Podcasts about steppenwolf theater company

[spp-player]Gail Straus is mostly retired, meaning that in addition to volunteer work, she remains open to the occasional client project. In 2021, Gail joined the Communications Team at AARP Illinois as a volunteer. She also serves on the Board of Directors for Guest House Chicago, donates time and expertise to the Moran Center for Social Justice in Evanston, is on the Ambassadors Advisory Committee to Steppenwolf Theater Company, and volunteers for the Taproot Foundation.We asked, “How did you become involved with AARP-IL?” Gail was clear of her intent to use her expertise and skills in an organization which would recognize her value as a volunteer. AARP IL's Director of Communication was delighted to tap into her experience. As an active volunteer member of the communications team, she brings insight into connecting marketing and outreach strategies to the most effective communications vehicles. More importantly, she serves as the voice of the older adult for the communications team. Gail also writes a monthly column on older adults for AARP-IL and says, “Don't call me elderly!” A big reason Gail is volunteering for AARP is their advocacy for older adults in the country. As Gail described, AARP advocates for programs such as social security, provides information and sponsors events on topics that are important to keeping older adults viable and vital and provides an extensive array of both virtual and in-person recreational, informational and entertainment resources such as fraud protection, yoga, cooking classes, ethnic celebrations and arts programming. You can easily get involved by checking out your state chapter at AARP.orgCONNECT WITH GAIL:Email: Gailkstraus@gmail.comLinked In: https://www.linkedin.com/in/gail-straus-57ba311/

In our conversation today we take a deep dive into the Feldenkrais method as a way to release tension in the body by developing a deep awareness of how the mechanisms of the body are constructed and how they work together as a whole, that is, how one movement affects another. And we discuss why it's important to develop this vision of how the body works as a whole in order to really be in control of your development as a singer. F.ex if you don't know how your ribcage is supposed to move how are you ever going to do it correctly? We even cover topics like breath and weight lifting! If you have struggled with tension in your body when you sing, then this episode is for you! Developing awareness of your body and how it wants to move is a life skill like no other! Marina also guides me through some short lessons that you can try alongside us and see if you discover something for yourself. Marina Gilman holds a Bachelor of Science Degree from Indiana University, Master of Music degree from Ithaca College, and a Masters of Art in Communication Disorders from Northwestern University. She graduated from the Montreal Feldenkrais Training in 1996. She is a Guild Certified Feldenkrais® Practitioner, singing teacher, performer, and licensed speech pathologist with a specialization in voice. She has taught voice at Cornell University, Syracuse University, and in the Theater School at DePaul University Chicago. Marina has also taught at the School at the Steppenwolf Theater Company summer program. In her capacity as a licensed speech pathologist Marina has worked at major medical voice centers in Chicago and recently retired from working as part of the interdisciplinary team at the Emory Voice Center, Department of Otolaryngology, in Atlanta, Georgia.  Her interest in the somatic aspects of voice training began with her personal struggle with body tension. Over the years she has worked to bring the Feldenkrais work into her clinical, academic, and studio teaching.  Marina Gilman's performing career includes recitals as well as leading operatic roles with regional opera companies. Marina regularly taught Feldenkrais workshops for actors, singers and voice therapists, as well as presented at professional voice and medical conferences. She has published research on voice in medical voice journals and is the author of Body and Voice: Somatic Re-education, available through Plural Publishing.   Connect with Marina Gilman E-mail |   Resources Mentioned: Body and Voice: Somatic Re-Eduation by Marina Gilman Bodymapping Interview on Voice Matters with Liz Johnson Moshé Feldenkrais    

Wardell Julius Clark and Regina Victor are stars who just keep growing in our Chicago theatre community. We had an amazing time talking with them recently about all of their adventures. They are work and life partners and as Gary said, "extraordinary creative artists and human beings." They also did a beautiful job introducing the show. Voice over agents, take note. Regina Victor works as a theatre director, producer, dramaturg, arts journalist, and mentor. Regina is a non-binary femme who grew up in Oakland, now residing in Chicago. Regina attended boarding school at Phillips Exeter, then studied theatre, religion, and dance at Santa Clara University. They have worked with and been mentored by, among others, Phylicia Rashad, Anna Shapiro, Raelle Myrick-Hodges, and Danya Taymor. Victor has helped develop world premieres by Antoinette Nwandu (Breach:...), Brett Neveu (To Catch A Fish), Sarah Ruhl and Morgan McNaught (A Persephone Pageant), and Loy Webb (The Light, His Shadow). Regina will be direct a world premiere of Pro-Am at Sideshow in May. They have recently been named to be the first Associate Producer ever at Court Theatre. Regina founded an arts criticism platform called Rescripted in 2017. Rescripted’s mission is "to reprogram the way we critically engage with each other using an empathetic lens, while cultivating critics and adding new voices to the field." It is a collective of artists who engage with each other's ideas and opinions openly. Regina mentors young critics through a program called The Key, which has produced some terrific new critics. It is produced in partnership with the Chicago Inclusion Project and is hosted by Steppenwolf Theater Company. Wardell Julius Clark was raised in Fairfield, Alabama, where he toured the country as a child with the amazing Sparkle Dance Company. Read about their mission and programs here. He went on to audition for DePaul University's acting program, which is extremely competitive. He got in to the program, didn't get cut, and has been working here in Chicago ever since. He was a very successful actor for the first 10 years of his career, then asked Ron OJ Parsons if he could assist him on directing Gem of the Ocean at Court. He tells a wonderful story about his first (triumphant) directing gig on Insurrection at Stage Left. Next up was Wardell's hugely acclaimed production of The Shipment. He has been booked as a director since... We recently saw and were blown away by His Shadow, which Wardell (with Sydney Charles) directed, with Regina serving as Dramaturg. It was truly not to be missed. The good news is it was recorded for the archives at Harold Washington Library, so you can see it there. Wardell is a company member at one of our all-time favorite companies, TimeLine, and is a member of their amazing Living History Education Program. Regina is working on a wonderful project at Lyric Opera called "Empower Youth". More to say about these upcoming projects, but can't wait to publish their episode. So come back to this site for updates.  

Many of you likely know Actor Jeff Perry as the strategically conniving, power-hungry, Cyrus Beane opposite Kerry Washington and Tony Goldwyn on Shonda Rhimes' smash it, Scandal or as Meredith Grey's father on Rhime's other smash hit, Grey's Anatomy.  What you may not know is that he is one of the founding members of the famed and respected Steppenwolf Theater Company, alongside High School pal Gary Sinise and college friends John Malkovich, Terry Kinney, Joan Allen and Laurie Metcalf.  One of the many things I learned from working with Jeff on Scandal is that he is deeply passionate about the work.  This conversation is full of his love for: stories that matter and a craft that he respects deeply.  Lessons on perseverance, following your bliss over a paycheck, and how to stay true to one's self are littered throughout our chat.   SHOW NOTES: How a passionate and encouraging Acting Teacher in HS launched Jeff and Gary Sinise's journeys as thespians at age 15, (2:43). The origins of Steppenwolf Theater Company, (4:03). More origins of Steppenwolf, "Seven of us got in a few cars and drove from Normal, Illinois to Highland Park..."(8:51). The effects of one passionate HS teacher on American Culture, (11:23). How the faculty of Illinois State influenced some of the greatest American Actors we have by training them not only to act, but to decide on which material they wanted to produce, (12:11). Being led by love of the work versus making money, (15:06). How lack of work led Jeff (and John Malkovich) to teach, which he loves, (17:06). How things shifted once Jeff started making bigger money, (21:11). The differences between stage work and camera work, (25:49). How disillusionment with a high-paying TV show that he didn't love sparked Jeff to launch the teaching arm of Steppenwolf 23 years ago, (28:06). How Steppenwolf's success in having shows moved to Broadway led to its members making a living as actors. (31:41). "Also in those years, from '82 to '89 the original, sort of people from the first and second generation of the company, started to get television and film work.  And I felt like I was one of the last to crack that,"(33:04). "After many attempts at landing that kind of job, that's when I finally landed one: when, when I knew that psychically and emotionally I had just said, 'I don't care'," (36:31). How Jeff got Scandal by way of Grey's Anatomy, (40:00). The Scandal Experience, (51:06). Shonda Rhimes' brilliance in her quiet introduction to Jeff's character Cyrus' homosexuality after several episodes on a mainstream hit show, (54:26).  The power of television and film in representing the under-represented, (56:51).  Jeff's go to mantras and ways of thinking to help himself, (1:03:33). "Took a lot of decades to be calmer and not second guess so many things", (1:06:12).   LINKS: IMDB: Jeff Perry Film / TV Credits Twitter: @jscandalp Steppenwolf Theatre Company   RELATED PAST EPISODES OF 10,000 “No”s: Ep 53: Emmy-Award Winner Richard Schiff, of The West Wing & The Good Doctor Ep 101: Dexter's Julie Benz, How to Thrive Even After You've Been Killed Off Ep 104:  City on a Hill Actor, Mark O'Brien If you like what you hear, please Subscribe, leave an iTunes review and spread the word. You can also listen to all episodes at www.10000nos.com  

Josh Hamilton speaks with actress Lois Smith about how she got her start and the many inspiring figures she’s worked alongside during her decades in film, TV and theater. Forging an enduring legacy, Smith’s film and TV roles include “Lady Bird,” “Twister,” “Minority Report” “Marjorie Prime,” and True Blood. She’s earned Tony Award nominations for her roles in “Grapes of Wrath” (1990) and “Buried Child” (1996) and is a member of Chicago’s Steppenwolf Theater Company.

It's an Academy Awards spectacular! First: Jesse talks with the amazing Laurie Metcalf. She's up for the best supporting actress Oscar for her role in the great Lady Bird. It's her first ever nomination! Laurie's a sincere actor's actor. She was a founding member of the legendary Steppenwolf Theater Company in Chicago. On the hit TV sitcom Roseanne, she played Jackie, Roseanne's sister. She's also starring in an upcoming Broadway rendition of Edward Albee's Three Tall Women. Then, two Oscar winners: Kristen Anderson Lopez and Robert Lopez! Together they wrote the song "Remember Me," from the hit Disney film Coco. Before that, Kristen and Robert wrote the songs for Disney's Frozen - including the Academy Award winning "Let it Go." They talk with Jesse about how they met, how they collaborate and keep a happy marriage and how Robert is one of only 12 people to win an Emmy, a Grammy, and Oscar and a Tony. That's right - we got an EGOT in the house!

Kathyrn Erbe is best known for playing Detective Alexandra Eames in LAW & ORDER: CRIMINAL INTENT... Erbe’s television credits include playing the infamous death row inmate Shirley Bellinger on the acclaimed HBO series “Oz.”  She also appeared on NBC’s “Homicide: Life on the Street,” the miniseries “George Wallace,” Showtime’s original production of “Naked City: Justice with a Bullet,” NBC’s “Another World” and the television movie “Breathing Lessons.” Erbe also gained notice in the 1999 box office hit “Stir of Echoes” opposite Kevin Bacon and “Dream with the Fishes” with David Arquette.  Her additional film credits include “Entropy,” “Kiss of Death,” “D2: The Mighty Ducks,” “Rich in Love”,  “What About Bob?”, and “Speaking of Sex” with Lara Flynn Boyle and Bill Murray. Erbe also filmed “Three Backyards,” starring opposite Embeth Davidtz and Edie Falco, “Mother’s House”, “Worst Friend’s”, “The Love Guide” with Parker Posey,” Mistress America” and “No Beast So Fierce”. Before appearing in feature films, Erbe began her career on the stage.  She is a member of the Steppenwolf Theater Company and has starred in many of their productions, including Tennessee Williams’ “A Streetcar Named Desire” as Stella, “Curse of the Starving Class” and “My Thing of Love.”  She earned a Tony® Award nomination in 1991 for her portrayal of Mary in “Speed of Darkness.” Erbe is also an active member of the Atlantic Theatre Company. For the last year, Erbe has recently focused her attention to the theater appearing in Craig Lucas’ play ‘Ode to Joy,  as Pat Nixon in The Vineyard’s ‘Checkers’, Natasha in Lincoln Center’s ‘Nikolai and The Others’,  Sue in ACT’s ‘Natural Affection’, Mother in ‘Afghanistan, Zimbabwe, America, Kuwait’ as well as Adele in Rattlestick’s production of ‘Ode to Joy’. Erbe can currently be seen co-starring along side Frank Langella in MTC Tony Nominated Broadway production of ‘The Father’. 

Three-time Tony nominee, Emmy winner, and Patrick's favorite movie star, the great Martha Plimpton discusses her important work as an activist for women's reproductive rights and stories from her incredible career as an actress. Martha talks about her parents (who met as original cast members of the groundbreaking musical 'Hair'), memories from her childhoood in NYC--including making her acting debut at age 8 in a musical at the Public, eventually becoming a member of the famed Steppenwolf Theater Company, and her most memorable work on Broadway including 'Pal Joey' and 'The Coast of Utopia.'We also announce the launch of our Kickstarter campaign! Help us keep Theater People going for another year. visit www.theaterppl.com for details.

On Today’s episode Dave interviews Actor Jeff Perry. Jeff was a founding member of Chicago’s Steppenwolf Theater Company and star of Scandal.      A.D.D. Comedy welcomes Jeff Perry.

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/Episode%204%20-%20Tom%20Powers%20on%20Strange%20Movie%20Theater%20Occurences%20He%20Has%20Experienced.mp3 ()Episode #4, prepared in Santa Cruz, California while Andy is on a “working vacation” there, features an interview with writer, editor and teacher Tom Powers, stories from the Theater Department at Illinois State University and stories about odd things that have happened to Tom in movie theaters far and wide. This episode is about 25 minutes long, and there are some nature photos of Santa Cruz under the keywords, below. Keywords and links for this episode: Santa Cruz, California, Tom Powers, Illinois State University, Normal, Illinois, Steppenwolf Theater Company, Terry Kinney, Jeff Perry, “Nash Bridges,” John Malkovich, Gary Cole, Laurie Metcalf, Sean Hayes, Alcatraz, text messaging, movie theaters, movie theater stories, Seaview Twin, Pacifica, “Jagged Edge,” Glenn Close, Jeff Bridges, “Something Wild,” Ray Liotto, Ira Rothstein, “Blue Velvet,” York Theater, San Francisco, Dennis Hopper, “Solaris,” Wheeler Auditorium, UC Berkeley, Andre Tarkovsky, movie audiences, “Apocalypse Now,” “Bad Boys,” Martin Lawrence, Will Smith, police, Stan Brakhage, James Broughton, Peter Kubelka, “The Godfather, Part 2,” Alexandria Theater, Kenneth Anger, Golden Gate Bridge, suicide, Castro Theater, “Mildred Pierce,” “Jezebel,” “The Lion in Winter,” “The African Queen,” “C***sucker Blues,” The Rolling Stones, Robert Frank, Rialto Theater, South Pasadena, Tim Robbins, “The Bicycle Thief,” “The Player,” “Swing Town,” “Deep Throat,” “The Man From Laramie,” Anthony Mann, Jimmy Stewart.