Podcasts about WMF

Today I'm joined by Kelly Moscinski & Kathryn Horan the casting minds and educators behind, The Voicecaster. This episode is packed with insight from Kelly & Kathryn's years of casting Commercials, Animation, Video Games and Industrials. Their insight into the world of VO makes their courses at The Lab that much more impactful. From advice on elevating your voiceover auditions and materials to building a lasting career as a voice actor, Kelly & Katheryn are here to share insight into the supportive, community of voiceover. Kelly Moscinski is the Owner and Head of Casting at The Voicecaster  – the oldest voiceover casting house in the country, established in 1975! With almost 20 years of experience in VO and even more in entertainment, Kelly casts and directs all things voiceover. A few recent casting projects include commercials for Papa John's, Cap'n Crunch, Popeyes, Verizon, Walmart+, Google, Amazon, and SO many more; video game casting for  Dungeons & Dragons, Ready or Not; and many more in every genre!Kelly is also a coach for voice actors – teaching group classes, private coaching, and is founder of the Voicecaster Lab, a digital VO training and community platform offering a variety of learn-at-your-own-pace courses, seminars, the Voicecaster Insiders Membership community, and other resources dedicated to giving voiceover artists the chance to learn from the casting perspective. Kathryn Horan is the Senior Casting Director - The Voicecaster. Since joining The Voicecaster in 2012, Kathryn has held the titles of Casting Director, Demo Producer, Audio Engineer, and Voiceover Coach. Kathryn has cast for major brands like Honda, ampm, Ashley Furniture, Verizon, Nike, and many more! She has a B.A. in Theatre Arts and Acting from New Mexico State University and has been in the entertainment industry in Los Angeles for over 15 years! The Voicecaster WorkshopsVoicecaster Lab & Actor ServicesVoiceover Casting Corner Podcast--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Writer and Producer, Rob Edwards. Rob has written classic animated films for Disney including THE PRINCESS AND THE FROG  & TREASURE PLANET. This year he has three films including MARVEL'S CAPTAIN AMERICA: BRAVE NEW WORLD, SNEAKS and THE KING OF KINGS. Rob is a 20-year veteran of television where he wrote and produced, notable credits include THE FRESH PRINCE OF BEL-AIR, FULL HOUSE, A DIFFERENT WORLD, STUDIO 60 ON THE SUNSET STRIP & IN LIVING COLOR. Rob also consulted on TANGLED, WRECK-IT RALPH, and FROZEN. He also wrote and directed the award-winning animated short film THE PARK BENCH and is currently writing projects for SHOWTIME, SONY, and MOFAC. His graphic novel, DEFIANT, is a best seller and is currently being made into a feature. Rob shares some beautiful advice around self awareness and self acceptance in support of the writing and rewriting process. Now let's get to the conversation! DEFIANT - The Story of Robert Smalls - Comic Book Issue #1Follow Rob on IG--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Was für ein Triathlonwochenende – und was für Sieger: Nachdem Lisa Tertsch die WM-Führung auf der Kurzdistanz verteidigt, schnappt sich Rico Bogen diese bei der T100-Tour. Und dann krönt Laura Philipp das Geschehen mit dem schnellsten Marathon im Ironman Ever. Nils Flieshardt und Frank Wechsel waren dabei.

Oggi andiamo a sfatare alcuni miti sugli affitti brevi e poi ci spostiamo sul versante dell'inclusività: vedremo insieme perché i viaggiatori americani LGBTQ in questo momento storico preferiscono l'Europa come meta di viaggio.Parleremo anche di IA e distribuzione online dei prodotti di turismo. E di come le Hawaii abbiano deciso di imporre una tassa turistica per la sostenibilità. Io sono Mirko Lalli e questo è Data Appeal Byte-Sized Trend, il podcast dedicato al futuro del turismo e a tutte le innovazioni che stanno trasformando il modo di viaggiare. Iniziamo! Gli spunti di riflessione della settimana:Myths Debunked, Opportunities Unveiled: Challenging Assumptions About Europe's Short-Term Rental Travellers LGBTQ+ American travellers are looking to Europe for safer and more inclusive holidays How will generative AI impact travel distribution? Governor signs ‘green fee' into law to tackle climate change Se vogliamo incontrarci, ti ricordo che il 4 giugno sarò al WMF a Bologna con uno speech dedicato al mondo del turismo e dell'IA, alle 15.30 sullo stage AI Plenary, e parteciperò a Phocuswright Europe a Barcellona dal 10 al 12 giugno. Se vuoi contattarci scrivi a marketing@datappeal.io  

Today on What's My Frame I'm joined by Catriona McKenzie; an award-winning critically acclaimed Indigenous director and writer of both film and television. In this beautiful episode Catriona shares how discovering her roots, honored and inspired her creativity. Catriona has made her mark directing dramatic, action-packed episodes, including ECHO, THE BOYS, RESCUE: HI SURF, PERCY JACKSON and BONDSMAN to name a few. Catriona heralded 2012 independent action-adventure drama film Satellite Boy tells the story of a young Aboriginal boy struggling to maintain the traditions of his heritage in the modern world after a mining company expands into the region. The film won multiple awards as various prestigious festivals including the Berlinale, and was nominated for the Australian Academy of Cinema and Television Award (AACTA) for Best Film. She received a second AACTA nomination for her work on the Australian television series Kiki and Kitty. Raised in Sydney and currently based in Los Angeles, she is a member of both the Directors Guild of America and the Australian Directors Guild and a recipient of the ADG/DGA Finders Series Awards. Dedicated to developing emerging filmmakers, McKenzie has mentored in various film education initiatives including the Sundance Native Lab. As an adoptee and member of the Australian Aboriginal Gunai-Kurnai tribe, she credits her upbringing and wide-ranging life experience with developing a keen eye for people and their stories.Follow Catriona on Instagram @catrionamckenzie*FIRST NATIONS SPOTLIGHT: NEW SOUTH WALES FILMMAKER CATRIONA MCKENZIE*Catriona McKenzie Talks Directing ‘The Boys' & Her Approach to Different Projects--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Casting Director, Alexa Pereira. A recent Artios Award winner and Emmy Nominee, Alexa has been casting for the past 12 years. As well as independently casting her own projects, she is with the wonderful casting office of Greenstein/Daniel Casting. Notable credits include New Girl, Home Economics, Dollface and most recently Nobody Wants This. Alexa's wheelhouse is comedy, but today we talk about her love for working on dramas and psychological horror/thrillers too. Alexa's heart for actors and commitment to the craft is truly inspiring! She put's it best, she has actor heart, mind and soul. I've had the joy of coaching with Alexa and the space she creates for actors is warm, collaborative (her notes are amazing), and it's a place of play. So excited to share this episode with y'all!Follow Alexa on InstagramCoach and work with Alexa alexapereiracasting.com--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

FastLetter - Una fonte buona dalla quale aggiornarsia cura di Giorgio TavernitiN. 55 - 26 Maggio 2025Di cosa parliamo* I rilasci in USA hanno rotto* Il FURTO* La disintermediazione di tutto* Il grande reset di Internet* Il futuro delle aziende* Il futuro delle persone* Il Google I/O e il nuovo mondo in cui vivremo* SalutiPremessa: la scorsa edizione della FastLetter, Il Collasso di Internet, era solo una anticipazione di quello che avremmo visto durante il Google I/O.Chi mi segue da molto non è sorpreso di nulla. Cito la Liquidità di Google, il crollo del traffico per le informazioni, il calo dell'awareness che avverrà, il mondo API First o MCP First, gli acquisti diretti dove ad un certo punto non ci sarà più nessuno in mezzo tra l'utente e l'azienda se non Google o altri, la realtà aumentata. La salute, l'ambiente.All'evento di Google abbiamo visto veramente tutto ciò che in questi anni abbiamo trattato sia qui che nei vari nostri eventi con i nostri speaker.Parlando invece solo di Gemini lo abbiamo visto crescere sia in potenza che in espansione dell'ecosistema Google. Ricordo che all'inizio mi si diceva che ero una sorta di pazzo a pensare che Google avrebbe ripreso OpenAI. Bah, non so dove avete vissuto negli ultimi 20 anni.O cosa guardate.Certo, OpenAI non starà lì a guardare, ma come oramai è chiaro a tutti, sta succedendo ciò che vi ho mostrato nel framework della Search Journey Umana che è arrivato il momento di aggiornare e tenerci un corso su YouTube. Ovvero che più entriamo nei nuovi mondi, più la leadership diventa frammentata. Anthropic ha appena rilasciato Claude 4 che spacca.Ma l'ecosistema di Google fa paura a tutti, perché quello che può fare Google con tutto ciò che noi usiamo, non può farlo nessuno. Quello che stiamo vivendo in questo periodo è un cambiamento profondo di come abbiamo conosciuto Internet fino ad ora. È un grande reset. Prima però, mancano pochi giorni al WMF. So che incontrerò molti di voi e devo dirvi che non vedo l'ora di scambiare 4 chiacchiere. Io sarò sempre in giro!Controllate che ci sono vari tipi di biglietti, ovviamente per chi viene anche per la formazione il Full Ticket è quello giusto: https://www.wemakefuture.it/È arrivato il momendo di addentrarci in queste novità, però dobbiamo farlo con la consapevolezza che hanno molto di positivo e io sono entusiasta dell'AI e dell'innovazione, ma ci sono una serie di punti negativi che vorrei trattare prima. Perché è importante vedere tutta la torta.I RILASCI IN USA HANNO ROTTONon lo leggerete da nessuna parte. C'è un sentiment molto negativo che sta crescendo da parte di tutto il Digital nei confronti di Google al di fuori dagli Stati Uniti.Lasciamo da parte la politica, è un sentiment dovuto al continuo rilascio di applicazioni solo per quel mercato.Lo conosco molto bene perché su YouTube è più evidente e impattante. Ho montato un casino 2 anni durante un loro meeting perché con queste cose favoreggiano i Creator USA ma dicono di essere una community globale.Oggi su YouTube molte cose vengono lanciate in USA e poi anche in Korea o Brasile o India. Cosa che Google sta tentando di fare, ma non ci riesce.Durante la live c'erano ad un certo punto 75.000 spettatori in contemporanea con 22.000 mi piace. A me le dinamiche umane fanno troppo impazzire, sono lì a guardare come ci comportiamo per comprendere chi siamo.È un numero molto elevato. Giustificato comunque, in linea con i grandi annunci positivi.Ad un certo punto nel giro di 5 minuti i mi piace sono scesi a 13.000. Un botto, una roba mai vista. Sapete cosa era successo?Sunder Pichai ha detto che AI Mode sarà rilasciato per tutti solo in USA.Booooooomm!Gli USA hanno rotto. Ero in chat con Gianluca Fiorelli (lo avete letto vero il suo articolo su AI Mode?) che mi ha detto: che occhio! Potrebbe sembrare un dettaglio e sono sicuro che tanti pensano che sia ovvio, ma vi posso assicurare che un calo del genere non ha niente di ovvio.È un sentiment molto forte. Segno che c'è oramai una community globale che si sente esclusa. Si parla molto di inclusione, superficialmente per mettersi delle piccole bandierine sul petto la facciamo. Ma praticamente, nella sostanza, siamo lontani anni luce.Queste aziende sono degli scrigni bellissimi all'esterno, ma vuoti dentro. Il problema è quando lo sono anche molte delle persone che ci lavorano.IL FURTOSta avvenendo il più grande furto di conoscenza all'Umanità. Mi ricordo che due anni fa, all'AI Festival e poi al WMF, Sergio Barile (Professore Economia e Gestione delle Imprese presso Università di Roma “La Sapienza”) fece un intervento dal titolo: “La redistribuzione della ricchezza nell'era dell'intelligenza artificiale. Quale futuro?”.Questo nuovo mondo sta sfruttando la conoscenza del mondo di prima senza alcuna preoccupazione, distruggendo modelli di business molto importanti.Non parliamo di uno o due settori, parliamo di centinaia.Con l'attivazione di AI Overviews e ancora di più con AI Mode (della quale presto avremo i dati nella Search Console di Google per tracciare il traffico) Google si erge a editore. Già lo faceva prima, ma ora la scala è troppo grande.L'uso di un “motore di ricerca” in quel modo lo trasforma in un produttore di contenuti. Di contenuti ovviamente ai quali riconosce un link. Vorrei però farvi riflettere. Mettere un link ad una fonte, nell'Internet di ieri aveva un valore. E inoltre, era solo un pezzo di contenuto, con link alla fonte. Oggi si usa tutto quel contenuto e quello di altri.Non è più solo un pezzo di contenuto e un link alla fonte. Che vale sempre meno. C'è da rivedere il sistema perché si sta spostando anche la parte economica, Google usa i contenuti di tutta l'Umanità per fare molto di più di quello che faceva ieri.A breve avremo la pubblicità dentro AI Overviews e AI Mode.Che paradosso: rubando contenuti e utenti, ci guadagneranno di più. Da chi? Dalle aziende che hanno prodotto i contenuti e non hanno più visibilità; quindi la compreranno.LA DISINTERMEDIAZIONE DI TUTTOCredo che sia il punto focale.Non parliamo solo dell'editoria. Non parliamo solo dell'e-commerce. Non parliamo solo delle agenzie pubblicitarie. Vogliono disintermediare tutto.La mission di Google è stata sempre organizzare le informazioni del mondo.Ora si è aggiunta un piccola postilla, che vi dico io, perché lì non c'è.Diventare l'unico soggetto in campo tra le persone e le informazioni. Ridurre il più possibile la visibilità di chi sta in mezzo. Tagliare più pezzi possibile della catena.Perché per l'utente è tutto più facile.Ecco, voglio farvi focalizzare una cosa.Se è bene per l'utente, non è detto che sia un bene per la persona.Non è uno questione linguistica. L'utente è colui o colei che usufruisce di un bene o servizio. La persona beh…non c'è bisogno vero?Ma di sicuro, ciò che è un bene per l'utente mi fa davvero troppo strano che coincida così spesso con un bene per Google e sempre un male per altre aziende.Stiamo entrando nell'era agentica. È tutto un agente. Che sia in ricerca o in assistenza, Google diventerà per noi tutto.IL GRANDE RESET DI INTERNETNon siamo più in grado di fermarci per protestare. Siamo troppi in questo mondo, siamo frammentati. Non possiamo permettercelo.Raga, davvero.Quando Google decise di fare il rollback della funzionalità di Chrome per guadagnarci di più e far pagare alle aziende questo costo ingiusto, perché non ci siamo organizzati per spegnere Google ADS per una settimana?Sta avvenendo un grande reset. Il Collasso di Internet è l'inizio di un nuovo mondo.Le aziende che sono leader hanno visto l'opportunità economica di spremere tutte le altre che sono sotto, prenderne il valore e concretizzarlo tutto per loro.Si sta creando un nuovo mondo Economico per Internet.Per certi versi Internet tornerà alle origini. Faremo un balzo indietro nel tempo per alcune cose.La questione per noi è una: bisogna che ci togliamo rapidamente dai nostri modelli di pensiero quella Internet per iniziare a ragionare il prima possibile della nuova Internet.Niente piagnistei. È un mondo molto crudo che se ne frega.Dobbiamo cambiare rapidamente.La produzione di un contenuto non può più essere come prima. Non si può affrontare il futuro facendo quello che facevamo in passato. È già cambiato tutto. Se continuiamo a fare come abbiamo sempre fatto, almeno dovremmo avere l'onestà intellettuale di dire che avremo numeri diversi e inferiori a prima.IL FUTURO DELLE AZIENDECosa cambia? Cosa dobbiamo fare?Ci sono un paio di cose importanti. Certo bisogna essere presenti, non ci piove. Bisogna sicuramente avere visibilità e fare SEO.Ma le cose che ha scritto John Mueller nel post Top ways to ensure your content performs well in Google's AI experiences, sono così da più 10 anni:* Focus on unique, valuable content for people* Provide a great page experience* Ensure we can access your content...e via dicendo.E sono quelle che vede un uomo che lavora per Google la cui visione è limitata. Limitata alle SERP ovviamente. È un grande John, ma giustamente risponde al contesto.Infatti la cosa più importante da fare è studiare il modo più forte che abbiamo per offrire un grande servizio, fidelizzare la persona. Sì, la persona, non solo l'utente.Fare in modo che quando quei pochi utenti arriveranno ai vostri contenuti tramite un sistema di AI, gli viene la voglia n

Max Verstappen beweist wieder einmal seine Extraklasse. Beim Start überrumpelt der Weltmeister den aktuellen WM-Führenden Oscar Piastri und holt sich einen ungefährdeten Sieg beim vielleicht letzten Rennen in Imola. In der neuen Ausgabe werfen Ralf Schumacher und Peter Hardenacke einen Blick zurück auf diese Meisterleistung von Max Verstappen, besprechen die Leistung von Franco Colapinto und loten aus, ob es bald wieder ein F1-Rennen in Deutschland geben könnte. Jeden Dienstag nehmen euch Ralf Schumacher und Peter Hardenacke mit auf eine packende Reise hinter die Kulissen der Königsklasse des Motorsports. Überall, wo es Podcasts gibt.

Today on What's My Frame I'm joined by Director, Michael Medico. This episode is vibrate, filed with stories, laughs and inspiration! Michael shares the story behind his first short, BITCH which was shot for $66, premiered at Outfest, was a hit on the festival circuit before being named best short film of 2009 by Frontiers LA magazine. Michael shares his journey shadowing and the road to episodic directing. How he establishes trust and a partnership with his actors on set and so much more. This conversation recharged my creative battery, I hope y'all are just as inspired by Michaels creativity and say yes attitude!While working on his own projects Michael shadowed 13 different directors on TV shows: most notably Mark Mylod and Debbie Allen. Michael got his first directing job on television on "The Fosters" directing three episodes in the last two seasons including the first part of the three-part Series Finale. In the meantime, his mockumentary short "Walk It Out" premiered at the Palm Springs Int'l ShortFest and his short "Divorce: The Greatest Hits" premiered at the LA Int'l Shorts Festival. He was a recurring director on "The Fosters" spin-off "Good Trouble" for Freeform while also supervising new directors on the show. He directed multiple episodes of Netflix' "Atypical" including the Series Finale. And he's directed multiple episodes of Shonda Rhimes' "Grey's Anatomy" and its spin off "Station 19" for ABC and Ryan Murphy's "Dr Odyssey" "9-1-1" and "9-1-1:Lone Star." Michael is set to direct his feature debut - the Walden Media film adaptation of Robbie Couch's novel "The Sky Blues" and is developing a film with Dakota Johnson and Ro Donnelly's TeaTime Pictures. Michael received a BFA in Theatre from Boston University and brings to directing his years of experience working as an actor in film, TV and theater in NYC and LA. He was also the creator and executive producer of Hot in Hollywood, a celebrity-driven benefit that raised more than half a million dollars in three years for domestic and international AIDS organizations. He lives in Los Feliz with his husband, Brian, their daughter and son, Everly Rose and Bowie, and three silly mutts, Lady, Charlie and Patch.michaelmedico.com@michaelmedicola--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Casting Director, Jesse Griffiths. After more than a decade as an actor, Jesse pivoted to a career in casting, founding Jesse Griffiths Casting (JGC). Jesse's heart for championing inclusion and diversity in the casting process is evident in all facet's of her work. Hosting monthly workshops for the BIPOC Community; creating a safe space for artists to be heard, supported and given the freedom to crate at their highest level and most authentic self. Today Jesse shares the thought he put into crafting his office, from his own experience as an actor. A powerful takeaway from this episode is Jesse's advice for finding freedom in your work and sharing your take on the character. Dedicated to nurturing the next generation of artists, Jesse has taught at colleges and universities across Canada as well as countless other private institutions. He leads a monthly workshop for Toronto's BIPOC community and serves as a mentor at the Canadian Film Centre's Actors Conservatory.Jesse is a member of the Casting Society of America (CSA) the Casting Directors Society of Canada (CDC) and sits on the professional advisory committees for Seneca College, George Brown College, and Toronto Metropolitan University. He serves on the boards of the CDC, the Toronto Gay Hockey Association (TGHA), and Buddies in Bad Times Theatre—the world's longest-running queer theatre.A proud recipient of the ACTRA Toronto Sandi Ross Award, Jesse holds a BFA in Theatre Performance from Toronto Metropolitan University. Now let's get to the conversation! Follow Jesse Griffiths Casting on socials Visit Jesse Griffiths CastingResourcesBlack Screen Office Indigenous Screen OfficeACTRA--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

FastLetter - Una fonte buona dalla quale aggiornarsia cura di Giorgio TavernitiN. 54 - 12 Maggio 2025Di cosa parliamo* Il Collasso di Internet* Apple darà il segnale* AI Overviews è peggio di quello che pensi* AI Max di Google: un mondo senza Keyword* L'Internet Liquida sarà API First (o MCP)* La Realtà Aumentata* SalutiPremessa: Vi ho raccontato del WMF in Silicon Valley come parte del nostro Road to WMF 2025. Ci sono delle belle novità in arrivo. Il 29 Aprile si è svolto The Script Day: un evento online e gratuito dove alcuni dei Best PPC Influencers del 2025 ci hanno raccontato le novità sulla tematica. Mentre il 20 maggio si terrà la conferenza stampa del WMF.E poi ci sono due eventi partner nel Road To! Il primo è il SusHi Tech 8-10 maggio a Tokyo. Il WMF - We Make Future ha partecipato all'evento insieme al Comune di Bologna per ridisegnare il futuro delle metropoli.Il secondo è il Montemagno Live 2025, il tour che toccherà Milano, Torino, Firenze, Bologna e Roma! La tappa di Bologna del Montemagno Tour 2025 sarà al Teatro Europauditorium il 18 Maggio alle 21:00. E io ci andrò, visto che Bologna è la nostra città!Marco Montemagno salirà sul palco con un monologo di idee, humor e provocazione per affrontare le sfide future. Ci sarà anche un bonus esclusivo per accedere a un workshop gratuito su ChatGPT.Ci vediamo lì?Qui il sito ufficiale del Tour. Qui tutto il nostro RoadShow.IL COLLASSO DI INTERNETInternet, per come l'abbiamo imparata a conoscere, collasserà.Il potere economico si concentrerà nelle mani di pochi. La produzione di informazioni testuali sarà sempre minore, controllata, fatta da persone pagate in modo specifico per questo.Le voci autorevoli diminuiranno.Il mondo video resterà un mondo a parte, ma anche qui avremo un cambiamento con molta spazzatura e sempre meno valore, da andare a ricercarsi con cura.Questo è ciò che avverrà con la scusa dell'Intelligenza Artificiale.Se Google avesse attivato AI Overviews senza che ci fosse ChatGPT ci sarebbe stata una rivolta sociale. I guadagni di Google aumenteranno. Il traffico delle query informative non era poi così importante a livello economico per Google. Ma lo era per le aziende. Che alzeranno gli investimenti per compensare.I proprietari dei siti produrranno sempre meno contenuti informativi, perché non conviene.Sia chiaro: l'Intelligenza Artificiale Generativa è uno strumento utilissimo. Ma se c'è una possibilità che le cose possano andare male, questa possibilità sarà realtà.E non perché ci sono i cattivi in giro, ma perché il mondo nel quale tutti viviamo è un mondo che ha da molti anni una direzione chiaramente economica. Questa direzione, più l'azienda diventa grande, più diventa l'unico obiettivo da perseguire.Le aziende devono guadagnare. Non ci piove su questo.Non abbiamo però trovato il modo di proteggere il valore del mondo che viene distrutto da una cosa nuova.Attenzione. Voglio essere chiaro. Può essere che non ci sia alcun modo. Ma nessuno può saperlo perché non ci abbiamo nemmeno provato. Non vorrei però che passasse il messaggio del tipo: “hey, guarda che queste cose accadono sempre. Prendi Uber ad esempio…”Non è questo il caso. Qui stiamo parlando di toccare tutta la parte di condivisione della conoscenza in senso ampio. Cosa nascerà da questa era non lo sappiamo. Se l'Umanità si impigrisse perché non ha alcuna soddisfazione nel cercare qualcosa di nuovo da poi condividere, non sappiamo cosa potrebbe accadere.Vabbè, magari è un pensiero mio.Quando è nato il Web 2.0 sembrava una cosa solo FIGHISSIMA. Il frutto sono stati i Content Creator, che hanno subito mostrato il loro aspetto positivo, prima che le piattaforme ne approfittassero spremendoli e creando ambienti sempre più tossici, veloci, superficiali. Distruggendo poi i luoghi di discussione, cambiando radicalmente il significato della parola conversazione.Conversazione:Dal lat. conversatio -onis ‘il trovarsi insieme', der. di conversari ‘trovarsi insieme'.Oggi è io contro chi non la pensa come me. Risultato? Odio ovunque.Vabbè, magari è un pensiero mio.Però sogno da sempre un mondo consapevole che ragioni insieme sulle innovazioni e sulla tutela di ciò che abbiamo. Magari non c'è soluzione. Il problema principale però è la resa cognitiva. Non parliamo nemmeno più di come si potrebbe fare diversamente. Accettiamo e basta.E le Big Tech se ne approfittano, ovviamente, di questo.Se possono guadagnare di più senza alzare polveroni, legittimate dall'innovazione o dal doversi adattare, lo fanno senza alcuna preoccupazione di distruggere le realtà che fino ad ora hanno creato quel valore. Vabbè, magari è un pensiero mio.A livello personale non sono preoccupato. Io da sempre regalo tutto quello che ho. Ma ricordo cosa è successo con i blog. C'è stata un'era fiorente, molte persone scrivevano, conveniva. Poi non c'è stato modo di renderle indipendenti. Si sono fatte assumere e hanno smesso di condividere.Spero che questa cosa non avvenga con un più grande impatto. La mia paura più grande è che il danno più grande lo subiremo noi come esseri umani. Così come abbiamo perso la voglia di parlare davvero con qualcuno, di conversare, di approfondire…non vorrei che perdessimo la capacità e la voglia di condividere.Vabbè, magari è un pensiero mio.Tipo…Wikipedia non sarebbe mai nata da questo mondo.APPLE DARÀ IL SEGNALEÈ un po' di tempo che dico di cambiare il motore di ricerca interno dei siti e di mettere il proprio ChatGPT o Gemini attraverso un sistema con i RAG.Questo per due motivi:* è un sistema migliore* si possono iniziare a studiare i comportamenti del nostro target e comprendere meglio il nuovo mondoMa nonostante i vantaggi nel farlo siamo sempre troppo lenti. Ci sono però una serie di notizie che riguardano Apple che magari aprono un po' la mente: aldilà del cambio di naming da Search ADS a Apple ADS, quelli di Cupertino hanno fatto sapere che stanno parlando con Anthropic, OpenAI e Perplexity perché vorrebbero integrare la ricerca AI al posto della ricerca classica.Il tutto nel contesto del processo che vede sotto accusa l'accordo Apple-Google come motore di ricerca. Eddy Cue (Senior Vice President Services di Apple) ha detto che è vero che la ricerca AI ha una qualità peggiore, ma che le ricerche tramite Google sono calate.Google ha dovuto fare un comunicato stampa per smentire questo calo, affermando il contrario. Su Search Engine Land entrano nei dettagli di questa diatriba.Pensate a questa cosa: per anni si è pensato che Apple dovesse avere un suo motore di ricerca, oggi invece potrebbe fare un accordo per un modello ibrido e poi costruirselo più facilmente.Di sicuro c'è una strada importante: Apple sta pensando di sostituire il suo sistema interno di ricerca. È un segnale molto forte.Poi magari continuerà a portare avanti il suo accordo con Google e sostituirà Search con AI Mode, offrendo anche le alternative. Ma la strada è spianata: l'esperienza di ricerca sta cambiando radicalmente.Di sicuro su Google avremo l'AI Mode come default. Su questo tema vi consiglio il grande articolo di Gianluca Fiorelli: Why AI Mode will replace traditional search as Google's default interface.Troverete un sacco di spunti. Alcune cose le conoscete già perché io e Gianluca ci confrontiamo spesso e abbiamo una visione simile. Dal Search Journey a Discover in home.Altre invece sono nuove e di approfondimento anche per me.AI OVERVIEWS È PEGGIO DI QUELLO CHE PENSIQualche mese fa scrivevo che il calo di traffico dovuto ad AI Overviews avrebbe sicuramente portato un traffico più vicino alla conversione, ma che comunque avremmo perso un quantitativo di utenti importante. E suggerivo di salvare il tutto con Big Query.Sto leggendo in giro che questi utenti che stiamo perdendo sono traffico non molto utile, perché vogliono solo informazioni.Purtroppo non è così.L'AI Overviews non si attiva solo per le query informative semplici, ma anche per quelle complesse, dove la risposta la offrono e l'hanno sempre offerta i siti.Il problema principale riguarda però il fatto che questo traffico molto importante è da considerare come Awareness. Certo, per alcuni progetti il problema è principalmente economico. Un sistema basato sulle pageviews è destinato a chiudere. Per le aziende invece, significa perdere una grande fetta di Awareness. E a volte anche dei passi successivi del Customer Journey. È vero che le aziende dovranno produrre più contenuti e aumentare la quantità di volte che sono pertinenti. È vero che bisogna creare dei contenuti molto approfonditi.Ma la questione va focalizzata. Purtroppo ci perdiamo sempre in quello che accade oggi senza fermarci a riflettere. È Awareness molte volte.E per compensare questo traffico non si può pensare di fare un piano solo per entrare dentro AI Overviews, perché il quantitativo di persone che poi clicca è troppo basso.La parte di Awareness va potenziata andando a trasformare i contenuti informativi

Today on What's My Frame I'm joined by Actor & Poet, Paul Mabon. A Chicago native and son of an accomplished actor, Paul grew up having a front row seat to some of the best theater the city had to offer.Today we chat about Paul's journey in LA. From Progressive to The Pitt; Paul shares insight into the classes, mentors and mindset that have supportive his career along with his favorite audition story.  Outside of acting, Paul is also an avid poet and has appeared on Season V of Russell Simmons presents Def Poetry. One of his most meaningful accomplishments was earning a lifetime membership to The Actors Studio. How to Improve Your Improv: Commercials | The Business | SAG-AFTRA FoundationFollow Paul and Diverse Verses LA on socials--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Director and Author, Bethany Rooney. Bethany has directed more than 250 episodes of prime-time including Law & Order, Chicago PD, Law & Order SVU, The Rookie, Criminal Minds, Tracker and Chicago Med. This year she celebrates her 40th Anniversary as a Director. Today we chat about Bethany's creative process, advice for actor's from the directors perspective along with her and Mary Lou Belli's bestselling textbook, Director's Tell The Story.Bethany is a storyteller through and through. Known for her vivd imagination and strong leadership skills. Bethany ensures that every script is fully realized artistically and works to further elevate projects in performance. Bethany Rooney began her directing career on the 1980's iconic television show, St. Elsewhere, where she served as Associate Producer.Bethany also served as Producing Director on two series: Bull and The Originals. She has directed Oscar winners and Emmy contenders Denzel Washington, Hilary Swank, Mariska Hargitay, Angela Bassett, George Clooney, Alfre Woodard, Felicity Huffman, Sally Field, and Robert Downey, Jr., among many others. Her textbook on episodic directing (co-written with Mary Lou Belli,) "Directors Tell the Story," is seen as an authority on the subject and is in use in many university film programs, as well as most of the studio/network diversity education programs.She has served the Directors Guild of America in numerous ways: as a member of the National Board, co-chair of the Women's Steering Committee and member of the Western Directors Council. She co-created two of the industry's leading diversity director training programs: Warner Bros. (2012) and the DGA's Directors Development Initiative (DDI, 2015.) Teaching rising directors is one of the ways Bethany continues to learn about and love storytelling. Director's Tell the Story 3rd Edition available now atBethanyrooney.comKindleLIBBY--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Casting Director, Becca Burgess.Becca hails from the Los Angeles side of casting with an extensive background in TV and film, as well as casting projects on both West and East coasts. She has worked on several critically acclaimed projects such as SHRINKING and THE MENU which she received Artios Award nominations for in 2023 and 2024. Other credits include CANDY, ME & EARL & THE DYING GIRL, LAST MAN STANDING and THE DESCENDANTS: RISE OF RED. Becca also brings a unique eye to casting having previously worked on the agency side of the business. Now let's get to the conversation!CASTING CONSULTATIONS + ADVISEMENT SESSIONS with Becca Burgess Casting email beccaforactors@gmail.comFollow Becca on Instagram @becca_burgess--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Casting Director, Emily Cook. Emily is a native Angeleno with more than ten years experience across film and television. Notable credits include The Chilling Adventures of Sabrina , Paramount's Star Trek: Discovery and Hulu's How I Met Your Father. Having studied with The Lee Strasberg Theatre institute and the Steppenwolf Theatre Company, Emily has cultivated an understanding of how to collaborate with actors to hone performances that elevate the material.   Follow Emily on Instagram @emilycookcasting--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Kris and David are joined by Nathan K (one of our Patrons) to discuss the week that was April 2-8, 2005 in a show that Nathan dropped $50 on the Patreon for, letting him pick the week and sit in for a segment. Topics of discussion include:WrestleMania 21 (AKA WrestleMania Goes Hollywood) which featured John Cena and Batista being crowned as the WWE and World Champs, respectively, plus Kurt Angle and Shawn Michaels having a classic, Akebono and Big Show doing a little Sumo, the first Money in the Bank ladder match, and tons more.A WrestleMania I reunion at the Hall of Fame as Hulk Hogan and Roddy Piper lead the list of inductees and even Sylvester Stallone shows up to induct Hogan.Dwayne Johnson kisses and makes up with Vince McMahon.NOAH's plans for their July Tokyo Dome show.The end of an era in Japanese women's wrestling with The Crush Gals reuniting one more time as GAEA basically comes to a close.Ultimate Warrior gives a totally unhinged speech at the University of Connecticut.Kendo Kashin as Dragon Soldier B leaving quite impression at the ROH Best of American Super Juniors show.Drama backstage in TNA as they prepare for their first ever Lockdown show.TNA trying to secure a deal with Spike TV.This is a slam-packed show here, folks, so we hope you enjoy it!!Timestamps:0:00:00 WWE2:23:02 Classic Commercial Break2:27:24 Halftime3:07:53 Int'l: NOAH, BJPW, Dragongate, K-Dojo, Osaka Pro, WMF, AtoZ, GAEA, AAA, CMLL, Monterrey, & IWAPR4:05:22 Other USA: Ultimate Warrior UConn speech, ROH, CZW, NWA Wildside, IWA East Coast, CAPW, IWAMS, Wrestle Birmingham, PWG, & TNATo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Today on What's My Frame I'm joined by Casting Director, Emma Ward. Emma's credits include DC's Legends of Tomorrow, Riverdale, Supergirl and The Other Black Girl to name a few. In this special episode Emma and I chat about the craft, go inside the casting office and the importance of preserving your peace. Now lev'sget to the conversation!--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Kris and David are joined by Nathan K (one of our Patrons) to discuss the week that was April 2-8, 2005 in a show that Nathan dropped $50 on the Patreon for, letting him pick the week and sit in for a segment. Topics of discussion include:WrestleMania 21 (AKA WrestleMania Goes Hollywood) which featured John Cena and Batista being crowned as the WWE and World Champs, respectively, plus Kurt Angle and Shawn Michaels having a classic, Akebono and Big Show doing a little Sumo, the first Money in the Bank ladder match, and tons more.A WrestleMania I reunion at the Hall of Fame as Hulk Hogan and Roddy Piper lead the list of inductees and even Sylvester Stallone shows up to induct Hogan.Dwayne Johnson kisses and makes up with Vince McMahon.NOAH's plans for their July Tokyo Dome show.The end of an era in Japanese women's wrestling with The Crush Gals reuniting one more time as GAEA basically comes to a close.Ultimate Warrior gives a totally unhinged speech at the University of Connecticut.Kendo Kashin as Dragon Soldier B leaving quite impression at the ROH Best of American Super Juniors show.Drama backstage in TNA as they prepare for their first ever Lockdown show.TNA trying to secure a deal with Spike TV.This is a slam-packed show here, folks, so we hope you enjoy it!!Timestamps:0:00:00 WWE2:23:02 Classic Commercial Break2:27:24 Halftime3:07:53 Int'l: NOAH, BJPW, Dragongate, K-Dojo, Osaka Pro, WMF, AtoZ, GAEA, AAA, CMLL, Monterrey, & IWAPR4:05:22 Other USA: Ultimate Warrior UConn speech, ROH, CZW, NWA Wildside, IWA East Coast, CAPW, IWAMS, Wrestle Birmingham, PWG, & TNATo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

McLaren bleibt überlegen, doch Lando Norris verschenkt aufgrund seiner Anpassungs-Unfähigkeit beinahe den sicheren Doppelsieg und die WM-Führung. Alles zum zweiten Grand Prix des Jahres 2025 mit #PITWALK-Chef #NorbertOckenga und Formel 1-Reporterin Inga Stracke. Mehr zur neuen Ausgabe der Zeitschrift PITWALK mit dem großen Formel 1-Special findet Ihr hier: https://shop.pitwalk.de/detail/index/sArticle/124/sCategory/6

Der McLaren-Pilot Lando Norris hat das erste Formel-1-Rennen der Saison 2025 gewonnen. Norris setzte sich in einem von Regen geprägten Grand Prix von Australien gegen Max Verstappen in dessen Red Bull durch. Dritter wurde Mercedes-Mann George Russell. Lange Zeit sah es nach einem ungefährdeten Doppelsieg für McLaren aus. Doch der einsetzende Regen kurz vor Schluss warf Oscar Piastri weit zurück. Das nutzte Max Verstappen und betrieb im langsameren Red Bull mehr als nur Schadensbegrenzung. McLaren hat mit Abstand das schnellste Auto im Formel-1-Feld. Während Mercedes sich dank Russell und Rookie Andrea Kimi Antonelli die WM-Führung bei den Konstrukteuren teilt, erlebte Ferrari ein Debakel. Der SF-25 von Charles Leclerc konnte nie die Pace der Spitze mitgehen. Zusätzlich verzockte sich Ferrari bei der Strategie. Am Ende reichte es nur zu den Plätzen acht und zehn. Eine Sensation lieferte Nico Hülkenberg ab. Bei seinem ersten Rennen für Sauber fuhr der Deutsche auf Platz sieben ins Ziel. Damit hat Sauber bereits nach einem Grand Prix mehr Punkte als in der gesamten Formel-1-Saison 2024 geholt. Alle Antworten zum Auftakt des Formel-1-Jahres 2025 bekommt ihr in einer neuen Folge Formel Schmidt!

Today on What's My Frame I'm joined by the incredible, Marci Liroff. Marci has been involved with filmmakers as a casting director, producer, and acting coach for the last 40+ years. Her extensive credits as a casting director span more than 60 films and several television series.In 2019, Marci completed an extensive training course with the premier Intimacy Coordinator, Amanda Blumenthal of Intimacy Professionals Association (IPA) and is a Certified Intimacy Coordinator. Current credits range from indie films to tv series. She was the IC the Colin Farrell Apple + series Sugar and on the second and third seasons of the STARZ series, Hightown. She spent nine months on location working on the series.Her casting experience is vast. While working at the renowned casting office of Fenton-Feinberg Casting she, along with Mike Fenton, cast such films as Bob Clark's A Christmas Story and Porky's; the Academy Award-nominated Poltergeist; Steven Spielberg's E.T.- The Extra Terrestrial and Indiana Jones and the Temple of Doom, and Ridley Scott's Blade Runner.After establishing her own casting company in 1983, MARCI LIROFF CASTING, Marci cast several successful films including Footloose, St. Elmo's Fire, Pretty in Pink, The Iron Giant, The Spitfire Grill, Untamed Heart, Freaky Friday, Mean Girls, Ghosts of Girlfriends Past, Mr. Popper's Penguins, Vampire Academy, Magic Camp and The Sublime and Beautiful, which she produced as well.As an ally to the LGBTQIA + community, Marci has supported the national group GLSEN (Gay, Lesbian, Straight Education Network) which works to ensure that LGBTQIA + students are able to learn and grow in a school environment free from bullying and harassment. Liroff has coached their student ambassadors along with the president of the organization, Eliza Byard, for their yearly GLSEN event.Marci is a proud member of The Academy of Motion Picture Arts and Sciences, The Teamsters 399 and The Casting Society of America, CSA, where she served on the Board of Governors.Marci Liroff ICIntimacy Coordinator ResourcesStandards and Protocols for the Use of Intimacy Coordinators--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Director, Actor, Writer & Producer, Nell Teare. Nell is a force of nature and beautiful soul within our industry. Today she shares the chapters of her career that lead her to her calling as a director. From her time at Tisch, her successful career as an actor to 2012 when she started working behind the camera. Since becoming a director she's completed countless projects including feature and short films, commercials, live stage performances, pilot presentations, music videos and more than a dozen foreign language dubs for Netflix, Disney+ and Amazon. Today Nell shares her creative process and the lessons she's learned in her indie film journey along with some beautiful inspiration behind her passion for shooting on film. Nell is also a prolific dub director and shares insight into that part of the business. I was introduced to Nell last year by a mutual friend and quickly knew I had met a fellow kindred, creative spirit, I so respect the heart she pours into each and every one of her projects! I'm so excited to share this special conversation with y'all, now let's get to the conversation.  ⁠⁠The Rise of Live Action Dubbing: Expanded Opportunities for Actors⁠⁠ --What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

#outlawleecondry #leecondry #prowrestling #gmbmpwWelcome to Episode 81 of Give Me Back My Pro Wrestling (@gmbmpw) with your hosts and brothers, Jimmy Street (@jamesrockstreet) and "The Plastic Sheik" Jared Street, our action figure expert! We're also bringing along our territory wrestling guru and co-host, Quinton Quarisma! Listen in as they join forces and tackle the world of Professional Wrestling!Today we welcome 'Outlaw' Lee Condry to the show! From Brian Cheatum's WMF, Porter & Bert, HWA & SAW, his time as a bail bondsman/bounty hunter, all gave him some great stories! Of course, we gotta cover his longtime friend & tag partner Brian Lee too! We also discuss the time that Lee helped Jimmy book at NWA Main Event! This one was fun! Enjoy!Visit our Give Me Back My Pro Wrestling podcast page! https://podcasters.spotify.com/pod/show/gmbmpwFOLLOW & SUBSCRIBE:https://facebook.com/gmbmpwhttps://facebook.com/groups/gmbmpw/https://instagram.com/gmbmpwhttps://twitter.com/gmbmpwhttps://www.youtube.com/@GMBMPWCheck out Sheik's Shorts: https://youtube.com/playlist?list=PL0oL-yrnIHtlaVHamAApDquYBXeGaHS8vCheck out host Jimmy's podcast Live and In Color with Wolfie D: https://podcasters.spotify.com/pod/show/wolfiedVISIT OUR AWESOME SPONSORS!-STEVE BOWTIE BRYANT'S 1993 "Unbeatables" trading card sets (LIMITED QUANTITIES!): Contact stevebowtiebryant@icloud.com-CHW, Championship Honor Wrestling, 1935 TN-12 Ashland City,TN https://www.facebook.com/profile.php/?id=61564165382800ADVERTISE WITH US! For business and advertising inquiries contact us at gmbmpw@gmail.comVery Special Thanks To: -Sludge (@sludge_cast) for the "Give Me Back My Pro Wrestling" entrance theme!-Tracy Byrd and A Gathering Of None for the "Sheik Fell Down A Rabbit Hole" & "Name Game" theme songs! Support them at these links: https://agatheringofnone.bandcamp.com/ https://agatheringofnone.bigcartel.com/ © 2025, jamesrockstreet Productions

Today on What's My Frame I'm joined by Voice Actor, Puppeteer and Writer, Stacia Newcomb. As a puppeteer, Stacia was literally the "Star" of The Good Night Show. Whether it's Commercials, Radio, Video Games or Animated series; Stacia loves being in the booth. Notable credits include Dunkin' Donuts, AT&T, Chevrolet and Crayola to name just a few. Today Stacia is sharing lesson's from her career, what inspired her to open Sound And The Furry where she directs, coaches and hosts industry Workshops for voice-actors to connect with industry professionals, hone their craft and create meaningful, impactful work. Now let's get to the conversation!To learn more visit SoundAndTheFurry.com StaciaNewcomb.com--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Actress, Director and Writer, Marla Sokoloff. Marla's resume spans from iconic 90's sitcoms like FULL HOUSE, BOY MEETS WORLD & HOME IMPROVEMENT to THE PRACTICE where she brought Lucy Hatcher to life for more than 100 eps. Marla now beautifully balances a career as an actress, writer, director and mother. We dive into the different chapters of her career, her creative process and how her career an as actor has influenced and empowered her work as a director. Now let's get to the conversation!--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

#chrisgatlin #suddenimpact #prowrestling #gmbmpwWelcome to Episode 80 of Give Me Back My Pro Wrestling (@gmbmpw) with your hosts and brothers, Jimmy Street (@jamesrockstreet) and "The Plastic Sheik" Jared Street, our action figure expert! We're also bringing along our territory wrestling guru and co-host, Quinton Quarisma! Listen in as they join forces and tackle the world of Professional Wrestling!Today we welcome Chris Gatlin to the show! Whether you call him Chris or Rusty, he had a heckuva run in the business. From tagging with his Sudden Impact partner, Stunning Steve Lane to working for Tony Falk, Mike Porter & Bert Prentice to The Devils attacking his wife to his time in Brian Cheatum's WMF to getting a TNA tryout match! We're covering it all! Enjoy!Visit our Give Me Back My Pro Wrestling podcast page! https://podcasters.spotify.com/pod/show/gmbmpwFOLLOW & SUBSCRIBE:https://facebook.com/gmbmpwhttps://facebook.com/groups/gmbmpw/https://instagram.com/gmbmpwhttps://twitter.com/gmbmpwhttps://www.youtube.com/@GMBMPWCheck out Sheik's Shorts: https://youtube.com/playlist?list=PL0oL-yrnIHtlaVHamAApDquYBXeGaHS8vCheck out host Jimmy's podcast Live and In Color with Wolfie D: https://podcasters.spotify.com/pod/show/wolfiedVISIT OUR AWESOME SPONSORS!-STEVE BOWTIE BRYANT'S 1993 "Unbeatables" trading card sets (LIMITED QUANTITIES!): Contact stevebowtiebryant@icloud.com-CHW, Championship Honor Wrestling, 1935 TN-12 Ashland City,TN https://www.facebook.com/profile.php/?id=61564165382800ADVERTISE WITH US! For business and advertising inquiries contact us at gmbmpw@gmail.comVery Special Thanks To:-Sludge (@sludge_cast) for the "Give Me Back My Pro Wrestling" entrance theme!-Tracy Byrd and A Gathering Of None for the "Sheik Fell Down A Rabbit Hole" & "Name Game" theme songs!Support them at these links:https://agatheringofnone.bandcamp.com/https://agatheringofnone.bigcartel.com/© 2025, jamesrockstreet Productions

Today on What's My Frame I'm joined by Casting Director, Susan Shopmaker. For over two decades, Susan has been a recognized name in the world of independent film for her work as a casting director on numerous award-winning films. From large ensembles to small-scale intimate dramas. Susan's ability to perfectly match an actor and role has been showcased in Martha Marcy May Marlene, Beach Rats, The Holdovers, Life Itself & The Iron Claw. In 2018 Susan won the Artios Award for Eliza Hittman's Beach Rats and previously won an Artios for Sean Durkin's acclaimed Sundance drama Martha Marcy May Marlene. Susan Shopmaker CastingFollow Susan on IGSusan's additional credits include: Paul Schrader's First Reformed, The Card Counter and worked on his latest,  The Master Gardener. Susan also cast John Cameron Mitchell's cult classic Hedwig and the Angry Inch, John Slattery's God's Pocket & Maggie Moore(s), Michel Franco's Chronic (Cannes 2015 Award Winner & 2017 Spirit Award Nominee), Franco's Sundown (2021), and The Nest for Sean Durkin.What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Emmy nominated executive producer, Michael Costigan.  Michael's credits include LESSONS IN CHEMISTRY, BROKEBACK MOUNTAIN, AMERICAN GANGSTER & BLACK RABBIT to name a few. Today we're diving into one of Michael and Aggregate Films newest hit's BASED ON A TRUE STORY and how he and the team helped bring this fabulous, dark comedy to life! Michael is a film and television producer based in Los Angeles. He's a partner at Aggregate Films, a production company he founded with Jason Bateman which creates film, television, documentary and unscripted programming. Now let's get to the conversation.BASED ON A TRUE STORY S2 now streaming on Peacock  -- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠What's My Frame? official site⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Casting Director, Amber Horn. Amber is a two-time Emmy winning casting director with a clear heart for actors. Today Amber and I go inside the casting office to discuss her process and advice for actors. Amber shares her experiences in the positive evolution towards authenticity in casting; how powerful it is for especially young performers to see themselves on screen. Amber shares encouraging reframing towards zoom and virtual auditions for actors that I personally will be taking into my next virtual appt. Amber and her casting partner, Danielle immediately made a splash in the entertainment industry when they opened their office Aufiero / Horn Casting. Their longstanding relationships with studios, production companies, and directors have allowed them to cast for a variety of projects. With over 75 feature, pilots and series collectively; the pair have earned multiple Emmys and Artios Awards for their work. With credits like THE 100, ANDI MACK, AWKWARD, THE BABY-SITTERS CLUB & LEO. Amber and I have lots to talk about in today's episode including some excellent advice for young performers. Now let's get to the conversation. If you're interested in working with Amber or learning about upcoming classes please email classeswithamber@gmail.comCurrent Classes: Behind the Scenes of Auditioning - A two week class Sunday, March 23rd and Sunday March 30th from 9:00 AM - 11:00 AM Register here: https://schedulewithamberhorn.as.me/March2025---What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by Director, Writer, Actress, and Producer, Nadine Crocker. This conversation is an inspiration and reminder for all storytellers about the importance of championing for your art, believing in divine intervention and how much your art and your voice matter.  Today Nadine takes us on the creative journey of making, CONTINUE. Based on Crocker's life and the true story of surviving a suicide attempt when she was 23. Nadine wrote, directed, and produced alongside her producing partner, Jay Seals, and Husband, Anthony Caravella-Crocker. The film's message is focused on suicide prevention with the hope of saving lives from suicide. Part of the film's proceeds go to charity, including the Continue On Organization for Mental Health and Suicide Prevention. Nadine's greatest desire is to create IMPACT and change the world through storytelling and art. Now let's get to the conversation. What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week: the Los Angeles wildfires. The Art Newspaper's West Coast contributing editor in LA, Jori Finkel, tells our associate digital editor, Alexander Morrison, about the devastation in Southern California, and its effect on artists and institutions. The World Monuments Fund (WMF), the independent organisation devoted to safeguarding global heritage has released its biennial World Monuments Watch, a list of 25 sites that are potentially threatened. The aim of the list is, according to the WMF to “mobilise action, build public awareness, and demonstrate how heritage can help communities confront the crucial issues of our time”. Ben Luke talks to John Darlington, the director of projects for WMF Britain, who also reflects on the future of the organisation's project to train Syrian refugees in stonemasonry skills, in the wake of the change in government in Syria. And this episode's Work of the Week is All About Painting in Colour: An Illustrated Book, a portfolio in two volumes made by the leading artist of the late Edo period in Japan, Katsushika Hokusai. The last of his drawing manuals, made by the artist at the very end of his life, it features in a new book, Hokusai's Method. We talk to Ryoko Matsuba, one of the authors of the new book.Hokusai's Method, with texts by Kyoko Wada and Ryoko Matsuba, is published by Thames and Hudson. It is out on 23 January in the UK, and priced £35, and on 4 February in the US, priced $45.The Art Newspaper's book The Year Ahead 2025, an authoritative guide to the year's unmissable art exhibitions, museum openings and significant art events, is still available to buy at theartnewspaper.com for £14.99 or the equivalent in your currency. Buy it here. Hosted on Acast. See acast.com/privacy for more information.

Today on What's My Frame I'm joined by Director, Brenna Malloy. Brenna has directed episodes of 9-1-1, 9-1-1: Lone Star, FBI, Law & Order: Organized Crime, Chicago Fire, FBI: International, and Chicago PD. Brenna served as Supervising Producer, as well as directed half of the first season of On Call for Wolf Entertainment and Amazon. Her MFA thesis film Rocket, a story about a female racecar driver, throws the audience into the world of 1950s dirt track racing. The half hour short earned a Student Academy Award in 2016 and screened in more than 40 festivals in eight countries. Before breaking in to television Brenna was a participant of Ryan Murphy's Half Initiative in 2018, and a fellow of the 2019-20 NBC Female Forward program. I had the joy of working with Brenna on my first episode of ON CALL and I became an instant fan of her work, her work ethic and the collaborative environment she creates for everyone on set. I'm so excited to have Brenna join us on the show, now let's get to the conversation! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on What's My Frame I'm joined by ⁠Dr. Oren Gottfried⁠. Neurosurgeon by Day, Lead TV Medical Consultant by Night. Logline for your new favorite show... not quite. This conversation is a pod first and I'm so thankful that Dr. Gottfried made the time to join us. Today we're going behind the scenes of our favorite medical procedurals to how they authenticity take the audience on emotional journeys each week with the help of real medical professionals. Dr. Gottfried is a Neurosurgeon and Professor at Duke University. In addition to clinical and academic work, he provides creative and technical expertise as a medical consultant and writer for Chicago Med, Brilliant Minds & The Good Doctor among others. Dr. Gottfried openness to help others in understanding his world of medicine paired with a cold-call from a producer in 2010 opened a whole new chapter in his work. This conversation is full of insight, education and empowerment. For anyone that's had nerves or hesitation working on medical procedurals, we're here to help. I've been blessed to work on a number of medical shows and bring my background as a first responder to the role. On each set I've been so impressed with the care and attention to detail the medical consultants bring to the set and script. My hope is this conversation will be a lasting asset for actors, giving you insight into the world so that you can create at your highest level. Thank you to Dr. Gottfried for sharing his love of medicine and the craft with us today. Now let's get to the conversation!  Have a question for Dr. Gottfried? He's kindly shared his ⁠email⁠ with the WMF community. ⁠Hollywood, Health and Society⁠ --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠What's My Frame? official site⁠⁠

Today on What's My Frame I'm joined by Casting Director, Skyler Zurn. Skyler has created a successful career in casting working with some of the most respected offices in town. Her credits include LOVE LIES BLEEDING, THE FALL GUY, PAM & TOMMY, GLASS ONION - KNIVES OUT, THE GOOD NURSE and THIS IS US to name a few. Working with successful independent offices as well as spending time at the Studio and Network levels has given Skyler the opportunity to experience all genres and a wider aspect of the industry. Skyler is now starting her journey as a Casting Director; she wants to continue to build relationships and work with up-and-coming producers and directors, making their talent visions come to life on the screen. Now let's get to the conversation! Audition Coaching Self-Tape Review --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Director, Colin Theys. Colin turned a love of movies, obsession with technical, and acting hobby into a career making films. Colin believes a good director should know what everyone on set does and how they do it, setting the tone for the cast & crew with his energy. You'll usually find Colin standing by camera, close to the performance. Today Colin shares his creative process, gives us a rare look behind the scenes of fan favorite Holiday and Romance TV movies along with some excellent advice for young creatives.  Now let's get to the conversation and take Colin excellent advice "you follow the opportunities where they lead"   Follow Colin on Instagram Colin's Director Demo --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Casting Director, Abby Gruenewald. Abby has quickly made a name for herself in LA working with some of the busiest offices in town on shows like STATION 19, STAR TREK: SECTION 31, FIRE COUNTRY and SHERIFF COUNTRY. Beyond the episodic world, Abby works in commercials, indies and if you get the opportunity to work with Abby in class I highly recommend! In today's episode, Abby takes us inside the casting office. Having only known the virtual era of casting and self tapes Abby's perspective on the casting process is refreshing. I was introduced to Abby when I auditioned and worked on STATION, to this day one of my favorite experiences for many reasons including working with the incredible casting team!  From casting viewing parties to see how our auditions came to life; to Abby's beautiful reminder to be yourself; this episode is full of laughs, heart and creativity. I hope y'all have half as much fun listening as we did recording. I'm so excited to see where Abby's career takes her and her talent!  Now let's get to the conversation! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Director and Executive Producer, Ken Girotti. I had the joy or working with Ken last season on FBI: Most Wanted; I'm so excited to spotlight his work, process and creativity here on the pod. In today's episode, Ken shares favorite memories from his early days acting, the creative mentors and inspiration that have shaped his process as a director along with some favorite memories from past projects like VIKINGS, PURE & ANNE with an E. Ken takes us inside the FBI Universe and shares how fan favorite cross over episodes come to life. He walks us through how episodic directors have evolved like actors and casting in the era of virtual auditions and shares some empowering advice for actors on how to craft their best audition.  Ken's ability to hold space for actors and listen is a gift to work with and one of the many reasons why I wanted to have him join me for a conversation. Ken spotlights not only the creative but business side of the industry while being a collaborative, compassionate team player. Thank you to Ken and his team for making this episode possible, now let's get to the conversation. Episodic Director Shadowing Programs: DGA - Television Director Development Programs Paramount Directing Initiative NBCU Launch Sets TV Directors Program's Class Of 2024-26 --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Voiceover Casting Director, Carroll Kimble. In today's episode Carroll shares insight from her over 25 years as a Casting Director and educator along with empowering resources and advice for voiceover actors.  Carroll's bio reflects her sense of humor and unique understanding of the business by stating "she hears voices". No... not of little men from outer space, but voices of radio, television, film and animation.  They're the same voices we all hear, she just hears them differently.  She hears the complexities and nuances that make them unique, the texture, tone and character that professional voiceover actors possess.  Not only does she know a great voice when she hears one, but she can give them the direction they need to fit any project.  Whether it's selling beer or luxury cars, from industrial narration to cartoon characters, she makes them all special. I'm so glad to have Carroll join us for this special episode. Now let's get to the conversation! To learn more about Carroll's classes click here Follow Carroll on Instagram Carroll Casting Actor, Agent, Casting and the Business of Voice Acting | The Business | SAG-AFTRA Foundation --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Jeremy O'Keefe. Jeremy is an award-winning director, writer, producer, casting director and educator. His second feature, Somewhere Slow won Best Narrative Feature at the Brooklyn Film Festival, was released theatrically by Screen Media. Currently he is producing and casting the feature films including Eyes in the Trees (Anthony Hopkins, Jonathan Rhys Meyers), The Wolf and the Lamb (Angus Macfadyen). Jeremy spent over nine years in TV comedy with Greenstein / Daniel Casting and Sherie Hernandez Casting in Los Angeles, earning him both Artios and Heller nominations. He's worked with every major network and streaming platform. Hightlights include Mindy Kaling's ground-breaking Netflix series, Never Have I Ever, the Carol Burnett / Amy Poehler pilot Household Name for ABC, the first 2 seasons of TVLand's Teachers and the final 2 seasons of Key and Peele (both with Sherie Hernandez). In addition to casting, as an educator, Jeremy has been on the faculty at AMDA and a guest for Wallace State, Webster University and American Academy of Dramatic Art. He teaches mindfulness-based audition technique across the country. He is committed discovering and fostering original, authentic talent and maximizing the positive impact TV, film and theatre can have on its audiences, and the world. Follow Jeremy on IG @jeremyokeefe --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Emmy nominated and Artios award winning casting director, producer, writer/director, and educator Erica Arvold. Erica has contributed to the making of over 150 films, 90 television shows, and countless multimedia & commercial projects. She recently won an Artios Award for Dopesick and has been nominated five additional times. Casting credits include Burden of Proof, Black Adam, Tell Me Lies, Red Notice, The Game, The Good Lord Bird and Dopesick to name a select few. As an advocate for artists, she has spoken, moderated panels, and mentored filmmakers at Austin Film Festival Screenwriters Conference, Independent Television Festival, Richmond International Film Festival, and Virginia Film Festival, among others. In 2010, Erica founded arvold.education to cultivate artistic growth in actors and filmmakers, which quickly expanded into Arvold Warner Studio. Her collaboration with teaching artist/actor/director Richard Warner focuses not only on actor training but also how artistry can improve life. Learn more about Arvold Warner Studios! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by writer, producer and director, Angela Harvey.  Angela's television credits include Teen Wolf (MTV), Salvation (CBS), Station 19 (ABC) and American Horror Stories (FX). She's also an independent film producer and director, recently premiering her latest short at the Austin Film Festival.  Angela takes us into the writers room sharing how the team breaks story. The reasons why our pages sometimes change after we're booked. Her creative process including an inept look at how she brought together her creative community during the strikes to create her powerful short WOMEN DIES ALONE staring Barrett Doss.  Along with her work in entertainment, Angela is a long-time volunteer policy advocate with CARE and is proud to serve on the Board of Directors for CARE's political advocacy arm, CARE Action. She also serves on the Board of Directors for the Writer's Guild of America's PAC and as co-chair of the Think Tank for Inclusion and Equity (TTIE). TV writers dedicated to expanding the voice and reach of under-represented peoples in the entertainment industry. Now let's get to the conversation! Women Dies Alone / IMDb --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by SAG-AFTRA Executive Director, Contract Enforcement & Strategy, Jennifer Gaudry. I want to say a very special thank you to SAG AFTRA for making today's episode possible! Grab your notebooks, today we're talking about the business and understanding residuals! It's no secret I'm a union girl, I'm so thankful for our incredible SAG-AFTRA staff and their dedication to our protections. I'm truly grateful for the opportunity to spotlight the invaluable work the staff do behind the scenes daily on our behalf. Jen and I cover a lot in this episode, please check out the show notes below for additional resources. Regardless of how long you've been in the union I'm confident you'll learn some valuable lessons. We're covering what residuals are, how compensation is paid to performers for use of a theatrical motion picture or television program beyond the use covered by initial compensation, when residuals are paid, how residuals are calculated, how to track them and so much more. Contact the Residuals Department: residualsmail@sagaftra.org 323-549-6507 Residuals Portal / SAG-AFTRA Go green! Sign Up for Residuals Direct Deposit Unclaimed Residuals Calculating High-Budget Subscription Video on Demand Residuals: Demystifying the Residuals Payment Process Understanding Residuals for SAG-AFTRA Performers Learning the Ins and Outs of Residuals Foreign Royalties SAG-AFTRA Residuals Tracker Thank you again to SAG-AFTRA for making this episode possible, now let's get to the conversation! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Casting Director Sandi Logan. I've had the joy of working with Sandi a few times; listening to her stories and learning from her insight is a gift. I'm so excited to have her joining us on the show today not only to discuss the creative aspects but the business side of our industry. Sandi walks us through the creative chapters of her career in casting. Shares encouraging perspective when you're being called in repeatedly for a project. We discuss the approval process and continued evolution of television; and so much more. Now let's get to the conversation! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined Mary Lynn Wissner, award winning Casting Director and founder of Voices Voicecasting with over 25 years of experience. Mary Lynn has been hearing and casting the perfect voices for thousands of TV, radio, animation, film, games, virtual reality, industrials, podcasts, documentaries, toys, e-Learning, IVR, audiobooks, promos, events and dubbing productions.  Mary Lynn is always listening; she hears voices, she delights in nuance and texture; she seeks out the character and the unexpected, she knows tone and delivery…and she knows how to direct talent to get the perfect read.  In today's episode Mary Lynn takes us behind the scenes on her casting process, empowers actors to find their most authentic read, encourages them on how to build a firm foundation in Voiceover and so much more. Now let's get to the conversation! Learn more about: The VO Pros and Private coaching with Mary Lynn --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Emmy winning Casting Director, Julie Schubert. Julie shares her career origin including time spent with Juliet Taylor and Ellen Lewis true casting legends. After an extensive apprenticeship with Juliet and Ellen, Julie began her career as a Casting Director.  Some of her most notable credits include award winning series HOUSE OF CASRDS, UNDER THE BRIDGE, THE DIPLOMAT, DAREDEVIL, & MINDHUNTER to name only a few. Julie shares her keen eye for authenticity with us and how she shapes an audition based on what's on the page and the actor's energy. She explains why education and continued education are key. I have admired and respected Julie's work for years! I'm so thankful to have her join us for this very special episode of What's My Frame, now let's get to the conversation! 10 Takeaways from Casting Masterclass with Julie Schubert | The Business | SAG-AFTRA Foundation @julieschubertcasting --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My Frame I'm joined by Writer, Producer & Showrunner Mike Royce.  Mike shares his journey and cast of charters that have supported his career from NY stand up to helping craft some of our most believed comedies like Everybody Loves Raymond, Netflix's One Day at a Time & Men of a Certain Age. Mike's an excellent example of community and paying it forward through his work with the WGA Foundation and Writers' Access Support Staff Training Program. In today's episode Mike takes us into the writers room, shares insight into the world of being a showrunner, gives perspective for actors regarding table reads and so much more!Join us for this honest, insightful look at our beloved industry along with a few laughs and rewrites! Now let's get to the conversation! --- What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠ Join the WMF creative community now! What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Kris and David are joined by Kaia McKenna (@KaiaMcK) to discuss the week that was September 25-October 1, 2006. Topics of discussion include:Vince Russo making one of his many returns to TNA creative the same weekend that Kurt Angle made his surprise debut.Dixie Carter giving a crazy interview about TNA's drug policy in stemming from concerns about Angle coming in.Buff Bagwell and Lex Luger showing up on Impact to support their buddy Sting.Lots of questions about Antonio Pena's health popping up in AAA.Mistico winning Black Warrior's mask at the big CMLL Anniversario Show.The story of Vampiro's RXLL promotion falling apart.Low-Ki winning IWA Mid-South's 2006 Ted Petty Invitational, with a full rundown of the tournament.WWE taping TV in Oklahoma but not doing any angles humiliating Jim Ross for once.Eric Bischoff returning to plug his book on Raw.The greatness of the early Cryme Tyme vignettes.Hardcore Holly suffering a severe gash on his back in a match against Rob Van Dam on ECW on Syfy continuing the match like it was nothing.The sorry state of SmackDown as a TV show at the time.All of this and so much more on a great episode of BTS!Timestamps:0:00:00 TNA2:01:46 Eurasia: AJPW, NJPW, Zero-One, BJPW, Dragongate, El Dorado, The Great Sasuke, Michinoku Pro, MUGA, Union Pro, WMF, Shinobu Kandori, JWP, M's Style, Sendai Girls, SUN, Frank Andersson, RoE, & BCW (Scotland)2:35:09 Classic Commercial Break2:39:25 Halftime: “Mr. McMahon” on Netflix Edition3:38:39 Other North America: BSE, AAA, CMLL, AULL, IWRG, RXLL, Univision sale, & IWAPR4:09:26 Other USA: NWS, LSW, World-1, IWAMS, & Rikishi arrested4:37:47 WWETo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Hi everyone! Today on What's My Frame I'm joined by Casting Director, Cassandra Han.  Cassandra is a true gem and I know you're going to love this episode and learn so much. We dive into the Italian vs German market, UK & US markets and take on the often misunderstood Global Rule One. If you've ever been curious about working in another market grab your notebook because Cassandra is sharing her prolific insight and experiences navigating and casting in numerous markets!  Cassandra began casting in the early '90s in New York. She was a founding member of Ethan Hawke's NY theater company Malaparte. She holds an MFA in acting from Trinity Repertory Company and a Bachelor of Arts from the University of Pennsylvania. After moving to Europe in '03, Cassandra now specializes in crossing over between the European and UK/US markets, casting in German, Italian and English. Cassandra is President of the CSA European Board of Governors and a Board Member of the International Casting Directors Association (ICDA). A founding member of the Italian branch of Women in Film, Television and Media, she is also a member of the European Film Academy and the Deutsche Filmakademie. Recent credits includes two Paramount+ series: a German Original entitled ONE TRILLION DOLLARS (Wiedemann & Berg TV) and American roles for the Italian Original MISS FALLACI (Casting by Maurilio Mangano). UK Casting includes the upcoming Italian Netflix series STORIA DELLA MIA FAMIGLIA (Casting by Davide Zurolo). She also just closed the cast of a Somali-language feature, SAMIA, based on the true story of a female Olympic athlete from Mogadishu.  Casting Italy credits include James Mangold's Oscar-winning FORD VS FERRARI (Casting by Ronna Kress), Terrence Malick's A HIDDEN LIFE (Casting by Anja Dihrberg) and two seasons of Gaumont Germany's Netflix series BARBARIANS (Casting by Iris Baumüller). Other recent credits include co-casting with Marta Kownacka on the award-winning Polish WWII feature FILIP from Akson Studios (Veronika Migoń casting award nomination); US roles for the Latvian/Italian feature MASAS; the quirky French/Indian animated film SCHIRKOA; Dror Zahavi's feature about a Palestinian-Israeli youth orchestra, CRESCENDO; and UK casting for the ARD series EIN HAUCH VON AMERIKA Cassandra Han SAG-AFTRA Global Rule One --- What's My Frame, hosted by ⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Today on What's My I'm joined by Casting Director, Ally Beans. In today's episode Ally I and I talk all things Independent Film and Casting! From the benefits of having a casting director in your film's creative team to the audition process and so much more... "Word Salad" more to be specific!  Ally's work in casting has garnered her 3 Artios Nominations, 2 Heller Nominations, and a Heller win. Her film projects have played at Sundance, SXSW, TIFF, Tribeca, and Venice, among other major festivals. Now let's get to the conversation!  Allybeanscreative.com --- What's My Frame, hosted by ⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠ Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support