pass at this Johnny Mercer number adapted from a German/Danish single by Gerthe Ingmann (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7). I will forever associate this song with Martin singing this song (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7) at the end of The Simpsons episode Bart of Darkness (S06E01). Thou [19:33] "Grissecon" Summit Gilead Media relic 31 2018 An excellent reissue of Thou's 2010 album Summit originally released on Southern Lord, along with material from The Archer and The Owle EP released on Robotic Empire. I still think it is amazing that Thou were the first metal band to appear on NPR's Tiny Desk (https://youtu.be/IUVYgCwpv7Y?si=tOq09uk2XAP45o5x) (minus lead vocalist Bryan Funck). Be-Bop Deluxe [27:55] "Heavenly Homes" Sunburst Finish Harvest ST-11478 1976 Some excellent melodic guitar dynamics on this track from Bill Nelson and co's third studio album. Guided by Voices [32:51] "Heavy Metal Country" Sunfish Holy Breakfast Matador OLE 185-1 1996 EP from somewhere around the Alien Lanes/Under the Bushes Under the Stars era. On lovely translucent blue vinyl. Earl-Jean McCrea [36:09] "I'm Into Something Good" Super Girls Lake Shore Music OP 3507 1979 _As seen on TV (https://youtu.be/K2t9Iwl07sA?si=JmonzgyBe6Sr8MuV)! Forty original hits by forty original artists. In mono! Earl-Jean of the Cookies sends this original recording of the Goffin and King hit shortly thereafter by Herman's Hermits. _ 1000 Homo DJs [38:56] "Supernaut" Supernaut Wax Trax! Records WAX 9133 1990 Peak Industrial cover from Al Journgensen and friends. Certainly not as good as the Sabbath orignal (https://youtu.be/nUb0QaDjP78?si=QtuvXBJhZNFU4yFM) but still makes an impact, though it does go on a bit. Matt Sweeney and Bonnie 'Prince' Billy [45:33] "Bed Is for Sleeping" Superwolf Drag City DC179 2005 Excellent collaboration between the two, with some excellent illustrations by Matt and Spencer Sweeney. Produced by Superwolfmen. Jefferson Airplane [49:42] "White Rabbit" Surrealistic Pillow RCA Victor LSP-3766 1967 Normally I would go with "Plastic Fantastic Lover (https://youtu.be/NUc8vkO3oxY?si=OBKbSnjAAEQsJMbK)", but as I've said before, sometimes you gotta go with the hits. Grace was evidently inspired by Miles Davis' Sketches in Spain when coming up with the music from this piece. Survive [52:11] "Sorceror" Survive RR7349 Relapse Records RR7349 2016 Some tasty synthwave from the band behind the Stranger Things sound. Shizuko and Shinichi Suzuki [56:31] "Long, Long Ago (Bayly)" Suzuki Violin School, Vol. 1 & Vol. 2 Summy-Birchard Music CSM 1387 1970 I was a child violin prodigy... until I had to read music. Quintron and Miss Pussycat [57:10] "Witch in the Club" Swamp Tech Tigerbeat 6 MEOW119LP 2005 Organ magic from the one and only Quintron and the amazing Miss Pussycat. I'll have to remember this track for next Halloween. Music behind the DJ: "Quinn the Eskimo" by Arthur Greenslade and his Orchestra

Tribbin' to Glow Worm. Wayne Newton at Lindenwood. Tribbing vs. Tripping. Audio of Hawk Tuah and JoJo Siwa talking tops and bottoms. The second baseman is on fire today. Jackson's got writer's block. Reliving the Jay Jr Kitten Navidad/Seka segment. Iggy made Colin Cowherd. EMOTD with an erotic, sapphic submission. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tribbin' to Glow Worm. Wayne Newton at Lindenwood. Tribbing vs. Tripping. Audio of Hawk Tuah and JoJo Siwa talking tops and bottoms. The second baseman is on fire today. Jackson's got writer's block. Reliving the Jay Jr Kitten Navidad/Seka segment. Iggy made Colin Cowherd. EMOTD with an erotic, sapphic submission. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a text Welcome to Jackalope Tales, Bonus Content! This week, Charles & Lisa talk about a newspaper article that talked about the activity of the Axis Club in Fort Worth. Charles & Lisa reminisce about the old days, including having an inflatable Wayne Newton on stage during early Toadies shows. Support the showBecome a J-Lope and follow us on social media. You can find us on Facebook, Instagram, Twitter, TikTok, and check out our YouTube page for more exclusive content!Produced by: Charles MooneyExecutive Producers: Charles Mooney and Lisa UmbargerOriginal Music by: Charles Mooney and Lisa UmbargerKazoo Solo by: Courtney Mooney

Hello everyone! Well, Some Guy in Austin and I had a delightful conversation about Joan's golden adventure to find love, and I learned a few things along the way. Number one: You should always stretch and have a nice warm bowl of Quaker Oats before a rigorous game of kickball. Number two: If you are over sixty years of age, nine times out of ten, no one should see your sternum when you are allegedly fully clothed. And number three: Wayne Newton, Mr. Las Vegas himself, is NOT dead! For some reason, I think that needs to be reported. Danke Schoen! EPISODE NOTES: Click HERE for my official Bachelorette cheat sheet! Click HERE to be sucked in by the stats on Bachelor Data! SHOW NOTES: Subscribe to Podcast: iTunes or Android Follow Me: Instagram and Twitter Audio Player

In this week's episode, we break down the latest drama from Joan's Golden Bachelorette season, starting with questioning whether kickball is secretly worse than baseball for elderly men. Then, we dive into Joan's heartfelt speech to the men and what was really behind it, plus Wayne Newton's unexpected/shocking cameo. Of course, Charles L remains our all-time favorite, while we're on edge waiting for Chock's possible exit.    We also discuss the first two episodes of Love is Blind S7 in Washington DC. While the cast isn't grabbing us yet, we've still developed some strong (negative) feelings for a few cast members (ahem, Leo). We also discuss the bizarre fixation on physical attributes throughout various couples in the pods, and why we think this season's casting didn't quite get it right.   We wrap up with a look at some of the other Fall TV shows we're loving right now and Indra's dreams of entering an amateur baking show competition.    Subscribe, rate, and review wherever you get your podcasts!   Follow us on Instagram: @canistealyouforaminutepod Follow us on TikTok: @canistealyouforaminute Support the pod at patreon.com/canistealyouforaminute

The Borax & Chemical Corporation present...This is Keith Paesel At a bowling alley the boy's battle a bully; Even the presence of Wayne Newton doesn't help. Jim p[lays hardball with Dylan; Kelly's lose is Brenda's gain. Watch the show LIVE at https://www.keithpaesel.com/live or https://www.twitch.tv/thisiskeithpaesel if you have twitch Subscribe on your favorite podcast app https://www.keithpaesel.com/feeds Follow Keith and Adam on Social Media https://www.tiktok.com/@thisiskeithpaesel https://www.instagram.com/keithpaesel https://x.com/KeithPaesel https://www.facebook.com/keith.paesel.5 https://www.facebook.com/adam.kroshus Join Our Community https://www.facebook.com/groups/thesuperstation

In this episode, we explore the intriguing life of Wayne Newton, “Mr. Las Vegas,” and his unexpected ties to organized crime. I share discoveries into a strange relationship between a Gambino family associate and this Las Vegas entertainer. I reveal Newton's connections with mobster Guido Penosi amid his performances at the Copacabana Club. The narrative […] The post Wayne Newton and the Mob appeared first on Gangland Wire.

Brad tries and fails to get recognized at a Comic Convention. Chuck goes to see Limp Bizkit in New Jersey with Brian Ruppert. Ray rides in a limo to see Wayne Newton. Finally - the boys ask themselves the tough question; what bands do we REGRET passing up seeing? Ray provides C&B with some specialty items. The trio takes a thoughtful look at the Bizkit, and the ethos of the "era of angst." Also: the pathos of breaking stuff. Video edit by Craig Depina @funbearablepod / funbearablepod #podcast #limpbizkit #concerts #friends #livemusic

Surly dragon, sexy showgirl, and cute puppies. If I told you the best magic show in Vegas right now is starring a short, unkempt, surly Englishman in a poorly-fitting sequined dragon costume, you would probably question my opinion.  But Piff the Magic Dragon is hands-down the most entertaining magic show I've seen in Vegas, and that includes all the celeb-magicians. Caesars Entertainment snatched up a contract with Piff in 2015 after he appeared on America's Got Talent. He was no stranger to Vegas, having worked in the Cosmopolitan's Rose.Rabbit.Lie and Spiegelworlds's Vegas Nocturne in 2014. He also toured as a supporting act for Mumford & Sons during their 2012 tour and is on their album cover for “Babel.” I first saw Piff in 2020, shortly after he was moved from the tiny Bugsy's Cabaret (the same place you can currently see Wayne Newton and X-Burlesque) to the 700 seat Flamingo Showroom due to social distancing requirements. Mrs. Jaydubs describes Piff as “that surly uncle who comes to the party, and you don't want your kids around him because you don't know what he's going to say. But he tells the best stories.” This is pretty accurate. I brought the whole family to see him during spring break and tried not to mentally cringe as he dropped S-bombs during the show, but 1) they're already hearing it at school and 2) they were so captivated by Piff's bombastic magnetism that much of it flew past them without registering. Plus: Mr. Piffles. Piff's chihuahua in a little dragon costume is definitely a gimmick, but Mr. Piffles is so adorable that the gimmick is forgiven. When we last saw Piff, Mr. Piffles was so tired that he fell asleep onstage during his bit. I fear the tiny pup is not long for this world. Piff's greatest strength is his mis-direction. His biggest trick starts at the beginning of the show, but he doesn't bring it home until the end. He slowly revisits the trick, building on it and adding layers of complexity. You start to wonder where he's going with all this seemingly random stuff until it all comes together at the end in a very impressive way. If you've ever wanted to see a dog in a dragon costume driving a car, have I got a show for you... Part of Piff's schtick is his surly, rude demeanor. And it's mostly schtick, as he is a super nice guy. He heads out into the Flamingo gaming floor after the show to take pictures with any and all audience members. If you want to get a taste of his act, check out his full special “Reptile Dysfunction” which is free on YouTube. But don't watch it all until you've seen him live so you don't spoil any of his tricks. Then come back and watch the whole thing after you've seen him live and watch the whole thing, because it's fucking hilarious. Piff is my answer for the best magic show in Las Vegas right now. He may not have the best tricks - I don't really know enough about magic to say what the best tricks are - but he is by far the most entertained I've ever been at a magic show in Vegas, and he's the only magician I've gone back to see more than once. Piff works well in the Flamingo Showroom Audience fuckery factor: So there's definitely some audience participation in this show. Frankly, I haven't seen a magic show that didn't have volunteers or some type of audience involvement. There's several instances in which Piff asks for volunteers for the audience, but none that I can recall in which people were chosen at random. The showroom itself is gorgeous and reminds me of old Vegas. Seating is comfortable and available at a variety of price points. Seat styles range from “chairs in a row” to table and booth seating. There is drink service during the show, but Mrs. Jaydubs got terribly sick from one of their specialty cocktails, so maybe best to stick with bottles and cans. Shows are currently nightly at 7, dark on Fridays. Tickets start at around $50.      

GGACP looks back at an entertaining (and educational!) episode from Sept 2, 2019 with this ENCORE presentation of an interview with author-historian Jeff Abraham and filmmaker Burt Kearns about their book, "The Show Won't Go On." In this episode, Jeff and Burt share fascinating backstories on the untimely (and unusual) passings of Dick Shawn, Joe E. Ross, Al Kelly, Parkyakarkus and Karl Wallenda (among others). Also, Moe Howard wears a dress, Burt Reynolds gets a paint job, Sid Caesar packs heat and Paul Anka tears down Wayne Newton. PLUS: Carmen Miranda's final bow! The poetry of Buddy Hackett! The history of the "bullet catch"! The strange death of Washington Irving Bishop! And Jeff and Burt attend the Jerry Lewis auction! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock and roll detective, Ford Fairlane (Andrew Dice Clay) gets wrapped up in a music industry conspiracy when Bobby Black (Vince Neil) dies onstage under mysterious circumstances. Soon, everyone from old pal Johnny Crunch (Gilbert Gottfried), to rich degenerate Connie Sutton (Priscilla Presley) is on the hunt for groupie, Zuzu Petals (Maddie Corman). With the help of long suffering assistant, Jazz (Lauren Holly), Ford works behind the back of Lt. Anus (Ed O'Neill) while avoiding assassin Smiley (Robert Englund) in order to discover Julian Grendel's (Wayne Newton) nefarious plan in The Adventures of Ford Fairlane. This week on Doom Generation - OH! Support this podcast at patreon.com/doomgeneration  --- Support this podcast: https://podcasters.spotify.com/pod/show/doomgeneration/support

Welcome back to Not A Bomb! This is the podcast where we dive into some of cinema's biggest box office failures and explore whether they deserve a second chance!Pack your bags! We're hitting the road; it's vacation time! For August, Not A Bomb's theme is vacation movies! Troy and Brad ride down the holiday road with the Griswold family in their fourth installment of the Vacation films, 1997s Vegas Vacation. Did the Griswold Cinematic Universe (GCU) run its course when Sparky and the gang found their way to Sin City? Does a PG rating, a sleepy performance from Chevy Chase, and a “barely-there” plot make Vegas Vacation a certified bomb? Surprisingly, one of the hosts has watched this thing 900 times! You're going to have to listen and find out who is the expert of the GCU!Vegas Vacation is directed by Stephen Kessler and stars Chevy Chase, Beverly D'Angelo, Randy Quaid, Wayne Newton, Ethan Embry, and Wallace Shawn. Not A Bomb just launched new designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We value your feedback and suggestions. If you have a cinematic flop you'd like us to discuss, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what keep us going. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

Welcome boils and ghouls, to a tale of...sassy rivalries? This week, Courtland and Brandon watch the seventy-second episode of Tales from the Crypt and discuss the fine art of fighting ring model making, checking out Police Academy 10, and Wayne Newton as Wayne Newton. Linktree - https://linktr.ee/PrivateIsland Become a Patron - Patron.com/privateisland Follow us on Twitter - https://twitter.com/UANPod Laugh with us on Instagram - https://www.instagram.com/upallnightpodcast/ Connect with fans on Discord - https://discord.gg/2RAp2af

GGACP celebrates the opening ceremony of the 2024 Summer Olympics by revisiting Gilbert and Frank's "tribute" to a slightly different (but no less entertaining) athletic competition, ABC's "Battle of the Network Stars." In this episode, Billy Crystal runs an obstacle course, Victor Buono sends up Raymond Burr, Telly Savalas locks horns with Robert Conrad and Gilbert tells one of the funniest jokes of all time. PLUS: "Murder by Death"! "Celebrity Bowling"! Wonder Woman takes a dip! Wayne Newton sings “Rhinestone Cowboy”! And "The Network Battle of the T's & A's"! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Last Row Podcast, Drew and Badway survive the dry desert heat, as the Summer of Sequels 2: Heat Wave series continues with the 1997 comedy, Vegas Vacation. The guys delve into Clark Griswold's ill-fated gambling spree, the questionable sex appeal of Wayne Newton, and Nick Papagiorgio's epic run. They also discuss the tease of bringing teenagers to Sin City, Clark's visit to the cheapo casino, Cousin Eddie's top trashy beer choices, and Badway's gambling strategy that “guarantees” profits. -- Summer of Sequels 2: Heat Wave Schedule June 6 - Scream 2 June 20 - Die Hard With A Vengeance July 4 - The Mummy Returns July 18 - Vegas Vacation August 1 - Bride of Chucky August 15 - Lethal Weapon 2 August 29 - Wayne's World 2 September 12 - Final Destination 2 September 26 - Crank: High Voltage   Subscribe & Follow Us: Spotify Apple Podcasts YouTube X/Twitter Facebook Instagram  

These navy caps have really got this club turned around. Audio of Ken Rosenthal talking about a possible organizational shakeup with the Cardinals. Ron Washington took some accountability for things last night. Money coming in from the listeners to prevent Iggy from talking. Iggy used to dunk on an 8 foot rim. Holly Sonders and Wayne Newton. Orgy for the TMA 20th anniversary. Iggy's firing stories. Iggy's wooden shoes. Trying to get a female in studio. DFS Showdown: PGA Championship Edition. Jordan Walker talking about his mindset since being down in Memphis. Will be be called up before his June 6th bobblehead night? Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What's the scariest thing a celebrity can hear? BOO! Wayne Newton. Ana Gasteyer. Enrico Colantoni. Ace Frehley.  What do these people have in common. They're the elite of the elite and they've all seen GHOSTS! [YouTube Version] Sources and links. Get this episode AD-FREE on Patreon, along with our exclusive podcast The Netherworld Dispatch! Listen on Apple Podcasts, Spotify, or wherever you get your podcasts. Watch on YouTube. Follow us on Instagram, Facebook, and ...X? For more, cruise through our LINKS

This week on the Drive Thru, Jim reviews AEW Dynamite & last week's WWE Raw! Also, Jim talks about The Rock & double standards, Dave Meltzer, Ronda Rousey, Jack Perry, ratings, Wayne Newton and much more! Send in your question for the Drive-Thru to: CornyDriveThru@gmail.com  Follow Jim and Brian on Twitter: @TheJimCornette @GreatBrianLast Join Jim Cornette's College Of Wrestling Knowledge on Patreon to access the archives & more! https://www.patreon.com/Cornette Subscribe to the Official Jim Cornette channel on YouTube! http://www.youtube.com/c/OfficialJimCornette Visit Jim's official site at www.JimCornette.com for merch, live dates, commentaries and more! You can listen to Brian on the 6:05 Superpodcast at 605pod.com or wherever you find your favorite podcasts!See omnystudio.com/listener for privacy information.

On the Greg Cote Show: Introduced by Flava Flav. Sharing a bill with Wayne Newton. Named an honorary member of Wu-Tang Clan. What a week in Vegas for our podcast! Hear all of the emotion and behind-the-scenes moments on our new episode, out now! Learn more about your ad choices. Visit megaphone.fm/adchoices

DAN-OOOOOOO, WE'RE LIVE FROM VEGAS BABY. WU-TANG. WAYNE NEWTON. GREG COTE AND THE HEEHAW 3. HIGH JINKS ENSUE. PART 1. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luke met a Secret Service dog wearing camo this weekend, raising the question, why does a dog have to wear camo in Las Vegas? He also learned that his dad doesn't know the difference between Wayne Newton and Lil Wayne.