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7 episodes with Howard Gordon
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4 episodes with Howard Gordon
4 episodes with Howard Gordon
4 episodes with Howard Gordon
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3 episodes with Howard Gordon
2 episodes with Howard Gordon
2 episodes with Howard Gordon
Claire Danes delivers an emotionally gripping performance in her latest limited series, The Beast in Me. Starring alongside an unflinching Matthew Rhys, the Emmy–winning actor reveals why she had Rhys change his character's name from the original script. Danes also shares what it was like to reunite with executive producer Howard Gordon after their hit series Homeland, her early obsession with Madonna and John Hughes movies, and how her role in Terminator 3: Rise of the Machines helped Danes “click back” into acting after spending two years at Yale. Video episodes are available on the Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.
“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel PearleToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel PearleToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel PearleToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel PearleToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard GordonToday, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Jessica and Dini travel back to February 4, 19994! Join us as we discuss our top 5 favorite moments from S1 EP15, Lazarus. This episode was written by Alex Gansa and Howard Gordon. Directed by David Nutter. An FBI agent and former boyfriend of Scully's, Jack Willis, is shot during a bank robbery. At the same moment, the robber is also fatally shot. In the hospital, Willis is revived—but begins to exhibit the personality and behavior of the dead criminal. Mulder believes that the criminal's consciousness has transferred into Willis's body. As Willis becomes increasingly erratic and obsessed with unfinished criminal business, Scully is caught between loyalty to her old partner and the unsettling truth of what may have happened.Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
Jessica and Dini travel back to February 16, 1997! Join us as we discuss our top 5 favorite moments from S4 EP15, Kaddish. This episode was written by Howard Gordon and directed by Kim Manners. Mulder and Scully investigate the murder of a Jewish man in Brooklyn who appears to have risen from the grave to exact revenge on the neo-Nazis responsible for his death. As they delve deeper, the case intersects with Jewish mysticism and the legend of the Golem, a mythical creature made from clay and brought to life through sacred rituals.Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
Jessica and Dini travel back to March 18, 1994! Join us as we discuss our top 5 favorite moments from S1 EP18, Miracle Man! This episode was written by Chris Carter and Howard Gordon. Directed by Michael Lange. Mulder and Scully investigate a faith healer named Samuel Hartley, who, as a child, seemingly brought a severely burned man back from the dead. Years later, Samuel is the star of his father's evangelical ministry, but a string of mysterious deaths occurs after his "healings." The episode also delves into Mulder's trauma, as Samuel's supposed powers resonate with his unresolved feelings about his missing sister, Samantha.Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
Jessica and Dini travel back to February 23, 1997! Join us as we discuss our top 5 favorite moments from S4 EP16, Unrequited! This episode was written by Howard Gordon and Chris Carter (Teleplay). Directed by Michael Lange. Mulder and Scully investigate a series of seemingly impossible assassinations of military officials. The killer appears to be a Vietnam War veteran who possesses the uncanny ability to become invisible to the naked eye. As they delve deeper, Mulder and Scully uncover a conspiracy within the U.S. government to cover up the existence of American POWs who were left behind in Vietnam.Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
Oud Ispahan by Christian Dior (2012) + Howard Gordon and Alex Ganza's Homeland (2011-20) with Adam Lehrer 7/2/25 S7E46 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
100th X-Files Recap Episode!!Jessica and Dini travel back to April 27, 1997! Join us as we discuss our top 5 favorite moments from S4 EP21, Zero Sum! This episode was written by Frank Spotnitz and Howard Gordon. Directed by Kim Manners. The Cigarette Smoking Man blackmails Skinner into covering up a mysterious death caused by genetically altered bees carrying a deadly virus. Skinner deletes evidence and obstructs Mulder's investigation in an effort to help find a cure for Scully's cancer, revealing the personal cost of involvement in the government conspiracy. Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
To unlock the full episode go toPatreon and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.This week we get a nice little course correction from writers Howard Gordon and Alex Gansa. After the series worst episode, Space, and some notes from Fox, Gordon and Gansa got to work on bringing the episode back into focus as Mulder goes rogue and infiltrates a UFO crash site that's being recovered by a covert army operation. When he's inevitably caught he meets UFO enthusiast and fellow paranoia enjoyer, Max Fennig, as the pilot of the downed UFO sneaks around the crash site, killing soldiers, while waiting for the mother ship to arrive and pick them up.Not exactly a mythology episode but not exactly not a mythology episode, Fallen Angel brings the series back into paranoid focus to remind everyone that it's about UFOs, aliens, and conspiracy.We also break down this week in pop culture and the news as usual.
Jessica and Dini travel back to March 10, 1995! Join us as we discuss our top 5 from S2 EP19, Død Kalm! This episode was written by Howard Gordon and Alex Gansa. Directed by Rob Bowman. In “Død Kalm,” Mulder and Scully investigate a Navy ship whose crew mysteriously aged decades in weeks. Aboard the eerie vessel, they too begin to rapidly age, with Scully blaming contaminated water and Mulder suspecting time displacement.The ghost ship setting amplifies isolation and dread, drawing on maritime lore and legends like the Mary Celeste. Themes of mortality and survival deepen as they race to uncover the truth and save themselves.Blending science, folklore, and conspiracy theories, “Død Kalm” is a haunting exploration of human fragility and one of The X-Files' most atmospheric episodes. Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Bluesky, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
Jessica and Dini travel back to April 29, 1994! Join us as we discuss our top 5 favorite moments from S1 EP22, Born Again! This episode was written by Howard Gordon and Alex Gansa and directed by Jerrold Freedman. While investigating the strange and sudden death of a New York detective, Mulder comes to believe the lead suspect in the case is an 8-year-old girl who may be the reincarnation of a murdered police officer named Charlie Morris. Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix
What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix
What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix
“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix
“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix
What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix
Send us a textJust how inept can the Syndicate be? Mike and Andrew ponder this among other things like who Marita thinks she is and where did all the bees go? Howard Gordon lets us in on his childhood trauma.JOIN OUR SOCIALS!magusmediaproductions.netwww.facebook.com/groups/thisisnothappeningpod/ @TINHXFilesPodCONTACT US!tinhxfp@gmail.com
“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Alex Bailey / Netflix
What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics?Debora Cahn is the Emmy-nominated showrunner and executive producer ofNetflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Awards for The West Wing and FX's limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft.“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they've negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction.I feel very fortunate that the medium I'm in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.”www.creativeprocess.infoIG www.instagram.com/creativeprocesspodcastimage credit: Netflix
What's My Line part 1ep 109Aired November 17, 1997IMDB SummarySpike brings in three professional bounty hunters to eliminate Buffy while she ponders on what her profession might be if her fate wasn't already sealed.Directed by David SolomonWritten By Joss Whedon, Howard Gordon and Marti NoxonConnect with us instagram www.instagram.com/themistergordo_podtiktok @themistergordopodcastEmail themistergordopod@gmail.com
This week we are staring through walls to look at Hollywood rats while we discuss “Surekill”! We're talking Terence O'Hara and his telescoping eyes, maybe settle on a supremely-silly team name for Doggett and Scully, boo at Uncle Jack's appearance, talk about the importance of having an attack child on your side, the real story of Howard Gordon's departure, and how much Scully cares about safety first, but only for her. We note Doggett's excitement over drug rip-offs, the exciting reappearance of Craddock Marine Bank, do some investigation to see if James Franco is in this one, shake our heads at Doggett's anti-twin prejudice, and get really excited about a giant lighter for a while. Listen. Our joys are simple but sincere.Send us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!
Actor Dennis Haysbert and producer/writer Howard Gordon
C.J. Navas comenta los estrenos del día, el reencuentro de Claire Danes y Howard Gordon tras ‘Homeland' en ‘Beast in Me' para Netflix, el reconocimiento de Variety a Laura Fernández Espeso, CEO de The Mediapro Studio y muchas noticias más en su repaso diario al mundo de la televisión. PATROCINADOR: Suscríbete a Fueradeseries+ y escucha todos nuestros programas sin publicidad en tu reproductor habitual de podcasts, accede a contenido exclusivo, descuentos en la Tienda Fuera de Series y muchas cosas más. Además, si te suscribes antes de final de año, lo harás en condiciones muy especiales. Hazlo ya en https://fueradeseries.com/plus ENLACES: Lee sobre todo lo que hemos comentado y ve los trailers suscribiéndote de forma gratuita a la Newsletter de Fuera de Series: http://newsletter.fueradeseries.com Únete a nuestro grupo de Telegram: telegram.me/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on What's My Frame I'm joined by Casting Director and Casting Fairy, Stacey Pianko. Stacey began her career in the Feature Film department at Disney/Touchstone Pictures, working on projects like Cool Runnings, Significant Other, The Three Musketeers, A Far Off Place and The Mighty Ducks. During her stint as Director of Casting at Disney Channel, stars such as Shia LaBeouf, Hilary Duff, Lindsay Lohan and Kaley Cuoco found their launching pad early in their careers. Stacey entered the independent casting world with her partner Orly Sitowitz, CSA and has cast many Independent Feature Films, including VIOLET which premiered at TIFF. Stacey has worked with prominent directors/producers like Troy Miller, Adam Shankman, Jada Pinkett Smith, Marshall Herskovitz, Ed Zwick, Ed Harris, Matthew Carnahan and Howard Gordon. One very notable collaboration was working with James Cameron on AVATAR: THE WAY OF WATER. Where Stacey coordinated a Worldwide Young Actor Search for the film. Now let's get to the conversation! Learn more about: The Casting Fairy Casting Fairy on IG Adam Driver's GIRLS Audition ----- What's My Frame, hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: @whatsmyframe TikTok: @whatsmyframe IMDb What's My Frame? official site Join our monthly newsletter! What's My Frame? merch --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support
Jessica and Dini travel back to November 19, 1993! It's like the Roswell cover-up all over again! Join us as we discuss our top 5 favorite moments from S1 EP10, Fallen Angel!After Deep Throat tips Mulder off about a UFO crash near Townsend, Wisconsin, Mulder ventures out on his own to investigate and eventually gets apprehended by the military. While in lockup, he meets a fellow detainee: a UFO enthusiast and conspiracy theorist named Max Fenig. When Scully joins Mulder on the case, they work together to find answers regarding the mysterious attacks and deaths of people in the area while the FBI threatens to close the X-Files and get rid of Mulder for good. This episode was written by Howard Gordon and Alex Gansa. Directed by Larry Shaw. Do you have any X-Files related theories, stories, key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodTikTok @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca
The agents chase lightning as several people turn up dead from seemingly random lightning strikes. But are they random? Mike and Andrew praise the guest actors getting their start in this early episode. Howard Gordon reels in his writing tendencies to deliver a solid outing.JOIN OUR SOCIALS!www.facebook.com/groups/thisisnothappeningpod/ @TINHXFilesPodCONTACT US!tinhxfp@gmail.com
Jess and Dini travel back to November 26, 1996! We discuss our top 5 favorite moments from S3 Ep21, Avatar! Skinner's no choir boy and hooks up with a sex worker, Mulder is stressed AF, and Scully discovers possible evidence of a succubus. A soon-to-be divorced Walter Skinner has a one-night stand with a woman he meets at a local bar. When he wakes up in a hotel room bed next to her dead body, Skinner becomes the number one suspect in her murder. With his reputation and career on the line, Mulder and Scully rush to find answers that will help clear his name. This episode was written by Howard Gordon (Teleplay by David Duchovny and Howard Gordon) and directed by James Charleston. Do you have any X-Files related theories, stories, key points or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter @TXFChatRoomPodInstagram @TXFChatRoomPodResources: X-Files WikiIMDBhttps://native-land.ca/
Written by Howard Gordon and directed by David Semel, this episode originally aired January 25, 2000. EXTRA BITSTrevor is currently working on creating an art piece for every single episode of Buffy and you can find everything that's been released so far here.Kristin also co-hosts another show called "So...I'm Watching This Show" with Wil Brooks. You can check them out here.Trevor runs another podcast as well called "Trevor Loves Everything." You can check that out here.Also, Trevor and Kristin (she's also mostly here) are pretty active on the Twitter.Please rate, review and subscribe! Help us get those fancy numbers :)
"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
"First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
"First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."First of all, how desperate are all of us for lightness and optimism and hope, and a sense of possibility in the people who are navigating and steering world affairs? That was really important to me to bring that in. And I think that I see all really dramatic moments as kind of streaked-through with a bit of the absurd. Those are always the moments that stand out to me. If you're not just at a funeral, but you're at a funeral where somebody dropped their purse, and there's a now a thousand things on the floor and a lot of people trying to pretend that there aren't. Those moments, for me, are the moments where our humanity really kind of shows through the cracks. And I was interested in this world that's so much about a facade and so manicured and presentational and looking at those like tragically human moments that pop up right in the middle of all of that. The juxtaposition between those two things, I find to be delightful."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world.And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
"I feel like film and television are often representing corrupt power and evil in leaders. That exists. But I've been writing about people in that world for a long time and have had the privilege of talking to a lot of them. And for the most part, they're smart people with integrity and good values, and they're good at what they do, and they just want to help people in their own country and around the world.And even with good people at the helm, it can all go to hell and that, to me, is what's most interesting. I always had a hard time reading the newspaper. I found it very overwhelming in the suffering that you're seeing described every single day. And for me, coming at it through the lens of what's a story that I can relate to that I can follow a character through that they're surviving. For me was a kind of a way to come at it and not have to turn away from the darkness."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
"Kamala Harris is absolutely an influence on the character as is Susan Rice, as is Samantha Power, as is Condoleeza Rice. But I think that all of those women sort of came to positions of power at a time when, for the most part, you know, they were the only woman in the room, in a lot of different environments, and that kind of navigating of being 'one of the guys' and also being there as a woman, I think is a particularly elaborate challenge. I think you're a little bit expected to be both at the same time, which is sometimes possible and sometimes not."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon."Kamala Harris is absolutely an influence on the character as is Susan Rice, as is Samantha Power, as is Condoleeza Rice. But I think that all of those women sort of came to positions of power at a time when, for the most part, you know, they were the only woman in the room, in a lot of different environments, and that kind of navigating of being 'one of the guys' and also being there as a woman, I think is a particularly elaborate challenge. I think you're a little bit expected to be both at the same time, which is sometimes possible and sometimes not."www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
The Creative Process in 10 minutes or less · Arts, Culture & Society
"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix's The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She's worked with television's leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin's The West Wing which has led to projects such as the hit Showtime series Homeland, ABC's long-running medical drama Grey's Anatomy, and HBO's Vinyl, which was co-created by Martin Scorsese. She's the winner of two Writers Guild of America Award for The West Wing and FX's limited series Fosse/Verdon.www.imdb.com/name/nm1263223www.netflix.com/tudum/the-diplomatwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastImages courtesy of Netflix/Alex Bailey
This is a Mini Series that Jordan Recorded During the Month of August regarding Financial Literacy!There are 4 parts and will release each part on Thursdays! Realizing that we are in a recession Jordan knew had to be done because we do not learn about Financial Literacy! Did you know 61% of Americans are living Pay Check to Pay Check?I believe that we were never taught about financial literacy in school or the work place and I am happy to start the discussion.Part 4 will discuss about What is Money? What is Inflation? Definitions you have never heard before with Howard Gordon!This is going to be the final episode and that is because Jordan wants to get back to the basics: Jordan met Howard Right before Covid Started and we have worked on several different ventures over the past 2 years and always had an incredible insight. He received a Law Degree, Served in the Vietnam War, Built 100 houses in a year, built a law firm, General Counsel for Bobs Discount Furniture and a ton more in between! Since 2009 Mr. Gordon has provided management and business consulting advice to private clients in a variety of industries. and Semi Retired with a lot of grandchildren and 3 Great Grandchildren and lived in Tampa Last 27 years on Davis Island and a business project that brought to tampa is building Tampas largest medical malpractice firm and sold in 2000. Not practiced law and enjoyed as an advisor!Hope you find value in this. If so please provide a 5-star and drop a review.Complimentary Edwards Consulting Session: https://calendly.com/jordan-555/intro-call
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