Podcasts about Alfred University

Glass is a solution to many modern challenges, and there remains ample opportunities for further improvements. William LaCourse, Emeritus Professor of glass science in the New York State College of Ceramics at Alfred University, shares how several serendipitous encounters with giants in the glass field led to his employment at Alfred, highlights some of the untapped markets for ion-exchanged glass products, and gives some fun anecdotes from his time as the Alfred sports announcer for football and basketball.View the transcript for this episode here.About the guestWilliam LaCourse is Emeritus Professor of glass science in the New York State College of Ceramics at Alfred University. He has conducted extensive research in the field of glass strengthening, with a current focus on ion-exchange processing of commercial soda-lime-silica glasses, as described in the May 2025 ACerS Bulletin.About ACerSFounded in 1898, The American Ceramic Society is the leading professional membership organization for scientists, engineers, researchers, manufacturers, plant personnel, educators, and students working with ceramics and related materials.

works for EQ Media and is an IHSA Alumni of Alfred University where she graduated in 2014 with her BFA in Photography and Graphic Design with a minor in Equine Studies. Based in Cleveland, Ohio, she continues to ride and compete in the jumper divisions with her horse Terry, when she is not hiking and camping with her husband and dogs. 

A History of USOs: Unidentified Submerged Objects (Volume 1: From the Beginning to 1969) by Richard M. Dolan is the first installment in a groundbreaking three-volume series that explores the fascinating and often unexplained phenomenon of USOs—Unidentified Submerged Objects. This meticulously researched book delves into the earliest reported sightings of mysterious objects observed in oceans, lakes, and rivers, spanning centuries and covering 178 carefully documented cases up to 1969.Dolan's work is both a historical and scientific inquiry, examining accounts that have often been overlooked or forgotten. With a keen eye for detail, he places these encounters within a broader historical and technological context, raising questions about the nature of these enigmatic objects. Are they advanced technology from unknown civilizations, natural phenomena, or something else entirely? This volume sets the stage for understanding the long history of USO encounters, laying the foundation for the rest of the series.The book is enriched with maps by the author and illustrations by Allan Lavigne, providing a visual dimension to the narratives. Dolan's research draws from a wide range of sources, including military reports, eyewitness accounts, and historical records, all analyzed through a detailed system that evaluates factors such as time, location, shape, color, and witness credibility. This methodical approach allows readers to identify patterns and themes that emerge across decades and continents.Volume 1 is not just a collection of stories; it is a thought-provoking exploration of the unknown, challenging readers to reconsider their understanding of the oceans and the universe. Whether you are a skeptic, a believer, or simply curious, this book offers a compelling journey into the uncharted depths of our planet—and beyond.BioRichard Dolan is a leading researcher, historian, and writer on the subject of UFOs.He is the author of two volumes of history, UFOs and the National Security State, both ground-breaking works which together provide the most factually complete and accessible narrative of the UFO subject available anywhere. He also co-authored a speculative book about the future, A.D. After Disclosure, the first-ever analysis not only of how UFO secrecy might end, but of the all-important question: what happens next? Richard is also the author of UFOs for the 21st Century Mind, a fresh treatment of the entire subject. In it, he discusses the important sightings, the encounters, the politics, the cover-up, ancient aliens, the bizarre science, disclosure, and offers advice on being both critical and open-minded in today's world. More recently, Richard has written a series of booklets developed from select lectures on such topics as the idea of a secret space program and UFO secrecy and disclosure in the Trump era.In addition to his UFO work, Richard wrote and hosted a series on the phenomenon of false flags for Gaia Television. This ten-episode series is groundbreaking as the first historical perspective of false flags through the ages, events in which governments or other agencies committed horrible and traumatic acts which were then blamed on other parties in order to justify and pursue certain objectives. Richard is currently researching and writing the first-ever history of false flags, with a strong focus on the 20th and 21t centuries.Since 2012, Richard has hosted a weekly radio show, The Richard Dolan Show, on KGRA radio, and currently offers audio podcasts for members of richarddolanmembers.com. He has been featured on numerous television series and documentaries, including Ancient Aliens, Hangar One: The UFO Files, Close Encounters, and many others. He is also a frequent guest on Coast-to-Coast AM with George Noory.Prior to his interest in UFOs, Richard completed his graduate work at the University of Rochester, where he studied U.S. Cold War strategy, European history, and international diplomacy. Before that, he studied at Alfred University and Oxford University, was a finalist for a Rhodes scholarship.But for the past two decades, Richard has been a dedicated student of all things related to UFOs, steadily expanding his interests within that topic from his initial focus on government documents and the cover-up. Now his interests include it all, from the deepest aspects of the coverup, to contact and abduction, the science behind the phenomenon, how the phenomenon has affected world culture, his theory of a breakaway civilization, the possible relationship of artificial intelligence and biotechnology to the UFO phenomenon, and the implications of the end of secrecy, that is, the world After Disclosure.Today, there is no aspect of the phenomenon Richard won't study. He continues to look forward to exploring this topic in all its depth, a topic he believes opens our doors of perception, challenging us to see the world differently and more clearly.In addition to his research, Richard's company, Richard Dolan Press, actively publishes innovative books by authors from around the world, which can be visited at richarddolanpress.com.https://www.amazon.com/dp/B0DWYHCSHW/https://richarddolanmembers.comRichard Dolan online: https://bit.ly/DolanLinks  https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP

In this episode of Platemark, Myles Calvert, a printmaker and professor, shares his extensive journey from growing up in Ontario, Canada, to studying and working in the UK, and eventually returning to Alfred University in New York, to become director of the Institute of Electronic Arts. Myles discusses his experiences working at prestigious galleries in London, giving up a tenure-track position, and the pivotal moments that shaped his career. He delves into his role as the Director of IEA at Alfred, including the intricacies of managing residencies, the use of technology in printmaking, and the importance of community engagement. Myles also reflects on the challenges of academia, the value of traditional and new media in art, and his approach to student critiques. The conversation highlights Myles' passion for printmaking, his commitment to education, and his vision for the future of the IEA. https://blog.alfred.edu/iea/ https://blog.alfred.edu/iea/2024/07/01/new-director-appointed-myles-calvert/ https://www.instagram.com/alfred_iea/ https://www.instagram.com/squirrelpigeonfish/   Myles Calvert at the China Exhibition AIPA, Xi'an Academy of Art. Myles Calvert with IEA interns Veronica, Gigi, and Mary. Institute of Electronic Arts, Alfred University. Jessica Reisch and Tyson Houseman check out Sandin new media equipment. Institute of Electronic Arts, Alfred University. Visiting artist Kathryn Polk with students. Institute of Electronic Arts, Alfred University. Rita MacDonald at the offset press with a laser-cut woodblock. Institute of Electronic Arts, Alfred University.  

A History of USOs: Unidentified Submerged Objects (Volume 1: From the Beginning to 1969) by Richard M. Dolan is the first installment in a groundbreaking three-volume series that explores the fascinating and often unexplained phenomenon of USOs—Unidentified Submerged Objects. This meticulously researched book delves into the earliest reported sightings of mysterious objects observed in oceans, lakes, and rivers, spanning centuries and covering 178 carefully documented cases up to 1969.Dolan's work is both a historical and scientific inquiry, examining accounts that have often been overlooked or forgotten. With a keen eye for detail, he places these encounters within a broader historical and technological context, raising questions about the nature of these enigmatic objects. Are they advanced technology from unknown civilizations, natural phenomena, or something else entirely? This volume sets the stage for understanding the long history of USO encounters, laying the foundation for the rest of the series.The book is enriched with maps by the author and illustrations by Allan Lavigne, providing a visual dimension to the narratives. Dolan's research draws from a wide range of sources, including military reports, eyewitness accounts, and historical records, all analyzed through a detailed system that evaluates factors such as time, location, shape, color, and witness credibility. This methodical approach allows readers to identify patterns and themes that emerge across decades and continents.Volume 1 is not just a collection of stories; it is a thought-provoking exploration of the unknown, challenging readers to reconsider their understanding of the oceans and the universe. Whether you are a skeptic, a believer, or simply curious, this book offers a compelling journey into the uncharted depths of our planet—and beyond.BioRichard Dolan is a leading researcher, historian, and writer on the subject of UFOs.He is the author of two volumes of history, UFOs and the National Security State, both ground-breaking works which together provide the most factually complete and accessible narrative of the UFO subject available anywhere. He also co-authored a speculative book about the future, A.D. After Disclosure, the first-ever analysis not only of how UFO secrecy might end, but of the all-important question: what happens next? Richard is also the author of UFOs for the 21st Century Mind, a fresh treatment of the entire subject. In it, he discusses the important sightings, the encounters, the politics, the cover-up, ancient aliens, the bizarre science, disclosure, and offers advice on being both critical and open-minded in today's world. More recently, Richard has written a series of booklets developed from select lectures on such topics as the idea of a secret space program and UFO secrecy and disclosure in the Trump era.In addition to his UFO work, Richard wrote and hosted a series on the phenomenon of false flags for Gaia Television. This ten-episode series is groundbreaking as the first historical perspective of false flags through the ages, events in which governments or other agencies committed horrible and traumatic acts which were then blamed on other parties in order to justify and pursue certain objectives. Richard is currently researching and writing the first-ever history of false flags, with a strong focus on the 20th and 21t centuries.Since 2012, Richard has hosted a weekly radio show, The Richard Dolan Show, on KGRA radio, and currently offers audio podcasts for members of richarddolanmembers.com. He has been featured on numerous television series and documentaries, including Ancient Aliens, Hangar One: The UFO Files, Close Encounters, and many others. He is also a frequent guest on Coast-to-Coast AM with George Noory.Prior to his interest in UFOs, Richard completed his graduate work at the University of Rochester, where he studied U.S. Cold War strategy, European history, and international diplomacy. Before that, he studied at Alfred University and Oxford University, was a finalist for a Rhodes scholarship.But for the past two decades, Richard has been a dedicated student of all things related to UFOs, steadily expanding his interests within that topic from his initial focus on government documents and the cover-up. Now his interests include it all, from the deepest aspects of the coverup, to contact and abduction, the science behind the phenomenon, how the phenomenon has affected world culture, his theory of a breakaway civilization, the possible relationship of artificial intelligence and biotechnology to the UFO phenomenon, and the implications of the end of secrecy, that is, the world After Disclosure.Today, there is no aspect of the phenomenon Richard won't study. He continues to look forward to exploring this topic in all its depth, a topic he believes opens our doors of perception, challenging us to see the world differently and more clearly.In addition to his research, Richard's company, Richard Dolan Press, actively publishes innovative books by authors from around the world, which can be visited at richarddolanpress.com.https://www.amazon.com/dp/B0DWYHCSHW/https://richarddolanmembers.comRichard Dolan online: https://bit.ly/DolanLinks  https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast

Dixon Handshaw is the Chairman of the Board at Mooresville Arts, an important nonprofit located in the heart of downtown Mooresville, NC.Mooresville Arts is a nonprofit organization dedicated to enriching the Lake Norman region's cultural landscape by promoting the visual arts. Celebrating its 70th anniversary in 2025, the organization serves as a vibrant community for artists and art enthusiasts of all ages and skill levels. It offers high-quality art education and provides venues for artists to sell their workMooresville Arts103 W Center AveMooresville, NC 28115(704) 663-6661Upcoming EventsAbout Dixon:Dixon Handshaw is a photographic educator based in Mooresville, NC. He spent 35 years of his career as a learning and performance consultant as president of his own company, Handshaw, Inc. Before that he earned his living as a professional photographer. Now he is combining those two experiences to teach fine art photography in both digital and film formats. His favorite aspect of teaching is inspiring students to find personal expression through the lens of a camera.Dixon currently serves as an adjunct instructor in photography at Catawba Valley Community College. He serves as the chair of the Education Committee at Mooresville Arts where he also teaches photography. He has a BFA in photography from Alfred University and a MS in Instructional Systems Technology from Indiana University. He served on the Board of Directors for The Light Factory in Charlotte, NC and chaired their Education Committee where he also served as an instructor and designer of courses. He served on the Board of Directors at the Carolina Raptor Center in Charlotte, NC, where he designed and taught a course in Bird and Wildlife Photography. He is currently Chair of the Board of Directors at Mooresville Arts. He has been passionate about photography since he was 14.You can see samples of his work at: www.handshawphotography.com---------------------------------------------------------------------------------------The Best of LKNhttps://thebestoflkn.com/Hosted by:Jeff HammAllen Tate Realtors®Charlotte & Lake Norman (NC)www.LKNreal.comSupport the show

As we prepare for a future traveling the stars, energy-efficient processing technologies will be a necessity for both those in space and those remaining as Earth's stewards. Holly Shulman, research professor at Alfred University, shares how she became interested in microwave sintering, describes its benefits compared to conventional sintering processes, and explains how it could support the development of future lunar colonies.View the transcript for this episode here.About the guestHolly Shulman is research professor at Alfred University and founder, president, and chief technology officer of Bluestar Advanced Manufacturing. She specializes in developing microwave processing technologies, and she was recently named director of the new Space Materials Institute at Alfred University in part due to the potential applications of her research on the moon. She will be giving a talk on microwave processing for lunar construction at the 59th Annual Microwave Power Symposium in June 2025, and she plans to teach an ACerS short course in the near future.About ACerSFounded in 1898, The American Ceramic Society is the leading professional membership organization for scientists, engineers, researchers, manufacturers, plant personnel, educators, and students working with ceramics and related materials.

self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman's Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an expression of its own. Press the material to the utmost, and it will suggest ideas and creative avenues to the responsive artist.' The statement was sincere and enthusiastic, but decidedly naïf. I never thought when I wrote it that it would be the one statement of mine that would continue to be repeatedly quoted, throughout my 46- year-long career, as my defining philosophy. I have no defining philosophy. I am a visual artist, not a philosopher. Thoughts and ideas and opinions do not constitute a philosophy, and my thoughts and ideas and opinions have evolved and matured and changed in the time that has passed since 1964.” He continues: “As an artist I like to think of myself as a visitor in a maze, trying to find a solution to a dizzying puzzle. As in a maze, I have, through blunders and exploration, arrived at solutions, and embraced the manifold possibilities that the material offers: plasticity, transparency, opacity, translucency. I am sensitive to the wonders of the visual world and inspired by the forms and colors of the natural world. My training as a designer has enabled me to understand and exploit organization and structure, adding a rational perspective to my intuitive, emotional self.” Myers earned his degree in advertising design from Parsons School of Design in 1954. He studied in Copenhagen, Denmark, before earning a B.F.A. and M.F.A. in ceramics from the New York State College of Ceramics at Alfred University in the early 1960s. In 1963, he was hired as design director at Blenko Glass Company in Milton, West Virginia. Captivated by the drama of this thriving glass factory, he learned glassblowing through observation and practice.  In 1970, Myers established the nascent glass department at Illinois State University in Normal, Illinois, where he served as Distinguished Professor of Art for 30 years until he retired from teaching in 1997. He is an Honorary Lifetime Member, 2012 Lifetime Achievement Award Winner and past President of the Glass Art Society, a Fellow of the American Crafts Council, and the recipient of a National Endowment for the Arts Fellowship. His work is represented in prominent museum collections around the world, including The Corning Museum of Glass, Corning, NY; The Art Institute of Chicago, Chicago, IL; the National Museum of American History, Smithsonian Institution, Washington, DC; the Smithsonian American Art Museum, Washington, D.C; The Museum of Decorative Arts, Prague; Hokkaido Museum of Modern Art, Japan; Musee des Arts Decoratifs, Palais du Louvre, Paris, France; and Musee de Design et d'Arts Appliques Contemporains, Lausanne, Switzerland, amongst others. Of his sculpture, Myers states: “My work is concerned with drawing, painting, playing with color and imagery on glass. I work with simple forms and concentrate on the surface enrichment. I prefer the spherical, three-dimensional surface to a flat one, because as I paint and draw on the glass, the glass form receives the drawing, adapts to its shape, distorts and expands it as it clothes and envelops itself in my drawing. I feel a communication with the material, and a reciprocation from my subconscious, as I continually search for new insights into my unknown self.” Enjoy this enlightening conversation with Myers, who at 91 has a near photographic memory of the events and developments that spurred the Studio Glass movement forward in its early days, as well as the ideas and processes of his personal work in glass – some of the most successful and collected of its day.  

is the Director of Equestrian/Head Western Coach at Alfred University. Prior to that he was at Albion College where he was the Head Coach of the western team. He has his Master of Business Administration in Marketing and Organizational Leadership and two Bachelor of Science degrees in Western Equine Studies and Equine Business Management from the University of Findlay (OH). He also owns Empire Performance Horses in Alfred, NY.

About the Guest(s):Heather Meehan is an experienced Resource Coordinator with the New York Unified Court System, working primarily in Steuben County. Heather's professional journey in the substance use disorder field began in 2006, shortly after obtaining her bachelor's degree in psychology from Alfred University. She is a licensed CASAC with years of experience stemming from working as a counselor in different levels of treatment settings, and most recently, has taken that experience to work in the court setting.Episode Summary:In this engaging episode of Money Roots, host Amy Irvine welcomes Heather Meehan, her sister-in-law and a dedicated Resource Coordinator, to explore career paths within the realm of substance use disorder. This episode delves into the rewarding yet challenging aspects of working in addiction therapy, while offering listeners an insightful look into what it means to be a Resource Coordinator in the court setting. Heather shares her career trajectory, personal motivations, and the impact that her work has had on individuals and society.As the conversation unfolds, Heather discusses the steps involved in becoming a credentialed alcohol and substance abuse counselor (CASAC) and the continuous learning required to maintain this credential. The dialogue further explores the transformative power of addiction therapy not only on the individuals who receive treatment but also on their families and communities. Throughout the episode, the financial implications of addiction and recovery are highlighted, along with the significant advantages that recovery brings in terms of personal and societal health. Heather's experiences make a compelling case for those interested in pursuing a career in this vital field.Key Takeaways:Addiction therapy is a challenging yet rewarding profession that requires empathy, dedication, and continuous education.Heather emphasizes the importance of a non-judgmental approach to counseling, focusing on helping clients recognize their positive qualities and potential for change.Becoming a credentialed substance abuse counselor (CASAC) involves rigorous training hours, supervision, and testing.The financial implications of addiction are significant, and successful recovery can lead to improved personal and societal productivity.The episode encourages those interested in career transitions to explore addiction therapy and provides resources for getting started in the SUD (substance use disorder) field.Notable Quotes:"Just because they have an addiction or a substance use problem, it doesn't mean they're not good people and they're not worth a better life." – Heather Meehan"Nobody would ever want to choose to be an addict or an alcoholic or a person with a substance use disorder." – Heather Meehan"Anytime you're working with people that are considered a vulnerable population, you need to be on your best game." – Heather MeehanResources:OASAS.NY.gov – New York State Office of Addiction Services and Supports website for accessing addiction treatment resources and credentialing information.Samhsa.gov - Informational website for SUD and mental health treatment.Listeners are encouraged to delve into this enlightening episode to gain a deeper understanding of the field of addiction therapy and the transformative impact it can have. Be sure to subscribe to Money Roots for more insightful discussions and resources aimed at helping you thrive financially and personally.

Childhood experiences of life on a sailboat in the Bahamas and Caribbean left a profound mark on Kait Rhoads. The experience of growing up on the water has provided great inspiration for her artwork. The artist's Sea Stones series hints at its watery origins. Each sculpture is a small world in itself, an intimate object you can hold in your hand. A talisman, the work looks almost molecular, like plankton carapaces as observed under a microscope. Rhoads states: “My work is inspired by nature and informed by memory. And, three oceans—the Caribbean, the Indian and the Pacific – delineate the imaginative boundaries of my practice. I grew up on the water of the Caribbean in a ship with my family where my deep affinity for biological systems began. I lived surrounded by nature; the liquid light and aquatic life imprinted upon my senses. The sculptures I create emanate from my early experiences within and curiosity about the natural world. While exploring the waters around Bali, I experienced the extraordinary biodiversity and extensive architecture of coral colonies there. This has been a deep influence on my sculptural forms and process of making.” Best-known for her innovative use of Venetian techniques such as murrine and filigrana, she applies these decorative processes to sculptural forms as well as to vessels. She was influenced early on by Lino Tagliapietra's work with cane and Richard Marquis' use of murrine as a structural material. Rhoads' unique process involves weaving pieces of blown and cut glass tubes with copper wire to create flexible looking “soft sculptures.”  States Rhoads: “My method of construction mirrors how my life has formed me, with individual elements woven together to create a strong whole. I consider the individual units, conical hexagonal forms known as hollow murrine, as architectural elements that fit together to create a fluid or floating object. The concept of the work develops slowly, and the production of a complicated piece can take months to years to complete.” Rhoads is also well known for her public art installations including Bloom, commissioned in 2018 for the Bainbridge Island Museum of Art's two-story tall window space. In 2022, Bloom was chosen to be permanently installed inside of the biology department at Highline College, Des Moines, Washington. She also created Salish Nettles, her largest work to date, for the Pacific Seas Aquarium, Tacoma, Washington, and Proto Kelp, which was on view through October of 2024 at Method Gallery, Seattle, Washington. In 2025, the artist will apply for residencies and funding to expand the project sustainably. In all of these public projects Rhoads hopes to inspire in the viewer empathy, curiosity and interest in ocean ecology.  Receiving her BFA in glass from the Rhode Island School of Design in 1993, Rhoads earned her MFA in glass from Alfred University, New York in 2001. She has been an Artist in Residence at the Pratt Fine Arts Center in Seattle, Washington, and the recipient of numerous awards, including the Doug and Dale Anderson Scholarship, The Anne Gould Hauberg Award, and a Fulbright Scholarship for the study of sculpture in Venice, Italy. She has exhibited throughout the United States and abroad. Her work can be found in many collections, including the Seattle Art Museum; the Toyama Institute of Glass in Toyama, Japan; the Glasmuseum in Ebeltoft, Denmark; Shanghai Museum of Glass, China; and The Corning Museum of Glass. She maintains a studio in Seattle, Washington. “The cold, deep green waters of Puget Sound are a more recent source of inspiration in my work.  Since moving to the Northwest over two decades ago, my fascination extended from coral colonies to kelp forests. Seaweed's pliable forms continually inspire me—they stretch up from the depths, undulate in the shallows, and lie on tidal surfaces. Aquatic life infuses my sculptures with animated forms, sparkling surfaces and faceted exoskeletons.” In 2025, Rhoads will continue to work on a community generated art project called Fused Together (2021-2025), for which she is the lead artist. She shepards stained glass windows made by the public that are donated to Tacoma libraries. She will also participate in group shows including Habatat's Glass Coast show at Ringling School of the Arts in Sarasota, Florida, and Women Who Make Glass at the Vashon Center for the Arts, Vashon, Washington, in March 2025.   Of her work Rhoads states: “I desire my work to be emotionally affective—that it evoke for audiences a similar sense of wonder in our blue planet that continues to inspire me. And even, perhaps, to instill a desire to conserve our fragile aquatic ecosystems.”  

Blog: www.taminglightning.net Instagram @taminglightning Support on Patreon.com/taminglightning Guest Instagram: @willcox.studio Hello Lightning Tamers, Percy here, and this is episode number 62. In today's podcast, I'll be joined by Jacob Willcox a young and experienced neon bender, artist, and educator from Tacoma, Washington. Jacob's journey with glass and light began in 2012 through the Hilltop Artists program. He went on to earn his BFA with concentrations in glass and neon from Alfred University in 2021. Currently, Jacob works in sales at a sign shop, where he continues to blend his artistic insights with his professional role.   So, get ready to dive into an illuminating conversation as we explore Jacob's artistic journey, the balance between creativity and business, and his unique perspective on the future of neon in the modern world of signage. Welcome to the podcast Jacob Willcox!   Time Stamps [0:54] Introduction to Neon and Jacob's Journey [2:17] Class Reflections and Experiences [6:46] Transition to Professional Neon Bending [10:36] The Allure of Neon [13:31] Balancing Multiple Roles [20:47] Bridging Art and Signage [23:29] Perspectives on LED vs. Neon [27:53] Future Visions for Neon Art [29:54] The Importance of Community Accessibility [32:31] Conclusion and Gratitude Music credits Preview - Retro by ONE  The opening theme -Taming Lightning by Trav B. Ryan    Credits - Walking by Ras-Hop

Energy conversion technologies such as fuel cells and photocatalysts have great potential in the future of zero-carbon transportation. Scott Misture, Inamori Professor of materials science and engineering at Alfred University in New York, discusses the benefits and challenges of adopting this technology, describes how he uses diffraction techniques to study materials for energy conversion applications, and shares his thoughts on the personal and broader benefits of being involved in the materials science community.View the transcript for this episode here.About the guestScott Misture is an Inamori Professor of materials science and engineering at Alfred University in New York. His research involves using diffraction techniques to study the dynamic behavior of ceramics and glasses related to energy conversion devices. He is currently chair of the International Center for Diffraction Data, a nonprofit scientific organization dedicated to collecting, editing, publishing, and distributing powder diffraction data for the identification of materials.About ACerSFounded in 1898, The American Ceramic Society is the leading professional membership organization for scientists, engineers, researchers, manufacturers, plant personnel, educators, and students working with ceramics and related materials.

What's wrong with donating to charity for the tax write-off? Should we think less of people who do volunteer work to pad their resumes? And why is Angela stopping women in public parks to compliment them? SOURCES:Bill Gates, co-founder of Microsoft and the Bill & Melinda Gates Foundation.Geoffrey Goodwin, professor of psychology at the University of Pennsylvania.Jon Huntsman, politician, diplomat, and businessman.Immanuel Kant, 18th-century German philosopher.Emrys Westacott, professor of philosophy at Alfred University. RESOURCES:"How Inferred Motives Shape Moral Judgements," by Ryan W. Carlson, Yochanan E. Bigman, Kurt Gray, Melissa J. Ferguson, and M. J. Crockett (Nature Reviews Psychology, 2022)."Just 2 Minutes of Walking After a Meal Is Surprisingly Good for You," by Rachel Fairbank (The New York Times, 2022)."Psychological Egoism," by Emrys Westacott (ThoughtCo, 2020)."A Meta-Analytic Review of Moral Licensing," by Irene Blanken, Niels van de Ven, and Marcel Zeelenberg (Personality and Social Psychology Bulletin, 2015)."Selfish or Selfless? On the Signal Value of Emotion in Altruistic Behavior," by Alixandra Barasch, Emma E. Levine, Jonathan Z. Berman, and Deborah A. Small (Journal of Personality and Social Psychology, 2014)."Greenwashing — the Deceptive Tactics Behind Environmental Claims," by the United Nations. EXTRAS:"Giving It Away," by People I (Mostly) Admire (2022)."How Can We Get More Virtue and Less ‘Virtue Signaling'?" by No Stupid Questions (2020)."Does Doing Good Give You License to Be Bad?" by Freakonomics Radio (2018).

In this episode, Ryan and Becca welcome Jackie Head, a ceramic artist based in Indianapolis, Indiana. Jackie shares insights from her journey through her BFA at Indiana University Bloomington and her MFA at Alfred University, as well as her experiences in ceramics residencies. Now a working artist, Jackie discusses her large-scale installation projects, including those involving over 600 identical tiles. They dive into the challenges of pricing such jobs, managing time, maintaining communication with clients throughout the process, and working through challenges of the mold making and slip casting process. Jackie also reflects on balancing work and life during these intense, months-long projects. Stick around until the end to hear about her massive (nearly 20,000 square feet) project at the Indianapolis Airport!-----Find more about Jackie's business below-----Instagram - @jpheadWebsite - https://www.jackiehead.com/Listener QuestionsSend us questions so we can answer anything you've been thinking about on a future episode. Send those through Instagram @wheeltalkpodcast or email us at wheeltalkpodcast@gmail.com.SponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSupport the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube ChannelSupport the show

Panelists will offer a wide array of perspectives on acting, scenic design, playwriting, diversity in theatre, theatrical institutions, and possibilities for a more equitable and inclusive theatre world. Sharon Marie Carnicke, author of Dynamic Acting through Active Analysis and Stanislavsky in Focus, is an internationally acclaimed expert on acting for stage and screen. Her award-winning translations of Chekhov’s plays have been produced nationally. Her other books include Checking out Chekhov and Reframing Screen Performance. She is a professor of Dramatic Arts and Slavic Languages and Literatures at USC and founder of the Stanislavsky Institute for the 21st Century. Snehal Desai is the artistic director of Center Theatre Group, one of the largest theatre companies in the nation. Previously, he was producing artistic director of East West Players. A Soros Fellow and the recipient of a Tanne Award, Snehal was the Inaugural Recipient of the Drama League’s Classical Directing Fellowship. He has served on the boards of the Consortium of Asian American Theaters and Artists, Theatre Communications Group, and currently serves on the board of the National Alliance for Musical Theatre. Snehal was on the faculty of USC’s graduate program in Arts Leadership and is a graduate of the Yale School of Drama. Rena Heinrich is an associate professor of Theatre Practice at USC. Her book, Race and Role: The Mixed-Race Asian Experience in American Drama, traces the shifting identities of multiracial Asian figures in theater from the late-nineteenth century to the present day and exposes the absurd tenacity with which society clings to a tenuous racial scaffolding. She is a contributor to Shape Shifters: Journeys Across Terrains of Race and Identity and The Beiging of America: Personal Narratives about Being Mixed Race in the 21st Century. Maureen Weiss is a performance designer and scenic investigator who has worked in all aspects of theatre, design, and art for the past 25 years. Her work has been seen internationally, and was honored at the Prague Quadrennial in 2023. As a designer, her work has been seen nationally, as well as locally in Los Angeles at The Getty Villa, The Latino Theater Company, The International City Theatre, and 18th Street Arts Center. Maureen is the co-author of Scene Shift: U.S. Set Designers in Conversation, with Sibyl Wickersheimer, which inspired an exhibition at the USC Fisher Museum of Art. She was an associate professor of Performance Design at Alfred University before coming to Los Angeles City College in Fall 2023.  Moderator: Luis Alfaro is a Chicano playwright born and raised in downtown Los Angeles and an associate professor of Dramatic Writing and director of the MFA Dramatic Writing Program at USC. His fellowships include the MacArthur Foundation; United States Artists; Ford Foundation; Joyce Foundation; Mellon Foundation & the PEN America Award for a Master Dramatist. His plays, including The Travelers, Electricidad, Oedipus El Rey, and Mojada, have been seen throughout the United States, Latin America, Canada, and Europe. 

Photo credit: Joe Lacey (@joexlacey) Guests: Kevin Adams, Information Literacy Librarian at Herrick Memorial Library, Alfred University and Edward Gloor, Teaching & Learning Librarian at University of Houston Libraries. First broadcast August 23 2024. Playlist here "What's the most punk rock thing you've ever done?"

Improving glass recycling rates in the United States is an important but complicated task. Collin Wilkinson, assistant professor of glass science at Alfred University, shares how he became interested in this topic, describes how he uses both modeling and experimentation to develop sustainable solutions, and discusses the importance of involving undergraduate students in the research process.View the transcript for this episode here.About the guestCollin Wilkinson is assistant professor of glass science and director of the Center for Glass Innovation at Alfred University in New York. He uses both modeling and experimentation to address sustainability challenges in the glass industry, with a focus on glass recycling. He is also involved in building up the Summer Research Institute at Alfred University, which offers unique learning opportunities and research experiences for undergraduate students.About ACerSFounded in 1898, The American Ceramic Society is the leading professional membership organization for scientists, engineers, researchers, manufacturers, plant personnel, educators, and students working with ceramics and related materials.

Lisa Orr is a professional potter and has been a student of ceramics for more than 40 years. After completing her MFA in 1992 at the New York State College of Ceramics at Alfred University, she received a Fulbright and an MAAA/NEA grant to continue her studies. Her work is shown in numerous public and private collections including the Fine Arts Museum of San Francisco, and the permanent collection of WOCEF in Korea. A full-time studio potter, she also teaches, lectures, and shows nationally and internationally. http://ThePottersCast.com/1046

Tony Marsh is an artist and educator who earned his BFA in Ceramic Art at California State University Long Beach in 1978. After graduating he spent three years in Mashiko, Japan at the workshop of Tatsuzo Shimaoka. Marsh completed his MFA at Alfred University in 1988. He teaches in the Ceramic Arts Program at California State University Long Beach where he was the Program Chair for over 20 years. He is currently the first Director of the Center for Contemporary Ceramics at CSULB. He was named a United States Artists Fellow in 2018, an honor awarded to outstanding contributors in American Arts and Letters. His work is the collections of museums across the globe including the Metropolitan Museum of Art, NY; Museum of Art and Design, NY; Los Angeles County Museum of Art; Oakland Museum of Art; Gardiner Museum of Art, Toronto; Museum of Fine Arts, Houston; San Jose Museum of Art; ASU Art Museum Tempe; the Foshan Museum of Contemporary Art, Foshan, China; and the Orange County Museum of Art.He and Zuckerman discuss being a teacher, making art, making a real impact, doing things with your whole heart, the influence of his mom, living and training in Japan, things that are encoded with success, how simple things are hard to make, marriage vessels, fertility vessels, and appropriate shapes, suspending time, magic, failure, craft, notions of taste, and taking no out of your vocabulary!

In this episode of Shaping Your Pottery, Mike Griffin shares his journey and insights in the pottery world. He emphasizes the importance of continuous learning, experimenting with new techniques, and seeking inspiration from fellow potters. From his initial discovery of pottery at Alfred University to his innovative approach to hand-building and his recognition in Ceramics Monthly, Mike's story is filled with lessons on overcoming fear, making mistakes, and having fun. He also provides practical advice on leveraging community studios and entering pottery shows to grow as an artist. Listeners are encouraged to explore Mike's work on Instagram and join his upcoming workshops. You can learn more about Mike by checking out his instagram https://www.instagram.com/mike_griffin_ceramics/Get your 53 themes by clicking this link shapingyourpottery.com/53themesJoin the Clay Games Community to connect with like minded potters and compete in monthly pottery competitions Join Here00:00 Introduction and Free Pottery Themes00:48 The Importance of Continuous Learning in Pottery01:34 Mike's Journey into Pottery03:17 Encouragement and Growth as an Artist05:14 Community Studios and Learning Opportunities06:24 Developing a Unique Pottery Style11:36 Switching from Wheel Throwing to Hand Building18:53 Finding Your Voice in Pottery21:55 Opportunities and Recognition25:51 Final Thoughts and Advice 26:22 Outro and Additional Resources

Listen to the final part of our conversation with the fantastic Freddy Fredrickson, former kiln master at Alfred University and founder of Fredrickson kilns. This episode will have you thinking beyond temperature when trying to get the most out of your kiln during your firings. Is cone 6 truly more energy-efficient than cone 10? Can your thermocouple be the silent hero of your firings?  Freddy has answers to all your burning questions (pun intended!) and more!   Glaze got you in a daze? Mystery clay malfunction? Fire up your phone and send the For Flux Sake crew a voice memo or a message with your ceramic crisis at forfluxsakepodcast@gmail.com - your problem could be solved on-air!   Today's episode is brought to you by: Bray Poxy archiebrayclay.com   This week's episode features the following topics: Electric Kiln, Cone 6, Cone 10, Cone 6 vs. Cone 10, Energy Efficiency, Energy Efficient Firing, Kiln Troubleshooting, Cones, Kiln Calibration, Kiln Design, Kiln Building, Kiln Efficiency 

Join Matt as he dives deep into kilns with Freddy Frederickson, the legendary founder of Fredrickson Kiln Company. For over 30 years, Freddy wasn't just building kilns at The New York State College of Ceramics at Alfred University, he was perfecting the craft as their master kiln builder. In this first episode of our two-part interview, Freddy shares his remarkable journey. From the evolution of electric kiln technology to filling and firing an even kiln, listen in as he answers some of your burning questions about using your electric kiln.   Today's episode is brought to you by: Bray Poxy archiebrayclay.com   This week's episode features the following topics: Electric Kiln, Firing, Kiln, Kiln Troubleshooting, Kiln load, kiln firing

Ruth Easterbrook, studio artist and instructor, creates pottery with complex glazed surfaces. After her BFA at Syracuse University (2007), Ruth gained experience as a production potter, studio assistant, intern, and resident artist. In 2019, Ruth earned an MFA from Alfred University. Currently, Ruth is an Artist in Residence at The Clay Studio Philadelphia. Ruth has received accolades, including NCECA Emerging Artist 2020 and Ceramics. Ruth's work graces private and museum collections across the USA and internationally. http://ThePottersCast.com/1011

Since June 2014, Dr. Michael J. McDonough has served as Raritan Valley Community College's (RVCC) eighth president. The College, with an enrollment of 6,600 students, serves the residents and businesses of Somerset and Hunterdon counties, offering more than 90 associate degree and certificate programs. In addition, the College offers a dynamic set of workforce programs, a full range of professional development opportunities, innovative and customized business training, and enrichment programs for the entire community. Prior to joining RVCC, McDonough served as provost and vice president of academic services at Monroe Community College in Rochester, NY (2011-2014); as dean of Liberal Arts at Monroe Community College (2007-2011); and as the Fred H. Gertz Professor of English at Alfred University in Alfred, NY (1987-2007). Currently, McDonough serves as the chair of the NJCC Consortium for Workforce and Economic Development; he is the chair of the Academic Issues Committee; and is a board member for Engage NJ. He is a past chair of the College Board's National Academic Council and a former College Board Trustee. McDonough received his B.A. (Hons) in Film and Drama and a Post Graduate Certificate of Education from Reading University in England; an M.A. in English from Oklahoma State University; a Ph.D. in English from Pennsylvania State University; and an I.E.M. from Harvard University's Graduate School of Education.   

@AlfredUniversity If you want to support the channel, I've set up a Patreon - patreon.com/AllThingsDivisionIIISoccer DiscoverCollegeSoccer.com Study Table - https://discovercollegesoccer.mykajabi.com/a/2147532196/7WKTpfoL Use the Discount Code - SIMPLE for 20% off. ✔ If you enjoyed the video, please like & subscribe! And don't forget to hit the bell button to get notifications of our video uploads!

Nate sits down with Unadilla Valley Girls Basketball Coach, Brandi (Backus) Whitbeck. She has been at the helm for the Storm for 19 years. They discuss her UV memories, her playing days in college at Alfred University, and her time in high school at G-MU. 

This week, Wes and Todd talk with Kristen Egan. Kristen discusses sourcing gourds, carving masks, New Contemporary Folk Art, the area where she lives in Pennsylvania, sense of place, other materials she incorporates into her masks and sculptures, totems, the catalyst to carve gourds, air drying paper clay, repetition & referencing past work, birds, research, process, art show titles, Alfred University, being open to new experiences, foundation, Goggleworks, Arch Enemy Arts, Instagram, the compulsion to create selling art, commissions, production, pricing, perfectionism, evolution & experimentation, work/life balance, bagpipes, weird bagpipe experiences, procrastination, being a life long learner, and collectors previews. Join us for a lovely and fun conversation with Kristen Egan!  Check out Kristen's exquisite work at her website www.kristenegan.com Follow Kristen on social media: Instagram - www.instagram.com/kristeneganart/@kristeneganart Facebook - www.facebook.com/kristeneganart

Guests: Kevin Adams and Maria Planansky of Alfred University. First broadcast January 26 2024. Playlist here "I knew it was going to be a bummer."

Vince Palacios has been working in the field of ceramic art since 1988. Vince received his Masters of Ceramic Art from Alfred University. Vince now serves as Professor of the Ceramics Department at El Camino College in Torrance California. Vince has developed a unique approach to the use of raw glass and ceramic materials as a means of crafting narratives addressing geological process, pyroclastic interaction, and heat/chemical reactions. http://ThePottersCast.com/986

Alfred women's basketball coach, Mike Moskowitz, joins "Not Even D2" for this weeks episode. Coach Moskowitz has changed the narrative surrounding Alfred women's basketball. Hear about what led him to coach women's basketball, how he "sells" Alfred University to recruits, and the current state of the Alfred team. Enjoy the episode!

Lindsay is joined by historian and author Dr. Paul Kahan to discuss the history of Eastern State Penitentiary. Dr. Paul Kahan is a leading expert on U.S. political, economic, and diplomatic history, with a particular interest in the half-century between Andrew Jackson's election to the presidency in 1828 and the so-called end of Reconstruction in 1877. He earned his Ph.D. in U.S. history from Temple University, an M.A. in Modern American History & Literature from Drew University, and B.A. degrees in history and English from Alfred University. Dr. Kahan has published several books, including Eastern State Penitentiary: A History. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we dig in with Andréa Stanislav, covering the inspirational cross-fertilization of narrative film and fine art, the erotic yet imperial power of horses, the artist's role in the face of genocide, avoiding and accepting identity, and the axiom of 'practice practice practice.' Andréa Stanislav (b. 1968, Chicago) is a contemporary American artist based in New York City. Her hybrid practice spans sculpture, complex multimedia installations, collage, and public art and performance interventions. Through spectacle or experiential immersion, her work questions how histories re-contextualize in the present — focusing on themes of genocide, migration and space exploration. She holds a BFA from the School of the Art Institute of Chicago and an MFA from Alfred University, NY. Stanislav's work has been exhibited and collected internationally. Select solo exhibitions and projects include NART, Narva, Estonia; The Mattress Factory Museum of Contemporary Art, Pittsburgh; Saint Louis Art Museum; The Museum of Russian Art, Minneapolis; Minneapolis Institute of Arts; Museum of Cosmonautics, Moscow, Russia; Weisman Art Museum, Minneapolis; 21c Museum, Louisville; Bemis Center for Contemporary Arts, Omaha; thisisnotashop, Dublin, Ireland; Melissa Morgan Fine Art, Palm Desert, CA; Bruno David Gallery, St. Louis; Ca'D'Oro Gallery, NYC; Cynthia Corbett Gallery, London, UK; Packer Schopf Gallery, Chicago; and Socrates Sculpture Park, NYC. Her work has also has been featured in exhibitions at The State Hermitage Museum, SPB, Russia; Center for Digital Art, Holon; Israel; Kuryokhin Center for Modern Art, SPB; CYLAND, NYC/SPB; Museum of Non-Conformist Art, SPB; Smack Mellon, NYC; Art Ii Biennial, Finland; Alvar Aalto City Library, Vyborg; Museum of the Defense and Siege of Leningrad, SPB; 5th Moscow Biennial; U.S (Ambassador's) Residence, Stockholm, Sweden; Fieldgate Gallery, London; Al Sabah Gallery, Kuwait City; Ormeau Baths Gallery, Belfast, Northern Ireland; Delaware Center for Contemporary Art, Wilmington; John Michael Kohler Arts Center, Sheboygan, WI; Kentucky Museum of Arts and Craft, Louisville; Dumbo Arts Center, NYC; Catalyst Arts, Belfast; Garis and Hahn Gallery, NYC; House of the Nobleman, NYC. Selected awards include Foundation for Foundation for Contemporary Arts Grant - NYC; Bemis Center for Contemporary Art Alumni Artist-in-Residents Award, Freund Fellowship for Visual Arts , Washington University; IUPAH Presidential Award, Target Studio Grant, Weisman Art Museum; Lower Manhattan Cultural Council Residency; McKnight Artists Fellowship; and the Jerome Artist Fellowship. For the past decade, Andréa has worked extensively in St. Petersburg, Russia on projects and research focused on the creative production during the Siege of Leningrad and Soviet and Russian space exploration. Andréa Stanislav is an Associate Professor at the Eskenazi School of Art, Architecture + Design, and affiliate faculty in the Russian and Eastern European Institute (REEI) at Indiana University, Bloomington

Episode Sponsored by Alta-Robbins   Blog: www.taminglightning.net Instagram @taminglightning Support on Ko-fi.com/taminglightning and Patreon.com/taminglightning   This is episode number 54. And in today's podcast, recorded May 18th, 2023, I'll be joined by Kate Herron on the second to last day teaching a workshop at the Toledo Museum of Art's Glass Pavilion! We'll talk with Kate and her experience making art through covid, what brought her to glass, Alfred University program and her introduction to Neon, teaching plasma at Toledo, and what's next after getting her Masters in Fine Arts! Music Credits:  Preview - Retro by ONE  The opening theme -Taming Lightning by Trav B. Ryan    Sponsor - Good2Go by ONE  Patreon Promo  - Next Time by Hayku Credits - Walking by Ras-Hop

Casey Curran joins "Not Even D2" to discuss what it's like playing for Alfred University, battling in the Empire 8, and being a D1 coaches son. Enjoy the episode!

Real Talk podcast is joined by Hank Nuwer, a renowned anti-hazing journalist, author, and scholar with over four decades of experience. He is known for his unwavering dedication to eradicating hazing culture and has authored many influential books on the subject. Hank maintains a comprehensive database of hazing deaths and continues to be a leading voice in raising awareness and advocating for prevention efforts in colleges and beyond. He is a respected authority on hazing and has conducted extensive research and interviews to shed light on this issue.   Show Notes: ●     Sharing personal experiences with hazing (01:20) ●     Analyzing the role of institutions in hazing prevention (05:10) ●     Highlighting the importance of education and awareness (08:15) ●     Should schools abolish Greek life or fraternity sororities? (10:25) ●     Discussion about different types of hazing (13:00) ●     How to define hazing (13.40) ●     How hazing manifests in different organizations (15:00) ●     Hank discusses his books and plays (19:00) ●     Hank discusses future projects (20:30) ●     Positive turn around stories from institutions (21:52) ●     Experiences at other universities (23:50) ●     How can we get coaches involved (25:00) ●     How lonliness factors into hazing (26:30) ●     Conclusion (28:00) Transcript:   Kristina Supler: Welcome back to Real Talk with Susan Stone and Christina Supler. We are full-time moms and attorneys bringing our student defense legal practice to life with real, candid conversations. Susan Stone: Today's podcast is going to tackle the issue of hazing and what a lot of you out there may not know is that Christina and I have looked at hazing from many different perspectives in our career. We have defended accused of hazing. We've actually been asked to help a Greek organization against accusations of hazing. And we have represented victims of hazing. So we have a real 360, don't Christina? Kristina Supler: We do and we're, as our listeners may know, we're located in Ohio, but we handle cases across the country. And what's interesting is that Ohio has been a real hotbed of this activity, though, of course, it happens in students across the country are dealing with these sorts of issues. So we're excited to jump into this topic today. Susan Stone: I really am too. And I am super excited about the guest we have. I feel very fortunate. I want all our listeners know before we give our name out that we reach out to him or her. And we just kept at it because I really wanted this guest on the podcast. So with that, why don't you do the intro? Kristina Supler: Sure. We are joined today by Hank Newer, who is a renowned anti-hazing journalist, author and scholar, known for his unwavering dedication to eradicating hazing culture. With over four decades of experience, he's authored many influential books. He maintains a comprehensive database of hazing deaths. And he continues to be a leading voice in raising awareness and advocating for prevention efforts in colleges and beyond. Welcome, Hank. We're so happy to have you with us today. Hank Newer: Thank you. I'm very pleased to be here. Susan Stone: And I got to add. We just learned Hank lives in Alaska. So we got a little northern exposure going on here. So I love it. But with Hank, let's kick it off. How did hazing become your career focus? Hank Newer: Not because I was hazed, but because I was at the University of Nevada, Reno. And we had a hazing death that was just off campus. But I had seen the initiation. At that time, hazing was rampant, not against the law in a lot of places. I had seen the initiation on campus. And then at a campus bar, I saw someone passed out at a pool table. He was foaming at the mouth. The organization was called the Sun Downers. And their alumni are some of the leading citizens in Nevada. The initiation consisted of making people drink ever clear. And they would throw a match at their lips. So a lot of people were-- Susan Stone: Oh my gosh. Hank Newer: Yeah, that was supposed to be funny. Kristina Supler: That's shocking. Hank Newer: It was. So the person that was foaming I got them to take him and walk him. But I think if I had called the police or so, they wouldn't have done it another time. And John Davies might still be alive. So they did it one more time. And they did this one, not in public. They went to an Indian reservation. And John Davies died, and another pledge was without oxygen for a while. And so I've done database reporting since the 70s. So I made a database of all the hazing deaths that were out there. And editor friend of mine put me in touch with Human Behavior Magazine. And so in the mid 70s, that first article came out. And I kept the database going ever since. Susan Stone: Wow. I can't even respond. Kristina Supler: I think your database is really an important resource. And tell us more about how you receive information and reports that you put into your database. And how do you verify the accuracy of this information? Hank Newer: It's actually time consuming. I also on the page have a long list of deaths that are not considered hazing deaths, but appeared in the press as deaths. Some of these, in particularly around 1900, were with sensational reporting. And I had to track them to find out if these really did occur. So mostly it's from media reports. But people get in touch all the time. If there's a death, the chances of me talking to the parents within two or three days are very good. They're going to be calling for information. And now I would say it's the most difficult part of doing this job. But it was a lot of time. And it was very expensive in the 70s. I had a pay for Lexus Nexus myself. I paid the New York Times for their database. And I started a list serve in the 80s. And people were sending in information on that list serve, which you still could find some places online. So I just kept that over and over. And the good thing about being so public, if people disagree or want to talk about it, it's all out there with full disclosure, where the information comes from. Kristina Supler: That's the purpose of the database. Hank Newer: Because in the set, as I said before, there were a lot of deaths that did not occur that were listed. People were taking any alcohol related death at all and calling it hazing. And so I was trying to break down the details as much as anything else. The next database I'll do will be all these sexual haze and cases involving athletes. And I hope to have that done next year. Susan Stone I'm sure you're thinking about that because of the Yates versus Northwestern case, am I correct? Hank Newer: You have a lot of phone calls about that. Kristina Supler: And we're seeing a real rise in those sorts of cases in our practice that we handle the issue from all different angles. So I think that's really important work you're doing. Susan Stone: I applaud you. What I want to know in your work because we address this, so I'm going to ask you a very selfish question, because I want to know the answer. But I'm sure Christina does too. So much of hazing is shrouded in secrecy and the members of hazing protect each other. What's the best way for a person who's a victim of hazing to gather the evidence to expose what's going on, especially in a culture of silence? Hank Newer: The way I try to do things is I go to the alums, people who've graduated a year or two earlier. And that's very, very quickly after a death when I'm doing a story. Talking to the alums, yes, some of them will close, you know, shut the phone on you, but others will talk about it. And it's a good way of getting into the middle. I try to talk to the advisors and get information from them. And if you just talk to people on campus, hazing isn't as shrouded in secrecy as you think. People are going to be talking to their significant others. So it's not the secret that fraternity members would like to think that it is. Susan Stone: For sports organizations, correct? Hank Newer: Yeah, for sport, well, one of the big problems is they don't consider it as hazing Kristina Supler: No, we know. We got it. We got it. I just wanted to comment that I think it's also important to point out, and I'd like to hear more of your thoughts. I think often hazing is sort of conceptually conceived of as just happening among young men in fraternities. And in fact, it spans across all student organizations, entities, athletic teams, military groups. And it's also not exclusively a male issue. I mean, Susan and I have plenty of case experiences involving female athletes in hazing. Can you talk a little bit more about what you're seeing in the breakdown? And is there any rise in female hazing in your research? Susan Stone: Generally, what are the trends? Hank Newer: Yeah, I don't really see a rise. I think it's consistent. We've not had a death this year or last year, but we've had so many close calls. So people would like to think that we have a trend of deaths ending. We don't. The people were lucky. Maybe what's happening is they're quicker to call 911 and not to just drop somebody off at the hospital where a few deaths have happened. Susan Stone: Or leave them at the foot of the stairs like at Penn State? Hank Newer: Yeah. Well, that-- he was just left alone there. But several times, members have gotten frightened and taken somebody to the hospital and just dropped them off at the emergency. And it's too late at that particular point. From what I saw in the one case, people went from standing up to being dead drunk and just short amount of time. So they're talking, talking, talking, and then suddenly, it hits them. That case of foaming at the mouth was the most dramatic that I've ever seen. Kristina Supler: I can't imagine. I just can't imagine what that must have been like and how that experience has obviously stayed with you. Hank, I'm curious. I'd like to hear your thoughts on whether you think schools should abolish Greek life fraternity sororities? Or do you think that there's value in these organizations? Hank Newer: With certainty, abolish pledging. Not abolish Greek life. I taught 18 years of Franklin College. We didn't have any incidents. I was the advisor to the honor society there, which is male and female. And we had positive initiations that could not in any way shape or form be considered hazing. And the students brought their parents or grandparents to the ceremony. But for me, it's like a mathematical equation, pledging, becomes hazing as pledging becomes hazing. In terms of sports, get rid of the word rookie and stop this dominant subordinate culture that we have out there. And the other is a lot of the coaches will either turn their heads or say, don't take it too far. And that is very, very common. Now, it's very, very dangerous for coaches to do that. If you say, don't take it too far, and you're allowing it. And if alcohol is involved, it is going to go too far. Susan Stone: Hank, just to kind of turn the question and turn the dial a little differently, there are the extreme cases of alcohol. The one you described you witness is horrific. And we've also worked on some pretty scary cases. But I have to say, we've also worked on cases where activities were labeled as hazing and taken as this serious infraction. I don't know. I didn't think it was so serious. I want to give you an example and get your response. We worked on a case where there was a pledging and when the pledges went active, there was a champagne shower. Like they do after car racing. Kristina Supler:  Yeah, it celebrates. Susan Stone: That was investigated for being hazing. I don't think that's hazing. What do you think? Hank Newer: I broke it out out into criminal hazing and non-criminal hazing. Certainly, with something that you're describing, I would have never gotten into this kind of thing. The hazing that I had as a fraternity member was being dropped off in the country. We knew about it ahead of time and had money to call friends. So when you look at it that way, you don't think it's so bad. But then you look at Grove City College in Pennsylvania. Four pledges were killed and aligned as they were walking. And actually, alcohol wasn't involved for them when they were in the middle of nowhere. So the problem is that what would look like innocent fun, sometimes things go wrong. In that case, it's a hard line between what's hazing and what's an accident. And in talking to fraternity advisors, you can't punish the same way. You can't punish somebody for having a pledge pen, the same way that you would for having them drink a handle of alcohol. But in some cases, hazing is hazing, and it's punished that way. It doesn't make any sense at all. Susan Stone: So how do you define hazing? Hank Newer: And hazing to me would be any activity that's silly, dangerous, or repulsive, that's done to newcomers by veterans in order to bring them into the organization. Susan Stone: Why silly? Kristina Supler:  Is it because you think it's humiliating and embarrassing? Hank Newer: We're talking about the things that you said were not so bad. Like for me, I think it says something about male attitudes toward women when baseball players make each other dress up and go on to play in women's clothing or so on. But what about singing a song? Singing your fight song?  That was in the movie, Paper Lion. Alex Karris was in that particular movie. George Plympton, who I interviewed about it, was pretending to be a player, a quarterback on the Detroit Lions, and he brought out a lot of that. So that kind of culture is still there. The only problem is, and there's no real study on it, our people going to take it farther if you have this kind of dominance. Somehow it got into from singing to tying people up to a goal post. And these are big, burly guys fighting back in people have been injured. Or hockey, it's gotten sexualized as you probably have seen in your research. Susan Stone: We have. Hank Newer: Band is very physical. Look at the death of Robert Champion. And when you were talking about different kinds, so when I'm talking to parents in 2018 in South Carolina, the parents were of a band member, their fraternity members. Interestingly enough, no sorority moms have gotten involved. I don't know exactly why it is, but the activists are the parents of fraternity members. And Kathleen Wyatt, for example, in Ohio is a big actress.  Yeah, yeah, a lot. And before I took Robert Fairbanks, by the way, I was the editor of the Solana paper. Kristina Supler:  Many of our listeners are parents of high school and college students. And so based on your experience and knowledge with this subject, what are some of the warning signs that parents, but also students should be aware of and look out for regarding hazing within organizations? Hank Newer: Well, there's like a personality change, a good way that a young woman put it, who was hazed at DuPau with having cigarettes put between our legs and burnt. Susan Stone: That's torture. Hank Newer: That one was interesting. It was Kappa Kappa Gamma. They were members of a family within the organization. And this happened at Chico State too, where the family has their choice of alcohol. One death, Adrian Hydeman at Chico State, it was brandy. These young women, I can't remember what their alcohol was, but they had to drink that particular liquor. And so with that particular case, the warning signs were that she lost her bubbliness, and that's the best description I could give. That she, the young woman, had been dancing. She grew up with ballet. When I interviewed her, she was working in a pizza parlour. And she had put on a bit of weight with stress. And that was one interview. Another young woman who fought back and later got her PhD in family studies fought back. So people have just different kinds of reactions. Mine with the case of having to go out, I didn't really think that much about it. Because we had somebody pick us up right away. But if somebody had gotten killed on one of those marches, I'd be looking at it differently. If the death hadn't occurred at Nevada Reno, I certainly never would have written about hazing. Susan Stone: You have written four books, is that correct? Hank Newer: Yeah, four books. And then I have a novel which has a hazing of Basques and Chinese in the early United States. Susan Stone: And you've also written a play, correct the broken pludge? Hank Newer: Yes, it was a winner of an Anne Frank Award at Buffalo State University. It used to be Buffalo State College. And I got to put my one man play on. And I put that play on for athletes. And I call it Death Of A Rookie. And then there's the Broken Pledge, which is about fraternity members. But it's pretty much the same. A grandfather, buries his grandson that day, and this overcome with grief, hatred, asking where God was when this occurred, losing his faith, and then turning it around with quotations that were in his son's diary from Martin Luther King. So I hope it's as powerful as I think. Susan Stone: Well, I have to tell you, I watched a lot of it. And I thought it was incredibly poignant. How is it that you keep able to turn out content on this one issue and see so many angles and sides of it? It's impressive. Hank Newer: Yeah, I think part of it is by talking to the parents and experts and people that are in the Greek world, they have the insights too. So I had interviewed Louis Lamore one time and he said, it's not that we're so clever, we're a sponge, we're a filter, and we take all of this in. So I think I have to give credit to other people for their perspective and how they see things, but I do have a good memory. Kristina Supler:  What's next for you, Hank, on the horizon of this project? Hank Newer: Okay, so we'll be doing that database that I told you about with sexual hazing. I have a chapter coming out for the University of Toronto, Cress out in 2024 with my own experiences which will be on athletic hazing. I am putting together in the garage about all these files, putting together all the hazing incidents I can find and to do those as a database as well. It's a little more difficult when you're working as an editor than when you're teaching. The amount of free time is not quite as much. And now it's politics coming up elections. You know, Ohio and Alaska, I won't have as much time at all this weekend, I'll be in that office constantly. Kristina Supler: This is, we've talked a lot, a lot of heavy things and we always like to give our listeners something a little positive as well when, you know, contemplating our various topics. So can you share with us in your experience any success stories of schools, institutions, and specific organizations that have really tackled this issue of hazing and essentially turned a really negative situation into a positive to recreate culture surrounding this issue? Hank Newer: Yes, Alfred University did that. They had the death of Chuck Stenzel, which was the subject of my book Broken Pledges, came out in 1989. But they got rid of the Greek system also. And there were a lot of lawsuits with that.Dr. Norm Pollard and a colleague of his, we were the ones that did the first high school hazing surveys. They also did surveys of fraternity members. I got to help write the questions for that, but they did most of the work. That was a big, big turnaround. And the impetus was not only the death of Chuck Stenzel, they had a bad football hazing. And I don't think they lost the season, but they did suspend the team for a game or two. So yes, that was a turnaround. My personal story is I spoke at Penn State, and not two weeks later at Penn State, I got a phone call from the advisor at that particular time to say that the sorority, not hazing, had a woman take way too much alcohol, near point four BAC. Kristina Supler:  Oh my gosh, wow. Hank Newer: The young women did not want to make the call. And one person who heard the, they all heard the talk, one person insisted, and they saved this young woman's life. Kristina Supler:  And it only takes one person. It only takes one student to reach out for help that by standard intervention to stop something horrific. Hank Newer: And it only takes one idiot in the room, sometimes, who's, especially if that person is physically powerful to cause all these bad things as well. You hear that over and over again. So when there was a death of a lacrosse player at Western Illinois University, the punishment for the players, which was interesting, they were all fraternity members too, was to have a writer come in and go through the hazing with them, not the alcohol related part, which was 15 bottles put on stands, but to go into the river, to go marching through, to go to the house, so I'd be able to write about that. In a way, I felt like I was punished as well, because I did that at my own expense. And then it went into a book. But over and over, what's the point? The point is they kept pointing to the student coach who not only did this, but instigated so that they would get the team credit card and put gas into their own vehicles. And each one had the same story. I thought somebody else would step up. Over and over, I kept hearing that same thing. And guess what? The instigator would not talk to me. He never went to jail, either. The judge did not follow through. But yeah, there was one perpetrator who was the prime mover. Susan Stone: How can we get coaches to get on board? Kristina Supler:  Great question. Hank Newer: Really difficult. So I talked at a Quaker school in Delaware, athletic director, a female, really against all kind of hazing, really working football coach. The veteran comes up to me later and said, yeah, this is all fine, but we're not going to take it too far. I thought, geez, you just heard this whole talk. You saw the pictures of the kids on the screen and you're going to tell me this. And so then also when I was at Regis in Denver, I was talking, the athletic director was very much against it, talking to the different coaches. And I asked the coach, after what would happen if you heard there was hazing on your team, would you punish them? And he said, starter or reserve? Kristina Supler:  I was just going to say, I mean, obviously, in particularly collegiate athletics and big schools, coaches are often evaluated based on their winning record. And so it's decision for them to make when a hazing perpetrator is also a star athlete. We just hope that the coach makes the right choice in terms of promoting student safety versus thinking about wins and losses over truly in the long run, what's best for the team from a cultural perspective and student safety perspective. Susan Stone: I think that especially as kids just went back to school, everybody wants to feel a sense of belonging. People can be a very lonely place, both high school and college. And we have to train people that abuse is not the way to bond. Hank Newer: And here in Fairbanks, there was a case I never heard about until I came here where the football coach called it team bonding to have the players jump into the swimming pool and take off all their clothes to switch it to everything, put them back on while in the pool and there were three near deaths. And he forbid his assistants to jump into the water until it was almost too late. And yes, he lost his job, but I never heard about it because our paper in covering it called it what he called it, a team building or team bonding. Susan Stone: Right. Hank Newer: I've written about that since and called it hazing exactly what it is. Kristina Supler:  It's been a pleasure speaking with you today, Hank. And I think that you're obviously a wealth of knowledge on this topic. So we really appreciate your knowledge and insights and encourage our listeners to check out your wealth of material on the topic as well, your books and your database. You are worth the weight. Susan Stone: You are worth the wait. Really. Thank you so much. Kristina Supler:  Thanks for listening to Real Talk with Susan and Christina. If you enjoyed this episode, please subscribe to our show so you never miss an episode. And leave us a review so other people can find the content we share here. You can follow us on Instagram, just search our handle @StoneSoupler. And for more resources, visit us online at studentdefense.kjk.com. Thank you so much for being a part of our Realtalk community. We'll see you next time. —----------------------------------------------------------------------- Pull Quotes (Try to find a minimum of 4): ·         “I think often hazing is sort of conceptually conceived of as just happening among young men in fraternities. And in fact, it spans across all student organizations, entities, athletic teams, military groups. And it's also not exclusively a male issue. I mean, Susan and I have plenty of case experiences involving female athletes in hazing. Can you talk a little bit more about what you're seeing in the breakdown?” (08:25) ·         “I can't imagine. I just can't imagine what that must have been like and how that experience has obviously stayed with you. Hank, I'm curious. I'd like to hear your thoughts on whether you think schools should abolish Greek life fraternity sororities? Or do you think that there's value in these organizations?” (10:00) ·         “I broke it out out into criminal hazing and non-criminal hazing. Certainly, with something that you're describing, I would have never gotten into this kind of thing. The hazing that I had as a fraternity member was being dropped off in the country. We knew about it ahead of time and had money to call friends.” (12:20) ·         “I think that especially as kids just went back to school, everybody wants to feel a sense of belonging. People can be a very lonely place, both high school and college. And we have to train people that abuse is not the way to bond.” (26:41)  

224: 5 Truths for Transformational Nonprofit Leaders (Ed Mishrell)SUMMARYDo you want to elevate your nonprofit leadership to the next level? What are the five key principles of mission-driven leadership? In episode #224 of Your Path to Nonprofit Leadership, former Chief Strategy Officer for the Boys & Girls Clubs of America and author of The Five Truths for Transformational Leaders: How Nonprofit Organizations Thrive, Grow and Make a Profound Difference, Ed Mishrell, delivers an insightful and practical discussion of how to achieve extraordinary results when leading nonprofit organizations. Ed shares how to use your organization's mission as your north star and build an exciting, thriving nonprofit. He highlights hurdles nonprofit leaders typically face and how you can navigate them for optimal results. Understand the vital importance of leadership growth and how you can ensure you're consistently growing and adapting.   ABOUT EDFor over four decades, Ed Mishrell worked to provide opportunities for America's youth. Ed began a nearly 40-year career in the Boys & Girls Clubs Movement beginning at the Crime Prevention Association, a Boys & Girls Club organization in Philadelphia, PA. In 1987, Ed joined the staff of Boys & Girls Clubs of America as the Director of the Targeted Outreach Delinquency Intervention Program. He has held many positions at BGCA, including the Director of Staff Development and Senior Director of Training and Development, among others. He has led the development of numerous national program and strategic initiatives including executive leadership, deepening impact and assuring public trust. In 2009, Ed became the Chief Strategy Officer at Boys & Girls Clubs of America, responsible for organizational strategy, strategic planning, operational planning, organizational data and outcome measurement systems. After retiring from Boys & Girls Clubs of America, Ed became an adjunct professor at Georgia State University. Ed holds a Bachelor of Science degree from Alfred University, a Master of Education from Elmira College, and a Master of Social Work Administration from Temple University.EPISODE TOPICS & RESOURCES Learn more about Ed hereWhat Got You Here Won't Get You There: How Successful People Become Even More Successful by Marshal Goldsmith and Mark ReiterReady for a Mastermind?  Learn more here!Check out Patton's book Your Path to Nonprofit Leadership: Seven Keys to Advancing Your Career in the Philanthropic Sector

This week Miranda speaks with Mike Schultz. Mike is an artist and printmaker currently getting his MFA at Alfred University. They talk about how his early passion for art fell off as addiction began to take over more of his life, getting sober and going on the journey to reconnect with making, teaching art on the Thai/Burmese border, and what brings him back to art school now years after his BFA. Mike's Website https://mikeschultzstudio.squarespace.com/ Mike's Instagram https://www.instagram.com/mike_schultz_studio/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com

Today on the show we have part two of an interview with renowned ceramic artist and educator Linda Sikora. We talk about the philosophy of education at Alfred University, helping students progress through their own expectations, and being in a family of creatives. The view her recent exhibition Darkening Ground at Ferrin Contemporary visit www.ferrincontemporary.com. To find out more visit www.lindasikora.com.   Today's episode is brought to you by the following sponsors:   For the past 100 years, AMACO Brent has been creating ceramic supplies for our community ranging from underglazes to electric kilns, and they have no plans of slowing down. www.amaco.com   The Bray is actively committed to promoting, celebrating, and sustaining the ceramic arts through its residency program, education center, and gallery. www.archiebray.org   The Rosenfield Collection of Functional Ceramic Art is an on-line source for research and inspiration, featuring images of thousands of objects made by over 900 artists. www.Rosenfieldcollection.com.

Today on the show we have the first in a two-part interview with renowned ceramic artist and educator Linda Sikora. We talk about growing up in Canada, her path to being a potter, and how the concepts of service, storage, and display shaped her recent exhibition Darkening Ground at Ferrin Contemporary. Linda has been teaching at Alfred University since 1997 and has been an integral part of educating a generation of artists at the institution. To find out more visit www.lindasikora.com.   Today's episode is brought to you by the following sponsors:   For the past 100 years, AMACO Brent has been creating ceramic supplies for our community ranging from underglazes to electric kilns, and they have no plans of slowing down. www.amaco.com   The Bray is actively committed to promoting, celebrating, and sustaining the ceramic arts through its residency program, education center, and gallery. www.archiebray.org   The Rosenfield Collection of Functional Ceramic Art is an on-line source for research and inspiration, featuring images of thousands of objects made by over 900 artists. www.Rosenfieldcollection.com.

British born artist, Joanna Manousis creates sculptural objects and installations in glass and mixed media, manipulating materials through a multi-disciplinary process that includes bronze casting, enamels, and even taxidermy. With a hands-on studio practice spanning 17 years, she strives to transform cast glass surfaces into reflective, three-dimensional mirrors, shifting the viewers' perspective and bringing new experiential possibilities. Wrote Eve Kahn in a 2018 Todd Merrill exhibition catalog: “Joanna Manousis mines her life experiences while exploring broader themes—materialism, memory, domesticity, vanity, iridescence—in acclaimed sculptures that mingle glass with wheat husks and taxidermied birds. Viewers may find themselves reflecting on the transience of existence while seeing themselves literally and metaphorically mirrored in her works.” An only child raised by her mother, growing up Manousis loved drawing and painting. During early meditations with mirrors, she had the initial experience of being somehow detached from her body – a phenomenon whereby her spirit seemed disconnected from her visual appearance. In college, Manousis set out to become a painter, but the canvas plane gave her artist's block. She enrolled at Wolverhampton University for a bachelor of fine art-glass degree, and during a year abroad studied neon and glass casting and blowing at Alfred University in western New York. In 2008, she earned her MFA at Alfred, and by then had met her future husband, the Maine-born glass artist Zac Weinberg.  Now a working mom of two, Manousis travels the world to teach, exhibit, and make artworks, while winning awards and grants. Her work has been recognized with nominations for the Louis Comfort Tiffany Foundation Award and a Bombay Sapphire Award Nomination for ‘Excellence in Glass' as well as the Margaret M. Mead Award and the Hans Godo Frabel Award. She has received support from internationally recognized residency programs including the Glass Pavilion at the Toledo Museum of Art, Ohio; the Museum of Arts and Design, New York; the Corning Museum of Glass, New York; and Cité Internationale des Arts, Paris, France. Her work has been exhibited at Design Miami and Art Basel, Basel, Switzerland; FOG Art + Design, San Francisco; the Glasmuseet Ebeltoft, Ebeltoft, Denmark; and the British Glass Biennale, Stourbridge, England. The artist has worked, studied and taught in Japan, the United Kingdom, the United States and Australia. Manousis states: “My work is born out of a sustained exploration of human nature and the conflicts that exist between our inner reality and the world we occupy. I often emphasize decadence and grandiosity to illuminate the superfluous nature of accumulated luxury when faced with our own impermanence. I am also interested in engaging the viewer's gaze, drawing the participant into a state of reflection, literally and philosophically, about the essence of human existence and ideas related to growth, emotionality, aspiration and mortality.” She continues: “Glass is my chosen medium, and I am drawn to its contrasting qualities–transparent yet solid, it simultaneously reveals yet barricades. In recent works I use cast glass as a lens to magnify residual formations of objects within. On occasion these negative spaces are mirrored, enlivening static surfaces in my pursuit to reflect the viewer and the environment that the work inhabits. Incorporating the audience's gaze, whether it is distorted or clear, centralizes the viewer within the work itself, facilitating a stronger connection between observer and object.” ToYG podcast caught up with Manousis just prior to two US workshops: Penland School of Craft, Bakersville, North Carolina, July 2 – 14 and The Corning Museum of Glass, July 31 – August 6. In addition to her core-cast pieces with internal spaces, she continues her PhD testing, along with a new venture in customizable wall installations made with graphite molding techniques that she and husband Weinberg create together in their company Manberg Projects. Manousis' PhD research focuses on three-dimensional mirrors within cast glass resulting in work that deals with reflection, both physically and metaphorically. The artist has also recently started making jewelry – small scale pieces that are more accessible and used to adorn. Check out this new work on Instagram @jomanousis. Her sculptural practice can be found @joanna.manousis.  

Welcome to a fresh episode of The Truth in This Art! In this episode, our host, Rob Lee, engages in a stimulating conversation with Victoria Walton, an emerging visual artist and 2023 Ceramics MFA Candidate at Alfred University.Victoria's artwork brings forth the profound intricacies of Black identity through her captivating life-size figurative works. This conversation delves into: Victoria's early experiences and influential figures that shaped her artistic journey. The pivotal "ah-ha" moment that directed her towards art as a lifelong career. Her exploration of ceramics as a primary medium, and the additional techniques she employs in her artwork. The impact of her work on individuals, the broader Black community, and its cultural significance. Join us for a thought-provoking discussion as Victoria opens up about her favorite aspects of being a ceramic artist and imparts valuable advice for those embarking on their own artistic journey.

Dale Wellman completed his ninth season as the head men's basketball coach at Nebraska Wesleyan University in the 2022-23 season. He was named the HoopDirt.Com NCAA Division III Coach of the Year in 2019 and received NABC/NCAA Division III National Coach of the Year recognition in 2018 Wellman has led the Prairie Wolves to four conference championships, four national tournament appearances and the program's first National Championship during his tenure. Overall, Wellman has a career coaching record of 205-128 in 13 seasons as a head coach. Wellman came to NWU after spending six seasons as the head coach at Alfred University, a NCAA III Institution located in Alfred, N.Y. Before his stint at Alfred, Dale spent two seasons as an assistant coach at Williams College in Massachusetts. His collegiate coaching career began in 2002 when he was an assistant coach at Kenyon (Ohio) College. A year later he was appointed assistant coach at Union College in New York. He then spent two seasons as an assistant coach at NCAA Division I Eastern Kentucky University where he helped EKU set a school record for wins and earn a spot in the NCAA Tournament. Wellman is a 1999 graduate of The University of The South in Sewanee, Tennessee. He played four seasons for the Tigers, participating twice in the NCAA Division III National Tournament (1997, 1998) and earning SCAC All-Academic honors.If you're looking to improve your coaching please consider joining the Hoop Heads Mentorship Program. We believe that having a mentor is the best way to maximize your potential and become a transformational coach. By matching you up with one of our experienced mentors you'll develop a one on one relationship that will help your coaching, your team, your program, and your mindset. The Hoop Heads Mentorship Program delivers mentoring services to basketball coaches at all levels through our team of experienced Head Coaches. Find out more at hoopheadspod.com or shoot me an email directly mike@hoopheadspod.comFollow us on social media @hoopheadspod on Twitter and Instagram.Take down some notes as you listen to this episode with Dale Wellman, head men's basketball coach at Nebraska Wesleyan University.Website - https://nwusports.com/sports/mens-basketballEmail - dwellman@nebrwesleyan.eduTwitter - @Wellmand21Visit our Sponsors!Dr. Dish BasketballMention the Hoop Heads Podcast when you place your order and get $300 off a brand new state of the art Dr. Dish Shooting Machine! Fast Model SportsFastModel Sports has the most compelling and intuitive basketball software out there! In addition to a great product, they also provide basketball coaching content and resources through their blog and playbank, which features over 8,000 free plays and drills from their online coaching community. For access to these plays and more information, visit fastmodelsports.com or follow them on Twitter @FastModel. Use Promo code HHP15 to save 15%The Coaching PortfolioYour first impression is everything when applying for a new coaching job. A professional coaching portfolio is the tool...

This is a special episode, Print Friends. It was recorded while Miranda was in residence at the Institute for Electronic Arts at Alfred University. This is the third in a three-part deep dive into the Institute through the artists who teach at the university and an exploration into the ways in which technology intersects with contemporary printmaking. This week Miranda speaks with Xiaowen Chen, a printmaking professor at Alfred University. They talk about growing up in China during the Cultural Revolution when all the art schools were closed and being a part of the very first class let back in on the other side, the culture shock of moving to the US for his MFA, how he got into using digital media in his practice, AI art, and taking teaching techniques with Ann Hamilton. YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com Our sponsor, Legion Paper https://legionpaper.com/

This is a special episode, Print Friends. It was recorded while Miranda was in residence at the Institute for Electronic Arts at Alfred University. This is the second in a three-part deep dive into the Institute through the artists who teach at the university and an exploration into the ways in which technology intersects with contemporary printmaking. This week Miranda speaks with Kathy Vajda, an artist and Clinical Professor of Art in the School of Art and Design. They talk about her practice for the last decade of painstakingly creating hand-formed sculptures of snow and ice and the process of documenting them, how her MFA in printmaking evolved into this practice, what it is like to have a practice so reliant on the weather, and how she's been forced to adapt as our winters get warmer. Kathy's Website: http://www.kathrynvajda.com/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com Our sponsor, McClains www.imcclains.com

This is a special episode, Print Friends. It was recorded while Miranda was in residence at the Institute for Electronic Arts at Alfred University. This is the first in a three-part deep dive into the Institute through the artists who teach at the university and an exploration into the ways in which technology intersects with contemporary printmaking. This week on Hello, Print Friend, Miranda speaks with Joseph Scheer, artist, distinguished professor of print media at the School of Art and Design at Alfred University, and the director of the Institute for Electronic Arts. They talk about his journey to co-founding the Institute after coming to the university initially as a student to study ceramics, childhood dreams of rooms full of beautiful paper, the queerness of moths, and the genders of cacti. Institute for Electronic Arts https://blog.alfred.edu/iea/ Joseph's Instagram https://www.instagram.com/josephscheer

Ara Koh was born in Seoul, South Korea from a fashion designer mother, and an industrial designer father. She received her BFA in Ceramics and Glass from Hongik University, Seoul, South Korea in 2018, and was an exchange student at California State University, Long Beach in 2016. Ara graduated with an MFA in Ceramic Art at New York State College of Ceramics at Alfred University in 2020. Her works are installations claiming space. The intensity of the labor, repetitiveness, and palliative obsessiveness manifested in her sculpture brings a fresh reveal to the ageless themes of body, architecture-shelter and landscape.Her works had been exhibited in South Korea and in the United States. Ara received numerous awards including the Minister of Foreign Affairs Honor by the Korean government. Her works are collected by Alfred Ceramic Art Museum, Daekyo Culture Foundation, Winell Corporation in Korea, and many personal collectors. As an educator, she teaches at Maryland Institute College of Art, George Washington University, and American University. Ara Koh currently lives and works in Washington DC.Creators & Guests Rob Lee - Host The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts. ★ Support this podcast ★

Adero Wllard is originally from New York City and currently lives in Chicopee, MA. Adero received a BFA at Alfred University an MFA at Nova Scotia College of Art and Design and was a Salad Days artist in resident at Watershed Center for Ceramic Arts in Maine. Adero has over twenty-five years as a ceramics artist and has been featured in a number of discussion panels, publications, books on ceramics, and has exhibited work nationally and internationally. Adero is committed to equity and inclusion work, and while a visiting assistant professor in ceramics has been a faculty co-facilitator for IDEA lab an anti-racism and anti-bias program at Alfred university. Adero is a co-founder of the non-profit outreach organization POW! Pots on Wheels since 2014 and is committed to diversity and anti-hierarchical approaches to teaching in the field of ceramics. For Adero it is all about a love for clay, nature, community, history and learning and sharing knowledge of the handmade with others. http://ThePottersCast.com/917

Can you grow out of self-doubt? In today's episode, I talk with Netvvrk member Julie Peppito about the trappings of childhood precociousness and how her negative art school experiences impacted her sense of self-worth and even her participation in the art world. And we talk about how she navigated out of negative experiences into a space of greater self-acceptance and artistic fulfillment. Julie Peppito The Camp Gallery   Julie Peppito Biography Julie Peppito (b.1970, Tulsa, OK) combines multiple materials to create creature-like sculptures, layered tapestries, installations, collages, and playground art. The hybrid forms are about connection, waste, and escapism. Peppito holds an MFA with a concentration in sculpture from Alfred University in Alfred, NY (2004) and she received her BFA from The Cooper Union in New York, NY (1992). Peppito's work has been the subject of 10 solo exhibitions. She has exhibited at many New York non-profit and commercial galleries including: Kentler International Drawing Space, curated by Charlotta Kotik, The Long Island Children's Museum, Heskin Contemporary, Art in General, PS122, Momenta, and Ethan Cohen Gallery, among others. Peppito received a New York Foundation for the Arts Fellowship in Sculpture (2001). You can see her playground art at J.J. Byrne Playground (completed 2012) and James Forten Playground (completed 2007), both in Brooklyn, NY. In 2022, Peppito created a “bird condo” that was on display at the Brooklyn Botanic Gardens as part of the exhibit “For the Birds”. Peppito creates, teaches art, and lives in Brooklyn, NY with her partner Gideon Kendall and their son.

Ali Miller is a New York City-based artist from Long Island, NY, working in painting, drawing, and sculpture. Miller constructs fantastical nonlinear-narratives, addressing themes of expectation, using extreme and surreal scenarios. Miller received her MFA from the Maryland Institute College of Art, Hoffberger School of Painting in 2012 and her BFA from Alfred University in 2008. She has attended residencies at the Atlantic Center for the Arts, Golden Foundation, Vermont Studio Center, Chateau Orqueveaux, and Chautauqua Institution. In 2012, Miller received the Best in Show Prize at the Bethesda Painting Awards. Miller's work has been exhibited both nationally and internationally, and her work can be found in both public and private collections. She is currently represented by High Noon Gallery. Sound & Vision is sponored by Golden Artist Colors. Golden makes the best acrylics and mediums, QoR Watercolors and williamsburg Oil paints in New Berlin, NY. An employee owned company, Golden is dedicated to making the best paints tht artists can use in their studios. I have been painting with Golden for over 23 years and I swear by it. Check out their paints at your local art store or at Goldenpaints.com. S&V is also sponsored by Fulcrum Coffee Roasters. They make amazing coffee and ship their beans to your doorstep so you canhave incredible coffee at home. Check out their coffee at fulcrumcoffee.com and add the code alfredstudio to your order and get 20% off your order. Why I make Art is out now. you can get it here: https://www.amazon.com/Why-Make-Art-Contemporary-Artists/dp/1733622098