Podcasts about lozar

We are introducing you to the 261st Album of the Week - compilation 'Tko to zove ime moje', talking to Boris Štok and Natalli, offering the HR Top 40 chart changes and bringing the local music news. Parni valjak - Otkad te ne viđam često, Croatia (3:32) Leteći odred - Pritisni me, Croatia (3:08) Pavel - Do mjeseca, Dallas (3:00) Elvis Sršen - Kriza, Menart (2:50) Boris Štok i Ida Prester - Kraj kojim počinje sve, Aquarius (4:25) Rajko Dujmić & El Nino & Ricardo Luque - Tonka, Croatia (3:37) Rišpet - Zaboravi, Hit (3:46) Petar Grašo - Šta bi ja bez tebe, Tonika (3:43) Saša Lozar i Tonka - Lom, Agapa (3:05) Denis Kelher - Posljednja stanica, Dallas (3:27) Tedi Spalato - Kapja uja, Scardona (3:45) Natalli - Laku noć, Aquarius (3:55) Nina Badrić - Moji ljudi, Aquarius (3:36) Jakša Jordes - Baba je pukla, Dancing Bear (3:02)

V okviru cikla Zvoki mladih Glasbene mladine ljubljanske je novembra 2023 v Rdeči dvorani ljubljanskega Magistrata nastopila flavtistka Katarina Lozar s pianistko Katalin Peter. Katarina Lozar se je s flavto prvič srečala pri osmih letih v glasbeni šoli Vinka Vodopivca v Ajdovščini pod mentorstvom Armanda Mariuttija, leta 2000 pa je opravila sprejemne izpite za študij na ljubljanskem Konservatoriju za glasbo in balet, kjer je bila njena mentorica Liza Hawlina. Na koncertu je izvedla Sonatino Pierra Sancana, Sonato v G-duru, št. 1, op. 2 L'Henriette Michela Blaveta ter Tango Vita Žuraja.

Talking Out Your Glass podcast kicks off 2024 with our first episode of Season 9! This  fascinating panel discussion on flameworking features four of the technique's most well-known artists: Paul Stankard, Carmen Lozar, Dan Coyle aka coylecondenser and Trina Weintraub. At different points in their careers, these four artists compare and contrast their journeys and experiences working glass behind the torch.  Considered a living master in the art of the paperweight, Paul Stankard's work is represented in more than 75 museums around the world. Over his 52-year artistic journey, he has received two honorary doctorate degrees, an honorary associate's degree, and many awards within the glass community, including the Masters of the Medium Award from Smithsonian's The James Renwick Alliance and the Glass Art Society's Lifetime Achievement Award. He is a Fellow of the American Craft Council and a recipient of the UrbanGlass Award—Innovation in a Glassworking Technique.   Stankard's current exhibition From Flame to Flower: The Art of Paul J. Stankard can be seen at the Morris Museum, Morristown, New Jersey, now through February 4. A documentary film titled Paul J. Stankard: Flower and Flame by award-winning filmmaker Dan Collins, premiers on January 31. On March 16, the film will be shown at Salem County Community College, Carney's Point, New Jersey, at the International Flameworking Conference, presented there by Collins. Born in 1975, Carmen Lozar lives in Bloomington-Normal, Illinois, where she maintains a studio and is a member of the art faculty at Illinois Wesleyan University. She has taught at Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft. Although she travels abroad to teach and share her love for glass – most recently to Turkey, Italy, and New Zealand – she always returns to her Midwestern roots. Lozar is represented by the Ken Saunders Gallery in Chicago, and her work is included in the permanent collection at Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin. Besides continuing her work at Illinois Wesleyan University, Lozar will be teaching workshops at UrbanGlass, June 4 – 8, 2024, and at Ox Bow School of Craft, Saugatuck, Michigan, August 4 – 10, 2024. Menacing monkeys. Peeled bananas. Bad-tempered bears. Uniquely original Munnies. Daniel S. Coyle's whimsical, toy-inspired aesthetic in concert with mind-blowing skills on the torch have earned the artist a hefty 116K following on Instagram. The artist recently celebrated 12 years of being a full-time pipe maker. Coyle's work has been displayed in galleries around the world, and has been seen in print and web publications including Vice, Huffington Post, NY Times, and in the books This Is A Pipe and his self-published Munny Project book. Now residing in Western Massachusetts, he works alongside some of the state's top pipe makers. Coyle's 2024 events include: Community Bonfire (Maine), January 27; Michigan Glass Project, June 21 – 23: two-week intensive class at Corning Studios, Corning, New York, June 24 – July 5; Parlay Philly in September TBA; and Bad Boyz Do Basel 3 (Miami), September TBA. Creating playful objects and curious scenes inspired by childhood memories and dreams, Caterina Weintraub uses glass, a fragile and heavy material, to recreate iconic toys or re-imagine personal memories that evoke a sense of sentiment, wonder and discomfort. She utilizes a variety of techniques to create sculptures and installations in her Boston-based studio, Fiamma Glass. From intricate torch work to large-scale kiln castings and hot blown pieces, she chooses the process best suited to realize her vision. In 2024, Weintraub will participate in Habatat's Glass Coast Weekend, Sarasota, Florida, February 1 – 4; Glass52, International Glass Show, Habatat Gallery, Royal Oak, Michigan, May 5 – September 6; and the International Glass Show, Fort Wayne Museum of Art, Fort Wayne, Indiana, December 2 – February 18.  Enjoy this panel discussion about how these four artists crafted careers using the techniques and appeal of flameworking and where the process is headed into the next decade and beyond.     

We are introducing you to the 213th Album of the Week - 'Underground' by Prljavo kazalište, offering the HR Top 40 chart changes and bringing the local music news. Host: Ana Radišić

Tomas drops what he's doing and leaves Slumberland Island when he receives a phone call from Homeland Security Officer, who says that Slumberland residents Omar Evanston and Chip Woode have been detained for questioning. For more info click here Chip Woode performed by Kevin J Drieberg Check out his music and more here! The sound design in this episode owes thanks to Freesound Project contributors: sonicfreak, gutek, jonathantremblay, cllari__owi, bouncyballblue, and kyster. Thank YOU you for listening to Slumberland!

Years ago, Thomas Edward M attended a live performance by a band called Peaking Lights. As usual, Thomas brought his recording equipment to the show. But his microphone captured more than he expected when a mysterious Russian "businessman" named Lozar approached him. For more info click here Lozar performed by Nicolás Esteban Lobos Opitz, aka estrolapak Available for hire on fiverr! The song "Marshmellow Yellow" is by Peaking Lights. You can hear their live music here! The sound design in this episode owes thanks to Freesound Project contributors: davidjgurney and humansounds55. Thank YOU you for listening to Slumberland!

Vsak človek nosi v sebi bogastvo, ki včasih neupravičeno ostane skrito očem drugih. To pomanjkljivost odpravlja oddaja Razkošje v glavi. V njej rišemo portrete zanimivih ljudi, ki morda nikoli niso bili v svetlobi medijskih luči ali pa je ta svetloba zakrila druge, nič manj pomembne dele njihovih življenj. Vsako soboto ob 16.30 na Prvem.

Senate Committee on Indian Affairs Roundtable discussion on “Investing in Economic Sovereignty: Leveraging Federal Financing for New and Sustained Development in Native Communities”Wednesday, October 20 2021 - 02:30 PM Location: Dirksen Room Number: 628 Mr. Clint Hastings Associate Program Manager for Native Initiatives, Community Development Financial Institutions Fund U.S. Department of the Treasury, Washington, DC Ms. Fatima Abbas Senior Advisor, Office of Recovery Programs U.S. Department of the Treasury Washington, DC Ms. K. Denise Edwards Acting Director, Office of Indian Economic Development & Chief of the Division of Economic Development U.S. Department of the Interior Washington, DC Mr. Casey Lozar Vice President, Center for Indian Country Development Federal Reserve Bank of Minneapolis Minneapolis, MN *Accompanied by Matt Gregg, Senior Economist, Federal Reserve Bank of Minneapolis Mr. Kūhiō Lewis President & Chief Executive Officer Council for Native Hawaiian Advancement (CNHA) Kapolei, HI Mr. Richard Frias Executive Director Native American Financial Officers Association (NAFOA) Washington, DC Mr. Pete Upton Board Chairman Native CDFI Network (NCN) Washington, DC The Honorable Arlan Melendez Chairman Reno-Sparks Indian Colony Reno, NV Mr. Carl Marrs Chief Executive Officer Old Harbor Native Corporation Old Harbor, AK Committee Notice: https://www.indian.senate.gov/hearing/roundtable-discussion-investing-economic-sovereignty-leveraging-federal-financing-new-and

Senate Committee on Indian Affairs Roundtable discussion on “Investing in Economic Sovereignty: Leveraging Federal Financing for New and Sustained Development in Native Communities”Wednesday, October 20 2021 - 02:30 PM Location: Dirksen Room Number: 628 Mr. Clint Hastings Associate Program Manager for Native Initiatives, Community Development Financial Institutions Fund U.S. Department of the Treasury, Washington, DC Ms. Fatima Abbas Senior Advisor, Office of Recovery Programs U.S. Department of the Treasury Washington, DC Ms. K. Denise Edwards Acting Director, Office of Indian Economic Development & Chief of the Division of Economic Development U.S. Department of the Interior Washington, DC Mr. Casey Lozar Vice President, Center for Indian Country Development Federal Reserve Bank of Minneapolis Minneapolis, MN *Accompanied by Matt Gregg, Senior Economist, Federal Reserve Bank of Minneapolis Mr. Kūhiō Lewis President & Chief Executive Officer Council for Native Hawaiian Advancement (CNHA) Kapolei, HI Mr. Richard Frias Executive Director Native American Financial Officers Association (NAFOA) Washington, DC Mr. Pete Upton Board Chairman Native CDFI Network (NCN) Washington, DC The Honorable Arlan Melendez Chairman Reno-Sparks Indian Colony Reno, NV Mr. Carl Marrs Chief Executive Officer Old Harbor Native Corporation Old Harbor, AK Committee Notice: https://www.indian.senate.gov/hearing/roundtable-discussion-investing-economic-sovereignty-leveraging-federal-financing-new-and

Senate Committee on Indian Affairs Roundtable discussion on “Investing in Economic Sovereignty: Leveraging Federal Financing for New and Sustained Development in Native Communities”Wednesday, October 20 2021 - 02:30 PM Location: Dirksen Room Number: 628 Mr. Clint Hastings Associate Program Manager for Native Initiatives, Community Development Financial Institutions Fund U.S. Department of the Treasury, Washington, DC Ms. Fatima Abbas Senior Advisor, Office of Recovery Programs U.S. Department of the Treasury Washington, DC Ms. K. Denise Edwards Acting Director, Office of Indian Economic Development & Chief of the Division of Economic Development U.S. Department of the Interior Washington, DC Mr. Casey Lozar Vice President, Center for Indian Country Development Federal Reserve Bank of Minneapolis Minneapolis, MN *Accompanied by Matt Gregg, Senior Economist, Federal Reserve Bank of Minneapolis Mr. Kūhiō Lewis President & Chief Executive Officer Council for Native Hawaiian Advancement (CNHA) Kapolei, HI Mr. Richard Frias Executive Director Native American Financial Officers Association (NAFOA) Washington, DC Mr. Pete Upton Board Chairman Native CDFI Network (NCN) Washington, DC The Honorable Arlan Melendez Chairman Reno-Sparks Indian Colony Reno, NV Mr. Carl Marrs Chief Executive Officer Old Harbor Native Corporation Old Harbor, AK Committee Notice: https://www.indian.senate.gov/hearing/roundtable-discussion-investing-economic-sovereignty-leveraging-federal-financing-new-and

Senate Committee on Indian Affairs Roundtable discussion on “Investing in Economic Sovereignty: Leveraging Federal Financing for New and Sustained Development in Native Communities”Wednesday, October 20 2021 - 02:30 PM Location: Dirksen Room Number: 628 Mr. Clint Hastings Associate Program Manager for Native Initiatives, Community Development Financial Institutions Fund U.S. Department of the Treasury, Washington, DC Ms. Fatima Abbas Senior Advisor, Office of Recovery Programs U.S. Department of the Treasury Washington, DC Ms. K. Denise Edwards Acting Director, Office of Indian Economic Development & Chief of the Division of Economic Development U.S. Department of the Interior Washington, DC Mr. Casey Lozar Vice President, Center for Indian Country Development Federal Reserve Bank of Minneapolis Minneapolis, MN *Accompanied by Matt Gregg, Senior Economist, Federal Reserve Bank of Minneapolis Mr. Kūhiō Lewis President & Chief Executive Officer Council for Native Hawaiian Advancement (CNHA) Kapolei, HI Mr. Richard Frias Executive Director Native American Financial Officers Association (NAFOA) Washington, DC Mr. Pete Upton Board Chairman Native CDFI Network (NCN) Washington, DC The Honorable Arlan Melendez Chairman Reno-Sparks Indian Colony Reno, NV Mr. Carl Marrs Chief Executive Officer Old Harbor Native Corporation Old Harbor, AK Committee Notice: https://www.indian.senate.gov/hearing/roundtable-discussion-investing-economic-sovereignty-leveraging-federal-financing-new-and

When beer and Montana run in your blood and you are passionate about art and history, there's only one thing you can do. Open a Montana beer and brewery museum. And that is exactly what Steve "Bubs" Lozar did.Meet Steve "Bubs" LozarHis great grandfather was the first in his family to come to Montana from Slovenia in 1887, and as they say, the rest is history. Of course, there's more to it than that, but basically, that's what started it all. Beer has always been a part of Bubs' family. Dare I say, that it's genetic? Bubs might agree.But before he opened the Montana Beer and Brewery Museum, his creative side got him into education and then screen printing, which he still practices today. I'll let him tell you more about that story.U.S. Beer HistoryBeer history in Montana, like many states, goes back to the mining days, when railroads were being built and towns were popping up everywhere to support the workers that were coming by the droves to make money. Many of these workers were from different countries and different cultures, and they needed something that felt like home. Beer feels like home, and drinking one after a hard day's work with people that understood you was just about as important as family. Because of this, every ethnic group had its own brewery. A place to come home to. A community you belonged to. Bubs knew this from the beginning. It was built into his family, so when the opportunity arose for him to take possession of his great grandfather's old brewery memorabilia and the bartop itself, he jumped on it. Having been collecting breweriana for years, starting with old signs, cans, and bottles, he had to find a place to keep it all. And not just store it but display it.Housed above his screen printing shop in Polson, Montana, there's not a sign announcing it. But if you know it's there, and he happens to be around, stop on by. Bubs would love to share a beer or two with you while swapping stories about the magnificent history of beer and how it builds community, even today.Grab a beer, sit back, and be prepared to be transported back into a history of family and craft beer that can only be told by Bubs.For complete show notes and pictures, click here.Connect With Us:The Craft Beer Travel & Adventure Podcast is hosted by Living a Stout Life, where we share stories, community, and resources for all your craft beer travel and adventure lifestyle needs.We would absolutely love it if you subscribe to the podcast and leave us a review. As my nephew once said, "We say please and thank you!"Subscribe to Living a Stout Life:NewsletterYouTubeFacebookInstagramBuy Us a Beer:Like our podcast? Help keep it going with a donation for a beer. We'll even zoom ya for a happy hour, if you'd like. Click here.Shout Outs:To Bubs for your hospitality, your time, and your wonderful stories. We could stay for hours longer just chatting and hanging out with you around beer. Your smile is welcoming. Your museum is phenomenal. And you are just wonderful!Support this podcast at — https://redcircle.com/craft-beer-travel-and-adventure/donations

Welcome to the Good Music Incubator. We will enrich our today's gathering by presenting an intriguing new album by Zdenka Kovačiček. We will review the HRtop 40 list. Massimo speaks for us, and Beti, Barbara Suhodolčan, Saša Lozar and Sandi Cenov sing for us. But above all, the first review of music news awaits you. Track list: Đorđe Balašević - Kad odem… (Croatia Records), Beti - Vili (Aquarius Records), Ibrica Jusić - Danas je najbolje biti pas (Dancing Bear), Zdenka Kovačiček - Stare fore (Dancing Bear), Đana - Tvoja draga ne zna (Croatia Records), Damir Kedžo & Tijana Bogičević - Hram (Croatia Records), Barbara Suhodolčan - Ne fališ mi ti (Croatia Records), Yaya i Izgubljeni vikend - Treba nam dosade (LAA), Saša Lozar - Vrati se (Agapa), Dox - Na kraju ovog svijeta (Menart), Cambi. - Zaljubljen (Dallas Records), Sandi Cenov - Kriv (Hit Records), Massimo - Mali krug velikih ljudi (Aquarius Records), Ashley Colburn & Bojan Jambrošić - Nebo zna (Dallas Records).

At the start of the new semester at Illinois Wesleyan University, Carmen Lozar was faced with a quandary . As the d irector of galleries at IWU, Lozar schedules the exhibitions that go on view at the Merwin, Wakely and Atrium galleries. Bu t the COVID-19 pandemic resulted in the large Merwin Gallery being roped off for a soci ally distanced student work area. Lozar needed a show that could be safely displayed in the open Atrium Gallery-- safely bo th from the standpoint of the pandemic and for security reasons. “I couldn’t have artwork that couldn’t be locked and closed,” Lozar explained. With the secure Wakely Gallery featuring antique Japanese wood block prints from the school’s permanent collection, Lozar set out to find an exhibition that could be safely shown in a non-secure area , while also mak ing an impact on gallery visitors . Lozar turned to “ Women’s Rights Are Human Rights,” a collection that had been featured a few years earlier. The exhibition is a collection of posters

Dr. Janko Lozar Mrevlje je profesor filozofije na ljubljanski Filozofski fakulteti, kjer že približno petnajst let predava fenomenologijo in filozofijo religije. V svojem raziskovanju se prek avtorjev, kot sta Friedrich Nietzsche in Martin Heidegger, posveča predvsem vprašanju človekovih razpoloženj, med katerimi posebno mesto namenja vedrini. Prav fascinacija nad to svetlo stranjo našega bivanja Janka Lozarja spremlja tudi v njegovem siceršnjem življenju – vse od njegove mladosti v okolici Črnomlja pa do predavalnic filozofske fakultete, kjer celo o najkompleksnejših filozofskih smereh govori s precej humorja. Janka Lozarja Mrevljeta je v oddajo Razkošje v glavi povabila Alja Zore.

In part two of a three part series with Hiring Our Heroes, Tara Dixon, CEO of EvalGroup and Meredith Lozar, HOH Military Spouse Program Director, are military spouses with first hand experience of the challenges and excitement of military life. They join Next Gen Warrior to discuss Hiring Our Heroes' program to assist Military Spouse businesses, the importance of military spouse employment, and best practices for moving duty stations. Check out their incredible story and hear their advice.

Have you already checked out our profiles on Deezer, Spotify and Apple Music? You can find us under the name “Hrvatska diskografska udruga,” where you’ll be able to listen to our playlists according to your mood, as well as the playlist with 100 Croatian songs for this summer. This summer feeling is going to follow us in the next hour of our radio journey. Welcome to the Incubator! You’ll be able to listen to Saša Lozar, Magazin, Mayales and The Obala. And our trusty musical captain will be, as always, Ana Radišić!   Track list: Detour - Šarena (Aquarius Records), Saša Lozar - Lady (Agapa),  Sebastian Popović - Maksimum (Menart), Ivan Zak feat. L'Titude & Fya Philly - Ja ti se kunem (Hit Records), Kornelija - U ritmu marimbe (Croatia Records), Pavel - Bijela jedra (Dallas Records), Magazin - Jaka sam ti ja  (Tonika/Croatia Records), Mayales feat. Ivana Starčević - Još jedan krug (Aquarius Records), Beti – Slobodna (Aquarius Records), Sandro Bastiančić i Nikolina Tomljanović - Letimo dalje (Dallas Records), The Obala - Lipi dani (Dancing Bear), Tedi Spalato - Ne zamiri vilo (Scardona), Boris Oštrić i Ribari - Meni treba mirno more (Scardona), Max Hozić i Matej Mudrovčić-Mudri - Jugo (Dancing Bear),. Massimo - Mali krug velikih ljudi (Aquarius Records)

365 dana jednog tate… tate Saše Lozara. Dokazano je pjevač koji u svakoj interpretaciji pokazuje bogat spektar talenta, a u gostima kod četiri mame pokazao je kako se nosi s najdražom titulom - titulom tate. Iskreno, otvoreno i duhovito, Saša je progovorio o roditeljstvu, dvanaestogodišnjoj kćeri i obiteljskom životu. Kako pliva u roditeljskim vodama doznajte u BabyRoom podcastu. 1:30 Sašina najdraža titula je “tata”, a kćer mu je promijenila život 4:45 Tata koji prati dječje trendove + anegdota s odlaska na koncert Ariane Grande 5:50 Teret slave koji je nažalost osjetila i Eva 8:40 Je li Saša “helikopter” tata? 10:00 Tik-tok, Snapchat - koliko je potreban parental control? 12:30 Izazov odgoja djevojčice u svijetu današnjih vrijednosti 15:30 Što kaže mama i supruga Marina o tati Saši 17:30 Kako Saša slaže pundže 19:00 Svi kad-tad postanemo naši roditelji 22:00 Ples i pjesma kao dio Sašinog i Evinog života 25:30 Roditeljska ambicija ili talent djeteta - kako prepoznati razliku? 28:20 Saša pjeva uspavanku Evi 30:15 Roditeljski upliv ili sloboda odlučivanja kod školovanja 34:00 Blic kviz o roditeljstvu 38:50 Gdje su nestali Trešnjevački mališani i dječje pjesme?

USMC Lt Col Nicholas Lozar is our special guest for EP 042. This interview was packed with leadership, personal growth, and lessons on teamwork.

Finale di stagione con due super ospiti: direttamente da Bari... LoZar e direttamente dal mondo del podcasting il caro amico Andrea Ciraolo!

Our spring has turned into a summer that is slowly moving towards the fall colors. In that mood, we'll be talking about this episode's Album of the Week, called "Predigra", signed by Lili Gee. Džentlmeni, Songkillers, Saša Lozar and Mia Dimšić will be with us this week, among other singers. So just relax, turn the volume up and enjoy Incubator of best Croatian music. :)   List of tracks: Alex Ognjena - Od Jadrana do Tunisa (Dallas Records), Džentlmeni - Zakon ljubavi (Croatia Records), Marko Kutlić – Sreća (Hit Records), Kawasaki 3P – Mupov-ska (Live &TD) (Dancing Bear), Manntra feat Michaek Robert Rhein from In Extremo – Murter (Menart, Beton Music), Lili Gee – Volim (Aquarius Records, Spona), Songkillers - Teži slučaj (Aquarius Records), Boris Novković - Gori ulica (Croatia Records), Saša Lozar – Budi (Agapa), Franka - Ljubav, ništa više (Karpo Media, Croatia Records), Mia Dimšić i Marko Tolja - Sva blaga ovog svijeta (Croatia Records), Klapa Contra - Serenada Kalelargi (Scardona).

We are completely ready for a new Incubator of the best Croatian music! This episode will include songs performed by Crvena jabuka, Saša Lozar, Kojoti and Franka. Our Album of the Week this time belongs to the traditional Croatian folk song, called "klapa song". Owners of the album 'Serenada' are members of the Ankora female choir, or as we say - klapa. :)   List tracks: Massimo – Jedan potez previše (Aquarius Records), Crvena jabuka – Pijane noći (Croatia Records), Pavel – Samo da jutro ne dočekam sama (Dallas Records), Saša Lozar – Budi (Agapa), Mario Huljev – Nepogrešivo točno (Sipa Music/Menart), Kojoti – Oprosti što te volim (Dancing Bear), Analiza uma – Istina (Dallas Records), Jacques Houdek – Voli do boli (RTL Music), Franka – Sve dok sanjaš (Karpo Media/Croatia Records), Igor Delač – U krvi si (Croatia Records), Klapa Ankora – Serenada (Scardona), Klapa Rišpet feat. Duško Ćurlić - Kada ljubav dvije duše spoji (Hit Records).

Carmen Lozar: The Art of the Story   Spilling out from their bottles, bowls, cartons and cans, Carmen Lozar’s flameworked characters tell a story about how messy life can be. These small narratives accentuate the movement and flow of glass but also speak volumes about our relationship to the world.    “I have found myself drawn to glass for the innate sense of motion it can bring to a work of art. While the intrinsic motion of most materials becomes paralyzed at the touch of the human hand, glass, as an amorphous solid, never relinquishes its visual motility. I have chosen to pursue a career in glass sculpture not only for my love of the material, but also because there is so much left to be explored within the field of flameworking and the medium itself.”   Art has always played an essential role in Lozar’s life, growing up with a mother who performed puppet shows and a father who created scale ship models and watercolor renditions of the ramshackle barns on the outskirts of town. During undergraduate studies at the University of Illinois at Urbana-Champaign, Lozar interned at the Bullseye Glass Factory in Portland, Oregon, and attended Pilchuck Glass School as a Saxe award recipient and staff member. Upon completion of her BFA, the young artist travelled to China, Indonesia, Thailand, and India to explore eastern traditional art. Back in the US, she moved to the Southwest and opened a casting and flameworking facility in Tucson, Arizona. Work from this period was exhibited in numerous shows, including SOFA, Chicago. In 2003 Lozar completed her post-graduate degree at Alfred University, New York.   Born in 1975, Lozar lives in Bloomington-Normal, Illinois where she maintains a studio and is a member of the art faculty at Illinois Wesleyan University. She has taught at Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft. Although she travels abroad to teach and share her love for glass – most recently to Turkey, Italy, and New Zealand – she always returns to her Midwestern roots. “The sculpture I create with glass is meant to inspire and provoke imagination. Telling stories has always been my primary objective. Some narratives are sad, funny, or thoughtful but my pieces are always about celebrating life. My most current body of work deals with spills.”   In summer 2019, Lozar taught her Small Scale, Large Impact Masterclass at the Seventh International Festival of Glass, Stourbridge UK, as well as flameworking classes at the Cleveland Institute of Art, Penland School of Crafts, and UrbanGlass in Brooklyn, New York. In 2020, Lozar will teach flameworking at SW Art Glass, in Phoenix, AZ, January 4-5 and Pilchuck Summer Session 3.   Lozar is represented by the Ken Saunders Gallery in Chicago, and her work is included in the permanent collection at Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin.  

Welcome to the Incubator of the best Croatian music! This time we’ll be quite special. Even though the airplay chart HR Top 40 still gathers some spirit of recent holidays, we will look into a lot further past. Among other things, we’ll hear music legends who are returning to the Croatian music scene. About whom are we talking about, get to know by clicking on - play!   List of tracks: Tihomir Pop Asanović feat. Sabrini Hebiri & Saša Antić - Femme Fatale (Croatia Records), Marko Kutlić - U kapi tvoje ljubavi (Hit Records), Zdenka Kovačiček - Jutarnja frka (Dancing Bear), Nina Kraljić – Lava (Dallas Records), Franka – Tajno (Karpo Media), Saša Lozar – Šala (Agapa), 4Head - Svi tvoji poljupci (Aquarius Records), Nikolina Tomljanović - Danas je ljubav (Dallas Records), Marko Škugor - Za tebe bih učinio sve (Scardona), Vanna - U tebi (Croatia Records), Petar Grašo – Fritula (Tonika), Krešo Bengalka – Stroj (Menart)

The holidays are in front of the door and that's why we bring in new Incubator the atmosphere of candles, Christmas lights, boiled wine, Saša Lozar, Belfast Food, Nina Badrić and your other favorite Croatian singers. Of course, Ana Radišić is especially excited during this period, so here are new singles brought by our radio host.   List of tracks: Jure Brkljača - Božić je (Hit Records), Mateo Pilat - Prije kiše (Aquarius Records), Mel Camino – Vidova (Aquarius Records), Sebastian Doe i Dragi ljudi - Jako volim Zagreb (Spona Music), EoT - Patnje mladog metereopata (Menart), Saša Lozar – Šala (Agapa Music), Ivana Kindl - Budi mi blizu (Universal Music), Belfast Food - Dolazi Božić (Dallas Records), LES – Krijesnice (Menart), Hrvoje Čule i Ana Maslov Sardelić - Adio Ars (Scardona), Nina Badrić - Rekao si (Aquarius Records), Nina Donelli - Ljubav nema kraj (Croatia Records).

Welcome to 46th episode of the Incubator of Good Music! Bigger part of the fall is behind us, and Croatian performers were extremely hardworking in this period. So in this episode we will present a lot of new hits and interesting news, and also suggest what to visit next week. Behind the microphone are Ana Radišić and Kornelije Hećimović!   List of tracks: Saša Lozar – Šala (Agapa Music), Domenica - Baš, baš (Tonika), Klapa Rišpet - Bojim se (Hit Records), Heidi šeće psa – Uzalud (Menart), Filip Pintar - Blago svijeta (Star Media), Colonia – Melem (Croatia Records), Željko Bebek - Ljubav k'o iz pjesme (Croatia Records), Mateo Pilat - Prije kiše (Aquarius Records), Sandro Bastiančić - Ovdje ostajem (Dallas Records), Nina Badrić - Rekao si (Aquarius Records), Zrinka Posavec i Tamburaški orkestar Tomislava Radičevića - Za tebe (Mast Produkcija), Tomislav Bralić i Klapa Intrade - Ne mogu jubav krit (Scardona).

Of all the changes that took place in the Treasure State in the years following World War I, the most painful for some was Prohibition. Montana’s statewide ban began at 12:01 a.m. on December 31, 1918, well ahead of the national injunction. Steve Lozar shares the story of Prohibition’s impact on the Treasure State’s breweries and saloons. Lozar is an MHS trustee; member of the Salish, Kootenai, and Assiniboine tribes; great-grandson of an East Helena Prohibition-era “home brewer”; and proprietor of the Montana Beer Museum in Polson.

Carmen Lozar tackles ideas and ideals and translates them into glass. Her narrative scenes become commentaries on human behavior and modern life. She insists that we look upon the dark and the light within our society and within our own human nature. Her work can be startling, shocking, whimsical and humorous. Join us in this brief slideshow, narrated by the artist.