Podcasts about penland school

EP.249 Onay Gutierrez is a multifaceted artist, collector, and preservationist with a rich background that spans education, ceramics, and historic preservation. Born in Veracruz, Mexico in 1977, Gutierrez began his career as an early elementary school teacher in marginalized communities in his home state. After immigrating to the United States, honed his skills as a ceramic artist. Gutierrez has a deep connection to the Penland School of Craft in the mountains of North Carolina, where he has been a student, patron, and now serves as a board member. This connection has likely influenced his artistic growth and commitment to the craft community. In addition to his artistic pursuits, Gutierrez is a passionate advocate for historic preservation. Alongside Jeffrey Childers PhD, he has restored three National Historic Places in Raleigh, NC. His commitment to art and social justice is further evident in their founding of the Gutierrez Collection, a contemporary art collection that explores themes of mental health, LGBTQ+ rights, Latin and Latinx identities, African and African diasporic cultures, women's art, and activism. The Gutierrez Collection has gained significant recognition, with its first museum exhibition currently on view at the Cameron Museum of Art in Wilmington, NC, until September 7th, and set to travel to the NC Museum of Art's Winston-Salem campus this fall. Through his work, Gutierrez continues to make a lasting impact on the art world, historic preservation, and social justice initiatives. Photo credit: Courtesy of the artist Cameron Art Museum https://cameronartmuseum.org/exhibition/we-belong-here-the-gutierrez-collection/ The Endowment https://theendowment.org/event/cameron-art-museum-cam-after-dark-conversation-with-the-collectors-onay-gutierrez-and-jeffrey-childers/ ArtSuite https://artsuite.com/blogs/community/onay-gutierrez?srsltid=AfmBOopGnj0zCHXUCInnV8PELmUsyhmVUyW0VCdcYlMRTou3JVRDdagM Issuu https://issuu.com/ncartmuseum/docs/spring_24_preview_web North Carolina Museum of Art https://ncartmuseum.org/collection/museum-collection/new-acquisitions/ Penland School of Craft https://www.givecampus.com/schools/PenlandSchoolofCraft

Do you love Subtractive Manufacturing, Creating Beautiful Spaces, Hands-on Learning and general Maker Shop Talk?  If so, join Tamara Robertson (Mythbusters, Seekers of Science) as she kicks off with a Tech Talk about CNC Machines then sits down with CNC Specialist, Storyteller and Maker Extraordinaire Sami.Topics they cover include (but are surely not limited to):- Defining a brand voice - personal and corporate- Creation of the brand MAOKE Made- The diversity within CNC Devices- Accessibility to technologies for younger generations- Activating the local Portland Community with Subtractive Manufacturing- Matterhackers activating National community libraries- Learning with organizations like Girl Scouts, Penland School of Craft, Portland STEAM Centers, - Shoutouts to incredible Makers like Karina Harper, Alice Tyrell, Simone Giertz & Anne of All Trades - The Crafting a Revolution podcast- Creating the PDX Digital Fabrication Meetup Group... and so much moreAs we dig into the archives for Season 2 with the 22nd episode of Tinkering Belles you're surely not going to want to miss it!So join in on Tamara's adventure as a Maker as she works to amplify the BAMF Females Behind the Builds one interview at a time!  ------------------------------------------------------------------------------------------------If you enjoyed the show join in on the Maker adventure with Tamara and her guests on the Tinkering Belles Instagram page.You can follow Sami's adventures here, here, and here:Website link - https://bio.site/GosamileeMAOKE Made Link - https://www.instagram.com/maokemade/Instagram - https://www.instagram.com/gosamileePDX Digital Fabrication Meetup - https://www.meetup.com/pdx-digital-fabrication-meetupMusic for this Episode was provided by Bill Trowell Music.  Visit BillTrowellMusic.com to hear more and to subscribe to Bill's Patreon, where he covers favorite showtunes, movie themes, classic rock and jazz, as well as requests from Patron's. Support the show

Get ready for a wild ride in the studio with ceramic artist Susan Feagin! In this episode of our Fluxed Up series, we dive into the precarious world of ceramics filled with personal stories, studio mishaps, and the ever-elusive perfect glaze. Join us as Susan shares funny stories about working at the Penland School of Craft, as well as how she creates brightly colored slips for soda firing. Tune in for a dose of humor, technical tips, and a behind-the-scenes look at the life of a ceramic artist. Got questions or need advice? Drop us a line at ForFluxSakePodcast@gmail.com   This week's episode features the following topics: Soda Firing, Slip, Penland, glaze, cone 6 Today's episode is brought to you by Cornell Studio Supply and the newly translated Spanish version of Ceramic Materials Workshop The Middle Glazes.

Rachel Singel is an Associate Professor at the University of Louisville. Singel grew up on a small farm in Charlottesville, Virginia and received a Bachelor of Arts from the University of Virginia in 2009 and a Master of Fine Arts in Printmaking from the University of Iowa in 2013. She has participated in residencies at the Penland School of Crafts, the Venice Printmaking Studio, Internazionale di Grafica Venezia, Art Print Residence in Barcelona, Spain, Wharepuke Print Studios in New Zealand, Proyecto'ace, an Artist-in-Residence Program in Buenos Aires, Argentina, and AGA Lab in the Netherlands. She has studied non-toxic printmaking at the Grafisk Eksperimentarium studio in Andalusia and recently continued her research of papermaking with invasive plants in Japan in summer 2024. Her work has been exhibited nationally and internationally and represented in private collections and public institutions.

Mokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more. We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences her work, the importance of taking creative risks, and her perspective on mokuhanga today. Plus, we talk about her own Constellation Studios and its role in her artistic journey. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Karen Kunc - website, Instagram  Aqua Alta - 26" x 72", woodcut Jocelyn Art Museum - is a fine arts museum located in Omaha, Nebraska, USA. The museum was opened in 1931. More info, here. The Agony and The Ecstasy   - is a biographical novel by the American author Irving Stone (1903-1989). It goes into detail of the life of Michelangelo Buonarroti (1475-1564). The novel was published in 1961.  Awaji Island - located in Japan's Seto Inland Sea, has a rich history dating back to ancient times. According to the Kojiki(Records of Ancient Matters), it is considered the birthplace of Japan—the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji played a vital role as a strategic hub for maritime trade and travel, connecting the Kansai region with Shikoku and Kyushu. During the Edo period, it was governed as part of the Tokushima Domain under the Hachisuka clan. Today, Awaji is renowned for its natural beauty, traditional industries such as Awaji Ningyō Jōruri (puppet theater), and its connection to mainland Japan via the Akashi Kaikyō Bridge—the world's longest suspension bridge. Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. Akira Kurosaki (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Aurora - 13" x 17" colour woodcut (1982)  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Utagawa Kuniteru (1808-1876) Sumo Wrestler (1861) Peter Max - is an American artist who is associated with the American Pop Art movement of the 1950's and 1960's. He used vibrant colours in his work. Max's art was seen on posters, paintings, even running shoes. More info, here.  Outer Spectrum - serigraph 8.75" x 12.5" (1978)  Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains. Mary's interview with The Unfinished Print can be found, here.  GAZE - 10" x 14"  MI Lab - is a mokuhanga artists residency located in Awatabe Town, Echizen City, Fukui, Japan.  More info can be found, here.  Center For The Science of Human Endeavor - also known in Japanese as 一般社団法人産業人文学研究所  is a program to "research, study, design for a life style in the 21st Century," and is associated with MI Lab.  There is a brick and mortar gallery located in Shinbashi, Tōkyō.  McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print: A Mokuhanga Podcast interview with Daniel Jasa of McClain's can be found here. nishinouchi paper - is a Japanese washi which is produced in Nishinouchi Kami no Sato, located in Hitachiomiya City, Ibaraki, Japan. More info can be found, here.  The Japanese Paper Place- is a Toronto based Japanese paper store servicing the mokuhanga and arts community in Toronto and around the world for many years. Nancy Jacobi of The JPP and her interview with The Unfinished Print: A Mokuhanga Podcast can be found,  here. Constellation Studios - is the studio of Karen Kunc located in Lincoln, Nebraska, USA. More info can be found, here.  Penland School of Craft - is a school which welcomes students from all over the world. Located in North Carolina, the school offers eight-week workshops in many different types of mediums. More info, here.  Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. Virginia Center for the Creative Arts (VCCA) - founded in 1971, is located at Mt. San Angelo in Amherst, Virginia. It provides residency opportunities for artists and writers across various disciplines, offering a supportive environment for creative work. More info can be found, here.  Wayne Crothers - is an Australian mokuhanga printmaker, curator and artist who lives in Japan.  Patricia Olynyk - is a Canadian multimedia artist, photographer,  who resides in The United States. Patricia's work explores the way " social systems and institutional structures shape our understanding of our place in the world." More information can be found, here.  Oculus - digital sculpture  Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Park Winter Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Daizuyama - 23cm x 34cm (2009)  Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Dimensions VII - 48cm x 76cm (2017) Venice Printmaking Studio - is a printmaking residency located in Murano, Italy. Malaspina Printmakers - is a printmaking residency located in Vancouver, British Columbia, Canada. MNmore info, here.  Annu Vertanen - is a Finnish printmaker who has used mokuhanga in her work. Annu is currently a professor at the Academy of Fine Arts, University of the Arts Helsinki.  Aspect Guanlan I - 95cm x 65cm  © Popular Wheat Productions Opening and closing musical credit - Bruce Springsteen, Atlantic City (1982). From the album Nebraska (Columbia Records) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***          

It's been well over a year since this interview was recorded and it's finally seeing the light of day. Life happens, projects come up, and this wonderful conversation and a handful of others were recorded in 2023/2024 and never released. This backlog of recordings is Season 8 of the podcast, The Light Of Day series.In the 80th episode of Perceived Value, host Sarah Rachel Brown is in Seattle, WA over the Thanksgiving holiday. It's November of 2023, and Sarah has set up her microphones in David Chatt's guest apartment, which she's fortunate to stay in for the week. It's a charming and cozy apartment and reflects David's eye for design and impeccable taste.David and Sarah's friendship has evolved from benefactor/artist to friends to chosen family, and the two begin by sharing how they were brought into each other's lives. David speaks to how his creative practice began, how his parents' talents inspired him, navigating between following his passions and monetizing his abilities, the preciousness of studio time, his relationship with his things, the importance of a good editor, and a fascination for rocks.OUR GUESTI have spent my entire adult life sewing tiny glass beads, one to the next. I have spent as much as a year to create one piece. I am a pioneer, an inventor, and one of a few who have gained recognition for beadwork as a fine art/craft medium. My work has taken me all over the United States and abroad as a lecturer, exhibitor, and teacher, and is included in public and private collections, including a recent acquisition by The Smithsonian's Renwick Museum. My achievements have been chronicled in books and periodicals, and in 2006 my career was recognized with a retrospective at the Bellevue Arts Museum. I have received a number of awards, including the grand prize at the 2020 Ireland Glass Biennale. In 2006 I accepted a three-year residency at Penland School of Crafts where I built a hot glass studio and studied ladle-cast glass. At the end of this residency, I returned to working with beads, but struggling with tools that were unfamiliar and allowing myself to consider other ways of working was invaluable. The time I spent living in this community and taking a break from my usual way of working, offered me an opportunity to think differently. The process of becoming adept at something, which challenged me, also made me a better teacher. I am planning to move permanently to the Penland area this spring.davidchatt.comsiennapatti.comRATE AND REVIEW US ON APPLE PODCASTS OR WHEREVER YOU LISTEN!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Instagram + Facebook: @perceivedvalueFind your Host:Instagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz. Find them on Spotify!

Combining technical skill with a strong aesthetic, flameworking pioneer Sally Prasch is known for her work that places other-worldly figures in glowing globes filled with rare gasses. She has also constructed portraits from broken shards of glass and is well known for her goblets made with coiled stems that allow them to bounce when handled. Her latest work incorporates cast bronze with glass. But perhaps Prasch's greatest fulfillment has come from teaching. She has taught flameworking workshops at UrbanGlass, Brooklyn; the famous Niijima Glass School, Japan; Pilchuck Glass School, Stanwood, WA; Penland School of Craft, Penland, NC; Pittsburgh Glass Center, Pittsburgh, PA; Grove Gas & Light Co, University of CA, San Diego, CA; Ingalena Klenell's Studio, Sweden, and many more. States Prasch: “Teaching has always been a part of my life. My parents were teachers, and both my brother and sister have also been teachers. Lloyd Moore, my first teacher, found it very important not to have any secrets but to share your knowledge with others – share your love of glass and making things. He taught thousands of people, and I continue in his tradition. Lloyd started me teaching at age 15. It was scary for me to teach adults, but made me practice things over and over again. We started people on soft glass tubing and then worked them up to borosilicate.”  Prasch began her career at age 13 with Moore working as a part-time apprentice at the University of Nebraska and then worked as a glassblowing instructor for the City of Lincoln Recreation Department. Later on, she took workshops from some of the best glassblowers of the time including William Bernstein, Ray Schultz, and Lino Tagliapietra. She attended the University of Kansas from 1977 to 1980 and received a Bachelor's Degree in Fine Art in Glass and Ceramics.  After college, Prasch started her glass art business that is still active today. She soon began to receive recognition for her artistic work and was selected for the Corning Museum of Glass' New Glass Review in 1993. The artist has been attending Glass Art Society (GAS) Conferences since 1978 and continues to participate by giving demonstrations and lec-moes, serving on the GAS Advisory Board and working with the organization's History Committee. In 1985, Prasch received her Certificate in Scientific Glass Technology from Salem Community College (SCC), Carneys Point, New Jersey. Soon afterwards, she obtained a position with AT&T doing large quartz work for the semiconductor industry. Continuing with her studies, Prasch earned her degree in Applied Science from SCC in 1986. Later that year she got a job as a scientific glassblower and glass instructor at the University of Massachusetts. She has worked as a scientific glassblower at the University of Massachusetts, Amherst (UMass Amherst), Syracuse University, and the University of Vermont, Burlington.  Currently, Prasch is the scientific glassblower and also teaches Scientific Glassblowing and the Properties of Glass to graduate students in Chemistry, Art and Physics at University of Massachusetts, Amherst. She is a member of the American Scientific Glassblowers Society (ASGS) and the director of the Northeast section. Her ASGS experience includes participating in seminars on such subjects like vacuum technology, quartz technology, and glass sealing. She has instructed a neon class with David Wilson, presented a paper on her work with the discovery of the gravitational wave, and co-chaired symposiums.  In 2025, Prasch will exhibit her work in Glass Lifeforms at the Pittsburgh Glass Center, opening February 7 and running through April 20. Her work will also be on view in Glasstastic at the Brattleboro Art Museum, Brattleboro, VT, March 22 through November 1. The artist will teach at the Pittsburgh Glass Center, Pittsburgh, PA, from July 28 – August 1. After curating the annual glass exhibit at Leverett Crafts and Arts in Leverett, MA for the month of November, Prasch will have a one-week fall residency with George Kennard at SCC, as well as a residency at the University of Massachusetts, Amherst. In 2026, the Herter main gallery at UMass Amherst will host a solo exhibit of Prasch's work from January 29 through May 8. The opening will take place Friday, April 24, 2026, from 5 to 7 p.m. with an artist talk from 6 to 6:30 p.m. Her work will also be on display at the Science Library and at the Durfee Conservatory at UMass during the show.  As Prasch develops new work, including pieces for Laura Donefer's 2026 Glass Fashion Show to be held at GAS, she continues to teach and fabricate scientific glassware at UMass. She says: “I have taught on average 25 students a month for my entire career, only taking a break during the pandemic. Obviously, teaching is a part of me, and I gain so much. It is not about teaching, not about glass, not about notoriety, not about pay – it is about the energy between people. It is about trust.”  UPCOMING EVENT LINKS Spring and Fall semester classes and weekend workshops at the University of Massachusetts – Amherst https://www.umass.edu/natural-sciences/research/scientific-glassblowing-laboratory February 7 – April 20, 2025 – Glass Lifeforms Exhibit, Pittsburgh Glass Center https://www.pittsburghglasscenter.org/event/exhibition-lifeforms/ March 22 – November 1, 2025 – Glasstastic, Brattleboro Art Museum, Brattleboro VT https://www.brattleboromuseum.org/2024/09/06/glasstastic-2025/ March 21 – 23, 2025 – International Flameworking Conference, Salem Community College, Carneys Point, NJ https://www.salemcc.edu/glass/international-flameworking-conference April 5, 2025 – Northeast American Scientific Glassblowers Section Meeting, Cornell University https://northeast.asgs-glass.org/ May 14 – 17, 2025 –Glass Art Society Conference https://www.glassart.org/conference/texas-2025/ July 28 – August 1, 2025 – Teaching at the Pittsburgh Glass Center, Pittsburgh PA https://canvas.pittsburghglasscenter.org/classes/1632 Fall, 2025 – one week residency with George Kennard at Salem Community College, Carneys Point, NJ https://www.salemcc.edu/glass Fall, 2025 – one week residency at the University of Massachusetts https://www.umass.edu/natural-sciences/research/scientific-glassblowing-laboratory January 29 – May 8, 2026 – Exhibit at the Herter Gallery, University of Massachusetts, Amherst Opening April 24, 5 – 7 p.m. with artist talk 6:00 – 6:30pm https://www.umass.edu/herterartgallery/herter-art-gallery January 29 – May 8, 2026 Exhibit at the Science and Engineering Library and the Durfee Conservatory https://www.library.umass.edu/sel/ https://www.umass.edu/natural-sciences/research/greenhouses/durfee-conservatory  

Michael Corney was raised in the greater Los Angeles Metropolitan area where he was influenced by the bright colors of nature and the vibrant cultures that surrounded him. Michael received his BA from Cal State University Fullerton and his MFA from Cranbrook Academy of Art. While primarily a studio potter, Michael has taught workshops at Anderson Ranch, Penland School of Crafts and Santa Fe Clay. He has participated in shows at Santa Fe Clay (NM), Northern Clay Center (MN), The Schaller Gallery (MI) and Akar Design Gallery (IA) Michael is currently a working artist in San Miguel De Allende, Mexico! https//ThePottersCast.com/1087

A video I saw on BlueSky of a guy playing a cigar box guitar, while wearing a tin can helmet/mask, made me think of a teacher I had many years ago. That teacher told us to call him Professor Bobo (his name was Bobby Hansson) and he wore loud Hawaiian shirts with even louder wide neck ties. He had a big white and grey beard and his straight gray hair was cut a bit below his ears. He had the look of a 70s Santa on vacation. I adored him. I took a workshop with him at Penland School of Crafts at the suggestion of a friend who was a full time student there. Even though I didn't have any particular interest in his subject matter at the time, she knew I would be inspired by his style. The class was Tin Can Artwork and today I'm even gladder that I took it than I was at the time. To keep reading ⁠An Ode to Professor Bobo or to see the image better, visit the Songs for the Struggling Artist blog. This is Episode 424 Song: The Tin Can Man Image by ⁠⁠⁠⁠⁠⁠⁠Bobby Hansson Video about Bobby Hansson here. To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Me on Mastodon - @erainbowd@podvibes.co Me on Bsky - @erainbowd.bsky.social Me on Hive - @erainbowd ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tell a friend! Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As ever, I am yours, Emily Rainbow Davis

In this episode of Shaping Your Pottery, host Nic Torres interviews Jessie Marinacci Valone about the transformative power of slowing down in pottery. Jessie shares her journey from graphic design to pottery, the importance of experimenting in the studio, and the benefits of surrounding yourself with other artists. She discusses her experiences at the Penland School of Craft, creating mood boards for inspiration, and the significance of the physical and intellectual aspects of pottery. Jessie also provides valuable insights into the business side of pottery, including building confidence, promoting work, and finding success at shows. Whether you are looking to discover your own voice or improve your business strategy, this episode offers a wealth of practical advice and inspiring stories. You can learn more about Jessie by checking out her instagram https://www.instagram.com/jmvceramics/The Questions we ask will determine how our pottery will look like that's why I created a Free 15 questions to help you discover your voice template go grab it here www.shapingyourpottery.com/questionsFor more episodes click here www.shapingyourpottery.com00:00 Introduction and Free Booklet Announcement 00:29 Interview with Jessie Marinacci Valone 01:46 Jessie's Pottery Journey 03:18 Residency Experience at Penland School of Craft 04:49 Inspiration and Techniques 12:37 Business Side of Pottery 16:42 Discovering Your Unique Voice 21:26 Final Thoughts and Contact Information

There is nothing else, I'd rather doooooooo. This week, Nancey speaks with artist Larissa Miller about intimacy and longing in the dream space. Larissa shares a dream story about reciprocated desire at an artist residency. Larissa is an artist and designer, born in Riverdale, GA, and raised in the Triad of North Carolina. Larissa earned her undergraduate degree in Consumer Apparel and Retail Studies from the University of North Carolina at Greensboro and recently completed her MFA in Fibers from Savannah College of Art and Design. She has won numerous awards including Fiber Art Now's Excellence in Fibers, the Arrowmont School of Arts and Crafts Appalachian Visions Scholarship, and Penland School of Craft's Cynthia Bringle and Edwina Bringle Scholarship. She has been featured in Surface Design Journal and Fiber Art Now's magazine. She also has participated in Arrowmont School of Art's Winter Pentaculum residency and was recently chosen as one of SCAD's Presidential Alumni Atelier Ambassadors in Atlanta. Now based in Savannah, GA Larissa is focused on building her network through her development of new work. Follow Larissa's work on IG: ⁠@larissam_studio⁠ & ⁠@rissalarue_co⁠ Visit Larissa's website: ⁠https://www.rissalarueco.com/⁠ ⁠Magic & Makers: A Wonderland Celebration⁠⁠TENTH annual pop up pARTy at Cohen's Retreat⁠ Follow the Show on IG: ⁠@dreamingincolorpod⁠ Follow Nancey on ⁠Instagram ⁠& ⁠TikTok⁠: @nanceybprice Music by Dmitrii Kolesnikov from Pixabay

Working in poetry, glass and installation, Aspen Monet LaBoy's art explores concepts of environmentalism and identity. In the summer of 2022, they implemented and co-hosted Corner's Space at KANEKO, a public program exploring poetry through creative experimentation and collaboration. LaBoy has published three books of poetry with a fourth on the way. Several of their selected poems were aired on Friday Live with Nebraska Public Media through NPR in 2023. Their writing has also been featured in local zines and performed in various galleries. Currently, LaBoy is part of the 2023-24 Alternate Currents Cohort and Community Advisory Group through Amplify Arts. This year, they were awarded a scholarship from Penland School of Craft and were accepted into the Pilchuck Glass School Auction. In this episode, Michael Griffin and LaBoy are in conversation about LaBoy's origins as a writer and artist, and how they became interested in glassblowing and sculpting. They're also talking about the economics of being an artist in Omaha and how we can better support the creative community. --- Support this podcast: https://podcasters.spotify.com/pod/show/riversidechats/support

In the 79th episode of Perceived Value, host Sarah Rachel Brown takes listeners to the Penland School of Craft, where she's participating in their Winter Residency. During the two-week residency, Sarah never missed an opportunity to enjoy a meal in the dining hall. The Pines, the Penland dining hall, has large, round tables perfect for gathering and enabling conversations over meals. Each meal is an opportunity to sit next to a stranger and potentially meet a new friend - or podcast guest.After enjoying a few meals and conversations, Sarah asked Zahra Almajidi if she would be willing to come on the podcast. The two metalsmiths sat down to discuss Zahra's upbringing and why her family immigrated to the United States, the benefits of living with your parents while going to college, and if it's possible to appropriate a culture that is your own while living in the diaspora.Speaking of Penland….Western North Carolina was devastated by Hurricane Helene. This area is home to the Penland School of Craft and many artists and craftspersons. If you are able, please consider donating to one of the following organizations or platforms providing aid and relief in the area. TREATS STUDIOS: This network aims to connect affected artists and arts organizations with individuals who want to support them.Beloved Asheville: Backed by your support, BeLoved Asheville is dedicating every resource to those most affected by this disaster. Our immediate focus has been on critical necessities like food, water, and healthcare for survival and stability. As winter looms, we are securing warm and safe housing for the displaced. Looking further ahead, recovery from the vast destruction will be a large-scale investment over several years. We believe that we can unite to rebuild a community that embodies home, health, equity, and opportunity for all. OUR GUESTZahra Almajidi is a visual artist and metalsmith raised and based in Detroit, MI. Utilizing both traditional metalsmithing techniques and CAD/CAM processes, her work explores the ways in which objects and adornment allow displaced people to continue to uphold and practice their craft traditions while living in the diaspora.She has worked at several art fabrication spaces in Metro Detroit including Wayne State University where she received her BFA in Metalsmithing, Lawrence Technological University where she briefly served as shop co-manager, and Cranbrook Academy of Art where she received her MFA in Metalsmithing and was awarded the Cranbrook Art Director's fellowship and the Director's Award.She has taken part in the 2021 Incubator Residency program at Talking Dolls Detroit, the Artist + Residents Program at the Arab American National Museum in 2021, and the Winter Residency program at Penland School of Craft in 2024. She's also dedicated to maintaining an active studio practice, and regularly exhibits work. She is currently the Central Materials Lab Coordinator at Cranbrook Academy of Art as well as anadjunct instructor at Wayne State University.Follow: @z.alm.aRATE AND REVIEW US ON APPLE PODCASTS OR WHEREVER YOU LISTEN!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/FOLLOW:Instagram + Facebook: @perceivedvalueInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

In the 78th episode of Perceived Value, host Sarah Rachel Brown takes listeners to the Penland School of Craft, where she's participating in their Winter Residency. Leading up to the residency, Sarah had heard from a few fellow artists attending, but overall, she had no idea who she would cross paths with. To her delight, the residency allowed her to meet many artists she's admired from afar. Among them is the guest for this episode, Lauren Kalman, who has been on Sarah's interview wishlist for some time. After sharing a few meals, Sarah asked for an interview.The two women sat down to discuss how Lauren unexpectedly got her first teaching position, the art of negotiation and why it's a crucial skill, how to sell work when your work is challenging to sell, and how an artist's work is not always representative of their personality.OUR GUESTLauren Kalman is a visual artist based in Detroit whose practice is rooted in craft, sculpture, video, photography, and performance. She completed her PhD in Practice-led Research from the School of Art and Design at the Australian National University. She earned an MFA in Art and Technology from Ohio State University and a BFA with a focus in Metals from Massachusetts College of Art.Her work has been featured in exhibitions at the Renwick Gallery at the Smithsonian Museum of American Art, Museum of Arts and Design, Museum of Contemporary Craft, Cranbrook Art Museum, Contemporary Art Museum Houston, Museum of Fine Arts Boston, Mint Museum, World Art Museum in Beijing, and the Musée d'Art Moderne de la Ville de Paris among others. Her work is in the permanent collection of the Françoise van den Bosch Foundation at the Stedelijk Museum Amsterdam, Museum of Fine Arts Boston, Smithsonian Museum of American Art, Detroit Institute of Art, Museum of Arts and Design, and the Korean Ceramics Foundation. In 2020 she received the Françoise van den Bosch Award for her career's impact on the jewelry field; in 2022, she received the Raphael Founders Prize in Glass from Contemporary for Craft; and in 2023 she was named a Kresge Arts in Detroit Fellow.She is a dedicated educator and is currently a Professor and the Chair of the Department of Art, Art History, and Design at Wayne State University in Detroit.www.laurenkalman.comInstagram: @laurenkalmanFacebook: @LaurenKalmanArtDon't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvalueMORE WAYS TO SUPPORTInstagram + Facebook: @perceivedvalueInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

Send us a Text Message.Guest: Liza LittleSculptorIn this interview episode, Eileen and Amy discuss Liza's journey from being a dancer to becoming a sculptor as well as the intersection of art and science, the importance of curiosity, and the challenges of the audition world. Liza shares her motivation to understand the self-image and the human body through sculpture and emphasizes the need for artists to step outside of their bubble and connect with the world around them. In this conversation, they also discuss how dance and sculpture meet, the importance of history and tradition in art, and the role of cross-training in their creative practices. The physicality and mindfulness of swimming as a form of cross-training and the need for dancers to be their own advocates is explored as well as the need for inclusivity and openness in the art world and the importance of celebrating different bodies and perspectives. Overall, this episode highlights the power of art to connect and express the human experience.Liza (she/her) is a figurative sculptor based in Queens, NY. Passionate for learning and driven by curiosity, Liza is always searching for connections between mediums. She graduated from the Certificate program at The Ailey School, studied at The Feldenkrais Institute, and The Art Students League of New York. She received a BS from The City College of New York with a Psychology major and Biology minor, and finished an honors research project in a neuroscience lab. In 2022, Liza received her MFA in Sculpture with a minor in Anatomy from the New York Academy of Art. She has received scholarships from Urban Glass, The Studio at Corning Museum of Glass, Penland School of Craft, and The Fantasy Fountain Fund for the Arts. Her sculpture practice uses ceramic, glass and stone to express the physicality of the human figure, especially of women. Recently, Liza‘s work was selected for the Libensky Award Exhibition in Prague, Czech Republic, among a cohort of emerging glass artists.Follow / Learn More / Mentions:IG: @lizagracelittle_sculptor Website: https://www.lizagracelittlesculpture.com/ Backstage.com I Robert Beverly Hale I Stephen Rogers Peck I Dr. Paul Richer I Feldenkrais Institute I Linda Celeste SimsSupport the Show.M.O.V.E. with Eileen + Amy is a Kaia Evolutions Podcast.New episodes air on Wednesdays when in season.To learn more about Eileen + Amy, be sure to follow them on IG at @ekielty + @amyreah and keep up to date on the podcast at @movewitheileenandamy. For more information about Kaia Evolutions, a culmination of Eileen's life's work and a love letter to her sister, Katie, who died by suicide in 2019 - visit https://www.kaiaevolutions.com/ or follow on IG at @kaia.evolutions If you want to share part of your dancer / movement artist journey with us, email us at movepod@kaiaevolutions.com*If you or anyone you know is in need of support, please call the National Suicide Prevention Lifeline at 800.273.8255 OR text 988. You are not alone.

Kristina Logan makes unique and complex beads in intricate patterns whose sometimes knobby forms recall the remarkable eye beads made in ancient China. Yet Logan's style is purely contemporary, reflected in work that stands out for its originality, sophistication, and innovation. She is not only interested in beads as body adornment but also as decorative elements for boxes, candlesticks, goblets and teapots. Logan states: “Beads are part of my lifelong fascination with art and ornamentation. Glass beads form a historical thread, connecting people and cultures throughout our history.” In 2002, Logan was one of only four artists selected for exhibition in the Smithsonian American Art Museum's Renwick Gallery Invitational Four Discoveries in Craft. “Logan's beads exist in their own right as art… ,” writes Kenneth Trapp, Curator-in-Charge at the Renwick Gallery.  Articles about Logan's work have appeared in numerous publications including ORNAMENT magazine, GLASS magazine, Beadwork magazine, Bead & Button magazine, Lapidary Journal, and La Revue de la Céramique et du Verre. Her work has been collected by the Smithsonian Museum of American Art, Renwick Gallery, The Peabody Essex Museum in Salem, Massachusetts, the Corning Museum of Glass, the Museum of Fine Arts, Boston, and the Musée du Verre de Sars-Poteries, France. The artist served as president of the International Society of Glass Beadmakers from 1996 to 1998. Logan's work and desire to educate has been an inspiration for many glass beadmakers throughout the world. She travels extensively throughout the United States and Europe teaching workshops and lecturing on contemporary glass beads and jewelry at places such as The Studio at the Corning Museum of Glass, UrbanGlass, Haystack Mountain School of Crafts, Penland School of Craft, Carlisle School of Glass Art, Millville, New Jersey, Musée-Atelier du Verre à Sars-Poteries in France, and Centro Studio Vetro and Abate Zanetti in Venice, Italy. The Corning Museum of Glass produced a DVD video in 2009 of Logan's flamework beadmaking as part of their Master Class Series. An excerpt and full version of the video is available on YouTube and on Logan's website. https://www.kristinalogan.com/videos Having taught at The Studio of the Corning Museum of Glass earlier this year, Logan is now focusing on several projects that have been incubating over the years, including casting small vessels and encrusting them with beads and metal – some that stand alone individually and also as a group of 12 vessels that represent a personal calendar or living reliquary. She also continues working on a new collection of beads centric necklaces. And most importantly, Logan is documenting more of her work on YouTube. She says: “I would like to document with videos more of what I do. I am not ready to teach online or offer specific tutorials, but I would like to use YouTube as a way to share footage from my studio. I am thinking about this as an extension of my creative process–I love being behind a camera. I love being a maker, and I have been so fortunate to learn from others over the years. I want to be part of what I see as a cycle of learning and giving back. As I age, I also think about how I would like to document what I do for my kids and future artists.   “I have been fortunate enough to have made a living at what I do, and I would like to be honest about how I have done that.”  

In the 77th episode of Perceived Value, host Sarah Rachel Brown is at the Penland School of Craft during their Winter Residency this past January. Sarah was awarded the Andrew Glasgow Residency, which provides emerging and established writers, scholars, curators, and storytellers in all mediums with the freedom to write stories and conduct research and interviews on topics designed to advance the field of craft. Sarah took advantage of being surrounded by artists from all over the country and recorded 13 interviews in total. Sarah was delighted to learn that her friend Adam Grinovich had been awarded a winter residency so the two made a plan to connect while their paths crossed at Penland. At the time of this recording, Adam and his wife, Annika Pettersson, who is also a jeweler, were preparing to move to Penland in a few months to begin a one-year residency. The two jewelers sat down to discuss why Adam chose to transition out of his full-time teaching position at SCAD Savannah, how he navigated the logistics of living and studying abroad, and what he hopes his time as a Penland Resident Artist will bring.OUR GUESTAdam Grinovich was born in Boston Massachusetts USA and received his BFA from Massachusetts College of Art in the Jewelry and Metalsmithing program. After working in the CAD/CAM industry for 2 years he continued his studies, receiving an MFA in jewelry from Konstfack University in Stockholm Sweden studying under professors Ruudt Peters and Karen Pontoppidan.Grinovich's career in jewelry is punctuated by travel and exchange. He has assisted in the studios of prominent artists and designers such as Christoph Zellwegger in Zurich, Switzerland and Ted Noten in Amsterdam, The Netherlands. He has an extensive list of international exhibitions and inclusion in private and public collections.In addition to his independent studio career Grinovich is a founding member of the experimental jewelry collective A5 , a member of the design collective Critical +.The work of Adam Grinovich deals with the themes of glamour, worth, value, technology, and adornment. His work crystalizes moments into microcosms, investigates the sublime qualities of craft, and collects simple gestures into complex expressions.In addition to craft, art, and design, Grinovich is an educator, working for 5 years as a Professor of Jewelry at Savannah College of Art and Design. Currently he is a resident artist at the Penland School of Crafts in NC, USA.IG: @adamgrinovichhttp://www.adamgrinovich.com/YOUR HOST@sarahrachelbrown@perceivedvalueDon't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Want a chance on the mic? Visit our events page at www.perceivevaluepodcast.com/events to find out when Perceive Value Podcast will be in your area! Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

More than 50 years after Henry Halem designed a series of cast glass sculptures inspired by the Kent State shootings, he decided to bring the imagery back to life. At a time when the Vietnam War empowered social activism and fueled political debates, the May 4, 1970, Kent State shootings seemed to take center stage, influencing several genres of music and art. Among these works was Halem's glass sculptures. “The imagery was based on the shootings at Kent State and the blindness that the political system had in relationship to what young people were about in protesting the war. They were blind to the generation that was protesting. And, so, I made these blinded images that had their eyes covered,” Halem said. Today, Halem is at it again, creating another series of blinded sculptures, but this time for a different reason. He has created seven blinded sculptures in the series so far, three of which are on view at Habatat Galleries Detroit. “I revived the imagery,” Halem said, “the blind imagery, to reflect the narrative of our blindness to the destruction of the earth, and who we are, what we are.” As a teenager growing up in the Bronx, Halem learned to throw pots at the Greenwich House Pottery in New York's Greenwich Village. Now, at 86 years old, he's still making art. Holding a BFA from the Rhode Island School of Design and an MFA from George Washington University, Halem did post graduate work at the University of Wisconsin as an assistant to Harvey Littleton in 1968. In 1969, Halem founded the glass program at Kent State University (KSU) and taught there for 29 years, subsequently teaching at Pilchuck Glass School and Penland School of Craft. He was one of the founders of the Glass Art Society and served as its first president.  Halem's body of work ranges from his early blown vessels to Vitrolite glass collages, glass castings to enameled and painted glass wall panels. His narrative boxes have been described as “… ordinary glass boxes filled with enigmatic objects and reverse glass drawings and paintings.” He is known for powerful responses to political events – the 1970 Kent State shootings, 9/11, and a memorial for American soldiers who died in Iraq.  Exhibiting extensively throughout the U.S., Europe and Japan, Halem's work is in the permanent collections of The Corning Museum of Glass, Cleveland Museum of Art, Smithsonian Institution, Toledo Museum, Detroit Institute of Art, High Museum of Art in Atlanta, Philadelphia Museum of Art, the Hokkaido & Niijima Museums in Japan, and the Decorative Arts Museum, Prague. He has been honored by the Glass Art Society and the American Crafts Council; he received the Governor's Award from the State of Ohio as well as the President's Medal for Outstanding Achievement from KSU. He penned Glass Notes: A Reference for the Glass Artist and is still an authority on all things glass. Throughout the years, Halem has amassed a diverse set of techniques that are put into action with a little bit of know-how. No matter what he does regarding art, it gets “distilled” through what he has learned from one of his favorite books, Zen and the Art of Motorcycle Maintenance. “The moral of that book was, in order to fix something, you have to know how it works,” Halem said. “So, my search is into finding out how things work. That, and my belief that the artist's job is to question authority in itself, is what drives me.”  

Housed in a 19th-century cheese factory, Audrey Handler's studio was founded in 1970 and is one of the oldest continually operating glassblowing facilities in the country. Through demonstrations she gave there and workshops she taught on the road at places such as Penland School of Craft and Haystack Mountain School of Crafts, she helped spread the idea that glass could be used as a medium for personal artistic expression.  A pioneer of the Studio Glass Movement, Handler started working in glass in 1965 as one of Harvey Littleton's first female glass students. He and his students experimented and learned together, renting old glassblowing films from the Corning Museum of Glass and trying to emulate the techniques. “It was so exciting,” Handler recalls. “Every day was something new.”   As a glassblower, Handler creates fruit forms, glass platters, and vases but also sculptural environments that comment on universal experiences, usually domestic in nature. These sculptures reflect small worlds and landscape portraits with life-sized objects and tiny sterling silver or gold people that evoke a surrealistic time and place. In well-known series the artist calls Monuments in a Park, Pear in a Chair and Wedding Pair, glass, wood and precious metal combine to tell a story. These works are made in collaboration with her husband, John Martner, who fabricates the tiny wooden chairs and love seats.   Wrote James Auer, Art Critic, The Milwaukee Journal: “By combining pieces of hand-blown fruit, in particular apples and pears, with tiny, hand-cast silver figures, (Audrey Handler) creates bizarre, Lilliputian landscapes that evoke universal human emotions and experiences. …this universality – combined with a neat sense of humor – is Handler's principal strength. It permits her to invest her work with a cutting satirical edge, to the point where her miniaturized depictions of conventional household scenes and cliched gender role models become winning little exercises in small-town surrealism.” Handler was a board member of the Glass Art Society, an international organization she helped create in 1971. She holds a BFA from Boston University School of Fine and Applied Arts and a MS and MFA from the University of Wisconsin, Department of Art. Her work was represented in the New Glass 1979 and New Glass Now 2019 exhibitions and published in the Corning Museum's survey of cutting edge-glass art, New Glass Review, in issues 5, 16 and 43. In 2014, Handler was awarded the Wisconsin Visual Arts Lifetime Achievement Award, joining fellow honorees Frank Lloyd Wright and Georgia O'Keeffe. The artist currently serves on the Glass Advisory Board of the Bergstrom Mahler Museum of Glass in Neenah, Wisconsin. Handler's sculptures can be found in collections and museums worldwide. During 2023 and 2024, her work was exhibited at the Racine Art Museum, Racine, Wisconsin, in two separate group shows: Women in Glass and Wisconsin Artists: 1960 – 1990: A Survey. Her work is on view now at the Chrysler Museum of Art, Norfolk, Virginia, in 60 Years of Studio Glass, 2022 to present, and at the Chazen Museum of Art, Madison, Wisconsin, in Recent Acquisitions, 2021 to 2023, and an ongoing exhibit of her work from 1965 to present. Her latest endeavor involves creating new mixed media sculpture and painting with low-fire glass paints on tiles and glass, creating landscapes of the prairie seen from her studio window, areas around Wisconsin and visions of landscapes from her many travels. These glass paintings are an extension of her work with blown glass – an endeavor which spans more than 50 years – as well as a return to her roots as an oil painter.    

After spending 8 weeks at the Penland School of Craft there was a perfect time to reflect on the experience. Your boy JBarber got together a diverse panel of Penland people to talk about it. You got students (Erika Marin and Tori Hoang), a teaching assistant (Jasmin Warnock), a CORE student (Nicholas Malik), and an instructor. Not to mention some diverse ethnic backgrounds from Latinx to Asian to Black to discuss being in art spaces like Penland and exploring your curiosity in craft. We discuss their experience in the spring concentration, how diversity effects art spaces, and what they have learned during the process. Most importantly, do we recommend Penland to other artists of color? Listen, subscribe, and share!Episode 186 topics include:how to find out about Penlandmaking time for an 8 week class/residencyCore students at Penland for 2 yearsexperiencing craft for the first timeliving at an adult summer campinteracting with creativeslearning from the other people at Penlanddiversity at Penland and art spaceslearning about yourself with making Penland School of Craft is a national craft education center dedicated to the creative life. Located in North Carolina's Blue Ridge Mountains, Penland offers total-immersion workshops in sixteen beautifully-equipped studios along with artist residencies, a gallery and visitors center, and community programs.See more: Penland School of Craft website + Penland School of Craft IG @penlandschool , Nicholas Malik's IG @nicholas_malik, Jasmin Warnock IG @warnockartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Your boy, JBarber, has been teaching at the Penland School of Craft and now we're back with new Studio Noize! We found David Harper Clemons in a weaving cabin making broaches, print, sculptures and drawings. David is also the HBCU tour coordinator for Penland. We talk about the HBCU tours and how to get more diversity into artist communities. David talks about his curiosity with materials in making his functional and wearable art, the value of Black narratives in objects and what you need to be a great metalsmith. Listen, subscribe, and share!Episode 185 topics include:gettting into metalsHBCU tour at Penland School of Craftbringing diversity to Penlandmetalsmithing vs jewelrythe attention to detailtop 3 skills of a metalsmithcuriosity for materialsBlack narratives in objectsimportance of surfaces and touchDavid was born in El Paso, Texas and spent much of his life in Austin, Texas. Initially he began his undergraduate career attending Tulane University in New Orleans, Louisiana, pursuing a degree program for Biology Art. He attended the program for two years before returning to Austin to complete his BFA at the University of Texas in Austin, with a primary emphasis in painting. He earned his MFA in Metalsmithing in 2007 from San Diego State University. David taught in the art department at the University of Arkansas in Little Rock, Arkansas for 10 years. During 8 of those years he was responsible for creating and heading the Metalsmithing and Jewelry Department. In 2018 he relocated to Penland, North Carolina to dedicate his time to be an independent artist and workshop instructor. Much of his work embraces the craft of Metalsmithing and it's collected history of techniques and objects. The resulting works rendered in metal, mixed media, and hand made artist books are vehicles to communicate ideas surrounding identity, narrative, and forays into material and process-based work. He has exhibited in numerous exhibitions including: Craft in America: Expanding Traditions, Different Tempers: Jewelry & Blacksmithing, RE/ACTIONS, and has work in the permanent collection of the Arkansas Art Center in Little Rock, National Ornamental Metal Museum. Yale Contemporary Craft Museum, Ollie Trout Collection at the University of Texas in Austin. See more: David Harper Clemons' website + David Harper Clemons' IG @harperclemons Follow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Both students and teachers in the Haywood Community College (HCC) Professional Crafts program form a prominent part of the vibrant creative community in Western North Carolina, an area with a rich history of traditional craftsmanship. Today, you'll hear from textile artist Amy Putansu and woodworking instructor Brian Wurst about the accessible nature of the HCC Professional Crafts Program in Waynesville, North Carolina, and the professional practice training that makes this program so unique. You'll also gain insight into what it takes to apply, what you'll learn as a student there, what the future of craft in America looks like, and much more! For anyone who is interested in additional training in clay, fiber art, jewelry, or wood, plus the entrepreneurial skills you need to market yourself and your work, you won't want to miss this inspiring conversation with Amy Putansu and Brian Wurst!Key Points From This Episode:What HCC Professional Crafts offers, from fine craftsmanship to entrepreneurship skills.Things that make this program unique and how Brian became an instructor.Insight into the accessible application requirements and the history of the program.The kinds of students that typically attend the classes and what they learn.Fresh, contemporary takes on the traditional craft history of Western NC.Strong connections between economic development and craft making.How Brian and Amy have integrated entrepreneurship and creativity in their practices.Perspectives on what the future of craft in America looks like.A funny story about Louise's last visit to the annual Penland School of Craft auction.Links Mentioned in Today's Episode:Haywood Community College (HCC) — https://www.haywood.edu/HCC Professional Crafts — https://www.haywood.edu/programs/professional-crafts.php Amy Putansu — https://www.putansutextiles.com/Amy Putansu on Instagram — https://www.instagram.com/putansutextiles/ Amy Putansu on LinkedIn — https://www.linkedin.com/in/amy-putansu-76521113a/Brian Wurst — https://southernhighlandguild.org/member/brianwurst/Brian Wurst on LinkedIn — https://www.linkedin.com/in/brian-wurst-38378775/Annual Penland School of Craft Auction — https://penland.org/support-penland/annual-auction/Artsville Virtual Gallery — https://www.artsvilleusa.com/virtual-gallery/Artsville Podcast — https://artsville.captivate.fm/Not Real Art — https://notrealart.com/Art Connections with Sherry Masters — https://www.arttoursasheville.comMountain BizWorks —

The inspiration for Jonathan Capp's art comes from the experiences that shape his life. Whether hiking the Appalachian Trail, coaching Little League Baseball, becoming an archaeological illustrator halfway around the world, or competing on Blown Away, he channels those experiences into ideas and fully embraces life as a part of his art. Capps states: “I welcome new ideas and innovations in the studio, bringing fun, energy, and an inspiring enthusiasm into the hot shop.” Raised in Knoxville, TN, Capps spent much of his youth outdoors, camping, hiking, and playing baseball. After moving to Kentucky in 2001, he developed a passion for glassblowing during undergraduate school at Centre College in Danville, KY, where he graduated with a Bachelor of Arts degree in 2005. For the following decade, he worked as a freelance glassblower, artist, and designer, traveling extensively to learn, teach, and pursue the mastery of his craft. During this time, he received several residencies and scholarships, including Haystack Mountain School of Crafts, The Pittsburgh Glass Center, Corning Museum of Glass, Penland School of Crafts, and an International Artist Residency at Lasikompannia in Nuutajärvi, Finland. After “thru-hiking” the Appalachian Trail in 2013, Capps attended graduate school at Ohio State University and, in 2016, earned a Master of Fine Arts degree. He received several awards and scholarships, most notably a travel grant and fellowship as an archaeological illustrator in the remote Oğlanqala region of the Autonomous Republic of Naxçivan, Azerbaijan. In 2018 and 2019, Capps was awarded a U.S. Fulbright Arts Grant to research Finnish glass and design for a year in Finland. In 2020, he was chosen to serve as an Alumni Ambassador to the U.S. Student Fulbright Program; today, he continues to engage in outreach and recruitment for the Fulbright Program and Finland's National Fulbright Foundation. His work is held in the permanent collection of the Finnish Glass Museum and the Prykäri Glass Museum in addition to private collections. Capps has taught and exhibited extensively in the United States and Internationally. Throughout his career, he has worked with many glass artists and master craftspeople, developing a diverse practice that fluently moves between traditional techniques and experimental methods, pushing the boundaries and seeking new applications of the glass medium. He says: “My studio practice is rooted in the multicultural traditions of the glass craft; significantly, the physical nature of glass blowing requires reliance on others to create art successfully. For me, learning and then mastering a variety of glass techniques is where the culture behind the craft comes alive. “My work in the visual arts is rooted in the hot glass studio. My research has developed, over time, into a global practice of interdisciplinary collaboration, social engagement, and cultural exchange. I have learned that there is something in my use of the glassmaking tradition that goes beyond form and function, and enters into the realm of experience, relationships, and communication.” Most recently, Capps competed in Season 4 of the hit Netflix series Blown Away. On Saturday, May 18 at the Glass Art Society convention in Berlin, Germany, Capps will demonstrate at Berlin Glassworks from 10 a.m. to 12   – an opportunity he won on the show. From June 10 – 14, he will teach a summer intensive at the Pittsburgh Glass Center, Lifting the Veil, and present a free lecture on June 11.  He will also be the featured guest artist for this year's Gay Fad Studio's Festival hosted at the Ohio Glass Museum. https://www.gayfadstudios.com    

In the 76th episode of Perceived Value, host Sarah Rachel Brown is at the Penland School of Craft during their Winter Residency. This episode is part of a special series featuring the Distinguished Fellows of the Penland Winter Residency. As the Andrew Glasgow Resident, Sarah has been awarded two full weeks to conduct interviews and research at Penland during their winter program. Sarah was encouraged to share a portion of her work with Penland's artist community, thus this special series.The fourth and final Distinguished Fellow to be featured is Shani Richards, a metalsmith from Akron, Ohio. The two metalsmiths sat down and discussed what Shani was focusing on during her time at the Penland Winter Residency. Shani being no stranger to fellowships or residencies, their conversation evolved into discussing the pros and cons of pursuing a career as a full-time artist, how Shani is navigating her current nomadic lifestyle, and what she hopes for in her future. This special series is possible due to the support of the Penland School of Craft and the Andrew Glasgow Residency. Thank you to the Penland staff and artists for the generosity of your time and participation.FIND OUR GUEST: Shani-richards.comInstagram: Shani.RichardsFacebook: Shani RichardsDon't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

In the 75th episode of Perceived Value, host Sarah Rachel Brown is at the Penland School of Craft during their Winter Residency. This episode is part of a special series featuring the Distinguished Fellows of the Penland Winter Residency. As the Andrew Glasgow Resident, Sarah has been awarded two full weeks to conduct interviews and research at Penland during their winter program. Sarah was encouraged to share a portion of her work with Penland's artist community, thus this special series.The third Distinguished Fellow to be featured is Rich Brown, a ceramic artist based in Georgia. The two artists sat down and discussed Rich's experience as a Division 1 College Basketball player, his career in education before pottery, the importance of dreaming big, and his current dreams. In this important conversation, Rich also shares his lived experience of being black in predominately white spaces- the fears that can bring, and how Rich documents and shares his experiences within the ceramic and craft communities in hopes of inspiring the next generation of black makers.This special series is possible due to the support of thePenland School of Craft and the Andrew Glasgow Residency.Thank you to the Penland staff and artists for the generosity of your time and participation.ABOUT OUR GUEST: Clay, for Rich Brown, is a means of release of life's cumulative journey. Using this medium allows him to convey his spiritual journey through this lifetime, always evolving. Rich focuses on functional ware to connect with his audience; a part of him is embedded in each piece. Created with honesty, integrity, and pure intentions to be experienced by its user. Creating work that blends harmoniously with the user through a symbiotic relationship.Rich Brown is inspired by the community and the gathering at the table, which brings people together to celebrate the gift of life. His work is created primarily on the wheel, with the current exploration of coiled, slabbed, and altered work. Focusing on ergonomics, craftsmanship, and pairing with food is paramount in the creative process of his work.Find his work: IG Pottery32website: pottery32.comDon't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

In the 74th episode of Perceived Value, host Sarah Rachel Brown is at the Penland School of Craft during their Winter Residency. This episode is part of a special series featuring the Distinguished Fellows of the Penland Winter Residency. As the Andrew Glasgow Resident, Sarah has been awarded two full weeks to conduct interviews and research at Penland during their winter program. Sarah was encouraged to share a portion of her work with Penland's artist community, thus this special series. The second Distinguished Fellow to be featured is Folayemi Wilson, an object and image-maker based in Philadelphia, PA. Although Sarah and Folayemi live in the same city, their paths did not cross until the Penland Winter Residency. As the two women began their discussion, Folayemi casually disclosed that she was in the process of fulfilling her dream of owning a building. The two artists discuss the details of Folayemi purchasing her first building, the importance of prioritizing rest as a working artist, and what Folayemi is focused on during her time at the Penland Winter Residency. FIND OUR GUEST: www.fowilson.com@fowilson oral history in bomb magazineThis special series is possible due to the support of the Penland School of Craft and the Andrew Glasgow Residency. Thank you to the Penland staff and artists for the generosity of your time and participation. Don't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

In the 73rd episode of Perceived Value, host Sarah Rachel Brown is at the Penland School of Craft during their Winter Residency. This episode is part of a special series featuring the Distinguished Fellows of the Penland Winter Residency. As the Andrew Glasgow Resident, Sarah has been awarded two full weeks to conduct interviews and research at Penland during their winter program. Sarah was encouraged to share a portion of her work with Penland's artist community, thus this special series. The first Distinguished Fellow to be featured is Ada del Pilar Ortiz Berríos, a visual artist and educator based in Barranquitas, Puerto Rico. This past November, Sarah traveled to San Juan, PR, for the first time and, while there, visited the Museo de Arte Contemporáneo de Puerto Rico. At this museum, she came across Ada's work, not knowing that she would have the chance to interview her two months later. The two artists sat down to discuss Ada's life in Puerto Rico, the residencies Ada has completed, and what she is focusing on during her time at Penland. This special series is possible due to the support of the Penland School of Craft and the Andrew Glasgow Residency. Thank you to the Penland staff and participating artists for the generosity of your time and participation. MORE ABOUT OUR GUEST:Ada del Pilar Ortiz Berríos (b.1995 Barranquitas, Puerto Rico) is a visual artist and educator. Her artistic practice interacts with sculptural processes that explore issues within the architectural condition, the meaning of home, the remains of built space and their relationship with memory. Through her work she reflects on how these concepts shape us in the place we inhabit from its physicality and the one that resides in us from memory -both concrete and malleable- as part of our formation, establishing a link between the reality of a place and the imagined one. Ada del Pilar obtained her BFA with a concentration in Painting from the School of Fine Arts and Design of Puerto Rico in 2018. Her work has been presented individually and collectively in spaces such as the Arsenal de la Puntilla Museum, El Kilómetro Gallery, Embajada Gallery, the Museum of Contemporary Art of Puerto Rico and the Clemente Soto Vélez Cultural & Educational Center in New York, among others. She has participated in residencies including Área: Programa de Residencias (2019), “La Práctica” interdisciplinary program at Beta Local (2019), The Studios at MASS MoCA, Puerto Rico Artist Fellowship (2023) and Penland School of Crafts Winter Residency (2024). Her work has been commissioned by the Museum of Contemporary Art of Puerto Rico under the "MAC en el Barrio" program. Ada's work has been supported by the Foundation for Contemporary Arts and CATAPULT: "A Caribbean Arts Grant" programme. She currently lives and works in Bayamón, Puerto Rico as an artist in residency in "Proyecto Casitas Artistas Residentes" of this municipality. FIND THE ARTIST:Instagram: https://www.instagram.com/ada.delpilar/Current event: https://embajadada.com/Don't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvaluewww.perceivedvaluepodcast.com/how-to-support-donate/Want a chance on the mic? Visit our events page at www.perceivevaluepodcast.com/events to find out when Perceive Value Podcast will be in your area! Instagram + Facebook: @perceivedvalueFind your Host:sarahrachelbrown.comInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

In the coming 4 episodes of the podcast, host Sarah Rachel Brown interviews distinguished fellows of the Penland Winter Residency. These interviews were recorded in January 2024 as part of Sarah's Andrew Glasgow Residency. This Glasgow residency provides emerging and established writers, scholars, curators, and storytellers in all mediums with the freedom to write stories and conduct research and interviews on topics designed to advance the field of craft.With the support of the Penland School of Craft, this special series aims to highlight what the Penland Winter Residency is and what it means to be a distinguished fellow. Through one-on-one interviews with select fellows, Sarah gives insight into what this experience entailed and how this opportunity impacted each artist's current studio practice.To help introduce this series, Sarah asked members of Penland's staff to speak on what exactly Penland's Winter Residency is, how artists can participate, and the process for selecting distinguished fellows. In order of guest appearance: Leslie Noell, Creative DirectorNadia Massoud, Studio Operations ManagerMia Hall, Executive DirectorThe first episode will be released on Tuesday, April 9th. Thank you to Penland and the Andrew Glasgow Residency for the time and space to make this series possible. And a special thank you to the participating artists for stepping away from your studios to record these interviews.

Enjoy this stained glass panel discussion with top industry professionals and educators Judith Schaechter, Stephen Hartley, Megan McElfresh, and Amy Valuck. Topics addressed include: what is needed in stained glass education; how the massive number of Instagrammers making suncatchers and trinkets affect stained glass; how to promote stained glass in a gallery setting; and how to stay relevant as stained glass artists. The panelists: By single-handedly revolutionizing the craft of stained glass through her unique aesthetic and inventive approach to materials, Judith Schaechter championed her medium into the world of fine art. The content of her work – some of which gives voice to those who experience pain, grief, despair, and hopelessness – resonates with viewers, leaving a profound and lasting impression. Schaechter has lived and worked in Philadelphia since graduating in 1983 with a BFA from the Rhode Island School of Design Glass Program. She has exhibited her glass art widely, including in New York, Los Angeles and Philadelphia, The Hague and Vaxjo, Sweden. She is the recipient of many grants, including the Guggenheim Fellowship, two National Endowment for the Arts Fellowships in Crafts, The Louis Comfort Tiffany Award, The Joan Mitchell Award, two Pennsylvania Council on the Arts awards, The Pew Fellowship in the Arts and a Leeway Foundation grant. Her work is in the collection of the Metropolitan Museum in New York, the Victoria and Albert Museum in London, the Hermitage in Russia, the Philadelphia Museum of Art, The Corning Museum of Glass, The Renwick Gallery of the Smithsonian Institution and numerous other public and private collections. Schaechter's work was included in the 2002 Whitney Biennial, a collateral exhibition of the Venice Biennale in 2012, and she is a 2008 USA Artists Rockefeller Fellow. In 2013 the artist was inducted to the American Craft Council College of Fellows. The Glass Art Society presented Schaechter with a Lifetime Achievement award in 2023, and this year she will receive the Smithsonian Visionary Award. Schaechter has taught workshops at numerous venues, including the Pilchuck Glass School in Seattle, the Penland School of Crafts, Toyama Institute of Glass (Toyama, Japan), Australia National University in Canberra, Australia. She has taught courses at Rhode Island School of Design, the Pennsylvania Academy, and the New York Academy of Art. She is ranked as an Adjunct Professor at The University of the Arts and Tyler School of Art Glass Program, both in Philly . Born in Philadelphia, Stephen Hartley began his craft career working on a variety of historic buildings and monuments throughout the region. In 1999, he moved to South Carolina to attend Coastal Carolina University, where he earned his undergraduate degree in History. He then relocated to Savannah, Georgia, and continued to work in the traditional crafts and conservation fields while attending graduate school. After completing his MFA in Historic Preservation at the Savannah College of Art and Design, Hartley was employed as an instructor at various colleges within the Savannah area. He earned his PhD from the University of York in 2018 where his dissertation thesis studied the historical and modern frameworks of trades training in the US and the UK.  Hartley eventually returned to the Philadelphia area and accepted the position of Head of Building Arts at Bryn Athyn College, where he formulated the first Bachelor's of Fine Arts (BFA) in traditional building within the United States. Hartley, currently an associate professor in Notre Dame's School of Architecture, wants his students to have a deeper appreciation for the work craftspeople do to fulfill an architect's vision—by learning the vocabulary of the trades, understanding their history, and, when possible, trying out the tools. Executive Director of the Stained Glass Association of America (SGAA), Megan McElfresh has dedicated her professional life to community service and the art and science of stained glass. With a background in fine arts and operations management, she joined the Association as a professional member in 2015 and became the Executive Director in the fall of 2017. Growing up in small stained glass studios, McElfresh continued to build on her technical skills in the medium by seeking mentorship opportunities throughout college. Some of the highlights of her glass studies were traveling to Pilchuck Glass School and time spent at the nationally recognized kiln forming resource center, Vitrum Studio.  Prior to working with the SGAA, McElfresh worked in a variety of roles from operations management at a life sciences firm in Washington, D.C. to IT and web support for small non-profit art organizations. In 2011, McElfresh moved from Northern Virginia to Buffalo, New York, and founded her studio, McElf GlassWorks. With a passion for her professional career as well as her new community, she never turned down an opportunity to collaborate with neighborhood teens and local programs to provide enthusiastic and creative educational enrichment. In her personal work, McElfresh uses her artwork in the advocacy of issues she became passionate about during her time working at a forensics laboratory concerning subjects like domestic violence and rape, and DNA backlogs. Her studio work has been featured in the Stained Glass Quarterly, Design NY, The Buffalo News, and Buffalo Rising. Find out more about the SGAA's 2024 conference here: Conference 2024: Sand to Sash | The Stained Glass Association of America Amy Valuck is a stained glass artist and conservator based in Southeastern Pennsylvania, and the current president of the American Glass Guild. She began her apprenticeship in 1998 at The Art of Glass in Media, PA, and in 2014 went on to establish her own studio, Amy Valuck Glass Art, now located in West Chester, PA. Her studio's primary work is the restoration and conservation of historical windows from churches, universities, and private residences. As a conservator she specializes in complex lead work, plated windows, and replication painting. Valuck also maintains a personal art practice, producing autonomous stained glass panels for private commissions and public exhibition, including the AGG's American Glass Now annual exhibit. Her personal work is heavily influenced by the fabrication and painting techniques of historical windows but frequently includes experimental fused glass elements.  Valuck is a graduate of the Rhode Island School of Design, who earned her BFA degree in jewelry and light metals. Her work in jewelry earned awards including the first annual Cartier Prize, and the MJSA (Manufacturing Jewelers and Silversmiths' Association) Award. She has served on the board of directors of the American Glass Guild since 2017 and has participated as a lecturer and instructor at several of the AGG's annual conferences. Registration is now open for the 2024 Grand Rapids conference, July 9 – 14. Find out more about the AGG's 2024 conference here: https://www.americanglassguild.org/events/agg-2024-conference-grand-rapids-mi For further exploration of panel discussion topics: The Campaign for Historic Trades Releases First-of-its-Kind Labor Study on the Status of Historic Trades in America – The Campaign for Historic Trades   

In the 71st episode of Perceived Value, host Sarah Rachel Brown is in Asheville, NC. In January of 2023, Sarah was making the drive from Florida to Pennsylvania and planned her trip around the opportunity to interview craft historian Andrew Glasgow. The two were introduced the previous summer while at the Penland School of Craft, and Sarah, having known of Andrew's vast career within the craft community, was thrilled when he agreed to an interview.The two craft appreciators sat down in Andrew's mid-century modern home to discuss how the Alabama native went from thinking he'd be a dentist to being an executive director of a non-profit in New York City. A year into his position as the executive director of the American Craft Council, Andrew was diagnosed with Lymphoma, and he shares with Sarah how his mindset, hope, and being his own advocate helped him through the estimated 806+ drug infusions and being declared cancer-free in 2013.Are you going to Munich Jewellery Week?Follow @3xUSA_MJW2024 on Instagram for all details regarding the exhibition your host is participating in! Hope to see you there!Visit listener Nora Kovats at the Handwerk & Design fair in Booth B1.741 next to the FRAME exhibition in hall B2. Thank you Nora for sharing a pass into the fair!__________________________________________________RECOMMENDED BOOKS: The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell.Works by the author Temple Grandin.__________________________________________________Help Kristin Rebuild: A Heartfelt Call for SupportPerceived Value Podcast is donating all Patreon support from February - April to our community member and friend Kristin Mitsu Shiga. If you can, please donate HERE.__________________________________________________Join Perceived Value in being a Futurist for Crafting The Future! A CTF Futurist commits to taking consistent action toward achieving the CTF mission by giving a recurring monthly donation of $5 or more. Futurists understand the power of community; when we work together to make change, big changes happen._________________________________________Don't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!Become our Patron on Patreon. Sign up for a monthly subscription to support the podcast financially. Instagram + Facebook: @perceivedvalueFind your Host: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

Summary: Chris and I discuss exhibit design and construction at Marbles!Big Take Aways:-The difference between goldsmithing and silversmithing.- The power of “we didn't know what we didn't know.”- Exhibits as “working prototypes.”________________________________________________________About Chris: Chris Alexander is the Vice President of Exhibits at Marbles Kids Museum in Raleigh, NC. His passion for designing and fabricating playful and engaging learning environments is driven by his curious nature, desire to problem solve, and the unique challenge of designing for a young and diverse audience. After receiving a BID in Industrial Design from the NC State College of Design in 1993, Chris helped found the Antfarm Studios- a still operational creative collective for artists and designers in Raleigh's Boylan Heights. It was during this time that under the mentorship of acclaimed Goldsmith Mary Ann Scherr, that Chris continued his education in design by exploring metalwork through jewelry as inspiriting and interactive wearable objects. The ability to play with scale, material, color, and whimsy eventually led him to his current work with Marbles creating exhibits that spark imagination, discovery and learning through play. Chris continues to engage and collaborate with the creative community in Raleigh, he has taught Design Camp sessions at the College of Design at North Carolina State University, and Metalsmithing at Meredith College as well as Penland School of Crafts. He has spoken on “Fear and Failure in Design” at Hopscotch Design fest. Chris designed and built his home employing adaptive reuse techniques to blend modern design with existing traditional structures. Most importantly, Chris is doting father to his daughter, Tess and husband to wife Emily. He believes in the power of play to transform children's lives, and the power of design to create extraordinary experiences for children, families and communities. Connect with Chris: Website | LinkedIn Mentioned in the show:- Mary Ann Scherr- NCSU College of Design- Antfarm Studios- Giving at Marbles________________________________________________________Show Notes: Welcome to Dirt NC where we talk all about the places and spaces of North Carolina and the people who make them awesome, I am your host Jed Byrne.Throughout my career in engineering, construction, finance, and development, I have covered just about all sides of the land use ecosystem. This show creates an opportunity for me to share what I have learned with you as well as introduce you to some of my friends, both new and old who are doing transformative work.With each episode of Dirt NC my goal is to make sure you walk away learning something new about land use. I promise to keep it simple and straight to the point.As always, I am grateful that you have chosen to share this time with me! If you have comments/questions/suggestions about Dirt NC or anything land use related you can find me on twitter at @OakCityCRE and if you want a simple and to the point update on Raleigh commercial development you can subscribe to The Top Five, my free weekly newsletter at www.oakcitycre.com 

Wesley Fleming brings the fantastic realism of the microcosmos to life in glass. An ambassador for smaller denizens of the earth, his passion for nature sparks awe and curiosity in others. Growing up in the countryside, his favorite pastime was exploring beneath logs and rocks in the woods or reading science fiction and comic books. Hence the natural world and his own imagination became his muse. Says Fleming: “I hope to rekindle awe and curiosity for nature with my fantastic realism. I've focused more than two decades honing my flameworking skills and trying to capture the essence of actual species with intricate detail of tiny stamen or antennae. Today, I conjure plants, animals and mystical beings by merging the fantastical with the real through choice of color palette and referencing familiar archetypes. Regardless of the end result, I love the alchemical potential of sculpting glass – a brittle and cold substance transformed by fire into a pliable and molten material.” In 2001, Fleming began working with glass, learning via apprenticeship under the tutelage of Italian maestros Vittorio Costantini and Lucio Bubacco in Venice, Italy. He subsequently gained valuable experience working for Josh Simpson and the MIT Glass Lab. His work has been included in numerous publications, exhibited around the United States and included in the permanent collections of the Corning Museum of Glass, Kobe Lampwork Museum, Tacoma Museum of Glass and Racine Art Museum. Recently, Fleming was commissioned by Wes Anderson to make glass flowers, which were animated by a studio in London for his 2023 movie Asteroid City. Along with his wife, Rebecca, the artist demonstrated his techniques at Denizli Glass Bienali in Denizli, Turkey, where she played her composed pieces on the cello while Fleming worked at the torch. In March 2020, his first solo museum exhibit was scheduled to open at Brattleboro Museum and Art Center in Brattleboro, Vermont. Sadly, opening day the museum was cancelled due to the Covid pandemic. Says Fleming: “Insects have been my main focus for many years, but recently I have been very inspired by the Blaschka Glass Flowers at Harvard and have been working on developing my plants and flowers. This was what was so exciting for me about the Brattleboro exhibit – that I was given trust and free rein to make my new passion and to focus on local wildflowers, which I see on the regular hikes I do around my home.” In 2024, Fleming will co-teach “Bugs, Figures, Plants, & Beyond” with Emilio Santini at Penland School of Crafts, April 28 – May 3. He will also co-teach “Collaborative Soft Glass Sculpture” with Michael Mangiafico at Touchstone Center for Crafts, August 5 -9 .

Talking Out Your Glass podcast kicks off 2024 with our first episode of Season 9! This  fascinating panel discussion on flameworking features four of the technique's most well-known artists: Paul Stankard, Carmen Lozar, Dan Coyle aka coylecondenser and Trina Weintraub. At different points in their careers, these four artists compare and contrast their journeys and experiences working glass behind the torch.  Considered a living master in the art of the paperweight, Paul Stankard's work is represented in more than 75 museums around the world. Over his 52-year artistic journey, he has received two honorary doctorate degrees, an honorary associate's degree, and many awards within the glass community, including the Masters of the Medium Award from Smithsonian's The James Renwick Alliance and the Glass Art Society's Lifetime Achievement Award. He is a Fellow of the American Craft Council and a recipient of the UrbanGlass Award—Innovation in a Glassworking Technique.   Stankard's current exhibition From Flame to Flower: The Art of Paul J. Stankard can be seen at the Morris Museum, Morristown, New Jersey, now through February 4. A documentary film titled Paul J. Stankard: Flower and Flame by award-winning filmmaker Dan Collins, premiers on January 31. On March 16, the film will be shown at Salem County Community College, Carney's Point, New Jersey, at the International Flameworking Conference, presented there by Collins. Born in 1975, Carmen Lozar lives in Bloomington-Normal, Illinois, where she maintains a studio and is a member of the art faculty at Illinois Wesleyan University. She has taught at Pilchuck Glass School, Penland School of Craft, Pittsburgh Glass School, Appalachian Center for Crafts, The Chrysler Museum, and the Glass Furnace in Istanbul, Turkey. She has had residencies at the Corning Museum of Glass and Penland School of Craft. Although she travels abroad to teach and share her love for glass – most recently to Turkey, Italy, and New Zealand – she always returns to her Midwestern roots. Lozar is represented by the Ken Saunders Gallery in Chicago, and her work is included in the permanent collection at Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin. Besides continuing her work at Illinois Wesleyan University, Lozar will be teaching workshops at UrbanGlass, June 4 – 8, 2024, and at Ox Bow School of Craft, Saugatuck, Michigan, August 4 – 10, 2024. Menacing monkeys. Peeled bananas. Bad-tempered bears. Uniquely original Munnies. Daniel S. Coyle's whimsical, toy-inspired aesthetic in concert with mind-blowing skills on the torch have earned the artist a hefty 116K following on Instagram. The artist recently celebrated 12 years of being a full-time pipe maker. Coyle's work has been displayed in galleries around the world, and has been seen in print and web publications including Vice, Huffington Post, NY Times, and in the books This Is A Pipe and his self-published Munny Project book. Now residing in Western Massachusetts, he works alongside some of the state's top pipe makers. Coyle's 2024 events include: Community Bonfire (Maine), January 27; Michigan Glass Project, June 21 – 23: two-week intensive class at Corning Studios, Corning, New York, June 24 – July 5; Parlay Philly in September TBA; and Bad Boyz Do Basel 3 (Miami), September TBA. Creating playful objects and curious scenes inspired by childhood memories and dreams, Caterina Weintraub uses glass, a fragile and heavy material, to recreate iconic toys or re-imagine personal memories that evoke a sense of sentiment, wonder and discomfort. She utilizes a variety of techniques to create sculptures and installations in her Boston-based studio, Fiamma Glass. From intricate torch work to large-scale kiln castings and hot blown pieces, she chooses the process best suited to realize her vision. In 2024, Weintraub will participate in Habatat's Glass Coast Weekend, Sarasota, Florida, February 1 – 4; Glass52, International Glass Show, Habatat Gallery, Royal Oak, Michigan, May 5 – September 6; and the International Glass Show, Fort Wayne Museum of Art, Fort Wayne, Indiana, December 2 – February 18.  Enjoy this panel discussion about how these four artists crafted careers using the techniques and appeal of flameworking and where the process is headed into the next decade and beyond.     

This week on the podcast is part two of our interview with Stephen Yusko. He's a Cleveland-based artist who creates sculptures, furniture, and vessels, using mixed materials combined with forged, machined, and fabricated steel. Stephen also creates public art and jewelry.  He has taught at several schools and universities, including Haystack School of Crafts (ME), Penland School of Crafts (NC), and SUNY Purchase, where he was a Windgate Artist-in-Residence. http://stephenyusko.com/We explore the intricacies of selling art and pricing strategies. Through his firsthand experience, we learn about the delicate balancing act between perceived and actual value, and the methodical approach he employs to successfully navigate the challenging landscape of selling and pricing his artwork. From sculptures and vessels to the seemingly straightforward world of jewelry, Stephen shares his journey in this exciting and intricate market.Stephen discusses the importance of time management, resource allocation, and the powerful role social media can play. And yes, we talk about collaboration too, because no or artist is an island, and every successful entrepreneur knows the power of a good partnership. Prepare to garner vital entrepreneurial lessons from Stephen's wealth of experience and insights. This episode is a treasure trove of knowledge for aspiring artists, established creators, or anyone curious about the business side of the art world.

Today we released part one of our interview with Stephen Yusko. He's a Cleveland-based artist who creates sculptures, furniture, and vessels, using mixed materials combined with forged, machined, and fabricated steel. Stephen also creates public art and jewelry.  He has taught at several schools and universities, including Haystack School of Crafts (ME), Penland School of Crafts (NC), and SUNY Purchase, where he was a Windgate Artist-in-Residence.  Stephen's works have been in exhibits internationally, and among his many awards, he's received four Ohio Arts Council Individual Artist Excellence Awards. Join us as we unpack the many aspects of being a working artist!  http://stephenyusko.com/ 

You wouldn't think that a town of under 500 people could be home to a thriving art gallery, let alone two competing ones across the road from one another. But in Bakersville, North Carolina, that is exactly the case. Joining us today is Andy Palmer, who co-owns the In Tandem gallery with his wife Silvia Ferrari-Palmer on the main street, and Vicki Essig, who runs Mica, another beautiful gallery just across the road. We talk with Andy and Vicki about their work as artists, and how the symbiotic relationship between their two galleries has contributed to the rich artistic community of Bakersville. Tuning in you'll learn about the process behind Vicki's incredible artworks (woven by silkworms!) and how her small community has supported her labor-intensive creations. She also shares the powerful story of a pair of silk overalls made in honor of civil rights activist, Joyce Ladner, how they were sold to a descendent of hers, and what this fortuitous connection demonstrates about community building. We hear from Andy about how his wife's digital outreach transformed their gallery, the immense impact of the COVID-19 pandemic on online sales, and how he utilizes his background in ceramics to find artists for their gallery. Our conversation also covers Mica and In Tandem's approach to branding, the Toe River Council's important work supporting artists, and details about Artsville's new virtual gallery of artists. To hear all the fascinating details of this thriving artistic community and how to partner with other galleries, be sure to tune in!Key Points From This Episode:Get to know today's guests, Andy Palmer and Vicki Essig.Insight into Vicki's weaving artworks and how she uses silkworms for her threads.The benefits of being part of a small community and how they have supported her process.Details of Andy and his wife Silvia's gallery, In Tandem.How Silvia improved digital outreach and how COVID-19 increased their online sales.Where they find their artists and how Andy uses his expertise as a ceramics artist.Vicki's gallery Mica and its location across from In Tandem in their small town, Bakersville.How they work together instead of competing with one another.Mica's selection process and how they support their artists.How Bakersfield's thriving artistic community has supported economic growth in Bakersville.An overview of how In Tandem and Mica approaches branding.The Toe River Arts Council and their impactful work supporting artists.Details about the Hilloween event in the Blue Ridge Mountains.Learn about Artsville's exciting new virtual gallery of artists.Links Mentioned in Today's Episode:Andy Palmer — https://www.intandemgallery.com/andy-palmer-bioIn Tandem Gallery — https://www.intandemgallery.com/Vicki Essig — https://www.vickiessig.com/Mica — https://www.micagallerync.com/Penland School of Craft — https://penland.org/The Toe River Arts Council — https://toeriverarts.org/Hilloween — https://www.hilloweennc.org/Hilloween: A Mechanism for Unity with Gina Phillips —

Sean O'Connell is a studio potter who is currently a Artist-In-Residence at the Penland School of Crafts. He has had an active studio practice for the last 20 years as well as professional roles in Arts Administration and Education. Notable institutions include the School of the Art Institute of Chicago and the Alberta College of Art & Design in Calgary, Alberta. He was also a long-term resident at the Archie Bray Foundation from 2011-2013 and the Salad Day's Artist-in-Residence at Watershed Center for Ceramic Arts in 2009. He earned his MFA from the School for American Crafts/RIT and his BFA at Kansas City Art Institute. Sean exhibits his work nationally, is a regular contributor to ceramic art publications, and conducts workshops throughout the US and Canada. http://ThePottersCast.com/982

Growing up amongst the airbrushed t-shirts and dolphins of Destin, Florida, muralist TAYLOR SHAW learned how to hustle to make the most of the tourist season. Years of hard work in restaurants and side gigs honed many of the skills that have enabled Taylor to make a career creating site-specific murals which have become their own tourist attractions. But how Taylor got out of the kitchen, through an MFA program and into a custom van ready to install a 120-foot mural is a great yarn best told by Lazerchef himself. Find Taylor: Website:  www.lazerchef.studio Instagram:  @lazerchef Mentioned:DABSMYLA / Australian husband-and-wife visual artists (learn) “Rise and Decline of the Redneck Riviera: An Insider's History of the Florida-Alabama Coast,” Harvey H. Jackson (read) Invader / street artist (learn)   Austin Daily Press /  restaurant, Austin Texas (visit) “Steal Like An Artist,” Austin Kleon (read) Arrowmont School of Arts and Crafts / Gatlinburg, Tennessee (explore) John C Campbell Folk School /Brasstown, North Carolina (visit) Penland School of Craft / Penland, North Carolina (explore)Doodle Grid method (explore) Justin Barker / artist, illustrator (learn) Montana Cans / artist-quality spray paint (learn) Dewey Destin's / seafood restaurant, Destin, Florida (visit) Find Me, Kristy Darnell Battani: Website:    https://www.kristybattani.com Instagram:  kristybattaniart Facebook:  kristybattaniart Did you enjoy this episode? If so, please take a moment to leave a rating and a comment: https://lovethepodcast.com/artishplunge   Music:"Surf Guitar Madness," Alexis Messier, Licensed by PremiumBeat.comSupport the show

Some might say that Daniel Clayman is more a sculptor using glass as his primary material than a glass artist. That is to say his sculptures would be successful from a formal point of view no matter what material they were created in. With one major exception: the play of light in Clayman's glass art enhances the objects dramatically in comparison with how they might appear in a solid, non-translucent medium. Born in 1957 in Lynn, Massachusetts, Clayman planned a career as a theater lighting designer, studying in the theater and dance departments at Connecticut College, eventually dropping out of college to work in the professional theater, dance and opera world. A chance class in 1980 introduced the artist to using glass as a sculptural material. In 1986, he received his BFA from Rhode Island School of Design and has maintained a studio in East Providence, Rhode Island since then. ​Clayman's interests in engineering, the behavior of light, and the memory of experience, act as an impetus for much of his work. Having turned his attention to large-scale installations, he employs technology from the simplest hand tool to the latest three-dimensional modeling and production tools. Recent public projects include Rainfield, Massachusetts College of Art and Design and Media Center Atrium, exhibition dates: January 23, 2017 – January 23, 2018; and Radiant Landscape, Grounds for Sculpture, Hamilton Township, New Jersey, exhibition dates: May 7, 2017 – February 28, 2018. Clayman is the recipient of several grants and awards and has had numerous one-person shows throughout the country to include the Tacoma Museum of Glass in Tacoma, Washington, the Mint Museum in Charlotte, North Carolina, and the Fuller Craft Museum in Brockton, Massachusetts. Works in glass sculpture by the artist can be found in the permanent collections of the Museum of Fine Art in San Francisco, The Museum of Art and Design in New York, the Corning Museum of Glass, the Hunter Museum of American Art in Chattanooga, the Cleveland Museum of Art, the Milwaukee Art Museum, the Museum of Fine Art in Boston and the Renwick Gallery of the National Museum of American Art of the Smithsonian Institution in Washington, D.C.  An artist/educator, Clayman has taught in Japan, Israel and Australia in addition to a robust teaching schedule here in the U.S. He has been a Visiting Critic at the Rhode Island School of Design and Artist in Residence at Tyler School of Art and Massachusetts College of Art and Design. He lectures frequently and teaches workshops at Penland School of Crafts, Pilchuck and The Studio at the Corning Museum of Glass, among others. In 2018, Clayman became the first endowed chair of glass at University of the Arts, Philadelphia.  Clayman states: “While I moved away from a professional career pursuit in lighting design, I have never turned away from my observations of light. Using glass as my primary sculptural material, I have spent the last 20 years developing a vocabulary of forms which describe volumes of light. Over the past four years, my studio work has centered around the creation of large-scale glass castings that thematically reference the capturing of light. One of the many mysteries of light is that it refuses to reveal any of its essence until it happens to reflect on something other than itself. For instance, the headlight of a car projects (reflects) light onto objects as the viewer approaches, but not until there is a foggy mist in the air does one see the shape and arc of the beam.”  

I first met Rachel Meginnes at Penland School of Arts and Crafts just north of Asheville, NC. We had been in each other's digital orbits for a good while and so when we sat together in a couple plush armchairs and warm cups of coffee by a fireplace in the dining hall, it was the most natural thing to slip into conversation. Rachel's current work centers on weaving old deconstructed quilt material into new pieces on her digital loom. After she's spent days picking apart an old quilt, she often finds that the worn lace-like batting—normally hidden from our view—is what especially captivates her.Rachel is also a dedicated and gifted creative coach. It was fascinating for me to listen how she talks about the raw materials of quilts and the raw materials of our lives in similar terms. Because we know how to make a strong and beautiful quilt, then we must inherently know how to make a strong and beautiful life. It's all the same stardust, after all. In this SEAMSIDE conversation, Rachel and I talk about:① how time changes both quilts and humans ② how to do hard work with noble intention ③ how we can mine our creative processes to discover strategies for livingYou can learn more about Rachel Meginnes here ⤷ Learn more about THE QUILTY NOOK here⤷ Get your free NOOK trial here⤷ Enter here for your chance to win a FREE YEAR on the NOOK!

In Episode 55 of the Why Make? podcast we talk with Mia Hall, a maker, former educator and current executive director of the Penland School of Craft, one of the oldest and most prestigious craft schools in America. After growing up in Sweden Mia moved to northern California at the age of 18 and explored for the next 10 years. When a close friend became a buyer for Pottery Barn that possibility as a career excited Mia and she  found a path forward through art school. Eventually enrolling at San Diego State University in the interior design department Mia found her true passion upon discovering the furniture design program where she earned both her undergrad and graduate degrees. Always knowing that she wanted to teach Mia became the first Furniture instructor at the new crafts program at the University of Arkansas at Little Rock. During her time teaching there she also became the director of the program. In 2017 Mia became the executive director of Penland and took on the job she always really wanted to do. Morphing from a worker in wood to a worker in paper, spreadsheets in particular. From Sweden to the mountains of North Carolina join us as we talk with Mia Hall about her path in the arts and the future of craft education.

From their trademark blown vessel forms to more recent large castings, Hunting Studio of Princeton, Wisconsin, uses glass and its myriad mysteries to tell stories of unapologetic beauty and celebration of color. The work of this father-son team, Wes Sr. and Wesley Hunting, is on view now through February 4, 2024 in Directing the Flow: The Art of Wes Hunting, at the Bergstrom Mahler Museum of Glass (BMM) in Neenah, Wisconsin. The studio was awarded First Place and a solo show at the Museum following its 2022 Glass Arts Festival. States BMM Executive Director, Amy Moorefield: “The Huntings create blown and cast glass vessels and sculpture featuring colorful palettes and murrine inspired by past and present creations of artists working in Murano, Italy. Through the process of painting with colored glass and cold surface cutting, Hunting's newest creations invite the viewer to gaze inward into miniature worlds, paying homage to the aesthetics of overlay paperweights.” Hunting Sr. studied under glass artist Henry Halem while attending Kent State from 1975 to 1979. He served as an assistant to Richard Ritter and has taught at the University of Kansas, Tennessee College of Crafts, Florida Keys Community College, and the University of Wisconsin – Madison.  Hunting Studio's work can be found in museum collections internationally to include the Cleveland Museum of Art, Cleveland, Ohio; the Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin; The White House, Washington D.C.; the Krasl Art Center, St. Joseph, Michigan; the Windhover Center for the Arts, Fond Du Lac, Wisconsin; the Tucson Museum of Art, Tucson, Arizona; the Dubuque Museum of Art, Dubuque, Iowa; the Museum of American Glass, Millville, New Jersey; the Hickory Museum of Art, Hickory, North Carolina; Cafesjian Museum of Art, Armenia; The Milwaukee Museum of Art, Milwaukee, Wisconsin; the Museum of Glass, Tacoma, Washington; and The Art Museum of South Texas, Corpus Christi. Hunting corporate collections include Bank One, The Hyatt Corporation, The Standard Oil Company and The Quaker Oat Company, to name just a few. In the early 1980s, a trip to Penland School of Craft in North Carolina and travel through Italy set Wes Sr. on the path he continues on today. His studio visits with artists such as Mark Peiser, Billy Bernstein, Gary Beecham, Steve Edwards, Rob Levin, and Harvey Littleton and witnessing the millefiori process of the Italian masters helped refine his own goals in glass. Now as his son assumes increasingly more responsibilities at their studio, new ideas and bodies of work are fleshed out, investigated and introduced to their enthusiastic collectors. From their early Colorfield series, the artists have expanded into new aesthetic territory in the creation of their Optical series, Remnantseries and Castings. Says Wes Sr.: “We are always striving to take the work to a new level of intensity. It has developed into a way for me to express myself by painting with molten glass. There is no other material like glass. The colors are totally unique as they can be transparent or opalescent. The way light passes through colored glasses adds a third dimension that cannot be duplicated by any other material.”  

This week guest is Korean-American ceramicist Michelle Im aka RATxCHICKS. Michelle was born in Atlanta, GA in 1984 to Kun Sook Im, a home-maker, and Jong Seong Im, an environmental engineer. She has one brother; Sewon Im, who is a financial consultant also living in the US. Her grandmother was a poet and calligraphy artist in South Korea. As a child the family moved around from Michigan to Boston and South Korea. Michelle returned to the US for college and since graduating with a degree in Biology and Art from The State University of New York at Buffalo, she has lived in New York City. She was named one of Ceramic Monthly's 2022 Emerging Artists and is an award recipient of the American Craft Council's 2022 Emerging Artist Cohort Program as well as a grant recipient of the Center for Craft's Teaching Artist Cohort in 2023. Michelle was a Visiting Artist in Residence at the Archie Bray Foundation for the Ceramic Arts in 2022 and she was selected for a Distinguished Fellowship at Penland School of Craft during her winter residency in 2023. Before becoming a full time ceramicist, Michelle spent time in the service industry and since 2021 she has had her own studio in Queens where she lives with her partner, artist, John Almanza and her dog Inky. She teaches ceramics at Greenwich House Pottery in Manhattan, NY. Michelle on Instagram: @ratxchicksMichelle's website: https://ratxchicks.club/Michelle's PlaylistWu Tang ClanTalking HeadsThe Velvet UndergroundKendrick LamarRichie HawtinJeff MillsMike ParkerLSDXOXO Michelle's favorite female artists:Christian JoyHaylie JimenezSydnie JimenezKristy MorenoSoojin ChoiMary CassattJoanna PowellEun Ha PaekSulo BeeShea Burke…and many more. Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

This week guest is Korean-American ceramicist Michelle Im aka RATxCHICKS. Michelle was born in Atlanta, GA in 1984 to Kun Sook Im, a home-maker, and Jong Seong Im, an environmental engineer. She has one brother; Sewon Im, who is a financial consultant also living in the US. Her grandmother was a poet and calligraphy artist in South Korea. As a child the family moved around from Michigan to Boston and South Korea. Michelle returned to the US for college and since graduating with a degree in Biology and Art from The State University of New York at Buffalo, she has lived in New York City. She was named one of Ceramic Monthly's 2022 Emerging Artists and is an award recipient of the American Craft Council's 2022 Emerging Artist Cohort Program as well as a grant recipient of the Center for Craft's Teaching Artist Cohort in 2023. Michelle was a Visiting Artist in Residence at the Archie Bray Foundation for the Ceramic Arts in 2022 and she was selected for a Distinguished Fellowship at Penland School of Craft during her winter residency in 2023. Before becoming a full time ceramicist, Michelle spent time in the service industry and since 2021 she has had her own studio in Queens where she lives with her partner, artist, John Almanza and her dog Inky. She teaches ceramics at Greenwich House Pottery in Manhattan, NY.Michelle on Instagram: @ratxchicksMichelle's website: https://ratxchicks.club/Michelle's PlaylistWu Tang ClanTalking HeadsThe Velvet UndergroundKendrick LamarRichie HawtinJeff MillsMike ParkerLSDXOXO Michelle's favorite female artists:Christian JoyHaylie JimenezSydnie JimenezKristy MorenoSoojin ChoiMary CassattJoanna PowellEun Ha PaekSulo BeeShea Burke…and many more.Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

From his studio in Dania Beach, Florida, Rob Stern creates his signature Windstar sculptures, dedicated to his father, a consummate stargazer fascinated by cosmic phenomena. Stern was also inspired by his surname, which means star in German. The artist often names his stars to reveal their celestial spheres. Copernica is derived from Copernicus, visible in the evening sky over Miami Beach. Polaris, known as the North Star, is the brightest in the constellation of Ursa Minor. Antares is the 15th brightest star in the night sky and is part of the constellation Scorpius. Other Windstar titles conjure colors and experiences, such as Red Dawn, which takes its name from a glowing red center or Modra, the Czech word for blue. Stern's Windstars are a testament to his deep understanding of glass and belief that the material takes him where it wants to go during the making process. Another iconic body of work, Stern's Stilettos, was inspired by his wife's vast collection of designer shoes that includes Manolo Blahnik, Jimmy Choo, and Alexander McQueen. However, these glass slippers are even more extreme with wild bejeweled designs that could make even Lady Gaga swoon.  Stern states: “My creative endeavors and sculptures are mere stepping stones towards my search for understanding life. Harmonic instances between what I sense and do are the signals that guide me through my processes and prompt daily decisions. My works act as a communicative device which seeks to connect my thoughts and my actions to the collective human consciousness. A path seeking insight and enlightenment carries me forwards and always seems to bring me back to the glass.” His mother an art teacher and father a filmmaker, Stern attended Northside High School for Performing Arts in Atlanta, Georgia, where he was part of an elite group that performed internationally. He later pursued visual arts, receiving a BFA from San Francisco State University (1989) and an MFA from the University of Miami (2003). Other glass training includes a five-year apprenticeship with John Lewis Glass, Oakland, California, where he trained to be a metal fabricator and expert glass caster/cold-worker. Stern went on to assist Czech master Petr Novotny and worked in the Czech glass factories as a designer/maker for two years. The artist also assisted or collaborated with many masters such as Dale Chihuly, William Morris, Martin Blank, Richard Royal, Richard Jolley, Dante Marioni, Therman Statom, Stanislav Libensky, Rene Roubicek, and Vladimir Klien, among many others. Lecturing at the University of Miami for 10 years, Stern also acted as interim professor at University of Texas Arlington in 2009. He has frequented the premier glass institutions, most notably Pilchuck Glass School, Stanwood, Washington, for a 30-year consecutive run where he has taught, been a gaffer, TA, AA, and worked with the most notable international artists. Dedicated to education, the artist has also taught at the Corning Museum of Glass, New York; the Penland School of Craft, North Carolina; The Glass Furnace, Istanbul, Turkey; Bildwerk Frauenau, Germany; and Ways of Glass, Czech Republic. Stern designed and created many centerpiece collections for various institutions including Pilchuck in 2011, and he received the Amazon award for his Pilchuck auction piece in 2021. This year he has a prominent piece in Pilchuck's October Auction. Currently involved in long-term residencies at YZ Center for the Arts, China, and Bezaiten Arts Center in Lake Worth, Florida, Stern will serve as the future director of glass at The Dania Art Park, now in development. Meanwhile he and his team design and create original sculpture, architectural commissions, and unique lighting that has been commissioned, exhibited, and collected internationally. Recently, the artist participated in Habatat Gallery's Glass 51 exhibition, and several of his works were acquired by Imagine Museum in St. Petersburg, Florida. Eighty of his pieces have become part of the permanent collection of the Weiner Museum of Decorative Arts (WMODA), Dania Beach, Florida. Says Stern: “My aesthetic resides at the crossroads where humans and nature intersect. Between organic and angular, a space connects the temporary man-made to the pre-existing and eternal cosmos. Here, we begin to measure our perspective and contemplate the perception of our place in the world as it is one that is always changing with the evolution of space, light, and time. I venture to capture moments with materials that speak to a fleeting sensibility of the permanence or importance of this balancing act. Color and form dictate emotion, and humanity is transcended as we reflect in the inherent rhythm and fractal patterning in this natural world. My constant observation of details persuades my attention to nuances in an attempt to mimic the complexity of its simplicity.”  Stern's work will be exhibited at Kittrell Riffkind in Dallas, Texas, in April 2024.  

Episode No. 11 of the Art Throb Podcast features Stephen Wiggins a Lexington Printmaker who will talk about his work but primarily the commissioned series of panels for the VIA Creative public art bus shelter on the corner of Elm Tree Lane and Third Street.Stephen Wiggins was born and raised in Lexington on the Northside of Lexington near 7th Street.He has a BA in art studio from University of Kentucky,  Class of 2005, and an Associates Degree in Graphic Design from KCTCS, class of 2017. He is also a speedball art products demonstation artist, a Kentucky crafted artist and a Kentucky Guild of Arts and Craftsman member. His work focuses on fine art printmaking techniques including linocut, silkscreen, etching and lithography.  He also does Lego prints in his spare time and teaches and does public outreach for printmaking in Lexington and surrounding states.Stephen received the Visions Scholarship to do a residency as part of the Pentaculum program at Arrowmont School of Arts and Crafts in Gatlinburg Tennessee. He also received a full scholarship to take a class at Penland School of Arts and Crafts in Penland North Carolina.  He has presented on a panel of peers at the Southern Graphics Conference International 2022 in Madison Wisconsin.  He is married to Rebecca Wiggins and they have a two year old daughter named Margaret. Most recently his submission for replacement panels at the VIA Creative Public Art Bus Shelter on the corner of Elm Tree Lane and Third Street, was selected from an invitational call for site specific ideas and will soon be installed.Stephen submitted a series of five panels each depicting an African American individual with local historical significance especially to the east end neighborhood where the bus shelter is located.

Art and technology share a symbiotic grace in the glass spacecraft, rockets, and scientific apparatus of Rik Allen. Most of his work is made primarily of glass and metal, which expresses a paradoxical symbiosis. The relationship between the rigid strength of metal with the inherent fragility of glass creates an alluring tension. While many of his pieces reference his curiosity about science, they also convey humor, simple narratives, and a lightheartedness that is embodied in much of science fiction's antiquated vision of the future. The theme of “futuristic antiquity” reflects Allen's interest in the literary fictional worlds of Jules Vern, H.G. Wells, Arthur C. Clark, and Isaac Asimov and their influence on the scientific community. His sculpture is also inspired by the accounts of early scientific pioneers of the 19 and 20th centuries, such as Nicola Tesla, Robert Goddard, Wernher von Braun, and other great scientific minds. Born in Providence, Rhode Island, Allen earned a BA in Anthropology from Franklin Pierce University, New Hampshire. His earliest and formative glass studio experiences and education came as a studio assistant in Providence, working with a number of wonderful artists to include Daniel Clayman, James Watkins, and Michael Scheiner. Allen relocated to Washington in 1994, where he joined the William Morris team at the Pilchuck Glass School for 13 years, specializing in engraving, cutting, and finishing glass sculpture. Allen has had numerous solo exhibitions of his sculptures throughout the country, including at the Science Fiction Museum and Hall of Fame, the Museum of Northwest Art, Traver Gallery, Blue Rain Gallery, Schantz Gallery, and Duncan McClellan Gallery. His sculptures have been acquired for a number of public and private collections, including Glass Museum in Tacoma, Imagine Museum, Toyoma Institute of Glass, Blue Origin, Boeing, Amazon and SpaceX. In 2016, his work appeared in a feature cover story published by American Craft magazine and in 2018, he was awarded “Grand Artist of the future” by Imagine Museum. In 2005, Allen established a glass and sculpture studio with his wife, artist Shelley Muzylowski Allen at their property in Skagit County, Washington. In addition to being artists, the couple has taught internationally at the Toyama Institute of Glass in Toyama, Japan, and the International Glass Festival in Stourbridge, England. They have also taught nationally, including the Penland School of Craft, Pittsburgh Glass Center, and at Pilchuck Glass School. A lifelong Star Trek devotee – whose earliest memories of creation involved making scotch tape and cardboard phasers and communicators – Allen was contacted by Eugene (Rod) Roddenberry, son of Star Trekcreator Gene Roddenberry and current spokesman for Trekkies everywhere. Intrigued by Allen's work after seeing a piece one of his friends owned, Roddenberry commissioned a sculpture of the original series' Starship Enterprise. The sculpture was to reflect the basic design of the original Enterprise, but also incorporate Allen's personality into a sculpture that was of his own original design and overall interpretation. Allen, in collaboration with wife Shelley, has created and will install two large public sculptures, Sticken (the Orchard Octopus) in September, and Heronious One in November in Bellevue, Washington. He will have an exhibition of new work in spring 2024 at Blue Rain Gallery in Santa Fe, New Mexico, and will collaborate with Dave Walters this fall.   

This week on the podcast is part 1 of our interview with artist Leandra Drumm. Her works are sold in shops and galleries across the United States and Canada, and her artwork combines storytelling with humor and functionality. Leandra is known for her crystal wedding bowls decorated with words and charming figures spinning tales from bottom to the top, as well as dinner plates and glassware. In pewter she creates fanciful switch plates, wall hangings, ornaments, and measuring spoons, guaranteed to bring smiles. Her collections have been featured in Bon Appetit Magazine, the Boston Globe Sunday Magazine, and in newspapers throughout the US.  Make sure to tune in--and visit her website to see her imaginative art!In this Episode:Leandra shares about her transformative experience at Penland School of Crafts, her exploration of graphic design at Kent State University, and how the chance discovery of sandblasting eventually led her to follow her heart into the craft market. Leandra's story serves as a reminder of how following our passions can open paths we never expected.Leandra takes us a step further into her world as she delves into the rich artistic legacy of her family and how it has profoundly shaped her work. From the sculptures and paintings of her grandfather to the mechanical inventions of her father, creativity clearly runs deep in her bloodline. Leandra also emphasizes the importance of self-sufficiency, a trait she proudly carries from her family, and the value she places on community art projects. Listen as she recounts the joy she experienced while creating the Light Up Lantern Festival, where performance and art harmoniously merged. Join us for this inspiring conversation with Leandra Drumm about art, family, and following your passions.Show Notes: https://www.artsentrepreneurshippodcast.com/episodes/232-leandra-drumm-artist-pt-1-of-2

Pacific Northwest glass artists Kelly O'Dell and Raven Skyriver, who create sculptures inspired by marine life, species endangerment, extinction, and conservation, will exhibit their work at Habatat Galleries during next week's Glass Art Society conference in Detroit, Michigan. Titled Confluence, the show is a tour de force of works created in homage to the natural world and to raise consciousness in viewers about the need for preservation of natural spaces and species. On June 5, during Habatat's first ever VIP Artist Gala, Skyriver will present a glassblowing demo at the brand-new Axiom glassblowing facility, followed by artist talks given by Skyriver and O'Dell. On June 7, VIPs travel to the Henry Ford Museum of American Innovation to view its important glass art collection and experience a rare opportunity to see the culmination of O'Dell's residency there via work she created onsite at Greenfield Village. In 2018, Skyriver and O'Dell launched a Kickstarter campaign to crowd-fund building their own studio on Lopez Island, Washington. They wrote: “We're now asking you for assistance to build our own glass studio where we can deepen our practice, give back to our community, and nurture our family… This project came from a vital need: to have more time together (AND about 10,000 fewer miles traveled on the freeway every year). We are moving to the island where Raven was born and raised to allow our son to grow up surrounded by his grandparents and extended family, but the island has no glass studio available for our use. So, we're building one, from the ground up, with the support of our friends and family.” Aside from creating their own work there, Skyriver and O'Dell's studio represents a place of education and community where visiting artists can be invited for residencies, short-term apprenticeships can be offered, and small teaching workshops can be hosted. They wrote: “This hotshop will allow us to pass on the knowledge that was so generously taught to us by our creative masters, and give back to our glass community.” Though they surpassed their initial Kickstarter goal, the studio remains a work in progress, evolving physically as well as philosophically. Born in 1982, Raven Skyriver (Tlingit) was raised in the San Juan Islands. Growing up connected to the land and its surrounding waters, and living in a creative household where carvers came to learn Northwest Coast style carving and design, helped push him towards an artistic path. At the age of 16, he was introduced to glass by family friend and mentor Lark Dalton and was immediately captivated by the medium. Exploring every opportunity to work in glass led Skyriver to being invited to work with Karen Willenbrink-Johnsen for the William Morris team in 2003. This was his introduction to sculptural glass and how building a vocabulary for narrative in his own work began. In 2018, the artist returned to Lopez Island where he was born, and he and wife O'Dell constructed a home studio where they can create their glass art. Says Skyriver: “I was raised near the sea and in a family that valued and practiced artistic pursuits from as young as I can remember. Some of my most vivid memories as a child were smelling the fresh cedar chips that were being removed by master carvers' blades as they sculpted beautifully elegant forms. The most excitement I have experienced in my life was the first salmon I ever landed, the time I saw a Sea Lion a paddle's length from my boat, and seeing a humpback whale feeding on smelt. When I was introduced to glass as a junior in high school, I was immediately captivated by the mesmerizing, alchemic, fluid nature of the material. From that day forward I have dedicated myself to honing my craft and perfecting my technique.”  Skyriver continues his artistic practice utilizing close observation of his sculptural subjects to create an ongoing personal dialogue. This inner conversation touches on the celebration of biodiversity, his understanding of his heritage, the importance of Native species, the gifts those beings bring to their communities, and the delicate balance that sustains our collective existence.  He states: “I draw from my experiences as a child and my continued fascination with the natural world to inform the work I make today. My goal is to capture the fluidity of an animal in motion, using the liquid glass to portray a dynamic moment in time. I attempt to imbue the subject with a hint of life and capture the essence of the creatures I depict. I want my work to speak to the viewer's own understanding of the wild and their place in it, and to instill a sense of the delicate balance that is our existence.” Born in Seattle, Washington, in 1973, O'Dell was raised by glass artists in Kealakekue, Hawaii, where her father built himself a hot glass studio at their home. In 1999 she graduated from the University of Hawaii (UH), Manoa, earning a BFA in Studio Art with a focus in glass, which she studied under Rick Mills. The UH program afforded many opportunities to study glass at Pilchuck Glass School, where she eventually relocated and became a member of the William Morris winter crew from 2003 to 2007.  Says O'Dell: “My upbringing happened in the Hawaiian Islands. I grew up on the Big Island, home of active volcanoes. Coming from a place so diverse in culture and climate, teeming with flora, fauna, and really great food, I noticed the difference as soon as I left it at 25. That difference made me feel the responsibility to honor what is lost, or extinct, not just with plants and animals, but with culture and climate, too. It is fascinating and devastating that our existence has so much impact on the delicate balance of life, our own species included. Through sculpture, my work explores themes of Memento Mori as well as extinction, preservation, and origin. The Ammonite, an intelligent coiled-up cephalopod, became extinct 65 Million years ago, leaving impressions in its habitat to fossilize. We learn from the past to be responsible in our future. I hope my artwork could serve as a reminder or Memento of this.” O'Dell's recent exhibitions include Fired Up: Glass Today, The Wadsworth Atheneum Museum of Art, Hartford, CT, 2022; Chinese Whispers, curated by Erin Dickson, Glazenhuis, Lommel, Belgium 2022, and Glasmuseet Ebeltoft, Denmark, 2019-20; Glass Lifeforms 2021, The Fuller Craft Museum, Brockton, MA; and Fluid Formations: The Legacy of Glass in the Pacific Northwest, Whatcom Museum, Bellingham, WA, 2021. This year, the artist will serve a glass residency at The Henry Ford Museum, MI, and received The Myrna Palley Collaborators Award, University of Miami, FL. She and Skyriver will be instructors at Penland School of Craft, Bakersville, NC in July 2023. In her creative process, O'Dell is often inspired by a non-fiction book, a curious detail in nature, or a podcast about science or spirituality. That leads to research, and most ideas make it to her sketchbook. States O'Dell: “I'll return to those ideas later, after they've passed the test of some time. I need to be sure before I start a fresh project that I will be challenged with a new sort of problem-solving, which I really love most about making artwork. The process of glassmaking is hot, fluid, demanding, and not without help! In the glass shop, my favorite part about making artwork is working with friends. Glass is special in that it usually requires skilled teamwork, and we all sort of know the same language in the shop. Working with a team, it is possible to accomplish some pretty crazy challenges. While we help each other make artwork, we push each other and the limits of what glass can do. We cross paths regularly, and so we become community. We raise each other's kids, we bbq together, we camp at the beach, we travel to faraway places together, and we gravitate to one another in socially awkward situations. I feel very lucky to be part of this vibrant community.”  

Eliana E. Rodriguez is a Latina artist of color who creates pottery, prints and illustrations. Eliana has served as a Studio Assistant at the Penland School of Craft, and is a Speedball Demo Artist. Eliana has a clay and printmaking studio in Asheville, NC where she continues to make work. http://ThePottersCast.com/939