Podcast appearances and mentions of Robert Park

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Robert is currently the Chief Financial Officer of Dolby, the #1 audio company in the world for entertainment technology. Previously, he also served as the VP of Finance for Chegg, Paypal and BlueJean Networks. In 2021 Dolby was named to Fast Company's prestigious annual list of the World's Most Innovative Companies and consistently among the top-ranked companies leading the music industry forward.Robert began his finance career with Ernst & Young, one of the big 4 accounting firms, serving numerous technology clients. Robert holds a B.S. degree in Business Administration with a concentration in accounting from Cal Poly in San Luis Obispo. In this episode we will be talking about the value of an accounting background, how to break into the corporate world, and the steps to climbing up the corporate ladder!To learn more about our podcast, follow us on Instagram @The_Finanze_podcast to receive updates on new episodes and our podcast's future, or subscribe to our youtube channel at The FinanZe Podcast. To receive updates about our podcast episodes, join our emailing list at the.finanZe.podcast@gmail.com. Enjoy the episode!

Don't miss the Masonic Improvement: Building A Better Brotherhood Summit! Tickets are here: https://www.eventbrite.com/e/567318895087 #freemasons #leadership #motivation #subscribe #podcast #video Disclaimer: The opinions of the hosts and guests in this video do not reflect the opinions of any lodge or Grand Lodge. --- Support this podcast: https://podcasters.spotify.com/pod/show/justin-jones396/support

For many South Australian growers, 2022 was a cracker season, but the weather and other factors did lead to some cereal disease. So what does 2023 have in store, and what to do to keep disease at bay? Dr Tara Garrard is a cereal pathologist at the South Australian Research and Development Institute (SARDI), the research division of the Department of Primary Industries and Regions in South Australia. She has a project looking at Septoria Tritici Blotch, working out how it behaves in low and medium rainfall zones… but Tara says there are other diseases to be aware of as you go into the sowing. Contact Tara Garrard, PIRSA-SARDI Tara.Garrard@sa.gov.au  Robert Park, University of Sydney Robert.park@sydney.edu.au Project Code TRE2204-001RTX  Learn more about your ad choices. Visit megaphone.fm/adchoices

John Keely was the founder of the Keely Motor Company. He announced that he had discovered a new physical force, one that, if harnessed, would produce unheard-of power. He claimed to be able to produce from a quart of water enough fuel to move a 30-car train from Philadelphia to New York City.Scientists and engineers scoffed at his unverified claims. After his death, an investigation was carried out, and examination of his apparatus - a supposed perpetual motion machine - showed that, rather than a new force, tubes of compressed air or a form of hydraulic power activated the machinery.In today's video we see if there are any lessons investors can learn from the story of John Ernst Worrell Keely.Book Link: Voodoo Science by Robert Park: https://amzn.to/3BrKTscPatrick's Books:Statistics For The Trading Floor:  https://amzn.to/3eerLA0Derivatives For The Trading Floor:  https://amzn.to/3cjsyPFCorporate Finance:  https://amzn.to/3fn3rvCPatreon Page: https://www.patreon.com/PatrickBoyleOnFinanceVisit our website: www.onfinance.orgFollow Patrick on Twitter Here: https://twitter.com/PatrickEBoylePatrick Boyle YouTube Channel Support the show

A Step 6 conversation with Robert Park, Dr. Bob, and Camille Reid. Robert Park is CEO of Luna Recovery in Houston, TX. Step 6 is from the program of Alcoholics Anonymous but its theme can be implemented and utilized into any person's life regardless of their affiliation with AA.

Robert Park tells his transformational tale of recovery and healing to Dr. Bob Beare and Co-Host Camille Reid. Robert has been in the field of addiction recovery for 16 years, mainly working in the treatment sector. He has been involved with several world class treatment programs and has performed almost every role in the field from primary therapist, to controller, to Executive Vice President., etc… He and his wife now own and operate Luna Recovery Services in Houston, TX, which offers Residential, Partial Hospitalization and Intensive Outpatient Treatment. Luna is committed to offering high quality clinical care to those suffering from Substance Use Disorders and co-occurring disorders.

What's the relationship between people's personal faith and their political activism? What extra dimension does religion bring to social movements and to contemporary cities? How might being a person of faith shape one's attitude to environmentalism and to caring for life beyond the self? Moving way beyond the stereotypes of the peace-loving Quaker and the evangelical conservative Christian, Alice Bloch talks to Sydney-based sociologist Rosie Hancock about the fascinating intersection of religious belief and political action. Hosts: Alice Bloch and Samira ShackleProducer: Alice BlochMusic: DanosongsPodcast listeners can get a year's subscription to New Humanist magazine for just £13.50. Head to newhumanist.org.uk/subscribe and enter the code WITHREASONFurther reading: ‘Islamic Environmentalism: Activism in the United States and Great Britain' (2018), Rosemary Hancock‘Religion in Coalition: Balancing Moderate and Progressive Politics in the Sydney Alliance' (2019), Religions, Rosemary Hancock‘Is there a paradox of religion and liberation? Islamic environmentalism, activism, and religious practice' Journal for the Academic Study of Religion (2015) Rosemary HancockPeople, Power, and Change: Movements of Social Transformation (1970) Luther Gerlach and Virginia Hine On Social Control and Collective Behaviour (1967) Robert Park ‘Ecological Humanism' (1979) Don Marietta, New Humanist Magazine

August 4th 2019 - Robert Park - Trinity Baptist Church of Katy Missions

We take you back to when the Clash of the Champions was...BAD.  Here we have Vader against Flair and Arn, the Renegade against Paul Orndorff, Sister Sherri getting a bump on the head and falling in love with Col. Robert Park and...wait for it...Hulk Hogan entering the Dungeon of Doom.  WTF?  So enjoy the Clash, one year before the birth of the NWO from the exact same arena in Daytona Beach. AN IMPORTANT NOTE ABOUT THE WATCH-ALONG WWE has revamped their Network.  So the show is kind of difficult to find.  But we have your hookup.  Go to:   https://watch.wwe.com/episode/Clash-of-the-Champions-31-7090 See Tony and Conrad LIVE in Wayne, NJ on September 28th, 2019.  For tickets and information go to tonyandconradlive.com (https://www.eventbrite.com/e/whw-live-with-tony-schiavone-tickets-65475461869) Support us on Patreon, get this show early and ad free, plus TONS of BONUScontent: http://patreon.com/WHWMonday  Like us on Facebook: http://facebook.com/WHWMonday    Check out all the new cool merchandise at BoxOfGimmicks.com (http://boxofgimmicks.com/)  Buy a shirt and Tony will call you (eventually!) at LoisRules.com (http://loisrules.com/)  Subscribe to our YouTube channel: http://youtube.com/whw  Save thousands at SaveCade.com (http://savecade.com/)

This week I had Robert Park from Nevada Art Printers, and Mark Metternich on to talk about fine art print making.  Both Robert and Mark teach print making workshops and have lot to teach on the subject of fine art print making. you can find their workshops here you can find Lumichrome prints here you can find Nick's Iceland workshop here

While being successful in the financial world would be enough for most, that isn't the case for Robert. What started out as mentoring on the side to the youth at his church he realizes God had another path for him to follow.  For more information on Robert's missions in South America go to www.litinternational.org Check out Roberts Book "The Blueprint" You can purchase his book on his website at www.robertpark.org or you can find it on Amazon and Barnes and Noble. Intro music is "Family Montage" by Biz Baz Studio. End music is "Sunshine" by the Mini Vandals You can email me at mshgtestimony@gmail.com

For more information on Robert's missions in South America go to www.litinternational.org Check out Roberts Book "The Blueprint" You can purchase his book on his website at www.robertpark.org or you can find it on Amazon and Barnes and Noble. Intro music is "Family Montage" by Biz Baz Studio. End music is "Almost August" by Dan Lebowitz. You can email me at mshgtestimony@gmail.com

For more information on Robert's missions in South America go to www.litinternational.org Check out Roberts Book "The Blueprint" You can purchase his book on his website at www.robertpark.org or you can find it on Amazon and Barnes and Noble. Intro music is "Family Montage" by Biz Baz Studio. End music is "Forever Yours" by Wayne Jones You can email me at mshgtestimony@gmail.com

For more information on Robert's missions in South America go to www.litinternational.org Check out Roberts Book "The Blueprint" You can purchase his book on his website at www.robertpark.org or you can find it on Amazon and Barnes and Noble. Intro music is "Family Montage" by Biz Baz Studio. End music is "Starring at the Valley" by Silent Partner. Again a special thanks to Alain Demers from Vision Design Studios for the artwork and Colin for taking the time to create the credit tunes. You can email me at mshgtestimony@gmail.com  

Episode 055 of F-Stop Collaborate and Listen with Robert Park from Nevada Art Printers! It was super awesome to get Robert from Nevada Art Printers to join us on the podcast this week! Shout out to Aaron Reed for helping set it up - I appreciate the collaboration, brother! Have you been curious about printing on Lumachrome or about how to get the most out of your RAW files for large prints? This is the episode for you! Robert and I sat down and covered some great ground, answering several listener questions from the Facebook Group.  You can also support the show by making a monthly contribution through Patreon. For as little as $1 - you help pay for the production costs of the podcast, help us improve the podcast, and for $5 / mo and higher, gain access to bonus episodes. Over on Patreon this week, Robert and I had a fabulous conversation on sharpening for large prints - a must listen if you have ever wanted to know more about sharpening.  To learn more about Robert: Personal Website Nevada Art Printers Here are the artists that Robert would like to hear on the podcast: 1. Aaron Reed 2. Aaron Feinberg Some examples of Robert's photography can be seen below.  I love hearing from the podcast listeners! Reach out to me via email, Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. You can also join the conversation on our Facebook Group! We've also started an Instagram page and a Facebook page for the podcast, where we'll be sharing updates as we go! 

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Modernity and the Jews in Western Social Thought (University of Chicago Press, 2017), Chad Alan Goldberg looks at how social thinkers from Karl Marx, to Emile Durkheim, to Robert Park mobilized ideas and ideologies about Jews to conceptualize the big themes of modernity. Goldberg shows for example how inherited schemas, which had historically painted Jews as both backwards “Orientals” and, at the same time, as ultra-modern cosmopolitans, were mobilized consciously and unconsciously to serve different sociological theories. That is, as Goldberg illustrates, because of their contradictory and ambivalent status within the European imagination, the Jew became a central object of study and a key symbol for social theorists, a symbol that they found useful for thinking through the contradictions and ambivalences of nationhood and citizenship in France, economics and power in Germany, and urbanization and assimilation in the United States. As Goldberg writes, in a phrase borrowed from Claude Levi-Strauss, “Jews were good to think.” In this episode, we talk about Durkheim’s reactions to the reactionary right, and how his view about Jews may have informed other aspects of his thought; we talk about the Chicago schools idea of assimilation, which, as Goldberg argues, begins with recognizing the “marginal man” as a key character of the Modern era and ends with a vision of diversity and collaboration; we talk about the two different ways Karl Marx depicted Jews and their relationship to capital and to European history; and we talk about how the Jew or rather, the figure of the Jew continues to serve “as an intermediary for self-reflection in our own time.” Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyond The Dice is a Dungeons & Dragons 5th Edition Actual Play Podcast. Which takes place in a Cyberpunk world. In this episode we find out what our Mercs do in a two week period after their last mission. Spigston realises some hard truths about his life, Gaige hacks a police station and experiments with milk, Little Moss trains Gradramn (Spig's son also known as Gleam) in the stance of the Sitting Panda and Cortaine goes back home to visit his Mother and Sister to find that they are in some trouble. Come on a journey with Luke the DM, Jeff (Gaige), Ben (Cortaine), Peter (Spigs) and Travis (Little Moss) to experience the world of New Ettica. If you like Dungeons & Dragons, Akira, Judge Dredd, Blade Runner, The Deus Ex video game series, hover cars and other rad stuff then you will love this. Special Thanks to NRW Records for allowing the use of 'Crystal Protocol' by Waveshaper, 'S.A.M' by AIRGLOW, 'Sweet Nothings (Futurecop! Remix)' by Robert Park, 'The Final Lap' by Mega Corp and 'I.C.U' by Raydar. Support Beyond the Dice www: http://beyondthedice.com/ Facebook: https://www.facebook.com/btdpod/ Twitter: https://twitter.com/btdpod & https://twitter.com/Cruxtales  Instagram: https://www.instagram.com/beyondthedice/   Support NRW Records: YouTube: http://bit.ly/1aIGam6 Soundcloud: http://bit.ly/1yIcZLb Facebook: http://on.fb.me/1O5W1NZ

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

The tables are turned in today's program, as Spirit In Action's regular host, Mark Helpsmeet, is himself interviewed by Robert Park of WIDE-LP, Madison, Wisconsin. Topics addressed are the roots of Mark's broadcasts and activism, the mechanics of building a syndicated community radio based program, and the goals and future of creation of spirit-focused shows aimed at improving the world.

Safe & Sound Episode 154: Hexavalent Chromium Dr. Kathleen MacMahon and Mr. Robert Park discuss NIOSH’s recent release “Criteria for a Recommended Standard: Occupational Exposure to Hexavalent Chromium”.