Podcast appearances and mentions of Howard Gordon

To unlock the full episode go to⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.This week we get a nice little course correction from writers Howard Gordon and Alex Gansa. After the series worst episode, Space, and some notes from Fox, Gordon and Gansa got to work on bringing the episode back into focus as Mulder goes rogue and infiltrates a UFO crash site that's being recovered by a covert army operation. When he's inevitably caught he meets UFO enthusiast and fellow paranoia enjoyer, Max Fennig, as the pilot of the downed UFO sneaks around the crash site, killing soldiers, while waiting for the mother ship to arrive and pick them up.Not exactly a mythology episode but not exactly not a mythology episode, Fallen Angel brings the series back into paranoid focus to remind everyone that it's about UFOs, aliens, and conspiracy.We also break down this week in pop culture and the news as usual.

Jessica and Dini travel back to March 10, 1995! Join us as we discuss our top 5 from S2 EP19, Død Kalm! This episode was written by Howard Gordon and Alex Gansa. Directed by Rob Bowman. In “Død Kalm,” Mulder and Scully investigate a Navy ship whose crew mysteriously aged decades in weeks. Aboard the eerie vessel, they too begin to rapidly age, with Scully blaming contaminated water and Mulder suspecting time displacement.The ghost ship setting amplifies isolation and dread, drawing on maritime lore and legends like the Mary Celeste. Themes of mortality and survival deepen as they race to uncover the truth and save themselves.Blending science, folklore, and conspiracy theories, “Død Kalm” is a haunting exploration of human fragility and one of The X-Files' most atmospheric episodes. Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca

Jessica and Dini travel back to April 29, 1994! Join us as we discuss our top 5 favorite moments from S1 EP22, Born Again! This episode was written by Howard Gordon and Alex Gansa and directed by Jerrold Freedman. While investigating the strange and sudden death of a New York detective, Mulder comes to believe the lead suspect in the case is an 8-year-old girl who may be the reincarnation of a murdered police officer named Charlie Morris. Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca

What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix

“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix

What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix

“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix

What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix

“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix

Send us a textJust how inept can the Syndicate be? Mike and Andrew ponder this among other things like who Marita thinks she is and where did all the bees go? Howard Gordon lets us in on his childhood trauma.JOIN OUR SOCIALS!magusmediaproductions.netwww.facebook.com/groups/thisisnothappeningpod/ @TINHXFilesPodCONTACT US!tinhxfp@gmail.com

What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix

“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix

What's My Line part 1ep 109Aired November 17, 1997IMDB SummarySpike brings in three professional bounty hunters to eliminate Buffy while she ponders on what her profession might be if her fate wasn't already sealed.Directed by David SolomonWritten By Joss Whedon, Howard Gordon and Marti NoxonConnect with us instagram www.instagram.com/themistergordo_podtiktok @themistergordopodcastEmail themistergordopod@gmail.com

This week we are staring through walls to look at Hollywood rats while we discuss “Surekill”! We're talking Terence O'Hara and his telescoping eyes, maybe settle on a supremely-silly team name for Doggett and Scully, boo at Uncle Jack's appearance, talk about the importance of having an attack child on your side, the real story of Howard Gordon's departure, and how much Scully cares about safety first, but only for her. We note Doggett's excitement over drug rip-offs, the exciting reappearance of Craddock Marine Bank, do some investigation to see if James Franco is in this one, shake our heads at Doggett's anti-twin prejudice, and get really excited about a giant lighter for a while. Listen. Our joys are simple but sincere.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

Actor Dennis Haysbert and producer/writer Howard Gordon

C.J. Navas comenta los estrenos del día, el reencuentro de Claire Danes y Howard Gordon tras ‘Homeland' en ‘Beast in Me' para Netflix, el reconocimiento de Variety a Laura Fernández Espeso, CEO de The Mediapro Studio y muchas noticias más en su repaso diario al mundo de la televisión. PATROCINADOR: Suscríbete a Fueradeseries+ y escucha todos nuestros programas sin publicidad en tu reproductor habitual de podcasts, accede a contenido exclusivo, descuentos en la Tienda Fuera de Series y muchas cosas más. Además, si te suscribes antes de final de año, lo harás en condiciones muy especiales. Hazlo ya en https://fueradeseries.com/plus ENLACES: Lee sobre todo lo que hemos comentado y ve los trailers suscribiéndote de forma gratuita a la Newsletter de Fuera de Series: http://newsletter.fueradeseries.com  Únete a nuestro grupo de Telegram: telegram.me/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on What's My Frame I'm joined by Casting Director and Casting Fairy, Stacey Pianko.  Stacey began her career in the Feature Film department at Disney/Touchstone Pictures, working on projects like Cool Runnings, Significant Other, The Three Musketeers, A Far Off Place and The Mighty Ducks.    During her stint as Director of Casting at Disney Channel, stars such as Shia LaBeouf, Hilary Duff, Lindsay Lohan and Kaley Cuoco found their launching pad early in their careers.  Stacey entered the independent casting world with her partner Orly Sitowitz, CSA and has cast many Independent Feature Films, including VIOLET  which premiered at TIFF.   Stacey has worked with prominent directors/producers like Troy Miller, Adam Shankman, Jada Pinkett Smith, Marshall Herskovitz, Ed Zwick, Ed Harris, Matthew Carnahan and Howard Gordon.  One very notable collaboration was working with James Cameron on AVATAR: THE WAY OF WATER. Where Stacey coordinated a Worldwide Young Actor Search for the film.  Now let's get to the conversation! Learn more about: The Casting Fairy Casting Fairy on IG Adam Driver's GIRLS Audition ----- What's My Frame, hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Jessica and Dini travel back to November 19, 1993! It's like the Roswell cover-up all over again! Join us as we discuss our top 5 favorite moments from S1 EP10, Fallen Angel!After Deep Throat tips Mulder off about a UFO crash near Townsend, Wisconsin, Mulder ventures out on his own to investigate and eventually gets apprehended by the military. While in lockup, he meets a fellow detainee: a UFO enthusiast and conspiracy theorist named Max Fenig. When Scully joins Mulder on the case, they work together to find answers regarding the mysterious attacks and deaths of people in the area while the FBI threatens to close the X-Files and get rid of Mulder for good. This episode was written by Howard Gordon and Alex Gansa. Directed by Larry Shaw. Do you have any X-Files related theories, stories, key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodTikTok @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca

The agents chase lightning as several people turn up dead from seemingly random lightning strikes. But are they random? Mike and Andrew praise the guest actors getting their start in this early episode. Howard Gordon reels in his writing tendencies to deliver a solid outing.JOIN OUR SOCIALS!www.facebook.com/groups/thisisnothappeningpod/ @TINHXFilesPodCONTACT US!tinhxfp@gmail.com

Jess and Dini travel back to November 26, 1996! We discuss our top 5 favorite moments from S3 Ep21, Avatar! Skinner's no choir boy and hooks up with a sex worker, Mulder is stressed AF, and Scully discovers possible evidence of a succubus. A soon-to-be divorced Walter Skinner has a one-night stand with a woman he meets at a local bar. When he wakes up in a hotel room bed next to her dead body, Skinner becomes the number one suspect in her murder. With his reputation and career on the line, Mulder and Scully rush to find answers that will help clear his name. This episode was written by Howard Gordon (Teleplay by David Duchovny and Howard Gordon) and directed by James Charleston. Do you have any X-Files related theories, stories, key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodResources: X-Files WikiIMDBhttps://native-land.ca/

OTTplay Sizzling Samachar of the day - 30th June 2023Sizzling Samachar: Fisr Adrican Netflix animated series sets release date; 'Good Burger 2' announces sequel; 'Gattaca' reboot scrapped by ShowtimeWelcome to your daily dose of entertainment news, I'm your host Nikhil. News from Kollywood first.Chandramukhi 2 starring Kangana Ranaut announces release dateThe highly anticipated sequel to Chandramukhi has released its first teaser poster. Titled Chandramukhi 2, the Tamil film stars Raghava Lawrence and Bollywood star Kangana Ranaut in lead roles and is directed by P. Vasu. The original film is a remake of the acclaimed Malayalam Manichitrathazhu, and stars Rajinikanth and Jyothika among others. The upcoming sequel is set to be released on September 19 this year, on Ganesh Chaturthi.     First African Netflix animated series sets release dateNetflix has announced the release date for its first African animated series Supa Team 4. Set in Zambia, the plot revolves around four girls teaming up as superheroes in the city of Lusaka. With their grandmother aiding them in their missions as a mentor and their trusty high-tech gadgets, they battle dangerous villains across the city. The series is set to release on July 20th and is among several shows premiering in July celebrating African culture. 'Good Burger 2' announces sequel The cult classic comedy film Good Burger is getting a sequel, nearly 26 years after its release. Keenan Thompson and Kel Mitchell will reprise their roles as the lead stars, with Josh Server, Lori Beth Denberg, and Carmen Electra also returning for the sequel. The plot will follow Dexter Reed and Ed as they attempt to keep their fast-food business afloat in the modern socio-economic climate. The film is expected to release on streaming platforms this year.'Gattaca' reboot scrapped by ShowtimeAmerican cable network Showtime announced in March that the studio is rebooting the acclaimed sci-fi film Gattaca. The original film stars Ethan Hawke and Uma Thurman in lead roles, and the new reboot series roped in Emmy Award-winners Howard Gordon and Alex Gansa to helm the project. However, Showtime has announced that they will not be moving ahead with the project. The series is among the several shows being cancelled as the new leadership at the studio is reviewing all of their existing programs. The creators of the Gattaca reboot are currently looking for new partners to release the sci-fi series. 'Reservation Dogs' to end with the third season The critically-acclaimed FX original TV show Reservation Dogs has announced its third season will be the final season of the series. Created by Sterlin Harjo and Taika Waititi, the series first premiered in 2021 and revolves around the lives of a group of indigenous teenagers from a reservation in eastern Oklahoma. The third season will premiere on August 2nd and the series finale will be released on 27th September. The series is available to stream on Disney+ Hotstar in India. Pixar re-release classic titles in theatres for Disney 100Animation Studio Pixar has announced that three of its classic films are set to return to the big screens as part of the Disney 100 celebrations. Pixar's parent company Disney is celebrating its centennial anniversary this year and it is officially called Disney 100. Toy Story, The Incredibles, and Coco are the three iconic films that will be released in theatres between July and September. Disney also announced earlier this year that Toy Story 5 is in development. Well that's all the time we got for today on OTTplay, until the next time it's your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten by Ryan Gomez

Written by Howard Gordon and directed by David Semel, this episode originally aired January 25, 2000. EXTRA BITSTrevor is currently working on creating an art piece for every single episode of Buffy and you can find everything that's been released so far here.Kristin also co-hosts another show called "So...I'm Watching This Show" with Wil Brooks. You can check them out here.Trevor runs another podcast as well called "Trevor Loves Everything." You can check that out here.Also, Trevor and Kristin (she's also mostly here) are pretty active on the Twitter.Please rate, review and subscribe! Help us get those fancy numbers :)

"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world.And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world.And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."Kamala Harris is absolutely an influence on the character as is Susan Rice, as is Samantha Power, as is Condoleeza Rice. But I think that all of those women sort of came to positions of power at a time when, for the most part, you know, they were the only woman in the room, in a lot of different environments, and that kind of navigating of being 'one of the guys' and also being there as a woman, I think is a particularly elaborate challenge. I think you're a little bit expected to be both at the same time, which is sometimes possible and sometimes not."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"Kamala Harris is absolutely an influence on the character as is Susan Rice, as is Samantha Power, as is Condoleeza Rice. But I think that all of those women sort of came to positions of power at a time when, for the most part, you know, they were the only woman in the room, in a lot of different environments, and that kind of navigating of being 'one of the guys' and also being there as a woman, I think is a particularly elaborate challenge. I think you're a little bit expected to be both at the same time, which is sometimes possible and sometimes not."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

"I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."I try to look at people in those positions with as much of an open mind as possible. I think they all want the best for the country, but I think the people who are good at walking into a diner and shaking people's hands in a thousand different towns across the country with a lot of very different diners, I think the people who can walk in and handle that and meet absolutely everybody and create an instant connection with them are not necessarily the people who are interested in the kind of granularity of federal regulations and a wide, wide series of topics. I think the people who are good at those things have cultivated over the course of their life, different parts of themselves and grown different strengths. But then there comes this moment where we want one person to be able to do all of it, and we're somehow surprised when they're not good at every piece."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey

Jess and Dini travel back to February 3, 1995! We recap Season 2 - Episode 15, Fresh Bones. Strange behaviour, suicide, racism, and torture.  Much like Chester Bonapart's french fries, we wish this episode would disappear.Mulder and Scully investigate the mysterious deaths of two Marines stationed at a refugee camp in North Carolina. While the military has ruled them both as suicides, Mulder suspects voodoo is to blame after he discovers the same ritual symbols were found in both of the scenes. This episode was written by Howard Gordon and directed by Rob Bowman. Do you have any X-Files related theories, stories,  key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodTraditional homeland acknowledgments are gathered from:https://native-land.ca/Resources: X-Files WikiIMDB

Written by Tim Minear with Howard Gordon and directed by Tucker Gates, this episode originally aired November 30, 1999.EXTRA BITSTrevor is currently working on creating an art piece for every single episode of Buffy and you can find everything that's been released so far here.Kristin also co-hosts another show called "So...I'm Watching This Show" with Wil Brooks. You can check them out here.Trevor runs another podcast as well called "Trevor Loves Everything." You can check that out here.Also, Trevor and Kristin (she's also mostly here) are pretty active on the Twitter.Please rate, review and subscribe! Help us get those fancy numbers :)

Fue la comedia que nos reconcilió con el mundo tras la pandemia. Bueno, a unos más que otros, pero el humor buenista y optimista de ‘Ted Lasso' ha cautivado al público y también a la crítica. La serie de Apple TV+ ha ganado 11 Emmys en dos años y ahora vuelve con su tercera temporada, en la que se habla mucho de salud mental. Charlamos con algunos de sus protagonistas, recomendamos otras comedias británicas y atención, entrevistamos a Howard Gordon, el hombre que mejor maneja la tensión y nos pone de los nervios. El creador de ‘Homeland' y guionista de ‘24' presenta su nueva serie, ‘Accused' en AXN

C.J. Navas comenta el nuevo proyecto para Showtime de los creadores de ‘Homeland', Alex Gansa y Howard Gordon, la vuelta de ‘Monk' en una nueva película encargada por Peacock, el debut de los Top 10 de BetaSeries que repasaremos todos los viernes y muchas noticias más en su repaso diario al mundo de las series de televisión PATROCINADOR: Ya puedes comprar en http://fueradeseries.com/tienda, la tienda para grandes fans de las series de televisión, nuestra nueva colección This is The Way, que ya puedes comprar, junto a todos nuestros productos no sólo en España sino también en toda la UE Además, tienes gastos de envío gratuitos para todos los pedidos a partir de los 35€ en Península y 40€ en Baleares, Canarias, Ceuta y Melilla. ENLACES: Lee sobre todo lo que hemos comentado y ve los trailers suscribiéndote de forma gratuita a la Newsletter de Fuera de Series: http://newsletter.fueradeseries.com  Razones para Ver de la tercera temporada de Ted Lasso: https://fueradeseries.com/razones-para-ver-ted-lasso-temporada-3/  Fuera de Series: Semana del 13 al 19 de Marzo de 2023: https://fueradeseries.com/fuera-de-series-semana-del-13-al-19-de-marzo-de-2023/  Razones para Ver de ‘Tulsa King': https://fueradeseries.com/razones-para-ver-tulsa-king/ Razones para Ver de ‘Por un Mañana Mejor': https://fueradeseries.com/razones-para-ver-por-un-manana-mejor-hello-tomorrow/  Universo Star Wars, todos los jueves en directo desde http://youtube.com/fueradeseries y http://twitch.tv/fueradeseries a partir de las 21:30 (hora peninsular española) Universo Star Trek, todos los lunes en directo desde http://youtube.com/fueradeseries y http://twitch.tv/fueradeseries a partir de las 21:15 (hora peninsular española) Learn more about your ad choices. Visit megaphone.fm/adchoices

Some cream of the network TV crop here, with the new Fox show Accused (available on Hulu). Michael Chiklis! Jill Henessey! Robert Wisdom! The Homeland team (Howard Gordon, Alex Gansa, Michael Cuesta)! With this collection of talent in front of and behind the camera, it stands to reason that Accused is going to be better than the average network TV crime procedural. This may also explain its surprisingly massive ratings success. If you are not in the mood for a bigger commitment like a serialized series or a film, this is a great appetizer-sized commitment with stand-alone anthology episodes. The first episode goes pretty bold with how it integrates Chiklis' character with a We Need To Talk About Kevin kind of son.Come to Watch This Tonight as your best podcast for TV recommendations. You can always reach out at @BenamorDan (Twitter), watch_this_tonight (Instagram) and @watchthistonightpodcast (TikTok). If you're enjoying the show, please leave us a 5-star review on Apple Podcasts, and mention what film or TV series you'd like me to cover (and I will). Subscribe for future episodes. Thanks for listening.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5626962/advertisement

Fox Entertainment CEO Rob Wade and president of entertainment Michael Thorn on their programming strategies for the year ahead; and Homeland and 24 showrunner Howard Gordon, Sony Pictures Television's Lauren Stein, actor and director Michael Chiklis, and director Marlee Matlin on new Fox anthology drama Accused.

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: – «Nos vemos allá arriba” (2017) de Albert Dupontel - https://amzn.to/3V5WTGq – «Designated survivor» (2017-2019) [serie] de David Guggenheim - https://amzn.to/3hvySe2 – «Homeland» (2011-2020) [serie] de Howard Gordon - https://amzn.to/3uZz7Bo - La plataforma para todas las películas Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #homeland #designatedsurvivor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Jess and Dini travel back to April 13, 1997! We recap Season  4 - Episode 19, Synchrony. Time traveling, human icicles, and…well, let's be honest, we may have found an episode worse than “Space” - in our humble opinion, of course. Mulder and Scully investigate a series of murders that causes the victims to instantaneously freeze to death, which leads them to suspect a cryobiologist named Jason Nichols. This episode was written by Howard Gordon and David Greenwalt and directed by James Charleston. Do you have any X-Files related theories, stories,  key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPod

This is a Mini Series that Jordan Recorded During the Month of August regarding Financial Literacy!There are 4 parts and will release each part on Thursdays! Realizing that we are in a recession Jordan knew had to be done because we do not learn about Financial Literacy! Did you know 61% of Americans are living Pay Check to Pay Check?I believe that we were never taught about financial literacy in school or the work place and I am happy to start the discussion.Part 4 will discuss about What is Money? What is Inflation? Definitions you have never heard before with Howard Gordon!This is going to be the final episode and that is because Jordan wants to get back to the basics: Jordan met Howard Right before Covid Started and we have worked on several different ventures over the past 2 years and always had an incredible insight. He received a Law Degree, Served in the Vietnam War, Built 100 houses in a year, built a law firm, General Counsel for Bobs Discount Furniture and a ton more in between! Since 2009 Mr. Gordon has provided management and business consulting advice to private clients in a variety of industries. and Semi Retired with a lot of grandchildren and 3 Great Grandchildren and lived in Tampa Last 27 years on Davis Island and a business project that brought to tampa is building Tampas largest medical malpractice firm and sold in 2000. Not practiced law and enjoyed as an advisor!Hope you find value in this. If so please provide a 5-star and drop a review.Complimentary Edwards Consulting Session: https://calendly.com/jordan-555/intro-call

Jess and Dini travel back to November 1995!  We recap Season 3 - Episode 9, Nisei.  There are Japanese diplomats doing shady stuff, there is Mr. X trying to help Mulder... there is Skinner checking out a sex worker, ... there is Scully being cornered by other abducties... there are trains!  This episode was written by Chris Carter, Frank Spotnitz and Howard Gordon and directed by David Nutter.Do you have any X-Files related theories, stories,  key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPod

Welcome to the third episode of The X-Files Chat Room Podcast.Jess and Dini travel back to October 1996 and recap Season 4 - Episode 3, Teliko! This 'monster of the week' episode was written by Howard Gordon.M&S try to figure out the unexplained deaths of several African and African-American people whose skin color has turned changed as the result of a rare medical disorder .... or... is it  curse?What was popular at the time? Did we know each other? Who won the episode? Have a listen and find out!Do you have any X-Files related theories, stories,  key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you.You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodVulture Article: https://www.vulture.com/2016/01/10-most-embarrassing-x-files-episodes.html

Pour cette dernière partie de l'épisode de « Tu L'As Vu ? » sur les films de complots, le trio Gravlax – Papa(Gubi)da – Casa s'attaque aux films de complots autour d'une personne. Le film de Casa choisi pour ce thème est : “**The Game**” de David Fincher ( 1997 ; **Attention SPOILERS entre 22'30 et 27'55**) : https://www.allocine.fr/film/fichefilm_gen_cfilm=9325.html L'autre film évoqué un peu plus longuement est : « L'honneur perdu de Katarina Blum » de Volker Schlöndorff et Margarethe von Trotta (1975 ) https://www.allocine.fr/film/fichefilm_gen_cfilm=2381.html Les « recos » sont : (Gubi) : « Dark Waters » de Todd Haynes ( 2019 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=269509.html (Casa) : “JFK” d'Oliver Stone ( 1991 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1417.htmlET “JFK Revisited ( JFK – L'Enquête)” d'Oliver Stone ( 2021 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=293308.html (Gravlax) : « Cadavres Exquis » de Francesco Rosi ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12486.html Dans les films de complots contre une personne, Gubi avait traité de « The Truman Show » de Peter Weir ( 1998 ; https://www.allocine.fr/film/fichefilm_gen_cfilm=18671.html ) dans l'épisode de « Tu L'As Vu ? » sur les comédies ( https://podcloud.fr/podcast/tu-las-vu/episode/07-les-comedies ). Films évoqués durant l'épisode : « Moonwalkers » d'Antoine Bardou-Jacquet ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=229906.html « Jackie Brown » de Quentin Tarantino ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=16876.html « JF partagerait appartement » de Barbet Schroeder ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7679.html « Breakdown » de Jonathan Mostow ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9977.html « Terminator 3 – Le Soulèvement des Machines » de Jonathan Mostow ( 2003 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=26840.html « Dans la peau de John Malkovich » de Spike Jonze ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20588.html « Eternal Sunshine of the Spotless Mind » de Michel Gondry ( 2004 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=40191.html “Babel” d'Alejandro González Iñárritu ( 2006 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20151.html La série “True Detective” de Nic Pizzolatto ( 2014 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=11058.html La série « Mr Robot » de Sam Esmail ( 2015 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=17966.html « Sept jours en mai » de John Frankenheimer ( 1964 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4424.html « Contact » de Robert Zemeckis ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15753.html « Panic Room » de David Fincher ( 2002 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29202.html La série « Alfred Hitchcock présente » ( 2ème génération ; 1985-1989 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=4521.html « Les chasses du comte Zaroff » d'Ernest B. Schoedsack et d'Irving Pichel ( 1932 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=30814.html « Basic Instinct » de Paul Verhoeven ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7342.html « Independence Day » de Roland Emmerich ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15336.html « L'Impasse » de Brian de Palma ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9530.html La série « Homeland » de Gideon Raff, Alex Gansa, Howard Gordon ( 2011 – 2020 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=9285.html « Silent Hill » de Christophe Gans ( 2006 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=54015.html « Crash » de David Cronenberg ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15119.html « Highlander 3 » d'Andrew Morahan ( 1994 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29572.html « Payback » de Brian Helgeland ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=11703.html La série « Succession » de Jesse Armstrong ( depuis 2018 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=20697.html « Titanic » de James Cameron ( 1997) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5818.html « Sueurs Froides » d'Alfred Hitchcock ( 1958 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=980.html « La mort aux trousses » d'Alfred Hitchcock ( 1959 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=531.html « Le Magicien d'Oz » de Victor Fleming, King Vidor & George Cukor ( 1939 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29738.html « À cause d'un assassinat ( The Parallax View ) » d'Alan J.Pakula ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1349.html « Apportez-moi la tête d'Alfredo Garcia » de Sam Peckinpah ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34003.html « Fight Club » de David Fincher ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=21189.html “Snowden” d'Oliver Stone ( 2016 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=229359.html Le documentaire “Citizenfour” de Laura Poitras ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=231662.html « The Human Centipede ( First Sequence ) » de Tom Six ( 2009 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=171252.html « Le dernier métro » de François Truffaut ( 1980 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=169.html « Le Tambour » de Volker Schlöndorff ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1153.html « Danton » d'Andrzej Wajda ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2539.html « Suspiria » de Luca Guadagnino ( 2018 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=138600.html La série « Dark » de Baran bo Odar et Jantje Friese ( 2017-2020 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=20328.html « Révélations » de Michael Mann ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=22767.html La mini-série « 22/11/63 » de Bridget Carpenter ( 2016 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=18160.html La mini-série « Chernobyl » de Craig Mazin ( 2019 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=22429.html La saga « Jason Bourne » ( 2002 – 2016 ) :https://www.senscritique.com/liste/Saga_Jason_Bourne/2253563 « Mission : Impossible » de Brian de Palma ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15308.html « Les 3 jours du Condor » de Sydney Pollack ( 1975 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33360.html « Le Salaire de la Peur » d'Henri-Georges Clouzot ( 1952 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2513.html « French Connection » de William Friedkin ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4423.html “Emmanuelle” de Just Jaeckin ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=666.html “Garde à vue “ de Claude Miller ( 1981 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1361.html « L'armée des ombres » de Jean-Pierre Melville ( 1969 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4248.html « La nuit du risque » de Sergio Gobbi ( 1986 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=178940.html « Donald Trump The Chosen » de Wilfredo Torres Jr ( 2020 ) :https://www.senscritique.com/film/Donald_Trump_The_Chosen/43420038 “Unplanned” de Chuck Konzelman et Cary Solomon ( 2019 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=271469.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) William Alexander & Michael Dune « Army of Ghosts** » Howard Shore ( B.O. de “The Game” ) : « Congratulations on choosing CRS » / « Attempted Murder » / “Reckless Endangerment” / “Pulling Back The Curtain” / “Tung Hoy” / “Harlequin Clown” Le Fat Club “Dolce Vita” Hans Werner “Suite da Concerto dalle muscihe del film Katarina Blum” Michael John Baiardi & David Lodge Parker “Fresh & Refined” John Williams “Prologue JFK” Piero Piccioni ( B.O. de « Cadavres Exquis » ) : « Project for a dream » / « Kress or the Ambiguities » David Bagatelle, Charles Breteville & Jean Villa “Forbidden Door” Liens : L'épisode d' “Alfred Hitchcock présente” qui a inspiré le scénario de base de « The Game » de David Fincher, « Happy Birthday » ( 1986 ) :https://youtu.be/U19SGSls4HA Le numéro de « Blow Up » ( Arte ) sur « L'assassinat de Kennedy au cinéma » :https://youtu.be/w-6UkulRBrw L'épisode de “Nanarologie” sur « Unplanned » de Chuck Konzelman et Cary Solomon (2019) :https://www.youtube.com/watch?v=I0Smb7lDVH0 Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Written by Joss Whedon, Marti Noxon and Howard Gordon, and directed by David Solomon, this episode originally aired November 17, 1997.EXTRA BITSTrevor is currently working on creating an art piece for every single episode of Buffy and you can find everything that's been released so far here.Kristin also co-hosts another podcast called "So...I'm Watching This Show" with Wil Brooks. You can check them out here.Trevor runs another podcast as well called "Trevor Loves Everything." You can check that out here.Also, Trevor and Kristin (she's also mostly here) are pretty active on the Twitter.Please rate, review and subscribe! Help us get those fancy numbers :)

Så er det Skinner-tid! Mulder og Scullys chef, Walter Skinner, kommer på afveje, da han bliver viklet ind i et cover-up fra Syndikatet. De mystiske dræberbier er nemlig på spil igen. 0:00:00 - Intro 0:04:43 - Trivia 0:13:49 - Gennemgang 1:22:18 - Foxy Moment 1:24:19 - Vurdering 1:32:59 - Afsked med Howard Gordon

Bem-vindos à Boca do Inferno! "What's My Line? Part One", traduzido como "O que eu faço? Parte 1", o nono episódio da segunda temporada de Buffy, a Caça-vampiros, foi ao ar no dia 17 de novembro de 1997. A vida em Sunnydale está agitada: a Scooby Gang faz teste vocacional, Spike e Drusilla tentam decifrar um texto antigo, e Kendra, a nova caça-vampiros, chega à cidade. Por aqui, tivemos uma gravação especialmente caótica: Sofia fala de desmilitarizar a polícia, Gih fala do contexto do sotaque da Kendra, e Vitor fala de Pinky e o Cérebro. S02E09, "What's My Line? Part One"/"O que eu faço? Parte 1" foi escrito por Howard Gordon e Marti Noxon e dirigido por David Solomon. Cuidado: este podcast contém spoilers! Twitter: @bocainfernocast Instagram: @bocainfernocast E-mail: bocadoinfernocast@gmail.com Podcast por Gih Alves (@quaseescritora no Twitter e @quaseleitura no Instagram), Sofia Soter (@sofiasoter no Twitter e @miss_sofia no Instagram) e Vitor Castrillo (@vitocastrillo no Twitter e no Instagram).

This week on On Story we'll hear from television writer & producer Howard Gordon on his process of creating a hit television series. Howard Gordon is a television writer and producer best known for his work on the Fox action series 24 and the award-winning Showtime thriller Homeland which he co-developed with Alex Gansa. Gordon first gained national attention for his award-winning work on Fox's groundbreaking series The X-Files, for which he won multiple Golden Globes. His other credits include Tyrant, Legends, Angel, Buffy the Vampire Slayer, Beauty and the Beast, Sisters, and Spenser: For Hire. Producer Barry Josephson spoke with Gordon at the Austin Film Festival at a panel about his process of writing for hit television. Clips of Homeland, The X-Files, and 24 courtesy of Twentieth Century Fox Film Corporation

 Dixième épisode du BiscCast

Le duo créatif derrière Homeland, Howard Gordon et Alex Gansa, développe une une nouvelle série d’espionnage après avoir travaillé 8 ans sur leur série phare. Showtime en effet commandé un pilote auprès des deux showrunners, une adaptation du roman "Dinner at the Centre of the Earth", un drame sur le conflit israélo-palestinien se déroulant en Europe et au Moyen-Orient. On dirait bien que Showtime a trouvé son nouveau Homeland !

Le duo créatif derrière Homeland, Howard Gordon et Alex Gansa, développe une une nouvelle série d’espionnage après avoir travaillé 8 ans sur leur série phare. Showtime en effet commandé un pilote auprès des deux showrunners, une adaptation du roman "Dinner at the Centre of the Earth", un drame sur le conflit israélo-palestinien se déroulant en Europe et au Moyen-Orient. On dirait bien que Showtime a trouvé son nouveau Homeland !

Vi snakker om et af seriens mest kontroversielle afsnit 'Teliko' fra sæson 4, hvor Mulder og Scully jager en pigmentsugende vampyr!(?) På besøg er Ask Hasselbalch, der har et ganske særligt tilhørsforhold til afsnittet. 0:00:00 - Intro 0:09:15 - Trivia 0:15:38 - Gennemgang 1:16:56 - Foxy Moment 1:20:10 - Vurdering inkl. klip med forfatter Howard Gordon

This week, host Gray Jones interviews Lee Aronsohn, co-creator and showrunner of "Two and a Half Men" and EP of "The Big Bang Theory," and actor/writer/producer/director Jason Kyle, the founders of the Creators Writing Room. Lee Aronsohn Biography: Lee Aronsohn served as showrunner of "Two and a Half Men," a show which he co-created with Chuck Lorre, and he was also an executive producer on "The Big Bang Theory." His work spans over three decades, having written for hit shows such as "The Love Boat," "Who's the Boss," "Charles in Charge," "Cybill," "CSI," and others. Jason Kyle Biography: Jason is an actor, comedian, writer and voice actor best known for his roles in "100 Blocks,", "Redress," and "Watch Dogs 2." He was also the creator, producer, director and lead actor in "The Bay Area Show." He currently works in development at Sony Pictures TV, with Howard Gordon and Alex Gansa (creators of "Homeland" and "24"). INDEX TO THE EPISODE: 2:25 - Interview start 3:38 - Lee's background, from “The Love Boat” to “Big Bang Theory” and “Two and a Half Men.” 5:17 - How the industry has changed over the years. 6:23 - How needing health insurance led to co-creating and running “Two and a Half Men.” 10:01 - How “Big Bang Theory” almost didn't make it, and needed a second pilot. 13:32 - Jason's background, from the peace corps in Albania to standup comedy. 18:08 - His next few years acting, directing, producing and writing. 23:05 - The “meet cute” — how they connected and ended up working together. 26:25 - Sponsor break. 27:32 - All about The Creators Writing Room - free content and fee-based classes over Zoom. 32:28 - Why free content on the internet isn't enough. 36:33 - What the Zoom format provides, especially with their small class sizes. 40:33 - Discussing the different classes they offer. 43:18 - Free Co-Pilot Zoom sessions where they deconstruct pilot scripts 45:49 - Wrap up, website info. Visit The Creators Writing Room at theCWRoom.com and follow on Twitter: @thecwroom. Follow Lee Aronsohn on Twitter: @BennyAce Follow Jason Kyle on Twitter: @GetMeJasonKyle You can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more. Buy Gray's book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews. Didn't get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

This week, host Gray Jones interviews Lee Aronsohn, co-creator and showrunner of "Two and a Half Men" and EP of "The Big Bang Theory," and actor/writer/producer/director Jason Kyle, the founders of the Creators Writing Room.Lee Aronsohn Biography:Lee Aronsohn served as showrunner of "Two and a Half Men," a show which he co-created with Chuck Lorre, and he was also an executive producer on "The Big Bang Theory." His work spans over three decades, having written for hit shows such as "The Love Boat," "Who's the Boss," "Charles in Charge," "Cybill," "CSI," and others.Jason Kyle Biography:Jason is an actor, comedian, writer and voice actor best known for his roles in "100 Blocks,", "Redress," and "Watch Dogs 2." He was also the creator, producer, director and lead actor in "The Bay Area Show." He currently works in development at Sony Pictures TV, with Howard Gordon and Alex Gansa (creators of "Homeland" and "24").INDEX TO THE EPISODE:2:25 - Interview start3:38 - Lee’s background, from “The Love Boat” to “Big Bang Theory” and “Two and a Half Men.”5:17 - How the industry has changed over the years.6:23 - How needing health insurance led to co-creating and running “Two and a Half Men.”10:01 - How “Big Bang Theory” almost didn’t make it, and needed a second pilot.13:32 - Jason’s background, from the peace corps in Albania to standup comedy.18:08 - His next few years acting, directing, producing and writing.23:05 - The “meet cute” — how they connected and ended up working together.26:25 - Sponsor break.27:32 - All about The Creators Writing Room - free content and fee-based classes over Zoom.32:28 - Why free content on the internet isn’t enough.36:33 - What the Zoom format provides, especially with their small class sizes.40:33 - Discussing the different classes they offer.43:18 - Free Co-Pilot Zoom sessions where they deconstruct pilot scripts45:49 - Wrap up, website info.Visit The Creators Writing Room at theCWRoom.com and follow on Twitter: @thecwroom.Follow Lee Aronsohn on Twitter: @BennyAceFollow Jason Kyle on Twitter: @GetMeJasonKyleYou can help with the ongoing costs of bringing these weekly podcasts to you by becoming a patron of the podcast – for as little as 25¢ per episode! There are many reward levels. CLICK HERE to find out more.Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,200 TV writers. Find previous episodes and other resources at www.tvwriterpodcast.com.

El pasado viernes 15 de mayo FOX emitió el último episodio de Homeland, la serie original de Showtime que se despidió tras ocho temporadas. La serie creada por Howard Gordon y Alex Gansa conquistó y sorprendió tanto a la crítica como a los espectadores cuando se estrenó en 2011.

Do you know about the risk factors of developing dementia? Smoking, diet, lifestyle and how much alcohol you drink are all thought to play a role. There are always headlines about things that can apparently help prevent dementia, and things that could increase your risk. But does anyone really know? In this episode Grace and Peggy go with Howard Gordon - who has dementia - to meet Manmohi Dake at the University of Sheffield's department of neuroscience @neuroshefThis podcast is made by BBC Radio SheffieldJoin the conversation, and find out more about the series: @bbcdementiapodFor support and help: bbc.co.uk/actionline

I 'Grotesque' skal det handle om seriemordere, når Mulder og Scully efterforskere nogle mord som tyder på at have en relation til dæmoner og gargoyler. Afsnittet indeholder en interview bid med forfatteren bag, Howard Gordon. 0:00:00 - Intro 0:05:11 - Trivia (inkl. kort interview m. forfatter Howard Gordon) 0:13:51 - Gennemgang 1:12:08 - Foxy Moment 1:13:16 - Bedømmelse

Vi er stolte af at kunne præsentere et interview med X-files forfatter og producer Howard Gordon fra sæson 1-4, der senere har stået bag bl.a. tv-serien 'Homeland'. Hvorfor holder X-files over 25 år senere? Hvordan var det at lave? Og så snakker vi konkret om alle Gordons afsnit fra sæson 3 og 4.  

Vi har set det første monster-of-the-week-afsnit fra sæson 3 med X-files-fan Johan Albrechtsen. Det er et afsnit med stød i, når vi besøger den lille by Connerville, hvor 4 har været ofre får lynnedslag. 0:00:00 - Intro  0:10:30 - Trivia (inkl. Howard Gordon interview)  0:21:46 - Gennemgang af 'D.P.O.' 1:51:58 - The Foxy Moment  1:54:35 - Bedømmelse af 'D.P.O.'

This week on No Labels Radio, host A.B. Stoddard (RealClearPolitics) and guest host Margaret White, No Labels Senior Advisor, give you the inside scoop on No Labels’ campaign to change the rules that govern the House of Representatives. Problem Solvers Caucus member Congressman Tom Suozzi (D-NY) calls in to talk about the work of the House Foreign Affairs Committee and potential talks between North Korea, South Korea, and the United State. Caitlin Owens, of Axios, calls in to discuss congressional retirements and the effect of the midterm elections on the House. To close the show, Howard Gordon, who produces Showtime’s Homeland, tells us about how national politics influences his writing and the trip he takes to Washington, DC for inspiration before every season. No Labels Radio airs every Saturday morning at 10:00 AM ET on SiriusXM POTUS Channel 124.

Pour ce cinquième épisode de Quoi de meuf, Clémentine Gallot et Mélanie Wanga se penchent sur la santé mentale. Dépression, post-partum ou encore charge mentale, ces syndromes concernent de nombreuses femmes : elles sont deux fois plus touchées par ces affections psychiques que les hommes. La santé mentale est-elle genrée ? Comment la pop culture la représente-t-elle, de Carrie dans Homeland à Rae dans Journal d’une ado hors norme ? Les hôtesses de l’émission y ont pioché une flopée de recommandations culturelles abordant ce thème, de la série Thirteen Reasons Why au podcast Mental Illness Happy Hour.Les chapitres de l’épisode :L’actu de Mélanie et Clémentine (01:15)Le thème de l’épisode : la santé mentale (03:44)Le moment pop culture (24:28)Les recommandations culturelles (35:28)Le courrier des auditrices (39:22)Références de l’épisode : Des chiffres sur la santé mentale : Le rapport de l'Assurance maladie de janvier 2018 :L’article “Hystérie, dépression: la santé mentale a-t-elle un genre ?” de Slate (2013)La santé mentale au travail, d'autres chiffres (Janvier 2018)L’article du New York Times sur le racisme qui rend malade (Novembre 2017)Les comptes Instagram “Introvert doodles” et “Wrapped in anxiety”Le livre La Femme mystifiée de Betty Friedman (1963)Le podcast Exhale de Marty & Adama, produit par le site Atoubaa, qui traite du bien-être des femmes noires en généralLa page Facebook de Paye ton psy.Le site féminin Ravishly.Podcasts : Therapy for black girls, Mental Illness Happy Hour et The hilarious world of depression Livres de self-help: My age of anxiety de Scott Stossel (2014)La coach Marie Dasilva et son compte twitter.Les séries qui abordent le thème de la santé mentale à travers leurs personnages :Mélanie : Crazy ex-girlfriend de Rachel Bloom et Aline Brosh McKenna (depuis 2015)Clémentine : Girls de Lena Dunham (depuis 2012)Mélanie : Thirteen Reasons Why sur Netflix de Brian Yorkey (depuis 2017)Clémentine : Homeland avec Claire Danes, de Howard Gordon et Alex Gansa (depuis 2011)Mélanie : My mad fat diary de Tom Bidwell (depuis 2015)Les recommandations culturelles :Clémentine : Le film Moi, Tonya de Craig Gillepsie avec Margot Robbie et Alison Jeanie (sortie le 21 février 2018). Mélanie : la série Grace and Frankie, avec Jane Fonda et Lily Tomlin, Sam Waterston et Martin Sheen (depuis 2015)La question de l’auditrice :Le livre Libérées de Titiou Lecoq, ed. Fayard (2017)L’épisode "Qui gardera les enfants ?" d’Un podcast à soi sur Arte RadioPour poser une question à Clémentine et Mélanie : hello@quoidemeuf.netPour S'inscrire à la géniale newsletter Quoi de meuf : quoidemeuf.netQuoi de Meuf est une émission de Mélanie Wanga et Clémentine Gallot produite par Nouvelles Écoutes. Réalisée par Aurore Meyer Mahieu, montée et mixée par Laurie Galligani.

Chris Carter does his own version of a Darin Morgan episode with “Sygyzy”, and Howard Gordon does his own version of a season one episode with “Grotesque”. iTunes RSS

NOTE: This episode was recorded before the allegations of infidelity against Joss Whedon by his ex-wife. Once More With Feeling is a podcast about Buffy the Vampire Slayer. It is not about Joss Whedon. We are discussing his work, not his personal character.And with that out of the way…. Your Watchers gathered for the two parter, What’s my Line. We’re introduced to Kendra the Vampire Slayer, Xander and Cordi kiss for the first (and second) time, Willow and Oz get together, Dru is healed, and an entire generation of kinksters discover their kink during one memorable scene between Dru and Angel.We weren’t drunk, just super tired, y’all.Full Synopsis on IMDB Part I Part IIPart IDirected by: David SolomonWritten by: Howard Gordon and Marti NoxonAir date: November 17, 1997Part IIDirected by: David SemelWritten By: Marti NoxonAir Date: November 25, 1997 Thank you!to Billy Whala for creating our logo.and to reiswerk for use of the track "We are the Dead, you are the Living"under a creative commons license: https://creativecommons.org/licenses/by/3.0/#SnarkCasts #Nerdcast #AdreanMessmer #DonnaLeahey #JackBurgos #Buffy #Buffyfancast #Buffyslays #Buffyslays20 #vampires #tvshows #the90s #podcast #fancast #gumbiecatnetworks

NOTE: This episode was recorded before the allegations of infidelity against Joss Whedon by his ex-wife. Once More With Feeling is a podcast about Buffy the Vampire Slayer. It is not about Joss Whedon. We are discussing his work, not his personal character.And with that out of the way…. Your Watchers gathered for the two parter, What’s my Line. We’re introduced to Kendra the Vampire Slayer, Xander and Cordi kiss for the first (and second) time, Willow and Oz get together, Dru is healed, and an entire generation of kinksters discover their kink during one memorable scene between Dru and Angel.We weren’t drunk, just super tired, y’all.Full Synopsis on IMDB Part I Part IIPart IDirected by: David SolomonWritten by: Howard Gordon and Marti NoxonAir date: November 17, 1997Part IIDirected by: David SemelWritten By: Marti NoxonAir Date: November 25, 1997 Thank you!to Billy Whala for creating our logo.and to reiswerk for use of the track "We are the Dead, you are the Living"under a creative commons license: https://creativecommons.org/licenses/by/3.0/#SnarkCasts #Nerdcast #AdreanMessmer #DonnaLeahey #JackBurgos #Buffy #Buffyfancast #Buffyslays #Buffyslays20 #vampires #tvshows #the90s #podcast #fancast #gumbiecatnetworks

Alex Gansa, creator of "Homeland," takes us on a behind the scenes journey of his career as an award winning writer in Hollywood. He and Co-creator Howard Gordon, began their professional lives in out west as Test Prep instructors for the children of Hollywood elite. From there they went on to write for television. Hear how these two young upstarts  went from wide eyed hopefuls to being two of the most successful writers and show runners working today. Gansa shares deep personal stories of his struggles and successes and if you love "Homeland" you will learn about how the show came together, casting stories and never before heard anecdotes from the set of the Showtime award winning series. Alex Gansa is the showrunner, co-creator and executive producer of Showtime’s thriller HOMELAND, starring Claire Danes and Mandy Patinkin. HOMELAND premiered in October 2011 to critical acclaim and the highest debut ratings for a freshman drama on the network. HOMELAND won the 2012 and 2013 Golden Globe for Best Television Series, and a 2012 Emmy in six different categories including Outstanding Writing in a Drama Series and Best Drama Series. Additional honors include two 2012 WGA awards in the categories of Best New Series and Episodic Drama, 2013 Producers Guild Award, the Peabody Award, Television Critics’ Association Award, Critics’ Choice Television Award and was named one of AFI’s Top Ten Programs of the Year in both 2011 and 2012. Gansa previously served as an Executive Producer on the long-running 24, the CBS series NUMB3RS, and DAWSON'S CREEK, and as a Consulting Producer on ENTOURAGE. His other work includes the hit series THE X FILES for Fox, SISTERS for NBC, and the critically acclaimed series MAXIMUM BOB that he created for ABC. Gansa lives in Los Angeles.

Today's Guest: David Fury, writer, producer, "24," "Lost," "Dream On," "Buffy the Vampire Slayer," "Angel," "Tyrant," "Fringe" Television screenwriter, producer David Fury Pop quiz: name the man who’s been a writer and/or producer for the following TV shows: “The Jackie Thomas Show,” “House of Buggin’,” “Dream On,” “Pinky and the Brain,” “Buffy the Vampire Slayer,” “Angel,” “Lost,” “24.” Give up? It’s David Fury, and he joins us today via phone from Hollywood. David Fury Twitter • Facebook • IMDB • Wikipedia • Order Dream On on DVD from Amazon.com • Order 24: The Complete Series BOB ANDELMAN/Mr. MEDIA: David, welcome to Mr. Media. DAVID FURY: Thanks very much, Bob. I want to answer that question. I know, I know who that is. Order 'Dream On - Seasons 1 & 2,' available from Amazon.com by clicking on the DVD above! ANDELMAN: And we will send you a prize, I promise. FURY: Oh, thank you. ANDELMAN: David, does Barack Obama’s presidential campaign send a commission on every dollar it collects to the producers of “24”? FURY: No, not that I know of. How did Barack Obama come into this? ANDELMAN: Well, I look at Barack Obama, and it seems like he’s had a very smooth sail in these first months of his presidential campaign, and it seems to me, and maybe I’m alone, that a lot of it has to do with “24” making it very comfortable for America to have an African-American president, twice even. FURY: Interesting. Interesting premise. Well, I’d like to think that we’ve, as a country we’ve become more comfortable with the idea of bringing in presidential candidates from different walks of life, whether they be black or women or Asian or anything. If “24” has anything to do with it? All the better. I’d love to think that we’ve, to some extent we’ve matured enough that people are open to the idea. ANDELMAN: It’s interesting. I mean, there hasn’t really been a situation in years past where an African-American would play the President and it wouldn’t be like a big deal, but now it’s like…. FURY: Well, there was Deep Impact I remember which had Morgan Freeman as President. My God, I would have voted for him right there if Morgan Freeman had run, such an excellent presidential candidate. Or James Earl Jones years ago in a movie called The Man. ANDELMAN: I remember that. FURY: I remember that, as well, so I don’t think we’re the first, certainly, to do it, but perhaps…. ANDELMAN: No, but it’s very matter of fact in “24.” I think in those previous settings, it was more, you know, “What?” FURY: Well, certainly in The Man, it was very much evident that this was a racial issue and was telling a racial story. Morgan Freeman was handled matter-of-factly, and certainly David Palmer has been on the show. You may be right, you may have something to that. ANDELMAN: Well, I do think you guys should get a commission. I think you should look into that. FURY: All right. ANDELMAN: I hear a lot that Republicans tend to love “24” because of its kind of take-no-shit approach to terrorism, and I wondered if the creative staff has a noticeable political bent. FURY: Well, certainly a couple members of our staff lean very heavily toward the right, as there are a couple members that lean very heavily toward the left. We have a wide diversity of different political viewpoints. I don’t think Republicans, just simply Republicans love the show. I have heard that people as diverse as Barbra Streisand is apparently a big fan of the show. ANDELMAN: I didn’t mean to suggest that only Republicans, by no means, but… FURY: Everybody likes to filter their viewing of “24” through their own viewpoint, and we try to give a very diverse viewpoint on the show. Republicans will certainly embrace some of the more right wing aspects of “24,” the take-no-prisoners approach to terrorism, and there are others who recognize that that doesn’t work all the time. What you really have is somebody like Jack Bauer, who is serving the greater good but who has no particular political bent. I mean, David Palmer, I think, was always presented as, I think, a Democratic president, and Jack’s loyalty was to him for the most part for the first few years. Our executive producer/co-creator, Joel Surnow, is very vocal about his conservative Republican leanings, and he has a lot of friends of his who do enjoy the show and do think it supports their agenda. Although many of them criticized the show earlier this year, when we did the story line about Wayne Palmer’s sister who was voicing sort of the liberal bent, and her boyfriend, who was incarcerated along with other Muslim prisoners, we suspected to be involved with terrorism and then weren’t, I know Joel got a lot of criticism that, “What, is the show starting to lean toward the left? There are good Muslims that were over-reacting?” We’re trying to say that there’s no easy answers, basically, and some people look for answers in the show, and some people recognize that that’s just not going to come. Order '24: The Complete Series,' available from Amazon.com by clicking on the DVD box set above! ANDELMAN: You don’t have to answer this, but where are you in your own political leanings? FURY: I’m very moderate. I’m a registered Democrat. I suppose I’m conservative fiscally, and socially I’m much more moderate, so I am either a very liberal Republican or very conservative Democrat, I’m not quite sure. ANDELMAN: Would it be a wrong guess that, politically, those writers’ room sessions could be pretty interesting conversations? FURY: Oh, you have no idea! The debates that go on and on on a daily basis regarding whatever is going on in the current administration. There’s people, Evan Katz, another executive producer on the show, who definitely leans more toward the left, and he gets into a lot of debates with Joel and Manny Coto, another one of our co-executive producers who is a staunch Republican. And then you have somebody like Bob Cochran, the other co-creator, who is a Republican but much more moderate than other people. And then Howard Gordon, our show-runner, whose wife is very heavily involved with liberal causes -- and Howard himself is a registered Democrat -- supports Democratic causes. The conversation does lean toward political debates. ANDELMAN: Did the conversation a few months ago about torture on the show come back to the writers’ room? FURY: Oh, most definitely. We discussed it. Even when it came on and before it became an issue, before it was made into a news issue, the discussion whether torture works, about whether it should ever be used, and the moral ramifications. We discussed that at great length. Once it became more of an issue, I found myself defending our approach to it on a podcast and wound up on CNN News as the “writers of ‘24’ speak up on this controversy.” My contention was simply that we’re not trying to present a documentary or a realistic approach to fighting terrorism, we’re producing an evening of entertainment, and liberties have to be taken. The whole structure of the show, the ticking time clock and Jack Bauer fighting it the entire season, that’s something that just doesn’t happen in real life. There is no ticking clock, so there’s never any need to torture someone to get information out of them so quickly. You have to create scenarios where that would have to be, and at that point, you’re speaking in hyperbole. ANDELMAN: I find the recovery from some of the torture sometimes to be entertaining. I keep thinking back to poor Morris getting that drill through his shoulder, but there he is back at work a few hours later (laughs). FURY: Well, he’s a strong man, that Morris. Again, it’s the real challenge of the show, and certainly we’ve taken a lot more liberties later than earlier in the earlier years of the show where people do have to bounce back so that we can bring them back into the story. It’s very difficult if someone is tortured. Generally speaking, they’d be hospitalized, and you wouldn’t see them for several days, but of course, in a 24-hour period, you have to find ways to re-integrate them, and sometimes it takes a lot of suspension of disbelief to get those people back. Poor Milo was shot, and there he is with a sling, still back at work. We just have to chalk it up to, “Well, we’re understaffed, and we need you, and this is an emergency situation, and normally, we’d let you rest, but you can’t now.” ANDELMAN: Well, and how often does Jack get hit in the head with a heavy metal object…. FURY: Oh, well, sure. My God, Jack never died and was revived and picked up a gun and went after the bad guys again. ANDELMAN: Well, now, it’s funny you mentioned that, because I wanted to ask you the thing that has always driven me crazy, and I mean in a good way as a viewer, is that the CTU staff seems to have the worst institutional security in America. I mean, there’s spies, there’s moles, there’s data taps, and God forbid you’re a high-threat suspect and you get brought back to CTU for questioning, because you or somebody is going to die, right? FURY: Yeah, that’s usually the case. The justification that’s been given to me when I bring these things up is that CTU is really an intelligence-gathering organization, and organizations like that aren’t really heavily fortified security-wise. I mean, certainly we do an excessive amount of it, but the idea that CTU cannot be breached because it’s such a top government agency is probably over-stating it, since what they mostly do, they are a branch office of an anti-terrorist intelligence-gathering organization. They do have a task force, but if we need their systems to be tapped for a story, we’ll do it. If we need someone to get into CTU to stage a gas attack, that’s going to be a lot more interesting than saying, “Well, it’s impossible to get into CTU, no one would ever be able to do that.” We have to make allowances like that for dramatic purposes. Well, it does make CTU look a little, well, inept, you know, and again, it’s the alternative is, well, if we show them bei

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 9 - 'Firewalker', written by Howard Gordon, and directed by David Nutter. After the mysterious disappearance of legendary vulcanologist Dr. Daniel Trepkos inside Mount Avalon, where he was heading a scientific expedition with the experimental 'Firewalker' probe, Mulder & Scully--now back at work and back on the case--are called in to make contact with the radio silent volcano research team. What they find are a group of scientists in grave danger and the possible existence of a new, silicon-based life form... Joined for the first time by writer/composer Jade Shames, Tony examines this quite forgettable, regular X-File. Jade also takes the 5 Questions of X and discusses his contribution to the X-Files: Secret Agendas prose anthology, 'Give Up the Ghost... Listen to find out more, just remember... trustno1... FACEBOOK TWITTER EMAIL ITUNES THE X-FILES: SECRET AGENDAS ON AMAZON Next time on The X-Cast... join Tony & the X-Cast blog team for the very first end of year X-Quizcast!

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 9 - 'Firewalker', written by Howard Gordon, and directed by David Nutter. After the mysterious disappearance of legendary vulcanologist Dr. Daniel Trepkos inside Mount Avalon, where he was heading a scientific expedition with the experimental 'Firewalker' probe, Mulder & Scully--now back at work and back on the case--are called in to make contact with the radio silent volcano research team. What they find are a group of scientists in grave danger and the possible existence of a new, silicon-based life form... Joined for the first time by writer/composer Jade Shames, Tony examines this quite forgettable, regular X-File. Jade also takes the 5 Questions of X and discusses his contribution to the X-Files: Secret Agendas prose anthology, 'Give Up the Ghost... Listen to find out more, just remember... trustno1... FACEBOOK TWITTER EMAIL ITUNES THE X-FILES: SECRET AGENDAS ON AMAZON Next time on The X-Cast... join Tony & the X-Cast blog team for the very first end of year X-Quizcast!

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 4 - 'Sleepless', written by Howard Gordon & directed by Rob Bowman. After the mysterious death of a man in his apartment with no clear cause of death, Mulder--following a tip off from a new clandestine contact--begins investigating reluctantly with new FBI partner, Alex Krycek. With the aid of Scully at Quantico, Mulder & Krycek discover evidence of a decades-old secret experiment involving sleep deprivation...  Joined by Failed Critics writer and podcaster, Andrew Brooker, Tony takes a look at an important blend of standalone and mytharc X-Files episode. Along the way, Brooker has another crack at the X-Quiz - can he equal his previous top score for 'Lazarus'? Listen to find out, just remember... trustno1... FACEBOOK TWITTER EMAIL ITUNES ARTWORK BY: J.J. Lendl BUY THE SEASON ONE ARTWORK PRINT SET Next time on The X-Cast... join Tony as he interviews best-selling film & TV author John Kenneth Muir on his book, The X-Files FAQ...

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 4 - 'Sleepless', written by Howard Gordon & directed by Rob Bowman. After the mysterious death of a man in his apartment with no clear cause of death, Mulder--following a tip off from a new clandestine contact--begins investigating reluctantly with new FBI partner, Alex Krycek. With the aid of Scully at Quantico, Mulder & Krycek discover evidence of a decades-old secret experiment involving sleep deprivation...  Joined by Failed Critics writer and podcaster, Andrew Brooker, Tony takes a look at an important blend of standalone and mytharc X-Files episode. Along the way, Brooker has another crack at the X-Quiz - can he equal his previous top score for 'Lazarus'? Listen to find out, just remember... trustno1... FACEBOOK TWITTER EMAIL ITUNES ARTWORK BY: J.J. Lendl BUY THE SEASON ONE ARTWORK PRINT SET Next time on The X-Cast... join Tony as he interviews best-selling film & TV author John Kenneth Muir on his book, The X-Files FAQ...

It's Career Week, Gentle Listeners, and things in Sunnydale are starting to get pretty tense (even by Hellmouth Standards). A dark power is rising, Willow and Cate share frog fear, and Marti Noxon joins the writing team to help introduce an offensive half-assed attempt at diversity.... errr, I mean, a NEW HERO to the Scooby Gang! Who is Kendra the Vampire Slayer? Tune in again next week to find out...... Suggested talking points: Cage physics, bone picking, and debased beef canoes Side note: I was wrong about Heath Ledger being in the 27 club. He was 28. We are still very sad. Also the writer for this episode we reference is Howard Gordon not Green. Whoops!

Actor David Marciano, who considers himself a poet above all else, joins host William Powell, in a conversation about the craft of acting. Marciano has appeared in The Shield, Homeland, Judging Amy, and Civil Wars among many others TV shows and films.  Watch David's "How to Be an Actor" speech from YouTube. From IMDB.com: Mr. Marciano is a professional actor, writer, director who has achieved considerable success in a vast career that has spanned over twenty five years. As a series regular Mr. Marciano has had the honor of working with such entertainment luminaries as Steven Bochco, who brought David into America's homes on a weekly basis in "Civil Wars" as the poet bicycle messenger, Jeffrey Lassick. His second series was the CBS drama, "Due South", created by Oscar winner Paul Haggis. Here David was able to bring his flare for comedy to the Buddy Cop genre on the streets of Chicago as Detective Ray Vecchio. While on "Due South", the Canadian Academy nominated David, two years consecutively, for a Gemini Award. Next David completed a four-year run as a regular cast member of the FX Emmy Award-winning drama "The Shield" as old-school Detective Steve Billings. Currently you can see David on the critically acclaimed Showtime series "Homeland" created by Howard Gordon "24" and Alex Gansa where David plays Virgil opposite the multi-award winning Claire Danes.

Chaque jour cette semaine, un chroniqueur livre sa reco 2015 à Thomas Rozec. Jimmy Lelo Batista présente les huit premiers épisodes de South Park, qui fêtera l’an prochain ses 20 ans. Après un court passage à vide, la série revient en force avec une saison 19 en guerre totale contre le politiquement correct. Animé par Thomas Rozec, avec Lelo Jimmy Batista (Noisey)RÉFÉRENCES CITÉES DANS L'ÉMISSIONX-Files : Aux frontières du réel (The X Files - une série de Chris Carter, 1993) Homeland (série de Gideon Raff et Howard Gordon, 2015)RETROUVEZ NOCINÉ PARTOUT SUR LES INTERNETS :https://soundcloud.com/nocinewww.facebook.com/NoCinePodCast twitter.com/No_Cinewww.dailymotion.com/nocine www.youtube.com/channel/UC38YBAhVBEDRmXSe1uCyNxg www.mixcloud.com/NoCine/ www.deezer.com/show/7806www.stitcher.com/podcast/nocineitunes.apple.com/fr/podcast/nocin…id993698002?mt=2www.vodkaster.com/nocineCRÉDITSEnregistré le 3 décembre 2015 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Jules Krot. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). Image : South Park, saison 19. See acast.com/privacy for privacy and opt-out information.

De første fire sæsoner af thriller-dramaet Homeland udkom i en fin lille boks på dansk blu-ray i april. Nu er vi nået til sæson 2 fra 2012. Plotmæssigt fortsætter anden sæson af Homeland lige dér hvor første sæson sluttede. Genremæssigt bliver der dog skruet mere op for thriller og suspense, mens familiedramaet nedtones, når Carries jagt på den frygtede terrorist Abu Nazir fortsætter og spidser til. Homeland sæson 2 er hovedsageligt bedre og noget mere helstøbt end sæson 1 — til gengæld har den en sæsonafslutning der føles som et forfærdeligt påklistret antiklimaks. Homeland sæson 1-4 udkom i en fin samlet blu-ray-boks fra 20th Century Fox. Hør mere om tv-serien i podcasten og læs om blu-rayen på bloggen.

Acclaimed television writer, producer, and author Howard Gordon joins 30-year CIA veteran and RAND senior policy analyst Andrew Liepman for a discussion about the allure of terrorism as a subject for entertainment in this Events @ RAND podcast.

De første fire sæsoner af thriller-dramaet Homeland er netop udkommet i en fin lille boks på dansk blu-ray, og den ryger igennem Filmblast Podcast over de næste måneder. Vi starter med sæson 1 fra 2011. Homeland er en højspændt men også seriøs serie om CIA's jagt på en terrorist på amerikansk jord. Den har Claire Danes og Daien Lewis øverst på rollelisten; hun spiller en CIA-agent med ar på sjælen — han spiller en marinesoldat hjemvendt fra Irak med ar på sjælen. Homeland er en feminin udgave af en anden Fox-tv-serie, 24 timer (2001-2010), iblandet lidt nordic noir og skandinavisk tristesse. Homeland sæson 1-4 er som nævnt lige udkommet i en fin samlet blu-ray-boks fra 20th Century Fox. Hør mere om tv-serien i podcasten og læs om blu-rayen på bloggen.

Howard Gordon, co-creator of Homeland, executive producer of three 2013 pilots.As part of Fast Company magazine's Most Creative People issue, Ben Blacker interviewed the showrunners and creators of some of television's most interesting and groundbreaking shows about how they're carving out new territory in the business and creative worlds, and how these creatives are driving the zeitgeist. The issue is online http://www.fastcompany.com/most-creative-people// and on newsstands now.

We chat with Howard Gordon, Author/Writer/Producer from The X-Files, 24, Homeland, Awake, among many other shows!

Howard Gordon, co-creator of Homeland and former show-runner of 24, talks about how both of these shows tapped into the very different zeitgeist of the day.

Howard Gordon, the producer of 24 and The X-Files will join us to talk about his new thriller novel Gideon's War. Find out about his journey from producer of hit shows to producing a hit novel!