Podcast appearances and mentions of Nash Bridges

In today's episode I talk with the extra talented multi instrumentalist/producer/composer/song-writer - Mr Dave Tweedie. No stranger to the music business, Dave is a California based musician who has written music for a number of high profile television shows - including, 'So You Think You Can Dance', Nashville, Paris Hilton's My New BFF", Nash Bridges and many, many more. Additionally he has played and/or recorded with artists like Norwood Fisher (Fishbone), David Immergluck (Counting Crows), No Doubt and Akon. And also has his own project with previous podcast guest - Victoria Theodore, called EnSpirits. As usual, please remember to rate, review, like, share and/or follow as we continue to create content for you all, thank you. For more information on Dave Tweedie or Envisions, please visit www.DaveTweedie.com or www.envisionsmusic.comFor more on Travis Marc or the Musicians Mentor, please visit - www.musicians-mentor.comFor our partnership with the lovely folks over at Soundbrenner, please visit - ⁠https://www.soundbrenner.com/pages/affiliate-travis-marc

By the time the Delaney sisters finally appeared on-screen in "Star Trek: Voyager," their reputation already cemented them as legends. Heidi & Alissa Kramer brought these Starfleet twins to life, playing them in VOY's fifth season, "Thirty Days." These sisters have worked together for the course of their careers, being remembered for their appearances in classic Doublemint Gum commercials, "Slackers," "The Adventures of Pluto Nash," "Undressed," "Nash Bridges," and more. One of their favorite times was working together on VOY, performing alongside Garrett Wang and Robert Duncan McNeill to play the Twin Mistresses of Evil on a Captain Proton holoprogram. Learn all about these ladies, how being twins helped and hindered their career, their proudest moments, and advice for other twins who want to become professional actors, dancers, and performersPlease subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold .There, you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future.Visit my Amazon shop to check out tons of Trek products andother things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel- https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold.Don't forget to subscribe to the podcast and leave a rating if you like us!Follow Trek Untold on Social MediaInstagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntoldFollow Nerd News Today on Social MediaTwitter: Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsTodayTrek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

On this REMIX edition of Something To Wrestle, Bruce and Conrad discuss the Fall of 1999 for the WWF for three hours! The company going public, how Russo walking out changed the company forever, what Ed did, how Gerwitz and Blancha fit in, hurting Vince's feelings, why the company ran UK PPVs, a hilarious Gorilla story, Steve Phillips, running the Georgia Dome, the Big Show's father's funeral, booking dog crap angles, Jarrett walking out, the rattlesnake bite angle, the Bulldog in dog crap, Austin on Nash Bridges, how Lita came in, what could have made Taz's run different, ho stories, Mideon's new career, Viscera's favorite spa treatment, Ivory, the dark rumors about Moolah, Bob Holly's idea for creative, Bob working with Crash, what led to the end of Bulldog in the WWF, the first tag team ladder match, the original plans for Val Venis, the first of many WWF autobiographies, why X-Pac teamed with Kane, mishaps with the sledgehammer, the politics between Austin/Rock/HHH, Vince buying a football team, and the heat that kept Shawn Michaels out of the company!  TRUE CLASSIC - Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/STW ! #trueclassicpod MAGIC SPOON - Get $5 off your next order through https://magicspoon.com/STW , or look for Magic Spoon in your nearest grocery store! MANSCAPED - Get 20% Off and Free Shipping with the code STW at https://www.manscaped.com/?gad_source=1&gbraid=0AAAAADOo6mBNOS9rQrvdC12xrAUD0RTNU&gclid=Cj0KCQjw05i4BhDiARIsAB_2wfAGbDtnZO9wsa0cjliySeXtGu6FZwnbXWr-bgCa04NzQNnboAQQ_b8aAjKREALw_wcB  LUMEN - Take the next step in improving your health, go to https://www.lumen.me/WRESTLE to get 15% off your Lumen. BLUECHEW - Try BlueChew FREE when you use our promo code WRESTLE at checkout--just pay $5 shipping. That's https://bluechew.com/, promo code WRESTLE to receive your first month FREE DRAFT KINGS PICK 6 - Download the NEW DraftKings Pick Six app NOW and use code STW. That's code STW for new customers to play $5 on your first pick set, get $50 in Pick 6 credits. Only on DraftKings Pick 6. The crown is yours. MANDO - Control Body Odor ANYWHERE with @shop.mando and get $5 off off your Starter Pack (that's over 40% off) with promo code STW at https://shopmando.com/ #mandopod FREEBIRD ROAD: https://www.youtube.com/watch?v=kd6MCIEkztQ SAVE WITH CONRAD - Stop throwing your money on rent! Get into a house with NO MONEY DOWN and roughly the same monthly payment at https://nationsgo.com/conrad/ ADVERTISE WITH BRUCE - If your business targets 25-54 year old men, there's no better place to advertise than right here with us on Something to Wrestle You've heard us do ads for some of the same companies for years...why? Because it works! And with our super targeted audience, there's very little waste. Go to https://www.podcastheat.com/advertise now and find out more about advertising with Something to Wrestle. FOLLOW ALL OF OUR SOCIAL MEDIA at https://nationsgo.com/conrad/ On AdFreeShows.com, you get early, ad-free access to more than a dozen of your favorite wrestling podcasts, starting at just $9! And now, you can enjoy the first week...completely FREE! Sign up for a free trial - and get a taste of what Ad Free Shows is all about. Start your free trial today at https://adfreeshows.supercast.com/ Get all of your Something to Wrestle merchandise at https://boxofgimmicks.com/collections/stw Learn more about your ad choices. Visit megaphone.fm/adchoices

On this REMIX edition of Something To Wrestle, Bruce and Conrad discuss the Fall of 1999 for the WWF for three hours! The company going public, how Russo walking out changed the company forever, what Ed did, how Gerwitz and Blancha fit in, hurting Vince's feelings, why the company ran UK PPVs, a hilarious Gorilla story, Steve Phillips, running the Georgia Dome, the Big Show's father's funeral, booking dog crap angles, Jarrett walking out, the rattlesnake bite angle, the Bulldog in dog crap, Austin on Nash Bridges, how Lita came in, what could have made Taz's run different, ho stories, Mideon's new career, Viscera's favorite spa treatment, Ivory, the dark rumors about Moolah, Bob Holly's idea for creative, Bob working with Crash, what led to the end of Bulldog in the WWF, the first tag team ladder match, the original plans for Val Venis, the first of many WWF autobiographies, why X-Pac teamed with Kane, mishaps with the sledgehammer, the politics between Austin/Rock/HHH, Vince buying a football team, and the heat that kept Shawn Michaels out of the company!  TRUE CLASSIC - Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/STW ! #trueclassicpod MAGIC SPOON - Get $5 off your next order through https://magicspoon.com/STW , or look for Magic Spoon in your nearest grocery store! MANSCAPED - Get 20% Off and Free Shipping with the code STW at https://www.manscaped.com/?gad_source=1&gbraid=0AAAAADOo6mBNOS9rQrvdC12xrAUD0RTNU&gclid=Cj0KCQjw05i4BhDiARIsAB_2wfAGbDtnZO9wsa0cjliySeXtGu6FZwnbXWr-bgCa04NzQNnboAQQ_b8aAjKREALw_wcB  LUMEN - Take the next step in improving your health, go to https://www.lumen.me/WRESTLE to get 15% off your Lumen. BLUECHEW - Try BlueChew FREE when you use our promo code WRESTLE at checkout--just pay $5 shipping. That's https://bluechew.com/, promo code WRESTLE to receive your first month FREE DRAFT KINGS PICK 6 - Download the NEW DraftKings Pick Six app NOW and use code STW. That's code STW for new customers to play $5 on your first pick set, get $50 in Pick 6 credits. Only on DraftKings Pick 6. The crown is yours. MANDO - Control Body Odor ANYWHERE with @shop.mando and get $5 off off your Starter Pack (that's over 40% off) with promo code STW at https://shopmando.com/ #mandopod FREEBIRD ROAD: https://www.youtube.com/watch?v=kd6MCIEkztQ SAVE WITH CONRAD - Stop throwing your money on rent! Get into a house with NO MONEY DOWN and roughly the same monthly payment at https://nationsgo.com/conrad/ ADVERTISE WITH BRUCE - If your business targets 25-54 year old men, there's no better place to advertise than right here with us on Something to Wrestle You've heard us do ads for some of the same companies for years...why? Because it works! And with our super targeted audience, there's very little waste. Go to https://www.podcastheat.com/advertise now and find out more about advertising with Something to Wrestle. FOLLOW ALL OF OUR SOCIAL MEDIA at https://nationsgo.com/conrad/ On AdFreeShows.com, you get early, ad-free access to more than a dozen of your favorite wrestling podcasts, starting at just $9! And now, you can enjoy the first week...completely FREE! Sign up for a free trial - and get a taste of what Ad Free Shows is all about. Start your free trial today at https://adfreeshows.supercast.com/ Get all of your Something to Wrestle merchandise at https://boxofgimmicks.com/collections/stw Learn more about your ad choices. Visit podcastchoices.com/adchoices

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June 30 - July 1, 2001 This week Ken welcomes comedian behind the album "America's Uncle Dad", Sean Keane to the show. Ken and Sean discuss the Bay Area, Oakland, Jawbreaker, doing stand up at video stores, how stand up comedy is the hobo of the performing arts world, Nash Bridges, Midnight Caller, everybody's one acting credit, the world right before 9/11, launching a comedy show on 9/11, Everybody Loves Raymond, confusing Brad Garret and Ray Romano, Hulk Hogan's Rock N Wrestling, Jay Leno's never happening dramatic turn third act, sexy M&Ms, Big Brother, soft vinyl Vanna White Dolls for $150, loving Lucy too much, The Franklin Mint, backyard wrestling, MaxX, The Real World, America's Most Wanted, BET Music Awards, The Chris Isaak Show, playing emulators, the weird lost to time TV show era of the early 00s, The Family Channel, Night of the Twisters, E! True Hollywood Story, Baywatch, Hotel Iguana, Pentathlon, Dolph Lundgren, West Coast unauthorized car shows, fireworks, Fear Factor, eating worms, when THE BAG is an unwed father, how THE BAG is really JTT, Snoop Dog, Loose and Control, David from Real World Seattle, PAX TV, never having heard of the show "Doc" even though it went on forever, Billy Ray Cyrus, Resurrection Blvd, when Carlos lands a boot, You Don't Know Jack, E!'s Top Ten Wild Party Spots, the mind blowing world of 4th of July spectaculars, dramatic readings, stealing space valor, forgetting you just played somebody in the military in a movie and weren't actually in the military, breaking your own rules, Sub Fest 94, Avery Brooks, athletes who have bands, ESPN, 5 for 5 vs 30 for 30, The Sleepwalker Killing, The San Diego Chicken, Making the Band, Runaway Train, and tasteful coverage of being being given the death penalty. 

September 19-26, 1998 This week Ken welcomes BACK to the show author of the new book "99 Episodes That Defined the '90s: Television Milestones from Arsenio to Homer to Yada Yada Yada, Chris Morgan" Ken and Chris discuss his book, Detroit, Tim Allen, Jack Kavorkian's lawyer, Cigarette ads, Heidi Klum, Spin City, French Stewart, 3rd Rock from the Sun, Sex with Cindy Crawford, reality TV, the classic SNICK line up, Celebrity Death Match, Mad TV, Baywatch, Night Man, the frequency of Evil, Rising Star Barbie Alan Jackson, commemorative plates, Will & Grace, That 70s Show, Monday Night Football, Holding the Baby, The Marriage Fool, King of Queens, Brian Benben Show, Say What MTV, Superman II, King of the Hill, the greatness of Clueless: The Series, Newhart, Working, Hyperion Bay, Hey Arnold!, The Drew Carey Show, the impact of Phil Hartman's Death, comedy  vs drama, Two Guys a Girl and a Pizza Place, Ryan Reynolds, the decline of Must-See TV, Newsradio, the odd pairing of crystal meth and Seinfeld, ER, the hammock spot, the rise of Keith Oberman, Beetlejuice, the underappreciated gem that is Buddy Faro, the decline of CBS, Nash Bridges, and Chris' future book topics. 

On this week's episode, I have actress Paula Marshall (Euphoria, Walker, Gary Unmarried, and many many more) and we dive into the origins of his career. We also talk about how she dealt with being a new mom and working on a sitcom at the same time. There is so much more so make sure you tune in.Show NotesPaula Marshall on Instagram: https://www.instagram.com/thepaulamarshall/?hl=enPaula Marshall IMDB: https://www.imdb.com/name/nm0005191/Paula Marshall on Wikipedia: https://en.wikipedia.org/wiki/Paula_MarshallA Paper Orchestra on Website - https://michaeljamin.com/bookA Paper Orchestra on Audible - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptPaula Marshall:But a lot of parents, they go to jobs and then they come home or they don't work at all, and then it's just mom 100% and they're probably exhausted and happy. Some of my friends, I feel like they're like, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel and like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't. I don't.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations and writing, art and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me on this podcast, please visit michael jamin.com/book and now on with the show.Welcome everyone. My next guest is actress Paula Marshall. She has been, I worked with her years ago on a show called Out of Practice, I think it was like 2005. But Paul, before I let you get a word in edgewise, I got to tell everyone, your credits are crazy long, so your intro may take a long time. So I'm going to just give you some of the highlights to remind you of your incredible body of work here. Really these are just the highlights. She works a ton. So well, let's see. I guess we could start with One Life To Live. That might've been your first one. Grapevine Life goes on. Wonder Years Seinfeld. I heard of that one. Perry Mason diagnosis. Murder Wild Oats. I'm skipping here. Nash Bridges. You did a couple Chicago Suns Spin. City Cupid Snoops Sports Night, the Weber Show. It doesn't end.Just shoot Me, which I worked on. I didn't even know you were on that. Maybe I wasn't there. Hitting Hills and Out of Practice, which we did together. Veronica Mars, nip Tuck, shark ca Fornication. You did a bunch of Gary Unmarried House friends with Benefits, the exes CSI, the Mentalist, two and a Half Men Murder in the First Major Crimes. What else have we got here? Goer Gibbons, I dunno what that is. You have to tell me what that is. And then Modern Family Euphoria. You did a bunch of them. Walker. Paula, I'm exhausted and I'm going to steal your joke here. You can because I'm going to say you're Paula Marshall, but you may know me as Carla Gina. That's what used to tell me CarlaPaula Marshall:And I know Carla,Michael Jamin:But knowPaula Marshall:She's like the younger version of me. Slightly shorter,Michael Jamin:Bigger, bigger. Boop. But you have done so much. I'm going to jump, I'm going to jump into the hardest part. I'm wondering if this is the hardest part for you is being a guest star on a show because you have to jump in with the cast, you have to know the rules and everything. Is that harder?Paula Marshall:Yes, a hundred percent. It's harder when I guest star on any shows, if I haven't seen the show, I watch three or four on YouTube just so I know who's who and the vibe and the energy. When I guest star on Modern Family I their last season and some could say I canceled the show by being there. I've been called a show killerMichael Jamin:Before. I remember You don't let Right.Paula Marshall:I still have not let that go. I like to say I've just worked on so many different shows at its peak and then it died anyway. It's hard because they're all in a flow and depending on the other actors, how cool they are to kind of throw the ball at you.Michael Jamin:But do you have to identify who's the alpha dog on set? Is that what your plan is? It'sPaula Marshall:Pretty clear right away. Really? Yeah. I mean besides whoever's first on the call sheet, I remember one of the producers of Snoop's, David Kelly's first big bomb. That was me.Michael Jamin:It was a sure thing what happened?Paula Marshall:You know what? I'm not sure. Well, when it was supposed to be a comedy quickly turned into a drama, it was not great. But as one of the producers of Snoop said, you don't fuck with the first person on the call sheet. You don't fuck with him. And so you identify that person and depending, it's funny because I've worked with so many great people and so many assholes too. Like David Deney. Damn, is he cool? He's so nice. When I worked on fornication with him, he set a tone for just the set, the crew, the actors, this freedom just to try things. And I remember during my, it was like the first day naked throwing up,Michael Jamin:Wait, were you nervous? Why were you throwing up?Paula Marshall:Hello? Of course. But IMichael Jamin:Remember you're never nervous, Paul, let me tell you who you were. I'm totally nervous. No, you're the most self-assured person probably I've ever worked with. You're very confident.Paula Marshall:Thank you. I'm actingMichael Jamin:Acting.Paula Marshall:But California occasion, it was my first day onset naked, fake fucking. And I remember standing there, it was yesterday, and either tweaking you and touching you up. And I say to everyone, what's amazing, what I'll do for $2,900 when a strike is pending? It was the writer's strike way back in the day. And I remember getting this part on fornication and I'm like to all the girls in the audition room, when we used to have auditions in rooms with other people, I looked around, I'm like, we're not going to really have to be naked. We're not those type of actresses. And they're like, no, no, no. And I'm like standing there. Yeah, yeah. I was naked.Michael Jamin:Was that your first time in a show being naked? I meanPaula Marshall:ToplessMichael Jamin:ShowPaula Marshall:On a show?Michael Jamin:Yes. Because you were in a model, I'm sure as a model, you're doing wardrobe changes all the time.Paula Marshall:I used to model. I was naked a few things back in the day.Michael Jamin:So were you really nervous about it? I mean, I imagine you would be, butPaula Marshall:Standing there naked is one thing. You just kind of have to dive in the pool, in the cold, cold pool and let it go because you got to put on the confident jacket, I guess I obviously wore a lot around you, but I mean it's more uncomfortable, the fake sex scenes, it's more technical and awkward. It's just but nervous. I dunno. Yeah, you're excited. But I'm also excited when I walk on stage on a sitcom before, if I'm not already in the set, when they start rolling, I'm backstage. How's my hair? Shit, how am I doing? Okay? I get hyped up until you do it once and people laugh and you're like, oh,Michael Jamin:Okay. Are you worried about going up on your lines at all? Is that at all you're thinking about?Paula Marshall:Yes, especially now. Oh shit, my memory. It's just that prevagen, I'm going to look it up later, but yeah, you do. But if you in a sitcom situation, we run it, we rehearse it all week. StillMichael Jamin:The lines are changing all week. That's all IPaula Marshall:Know. But they're changing all week. But then you run it and you drill it on TV shows like euphoria or whatever. Yeah, you run it. But then again, they don't really change the lines at all. But yeah, you were a little bit, but then you got a great script supervisor that you're like, I'm up. And then they say it and then you go back and you do it. But yeah, always, I'm always really nervous until maybe the second takeMichael Jamin:Of any, the hardest thing it seems to me is just like, okay, you're naked and you have to forget that there's all these people there. You havePaula Marshall:ToMichael Jamin:Completely, it's almost like you're crazy to have to be able to forget that,Paula Marshall:Michael, when you paid $2,900.That's right. I was shocked. That's all you get for being naked. Yeah, you do. You are nervous. But I don't know. I was 40 then, so I looked pretty good naked, although I only had four days notice. Back then we didn't have ozempic, so I was like, okay, I can't, no salt, no bread. And I remember in that shot that the camera guy, they decided in the moment, Hey, can you walk over to David? And then bent over, he's on the bed and then kiss him. I'm like, well, that depends. What's your lens there? You got there? And I'm like, how wide is your lens? And he looked at me and I'm like, I'm a photographer. I like taking pictures. So I know. And I'm like, so I'm going to bend over with my white ass and I had four days notice on this and my ass is just going to be in the pretty much. And you're like, okay, I could do it. But you hope for body makeup. I don't know. Don't you think I had any, I should have demanded bodyMichael Jamin:Makeup. And this was probably even before there were, what do they call them now? IntimacyPaula Marshall:Coordinators?Michael Jamin:Yes. Right.Paula Marshall:I mean, here's the thing. I guess it helps when you're not a loud mouth person like me. And even then it's hard to go, Hey dude, keep your tongue in your mouth. You don't want it in your mouth. Sometimes you're like, damn. He's a great kisser. Jason Bateman, I enjoyed the tongue in my mouth. SoMichael Jamin:It kind of dependsPaula Marshall:On who's sticking in the tongue. But the intimacy coordinator, I think it's just so people know what's going to kind of happen and get it. But California case, no, we didn't have that. This movie I was naked on with Peter Weller called The New Age. No, I remember in the middle of the scene, I'm on the bed and he's looking down at me and during one take he decides to suck on my nipple. Shocking. I turned bright red, which is what I do when I get nervous. And I'm like, dude, what are you doing? He goes, I dunno, I just thought it'd be fun. I'm like, okay. And I don't think they used it, but if there was an intimacy coordinator back then, I probably would've known.Michael Jamin:Yeah. So it'sPaula Marshall:Good I guess. But it's corny and you feel silly.Michael Jamin:Oh my God, I'm glad you mentioned the photography thing. That was one of my memories from working together and out of practice. This was before people had camera phones and cell phones and you carried a camera everywhere. And I remember thinking, you're the star of a sitcom. You're the star. I mean, you're an artist doing her craft, and yet it's still not enough that you wanted to work on something. You wanted to do something else as well.Paula Marshall:Maybe it's my parents growing up, they always had these really cool black and white pictures of them. And I used to look at them and go, wow, that was your life then. And it was hard to even imagine when they were so young. And so it's like photos are life to me. And I guess I don't want to forget the moments of my life that are important. And so I always would bring a camera with me on set, on location more than sitcom stages aren't as conducive to really cool shots. But yeah, I like capturing life.Michael Jamin:And you're still doing it on 35Paula Marshall:Millimeter? I still do it, although I did give in and I have a digital now because it's easier. It's easier. Develop film.Michael Jamin:Many. You took my headshot from me and for many years I way too long. I used that as my headshot.Paula Marshall:Yeah, it was good. I rememberMichael Jamin:It was great. And I wore Danny's shirt, you go, yeah, put this on. You look terrible. Whatever I was wearing, stillPaula Marshall:Do that. People still come over my friends and I'm like, you need a headshot. Put Danny's shirt on. He has some nice shirts.Michael Jamin:It's so funny.Paula Marshall:Yeah, I do. I still like taking pictures.Michael Jamin:I got to share another memory I had from out of practice, which I cherish this one. So it was right before it was show night for some reason. I don't know why. I had to run up pages to the cast. And maybe you were in the green room or you were somewhere upstairs. I don't know what the hell dressing. I don't know what was going on. I knock on the door and all of you we're standing in a circle holding hands. And Henry goes, Michael, you're just in inside. Come on in. And then I go in time for what? And then he tapped. This blew my, I love this memory. And you guys were just like, I don't know what you would call it, but you were invoking a good show to be supportive of each other and to be brave and true. And I was like, I can't believe I felt so honored that I was included in, I was like, are you serious,Paula Marshall:Henry? I actually forgot that memory and thank you for reminding me of it. Henry's just, he's something special.Michael Jamin:He is.Paula Marshall:I know there's rumors. Oh, who's the nicest guy in Hollywood? Henry Winkler. It's because it is, is I could text him right now and he would literally text me. Within eight minutes he will text me back. Oh, Paula, it's been so, he's just a dear. And so he is, again, back to the, when you go on set and who creates that energy? Although Chris Gorham, I think was the first on the call sheet, not Henry Winkler, but Henry was our dad. I mean, he was such a pro and yeah, he just created this lovely energy there.Michael Jamin:Yeah. Oh wow. So that's not common then for other shows that you've worked on. People don't do that. That's not a theater thing. It seems like a theater thingPaula Marshall:You would think. I think, I don't know, maybe it was a happy days thing.Michael Jamin:Why don't you start it on your next show? Why don't you start doingPaula Marshall:It? I think I might. I'm going to make it now.Michael Jamin:I thought it was so interesting. I was like, wow. But it's getting back to that first point, even the first, the first person on the call sheet technically is the head cheese. But they might not be the most difficult by far at all. I mean, you don't know who's the boss. That's true, right?Paula Marshall:I mean sometimes the and character is an asshole. I mean, I think mostly people when they don't really want to be there, they kind of rebel. I've always wanted to be on a sitcom. IMichael Jamin:Remember. Did that change? Oh, go ahead, please.Paula Marshall:I just remember, I believe my first sitcom was Seinfeld. I may have done a guest spot on some other one that maybe never aired or I can't remember. Or maybe I just think it's cooler to say my first sitcom was Seinfeld. I'm not sure. But that show, I don't know. There's a magic. But they didn't do any of that either. But they kind of really invited me in and I dunno, I'm just thinking,Michael Jamin:Do you prefer to do sitcoms, multi-camera sitcoms? Yes. Yes. Because the audience.Paula Marshall:Because the audience, because it's a high, I've never gotten anywhere else in my life. Not that I need to be high, but damn. When you go out and you make people laugh with a look or a line or a physical movement, I mean it's magic. And working with the actor, knowing more like theater, which by the way, I've never doneMichael Jamin:Well, why don't you do theater then?Paula Marshall:I don't know. I don't know. I'll call my agent another thing I'll write down.Michael Jamin:Yeah, do that.Paula Marshall:But probably only if it's a comedy. But it's that magic that you don't have to go and do another take and then they turn around and then you got a close up again. I mean, it's boring. Like our television, there's no magic in itMichael Jamin:Ever.Paula Marshall:Except on euphoria. I have to say there's magic there.Michael Jamin:Why do you say that?Paula Marshall:Because the writing directing the story level of, I mean, when Marsha is my character, when Marsha actually had a couple things to say. I remember I called or I spoke with Sam Levinson and I was like, dude, it's me, right? You wrote an eight page monologue almost for Marsha to say. And he goes, yeah, I can't wait to see it. And I'm like, oh my God. I was so nervous. I studied for three weeks. There was no rewrites. And then it's me and Jacob all Lorde on set. And we get there and there's no rush, there's no limitation. There's just like, what do you want to do? And he's like, I kind of feel like you're doing this and then you're doing the cookies and a lot of movement. But we did it until it felt good, and then we knew it, and there was a magic there. No one's laughing at me. But there's something special about that show. I mean, I've heard rumors like, oh, and on set. And I'm like, ah, not for me. Not for me at all. Not for you. No, it's amazing.Michael Jamin:What do you do though? When you're on set and you have an idea how you want to play or speech, how you want to deliver speech, and your scene partner is just on doing something completely fucking different. How do you handle that?Paula Marshall:If you know, don't have a say, meaning you're a guest, darn. You do what they tell you to. How high do you want me to jump? That's what you do. But if you're working together and you're equal parties, you probably have run it before. But I would say if they're not doing something that I want, then I use it and I am frustrated in the scene, or I just use whatever they're giving me because that's all I got. And I try to put that into my character.Michael Jamin:How much training have you had though? That's very actor speak.Paula Marshall:It really did sound a little actory, and IMichael Jamin:Apologize for that. No, it's good. I like it.Paula Marshall:I mean, I don't know. I lived in New York City and I took acting class with this guy named Tony Aon and Jennifer Aniston was in my class and Oh wow.Just a bunch of young people, but not all that much. Not all that much. I think the comedy thing, I didn't even know I was funny with Seinfeld, the guest stars aren't usually funny in sitcoms. The lead, the main characters, the stars of the show are funny guest stars just kind of throw the ball and you know what I mean? But something happened after I was on Seinfeld and then I read for, I guess it was Wild Oats, which was with Paul Rudd and Jan Marie hpp. And Tim Conlin. It was a sitcom on Fox. It was the same year that another show called Friends was coming out. And I remember them. Someone was interviewing us saying, oh, there's another show that NBC is doing with a group of friends. It's kind of like yours. And we're all friends. What's that cut to?And ours was canceled after one season, but I think the first time I was like, oh shit, I can do this. I know how to deliver a joke. But I never learned that again. It just happened one year in pilot season just kind of happened. And my agents were like, oh, Paul is funny. Okay. And then one time I remember I read for a pilot, after you do so many comedies, then people go, well, she's a comedic actress, she can't do drama. And then you're like, the fuck. Of course I could do drama. I remember one time during this callback, no original, just the first audition. And I had heard the casting director doesn't think or only thinks you're funny, doesn't think you're as good. Dramatic. Wow.Michael Jamin:Obviously if you could do comedy, you could do drama.Paula Marshall:No, you would think it's the other way around. It never works. It is really hard to doMichael Jamin:Comedy.Paula Marshall:But literally, I was like, well, I'm so angry that she thinks I can't. Finally, they couldn't find this girl, the character for the pilot. And then they finally, okay, Paula, we'll see her. So I get in there, and it was Davis Guggenheim was the director. I love Davis. After I read, I think it was three scenes. And during the last scene, I broke down and I was in tears over something and I look up with, you couldn't have placed the tear better. And I look up and I ended the scene and Davis goes, my god, Paula Marshall, you are one fine actress. And I do this. I look at the casting drifter and I go, you see, I'm not just funny. And I grabbed my bag and I walked out and I go, well, I just fucked myself for any future director again. There was something that came over me and I was like, I need you to know that I am not just one thing or the other. And then Davis probably three weeks later, texts me, I've been fighting every day for you. And I'm like, what are you talking about when you get these weird texts from people? I'm like, did I get the part? I got the part and they didn't want to see me.Michael Jamin:It's so interesting. I mean, obviously you're a working actor, you work a lot. You're successful, and yet you still feel like you're placed in this box and you have to prove yourself and get out of it.Paula Marshall:But there's something I really love about, there's part of me that I want to read, and I want everyone to look at that tape and go, fuck, I wish we could hire her. I wish there weren't the limitations and we didn't have to pick Carla at you now or whatever. I wish we could pick Paula. I want them to go, fuck man. She was really good. I want to stick in their brain. I always would cancel auditions if I wasn't ready for it. If I really knew I wasn't going to kill it, I wouldn't go, or I won't put myself on tape. I don't have enough time to prepare for it because that's the last thing they see of you.Michael Jamin:IPaula Marshall:Want it to be the best thing they see of me. So I only want to leave them with that because they're not going to remember that other stuff.Michael Jamin:That's a good point though. Are you doing a lot of self tape now? Is there anything in person?Paula Marshall:I have not had any auditions in person yet. Wow. Her actress ever Carradine. I think she's had her third one, and she always posts about it. She's so cute. And I think she booked one. No, I have a room now in my house. It's the tape room. And I've got a nice beauty light and I've got the tripod again. It's kind of easy for me because I have photography stuff.Michael Jamin:But who are you acting again or does Danny help you out?Paula Marshall:Well, Danny will sometimes read with me. My daughter would read with me. And sometimes when I'm all by myself, I read with myself. I will have a tape of the other voice, which is, or sometimes I leave space and then I put the audio in later. I mean, it's crazy the stuff that happens during Covid. We've got very creative over here.Michael Jamin:But in some ways though, because this sometimes a casting director is like, yeah, yeah, there couldn't be more wooden. And so in some ways it's got to be easier for you, right?Paula Marshall:Yes and no. Yes, because I get to pick the take I want,Michael Jamin:Right?Paula Marshall:Two, because two, I didn't even say one a b, I don't get nervous, so there's no nerves to hold me back or Oh man, I should have done it. Or I mess up. I just do another take. But then there's also, there's something about going in and being vulnerable in front of all those people and showing them what you can do. And especially in a comedy, I, it was like a zoom callback for a comedy. And I live in the hills and maybe it was the wifi or that slight timing was off just enough or the reader wasn't funny and I'm trying to connect with this dot. It was hard. There was no magic in it and you couldn't feel the other person. And so I think in a way, it's good in a way. It's really not good. So I'm willing to do whatever to get anything because I pay for college.Michael Jamin:But also, there's also the fact the to drive across town, I mean, that's got to get old, right? Driving everywhere.Paula Marshall:But when you're an actor, everything stops. You get a script, everything stops. You're not making dinner, you're not going out, you're not watching that movie or the show. You drop everything and then you focus on it. And hopefully, thankfully, because of the strike and the new negotiations that they got for us, I think we don't have to do a self tape over the weekend. We need to have enough time to actually prepare for it, which is amazing. Most of the time. Gary unmarried, I think I got the audition at eight o'clock in the morning. It was to meet producers at 11 o'clock the next day. And you're like, ah, okay, here I go. It's really hard to put all that energy and to them something great. And I never understand why you're casting people or producers. Don't give us more time because we want to give you something great. We don't want to go in there and read. I don't. I want to perform for you. And it's hard to do when I don't have enough time to do it. I also have a life, so I have other things, but you kind of do. You really drop it. You drop everything for an audition.Michael Jamin:It's interesting though. I want to get touched on something you said. You said it's hard to be vulnerable on camera, but then you said comedy, and do you feel like it's harder to be vulnerable? Because when I think of vulnerable, I think drama, not comedy.Paula Marshall:Yes. But there's nothing funnier. I remember my husband in many situations will say, I'll be upset or crying and I'll say something really funny, but humor comes out of the reality, like your honest to goodness, open soul, like your heart. The funniest stuff I think comes out of me when I'm in a vulnerable position, if I'm angry, if I'm sad when I'm just feeling whatever. So I don't know. I think in many sitcoms I've cried. And how do youMichael Jamin:Get past that though? How do you get past that vulnerability thing? I mean, are you a hundred percent past it or is there any reservations?Paula Marshall:Ask that again. Sorry.Michael Jamin:Very clear saying, well, when you're vulnerable on camera or trying to be, can you go, I don't know. Is there a limit to your vulnerability, do you think on camera or are you willing to go there all the time? As much, as far as you want?Paula Marshall:I guess so most of the time it depends on how much tears you have. And I usually, if the writing is good, and that's the big if this thing that I ended up booking with Davis Guggenheim, it was with John Corbett, and I had to cry and it was maybe like a steady cam up the stairs and going, and I break down and I crumbled to my knees, and I swear to God, I did it. Maybe 17 takes. And then we come around and turn around on him and I end up crying again. And John, after we, they yelled cut, he goes, Paula, what are you doing? Why are you crying again? I go, I don't know. The words are making me cry. I'm just tapped in doing it. They wipe it away. But you got to be careful because I'm vain and you got to look like you're not crying, and I'm really crying.So I get red and my eyes get bloodshot. You look different and the snot and you got to fix the whatever, makeup. But no, but when it's great, when the writing is great, of course, usually you don't have to do it. 17 takes, it was just had a lot to do with the steady cam and whatever. But usually you do it in three takes and you nail it and it's good, and they're like, wow, that was great. Let's move on. So you don't really have to in a movie, if you nail it, you nail it and they move on.Michael Jamin:What do you do though when you're in it and you feel like you're slipping out of it?Paula Marshall:Okay, so that when I drink this, soI have at least one of those before every tape night, I've always drink a Coke. If I can't, the writing isn't talking to me. If I can't relate to it, I do that substitute thing. If I have to cry, and this is really not making me cry, the subject and the words I substitute for something else that makes me cry. I'm a freakishly emotional person. I cry a lot. I'm very sensitive. You wouldn't really think that because kind of like Danny calls me bottom line, Marshall, and I'm very tough and whatever and no nonsense. And I say it like it is, and I will always tell you if you look fat in that dress, I like to be honest, but I don't know.Michael Jamin:But is there a moment where you feel like you're okay? You're on, you're giving a speech, you're in a scene, and then you're like, oh, I'm acting now.Paula Marshall:Yeah, yeah, yeah. I mean, every once in a while, I mean, I'll finish the scene. I don't want to stop myself. They might like it and for whatever reason, but I'll always say, can I have another one? Can I please have another one? Or Oh my gosh, I really like the second take. Just can you make a note of that, that the second take was much better. They know it's obvious when you see someone telling the truth, it's obvious which one is better, but you can't just tell the truth once and then move on because you don't know. Maybe there was a sound issue on that take. No. So it's tricky. Every once in a while you think you have it. The crappy thing is when they come around to you or they start on you and then you finally figure something out. I remember Bette Midler, we were doing the scene and they were on us first.It was a movie, I guess Danny and I did the scene together and it was bet opposite on a table. And they go to her, they turn the camera on her, and then she goes, oh, I just figured it out. We're like, no, the opposite. We did her first. Forgive me. We did her first and then they came on us. And then she goes, oh, I just figured out the scene. Can I do it again? And Carl Reiner's like, no, we got to move. No, we're out of here. So sometimes it takes a while to figure it all out, and she just thought she didn't nail it. It's Bette Midler. She nails every take all the timeMichael Jamin:You are listening to, what the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.Do you have these conversations with them? Do you have conversations with actors with more experience and I don't know, are you still trying to learn from them?Paula Marshall:I just pay attention to what they're doing. I don't think I pick their brains like that, but I just watch them and I watch and I seeMichael Jamin:What are you looking for?Paula Marshall:Well, sometimes technically how they do it. I remember my first movie, Hellraiser three, I learned a lot about continuity,Which is something they don't really teach in acting class. If I'm going to play my drink up and sip it, I have to do that every single time. If I'm going to eat in the scene, I got to do it every single time, and I have to figure that out. And you have to really, if you're really going to eat, you got to really eat. Not teeny little bites, make your choice. But I learned things from different people. I remember Robert Duvall, I played his daughter in a movie and he would act and he kept going until his body knew it was over. And I remember the director had yelled cut at one point and he got really mad. He goes, I wasn't done, but he had finished talking. And he goes, I'm still acting here. It's like, I'm still walking here. But it was like, I'm still acting.I'm still doing, there's still so much more there. I observe and I see how they deal with issues and problems in their focus. ISHKA Harte guest star on that show of hers, and we auditioned a lot in the beginning. We came up at the same time and just everything was so serious to her. She really so passionate about her show and she threw away nothing. It was really kind of impressive after a hundred seasons now that she cared so much because some people after four Seasons, they're like ready to go. They're like, I got a movie down, I'm ready to go. But there's certain people like Maka who from day one till again, I think it's 25 seasons or 24 or something crazy. I remember when I worked with her and I hadn't seen her in 15 years or something, I just am like, God, how rich is she? And so instead I was like, tacky. I'm not going to say that. So again, I walk up to her and it was emotional that we hadn't seen each other in so long. I hugged her and I said, how big is your house? She goes, I can't complain.Michael Jamin:I'm like,Paula Marshall:But she's very passionate and so many actors are, and then there's some who are not and who are ready to goMichael Jamin:And who are they? Not names, but why are they there? Are they just rock stars who became actors? You don't know. It just falls into a job like that.Paula Marshall:There was one person and he just seemed really angry all the time. I don't think he was just a happy person. If you don't like doing this, I'm not sure why you're doing it. I don't know. There's just something inside you. I mean, this is the greatest thing ever to be paid to do what you love. And again, when my daughter said she wanted to be an actress, an actor, sorry, I was so happy. I was like, that's where I found joy in my life. I grew up in Rockville, Maryland, and I didn't know anybody, and I just watched the Mary Tyler Moore show, and I went, yep, that's what I want.How do I do that? I had no idea, none. And to find joy there. So when a person is coming to set and they're angry, it could be, they don't like the words actors are very particular about. If your dialogue is not great, it's really hard. It's so much easier when you have great dialogue and the scene makes sense and the relationships you buy them. It's so easy to do it. It's effortless and it's so real and it's so honest. And then when you've got this other stuff and you have to say the name of the person to remember that it's very cookie cutter network television, which you would think at this point would look at streaming and go, yeah, there's always something right over there because the quality is just beyond Well,Michael Jamin:How did you figure it out then? Okay, you're in Maryland. How did you figure out you stopped in New York first. What was that about?Paula Marshall:Did I moved to New York? I modeled in Georgetown as a local model there, doing little ads for Montgomery reward. And I didn't really want to go to college. My parents didn't make me go to college. I think I had two grand in my pocket from doing things here and there. I started doing commercials locally. And this woman by the name of Jay Sumner, who was the booker at this modeling agency called Panache, she said, we were at Champions. It was a bar called Champions. And though how I was there drinking at the bar, I don't know, I think I was 18. She said, Paula, you're so much more interesting in person than you are in a piece of paper, meaning I'm pretty, I'm good enough on paper, but you're so much more interesting in real life. And she goes, I think you should be an actress.And I'm like, okay, really? And I'm like, well, I always used to watch Mary Taylor Moore and all of that, but I'm from Maryland, how am I going to do? And she goes, I know somebody. I know someone in New York named Dian Littlefield, who's a manager, and I can set you up with a meeting. I'm like, what? So I ended up moving to New York City. Modeling was my waitressing job. I got a lot of money. It didn't take a lot of time. It was really easy. I love photography. So there was that connection that I wasn't just sitting there like an idiot with bathing suits or lingerie or junior wardrobe or whatever. So that was kind of my waitressing job to allow me to pay for rent and acting classes. And then I was like, you know what? I think I really like it. It's true. Just a piece of paper. And it's funny, I love taking pictures. I love stopping life, but there was just, I guess more to me than just the piece of paper. So I guess that's kind of how it happened.Michael Jamin:How did LA happen then?Paula Marshall:So I would audition test for a lot of things. I would fly to LA for different pilot projects. I would read in New York, and then most of the things were shooting in la, not New York at all back then. So I would fly to LA and I think it was just one of my agents said, look, Paul, if you really want to do this, you got to live in la,Michael Jamin:Right?Paula Marshall:I was like, ah, okay. So I moved to LA and yeah, and I was young and 20, I think I was 25 when I moved here, kind of old to kind of start, but I looked really young. And when you read for enough things and enough people are interested, the head of my agency said to me after a pilot, I, or I tested for something and I didn't get it. And he told me back when we didn't have computers, we had to go pick up our scripts and there would be a box outside the script, their office, after hours, he would look through and go, these are my scripts. In the middle envelopes, it says Paula Marshall on it. Anyway, I was kind of sad and I'm like, I don't know. I'm not booking anything. And he goes, but you're testing a lot. You're very close. And I'm like, what does it take? What am I lacking? What am I missing that I'm not booking the thing? He goes, I believe in you and you need to keep doing this. And then I did. I slowly would start booking things.Michael Jamin:What were you lacking? Do you know?Paula Marshall:Maybe it was the confidence, maybe I was really nervous. I remember one time, I think it was during the Flash, it was a pilot called The Flash with John Wesley ship, and Amanda pays Amanda Paynes. Anyway, ended up booking it. But I remember in the audition room, I think it was at NBC or I don't know, one of the big three, the scene, I put my hand on my knee and I was shaking so much from being nervous that I was like, oh, stop doing that. I don't want them to know. I'm nervous because they want everyone to be fearless and confident.And I get that because it takes a lot to go stand in front of a bunch of people and say stuff over and over, or stand there and be naked and do it over and over. There's got to be part of you that's kind of cocky and confident, and not that you think that you could do that over and over with someone else's words. I mean, it's kind of crazy that I do this, but I don't know what tipped me over the scale. I never gave up. And I kept doing it and trying to figure it out and asking and asking the casting directors, and they always say nice things. They never say, well, you messed this thing. No, it's just there's a magic. If I don't book something now, I don't take it personally. Someone else just had a little bit more magic that day, and they tapped into the character and the writer saw that person that they wrote down and spent so many hours writing that Blonde Girl or Carla Gino just got it better than I did. Okay. IMichael Jamin:Know. To me, one of the hardest parts of acting, aside from the acting part is the fact that you really don't, don't have agency over your, you have to wait often. You have to wait. So what do you do in that time?Paula Marshall:Well, you find hobbies. I learned very early on to save money. You live under your means. So even if you get a gig and you're the lead in a show, you're making a lot of money per week. And like me, most of the shows, they did not go more than a season. So you have to take that and live under your means, and you can't spend money and buy fancy things. I invested my money in my house, I think maybe three or four houses now. I try to invest my money and I fill my days with other things.Michael Jamin:Do you stress about it at all or no?Paula Marshall:Yeah. Yeah. I think in the beginning, early on I was very busy all the time. There wasn't a lull. And when you do have a job on, if you're a series regular on a show, you love your weekends, you love your time off. If you're working crazy hours sitcom's, not crazy hours, you know that those areMichael Jamin:Great for writers.Paula Marshall:I mean, yes, that's true, but if you're a director, Jimmy Burroughs would be like, I got a tea time at three 30. We got to get out of here. It's a dream. And maybe that's why I love the sitcom so much, because you got to to act and have a real life. When I had my daughter, I remember going, how would I be a mom and work on a single camera show? I would never see the kid. So when I was pregnant or when I read for Out of practice, I had just had my daughter a week before I went in to test for the show over at CBS. There was a script on my doorstep when I brought her up on the baby thing. And I'm like, I'm a mom and oh, right, I'm an actress and I'm 20 pounds overweight. And oh, I thought I was going to push the, I'm not going to work for a year button.That was the plan. Then I saw the script and I read it and I'm like, oh man, it's a sitcom. I'm not going to work very many hours. I'm going to work three weeks on one week off. I'm like, maybe I'll just do it. Maybe I'll just read for it and we'll see. And I really liked it. I really liked the character. And then when I got it, I was like, oh shit, I don't even have a nanny. How do I do this? So Danny went with me tape night. He was my nanny. I remember them going home because the baby, they were cool. Once we got picked up, they allowed me to have a little trailer outside for my nanny, Mariella and Maya, and I was breastfeeding at the time. She was just born. And it allowed me to do that. And I remember Henry, Henry Winkler still was like, how's Maya? And it was just a great thing. I had my baby. You couldn't ask for a better job for a mom. I was living my dream and I was having a baby when I was 40 years old.Sitcom is the greatest thing in the world, and I'm still trying to get back on one. There's just not that many of them now. It's really sad. Multicam, I've written like three of them. Speaking of writing. Yeah, go on. The writer. So I remember, I think it was when the pilot that I did with John Corbett, when I cried 17 takes in a row, when that didn't get picked up, I remember I was dropping off my daughter at elementary school and Dave Grohl, yes, that Dave Grohl sees me. And I had just found out that the pilot wasn't picked up. It's called Murder in the First, no, sorry, different thing called something different. That was another show that I did. But anyway, so Dave Girl's like Paula Marshall, what's up? You look sad. And I'm like, oh, another pilot wasn't picked up. It just sucks.And he goes, Paula, when either his studio or something, they didn't like the music or whatever, and he goes, you know what? I did put his arm around me. We're walking down that hallway. And he goes, I just did it myself. I got this set up and I just did it myself. And he goes, you should do it yourself. Why don't you write something? And I'm like, yeah, why don't I? And I'm like, well, because one, I'm not a writer, but he goes, who cares? So because of Dave Grohl, that opened the door to getting ideas out, writing something for me. One thing actually, I mean it went kind of far an idea went very far that I ended up producing with Paul Riser and Betsy Thomas wrote it. This was a little bit before, but it's an outlet for me. I'm still not great at Final Draft. I'm still like, oh, how do I get the thing and the thing and the page? I can't even figure it out half the time. So I've written a few sitcoms, mostly from my point of view, because I want the job, because I wantMichael Jamin:To. So you wrote a single camera sitcom and then you showed it to Paul, and thenPaula Marshall:What happened? The Paul and Betsy one, I met Paul's, I believe his name was Alex, but I can't really remember. I met this guy at a wedding and he was like, oh, you're really funny and blah, blah, blah. I'm a big fan. I'm like, oh, that's nice. Thank you very much. And he goes, do you have any ideas? Do you write? And I go, no, I don't write. I go, I have this idea for a show. And he goes, really? Why don't you come pitch it to me? And my partner? I'm like, great. Okay. He goes, Hollywood. I'm like, who's your partner? He goes, who's your partner? And he goes, Paul Riser. I'm like, what? Okay. So I literally got his number and I'm like, oh my God, I'm going to go meet with Paul Riser. I go meet with Paul Riser. I give him my pitch.He really liked it. And he goes, I like it. I think let's do it. Let's work together. I was like, you couldn't have given me anything that would've made me happier than the fact that Paul Riser liked an idea of mine. It's almost like when I made Diane Keaton laugh in an audition. I literally called my agents and I was like, I'm good. I could die now. So the Paul Riser thing, it was just my idea. I had a lot of say. So I got to produce, I got to make a lot of decisions. It was probably one of theMichael Jamin:Greatest. So you shot it then.Paula Marshall:So we shot it and it wasn't picked up, butMichael Jamin:You sold it to a studio.Paula Marshall:All of them wanted it. This is great. Everyone but Fox, wow.Michael Jamin:Wanted it. That's amazing.Paula Marshall:It was crazy. But you have Paul Riser, I matter your stuff, but when you have someone like a Paul Riser or someone who is respected in Hollywood and has produced before, of course people are going to give them a shot,Michael Jamin:But not necessarily. I mean, they must've really liked it. So you wrote it and you started it?Paula Marshall:I started in it. It was my idea, but I did not write it. Later on, I ended up writing things and pitching, and a lot of people like my stuff, but I really mean should go out a little more aggressively than I do. But I have one right now that we're kind of sending around me and my buddy Jeff Melnick, that he really likes this story. And it was, I won't tell you what it is,Michael Jamin:But that's not nothing. I mean, that's a big achievement, honestly,Paula Marshall:For me. Yeah, I don't write. I still am a terrible speller. I have a reading disorder. I've got this thing where reading is hard for me because the font and the text is very contrasty, so I'm a terrible speller. Thank God for spell check, because otherwise,Michael Jamin:Well, so you're working on another piece for yourself as well then? Yes. I'm impressed.Paula Marshall:I have about three scripts that I've worked on here and there, and I remember I thought, oh, well, this is when I'm going to kill it. I'm going to knock these things out. I'm What happened with Covid? We were so scared. And my daughter was home going to now, whatever, ninth grade or 10th grade. And so it became, that whole time became about helping her find joy. I always said, every day, I'm going to help her get through this. And I really pushed all my stuff back. Any good mom does let everyone eat before you eat. Maybe the way I grew up. So I took care of her and all of that stuff before I focused on me. And then she went to college this year, and you would still think I'm like, Paula, I got to finish these things, which I did. I'm back. I'm back doing it, and I like it. I really like it. There's something about the story, but no one ever taught me to write. So I'm writing from my experience, the years of reading sitcom scripts, IMichael Jamin:HavePaula Marshall:'em in my closet. I have almost every single script, especially the ones that I loved, and I go back to it and I refer back. I'm like, how did they do this? Even setting it up, I'll go back and sneak a peek.Michael Jamin:That's really smart. Was it hard for you when she left the house?Paula Marshall:Jesus. Oh, here's the thing.Michael Jamin:Yeah, make up touching upPaula Marshall:Makeup breakMichael Jamin:Last looks.Paula Marshall:I mean, because she's not in Boston,She's down the road. It feels like if something bad happened, I could be there. I don't have to get on a plane and only one direct flight. There's one school in Connecticut that she got into, and it was a great school, and there's one direct flight at 6:00 AM I'm like, this is never going to happen. And she chose, I was like, whatever you want, wherever you want to go to college, it's your decision. I mean, I'll tell you what I, but it's all up to you. And she chose and it was something that's not too far away. And it's great. I get to see her and it's worked out. It's a win.Michael Jamin:What about the emptiness of the house? I'm going to make you cry now. That's what I feel like. The house is so empty. YouPaula Marshall:Know what? And I think though, Michael, I think if she was in anywhere else, I think if I couldn't get to her, and that's a weird thing as a mom, it's about protecting your child. But yeah, I could cry when I think about certain things. Thanks, Michael. It's about protecting them. And I think that the distance, because we are close, she's still in. She's still here. I don't like cooking dinner as much. I'm sorry, Danny, because I don't really have to. The big change is just her presence, her energy, the thought about, well, what's Maya doing? Or what does she got to do? Now it's not, and one of my scripts is, well, I'll tell you one of my scripts is about what happens when your kid goes away to college? What happens to a woman?Michael Jamin:And go ahead. Can you tell me a little bit?Paula Marshall:So it started a while ago, just like my fear of who am I? What do I do? I mean, yes, I'm an actress, but then I pulled from that and I'm like, well, if I'm not an actress and I don't have a job and everything has been bombed, there's so many places to go. Okay, you've just got to, it's like reinventing yourself, which almost every mom that I know who doesn't have a job, it's very true. I was so fortunate that I could have my cake, my baby, and also work. But a lot of parents, they go to jobs and then they come home and or they don't work at all. And then it's just mom, 100%. And they're probably exhausted and happy. Some of my friends, I feel like they're like, oh, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel, and I'm like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't do.Michael Jamin:I guess it depends on how much you love it and how much it must come on. It's got a wear on you. The downs have to be, I don't know.Paula Marshall:Well, I think probably just like a writer,You have to be able to fill your day when you're not going to be working and making money again. It's why it's smart to save your money and invest it and not buy that fricking mansion. If you got that check. Remember one time I went to the bank and I was depositing, it was before they had the picture phone deposits, a really big check. And it was the biggest check I think I've ever gotten. The first time I got that kind of money on a show and the teller, and again, I looked very young, the teller who didn't look much older than me and took the check,And he looked at the check and he looked at me and he goes, what do you do? What do you do? And I laughed. I go, I'm an actor. I go, but trust me, this thing, this isn't forever. I know it's not forever. So I have to live my life. It's not forever. Because my goal is I never want to lose my house. I always want to be able to afford things. You hear these horror stories about these, you think you got it, and then it shows canceled, and then you can't do that. I've always been kind of smart when it comes to money, but it's hard. It's really hard. WeMichael Jamin:Spoke a little about this because your daughter's interested in acting and you were, this is before we started taping, and what's your advice for her?Paula Marshall:My advice is find a way to tap in and find the truth in anything. And if you can't, then again, you substitute. If it's not connecting, you got to figure out a way to connect to it. It's about being truthful In imaginary circumstances, it's really hard to walk into a room and pretend the thing and crying. You just really have to practice going there. I remember one time, and even in my life, life situations, I will take note of them. One time I was in San Francisco drunker than I've ever been before for whatever reason. And I remember the hotel I was, I think it was during Nash Bridges, and I was like, oh, I'm so wasted. I want to remember what I look like when I'm this wasted. So I, my, I guess I did have a cell phone then. So I took my cell phone or my camera, no cell phone, and I recorded myself being drunk.And it's like that one actor, he would always, Michael, he's an English guy, Michael, I forget his name. He would be like, you can't overdo the acting, but you're trying not to be drunk. Yes. To try to make sure that the words are coming out. And so that's what I did. I literally was like, this is me talking at my, it was the craziest thing. So in life, take advantage again, back to the advice to my daughter. Live these experiences and remember them. And if you cry, if you're sensitive and emotional, fucking use it. There's plenty of people who can't cry at the drop of a hat. I can cry. You give me something to people always know Paula can cry in a scene and even if I don't connect to it again, I substitute and I find a way. I'm an emotional person and the thing I think I have trouble doing is the angry part.I'm not great at being super angry. I don't think I play a lot of those roles like I was doing, I've worked with Steven Weber on his new Chicago Med. I was going to say new show, it is like year nine, but I play his ex-wife. I think it's airing tomorrow as a matter of fact. And there was a scene where I had to come in and I'm yelling at him and I'm like, God, this is so not me. I'm not a yeller. I don't yell even in the middle of a fight. If I'm fighting, I try to get it out and then I cry because I get frustrated because I can't say, I'm not one of those bitchy women wives who are like, I'm just not. Anyway, back to the advice from my daughter, you take life's experiences and you put a little marker on them and you remember them.So when you need them, and I didn't even think I was going to have any children because I started so late and as the actress in me, I just never thought, I dunno, mom and my mom material. I don't know. I was like, you know what? I could really learn a lot as an actress by tapping into that love. I remember you'd see my friends who had kids way, way early and I'm like, God, they love these things. What did that feel like? I never knew what that was and so I took that experience and without it, I don't think I would truly ever be able to play a mom as genuinely as I am. Love because man, I love my kid and I didn't think I'd be like a great mom. I am the best mom I am and I love her and I love being a mom and all of it. So I tell my daughter to practice. Practice, learn your lines very easy and don't go in if you're not prepared. That's kind of a big one. You're not really,Michael Jamin:Just because you said mom was there, that fear the first time you decided to play mom, they say once you play mom like, oh, now she's a mom.Paula Marshall:Well, it's just an age thing, so that was never a thing for me. I'm going to play whatever I look like for sure. So I don't care. I don't care about that at all.Michael Jamin:Interesting. Paula, this has been such a great conversation, so thank you so much. You'rePaula Marshall:Welcome. I had so much fun talking with you.Michael Jamin:Yeah, I mean, I just love talking the craft with people like you. You're a pro and you're just, I don't know, so much wisdom to share, so thank you so much. You'rePaula Marshall:Welcome.Michael Jamin:Thank you.Paula Marshall:I'm enjoying your Instagram posts.Michael Jamin:Oh, we'll talk about that, but alright, well thank you. That's it. That's you're released, but don't go anywhere now we are going to talk some more here. Alright everyone, thank you so much. What a great conversation. Paul. Should they follow you somewhere? Did they do anything or just watch you on something? What do they want 'em to do?Paula Marshall:Depends on when you get this.Michael Jamin:Venmo you the most. What do you want? Venmo? MePaula Marshall:Cash is great. I mean, my Instagram is the Paula Marshall. I guess I'm not really great at all that stuff.Michael Jamin:Are you supposed to be though? Do your agents tell you?Paula Marshall:No, agents don't. But if you have so many followers, then it used to be this thing called a TV Q, which is your TV quotes, how many people know who you are? And that's just, social media has kind of taken that over, really. So people, I think people care how many followers you have. I do notMichael Jamin:Again, but Tbq is not a thing anymore, you're saying?Paula Marshall:I don't think it is. Wow. No. I mean maybe they call it something else, but I know an actress friend of mine was early on in the Instagram thing. She's like, yeah, I got to join Instagram. Yuck. I'm like, yeah, the thing. She's like, I was told I have to have it and you got to pitch. I'm not that self-promoting and I'll say things that are inappropriate and crude and get kicked off of Twitter for it, but whatever. That's who I'm,Michael Jamin:Thank you again. Really, it was such an honor to have you on. Alright everyone, more conversations coming. Thank you so much for tuning in. Until next week, keep creating. You're an actor. Tell your friends about this. You're other actor friends. Alright, everyone, thanks so much.Wow. I did it again. Another fantastic episode of What the Hell is Michael Jamon talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support the show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most. Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved the Journey and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

Episode #286 of "Shut Up and Grind with Robert B. Foster" features Jude Charles, a brand strategist and storyteller who learned the craft of storytelling through childhood nights spent watching detective shows like NYPD Blue and Nash Bridges with his dad. Jude shares how these experiences taught him to look beneath the surface and uncover truths, lessons he now applies to help individuals grow their personal brands. In this insightful episode, Jude discusses the importance of relentless investigation, piecing together clues, and the power of evidence in storytelling to create compelling personal brands. Join us for a captivating talk on leveraging storytelling to uncover the essence of your brand and communicate it authentically to the world. --- Support this podcast: https://podcasters.spotify.com/pod/show/shutupandgrind/support

The 21st Annual SF Sketchfest is underway in San Francisco, bringing comedians, improv performers, writers and lots of chuckles together for over two weeks of shows: from literal sketches to musical performances and improvised Shakespeare, on stages big and small across the city.  But, why San Francisco? In this episode of Bay Current, KCBS Radio's Mallory Somera sits down with SF Sketchfest co-founder Cole Stratton to talk about the comedy festival's run, what makes San Francisco a good audience and the legacy of “Nash Bridges.” For more Bay Area stories, subscribe to Bay Current on the Audacy app or wherever you get podcasts. 

Were you wondering what we've been doing since October and why? Well, here's the answer Lost On Lost Faithful! It's all been leading to this. From the Prisoner, to Fringe and Heroes, to FlashForward and Once Upon A Time, we've finally arrived at Severance. A better show than Lost, that we don't think would exist without it. Jack Kelly breaks it down, and JP & Adam are along for the ride. We're still not sure why we talked about Nash Bridges and The Adventures of Brisco County Jr. Sorry, Kev.

This week on Just Jack & Will, Sean & Eric are all-singin', all-dancin' when Debbie Reynolds returns as Bobbi Adler. They talk about daylight savings, The Music Person, the Virgin Megastore, Death Of A Salesperson, Nash Bridges, and taking suggestions from the floor. Then, Will & Grace art department staple, and lead set decorator for the reboot, Peter Gurski joins them to talk about the work that went into creating new sets every week, and to show off his collection of Will & Grace access passes. Relax, stop doing it. Relax, stop doing it.Have a question about Will & Grace, especially Season 2? We want to hear them! Email us at JustJackAndWill@gmail.com, call or text to 818-308-4012, maybe the guys will answer your question on the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Al & Val pack up and move into their dorms at Witch U to see if anyone can truly replace KJB (spoiler: they can't)Return to Halloweentown (October 20, 2006)IMDB WikipediaDirected by David Jackson (Buffalo Dreams, Miami Vice, 21 Jump Street, Swamp Thing, Nash Bridges, The District, One Tree Hill)Written by Max Enscoe (Johnny Kapahala: Back on Board), Annie DeYoung (Johnny Kapahala: Back on Board, Princess Protection Program, Starstruck), Juliet Giglio (TV Christmas movies)Starring: Sara Paxton as Marnie Piper & Young Aggie (Hounded, Darcy's Wild Life, Aquamarine, character actor)Lucas Grabeel as Ethan Dalloway (Halloweentown High, HSM 1-3, music videos, Milk, Switched at Birth, voice acting ie Family Guy, HSMTMTS)Joey Zimmerman as Dylan Piper (All 4 Halloweentowns and basically nothing else)Summer Bishil as Aneesa (The Magicians)Judith Hoag as Gwen Piper (All 4 Halloweentowns, Teenage Mutant Ninja Turtles, Armageddon, Big Love, Nashville, The Magicians)Kristy Wu as Scarlett (Flight 29 Down, did some voice work - stopped acting in 2016)Katie Cockrell as Sage (HSM 3, Camp Rock 2, Yellowstone)Kellie Cockrell as Sapphire (Minutemen, Camp Rock 2, Yellowstone)Keone Young as Silas Sinister (Rip Girls, character actor: Alias, Deadwood, NCIS + Voice Actor: Star Wars, Avatar)Leslie Wing as Chancellor Goodwin (character actor, HSM 1-3, stopped acting afterward)Millicent Martin as Professor Priscilla Persimmon Periwinkle (character actor since 1957, Days of Our Lives, Frasier, Grace & Frankie)Debbie Reynolds as Agatha "Aggie" Cromwell (All 4 Halloweentowns, Singing in the Rain, The Unsinkable Molly Brown, The Debbie Reynolds Show, Rugrats, Will & Grace)Scott Stevenson as Dr. Ichabod Grogg (Poof Point)Christopher Robin Miller as Burp-Urp-Snurt-Pfsfsfsfst III (Going to the Mat, Buffalo Dreams, Hatching Pete, Professor Layton, Mythica, The Wingfeather Saga)Synopsis: Marnie Piper arrives at the Halloweentown University - known to everyone as Witch U. Her best friend Aneesa is a student there too, and before you can say `abracadabra' the bewitching pair find themselves in magical mischief and mayhem.Fun Facts: Millicent Martin was going to be playing Aggie because Debbie had scheduling conflicts. When she became available, they made a new part for MillicentNext Movie: Jump In!Creators & Guests Val Agnew - Host Allie Ring - Host ★ Support this podcast on Patreon ★

Just when you thought the podcast couldn't get more random! We dive into the early careers of Carlton Cuse and  Damon Lindelof. Three random episodes of Nash Bridges. Three random episodes of The Adventures of Brisco County Jr. All 6 in an hour speed run. What could go wrong?

October 18-24, 1997 This week Ken welcomes author Mark Guyer. Mark and Ken discuss living in upstate/Central New York, how New York State isn't New York City, Halloween viewing, Nostalgiamares Series, Phantom Delivery, classic youth horror books, Fear Street, having your own TV, being a tween, not remembering your childhood Halloween costumes, how dressing as Darth Vader can help with bullying, Due South, Burgess Meredith, Nothing Sacred, Hot Priests, Gene Siskel so Horny, what Siskel did to Betsey Palmer, how awful Saturday Night Fever is, Guides to Halloween episodes, Blackula, Gregory Hines Show, The Night Stalker, Nosferatu, ABC Sitcoms, anti-Trick or Treating, how 21st Century Kids don't get to truly enjoy Halloween, how the world is NOT more dangerous for kids now, the purity of Halloween, how working in retail makes you hate Christmas, Team Knightrider, The Real World Boston, The Tonight Show, bringing Kenan and Kel together again, SNICK, failing the All That! challenge, Are You Afraid of the Dark?, why some 80s actors don't work much these days, Deadly Friend, Wes Craven, VHS rentals, when younger people are smarter and more insightful than you, how rare it is to have a young child as a protagonist, Stephen King, how Horror is inherently left wing, hopeful sadness, Hey Arnold!, Cybill, Alex Mac, how Tuesdays were all about Buffy and Angel, living Annie Potts and Tim Curry, Spin City, being replaced by Charlie Sheen, Baywatch, Meego vs. Boy Meets World, the end of TGIF, You Wish, Teen Angel, Sabrina The Teenage Witch, Dee Snider, Millennium, dying standing up, Nash Bridges, and a Cheer in a very negative week. 

Today With Jude Charles: Today on Sass Says I am joined by Jude Charles, a storyteller, filmmaker, and brand strategist working with purpose-driven entrepreneurs. Jude is an expert in his field and works his magic by pulling back the curtain to tell the story for businesses and personal brands.    But Jude is also a regular guy. Today he's pulling back the curtain on himself and sharing his personal story about living with burnout. We discuss the importance of diagnosis, the ongoing stigma around mental health, creative entrepreneurship, vulnerability, and the importance of showing up as who you are—not just what you do. Pick It Apart [1:50] Jude talks about his first speaking engagement and how pulling back the curtain on his own life has not been easy but has been one of the most important things he's done in his life. [6:12] Christie asks Jude what he does when creating a video docu-series to get people to open up naturally on camera. [12:09] Jude shares a crazy story from when he was in the height of his burnout. [20:20] Jude opens up about going through burnout and why he is vocal about burnout. [34:30] Christie and Jude discuss the stigma around getting help via therapy in the Black community. [40:13] Jude and Christie talk about the importance of continuing this conversation in our communities, and showing up as who you are, not just what you do.  [47:25] Jude gives a preview of what he'll be talking about at LuAnn Live in November 2023. Christie Rocha's and Jude Charles's Ah-Ha Moments “[My first speech] wasn't easy at all. But I realized how much people were impacted by what I had to say.” – Jude Charles “we were our biggest critics and we pay attention to the things that some other people don't even notice.” – Jude Charles “You are so much more than your work.” – Jude Charles “If you end up being burned out, it's not the end of the world if you need to take a break. It's necessary. We live in a society that has four seasons, but for some reason, we don't believe in taking time off the four seasons, meaning that a tree the leaves will die, but then it'll grow back the next season. That tree is taking a moment to rest and recuperate, to rejuvenate. And we should do that as well as human beings in order to be better to grow like a tree grows to be more stable.” – Jude Charles   “There is strength in vulnerability.” – Jude Charles   “There are moments where I find my own satisfaction in just sharing. I get something out of it. Whether it's like a healing or therapeutic to kind of just say something out loud. But it definitely helps to have someone go, ‘Oh, I see you in that. And I see myself in that'.” – Christie Rocha More About Jude Charles As a kid, I can remember my dad loved watching shows like NYPD Blue and Nash Bridges.  And because I wanted to spend time with my dad, I would stay up late watching TV with him. Years later in life, I realized the lessons I learned by watching these shows. Lessons that taught me so much about the craft of storytelling. It taught me how to search for clues that uncover the truth. How to be relentless in solving the puzzle. How to look beneath the surface of what people wanted you to see. It taught me how powerful the right kind of evidence can be. I use these lessons to help you grow your personal brand. Connect with Jude Charles Website Instagram X Connect with Christie! Website Join us at LuAnn Live 2023! Like Us: Facebook | Follow Us: Instagram | Listen Here: Podcast Other Shows Mentioned: Sass Says #7: Dr. Holly Sawyer: How to Implement Self-Care and Prevent Burnout in Your Daily Life   Sass Says #21: Dr. Vanessa Freeman: Get Comfortable with Uncertainty…in Life, Therapy, Higher Ed, and More!   Sass Says #69: Marisa Lonic: Key Time Management Steps to Prevent Burnout   Sass Says #178: Eileen Hahn: Unlocking Your Joy: Strategies for Personal and Professional Fulfillment   AWDB #516: Power Talk Friday: Jude Charles: Video Storytelling for Your Brand   AWDB #626: Power Talk Friday: Jude Charles: How to Tell Your Story to Connect with Clients in Interior Design   AWDB #718: Power Talk Friday: Jude Charles: The Power of Dramatic Demonstration in Your Business Videos   AWDB #724: Power Talk Friday: Jude Charles: Using Video to Close More Interior Design Deals

Hang out with our guests, John Wirth and Gail Matthius, a Hollywood couple who met in high school, fell in love and moved to Hollywood to pursue their dreams. Gail was a cast member on Saturday Night Live in 1981 and is known for her voice acting work in animated shows, including Bobby's World, Tiny Toon Adventures, Animaniacs, and The Tick. John Wirth is a television showrunner, producer, and writer.  His credits included HELL ON WHEELS, WU ASSASSINS, TERMINATOR: THE SARAH CONNOR CHRONICLES, and NASH BRIDGES.  In part one, Gail and John discuss the early days and their willingness to work hard to succeed. In this episode, we focus on the difference between the time when Gail and John were struggling versus today in 2023, when, unfortunately, actors and writers have to strike for decent wages and protection from artificial intelligence. 

Hang out with our guests, John Wirth and Gail Matthius, a Hollywood couple who met in high school. Gail was a cast member on Saturday Night Live in 1981 and is known for her voice acting work in animated shows, including Bobby's World, Tiny Toon Adventures, Animaniacs, and The Tick. John Wirth is a television showrunner, producer, and writer.  His credits included HELL ON WHEELS, WU ASSASSINS, TERMINATOR: THE SARAH CONNOR CHRONICLES, and NASH BRIDGES.  In part one of this two-part episode, Gail and John discuss the early days and their willingness to work hard to succeed in show business. In part two, we'll focus on the difference between when Gail and John struggled and in 2023, when actors and writers must strike for decent wages and protection from artificial intelligence. 

Please join these two co-stars and friends Jen Landon and Wendy Moniz in The Locher Room. Jen and Wendy will stop by to discuss their roles on the hit Paramount Network series, Yellowstone. The two-hour premiere of Season 5 is set for Sunday, November 13th at 8 p.m. EST.Jen Landon attended NYU's Tisch School of the Arts where she studied Experimental Theatre but left early when her first audition landed her a three-year contract on the daytime soap opera As The World Turns (for which she subsequently won three consecutive daytime Emmys). Jen has since appeared in Jason Retiman's feature film The Front Runner, as well as recurred on numerous television shows including Banshee (Cinemax), Animal Kingdom (TNT), FBI: Most Wanted (CBS) and will be seen in season 5 of Yellowstone playing the role of Teeter.Wendy Moniz made her television debut playing "Dinah Marler" on the CBS daytime drama Guiding Light. Wendy was upped to a series regular as Governor Perry on Yellowstone and can also be seen as ADA Frasier on Law & Order: Organized Crime. Wendy has worked non-stop since leaving Guiding Light in 1999 appearing in Tuesdays with Morrie, Nash Bridges, The Guardian, Big Shot, Damages, 666 Park, The Grief of Others and House of Cards to name a small few of the amazing roles she has had over the years.Don't miss the chance to hear from these two incredibly talented ladies on Thursday, November 3rd.Original Airdate: 11/3/2022

HOUR 2: Did the Titans panic by drafting Levis? The gang toasts to the good stuff on a Thirsty Thursday. Would you watch an amped Big 12?

Al & Val went to the Buffalo Preserve and sang a little Bill Withers to get through Buffalo Dreams. This flick is a little tough to get through, but the cast is star studded, and this episode is silly.Buffalo Dreams (March 11, 2005)IMDB WikipediaDirected by David Jackson (Miami Vice, 21 Jump Street, Swamp Thing, Nash Bridges, The District, One Tree Hill)Written by Marjorie Schwartz Nielsen (wrote 5 total things, this was the last)Starring: Reiley McClendon as Josh Townsend (Eddie's Million Dollar Cookoff, The Kid, Pearl Harbor, The Fosters) Simon R. Baker as Thomas Blackhorse (North of 60, Shanghai Noon, I Robot, Murdoch Mysteries, Outlander)Graham Greene as John Blackhorse (Dances with Wolves, The Green Mile, Snow Dogs, The Red Green Show, Man on the Train, Defiance, Wind River, Molly's Game, Longmire, Red Dead Redemption, The Last of Us)Tessa Vonn as Scout Blackhorse (stopped acting in 2008)Max Van Ville as Moon (Big Momma's House 2, Drillbit Taylor, Mr. Woodcock, stopped acting in 2012)Chris Hunter as Kyle (The Amanda Show, That's So Raven, Phil of the Future, South of Nowhere, stopped acting in 2009)Adrienne Bailon Houghton as Domino (Cheetah Girls 1-3, Coach Carter, 3LW Music Videos, mostly music videos)Geraldine Keams as Abuela Rose (Skinwalkers, Edge of America, Rutherford Falls, Reservation Dogs)Christopher Robin Miller as Virgil (Going to the Mat, Return to Halloweentown, Hatching Pete, Professor Layton, Mythica, The Wingfeather Saga)George Newbern as Dr. Nick Townsend (Adventures in Babysitting, It Takes Two, Father of the Brides, Bull, Providence, Justice League cartoon, Final Fantasy, Kingdom Hearts, Star Wars: The Old Republic, Scandal) Jane Sibbett as Blaine Townsend (Santa Barbara, Herman's Head, It Takes Two, Friends, Snow Dogs, Seth Packard as Wylie (Dadnapped, Hatching Pete)Chris White as J.G. (Read it and Weep)Synopsis: In this thought-provoking story, two teenage boys struggle to become friends despite their different racial and cultural backgrounds. Josh has relocated to New Mexico where his father works in a research lab. Native American Thomas Blackhorse allows Josh to join his group of friends, but the boys will have to work hard to bridge the cultural gap and make their friendship work.Fun Facts: Disney Channel's one of the most unknown movies after The Jennie Project (2001) and Ready to Run (2000).Land Acknowledgement: Shikaakwa, traditional land of the Potawatomi, Odawa, Sauk, Ojibwe, Illinois, Kickapoo (Kiikaapoi), Miami (Myaamia), Mascouten, Wea, Delaware, Winnebago, Menominee, and Mesquakie Next Movie: Go FigureCreators & Guests Val Agnew - Host Allie Ring - Host ★ Support this podcast on Patreon ★

I heard about Kelvin from my mom growing up.  Kelvin was the first and for a long time, the only Asian American that I knew who chose acting as a career.  He's been in over 100 productions on stage and screen.  Titles like: Nash Bridges, Law and Order, Grey's Anatomy, Entourage, West World, and more recently Partner Track and Beef!  I had such a great time talking about his career and getting his insights on how the industry has changed since the 90's.  He's a professional actor through and through and it's great seeing him continue to create characters on the small and big screen! Listen to our episode on Spotify, Apple Podcasts, or infatuasian.podbean.com Follow Kelvin on Facebook or Instagram @kelvinhanyee, or read more about him at Kelvinhanyee.com As usual, you can follow us @theinfatuasianpodcast on Instagram or Facebook.  Write to me on infatuasianpodcast@gmail.com Thanks for listening!!! Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  #asianamericanactor #kelvinhanyee #asianactor #aapihollywood #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #asianauthor #representationmatters

Our first trip into the Clancy-verse! Amazon Prime's TOM CLANCY'S JACK RYAN stars John Krasinski as the titular CIA analyst turned field agent. In season one, he saves a president's life. In season three, he saves a president's ass. Join us as we tackle the big questions: How does THE OFFICE alum Krasinski stack up to the Jack Ryans of Alec Baldwin, Harrison Ford, Ben Affleck, and Chris Pine? Do the politics of Tom Clancy still hold up in 2023? And the biggest question of all: Why is this show so indebted to NASH BRIDGES?  Got a question? Comment? Suggestion for a movie to cover? Email us at fakepresidents [at] gmail.com

This week, comedy legend Cheech Marin! He's one-half of the comedy duo Cheech and Chong. But Cheech is more than just a stoner icon. He was in the Lion King. He's starred in more than 100 episodes of Nash Bridges. And if you're a Spy Kids fan, you know him as "Uncle" Felix. Cheech is also well known in the art world. He has a huge collection of Chicano art that he's been steadily building since the '80s. This week on Bullseye, we get into Cheech's long and eventful career as an actor. He throws us back to when he moved to Canada when he first met Tommy Chong. Plus, he talks about his new museum The Cheech in Riverside, California.

Noel catches up with Angela Dohrmann. The actress is best known for playing Donna Chang on Seinfeld. Angela discusses the experience, whether Donna Chang enjoyed people thinking she was Chinese and if there was a real-life Donna Chang. Angela started her career as a VJ in Canada for Much Music. She has had roles on Star Trek: Voyager, Nash Bridges and The Drew Carey show.

We're all under the weather this week so we throw a hail mary and make Ryhan microwave his Taco Bell. Someone named Carlos Danger joins us. Mark tells us about his trip to Disney World and Josh asks us to find a poster from a Nash Bridges episode.

THIS WEEK: Dead Bang (1989), The Hot Spot (1990), and Harley Davidson and The Marlboro Man (1991)While fans of nepo babies doing adaptations of Z-grade erotica might be crying out for more Dakota Johnson, real film heads know you can't beat the cinema of daddy Don. Sure you know him from the beaches of Miami Vice and the... nashy bridges of Nash Bridges, but what about the great movies Don Johnson starred in between those two hit TV series? Turns out DJ has a few tricks up his sleeve (we're not talking about his musical chops) and just might surprise you as a leading man and action film star.Support Optimism Vaccine on Patreon: https://www.patreon.com/optimismvaccine

Cress Williams sits down with me to talk about his fatherhood journey. We discuss the values he is looking to instill into his kids. Cress shares how he loves being home with his family over being a red carpet event. After that we talk about his new movie, What Remains. In addition we talk about how the film has a lot of fatherhood themes to it. In addition we talk about some of his roles and what those roles meant to him. Lastly, we finish the interview with the Fatherhood Quick Five.  About Cress Williams  Cress Williams is an actor, known for his roles in Black Lightning, Hart of Dixie, Prison Break and Close to Home. Williams is also best known for his recurring role as Terrence "Scooter" Williams on Fox's Living Single and as Inspector Atwon Babcock on Nash Bridges. Follow Cress on Twitter at @CressWilliams and Instagram at @cress_williams. Make sure you check out the film What Remains. OurPact Is This Week's Sponsor OurPact is easy to use, easy to set up and great for parents or families who are concerned with their children's overuse of technology. Whether you are introducing a device to your child for the first time, or simply have a teenager who spends too much time on social media, OurPact is the perfect parental control solution for your family. For more information or to download the OurPact app go to their website at ourpact.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

February 6-12, 1999 This week Ken welcomes comedian and old friend Dave Ross to the show. Ken and Dave talk about changing NYC's nickname, apples, Jersey City, how amazingly great George Clooney is, Middletown and Newburgh NY, bands in North and Central NJ, 90s and 00s punk, hating masculinity, rage, angry dudes, watching bands, tour dates, Toad's Place, punching people, awful hardcore bands, 1999, realizing you remember way more TV than you thought, the amazing movies of the 90s, George Carlin, Mulan, Cops in Palm Beach, stand up on Comedy Central, Premium Blend with the US Bombs, Jeff Foxworthy, Brett Butler, Backstreet Boys on pay per view, Mad TV over SNL, The Simpsons, LA Confidential, Newsradio, loving 90s sitcoms, being obsessive, regional stores, fast food, Tom Green, Big Brother, Survivor, The Real World, Road Rules, Everybody Loves Raymond, King of Queens, Spin City, Hannity and Combs, Michael Chiklis, Wired, theater nerds, tough guys, Mad About You, Kids in the Hall, Stephen Root, King of the Hill, The Drew Carey Show, Beverly Hills 90210, Party of Five, William Ragsdale, Veronica's Closet, Just Shoot Me, The Powers that Be, dark humor, suicide jokes, making jokes about tough things, loving John Leguizamo, Boy Meets World, WGN, Wayne's Brothers, Jaime Foxx, how great  Steve Harvey is, Richard Karn, Larry Sanders, Nash Bridges, vampires, Talk Soup, wondering where John Henson went, Behind the Music, shows starting at weird times, Bruce Willis, Ally McBeal, Tracy Ulman, Providence, being mad about too many dogs, and the beauty of catching up.

One of the most underrated yet rather beloved action-war-spy drama, The Unit. Conceived by Shawn Ryan (The Shield, Nash Bridges) and David Mamet (Ronin, Glengarry Glen Ross), the four season epic gets highlighted with newcomer and NCIS mega-fan Neil Chittendon! We also briefly discuss the similar military adventure show by Ryan, dubbed Last Resort, which also was unfairly cancelled and was a neat precursor to other blockbuster material like The Last Ship and Olympus Has Fallen! Don't miss out on the addicting, gritty espionage!               MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222

On this episode of the California Now Podcast, host Soterios Johnson discusses art, culture, and California with entertainer Cheech Marin. The Up in Smoke star and longtime Nash Bridges cast member recounts how he first developed a love for art when he was just 11 years old. Later, as his career blossomed, Marin started buying Chicano art and now his collection is considered one of the biggest and best in the world.  More than 500 works from that collection are permanently housed at The Cheech Marin Center for Chicano Art & Culture in Riverside—a museum affectionately known as “The Cheech.” Johnson and Marin discuss how the recently opened museum came to be, Marin's favorite paintings on display, the charms of Riverside, and future plans for “The Cheech.”  The Los Angeles native also took the California Questionnaire, answering a series of questions about his love for the Golden State—including his favorite California song and how his dream day would unfold. 

Casting Director Cori-Anne Greenhouse has been working in the entertainment business for many years. From Art Department Coordinator on ‘Nash Bridges' with Don Johnson to casting 100s of commercials to producing independent feature films, there isn't any problem Cori can't solve. Cori helped John get his start in casting, and they discuss what they've learned for getting more auditions and staying on a Casting Director's radar. ▬▬▬▬▬▬▬▬ Cori-Anne Greenhouse ⌲ IMDb: https://www.imdb.com/name/nm0993754/ ⌲ IG: https://www.instagram.com/coriokekai/?hl=en ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Casting #CastingDirector #SessionDirector #Producer #Commercial #Hawaii #Solver #200SouthLaBrea #200SouthCasting #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://anchor.fm/the-moving-spotlight/support

https://instagram.com/briandactor/ Brian D. Cohen is a burgeoning actor from the Bay Area who is quickly making a name for himself with such roles “Greg Zlotsky” in the Nash Bridges reboot (USA network/Peacock) and “Mr. Stubbins” in the upcoming HBO Max holiday film “A Christmas Mystery.” Although he is relatively “new” to the acting world, Brian has dabbled in entertainment his whole life; acting and modeling as a child from age 8-12, and writing, singing and co-producing his own R&B music in his 20's and 30's. Since 2019, Brian has dedicated his life to the craft of acting, consistently training with ZA studios and acting coaches Jamie Carroll, Howard Fine and Jamison Jones among others, as well as constantly auditioning and networking. Brian also recently had a baby with his lovely and supportive wife Heather! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bravemaker/message Support this podcast: https://anchor.fm/bravemaker/support

Actress Wendy Moniz joined me in The Locher Room. Wendy made her television debut playing "Dinah Marler" on the CBS daytime drama Guiding Light. Wendy is currently co-starring as Governor Perry on Paramount+ Yellowstone and as ADA Frasier on Law & Order: Organized Crime. Wendy has worked non-stop since leaving Guiding Light in 1999 appearing in Tuesdays with Morrie, Nash Bridges, The Guardian, Big Shot, Damages, 666 Park, The Grief of Others and House of Cards to name a small few of the amazing roles she has had over the years. Original Airdate: 12/10/2021

JANET VARNEY BIOJanet Varney is an Emmy-Nominated actor, comedian, writer and producer. In the animation world, she's the award-winning voice of Korra on Nickelodeon's (now on Netflix) The Legend of Korra. On Hulu, she can be seen fighting dark forces opposite John C. McGinley in Stan Against Evil and as the entitled Becca on FXX's You're the Worst. She also created, wrote, produced and starred in the critically-acclaimed IFC online series Fortune Rookie. For the past 8 years, JV has hosted her podcast The JV Club with Janet Varney, where she interviews celebrities about their awkward teenage years. JV can also be heard as the AI "Sorry" on the improvised sci-fi comedy podcast Voyage to the Stars. On the development and production side, Janet co-created, co-wrote and co-produced Neil's Puppet Dreams, a series featuring Neil Patrick Harris and his puppet-filled dreams. She is co-founder/creative director/producer of one of the largest and most acclaimed comedy festivals in North America, SF Sketchfest: the San Francisco Comedy Festival, now in its 20th year.DANTE BASCO BIODante Basco was first introduced in Steve Spielberg's fairytale movie Hook, as "Rufio", the leader of the Lost Boys. Recently, Dante starred in Newline's Take the Lead, opposite Antonio Banderas, and starred in a pilot for Touchstone/ABC, The Chang Family Saves the World, written and produced by John Ridley and directed by Paris Barclay. He is also the new voice of Disney's animated series American Dragon: Jake Long, as well as the voice of villain Prince Zuko in Nickelodeon'sAvatar: The Last Airbender. Dante has also starred in his share of feature films: Biker Boyz (with Laurence Fishburne, Kid Rock and Derek Luke), Naked Brown Men (which he co-produced and stars in with his brothers), Extreme Days, But I'm a Cheerleader (with Natasha Lyonne, Cathy Moriarty and Clea Duvall), The Debut, Fakin' Da Funk (with Pam Greer and Tatiana Ali), Rave, and Showtime's critically acclaimed Riot - just to name a few. Dante has also appeared on Entourage, The Fresh Prince of Bel-Air, Nash Bridges, Touched by an Angel, Providence, Hanging with Mr. Cooper, Moesha, and The Proud Family Dante recently made his directorial debut at SXSW with Fabulous Filipino Brothers.Avatar: Braving the Elementshttps://www.iheart.com/podcast/1119-avatar-braving-the-elemen-83488502/

Bay area award-winning actor and lyricist Sammie Lee Hill talks about the first ever mentor song called “Mentor Theme Song”! Sammie wrote the legendary tune that received national and international awards including a letter of praise from former President, George W. Bush, recognition from the United States Congress, the State of California, and later became the official Mentor Theme Song for "Mentoring Appreciation Day" on April 26, 2000, plus signed a major international music contract for the song to be recorded by Mexico superstar singer BELINDA and being endorsed by 32 countries sung in English, French and Spanish! Sammie also talks about how he began his career in acting after retiring from the police force appearing in “Nash Bridges” with Don Johnson and Cheech Marin, plus his involvement at Richmond High School created various programs including “Student Principal of the Year”! Check out the amazing Sammie Lee Hill and latest release on all streaming platforms and www.sammieleehill.comtoday! #sammieleehill #sanfrancisco #oakland #lyricist #mentorthemesong #georgewbush #USCongress #california #mentorappreciationday #BELINDA #nashbridges #donjohnson #cheechmarin #richmondhighschool #hospital #amazon #audible #iheartradio #spreaker #spotify #applemusic #youtube #anchorfm #mikewagner #themikewagnershow #mikewagnersammieleehill #themikewagnershowsammeileehill --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/themikewagnershow/message Support this podcast: https://anchor.fm/themikewagnershow/support

Bay area award-winning actor and lyricist Sammie Lee Hill talks about the first ever mentor song called “Mentor Theme Song”! Sammie wrote the legendary tune that received national and international awards including a letter of praise from former President, George W. Bush, recognition from the United States Congress, the State of California, and later became the official Mentor Theme Song for "Mentoring Appreciation Day" on April 26, 2000, plus signed a major international music contract for the song to be recorded by Mexico superstar singer BELINDA and being endorsed by 32 countries sung in English, French and Spanish! Sammie also talks about how he began his career in acting after retiring from the police force appearing in “Nash Bridges” with Don Johnson and Cheech Marin, plus his involvement at Richmond High School created various programs including “Student Principal of the Year”! Check out the amazing Sammie Lee Hill and latest release on all streaming platforms and www.sammieleehill.comtoday! #sammieleehill #sanfrancisco #oakland #lyricist #mentorthemesong #georgewbush #USCongress #california #mentorappreciationday #BELINDA #nashbridges #donjohnson #cheechmarin #richmondhighschool #hospital #amazon #audible #iheartradio #spreaker #spotify #applemusic #youtube #anchorfm #mikewagner #themikewagnershow #mikewagnersammieleehill #themikewagnershowsammeileehill --- Send in a voice message: https://anchor.fm/themikewagnershow/message Support this podcast: https://anchor.fm/themikewagnershow/support

Bay area award-winning actor and lyricist Sammie Lee Hill talks about the first ever mentor song called “Mentor Theme Song”! Sammie wrote the legendary tune that received national and international awards including a letter of praise from former President, George W. Bush, recognition from the United States Congress, the State of California, and later became the official Mentor Theme Song for "Mentoring Appreciation Day" on April 26, 2000, plus signed a major international music contract for the song to be recorded by Mexico superstar singer BELINDA and being endorsed by 32 countries sung in English, French and Spanish! Sammie also talks about how he began his career in acting after retiring from the police force appearing in “Nash Bridges” with Don Johnson and Cheech Marin, plus his involvement at Richmond High School created various programs including “Student Principal of the Year”! Check out the amazing Sammie Lee Hill and latest release on all streaming platforms and www.sammieleehill.com today! #sammieleehill #sanfrancisco #oakland #lyricist #mentorthemesong #georgewbush #USCongress #california #mentorappreciationday #BELINDA #nashbridges #donjohnson #cheechmarin #richmondhighschool #hospital #amazon #audible #iheartradio #spreaker #spotify #applemusic #youtube #anchorfm #mikewagner #themikewagnershow #mikewagnersammieleehill #themikewagnershowsammeileehill

Welcome Back to Million Dollar Relationship! Our guest today is Jude Charles. With his great value to the process of crafting stories, Jude is a filmmaker, author, and speaker who works with purpose-driven entrepreneurs to help bring their stories to life. As a kid, Jude can remember his dad's love for watching shows like NYPD Blue and Nash Bridges. And because he wanted to spend time with his dad, Jude would stay up late watching TV with him years later in life. He realized the lessons he learned by watching these shows are lessons that taught him about the craft of storytelling. It guided him on how to explore for clues that uncover the truth and to be relentless in solving the puzzle. How to look beneath the surface of what people wanted you to see. It taught him more about how powerful the right kind of evidence can be and he use these lessons to help people grow their brands.   Key Highlights:  [00:00 - 07:27] Opening Segment Who is Jude Charles Jude's impact has been on the lives of other entrepreneurs, as he has helped them bring their vision to life. Dealing with CEOs, Entrepreneurs and creating their stories in motion pictures helped him understand their journey as business professionals, a spouse, and a parent. [07:28 - 12:57] Ripple effect of one woman's work 15 years later Mrs. Donnelly is a high school teacher that had a profound impact on Jude's life The ripple effects of Mrs. Donnelly's work were not just limited to the students that she worked with, but also touched other people in a very specific moment in time. [12:58 - 28:47] Closing Segment Follow Jude Charles on Facebook and Linkedin You may also visit his website: https://www.judecharles.co Thanks for tuning in!   If you liked my show, please LEAVE A 5-STAR REVIEW, like, and subscribe!   Find me on the following streaming platforms: Apple Spotify Google Podcasts IHeart Radio Stitcher  Tweetable Quotes “As you build these relationships, as you build these connections, go deeper. Cause it's more than just a surface level.” - Jude Charles

Today on Too Opinionated we sit down with actor Peter Macon! Peter is known for his work on The Orville, Family Guy, Shameless, NCIS, Bosch, The Shield, Dexter, Supernatural and Nash Bridges! Want to watch: YouTube Meisterkhan Pod (Please Subscribe) Check out the website: Meisterkhan.com

Welcome back to the Bill Bradley Collective, where we have reached the climax of yet another season, our sixth, which now ties us with iconic television series including The Sopranos, Lost, Oz and Nash Bridges, among many others. As we do to cap off our seasons we present the fourth installment of Rantapalooza. That's right, Rantapalooza IV is live, and while Super Bowl IV featured one of the great upsets in NFL history and Rocky IV single-handedly cooled off longstanding American-Soviet hostilities, this fourth iteration is up to that lofty standard. In lieu of a concentrated main topic, this is a show where our regular appetizer features as the main course. Nine rants, three from each of your esteemed hosts, across the spectrum of sports and politics. Normally we would tip our hand in this space by detailing the contents of what's to come, but not this week. Smash that play button and enjoy an extended play of the rants you've come to know and love and anticipate most every week. In addition to that, we wish to extend a cordial invitation to all of our Collective-heads for what will surely be a grand occasion. Cap your 4th of July weekend revelry by joining us that Saturday the 2nd at The Social Bar & Kitchen for a live installment of the Bill Bradley Collective. New London's home for great beer, craft cocktails and terrific food plays host to the Collective for a second time, and we hope to see you all there. Grab a bite, raise a pint and listen in as we will be launching season number seven with a deep dive on the Saudi-backed LIV Golf ahead of their maiden event on American soil, and also our annual draft of the worst people across sports.

Jesse Starcher and Mark Radulich present their Homicide Life on the Street Season 6 Review! Homicide - Life on the Street is an American police drama television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit. It ran for seven seasons (122 episodes) on NBC from January 31, 1993 to May 21, 1999, and was succeeded by Homicide: The Movie (2000), which served as the series finale. The series was created by Paul Attanasio and based on David Simon's book Homicide: A Year on the Killing Streets (1991). Many of the characters and stories used throughout the show were based on events depicted in the book. The sixth season of Homicide: Life on the Street aired in the United States on the NBC television network from October 17, 1997 to May 8, 1998 and contained 23 episodes. The sixth season marked the debut of character Detective Laura Ballard (Callie Thorne). Detectives Frank Pembleton (Andre Braugher) and Mike Kellerman (Reed Diamond) depart the show in the season finale. Chief Medical Examiner Julianna Cox departs mid-season, with her last appearance being in the episode "Lies and Other Truths". Detectives Paul Falsone (Jon Seda) and Stuart Gharty (Peter Gerety), both of whom appeared in the Season 5 finale, become regular characters. Going into the sixth season, NBC gave the series producers an ultimatum to make Homicide more popular than its CBS timeslot competitor Nash Bridges or face cancellation. Andre Braugher would go on to win the only Emmy and, in 1999, Golden Globe awards the series would ever receive. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Jesse Starcher and Mark Radulich present their Homicide Life on the Street Season 6 Review! Homicide - Life on the Street is an American police drama television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit. It ran for seven seasons (122 episodes) on NBC from January 31, 1993 to May 21, 1999, and was succeeded by Homicide: The Movie (2000), which served as the series finale. The series was created by Paul Attanasio and based on David Simon's book Homicide: A Year on the Killing Streets (1991). Many of the characters and stories used throughout the show were based on events depicted in the book. The sixth season of Homicide: Life on the Street aired in the United States on the NBC television network from October 17, 1997 to May 8, 1998 and contained 23 episodes. The sixth season marked the debut of character Detective Laura Ballard (Callie Thorne). Detectives Frank Pembleton (Andre Braugher) and Mike Kellerman (Reed Diamond) depart the show in the season finale. Chief Medical Examiner Julianna Cox departs mid-season, with her last appearance being in the episode "Lies and Other Truths". Detectives Paul Falsone (Jon Seda) and Stuart Gharty (Peter Gerety), both of whom appeared in the Season 5 finale, become regular characters. Going into the sixth season, NBC gave the series producers an ultimatum to make Homicide more popular than its CBS timeslot competitor Nash Bridges or face cancellation. Andre Braugher would go on to win the only Emmy and, in 1999, Golden Globe awards the series would ever receive. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Sticky Fingaz, is an American hardcore rapper, record producer, actor, film director and writer, best known as a member of multi-platinum hardcore rap group Onyx. Sticky Fingaz was discovered by the late great hip hop legend Jam Master Jay of Run DMC who signed Onyx on his legendary label JMJ Records. Onyx went on to release three top selling albums before Sticky began his solo career. As a part of Onyx, Sticky Fingaz was nominated as "Rap/Hip-Hop New Artist" on American Music Awards of 1994 and won "Best Rap Album" on 1994 Soul Train Music Awards.Sticky Fingaz made his acting debut in Forest Whitaker's award-winning HBO drama Strapped. His feature film credits include Spike Lee's Clockers, Ride, In Too Deep, Lockdown, Doing Hard Time and Breaking Point, but he best known for his role "Tyrone" in Next Friday.Sticky Fingaz made his television debut in New York Undercover and Nash Bridges, but he best known for his role "Blade" in Blade (TV series). He also appeared in The Shield, Platinum (TV series) and Over There (U.S. TV series).Sticky Fingaz write, produce, direct and star in two revolutionary feature films done entirely in the genre of "hip hopera" through his production company Major Independents: "A Day In The Life" and "Caught On Tape". Both films were released by Lionsgate Home Entertainment. Major Independents has created and released in 2008 two films spotlighting multi-platinum hardcore rap group Onyx: "Onyx: 15 Years of Videos, History & Violence" and "Onyx Live Overseas: Da Illest Show On Earth 2008". Major Independents release its first documentary entitled "How To Make A Major Independent Movie" in 2015.

Les, Kurt, and Jason get the to bottom of a very important question: Does Les think Nash Bridges is hot? (Spoiler: yes). But that doesn't make Redd Foxx a Silver Fox. Then it's time to celebrate Kurt's birthday with a new manicure (Blac Chyna got one,) and (eventually) some cake. After jumping into a Ryan Seacrest / McLean Stevenson / David Caruso / Shelly Long rabbit hole, the guys finally get to Fatal Fandom, the Lifetime Movie Network movie that may have changed Kurt's life. This movie has grapefruits with salt and the loudest tacos and crickets ever heard on film. There's also shirtless working out (which could have just have easily been shirtless computer work) and special instructions to give your Grubhub driver if you're stalking someone. Go to Encino to get your blazer, because we have a nice hot fudge sundae for you!   Facebook : lifetimeofhallmark Instagram : lifetimeofhallmarkpodcast Theme song generously donated by purple-planet.com

Glen Mazzara is the Creator, Executive Producer, and Showrunner of A&E's new series, DAMIEN, based on the classic horror film, THE OMEN. Mazzara was most recently Executive Producer and Showrunner for seasons two and three of AMC's record-breaking series and AFI Top Ten TV Program (2012), THE WALKING DEAD. The series earned him two Saturn awards, a Bram Stoker award for Superior Achievement in a Screenplay for the season three finale as well as a Writer's Guild of American nomination for his writing on season one. Mazzara's body of work includes AFI, Golden Globe and Emmy Award-winning series THE SHIELD, for which he earned a Peabody Award, CBS' NASH BRIDGES and NBC's LIFE. He ran season two of TNT's medical drama HAWTHORNE and created the series CRASH, the first scripted drama on STARZ. On the feature side, Mazzara has written THE OVERLOOK HOTEL, a prequel to Stanley Kubrick's classic film, THE SHINING. The film, which Mark Romanek is attached to direct, is currently in development. An advocate and practitioner of diversity in front of the camera, in the director's chair, and in the writers' room, Mazzara is co-chair of the Writers Guild of America's (WGA) Diversity Advisory Group and has been working to improve television employment opportunities for writers of diverse backgrounds. Passionate about mentorship, Mazzara is a co-founder of the WGA Staff Writer Bootcamp and is a frequent speaker at the WGA, the Writers Guild Foundation, the WGA Showrunner Training Program, and the WGA Writers Access Project. He has taught classes and seminars at colleges across the country and is a frequent speaker at professional conferences both in the U.S. and overseas. He is a proud member of his alma mater, New York University's Mentoring Network and received their inaugural Mentor of the Year Award. He also gave the commencement speech to Tisch School of the Arts in 2013. Mazzara recently served as an advisor for the Sundance Institute's Episodic Story Lab and is on the Board of Trustees for the Humanitas Prize. Mazzara currently resides in Los Angeles with his wife and three sons.

Jude Charles is a story-driven filmmaker, brand strategist & speaker. For over 15 years, he has been producing documentaries & videos for purpose-driven entrepreneurs. He lives and breathes YOUR brand. He digs deep to find the compelling stories that no one else knows & then leverages those stories to scale your business. "As a kid, I can remember my dad loved watching shows like NYPD Blue and Nash Bridges. And because I wanted to spend time with my dad, I would stay up late watching TV with him. Years later in life, I realized the lessons I learned by watching these shows. Lessons that taught me so much about the craft of storytelling. It taught me how to search for clues that uncover the truth. How to be relentless in solving the puzzle. How to look beneath the surface of what people wanted you to see. It taught me how powerful the right kind of evidence can be. I use these lessons to help you grow your personal brand." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/yourpodcaster/message Support this podcast: https://anchor.fm/yourpodcaster/support

Here is the audio of my TV Show "Laughs" from July 1987, #11 of the series for CBS. It stars comics John Fox as seen on Rodney Dangerfield's HBO Special, Comic musician Sam Guttman, regular performer in Las Vegas; and comic/actor Tim Wiggins, who was seen twice on the TV show "Nash Bridges". This was fun for me to share, as producing for television was one of my life's great joys. I know you will enjoy this short show!Support the show (https://www.buymeacoffee.com/yourhostandmc)

Harvey Brownstone conducts an in-depth interview with Kathy Garver, Star of “Family Affair”, Author of “Surviving Cissy: My Family Affair of Life in Hollywood”About Harvey's guest:Today's guest is a veteran actress whose film career began at the age of 8, when she appeared in “The Night of the Hunter” and “The Ten Commandments”.  She is most fondly remembered for her role as “Cissy” in the long-running classic TV show, “Family Affair”.    Her film appearances include “Sweet November”, “The Princess Diaries”, and “Mom, Murder and Me”.   She's guest starred in dozens of TV shows going all the way back to “Our Miss Brooks” and “Father Knows Best”, and including such memorable shows as “The Big Valley”, “Matlock”, and “Nash Bridges”.  On stage, she's starred in highly acclaimed productions of “My Fair Lady”, “Sunday in New York”, “The Glass Menagerie”, “Voice of the Turtle”, “A Midsummer's Night Dream” and “The Trojan Women”.  She's a popular voiceover artist, and created many iconic voices including “Pepper” in the Chuck Norris Karate Kommandos TV series, and “Firestar” in the “Spiderman and His Amazing Friends” TV show.  She's also one of the most sought-after audiobook narrators, and so far, she's recorded more than 80 audio books, and she's won 6 prestigious Audie awards.  If that weren't enough, she's written 5 best selling books:  “The Family Affair Cookbook”, “Surviving Cissy: My Family Affair of Life in Hollywood”,  “X-Child Stars: Where Are They Now”,  “Holiday Recipes for a Family Affair”, and “The Family Affair Scrapbook”.For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/http://www.kathygarver.com/https://www.facebook.com/kathygarverfanpage/https://twitter.com/Kathy_Garverhttps://www.instagram.com/kgcissy/#KathyGarver  #harveybrownstoneinterviews

In this episode, we fight through our Thanksgiving hangover to talk gaming, wrestling, fragrances, and so much more. We spotlight the rhythmic action game Klang 2 in The Download while making some new Gorefriends in our podcast spotlight. We give Short Takes of the Nash Bridges reboot (WHY?) and the Survivor Series 2021. We review episodes 1 and 2 of the new Hawkeye series while ending with our cold-weather fragrance of the week; Signature Noir by Zaharoff. The Download 1: Klang 2 [Klang 2 is an intoxicating rhythm-based romp. | New Release Wednesday (wordpress.com)] Podcast Spotlight: The Gorefriends (Gorefriends on Stitcher) Fragrance of the Week (Cold-Weather Edition): Signature Noir by Zaharoff Music by AOAO Music IG: @websterstyle Twitter: @websterstyle www.WebsterStyle.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/TheSartorialAndGeekPod/support