Podcasts about Mistress America

Gerwig month continues with Mistress America, a film about what happens when you get the coolest step-sister of all time who's also a total loser but then the film isn't actually about her, it's about you, and you don't like what you find out about yourself. Plus girlbossing, and tweets! Rowan and Kev are joined by Mistress America superfan Grace Robertson to talk what happens when it all goes wrong but it's also very funny. 

On this episode, we were joined by Lola Kirke, the British-American actress and musician known for Mozart in the Jungle, Mistress America, and Gone Girl, who has written Wild West Village—a witty and moving essay collection described by Booklist as the “Andy Warhol Diaries for rich New York City art kids of the new millennium.”The book follows Kirke's famous family—including her father, Simon (drummer for Free and Bad Company), and her sister, Jemima (of HBO's Girls)—from West London to the West Village, as Lola navigates life in a family of larger-than-life personalities who party hard, exude effortless cool, and embody talent, beauty, and sophistication.

It's time for another Mike Makes Mike Watch! This week, Mike D comes to terms with the work of Greta Gerwig and Noah Baumbach with MISTRESS AMERICA, while Smith catches up with an early 90s movie star vehicle, THE PELICAN BRIEF!

It's time for a Mike Makes Mike Watch! This week, Mike D is reckoning with the work of Greta Gerwig and Noah Baumbach in 2015's MISTRESS AMERICA, while Smith brushes up on his John Grisham with 1993's THE PELICAN BRIEF!

On this episode of LaunchLeft, Rain welcomes Dean Wareham and Britta Phillips of LUNA. They talk about how they first met, how music found them, performing live versus the recording studio, and the volatility of the music industry. Dean shares what’s up next for them, both as a duo and as solo artists. Dean & Britta launch Ryder the Eagle to close the show and we hear about the new single and album “Autotango”. He discusses what led him to write the record and what we can expect to hear from him next. Listen and subscribe wherever you get your podcasts today!  -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE:  [2:44] How did music find Dean and Britta? [6:00] Do Dean and Britta write together?  [8:06] Do they ever wish they had chosen a different profession?  [10:09] Dean and Britta share about the shows they have performed.  [13:21] When did Dean and Britta meet? [15:55] What was the Hooky Wooky Tour? [19:59] What is up next for Dean and Britta? [23:49] Do they have the experience of time being too compressed?  [25:45] How do they use social media to promote their music? [29:33] Do Dean and Britta have any interest in composing for TV or film? [32:36] Ryder the Eagle joins the podcast and talks about his process of making music. [34:24] Where is Ryder from? [37:46] Ryder shares about his music that is being released soon.  [39:47] We hear Ryder’s new song Autotango. KEY TAKEAWAYS:  [22:40] AI can be useful by using it to curate all the information that is at our fingertips that we waste so much time trying to sift through. If you can ask AI the right question, it can curate the information that you want to find online.   [28:32] Social media has benefits for a musician, one being that you can get your music out there affordably and it can be heard all around the world.  [37:25] For Britta, there is a big difference between singing in the studio and singing live for an audience. There is a feeling of being terrified, excited, vulnerable and exposed which gives her a big thrill.    RESOURCE LINKS:  LaunchLeft Podcast Smart Link Dean and Britta’s Links Dean and Britta's Website  Dean and Britta's Facebook  Dean and Britta's YouTube  Britta Phillips' Website  Dean Wareham's Website  Ryder The Eagle’s Links Ryder the Eagle Instagram  Ryder the Eagle Facebook  Ryder the Eagle Website  BIOGRAPHIES:  Dean and Britta BIO Dean & Britta are husband and wife team Dean Wareham and Britta Phillips, members of Luna. They have recorded several full-length albums and soundtracks. Their first two albums were produced by Tony Visconti (Bowie, T.Rex): L’Avventura in 2003 and Back Numbers in 2007. Their most recent release is the song “The Cloud is Coming,” which they wrote and performed for the Noah Baumbach film White Noise (they were also actors in the film). They live in Los Angeles. In addition to making records, Dean & Britta are active scoring films, notably Noah Baumbach’s The Squid & the Whale and Mistress America. They also composed songs and score for 13 Most Beautiful: Songs for Andy Warhol Screen Tests, a project commissioned by the Andy Warhol Museum, and continue to perform this multi-media show live in concert. Dean Wareham was the singer-songwriter-guitarist behind the Boston band Galaxie 500, who released three albums between 1987 and 1991. After this Dean went on to found NYC guitar band Luna, which released seven studio albums between 1992 and 2005.  Luna disbanded in 2005 but reunited in 2015 and continue to perform live. His most recent album (2021) is I Have Nothing to Say to the Mayor of L.A. Dean is also a published author — his memoir Black Postcards is a Penguin paperback. His most recent book — Hearing Voices — is a collection of selected lyrics, illustrated by artist Ed Templeton. Britta Phillips joined Luna on bass guitar in 1999, recording two albums with the band. She was formerly a member of the U.K. shoegaze band Belltower. She was also the singing voice of cartoon rocker Jem in the 1980s, and starred with Julia Roberts in Satisfaction, a film about an all-girl rock band. Britta released a solo album, Luck or Magic, in 2016.   Ryder the Eagle BIO My name is Ryder The Eagle. I was born under the sign of Cancer in the south of France and like the planets predicted, I dedicated the beginning of my life to finding true love. Two EPs, a marriage and a divorce later, I embarked on a "Follymoon", an incandescent kind of a honeymoon where loneliness meets the folly of freedom. I traveled across the USA on the Greyhound bus, lugging my microphone along sidewalks and crossings, diners, and traffic lights. I spent two years in London crafting my break-up songs and sang them all over the globe supporting Adam Green, Jonathan Bree, and a few others. I ended up in Mexico City, where I’m currently living. I’m driving an old Chevy Caprice which I don’t have insurance for. My trunk is full of memories from a past that I can’t let go. One day I went to this Scottish town called Plean, unloaded everything, and wrote nine songs about it. So if you ever need a ride, I’ve got room in the car now - and we can play my first album on the stereo. Can’t wait to meet you.

Episode 272: Lola Kirke got on America's cultural radar as an actress - starring in the Amazon series Mozart in the Jungle, along with roles in Gone Girl and Mistress America alongside Greta Gerwig. But during those years, she was also quietly nurturing her passion for songwriting and music - specifically country music. The pandemic brought her to Nashville where her album Lady for Sale was released by Third Man Records to great acclaim. Now she's about to release the new EP Country Curious and make her debut on the Grand Ole Opry. She's a bold, dynamic personality and this was a really fun conversation that bridges New York, Nashville and Hollywood.

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  Tonight we'll be going down the plastic slide with Greta Gerwig's 2023 smash hit comedy caper Barbie. Written with Noah Baumbach, creator of 2019's Marriage Story, this film sees director Greta Gerwig follow up the success of 2017's Lady Bird and 2019's Little Women. Both she and Baumbach had previously collaborated on films such as Greenberg, Frances Ha and Mistress America, but none of these projects touched the hem of the financial success of Barbie. What is it about the pairing of Barbie and Ken that has captured the public's imagination? What does the film tell us about relationships, real world ones or otherwise? Did you lose interest in the patriarchy once you found out it wasn't about horses? If you enjoy this episode, please leave us a rating or a review in your podcast app of choice - help us make this the best day ever!  Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in September 2023.  Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @Fantana275 Cat can be found on Twitter @KittyCostanza

País Estados Unidos Dirección Noah Baumbach Guion Noah Baumbach, Greta Gerwig Reparto Greta Gerwig, Lola Kirke, Matthew Shear Música Dean Wareham, Britta Phillips Fotografía Sam Levy Sinopsis La vida de Tracy (Lola Kirke), una joven solitaria y muy poco popular estudiante de primer año, sufre un completo cambio cuando aparece en escena la impetuosa y aventurera Brooke (Greta Gerwig), una treintañera que se va a convertir en su hermanastra, pues la madre de Tracy está a punto de casarse con el padre de Brooke

BARBIE is here, and so is Anna Shedd to discuss the filmmaking career of Greta Gerwig, one of the signature directors of her generation. From her directorial features like Lady Bird and Little Women, to her early writing and acting efforts like Mistress America and Frances Ha, we talk about what makes her so special and why her movies are so resonant and effective.

The trendiest film weekend in recent history deserves some context, and Cannes I Kick It is here to provide it. Upon the simultaneous release of Greta Gerwig's BARBIE and Christopher Nolan's OPPENHEIMER, we look back to their earlier festival days, taking a peak at INSOMNIA and MISTRESS AMERICA. Joining us is writer and filmmaker CASSIDY OLSEN! We talk Barbenheimer, Will Dormer, Tweeting on Twitter and so much more! Plus, a look at lack of news out of TIFF and our first Venice points tally! Follow CASSIDY on twitter @olsencassidy Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 97 Sam is joined by Sean Fennessey, head of content at The Ringer and host of The Big Picture podcast. Sean has chosen Noah Baumbach's 2015 comedy Mistress America (84 mins). The film was written by Baumbach and Greta Gerwig, and stars Gerwig, Lola Kirke, Jasmine Cephas Jones, and Michael Chernus. Sam and Sean discuss the origins of the Big Picture podcast, how Mistress America captures the feel of living in New York as a young adult, and Baumbach and Gerwig's filmmaking partnership.  Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @SeanFennessey. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. BONUS LINK: Listen to Sam and Corrina Antrobus discuss Noah Baumbach and Greta Gerwig's Frances Ha on a previous episode of the 90 Minutes Or Less Film Fest. 

We are five feet to the left and very happy on this latest episode of our bonus miniseries on the films of Greta Gerwig. Join us as we discuss her second collaboration with Noah Baumbach, manic pixie dream girls, and how it all relates back to The Great Gatsby!

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Every movie is different. Every story is different. We've been talking about Lady Bird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. And in some sense, I remember thinking, Well, I've made things before and with Greta where there's conflict and maybe there's some overlap here, but there wasn't. It's just every time you start from scratch, and you might think, Well, if we use a certain camera or if we use certain tools, maybe that will help. But that's really the last step. And then I think, you have to have a more, a sort of less practical approach in the initial discussions.I find it helpful to speak with the director and all the collaborators on the project and just to have what I'd call a more dreamy conversation when you get together in a cafe or in the office and just talk through more emotional aspects of the story. There's these very earthly concerns that making a film requires, and you have to really leave all that stuff for later. All the stuff is important, just like in any creative process or business where there's a finite amount of resources. But how do you show certain relationships? The fact is you just have to talk about them first and figure out what they are. It's really important to understand specifically what the emotional notes are of the story. And then, little by little, we just figure out the technique of like the brush strokes, if it were painting, or the notes, if it were music. In cinematography, it's a visual medium, so eventually, we're moving towards: What is in the frame or what isn't in the frame? And how will these frames transition to each other?”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and you mentioned Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

"I think one of the things in Lady Bird that's interesting is she is incredibly vulnerable, especially in relationship to her mom, and then she starts to come out of her shell and becomes more and more empowered and less and less vulnerable, in a sense. And so how do you convey that on screen? And a lot of it is just wanting that sense to be there. Every movie is different. Every story is different. We've been talking about Ladybird, and Francis Ha. So we made Francis Ha first, and there's an interesting relationship between her and her best friend that is almost like a romance, but it's not actually romantic, but the way the story is told, it's like two lovers, but they get into arguments and there's a lot of conflict. And then Ladybird, there's a lot of conflict between the mother and the daughter. I was very lucky to have a wonderful mom who's an attorney. And growing up, my mom worked very long hours, and my father was a musician who did most of the cooking. And I think just having a strong mother with a career and a very distinctive point of view has something to do with all of this. Like I'm looking for my mom in some of these projects. Someone who really shaped my worldview. That her relationship with her friends or possibly with her mom, and I think it just feels very familiar and fun. I was lucky to have a great relationship with my mom, who is all of those things, and who also would feel very guilty working long hours. And I always loved that. I loved that it was my dad who would cook, and my mom had this interesting career, and still does."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me."I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

"I've always thought that filmmaking rhymes with classical music, the process of making classical music that I observed as a child. When I discovered filmmaking, I thought these things, they're very similar. They rhyme with each other. I hope this doesn't sound pretentious, but what operating a camera does resemble the physicality of conducting an orchestra. I was in a certain proximity to my father's orchestra playing on Stephen Spielberg's and Clint Eastwood's soundtracks, and I grew up playing the cello.My favorite conductor that I ever got to see was Seiji Ozawa, who was the musical director of the Boston Symphony and the Tokyo Symphony. But he was my father's orchestra was the Boston Symphony, and he was musical director for 35 years or something like that. And this was like, he was like a dancer, really beautiful, elegant movements. And I watched him rehearse and perform for so many hours when I was a child. And I think subconsciously as a camera operator, that it informed my sensibility, and maybe if I'm able to pull off like an elegant, smooth camera move, like on Noah Baumbach's Mistress America movie we did a lot of big flourishy movements all in one shot. And I think Seiji was a huge influence on me in terms of movement. And even if, Confess, Fletch, I didn't operate the camera, but I had an amazing operator named Julian Delacruz. And just being able to communicate like what the movement should be and just speak that language, I think getting to watch Seiji as a kid really helped that for me.”Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Don't you think maybe they are the same thing? Love and attention?"–Lady Bird, written and directed by Greta Gerwig "I really love that line in the script. It's an incredible script that Greta Gerwig wrote. It's not obvious, that sentiment that she says. I think that's why she has to point it out to the Lady Bird character, but I think if we're lucky in our lives, we can choose the path that we want to go down, whether it's something creative or in the arts or something else. And I think if you're lucky, you can spend your life or your career following something you really love or spending time following the path, whether it's a hobby or your career. And spending that time paying the attention that the craft or the hobby or the creative pursuit wants."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“I studied for a year under Eric Rohmer at The University of Paris-Michelet, and his class was called Cinematography with Eric Rohmer, but we didn't shoot anything. We just watched films, mostly his films, and he would turn the sound off and just talk. It was fantastic. And then we would write papers and discuss. And he talked a lot about his cinematographer Néstor Almendros who shot My Night at Maud's, Pauline at the Beach, Claire's Knee, most of his better-known films.I think the big thing that I got from studying with Rohmer was just his movies are extremely dialogue-heavy, but they're very cinematic. And the way that he would talk about shooting scenes and n a film like My Night at Maud's, that's like largely in one apartment, dialogue spoken between two people, and how to shoot a story that's told through dialogue, but not have it feel like television.And that came in handy later when I did meet Noah Baumbach and Greta Gerwig. Noah's a huge, huge Rohmer fan, so we talked about him a lot. And I think that helped me a lot to have confidence that if a film has a lot of dialogue, for it to feel cinematic and interesting, you don't just need many different angles for the scene to play well. You can kind of show some restraint and even have a scene unfold in one shot and be dynamic, even if people are talking a lot."Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

Sam Levy studied film in Paris with French New Wave director Eric Rohmer and began his career as an apprentice to legendary cinematographer Harris Savides. Sam first gained recognition as a cinematographer when he photographed Wendy and Lucy for director Kelly Reichardt - voted “One of the Best 25 Films of the 21st Century” by The New York Times. He went on to shoot Frances Ha, Mistress America and While We're Young for director Noah Baumbach, Changers and Frank Ocean's Blonded for Spike Jonze, Sermon on The Mount for Jerrod Carmichael, Maggie's Plan for Rebecca Miller and Green Porno for Isabella Rossellini. Sam also photographed Lady Bird for writer/director Greta Gerwig - nominated for 5 Academy Awards including Best Picture and winner of The Golden Globe for Best Picture. Other new films include Mayday, which he also produced, Confess, Fletch, and She Came to Me.“I studied for a year under Eric Rohmer at The University of Paris-Michelet, and his class was called Cinematography with Eric Rohmer, but we didn't shoot anything. We just watched films, mostly his films, and he would turn the sound off and just talk. It was fantastic. And then we would write papers and discuss. And he talked a lot about his cinematographer Néstor Almendros who shot My Night at Maud's, Pauline at the Beach, Claire's Knee, most of his better-known films.I think the big thing that I got from studying with Rohmer was just his movies are extremely dialogue-heavy, but they're very cinematic. And the way that he would talk about shooting scenes and n a film like My Night at Maud's, that's like largely in one apartment, dialogue spoken between two people, and how to shoot a story that's told through dialogue, but not have it feel like television.And that came in handy later when I did meet Noah Baumbach and Greta Gerwig. Noah's a huge, huge Rohmer fan, so we talked about him a lot. And I think that helped me a lot to have confidence that if a film has a lot of dialogue, for it to feel cinematic and interesting, you don't just need many different angles for the scene to play well. You can kind of show some restraint and even have a scene unfold in one shot and be dynamic, even if people are talking a lot."https://samlevydp.comwww.imdb.com/name/nm1240085/ www.instagram.com/samlevydp/ www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For today's movie review:Adam and Andy view another Noah Baumbach film in this episode, this time co-written with and starring partner Greta Gerwig! Tracy and Brooke are "almost" stepsisters in this NYC-set comedy from 2015, it's Mistress America!Check out Mistress America (2015)Show Notes:Viewer's Question:What are our favorite Nicole Kidman movies?Comment/email your answers.Chapters:(~0:00:00) Introduction(~0:00:33) Featured Review(~0:16:11) Viewer's Question(~0:22:03) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.

Maybe you, dear podcast listener, put on a couple of pounds during COVID. You were home more because there weren't as many other places to go. You just weren't as active. That was the case with actor and singer Lola Kirke, who describes this period of cocooning at home as being a time she was very happy.But chances are you weren't prevented from working in your chosen field as a result of that body change. Lola Kirke was.Lola has starred in television shows like Mozart in the Jungle and in movies like Gone Girl and Mistress America. She's really good at acting, acclaimed by critics, loved by audiences, she's at the top of her game. But she says her team of agents and managers have told her that she's a leading lady and needs to lose weight if she wants those parts.Meanwhile, Lola poured her heart and soul into her new album, Lady For Sale, only to find that it didn't meet with the reception she was hoping for.While Lola has observed eating disorders in people close to her, she says she's never experienced it herself. She was however, dealt with depression, recently emerging from an extended down cycle.We hear from Lola about being a brand, a commodity, a lady for sale.Get your copy of or listen to Lola Kirke's new album Lady For Sale on the music service of your choice. Visit Lola Kirke's website at LolaKirkeMusic.com. Follow Lola on Twitter @LolaKirke and on Instagram @lolakirke.Thank you to all our listeners who support the show as monthly members of Maximum Fun. Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlinesThe Depresh Mode newsletter is available twice a week. Subscribe for free and stay up to date on the show and mental health issues. https://johnmoe.substack.com/John's acclaimed memoir, The Hilarious World of Depression, is available here. https://read.macmillan.com/lp/the-hilarious-world-of-depression/Find the show on Twitter @depreshpod and Instagram @depreshpod.John is on Twitter @johnmoe.

Our guest today is the multi-talented, Lola Kirke.  As an actor, Lola has starred in the TV show Mozart in the Jungle and the film Mistress America, as well as many others. And, as a musician she has released two studio albums - most recently Lady for Sale which came out on Third Man Records earlier on this year.  Her favourite song pick is a great selection from Figure 8 and, in this interview, she delves a bit deeper into this track, and tells us how her how she was introduced to Elliott Smith by her boyfriend when she was 13. Photo credit: Zack Michael.  Extra things to look at / listen to: Son of Sam by Elliott Smith: https://open.spotify.com/track/6tPiCU4LFsXUQPRIykOAnl?si=72633655a1d147e7 Figure 8 by Elliott Smith: https://open.spotify.com/album/7DC0pE943VR5tAKIvQXHts?si=kPG8pSi1R-aKcBOzW_wnfw Lola Kirke website: https://www.lolakirkemusic.com/welcome Our cover today is from Dan Caleb (Calebo): https://www.calebo.co.uk/ Newsletter #2: https://myfavouriteelliottsmithsong.substack.com/p/newsletter-2-orono-toledo-milwaukee?utm_source=%2Finbox&utm_medium=reader2 Subscribe to our newsletter: https://myfavouriteelliottsmithsong.substack.com/p/coming-soon?r=1jzwzn&s=w&utm_campaign=post&utm_medium=web Send us your Elliott Smith cover to covers@myfavouriteelliottsmithsong.com My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley. Find us on social media @myfavesmithsong.

Lola Kirke is an English-born American actress and singer-songwriter. You may recognize her from the films Mistress America, Gone Girl and American Woman, and the television series Mozart in the Jungle. On this episode of LaunchLeft, Lola sits down with Rain to chat about her new album, Lady for Sale, set for release this month. Inspired by her love of 80's country and her new roots in Nashville, Lola tells Rain all about her process of recording and releasing this album. Tune in to hear more from Lola! -----------------  LAUNCHLEFT OFFICIAL WEBSITE https://www.launchleft.com  LAUNCHLEFT PATREON  https://www.patreon.com/LaunchLeft  TWITTER  https://twitter.com/LaunchLeft  INSTAGRAM  https://www.instagram.com/launchleft/  FACEBOOK  https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:00] Lola talks about her record, Lady for Sale, and the inspiration behind it [05:30] What's next in terms of her music and film career [10:30] Lola's form of activism she is passionate about [16:00] Lola talks about the ability to express creativity as an artist and making connections with others while staying true to herself [21:00] How Lola got started with music KEY TAKEAWAYS:  Staying true to yourself and being creative can offer a gift you can share and relate to others. Inspiration can come from many different genre's and sources and you can use that as a reference point in your own form of art Bio: Lola Kirke stands out like a flash of neon magenta in this nostalgic landscape of Americana tin-types. While many of her singing, and songwriting peers look further back for inspiration, Kirke's sweet spot is decidedly in the excess of the 80's. Anyone only familiar with Kirke through her on-screen performances (Mistress America, Gone Girl, or Mozart in the Jungle) may be surprised by just how dazzling Lola-playing-Lola can be. Just a few lines into “Better than Any Drug,“ it's clear no written role could reveal more of Kirke's wit, lust for life, and sense of humor than this record captures with the help of producer Austin Jenkins (White Denim, Leon Bridges). Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke's unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we've come to expect from its genre (and the world in general) in recent years. This is a party you'll want to attend.  RESOURCE LINKS Lola Kirke Music Lola Kirke on Instagram Lola Kirke on Twitter Lola Kirke on Facebook Lola Kirke on YouTube See omnystudio.com/listener for privacy information.

Jody interviews Music Supervisor Jackie Westfall about her path in music supervision and the kinds of projects she works on. Jackie Westfall has worked on hit TV shows such as 9-1-1, 9-1-1 Lone Star, Panic, Pose, Halston, Mainstream and Indie FIlms such as Boys In The Band, While We´re Young, Mistress America among other projects and Ads for some of the best known global companies including Apple, Toyota and Red Bull. Jody Friedman is a Music Supervisor for Film, TV and Ads. In 2020, he made it his mission to be of service to indie artists and launched License Your Music coaching program on how to license your music for Film, TV, Ads and Trailers. Listen to Episode 36 of License Your Music with Jody Friedman.

Kylie and Elliott return to talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss the catharsis of tears in both life and cinema, how films age over time, and being all-in on A24. This week's movies are: Cloverfield (2008), Mistress America (2015), After Yang (2021), Big (1988), X (2022), Phone Booth (2002)Follow along onInstagram: @baddad.raddadTwitter: @BadDadRadDadLetterboxd: kylieburtonLetterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

After studying filmmaking with Leslie Thornton at Brown University, and French New Wave director Eric Rohmer at The University of Paris-Michelet, Sam Levy began his professional career as an apprentice to cinematographer Harris Savides. Sam first gained recognition as a cinematographer in his own right when he photographed Wendy and Lucy for director Kelly Reichardt - voted one of the “Best 25 Films of the 21st Century” by The New York Times. Sam went on to shoot three films for director Noah Baumbach: Frances Ha, Mistress America, and While We're Young. Sam's recent films include Lady Bird - nominated for 5 Academy Awards including Best Picture - as well as two projects for director Spike Jonze: Changers and Untitled Frank Ocean Project. Sam has photographed commercials and music videos for such directors as Spike Jonze, Mark Romanek, Fredrik Bond, Stacy Wall, Randy Krallman, Lisa Rubisch, and Brigitte Lacombe among others. Show Notes: New experiences while shooting “Mayday” Sam's experience being a producer and cinematographer Logical and emotional headspaces The genesis of “Mayday”  Women filmmakers Using reference material Sam's path into cinematography  Spirituality The role of a filmmaker / How it's changing Sam's upcoming project Wrap up www.artistdecoded.com www.samlevydp.com www.instagram.com/samlevydp

Career Q&A with Greta Gerwig, Writer/Director of LADY BIRD, on January 10, 2018. Moderated by Sara Vilkomerson, Entertainment Weekly. GRETA GERWIG has rapidly emerged as one of Hollywood's most engaging actresses, screenwriters, and directors, most recently writing and directing LADY BIRD. The film has appeared on over 200 “Top Ten” lists for 2017, and has won Best Picture from the New York Film Critics Circle and Gerwig has won Best Director from the National Board of Review. The film is nominated for three Screen Actors Guild Awards. Gerwig was last seen in 20th CENTURY WOMEN alongside Annette Bening and Elle Fanning from director Mike Mills. Gerwig received a Critics' Choice Award nomination in the category of “Best Supporting Actress” for her portrayal of “Abbie,” a photographer who is being treated for cervical cancer. Last year, Gerwig also starred in Pablo Larrain's JACKIE alongside Natalie Portman and Peter Sarsgaard; Todd Solondz's WIENER-DOG opposite Danny DeVito, Ellen Burstyn, and Kieran Culkan; and Rebecca Miller's romantic dramedy MAGGIE'S PLAN opposite Ethan Hawke and Julianne Moore. In 2015, Gerwig starred in MISTRESS AMERICA, a comedy that she co-wrote with director Noah Baumbach, which premiered to rave reviews at the 2015 Sundance Film Festival. Gerwig's previous collaboration with Baumbach, FRANCES HA, earned her Golden Globe and Broadcast Film Critics Association Award nominations in the category of “Outstanding Lead Actress in a Motion Picture, Musical or Comedy.” The film, which also earned an Independent Spirit Award nomination for “Best Feature,” premiered at the 2012 Telluride Film Festival, Toronto Film Festival, and New York Film Festival. Gerwig first received critical acclaim for her breakout role as “Florence” in GREENBERG, which marked her first collaboration with writer/director Noah Baumbach. In the film, she starred opposite Ben Stiller and her performance earned her several nominations including a Gotham Award nomination for “Breakthrough Performance” and an Independent Spirit Award nomination for “Best Female Lead.” Other film credits include Barry Levinson's THE HUMBLING opposite Al Pacino and Dianne Wiest, Woody Allen's TO ROME WITH LOVE opposite Alec Baldwin, Jesse Eisenberg and Ellen Page; ARTHUR opposite Russell Brand and Helen Mirren; the romantic comedy NO STRINGS ATTACHED with Natalie Portman and Ashton Kutcher; Whit Stillman's comedy DAMSELS IN DISTRESS; and Fox Searchlight's LOLA VERSUS. A darling of the independent film scene, Gerwig's prior credits include Ti West's “art-house horror film” HOUSE OF THE DEVIL; the Duplass brothers' genre-bender BAGHEAD; Joe Swanberg's HANNAH TAKES THE STAIRS as a writer and actress, and NIGHTS AND WEEKENDS which she co-wrote and co-directed. Gerwig graduated Magna Cum Laude from Barnard College and currently resides in New York City.

Are your hands properly chalked? This week we get into some vulgarity with a dash of free-spirited, angst. Jessica admits that she just kind of likes Hope Ann Greggory....and she's ok with that. We might be the only people who watched The Bronze not solely to see Sebastian Stan's butt. We also talk about how Amy Poehler showed a lot of growth in directing since Wine Country, hooray! So let's hop on those uneven bars. We're gonna stick this landing. Follow us on Twitter here!

The Gals are joined by Dan from  the Talk Me Into Podcast  to talk about one of their favorite filmmaking duos, and life-partners, Greta Gerwig and Noah Baumbach. Dan and the Gals breakdown their three big collaborations: Greenberg, Frances Ha, and Mistress America. We get deep into their specific writing style and how they never shy away from their flawed characters, before diving into the easy Woody Allen comparisons both have received in the past.  Chels argues how Baumbach in particular is more of a Mike Nichols, and Morgan touches on complacency of actors in Allen's films and how women are always asked to answer for the sins of men. Plus a few side rants about Once Upon a Time in America and The Deer Hunter.    Talk Me Into Podcast Podcast WebsiteInstagramSupport the Talk Me Into Patreon!Growing Up Gerwig: A Guide to an Unofficial TrilogyPlease donate and support these great organizations!Send Chinatown LoveNational Asian Pacific American Women’s ForumFollow us!TwitterInstagramSpecial thanks to Grace Aki for the podcast art. Support her Etsy store here! 

The delightful Carrie Courogen (Bright Wall Dark Room) brought Mistress America to us, which leads us to gush about Greta Gerwig even more than we already have before for two hours. As well as the more discussions on New York on film, Baumbach's homage to screwball comedies and how underrated is Lola Kirke --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message Support this podcast: https://anchor.fm/exitingthroughthe2010s/support

Vuelven Dani Rovira y Clara Lago, ahora cambiando de comunidad autónoma, en "Ocho apellidos catalanes". Junto con el fenómeno cinematográfico de la temporada, se estrenan también "Mistress America" y "Life".

Vuelven Dani Rovira y Clara Lago, ahora cambiando de comunidad autónoma, en "Ocho apellidos catalanes". Junto con el fenómeno cinematográfico de la temporada, se estrenan también "Mistress America" y "Life".

The Cinema Bums are joined by Jenna Thiel to crown Mistress America! The trio discusses Greta Gerwig and Noah Baumbach's second writing collaboration, a full-on comedy about being a freshman in college and navigating a new older sister relationship. Listen in to hear Emmet explain the history of Taxi Driver Medallions, Wade lead a thrilling game about the pageant history of Miss America, and Jenna, in a shocking turn, rescind her own MVP pick. Thank you for listening, and please enjoy!

Andy's back. The crew gushes about Mistress America (2015) and the boys are tasked with watching Thoroughbreds (2017). 

The pod loses Andy for the week but is joined by the mysterious Andyssa Grieghones. Matt gets us hyped for Mistress America (2015).

In honor of Oscar Nominee Greta Gerwig, Jess and Andrew devote an episode to discussing her evolution as an artist, starting with her collaborations with Noah Baumbach, and culminating in this past year's Lady Bird.  AndrewWatchesMovies.com Twitter: https://twitter.com/AndrewWatchesTV Film Diary: https://letterboxd.com/andrewmartin/films/diary/ Moses's Soundcloud: https://soundcloud.com/user-298402626/im-alright Our artist's Instagram: https://www.instagram.com/mike.dietrich.art/  

Episode 52. Our roundup of what's new and used in the world of vinyl soundtracks, featuring tracks from VHS VIRAL, LEGEND OF HELL HOUSE, BLACK CHRISTMAS, TAXI DRIVER, PRANKS, VI-RES' LOST SCORE, MISTRESS AMERICA and the debut (and only appearance) of our John Williams Theme Game! Created by Tony Giles & Scott Johannsson Recorded at Solatron Studios, Birmingham UK Theme Music by Scott Johannsson DFC Logo by Dan Cullinan May 14th 2016

Chris & Hunter review the newest screwball dramedy from Noah Baumbach & Greta Gerwig, Mistress America. Chris recommends a rural Okie brew that reminds him of Gerwig's indie-darling adorableness. In Special Features, the Dudes discuss Great Actress & Director Collaborations, including a meandering meditation on Michael Bay, Megan Fox, and the Male Gaze. PLUS The 2015 Summer Movie Dating Game! Don't ask, just listen.

Episode 60-- Welcome to another NON-CANONICAL AQI. James talks about a Noah Baumbach movie. Sorry, mom. Sorry, everyone. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Follow us on Twitter @goldenagecruz and @kislingtwits. You can read James' ramblings at Gildedterror.blogspot.com. E-mail us at AQualityInterruption@gmail.com. Support our Patreon at Patreon.com/quality. Review us on iTunes. Tell a friend. Warn an enemy. Greenburg still seems like BS.

Welcome back! Join Russ, Alex, Peter and myself as we talk through Fantastic Four, Mission Impossible: Rogue Nation, Straight Outta Compton, The Gift, Man From UNCLE, Sinister 2, Hitman: Agent 47, I am Chris Farley, The End of the Tour, American Ultra, Mr Holmes, Vatican Tapes, Mistress America, No Escape, Z for Zachariah and more […] The post Movie Movie Podcast #64: Not Enough Movies! appeared first on Movie Movie Podcast.

For Dave and Alonso, life ain't nothin' but green tea and honey. And the films of Greta Gerwig. Like our Facebook page, follow on Twitter and Instagram @linoleumcast, leave us a review on iTunes, click on our Amazon links when you shop online, they claim it's my city, it's my city they claim. Dave's DVD pick of the week: ELENA Alonso's DVD pick of the week: THE COLD LIGHT OF DAY

This week Rhianna chats to Henry Cavill & Armie Hammer about The Man From U.N.C.L.E and Greta Gerwig about writing and starring in Mistress America. Plus highlights of Cara Delevigne and Grimmy talking about Paper Towns and reviews of Trainwreck, Pixels, Absolutely Anything.

A special roundtable discussion among journalists and myself with director/screenwriter Noah Baumbach, actress/screenwriter Greta Gerwig, and actress Lola Kirke of the new film Mistress America. 

On today's show I talk to actor Lola Kirke. Lola comes from a family of artists and musicians - her father is Simon Kirke of the bands Bad Company and Free, her mother is Lorraine Kirke, a fashion designer and interior decorator, and her sister is Jemima, who plays Jessa on Girls. But at the age 24, Lola is no slouch herself. She's acted in films like Gone Girl and shows like The Leftovers, she plays the lead in the Amazon series Mozart in the Jungle, and she's one of the stars of Noah Baumbach's latest film Mistress America.This is the website for Beginnings, subscribe on iTunes, follow me on Twitter.