Podcasts about order criminal intent

Vincent D'Onofrio joins Backstage's In the Envelope: The Actor's Podcast to discuss playing Marvel's Kingpin of Crime, Wilson Fisk, including updates on "Daredevil: Born Again" Season 2. D'Onofrio also digs deep into how aspiring performers can live the life of an artist and looks back on a career that includes "Men In Black," "Full Metal Jacket," and "Law & Order: Criminal Intent." ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

On April 9, 2025 Theater of War Productions presented its third installment of a new long-form journalism series at WNYC. The acclaimed actors Oscar Isaac (Dune, Ex Machina), Kathryn Erbe (Law & Order: Criminal Intent, Oz), and Bill Camp (The Queen's Gambit, The Night Of), performed “I Don't Want to Die”: Needing Mental Health Care, He Got Trapped in His Insurer's Ghost Network, written by Max Blau for ProPublica, to frame a powerful conversation about health insurance, ghost networks, and the challenges many Americans face accessing mental health care when they need it most. More information and a video recording are at https://www.wnyc.org/story/i-dont-want-die Theater of War Productions presents community-specific, theater-based projects that address pressing public health and social issues. They work with leading film, theater, and television actors to present dramatic readings of seminal plays—from classical Greek tragedies to modern and contemporary works—followed by town hall-style discussions designed to confront social issues by drawing out raw and personal reactions to themes highlighted in the plays. Since its founding in 2009, Theater of War Productions has facilitated events for more than 500,000 people, presenting over 20 tailored programs to serve diverse communities across the globe, reaching over 100 countries. https://theaterofwar.com/ Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 7pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https:/www.forwardradio.org

Introduction: How Do You Stop Hatred from Growing in Your Heart? (Matthew 5:21–26) By putting it to Death when it First Appears. (Matthew 5:21–22a) 1 John 3:15 – Everyone who hates his brother is a murderer, and you know that no murderer has eternal life abiding in him. By refusing to Kill others with Destructive words. (Matthew 5:22b) Ephesians 4:29 – Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear. By seeking after Immediate Reconciliation. (Matthew 5:23–24) By remembering what's At Stake. (Matthew 5:25–26) 1 Corinthians 6:10 – ...nor thieves, nor the greedy, nor drunkards, nor revilers, nor swindlers will inherit the kingdom of God. Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead Matthew 5:21-26What was your big take-away from this passage / message?Are you struggling with anger/hatred? How can you deal with it right now before it gets out of control?Read Ephesians 4:29 - What are some practical ways to control your mouth and keep corruption from spreading to others?Why is it so hard to admit your faults and ask for forgiveness?What are the consequences of giving yourself over to hatred and unforgiveness? BreakoutPray for one another. AUDIO TRANSCRIPT Turn your Bibles to Matthew chapter 5 verses 21 through 26.Matthew chapter 5 verses 21 through 26.We live in a culture that is absolutely obsessed with murder.There are dozens and dozens of true crime podcasts that delve into the nitty-gritty detailsof the worst crimes imaginable.Who has ever listened to a true crime podcast?No shame.Just asking.There are seemingly thousands and thousands of TV shows that are centered around murderinvestigations.Let me just list a few.Blue Bloods, Only Murders in the Building, Criminal Minds, Chicago PD, Sherlock, Bones,Castle, The Rookie, Longmire, Colombo, Psych, Monk, Murder She Wrote, Diagnosis Murder.Then there are the franchises that have spun out an endless amount of added-on shows, right?Law and Order, Law and Order Special Victims Unit, Law and Order Criminal Intent, Law andOrder LA, Law and Order Trial by Jerry, Law and Order True Crime, Law and Order OrganizedCrime, NCIS, NCIS Origins, NCIS Los Angeles, NCIS Hawaii, NCIS New Orleans, NCIS Sydney,CSI, CSI Miami, CSI New York, CSI Los Angeles, CSI Vegas, CSI Cyber, CSI Sheboygan, CSI Wexford.Okay, wait.Those last two don't actually exist, but at the rate they're pumping out these spin-offs,you never really know.But millions of people tune into these kind of shows every single week to watch fictionalmurderers face justice.On top of these podcasts and TV shows, we even play a board game with children thatis all about murder.That board game is?Who has ever played Clue at some point in their lives?I don't want to explain the basic premise, right?Okay, three to six players, you're all trapped in a mansion and one of you murdered Mr. Bodie,who owned the mansion.Was it Ms. Scarlett, Colonel Mustard, Mrs. White, Mr. Green, Mrs. Peacock, or ProfessorPlum?The whole purpose of the game is to figure out who is the murderer, what is the murderweapon, and what is the location of the killing?Again, this is a game for children.If the game can end with an accusation like this, Colonel Mustard in the conservatorywith a candlestick.Maybe you love playing this game growing up because you like to solve the mystery, assignthe blame for murder, and point the finger at made-up characters.But what if I were to tell you that every single person in this room is guilty of murder?This is in my opinion, it's not a suspicion, a hunt or an unfounded accusation.This is a clear and simple fact from the mouth of our Lord.According to Jesus Christ, we are all Colonel Mustard in the conservatory with a candlestick.And you may be thinking, "Taylor, I don't know about the person next to me, but I havecertainly never murdered anyone in cold blood."Well, you may be innocent of physically murdering, but there is no wiggling out of the realitythat you are guilty of spiritually murdering in your heart by hating others.And again, I know that some of you may be resisting what I'm saying already.You think to yourself, "I don't hate anyone.I am pleasant with everyone."I mean, sure, there are some people I intensely dislike.There are some people I vent about constantly.There are some people I avoid at all costs, and if I saw them in the grocery store, Iwould run in the opposite direction.But hey, that's different.Is it different?Maybe you are dressing up your hatred to make it look nice and acceptable when it is actuallycruel and dishonoring to the Lord.No matter who you are, how nice you may appear, you are not exempt from hatred.Because you have to understand that murder is not just an action.It is a state of heart in mind.We have been studying the Sermon on the Mount since February, and we are in the second sectionof our study, "The Heart of the Law."Last week, Pastor Jeff taught that Jesus Christ didn't come to abolish the law, but to perfectlyfulfill it through His life, death, and resurrection.And throughout the Sermon on the Mount, Jesus demonstrates that the law is not skin deep.It actually drills down deep within you to your heart.Jesus cares about who you are on the inside.He is far more interested in the internal than the external.In Matthew 5, verses 21-26, Jesus exposes your greatest desires, fears, and innermostfeelings which you try to keep hidden away from others.Jesus pulls your anger into the light to show you how truly ugly, subtle, and destructiveit actually is.Jesus doesn't do this to humiliate you.He does this to help you.Jesus doesn't do this to condemn you, but to change you from the inside out.Because hatred cannot be allowed to fester.It will hollow you out on the inside, and it will hurt everyone around you.So how do you stop hatred from growing in your heart?Well, our passage for this morning offers four methods of extermination that will keepthe infection from spreading.Before we cover those, let's go to the Lord and ask for His help.Please pray for me that I will faithfully proclaim God's Word, and I will pray for youthat you will joyfully receive God's Word.Father, we thank you for this most important appointment of the week.We gather together as your people to worship you, to encourage one another, and to situnder the proclamation of your Word.Lord, I thank you that you watch over your Word to perform it, and that your Word accomplishesevery purpose for which you send it out.I pray this morning that you would do your work in our hearts and lives.We ask all this in Jesus' name.Amen.So how do you stop hatred from growing in your heart?The first method of extermination by putting it to death when it first appears.By putting it to death when it first appears.Let's read verses 21 through 22.Jesus says, "You have heard that it was said to those of old, you shall not murder, andwhoever murders will be liable to judgment.But I say to you that everyone who is angry with his brother will be liable to judgment."So Jesus kicks off a pattern that we see six times in Matthew chapter five.You have heard that it was said, but I say to you.And at first glance, it may look like Jesus is changing one of the six commandments.It may look like he is erasing the original meaning and coming up with something brandnew.But as Pastor Jeff said last week, Jesus came not to lessen the law, but to elevate it.Jesus is not changing the sixth commandment.He is simply revealing something that has always been within it, but has been ignored.He is not contradicting God's word.He is contradicting the Pharisee and scribes incomplete interpretation of God's word.The religious leaders of Jesus' day thought and taught that the sixth commandment of,"You shall not murder," only applied to the physical acts of homicide in manslaughter.They put this commandment into a box and ignored its deeper meaning.And here is the heart of the sixth commandment.Do not give yourself over to unrighteous anger, which leads to the act of unjustly endingsomeone's life.Anger is the first domino in that chain reaction.The religious leaders limited the scope of God's command and the process they limitedits impact.By viewing the sixth commandment in this way, a religious leader could look at himself andsay, "Hey, I am perfectly keeping this commandment.I have never clubbed someone over the head.I've never pushed my neighbor off a tall building in a fit of rage.God must be so proud of me, but internally they are killing people by despising them,despising tax collectors, sinners, and Gentiles."In this passage, Jesus corrects the massive oversight of the men who should know the lawbetter than anyone else, but have missed the entire point.They have missed the heart.Jesus is saying, "Don't think you're safe and sound because you have no bodies buriedin your backyard.You were on the hook for a serious crime and heading for serious consequences if you havehatred and anger and bitterness buried in your heart."It's especially egregious to be angry with fellow brothers and sisters in Christ.Why is that?You know, as a dad, it pains me to watch or read news stories about kids being bullied.But do you know what would be worse than watching strangers be mistreated, finding out thatone of my own kids is being bullied?Do you know what would be the worst of all?Discovering that one of my kids hates and actively tries to hurt his or her sibling.It grieves the heart of God to watch his children despise and attack one another.And John talks about this in his first epistle.He says, "Everyone who hates his brother is a what?A murderer.And you know that no murderer has eternal life abiding in him."At this point, you may be frustrated thinking, "Wait, so you're saying I can never be angrywith anybody, especially if he or she is a Christian.How is that possible?"To be clear, Jesus isn't saying that anger is always sinful.God gets angry.God hates sin and what it causes.Jesus got angry throughout the Gospels.As a human, it is impossible for you to not feel feelings of betrayal, of annoyance, andfrustration.Jesus isn't condemning anger in general.He is condemning a very specific kind of anger.In this passage, the word for anger in the Greek is orgizō.And this is a fuming, a boiling anger that is nurtured and intensified like a pot of wateron a stove.You keep dialing up the temperature, keep dialing up the intensity until it overflowsand scalds people.This kind of anger twists your heart.It distorts how you view other people.You may even danger about bad things happening to this person.You may want this person to get what's coming, to get what they deserve, to be publicly humiliatedand to feel the same exact pain that you feel.When you hate someone, you are communicating this message to the Lord.Lord, I don't care if that person dies and I want them out of my life for good.Now, you would never say that out loud, but that's what you're feeling in your heart whenyou harbor bitterness.Because that person is dead to you when you never ever want to see him or her ever again.In your book, it's like they've been wiped out of existence.It's like they've fallen off the face of this earth.That kind of anger is a spark that can be snuffed out or fanned into flame.It's challenging to put to death in its infancy, but it's way harder to kill once it's fullygrown and is out of control.And this principle holds true in every other area of life.If you had gone to the dentist, when you first noticed that tooth pain, you could have avoidedthe unpleasant and very expensive root canal.That small leak in your attic would have been much more manageable whenever it was a smalldrip, but now every single time that it rained, it's like a waterfall in your attic.Even care of your yard would have been much easier when you pulled weeds as they poppedup, but after months and months and years of neglect, there are weeds everywhere.In those moments, you noticed a problem, but you did nothing about it.You stuffed it down instead of honestly addressing the issue.Never turn a blind eye to your sin.Only when it comes to unrighteous anger and hatred, when you see that root of bitternesspop up, be relentless and pulling it out and throwing it away instead of giving it roomto breathe and to grow.When that urge to mentally curse someone out in your mind pops up, don't entertain it.Don't go down that ungodly route.Instead, choke out those thoughts with the word of God.If that person is a believer, pray for their sanctification.If that person is not a Christian, pray for their salvation.When a family member or friend fails you, trust me, they will fail you.Don't stew on the offense and tally up all the ways that person has let you down in thepast.Instead, run to the only one who has never and will never let you down.Go to God the Father so that you can choose patience and gentleness instead of pettinessand retaliation.When the desire to believe the worst about someone in this church enters your mind, willinglydecide to believe the best until proven wrong.Run down the stove of your anger before it hurts you and everyone around you.How do you stop hatred from growing in your heart?Second method of extermination by refusing to kill others with destructive words.By refusing to kill others with destructive words.So Jesus moves on from what's in your heart to what comes out of your mouth at the endof verse 22.He says this, "Whoever insults his brother will be liable to the counsel and whoeversays you fool will be liable to the hell of fire."Maybe this seems over the top to you.You may be thinking, "Really Jesus going before the Supreme Court and being thrown into hellfor insulting and slander?"Isn't that a bit severe?Well, maybe you won't think that if you understand what these insults actually mean.That word for insult in the Greek is "rokka" which means empty-headed or worthless.And that word for fool is "moros" from which we get which English word do you think?Moron.That's not just a cute, funny word.The New Testament uses that word to describe those who were outside the kingdom of God.So by labeling someone as "rokka" and "moros" you are saying you are a worthless and stupidwaste of space with nothing of value to offer anyone so you can go straight to hell forall I care.True Christians cannot lose their salvation by using their mouths for evil.But a person whose life is marked by this kind of vile speech should question the genuinenessof his or her faith and status in the family of God.How can you flip people off in traffic throughout the week and then passionately raise your armsand worship on Sunday?How can you unapologetically scream at your wife and your kids and then use that samemouth to pray to a heavenly Father who you were nothing like?How can you day after day at work belittle your colleagues, your coworkers, your employees,and then go to a small group and claim that you are a bold witness for Christ?How can you ruin the reputation of others with slander and then describe your reputationas above reproach in God-honoring?You cannot habitually kill others with your words and claim to love Jesus with your wholeheart.Your words say way more about you than the person you are speaking against.Please do not underestimate the impact and influence of your words.You can use your mouth to point someone to Christ or away from Christ.To smash them into a million pieces or to help put them back together again.You can use your mouth to give someone hope or to take away the little hope that someonehas.Listen to what the apostle Paul has to say about how you should and shouldn't speak inEphesians 4-29.Let no corrupting talk come out of your mouth, but only such is good for building up as fitsthe occasion that it may give grace to those who hear.No corrupting talk.Corrupting brings the mental picture of something that is rotten and moldy.Imagine every single time you use your words in a negative way that this gross odor eaksout of your mouth and grosses out everyone around you.My wife and I were first married.We lived in a garage apartment above the house with a very nice Christian couple and theirson.We have almost no complaints about them.Great family, very kind to us.We had one small complaint.Once or twice a week they would make a meal that smelled horrible.The smell would go from the kitchen into the vents and finally into our apartment.I can't tell you how many candles we lit, how many balls of Febreze we sprayed to tryto fight off this odor.Somehow those defenses make it worse, doesn't it?The smell is kind of mixed together to create a horrible uber smell.It's been 11 years.I swear to you, I can still smell this meal in my house sometimes.I know that's not possible.My wife tells me I'm imagining it, but that smells so offended in my nose that it hauntsme in every season of life.You may be thinking, "Okay, what's the point of this random gross story?"Your corrupting words have the power to linger and haunt people for the rest of their lives.If I passed around a mic this morning and asked everyone to share the most hurtful thingsthat have been said to or about you, there wouldn't be a dry eye in this room.Now I want you to think about some of the most hurtful things you've ever said to orabout someone.Was it worth it?Do you stand by what you said or do you regret it?Just given a do over, would you say it all again or would you keep your mouth shut?Remember your answers to those questions when you were tempted to lash out at others withyour words.Recognize that you can never take your words back no matter how much you wish that you could.How do you stop hatred from growing in your heart?Third method of extermination by seeking after immediate reconciliation.By seeking after immediate reconciliation.So verses 23 through 24, Jesus switches gears to focus on how you should address the angerof others when you are at fault.Let's see what he has to say about next steps.Verse 23, "So if you were offering your gift at the altar and there, remember that yourbrother has something against you.Leave your gift there before the altar and go.First be reconciled to your brother and then come and offer your gift."Jesus places a high premium on resolving relational issues quickly and pursuing after reconciliationas soon as possible.He even puts it above sacrifice, which to Jews in the first century would have beenunthinkable.Being sacrificed is expected and commanded by God, but Jesus says it's more importantto be at peace with others around you.He's saying if you're making your sacrifice, leave it there, leave, go put this issue tobed and then come back to finish your sacrifice.This would be similar to us hearing, "Listen, if you're shopping at giant eagle, leave yourcart at the register and get out of there.If you're pumping gas, jump into your car and speed away and don't worry if the gasnozzle is dragging on the road behind you.If you're worshiping a church on Sunday, stop singing and track that person down.Resolve that unfinished business."Do you have unfinished business right now?Do you need to ask for forgiveness?Maybe you need to step out, make that call, send that text or even speed out of the parkinglot.If that's you, do it right now.Maybe you don't want to.Sadly so many of us demand apologies from others, but we're so bad at apologizing whenwe're wrong.Why is that?Because apologizing requires humility.You have to make yourself small and put yourself at the mercy of someone else.Do we naturally want to do that?None of us do, but it's commanded by our God and it is expected.It's way easier to cut ties and run than it is to admit your faults.That's why there are so many marriages that end in divorce.That's why there are so many friendships that are broken.That's why so many professing Christians leave their current church to go to anotherchurch down the street.Well, time for a fresh start.No one at this new church knows my dirty laundry or my history yet not yet.Give it a few weeks or months and you'll be looking for a new church yet again.It is far more appealing to the flesh to be totally unknown and completely unconfirmedthan it is to be fully known and lovingly confronted.Please stop pretending because Jesus is not fooled.Stop running away from those you've hurt because your problems will just follow you whereveryou end up.Do not be lazy and passive about reconciliation.Just like, yeah, yeah, I'll put that on my to-do list and get to it at some point.No, Jesus is saying, rip up your to-do list because nothing else matters.Do whatever is necessary to attempt to stifle that anger that is between you and the otherperson.How do you stop hatred from growing in your heart?Final method of extermination by remembering what's at stake.By remembering what's at stake.Maybe you're still unmoved by Jesus called a crush hatred and pursue after restoration.You know what God is calling you to do, but you just don't want to do it.You don't have any plans to make any changes or say sorry anytime soon.Well, thankfully, Jesus knows how stubborn you are.And he knows how stubborn I am.So he follows up his command with a very stern warning in verses 25 to 26.He says this, "Come the terms quickly with your accuser while you were going with himto court lest your accuser hands you over to the judge and the judge to the guard andyou be put in prison.Truly I say to you, you will never get out until you have paid the last penny."Let me bring this first century illustration into the 21st century.Imagine that you and your neighbor are fighting over a property line dispute.And during one argument, you get so angry that you viciously attack him.You were 100% guilty and there are witnesses to back up your neighbor's testimony.Your neighbor threatens to call the cops, to press charges and sue you if you do not apologize.But in that moment, you don't want to apologize.You want to defend yourself.You want to fight against your neighbor.You don't want him or her to have the satisfaction of beating you.But let's follow that to its logical conclusion.The cops come, you're arrested, you're put on trial and you have to go to prison andstay there until you are let out.And even then, you still have a lot of legal fees and you still have to pay out the lostsuit.Let me ask you, is there any upside to that option, option A?What do we think?No, it's all horrible.But thankfully, there's an option B. Throw yourself at the mercy of your neighbor.Ask for their forgiveness and seek after an agreeable solution.If you do that, your future is no longer filled with orange jumpsuits and public showers.Maybe thinking, well, thanks for the random legal advice, I guess.But what does this have to do with me?Well, here's the point.Hatred is a prison that you willingly lock yourself into.Hatred is a prison that you willingly lock yourself into.If you give yourself over to it, if you refuse to repent, there will be consequences in thislife.You will become very lonely and unpleasant to be around.You'll be known as the cranky guy or lady at church that everyone wants to love butdoesn't know how to.You'll be viewed as the human cactus.Everyone tries to hug you and bring you closer, but you just push them away and hurt themwith jabs.You will be trapped in a loveless marriage.Your children will wither away under your harshness and constant criticism.And you'll wonder one day why they don't visit anymore or call you to check in.Your friends will drop away like flies one by one by one because they're tired of youpicking fights and refusing to apologize.Let me ask you, is that the direction you want your life to take?Is that where you want to end up?And these final two verses, Jesus is focusing on the penalties you will face right now ifyou wrong others and never seek forgiveness.But over this past week, I couldn't help but consider the eternal penalty for unrepentanthatred and a continual refusal to seek after the forgiveness of Christ.Paul is crystal clear in 1 Corinthians 6 10 that revilers slanderers will not inheritthe kingdom of God.As I said earlier, some of you need to do some serious self examination.If you relentlessly feed this anger in your heart and it pours out from your mouth andthrough your actions, you may need to answer this really difficult question.Am I truly saved?Because true Christians choose to love instead of hate.A true follower of Christ wants to repent of sin, not wallow in sin.Someone who has experienced the forgiveness of Christ wants to extend that to others insteadof withhold it.Those who have been changed from the inside out say, "I'm sorry, will you forgive me?"Not "I'm sorry, but" or "I didn't do anything wrong."Because none of us are perfect in any of these areas.But you should be making progress day by day, week by week, month by month, year by year.Are you kinder, more loving, more forgiving now than when you first came to Christ?And if the answer is no, maybe you never truly came to Christ in the first place.If your honest answer to the question of "Am I truly saved?" is no, then your future isfar more terrifying than any earthly jail or prison.You are looking down the barrel of an eternity of being sentenced to a prison that is inescapableonce you are there.In hell, no one is released early or given visitation rights.But I have great news this morning.You don't have to be sentenced to that kind of eternity.There is still time to trust in Christ today.You don't need to carry that hatred or bitterness any longer.Those burdens will sink you both now and forever if you let them.Give those burdens over to Christ who was hated by the crowds that you could be lovedby His Father, who was rejected on the cross that you could be accepted, who bore the angrywrath that you deserve so you could be declared innocent.Jesus Christ has open arms this morning.He is calling you to run to Him.He is ready and willing.Are you ready and willing to run to Him and accept all that He has to offer?Let nothing hold you back from Christ because He will withhold nothing from you once youcome to Him with a sincere faith in genuine repentance.If your honest answer to the question of "Am I saved?" is yes, but you still wrestle withholding on to resentment and burning with anger, I have a few final words of encouragementfor you.You may have dug yourself into a pit of your own making.You keep digging and digging and digging with obsessive thoughts, unkind words, and stubbornness.But please listen to me.You only need to stay in that hole as long as you want to.Nothing and no one is keeping you there besides yourself.If you want to get to a better place, get over yourself and admit your neediness.Admit that you need God's help.Find yourself the truth instead of buying into your own lies.You should hold no grudges because God holds no grudges against you.You have nothing to prove to anyone because Jesus Christ already approves of you.You have no reason to repay evil for evil because the Bible says that vengeance belongsto the Lord.You have no defense for your hatred because you have received the greatest love imaginable.Let's spend some time with the Lord in prayer.Please close your eyes and bow your heads.Use this time to confess your sin to the Lord.To acknowledge how much you need Him to change.Stop putting on a show and be honest with your Father because He already knows whatyou're struggling with.The first step in finding a solution to your problem is admitting that you even have aproblem.Don't worry about what's for lunch.Don't worry about your busy day tomorrow, how your kids are doing in the back.Do business with God.Father, we come before you to confess our sin.Lord, all of us struggle with this in some way at some level, whether we want to admitit or not.And Lord, if there is someone in this room who doesn't know you, Lord, I pray that todaywould be the day of salvation.Today would be the day where they run to you and ask for forgiveness for the very firsttime.For the rest of us, Lord, would help us to recognize that we are already forgiven ofour hatred, that the eternal penalty for our sin has been taken away.But Lord, we are called to love you so much that we must hate our sin.Lord, help us to hate how we sin against you rather than hate others.Where we ask for your power, we ask for your strength to grow, to mature.I pray that we'd walk out of this room as lighter people after giving you the burdenof our hatred and anger.I ask all this in Jesus' name.Amen.

Today on What's My Frame I'm joined by Director & Producer, Michael Smith. After getting his first directing opportunity on Law and Order: Criminal Intent in 2007, Michael has gone on to direct over 80 episodes of television. He's also a Producing Director on SUITS LA & Law and Order SVU. Michael is an alumni of The University of Michigan and can usually be spotted on the set wearing some combination of blue and gold. He resides in NJ with his wife Tracy and their two children.This episode is a special one to celebrate our 150th! Mike's heart for actors and the creative process is a joy to witness! Now let's get to the conversation. Michael Smith Official sitehttps://www.mikesmithdirector.com Follow Michael on Instagram https://www.instagram.com/mikesmithdirector/DGA Assistant Director Training Program https://www.dgatrainingprogram.org

Tala Ashe has captivated audiences on screen as a time-traveling hacker in Legends of Tomorrow and on stage in the Pulitzer Prize-winning play English. Now making her Broadway debut, she brings a deeply personal perspective to her role, exploring themes of language, identity, and cultural assimilation. In this conversation, Tala opens up about her own experiences growing up in Ohio after emigrating from Iran, the complexities of representation in Hollywood, and the emotional weight of performing English on Broadway. She shares the challenges of switching between accents on stage, how her family's journey shaped her artistic path, and why she's fiercely selective about the roles she takes. With humor, insight, and vulnerability, Tala offers a thoughtful perspective on storytelling, advocacy, and what it truly means to find your voice. Tala Ashe is an Iranian-American actress best known for her role as Zari Tomaz/Zari Tarazi in DC's Legends of Tomorrow. She has also appeared in Smash, American Odyssey, Covert Affairs, Law & Order: Criminal Intent, and As the World Turns. On stage, she received critical acclaim for her performance in English, Sanaz Toossi's Pulitzer Prize-winning play, and is now making her Broadway debut in its transfer. A graduate of Boston University's School of Theatre, she has built a career focused on complex, fully realized characters that challenge stereotypes and expand representation. Connect with Tala:

Al & Val are joined by their pal and former cast member of Improvised DCOM to rap about Let it Shine. The only real question is who is hotter: Tyler James Williams or Courtney B. Vance?Let it Shine (June 15, 2012)IMDB WikipediaDirected by  Paul Hoen (Luck of the Irish, Tru Confessions, You Wish!, Eddie's Million Dollar Cookoff, Read it and Weep, CGOW, Dadnapped, Camp Rock 2, How to Build a Better Boy, ZOMBIES 1-3)Written by Eric Daniel (Back on the Strip) & Don D. Scott (Barbershop 1 & 2 & The Neighborhood showrunner)Starring: Tyler James Williams as Cyrus DeBarge/Truth (Little Bill, Everybody Hates Chris, Criminal Minds: Beyond Borders, Dear White People, Abbott Elementary)Coco Jones as Roxanne "Roxie" Andrews (Good Luck Charlie, Grandma's House, Five Points, Bel Air)Trevor Jackson as Kris McDuffy (Eureka, Grown-ish, music videos)Brandon Mychal Smith as Lord of da Bling (Starstruck, Sonny with a Chance, So Random!, You're the Worst, Rise of the TMNT)Dawnn Lewis as Gail DeBarge (A Different World, Hangin' with Mr. Cooper, prolific voice actor)Nicole Sullivan as Lyla (Buzz Lightyear: Star Command, King of Queens, Kim Possible, MadTV, DC Superhero Girls)Courtney B. Vance (The Hunt for Red October, Dangerous Minds, The Preacher's Wife, Space Cowboys, Law & Order: Criminal Intent, The Photograph, Uncorked, Lovecraft Country, 61st Street)Algee Smith as Da Boss (Euphoria)Chloe x Halle Bailey as Choir Members (Halle: Grown-ish, Little Mermaid, The Color Purple - Chloe: Grown-ish)Synopsis: A teenage boy hides his rapping from his family and friends. When his best friend uses his lyrics to get close to a girl he has feelings for, he must battle to win her affection while struggling against pressure from his father.Fun Facts: Names all map to Cyrano de BergeracNext Movie: Girl vs. Monster ★ Support this podcast on Patreon ★

Maria Dizzia was last seen in the Broadway Revival of Macbeth and starred in the national tour of Heidi Schreck's acclaimed play What the Constitution Means to Me. Other Theatre: If I Forget, The Layover, Belleville (2013 Drama Desk Nomination), Uncle Vanya, In the Next Room (2010 Tony Award nomination); Eurydice and many more. She made her directorial debut with the Amios Theater Company production of The Loneliest Number (2018 NY Innovative Theater nomination) and most recently directed Marin Ireland's Pre-Existing Condition at the Connelly Theater. In 2019 she starred in the Academy Award winning short The Neighbors' Window directed by Marshall Curry for which she also earned the Best Actress Award at the Short Shorts Festival. Maria portrayed Polly on three seasons of Orange is the New Black and had recurring roles on The Staircase, The First Lady, The Undoing, 13 Reasons Why, Horace and Pete, Louie, Emergence, Red Oaks and Royal Pains. Other select television and film credits include: The Good Nurse, Christine, Life and Beth, The Outside Story, The Deuce, The Newsroom, Prodigal Son, While We're Young, Martha Marcy May Marlene, Margin Call, The Good Wife, Master of None, Elementary, Fringe, Law & Order and Law & Order Criminal Intent. She can currently be seen in Paramount+'s series School Spirits, the independent films My Old Ass & Christmas Eve in Miller's Point as well as recurring on Agatha: Coven of Chaos and Before with Billy Crystal and Judith Light. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Dance Talk” ® with Joanne Carey and special guest film maker, Gabrielle Lansner In this episode of "Dance Talk” ® host Joanne Carey interviews choreographer and film maker, Gabrielle Lansner, who shares her unique journey from dance to filmmaking. Gabrielle discusses her early dance training, the influence of acting on her choreography, and her transition to creating dance films. She reflects on her creative process, the themes of loss in her work, and how the COVID-19 pandemic inspired her to explore new avenues in filmmaking. The conversation highlights the interconnectedness of dance, theater, and film, emphasizing the importance of storytelling through movement. In this conversation, Gabrielle Lansner discusses her creative journey during the COVID-19 pandemic, focusing on her film 'I Am Not Okay.' She shares insights into the challenges and processes of filmmaking, the themes of her work, and the emotional impact it aims to convey. Lansner also reflects on the recognition her film has received and her aspirations for educational outreach, emphasizing the importance of storytelling in the arts. Gabrielle Lansner is an award winning filmmaker, choreographer, and producer whose work is influenced by her background in choreography and performing.  Her films have screened at dozens of festivals worldwide and garnered multiple awards. For over 30 years, Lansner has explored artistic disciplines moving from pure dance works, to dance/theater, to film. She has always been interested in story and character: creating emotionally complex and layered works that delve into the heart and psyche. Since 1997, she has been the Artistic Director of gabrielle lansner & company, a critically acclaimed dance/theater company based in New York City. The works have been produced at The Peter Jay Sharp Theater, HERE, River to River Festival, P.S 122, The Joyce Soho, to name a few and have toured the US and Canada. The company has received support from The Dance Films Association, The Alvin & Louise Myerberg Foundation, The Harkness Foundation, The Puffin Foundation, Altria, Lower Manhattan Cultural Council and The Field. The company's varied explorations include delving into the lives of Holocaust victims in the literary works of Bertolt Brecht and Cynthia Ozick, exploring adolescent yearning in Carson McCullers' “The Member of the Wedding”, examining the nature of forgiveness in a work inspired by the South African Truth & Reconciliation Commission, and celebrating the life of pop icon Tina Turner in their original musical RIVER DEEP. TURNING HEADS, FROCKS IN FLIGHT, a site-specific dance performed at Battery Park City, was produced by Sitelines 2009/LMCC as part of the River to River Festival Her latest short film, I AM NOT OK is an experimental dance film inspired by the words of Tiffiney Davis, the Executive Director of the Red Hook Art Project, in Red Hook, Brooklyn. The film has screened extensively at film festivals around the world and won Best Experimental Film at the Reel Sisters of the Diaspora FF in NYC and Best Cinedance at the Minneapolis St. Paul Int'l FF in MN.  Lansner has also choreographed episodes of Law & Order: SVU, and Law & Order: Criminal Intent. She is a member of SAG, New York Women in Film and TV,  the Lincoln Center Directors Lab, is a former  Board Member  of the Dance Films Association/DFA, NYC  and was instrumental in developing PS 122 in NYC as a rehearsal and performance space. To learn more https://www.gabriellelansner.com/index  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE:  ⁠https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw⁠ Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

On this episode we bring you interviews from opening night of the 15th edition of the Soho International Film Festival. Interviews include: Robin Givens (Batwoman), Kathryn Erbe (Law & Order: Criminal Intent), Debra Monk (The Gilded Age), and more... Music by Christopher Gillard Produced by Btrayed Oliver Yasin Lago Jason Godbey Hosted & Created by Jason Godbey --- Support this podcast: https://podcasters.spotify.com/pod/show/no-rest-for-the-weekend/support

Chris Brancato, is the co-creator of the critically acclaimed series NARCOS, which ran for three seasons on Netflix. He is a writer and producer with hundreds of hours of television credits, including The X-Files, Law & Order: Criminal Intent, Hannibal, and Beverly Hills, 90210 (the original). Hotel Cocaine “tells the story of Roman Compte, Cuban exile, CIA operative, and general manager of the Hotel Mutiny, the glamorous epicenter of the late '70s and early '80s Miami cocaine scene.” Listen to our first conversation back in Episode 280 of the podcast. In this interview, we talk about the changing landscape of television and the increased opportunities for creative storytelling, the balance between historical accuracy and fictional drama in creating shows, the realities of the television industry including rejection rates, and the importance of perseverance. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Our: Guest: Heather Alicia Simms (Actor/Educator ) Follow/Contact IG: @bkjamchild X: @HeatherASimms __ __ Our: Guest: Heather Alicia Simms (Actor/Educator ) IG: @bkjamchild X: @HeatherASimms__Heather Alicia Simms is a multifaceted talent, renowned for her compelling performances on stage, screen, and in voiceover. Raised in Brooklyn, New York, she is a trailblazer, being the first in her Jamaican family to be born in the United States. Her journey through the public school system ignited her passion for the arts, leading to a dynamic career spanning theater, film, and television. Heather's theatrical prowess has graced both Broadway and acclaimed off-Broadway productions. Notably, she captivated audiences in Theater for a New Audience's "Des Moines" and Soho Rep's Pulitzer Prize-winning production, "Fairview," earning accolades for her role. Under Lynn Nottage's residency at The Signature Theatre, Heather delivered powerful performances in "Fabulation" and "By The Way, Meet Vera Stark," winning a prestigious 2019 Obie Award. --Simms has appeared in a number of Broadway and Off-Broadway productions, including Ma Rainey's Black Bottom , A Raisin in the Sun and Gem of the Ocean. Her film credits includes Broken Flowers (2005), The Nanny Diaries (2007), and The Light of the Moon. She also provided voice acting for All the Beautiful Things, Red Dead Revolver, Grand Theft Auto: San Andreas, Grand Theft Auto: The Ballad of Gay Tony and Mafia III. Simms guest-starred in a number of television series, including Homicide: Life on the Street, Law & Order, Law & Order: Criminal Intent, Third Watch, and The Good Wife. She had recurring roles in the Netflix series Luke Cage in 2018 playing Auntie Ingrid, and in the Oprah Winfrey Network prime time soap opera The Kings of Napa as Yvette King in 2022. —----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis and www.MarcosLuis.com —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

Jamie has shared stages with Alicia Keys, Michelle Branch, JaRule, The Backstreet Boys, Mandy Moore, Blondie, Cindy Lauper, and many others. She has performed at world famous NY Couture Fashion Week as well as Michael Jackson's Official This Is It DVD Release Live where she worked with Michael's dancers, choreographer Travis Payne and director Kenny Ortega. Theater credits include; You're A Good Man Charlie Brown (Sally), Blood Brothers (Linda), Little Shop Of Horrors (Audrey), The Rocky Horror Show (Columbia). Jamie Marie has appeared in films such as Cafe Society, (working directly with Kristen Stewart and Steve Carell), Not Fade Away (with James Gandolfini), Step Up, and featured in National Commercials for Nickelodeon and MasterCard to name a few. Television credits include; Orange Is The New Black, Blue Bloods, Law & Order: SVU and Law & Order Criminal Intent. Locally, Jamie has  championed the integration of dance with live bands along the iconic Jersey Shore music scene and beyond, performing with well-known acts like Glen Burtnik, Motor City Revue and Remember Jones. Her live show The Velvet Stardust Rock Show tours NYC to LA and brings rock & roll burlesque to a whole new level. Critics hailing the show as “hippest band in NYC right now” and “the key to yet another downtown epoch.” Her passion for advocacy and activism coincides with her mission to provide a safe space where ALL have opportunities to create and perform. She has done so since 2006 as the founder and director of Stage Stars Productions. Creating next-level live band, immersive, theatrical experiences, as well as raising funds and awareness for countless local and global charitable organizations over the last 17 years and receiving numerous awards for her work in social justice and positive change through the arts. Follow her journey on Instagram @jamiemariestar @stagestars_nj @velvetstardustrock @starlightjazzshow 

The actor, singer, and podcaster, Patrick Oliver Jones has been in the performing arts, both onstage and onscreen, for more than 30 years. Originally from Birmingham Alabama, he brought his Southern charm to New York City in 2008 with dreams of Broadway.  And he's gotten close with roles in off-Broadway world premieres, touring nationally with The Addams Family and Evita, and the pre-Broadway cast of First Wives Club that never quite made it. Having collaborated with Tony-winning directors such as Jerry Zaks, Randy Skinner, and a favorite StoryBeat guest, Richard Maltby Jr., he's gotten to perform alongside Broadway talents like Joey Fatone, Alfonso Ribeiro, Faith Prince, and Andrea McArdle. And he has found regional theater acclaim with Henry and SALT Award nominations for standout performances in Fun Home and Crazy for You. On camera, there have been numerous national commercials, award-winning short films, and co-starring roles on TV shows like Blue Bloods, Law & Order: Criminal Intent, and Imposters. In 2022 he received the Communicator Award of Distinction from the Academy of Interactive and Visual Arts for his work in podcasting. He currently produces and hosts three performing arts podcasts: Why I'll Never Make It, which is in its eighth season, Closing Night, which focuses on Broadway history, and The Spotlight Series in which he talks with those making a difference in the arts and beyond. For the record, I've been a guest on Why I'll Never Make It discussing my career in show business and how I created Jekyll & Hyde, the Musical with Frank Wildhorn.  I've got to tell you, it was a lot of fun for me to do the show with Patrick, and I highly urge you to give it a listen.

Jess tells Nate about an episode of Law and Order Criminal Intent. The episodes focuses on a 14 year old girl with ALS. Or does it? Join us.If you have story requests reach out to us at StudyingScarletPodcast@gmail.com-----------Our Links:Facebook link - facebook.com/StudyingScarletPodcastPatreon: patreon.com/StudyingScarletPodcastTwitter - twitter.com/StudyScarletPodInstagram - instagram.com/studyingscarletpodcastTikTok - tiktok.com/@studyingscarletpodcastTeepublic - StudyingScarlet

This week on Gurvey's Law, host Alan Gurvey welcomes the talented Olivia d'Abo! Best known for her role as Karen Arnold in The Wonder Years and her work on Law & Order: Criminal Intent, Olivia discusses her exciting new role in the upcoming season of The Bay, where she will portray Felicia “Fifi” Martin. Tune in to hear about her lifelong performing journey, the story behind her voiceover roles in projects like The Legend of Tarzan and Star Wars: The Clone Wars, and insights into her career and life.

Harvey Brownstone conducts an in-depth Interview with Steve Guttenberg, Award Winning Actor, Author, “Time to Thank:  Caregiving for my Hero” About Harvey's guest: Today's special guest, Steve Guttenberg, is a beloved and multi-award winning actor, producer, director and author who's brought us dozens of memorable performances in classic movies including “The Boys From Brazil”, “Diner”, “Cocoon”, “Short Circuit”, “Bedroom Window”, “Surrender”, “Three Men and a Baby”, “Roe v. Wade” and of course, the four great “Police Academy” movies.   He also wrote, directed, produced and starred in “PS Your Cat is Dead”.  And for his performance in “A Novel Romance”, he won a Best Actor Award from the New York International Independent Film and Video Festival.    On TV you've seen him in many shows and movies including “To Race the Wind”, “Miracle on Ice”, “The Day After”, “Veronica Mars”, “Law and Order: Criminal Intent”, “Sons of Liberty”, “Ballers”, “The Goldbergs” and “Party Down”, for which he was nominated for a Gold Derby Award for Best Guest Comedy Actor.   And of course, we all remember his amazing performances on Season 6 of “Dancing with the Stars”.   And on the stage, he starred in “The Boys Next Door” in London's West End, and “Prelude to a Kiss” and “Honeymoon Motel” on Broadway, as well as “Furthest From The Sun”, “Henry the 4th” and numerous other theatrical productions.  He earned a Daytime Emmy Award nomination for producing an episode of the CBS Schoolbreak Special called “Gangs”.  And in 2011, he received a Star on the Hollywood Walk of Fame.    And if all of that weren't enough, our guest is also a best selling author.  His first book, “The Guttenberg Bible”, is a comedic account of his first 10 years in the film industry.  He then wrote a terrific children's book called “The Kids from DISCO”, and on May 21, his brand new book, entitled, “Time to Thank:  Caregiving for my Hero”, will be released.  The book is a heartwarming and at times heart wrenching memoir of our guest's unbreakable bond with his wise, loving and devoted father – his hero – as he chronicles his newfound role as a caregiver in his father's final years, reflecting on their eventful life together, and the enduring impact of their extraordinarily close relationship.  Our guest is also a renowned philanthropist.   He started the Guttenhouse Project, which provides housing in Los Angeles for foster care youth when they turn 18.  He also organized a campaign to provide glasses for children whose families cannot afford vision care.  In fact, the Entertainment Industry Foundation selected him to be Ambassador for Children's Issues, because of his work on behalf of children and the homeless.   In addition, he has served as an honourary board member of the Lymphatic Education & Research Network.  And he's also a passionate advocate for animal welfare, through his work with the Fun Paw Care organization.   In 2008, he received the Tony Randall Lifetime Achievement Award for his work in the entertainment industry, as well as his community service.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Steve Guttenberg, go to:https://www.facebook.com/steveguttenbergofficialhttps://www.instagram.com/steveguttenberg/ #SteveGuttenberg    #harveybrownstoneinterviews

Andy Lopata welcomes Telly Leung to the Connected Leadership podcast. Telly is a versatile Broadway performer with an impressive list of credits, including roles in "Aladdin," "In Transit," "Allegiance," "Godspell," "Rent," "Wicked," "Pacific Overtures," and "Flower Drum Song." He has appeared on television in shows like "Warrior," "Glee," "Instinct," and "Law and Order: Criminal Intent." He is also an educator, teaching master classes at universities and drama programmes worldwide. Telly is the co-author of the "Empathy eBook: Empathy in the Workplace and Workforce," which explores the role of empathy in professional environments. Telly's work extends beyond the stage, as he has collaborated with top CEO Coaches to bring his unique perspectives as an artist and thought leader to CEOs and top executives at various organisations. In this episode Telly discusses his background growing up in Brooklyn in a traditional Chinese home. He describes his parents' escape from Communist China and their pursuit of the American dream, which initially involved high expectations for Telly to pursue a traditional career. Despite his parents' hopes, Telly followed his passion for the arts, eventually finding success on Broadway. He emphasises the importance of belonging and highlights the diverse roles within the theatre community, noting that everyone involved plays a vital part in creating a production. Telly acknowledges his parents' initial concerns about his career choice but explains that they eventually came to support him, proud of his achievements over the years. He reflects on the immigrant experience and the formation of supportive communities like Chinatowns, drawing parallels with the inclusive nature of the theatre community. Andy and Telly discuss the impact of cultural background on career choices, the challenges faced in pursuing non-traditional paths, and the value of perseverance in achieving personal and professional success. They also examine the importance of relationships in Telly's career and the impact of directors on his growth as an artist. Telly highlights how every opportunity he's had in the industry has come from building relationships on previous projects. He emphasises the value of personal connections in every industry. Telly also shares his approach to directing, highlighting the importance of understanding and respecting the different roles and perspectives within a production team and the collaborative nature of theatre, where each person's contribution is essential to creating a successful show. Andy and Telly conclude with the upcoming show in London at Crazy Coq, where Telly will be performing with a jazz trio on 28th April, 2024. Telly invited listeners to join him for an evening of Broadway songs, pop tunes, and backstage stories. The conversation reflects Telly's deep appreciation for the collaborative nature of the arts and the importance of building and nurturing relationships throughout his career. Connect with Andy Lopata: Website | Instagram | LinkedIn | X/Twitter |YouTube Connect with Telly Leung: Website | Facebook | YouTube |IMDB

Harvey Brownstone conducts an in-depth Interview with Bryan Batt, Award-Winning Actor, Co-Star, “Mad Men” About Harvey's guest: Today's special guest, Bryan Batt, is an award-winning actor, author and businessman who is perhaps best known for his portrayal of the closeted art director Sal Romano on the mega hit TV series, “Mad Men”, for which he won 2 Screen Actors Guild Awards along with his fellow castmates for Outstanding Performance by an Ensemble in a Drama Series.    But he's done much, much more than that.   On Broadway, he's appeared in many shows including “Cats”, “Starlight Express”, “Joseph and the Amazing Technicolor Dreamcoat”, “Beauty and the Beast”, “Sunset Boulevard”, “Saturday Night Fever”, “Seussical”, “The Scarlet Pimpernel” and “La Cage Aux Folles”.    On the big screen, you've seen him in “Jeffrey”, “Funny People”, “Brawler”, “B-Side”, “12 Years a Slave”, “Parkland”, “The Runner”, “LBJ”, “American Reject”, “High Tide”, “Easy Does It”, and many more movies.  He also starred in the highly acclaimed short film, “The Palooka”, for which he earned 2 Best Actor Award nominations from the Massachusetts Independent Film Festival.   And on TV, besides his memorable performance in “Mad Men”, he's appeared in dozens of shows including “Ghost Whisperer”, “Ugly Betty”, “Law & Order: Criminal Intent”, “NCIS”, “Scream: The TV Series”, “The Marvelous Mrs. Maisel”, “East Siders” and many more.   He's also written 3 bestselling books: a fascinating memoir entitled “She Ain't Heavy, She's My Mother”, “Big, Easy Style: Creating Rooms You Love to Live In”, which is a beautiful book about interior design and home décor, and “Pontchartrain Beach: A Family Affair”, about the famous New Orleans amusement park founded by his grandfather.  And if all of that weren't enough, our guest and his husband Tom are the owners of an extremely popular home furnishings and gift shop in New Orleans, called “Hazelnut”.    Our guest is passionate in his support of charities and civic organizations in New York City and New Orleans, especially his more than 30-year relationship with Broadway Cares/Equity Fights AIDS.   He's a recipient of the Isidore Newman Distinguished Alumnus Award, and on April the 13th, he will be the honoree at the New Orleans Film Society Gala.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Bryan Batt, go to:https://www.facebook.com/bryan.batt.1/ https://www.instagram.com/bryan_batt/https://hazelnutneworleans.com/ https://twitter.com/Bryan_Batt  #BryanBatt   #harveybrownstoneinterviews

From cults and documentaries to their deeply thought out character motivations, actors John Lavelle and Haskell King look back on their theatre journey. The two share their background, doing productions when they were younger, and what eventually made them pursue acting as a career. Currently starring in "Russian Troll Farm: A Workplace Comedy", they talk about how they got involved with the show, hitting it off on the first meeting, and the allure of cults and how people get drawn into them. With the show being as relatable as ever today, they reflect on how it changed their relationship with social media, how they interact with it, and the complexity of playing as bad guys. John and Haskell also impart some advice to aspiring actors and their motivations, including the desire to be seen and connect with others and become a better person for one's family. Haskell King has performed all over the Off-Broadway and regional stages such as the Irish Repertory Theatre, Ensemble Studio Theatre, and the Abingdon Theatre. His TV and film credits include “Dear Edward”, “Law & Order: Criminal Intent”, “As the World Turns”, “The Fly Room”, and “Shadow & Lies”. John Lavelle has been on Broadway in “The Graduate”, and off-Broadway stages including La Jolla Playhouse, The Shakespeare Center LA, and The Old Globe. His TV and film credits include “Selma”, “Frozen”, “Wreck-It Ralph”, “Zootopia”, “The Taking of Pelham 123”, “Kipo and the Age of Wonderbeasts”, and “Grace and Frankie” among many others. They are both part of the stellar cast of the off-Broadway production of “Russian Troll Farm”, an office comedy, at the Vineyard Theater in New York City. More info and tix here: https://vineyardtheatre.org/shows/russian-troll-farm/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Armstrong (he/him) is a Brooklyn-based theater director and the Artistic Director of The 24 Hour Plays. His production of Eric Bogosian's Drinking in Americafeaturing Andre Royo (NYT Critic's Pick) enjoyed an extended run at Audible's Minetta Lane Theatre and a live audio capture was released as an Audible audio play. Highlights with The 24 Hour Plays include annual productions of The 24 Hour Plays on Broadway, The 24 Hour Musicals, The 24 Hour Plays: Nationals, The 24 Hour Plays: Viral Monologues (which engaged millions of viewers worldwide beginning March 2020) + partner productions across the US. As a director, his collaborators include Emily Mann (Execution of Justice, Playhouse Creatures + NYU Tisch mainstage), Christopher Shinn (Falling Away, Ensemble Studio Theatre; The Coming World; Williamstown), Dan O'Brien (From Kandahar to Canada, EST; The Angel in the Trees, Production Company) and many others. As Director of New Work for Keen Company, he created the Keen Playwrights Lab for mid-career playwrights and directed Old Folks by Max Posner and 30 Million by Jason Kim and Max Vernon. Recently, he developed and directed The Accidentwith drummer Kid Millions at Roulette. Assistant professor (part-time), The New School for Drama; proud member SDC and UAW 7902; alum Lincoln Center Theater Directors Lab and Williamstown Theater Festival Directing Corp. Warren Leight is the Pulitzer Prize finalist and Tony-winning author of Side Man, as well as No Foreigners Beyond This Point (Drama Desk nomination), Home Front, Fame Takes a Holiday, Glimmer, Glimmer and Shine (ATCA nomination) and The Loop. He also wrote the book of the musical Mayor (Drama Desk nomination) and co-wrote the book of Leap of Faith (Drama Desk nomination). Warren was showrunner and Executive Producer of the NBC drama “Law & Order: Special Victims Unit” from 2011 – 2016 and 2019-2022 (Imagen, NAACP and PRISM Awards). Previously, he was showrunner and Executive Producer of HBO's Peabody Award-winning “In Treatment,” the FX drama “Lights Out,” and “Law and Order: Criminal Intent.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

After Matthew spends the first minute of the episode unknowingly on mute, a colorful & comprehensive discussion of the WGA's recent strike success with longtime Law & Order: SVU/Law & Order: Criminal Intent showrunner and Tony Award-winning playwright Warren Leight. As a longtime writer/director/producer and one of the WGA's leading union members, Leight gives an insider's view both into the workers' conditions that led to the labor action & how the union not only achieved victory for its members, but is part of a growing solidarity across all kinds of different unions. We talked about why that happened, the unique role of social media in this strike and the union's insistence on an agreement regarding artificial intelligence. We also talk about Warren's life with & love for the Knicks and Mets.

Today is all about BARBIE. The new film, the doll, the legend. Too much hype? No, not enough. This month's new blockbuster film directed by Greta Gurwig starring Margot Robbie and Ryan Gosling has more than just the best one-liners “She's everything. He's just Ken.” It also provides theater audiences the opportunity to share howls of laughter delight about the humorous send up of the patriarchy, and also sob openly about what our lives could have been if more girl's imaginations were able to flourish as grown women, instead of us becoming accessories, enlisted in service of the ambitions of powerful men. Because Booked Up centers on books, our Barbie Book Club members today include M.G. Lord  author of Forever Barbie: The Unauthorized Biography of a Real Doll, originally published in 1994. Plus, M.G. has a fresh 3-part podcast series out now called  "LA Made: The Barbie Tapes” which includes audio from her one-on-one interviews with Barbie inventor and Mattel founder, Ruth Handler, among others. We'll get into that. M.G. has written for numerous publications including the New York Times Book Review, The Washington Post and the Los Angeles Times. She is an Associate Professor of the Practice of English at the University of Southern California. Also joining the Barbie Book Club today is George Hahn. Cuter than a Ken Doll, more awesome than Allan, there is no better example of how to live an urban bon vivant life while on a bicycle than George Hahn. George – in his own witty words – “ is a self-made thousandaire playboy who wears tailored clothing, drinks coffee, talks on podcasts and occasionally writes and does TV.” You may know George from his screen roles in  “Sex and the City,” “Law and Order: Criminal Intent,” and Miramax's “Kate & Leopold.” He also has a new podcast called Hahn: Solo and website GeorgeHahn.com that's spelled H-A-H-N that features menswear, grooming, lifestyle essays and advice. Contact Booked Up: You can email Jen & the Booked Up team at: BOOKEDUP@POLITICON.COM or by writing to:  BOOKED UP  P.O. BOX 147 NORTHAMPTON, MA 01061 Get More from M.G. Lord: Podcast | Website| Author of FOREVER BARBIE and several other books Get More from George Hahn: Twitter | Website| Podcast Hahn: Solo Get More from Jen Taub: taubjen on Threads| Money & Gossip  Substack | Author of BIG DIRTY MONEY 

The long awaited return of the Pilot Pilots has landed! For the 2000s decade, we're piloting our sights towards spin-offs of two of the massive crime procedurals of all time, Law & Order and CSI. We break down the Pilot episodes of each show, and go even deeper in our famous and flawless scoring system to see who will come out on top. 

Jim and Laura continue their conversation with investigative journalist Rae de Leon and filmmaker Nancy Schwartzman who disclose even more shocking details not shown in their new documentary “Victim/Suspect”. You will not believe the rest of the story in Dynanie Bermeo's case regarding a suspect who police refused to investigate in her sexual assault. Nancy asks Jim and Laura for their take on reasons for the persistent obfuscation and lack of accountability by the law enforcement departments covered in the documentary. #netflix #victimsuspect #sexualassault #believevictims #centerforinvestigativereporting #EmmaMannion #DyanieBermeo #MeganRondini #NikkiYovino #RachelDeLeon #NancySchwartzman #documentary #filmmaker #crime #ExpertAnalysis #FBI #Profilers #NewScotlandYard #CriminalBehaviorAnalysts #DoYourDamnJob If you are a victim of sexual assault (in the U.S.) PLEASE call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.org/about-national-sexual-assault-telephone-hotlineYou can also find more resources herehttps://www.wannatalkaboutit.comFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/>>>>>>>>> SUPPORT OUR OTHER SHOWS

We are honored to be joined by Rae de Leon who is the investigative reporter at the heart of the incredible Netflix documentary “Victim/Suspect” which was directed by Nancy Schwartzman who we are also thrilled to be joining us. Rae walks us through her journey digging deeply into this subject of law enforcement turning victims of sexual assault into suspects of “false” reporting. She has some additional shocking details to add about her interview of a certain detective. Nancy talks about the common patterns she has discovered in her many years of chronicling sexual violence — especially the connection between sexual assault, police response and college football culture. #netflix #victimsuspect #sexualassault #believevictims #centerforinvestigativereporting #EmmaMannion #DyanieBermeo #MeganRondini #NikkiYovino #RachelDeLeon #NancySchwartzman #documentary #filmmaker #crime #ExpertAnalysis #FBI #Profilers #NewScotlandYard #CriminalBehaviorAnalysts If you are a victim of sexual assault (in the U.S.) PLEASE call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.org/about-national-sexual-assault-telephone-hotlineYou can also find more resources herehttps://www.wannatalkaboutit.comhttps://www.youtube.com/watch?v=JoZaGvTpYTUFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/>>>>>>>>> SUPPORT OUR OTHER SHOWS

Do you know what the “Reid” technique is or why it is so controversial? In today's episode Jim explains how this high pressure interrogation protocol can be abused by police officers when they are poorly trained and when they have no experience with traumatized sexual assault victims. But Laura wonders if there isn't something deeper going on when law enforcement tried to turn victims into suspects. She has a theory about something even more insidious at play here. Join us as we continue breaking down the cases in the new Netflix documentary “Victim/Suspect” which follows investigative journalist Rachel de Leon's tireless search for the truth in several “false” allegations of rape and the consequences for the victims of sexual assault who report to police. #TheTruthWillNotRevealItself#netflix #victimsuspect #sexualassault #believevictims #centerforinvestigativereporting #EmmaMannion #DyanieBermeo #MeganRondini #NikkiYovino #RachelDeLeon #NancySchwartzman #documentary #filmmaker #crime #ExpertAnalysis #FBI #Profilers #NewScotlandYard #CriminalBehaviorAnalysts If you are a victim of sexual assault (in the U.S.) PLEASE call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.org/about-national-sexual-assault-telephone-hotlineYou can also find more resources herehttps://www.wannatalkaboutit.comhttps://www.youtube.com/watch?v=JoZaGvTpYTUFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/>>>>>>>>> SUPPORT OUR OTHER SHOWS

In 2015, Emma Mannion, an 18 year old college student at the University of Alabama in Tuscaloosa was raped in a parking lot outside of a popular bar. What happened next is almost as shocking as the sexual assault. When Emma went to the police to report this crime, not only did they not believe her, but they arrested her for making a false report. According to the new Netflix documentary “Victim/Suspect” Emma's case is not an isolated incident. Investigative journalist Rachel de Leon from the Center for Investigative Reporting takes us on a horrible journey as she uncovers case after case of victims not being believed and then prosecuted. You'll want to hear our reaction to this stunning documentary. #netflix #victimsuspect #sexualassault #believevictims If you are a victim of sexual assault (in the U.S.) PLEASE call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.org/about-national-sexual-assault-telephone-hotlineYou can also find more resources herehttps://www.wannatalkaboutit.comhttps://www.youtube.com/watch?v=JoZaGvTpYTUFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/>>>>>>>>> SUPPORT OUR OTHER SHOWS

Miriam Silverman's Broadway credits include The Sign In Sidney Brustein's Window and Junk. Other theater credits include - A Delicate Ship at The Playwrights Realm, Everything You Touch at Rattlestick Playwrights Theatre, You Got Older at Page 73, The Hour of All Things and Finks at Ensemble Studio Theatre (Drama Desk Award nomination for Outstanding Actress), Septimus and Clarissa at Ripe Time, The Witch of Edmonton at Red Bull Theater, Hamlet at The Public Theater/NYSF and Bone Portraits at Walkerspace at Soho Repertory Theatre. Regional credits include The Moors at Yale Repertory Theatre; The Dog in The Manger (Helen Hayes Award nomination), Measure for Measure, All's Well That Ends Well, The Two Gentlemen of Verona, As You Like It and the world premiere of David Ives's The Liar at Shakespeare Theatre Company, where she is an affiliated artist; Extremities and Moonchildren at the Berkshire Theatre Festival; Peer Gynt at the Guthrie Theater; Awake and Sing! at Arena Stage, As You Like it at the Folger Theatre and numerous productions with Trinity Repertory Theatre. Film and Television credits include Breaking, Bad Education, Fleishman Is In Trouble, The Marvelous Mrs. Maisle, Dead Ringers, Elementary, Pan Am, Law & Order: Criminal Intent and Better Days Ahead.  She received her BA and MFA from Brown University and is a recipient of the 2011 TCG Fox Foundation Fellowship.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode Notes S4E20 -- Join us as we dive into the mind of Deborah Twiss as she takes us from KIck Ass to her newest feature Sapiosexual and beyond. Deborah Twiss (born December 22, 1971) is an American actress, screenwriter, film director and producer. In the 2000s she became well-known with roles in films and television shows such as Kick-Ass, Gravity, Law & Order: Special Victims Unit and White Collar. NEWS FLASH You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... You can see all your past favorite episodes now streaming on https://redcoraluniverse.com/ OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars _______ This episode is sponsored by Deadly Grounds Coffee "Its good to get a little Deadly" https://deadlygroundscoffee.com ————————————————— https://www.stilltoking.com/ Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Sponsorship Opportunities https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow our guest https://www.imdb.com/name/nm0878597/ https://en.wikipedia.org/wiki/Deborah_Twiss https://www.instagram.com/deborahtwiss/?hl=en https://twitter.com/deborah_twiss?lang=en https://www.facebook.com/deborah.twiss/ https://www.linkedin.com/in/deborah-twiss-2615488 https://www.luckystarproductions.tv/ ———————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 MORE ABOUT OUR GUESTS: Twiss has been cast in a series of lead and supporting roles in several independent films including Molotov Samba. Twiss later appeared in TV shows including Law & Order: Special Victims Unit, Law & Order: Criminal Intent, White Collar, and Gravity as well as feature films such as In Between. She has two children, Matthew and Sydney McCann, who played characters based on them in her film A Cry From Within, inspired by experiences they had as a family. In the film Kick-Ass, she portrayed the mock superhero's teacher-crush, Mrs. Zane. Post Kick-Ass, Twiss appeared in the Michael Chiklis-produced Pawn and in A.D. Calvo's The Midnight Game, and appeared opposite Eric Roberts in A Cry From Within, which wrapped principal photography in spring 2014. She has also appeared in The Networker opposite Sean Young and William Forsythe. Tapping her independent film experience, Twiss is developing several projects in which she will play lead roles including Just In Time, Parallel Veins, the horror comedy film Bloody Ultimatum, and a revenge horror film Contract With A Demon. She wrote and co-directed 2014 the Horror mystery thriller film A Cry from Within, which was co-directed with Zach Miller. Find out more at https://still-toking-with.pinecast.co

What's next for Erik and Lyle Mendez who have so far served 33 years of their life sentences without the possibility of parole? Is there a chance for a new trial now that another person, Roy Rossello, has come forward with the accusation that their father Jose Menendez also raped him when he was an underage member of the boy band Menudo? Could this be a new piece of evidence to corroborate the brothers' story that Jose sexually abused them, a key part of their original defense, which was excluded from their second trial? In the Peacock docu series “Menendez + Menudo: Boys Betrayed”, Roy details how he met Jose Menendez, then the president of RCA records, when Menudo came to New York City to negotiate a record deal. Roy's recounting of what happened next behind closed doors shocked and infuriated us. Will Roy be able to find justice for himself, and possibly help the Menendez brothers as well? Join us for this important conversation. #Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse#RoyRossello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYardFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

There is still so much to take apart in the Menendez case. In today's episode, we examine the behavior of Jose Menedez. Was he a psychopath? Was he trying to raise two sociopaths in the model of himself? Laura puts a photograph of this father and his sons under a microscope to point out something very disturbing. What about the judge who presided over both 1993 and 1996 trials? There is more to discover about his biases. And finally, what about Kitty, Erik and Lyle's mother? What made this mother, who seemed to be suffering so much herself, incapable of protecting her own children from a monster? Join us as we keep digging deeper. #Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse#RoyRosello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYardFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

Laura updates us on the latest developments in the case of the four Idaho college students who were murdered back in November 2022: Ethan Chapin, 20; and roommates Madison Mogen, 21; Xana Kernodle, 20, and Kaylee Goncalves, 21. The prime suspect in their brutal killings has just been arraigned and his behavior during the court proceeding deserves to be discussed. Is there a strategy at play here? Should the gag order be lifted from the case? Should cameras be allowed during the trial? We get into it. #HisNameWasEthanChapin#HerNameWasMadisonMogen#HerNameWasXanaKernodle#HerNameWasKayleeGoncalves#Moscow#Idaho#murder#stalking#Investigation #realcrimeprofile #realcrimeexperts#realcriminalminds#experiencematters#BehaviorMatters >>>>>>>>> SUPPORT OUR OTHER SHOWS

Vincent D'Onofrio sits down with me to talk about his fatherhood journey. We talk about the values he looked to instill into his kids. After that we talk about his new book, Pigs Can't Look Up. In addition Vincent shares why he loves playing the role of Kingpin in the MCU. After that we about his career and which he loves more in terms of acting, directing and writing. Lastly, we finish the interview with the Fatherhood Quick Five.  About Vincent D'Onofrio Vincent D'Onofrio is a world-renowned actor, producer, writer, and director whose credits include Daredevil, Full Metal Jacket, Jurassic World, and Law & Order: Criminal Intent. He won a Saturn Award for his role in Men in Black, and is the author of Mutha: Stuff and Things, published by Cameron Books. He lives in New York City. Follow Vincent on Twitter and Instagram at @vincentdonofrio. Make sure you pick up his book, Pigs Can't Look Up wherever you purchase books.  Fore Father's Is This Week's Sponsor From the boardroom to the back nine, barbecues to bath time, changing diapers to changing the oil, we offer beautifully designed, thoughtfully tailored, ultra-comfortable, and original polos for Dads of all shapes and sizes. Inspired by what it means to be a father, we celebrate the joys of this adventure with fun and friendly Dad apparel meant to be worn as a Dad badge of honor! Check out all of the Fore Father's gear at shopforefathers.com.  About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

Joining us today we are honored to have Hazel Thornton who served as a juror on Erik Menendez' first trial in 1993. We have so many questions for her about what it was like to see all of the testimony and what conclusions she came to. To clarify both brothers, Erik and Lyle were tried, at the same time, for murdering their parents Kitty and Jose Menendez. But each brother had their own separate jury, who all sat in the courtroom together (sometimes one jury would sit in the jury box while the other would sit in the gallery — and then they would switch). Sometimes one jury would be excused when the evidence did not pertain to their defendant. Each jury deliberated separately…and each jury resulted in a deadlock. Hazel takes us through her experience sitting for six months through the trial and the month long deliberation. You can read her book “Hung Jury” , an incredible chronicle of that time. You can get Hazel's book "Hung Jury" here:https://amzn.to/455sgH5#Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse#RoyRosello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYardFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

We continue breaking down the case of Lyle and Erik Menendez, the 1989 murder of their parents Kitty and Jose Menendez and the connection to the alleged child sex abuse in the boyband Menudo using the framework of the recent Peacock three part docuseries “Menendez + Menudo: Boys Betrayed” as well as the additional evidence televised in the 1993 first trial (streaming now on Court TV in its entirety). Laura is back and weighs in on what she sees as a massive injustice, on so many fronts. What do you think? If you heard about the case in the early 90s, what did you think then….and more importantly, what do you think now?You can watch the entire 1993 trial on Court TV archiveshttps://www.courttv.com/trials/ca-v-menendez-1993/#Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse#RoyRosello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYardFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

Alexandria Wailes is an accomplished actor, choreographer and dancer who just this last season appeared on Broadway in the acclaimed revival of Ntozake Shange's seminal play “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf.” The production, directed by UNCSA alum Camille A. Brown, held one notable surprise, the use of American Sign Language, since Alexandria, who is Deaf, played the Lady in Purple, a part that had not originally been written as a Deaf character. This was not her first time on Broadway. She understudied Marlee Matlin in the revival of “Spring Awakening,” and then she went on in the part for the run's final month. Before that, she acted in the legendary Deaf West Theatre production of “Big River,” which after its Broadway run toured throughout the U.S. and even played not once but twice in Tokyo.She's acted in some of the country's most respected regional theaters, from Minneapolis's Mixed Blood Theater to Los Angeles's Kirk Douglas Theater, and she has also been featured in several popular TV shows, including “Nurse Jackie” and “Law and Order: Criminal Intent.” She is a member of Heidi Latsky Dance Company, and she is the co-founder of BHO5, a company whose mission is, “to usher in a new era of authentic artistic representation of American deaf people.” In this episode, Alexandria describes how she crafted her remarkable career as a multidisciplinary performer and explains the work that must still be done to ensure that not only Deaf but also hearing performers can feel fully informed and bolstered in work that features Deaf artists and/or subjects. http://www.alexandriawailes.com/home.htmlhttps://www.bho5.org/

Lisa and Jim pick up where their conversation left off, breaking down the details of the Menendez case and posing questions about the events. There are so many things that have been buried in the past three decades, there is a lot to discuss. You can watch the entire first 1993 trial on Court TV archives for yourself. https://www.courttv.com/trials/ca-v-menendez-1993/#Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse #RoyRosello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYard Follow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

There are high profile cases you think you know, but the truth is far more nuance, complicated and terrible than anything the media could ever cover during a headline making trial. On the evening of June 20th 1989, Lyle Menendez (21) and his brother Erik Menendez (18) shot their parents Kitty and Jose Menendez to death in their Beverly Hills home. Of that there is no dispute. In 1996, the brothers were each finally convicted (after a first trial ended in deadlock) of two counts of first degree murder and sentenced to life in prison without possibility of parole.At the time, their defense contended that years of horrific emotional, physical and sexual abuse at the hands of their father Jose, and the complicity of their mother Kitty, made the sons fear for their lives and kill their parents in self defense. However few in the media, the public and certainly on that jury, believed them. Until now. In the new explosive Peacock documentary "Menendez + Menudo: Boys Betrayed" there is a new corroborating witness, Roy Rosello, who claims Jose Menendez was a pedophile who sexually abused him when he was a young member of the boy band Menudo. Will these new revelations open the door for a new trial for the Menendez Brothers? Listen as we dig into this complicated and conflicting case. #Peacock #docuseries #Menendez #Menudo #BoysBetrayed #parricide #childsexabuse#RoyRosello #grooming #VictimsMatter #Silencebreaker #ExpertAnalysis #Podcast #FBI #NewScotlandYardFollow us and continue the conversationOn Instagramhttps://www.instagram.com/realcrimeprofile/?hl=enOn Twitterhttps://twitter.com/realcrimeprofilOn Facebookhttps://www.facebook.com/realcrimeprofile/MAY IS MENTAL HEALTH AWARENESS MONTHIf you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, the Lifeline network is available 24/7 across the United States.988 is now active across the United States. This new, shorter phone number will make it easier for people to remember and access mental health crisis services. (Please note, the previous 1-800-273-TALK (8255) number will continue to function indefinitely.)SUICIDE PREVENTION LIFELINE - CALL 988>>>>>>>>> SUPPORT OUR OTHER SHOWS

Joining Lisa today are two veteran television writer/producers Ted Sullivan (Riverdale, Star Trek Discovery, Supergirl, Revenge, Rizzoli & Isles, Law and Order Criminal Intent) and Elizabeth Benjamin (Dead to Me, The Flight Attendant, Bridgerton, 13 Reasons Why).  Lisa asks them about the current Writer's Guild of America strike which is impacting all levels of production.   Ted and Liz talk about their careers and how working conditions have deteriorated for writers who love this work, yet who have been pushed to the breaking point.  This is not about getting a guaranteed big payday, it is about the most basic things like making your insurance and feeding your families — all the while Studios and Streaming companies are making record profits.  Also at stake is the creative process itself, which draw so many people into the profession in the first place. Join us for this important conversation. **** Production Note:  Unfortunatley Liz' internet connection had a couple of spotty patches, so please bear with us. Also, Lisa flubs the name of her union, she accidentally says Local 99 instead of Local 399 (Go Teamsters!). Lastly, per usual, Lisa is very "salty" with her language. So protect your delicate sensabilities. Thank you! 

For this episode of Back to Life, Danny talks with actor, producer, writer, and musician Adam Ratcliffe. Adam was born in the Philadelphia area, and was raised by a stellar singer mother whose parents were involved in show business in the 1940's. He had a grandfather who had appeared in several off-Broadway shows and instilled a passion for singing in his youngest grandson. Adam received his SAG card in 2005 while performing as Jimmy the tow truck driver who discovers a bomb on Law and Order "Criminal Intent." He has been working steadily on prime time network shows mostly in New York City ever since. His biggest role to date is Ethan Rengepis in David Vincent Bob's biopic "Right before your eyes" for which he was nominated for best actor in the renowned International Independent Christian film & music festival in Orlando Florida in May of 2019. During the conversation, Adam shares his journey to acting - the successes, the setbacks, and what motivates him to tell stories. He also shares a deeply personal story of loss and resilience. You won't want to miss this inspiring episode.

Please join actor E.J. Bonilla in The Locher Room. E.J. will go head-to-head with John Lithgow in the upcoming FX series The Old Man premiering June 16th and he will be here to tell us all about this new role.E.J. began his career at 16 years old and got his big break when he joined the cast of Guiding Light playing Rafe Rivera. The role earned him a Daytime Emmy Nomination for Outstanding Younger Actor.Since then, E.J. has built an impressive resume. His first full length feature, the 2009 Sundance Film Festival favorite Don't Let Me Drown, was nominated for the Grand Jury Award at Sundance and won the Audience Award for Best Narrative Feature at the 2009 San Francisco International Film Festival. Continuing his momentum, E.J. starred in the coming-of-age drama Mamitas, which earned him an Imagen Award Nomination for Best Actor. E.J. received an additional Imagen Award Nomination for his performance as "Dexter," a former high school basketball player whose best days were behind him, in Joshua Sanchez's directorial debut, Four. He also starred in the romantic tale Musical Chairs directed by Susan Seidelman.More recently he was the series lead on the critically acclaimed series THE LONG ROAD HOME (for which EJ won an Imagen Award for Best Actor in a Drama Series). He has also appeared as a series regular on UNFORGETTABLE where he originated the role of wisecracking Detective Denny Padilla. His recurring guest lead TV credits include: “Colony”, “Bull” “Insecure” “Younger” and “Revenge”. Other guest appearances: “Madam Secretary”, “Bored to Death,” “Cold Case,” “The Big C,” “Blue Bloods,” “Law & Order: Criminal Intent,” and “Shameless”Don't miss the chance to catch up with my pal E.J. in The Locher Room.

Irene and Tom have known Patricia Stark through our various networking circles for over a decade, and are continually impressed with her solid advice, perspective and results. Patricia works on both sides of the camera & stage as a Media Trainer, Public Speaking Trainer, Certified Body Language Specialist and Calmfidence® Coach. She appears regularly as a Guest TV Communication Expert & Lifestyle Expert and sought after keynote speaker. Based New York & New Jersey, Patricia Stark Communications is a personal and professional development training company working with entrepreneurs, corporate executives, training & development professionals, celebrities, authors, news anchors, TV show hosts, influencers and others whose careers and goals rely on their ability to communicate with calm and confidence- Calmfidence®.  PSC is honored to have coached and trained 1000's of clients from around the country and around the globe including New Zealand, Egypt, Dubai, Australia, England, Japan, Saudi Arabia, Denmark and Ireland. Patricia Stark is a Certified Personal & Executive Coach (CPEC of the CaPP Institute -Coaching & Positive Psychology) & a Certified Body Language Trainer (Body Language Institute Washington DC) and holds certificates in Eclectic Cognitive Behavior Therapy & Visualization/Guided Imagery (LIU). She heads Patricia Stark Communications and specializes in helping clients build their Calmfidence® in interviews, on-camera, and in daily life with tangible strategies for powerful communication skills, mastering self talk, and stress & anxiety relievers used by the pros. Patricia has extensive experience as a health & medical news anchor, radio interview host, and appears regularly as a TV guest expert on the topics of communication and confidence. Her new book “Calmfidence: How to Trust Yourself, Tame Your Inner Critic, and Shine in Any Spotlight” is set to be published in September 2021 by Sounds True/MacMillan Publishing. With over 20 years of first-hand experience in front of the camera and on stage, Patricia is one of the few trainers in the country who has worked extensively in front of the camera in both broadcast and corporate media.  Patricia has appeared in over 2000 Fortune 500 corporate media productions in just about every sector of industry as a moderator, trainer, host and corporate spokesperson, and has anchored national and international news.  She is a member of SAG/AFTRA and has appeared in numerous television commercials and programs and held a recurring role on Law & Order Criminal Intent. You can learn more about Patricia Stark at https://patriciastark.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/worksmartny/message

Sara Bareilles (Grammy-Award winner, Netflix's "Girls5Eva") and Jennifer Bareilles join host Reshma Gopaldas for a special Son of a Binge episode where the sisters break down "Bad Sisters," airing on Apple TV+.  "Bad Sisters" was created by Sharon Horgan ("Catastrophe," "Shining Vale") and is set in Ireland. "Bad Sisters" follows the story of 5 sisters, played by Eve Hewson, Sarah Greene, Eva Birthistle, and Anne-Marie Duff. The Bareilles sisters revealed they recently binged the show, when Sara recommended it to her sister. Together, they discuss the dark comedy, reveal the shows they can't stop re-watching ("Game of Thrones," "Law & Order: Criminal Intent") and why they loved Sharon Horgan's newest comedy. When Grace's awful husband, John-Paul, dies, the audience quickly realizes one of the Garvey sisters may have killed him. Darryl McCormack and Brian Gleeson play brothers who are handling John-Paul's life insurance pay out. Together, they decide to investigate if John-Paul was murdered, in the hopes of not having to pay the large sum of life insurance Grace is owed. "Bad Sisters" was renewed for a second season on Apple TV+, and has received 12 IFTA nominations (Irish Film & Television Awards) - including Lead Actress (Sharon Horgan), Best Drama, Supporting Actors and Supporting Actresses.  Jennifer Bareilles is an actor, improviser, teacher and coach. She began her improv career at the People's Improv Theater where she was a member of several House Teams including Saturday night's “Big Black Car” and “BBC2”.  She has performed regionally and in such famed New York theaters as Playwrights Horizons where she originated the role of Logan in “The Thanksgiving Play”, The American Theater of Actors, The Connelly, June Havoc and in the award winning NY Fringe show “Maybe Tomorrow” at Under St. Marks where she sat on a toilet for 90 minutes of direct address.  She currently teaches improv and acting at the PIT and performs regularly in “Bareilles and McCartney”, "Awkward Family Dinner" as well as a number of other pop up shows. Follow Jennifer on  @jenniferbareilles.Sara Bareilles is a GRAMMY® Award-winning artist, songwriter, actress, author, and philanthropist. To date, she has received two Tony® Award nominations, three Primetime EMMY® Award nominations, and eight GRAMMY® Award nominations, garnering a 2020 GRAMMY® in the category of “Best American Roots Performance” for “Saint Honesty.” On Broadway, she composed music and lyrics for Waitress, and took the stage as the lead for the first time in 2017.  As an author, she penned the New York Times bestseller Sounds Like Me: My Life (So Far) in Song. She currently co-stars in the critically acclaimed Netflix series Girls5Eva set to return for its third season in 2023. Find Sara on Instagram: @sarabareilles or Twitter: @sarabareilles.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Producer & Editor: Emily Collins (IG @emilem124)Artwork by: Laura Valencia (IG @iamlauravalencia)

Rian Johnson's Poker Face is a sly new case-of-the-week detective series anchored by Natasha Lyonne's performance as Charlie Cale, a woman on the run with one special skill: She can always tell when someone is lying. Oh, and everywhere she goes someone seems to die. Thankfully the lie thing usually helps her solve the murders, so it all works out in the end! The series is arguably Peacock's first bonafide hit, but is it any good? We unpack the pros and cons of the show's throwback format: Inspired by classics like Columbo and Law & Order: Criminal Intent (classics, I say!) each episode of Poker Face reveals the murderer at the start of the episode and asks us to watch Charlie try to piece it together. Plus! We check-in on The Last of Us and answer these burning questions about the streaming universe: Why is Paramount+ absorbing Showtime and who chose the service's terrible new name? Why is Discovery+ not being absorbed into HBO Max anymore? (Except it still sort of is, but then what does that mean??) How many Billiions spinoffs is too many Billions spinoffs? Is anyone actually going to pay for Peacock?! And speaking of money: How much could one banana cost, Michael? Ten dollars? (Apparently too much for Netflix! We'll explain…) ———

On this, our 100th episode, we eschew any silly self-congratulatory show to get right into one of James Cameron's most under appreciated films, his 1989 anti-nuke allegory The Abyss. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   We're finally here.    Episode 100.   In the word of the immortal Owen Wilson, wow.   But rather than throw myself a celebratory show basking in my own modesty, we're just going to get right into another episode. And this week's featured film is one of my favorites of the decade. A film that should have been a hit, that still informs the work of its director more than thirty years later.   But, as always, a little backstory.   As I quite regularly say on this show, I often do not know what I'm going to be talking about on the next episode as I put the finishing touches on the last one. And once again, this was the case when I completed the show last week, on Escape to Victory, although for a change, I finished the episode a day earlier than I usually do, so that would give me more time to think about what would be next.   Thursday, Friday, Saturday. All gone. Still have no clue what I'm going to write about.   Sunday arrives, and my wife and I decide to go see Avatar: The Way of Water in 3D at our local IMAX theatre. I was hesitant to see the film, because the first one literally broke my brain in 2009, and I'm still not 100% sure I fully recovered. It didn't break my brain because it was some kind of staggering work of heartbreaking genius, but because the friend who thought he was being kind by buying me a ticket to see it at a different local IMAX theatre misread the seating chart for the theatre and got me a ticket in the very front row of the theatre. Now, I don't know if you've ever seen a movie in IMAX 3D, but that first row is not the most advantageous place to watch an IMAX movie in 3D. But because the theatre was otherwise sold out, I sat there, watching Avatar in 3D from the worst possible seat in the house, and I could not think straight for a week. I actually called off work for a few days, which was easy to do considering I was the boss at my theatre, but I have definitely seen a cognitive decline since I saw Avatar in IMAX 3D in the worst possible conditions. I've never felt the need to see it again, and I was fine not seeing the new one. But my wife wanted to see it, and we had discount tickets to the theatre, so off we went.   Thankfully, this time, I chose the seats for myself, and got us some very good seats in a not very crowded theatre, nearly in the spot that would be the ideal viewing position for that specific theatre. And I actually enjoyed the movie.    There are very few filmmakers who can tell a story like James Cameron, and there are even fewer who could get away with pushing a pro-conservation, pro-liberal, pro-environment agenda on an unsuspecting populace who would otherwise never go for such a thing.   But as I was watching it, two things hit me.   One, I hate high frame rate movies. Especially when the overall look of the movie was changing between obviously shot on video and mimicking the feel of film so much, it felt like a three year old got ahold of the TV remote and was constantly pushing the button that turned motion smoothing off and on and off and on and off and on, over and over and over again, for three and a half hours.   Two, I couldn't also help but notice how many moments and motifs Cameron was seemingly borrowing from his under-appreciated 1989 movie The Abyss.   And there it was.   The topic for our 100th episode.   The Abyss.   And, as always, before we get to the movie itself, some more background.   James Francis Cameron was born in 1954 in small town in the middle eastern part of the Ontario province of Canada, about a nine hour drive north of Toronto, a town so small that it wouldn't even get its first television station until 1971, the year his family would to Brea, California. After he graduated from high school in 1973, Cameron would attend Fullerton College in Orange County, where would initially study physics before switching to English a year later. He'd leave school in 1974 and work various jobs including as a truck driver and a janitor, while writing screenplays in his spare time, when he wasn't in a library learning about movie special effects.   Like many, many people in 1977, including myself, Star Wars would change his life. After seeing the movie, Cameron quit his job as a truck driver and decided he was going to break into the film industry by any means necessary.   If you've ever followed James Cameron's career, you've no doubt heard him say on more than one occasion that if you want to be a filmmaker, to just do it. Pick up a camera and start shooting something. And that's exactly what he did, not a year later.   In 1978, he would co-write, co-produce, co-direct and do the production design for a 12 minute sci-fi short called Xenogenesis. Produced at a cost of $20,000 raised from a dentist and starring his future T2 co-writer William Wisher, Xenogenesis would show just how creative Cameron could be when it came to making something with a low budget look like it cost far more to produce. There's a not very good transfer of the short available on YouTube, which I will link to in the transcript for this episode on our website, at The80sMoviePodcast.com (). But it's interesting to watch because you can already see themes that Cameron will revisit time and time again are already fully formed in the storyteller's mind.   Once the short was completed, Cameron screened it for the dentist, who hated it and demanded his money back. But the short would come to the attention of Roger Corman, The Pope of Pop Cinema, who would hire Cameron to work on several of his company's upcoming feature films. After working as a production assistant on Rock 'n' Roll High School, Cameron would move up becoming the art director on Battle Beyond the Stars, which at the time, at a cost of $2m, would be the most expensive movie Corman would have produced in his then-26 year career, as the production designer on Galaxy of Terror, and help to design the title character for Aaron Lipstadt's Android.    Cameron would branch out from Corman to work on the special effects for John Carpenter's Escape from New York, but Corman would bring Cameron back into the fold with the promise of running the special effects department for the sequel to Joe Dante's surprise 1978 hit Piranha. But the film's original director, Miller Drake, would leave the production due to continued differences with the Italian producer, and Cameron would be moved into the director's chair. But like Drake, Cameron would struggle with the producer to get the film completed, and would eventually disavow the film as something he doesn't consider to be his actual work as a director. And while the film would not be any kind of success by any conceivable measure, as a work of storytelling or as a critical or financial success, it would give him two things that would help him in his near future.   The first thing was an association with character actor Lance Henriksen, who would go on to be a featured actor in Cameron's next two films.   The second thing would be a dream he would have while finishing the film in Rome. Tired of being in Italy to finish the film, and sick with a high grade fever, Cameron would have a nightmare about an invincible cyborg hit-man from the future who had been sent to assassinate him.   Sound familiar?   We've already discussed how The Terminator came to be in our April 2020 episode on Hemdale Films, so we'll skip over that here. Suffice it to say that the film was a global success, turning Arnold Schwarzenegger into a beloved action star, and giving Cameron the clout to move on to ever bigger films.   That even bigger film was, of course, the 1986 blockbuster Aliens, which would not only become Cameron's second big global box office success, but would be nominated for seven Academy Awards, including a well deserved acting nomination for Sigourney Weaver, which came as a surprise to many at the time because actors in what are perceived to be horror, action and/or sci-fi movies usually don't get such an accolade.   After the success of Aliens, Twentieth Century-Fox would engage Cameron and his producing partner, Gale Anne Hurd, who during the making of Aliens would become his second wife, on a risky project.   The Abyss.   Cameron had first come up with the idea for The Abyss while he was still a student in high school, inspired by a science lecture he attended that featured Francis J. Falejczyk, the first human to breathe fluid through his lungs in experiments held at Duke University. Cameron's story would involve a group of underwater scientists who accidentally discover aliens living at the bottom of the ocean floor near their lab.    Shortly after he wrote his initial draft of the story, it would be filed away and forgotten about for more than a decade.   While in England shooting Aliens, Cameron and Hurd would watch a National Geographic documentary about remote operated vehicles operating deep in the North Atlantic Ocean, and Cameron would be reminded of his old story. When the returned to the United States once the film was complete, Cameron would turn his short story into a screenplay, changing the main characters from scientists to oil-rig workers, feeling audiences would be able to better connect to blue collar workers than white collar eggheads, and once Cameron's first draft of the screenplay was complete, the couple agreed it would be their next film.   Cameron and Hurd would start the complex process of pre-production in the early days of 1988. Not only would they need to need to find a place large enough where they could film the underwater sequences in a controlled environment with life-size sets under real water, they would need to spend time designing and building a number of state of the art camera rigs and costumes that would work for the project and be able to capture the actors doing their craft in the water and keep them alive during filming, as well as a communications system that would not only allow Cameron to talk to his actors, but also allow the dialogue to be recorded live underwater for the first time in cinema history.   After considering filming in the Bahamas and in Malta, the later near the sets constructed for Robert Altman's Popeye movie nearly a decade before, Cameron and Hurd would find their perfect shooting location outside Gaffney, South Carolina: an uncompleted and abandoned $700m nuclear power plant that had been purchased by local independent filmmaker Earl Owensby, who we profiled to a certain degree in our May 2022 episode about the 3D Movie craze of the early 1980s.   In what was supposed to be the power plant's primary reactor containment vessel, 55 feet deep and with a 209 foot circumference, the main set of the Deepcore rig would be built. That tank would hold seven and a half million gallons of water, and after the set was built, would take five days to completely fill. Next to the main tank was a secondary tank, an unused turbine pit that could hold two and a half million gallons of water, where most of the quote unquote exteriors not involving the Deepcore rig would be shot.   I'm going to sidetrack for a moment to demonstrate just how powerful a force James Cameron already was in Hollywood by the end of 1987. When word about The Abyss was announced in the Hollywood trade papers, both MGM and Tri-Star Pictures started developing their own underwater action/sci-fi films, in the hopes that they could beat The Abyss to theatres, even if there was scant information about The Abyss announced at the time.   Friday the 13th director Sean S. Cunningham's DeepStar Six would arrive in theatres first, in January 1989, while Rambo: First Blood Part Two director George P. Cosmastos' Leviathan would arrive in March 1989. Like The Abyss, both films would feature deep-sea colonies, but unlike The Abyss, both featured those underwater workers being terrorized by an evil creature. Because if you're trying to copy the secret underwater action/sci-fi movie from the director of The Terminator and Aliens, he's most definitely going to do evil underwater creatures and not peace-loving aliens who don't want to hurt humanity.   Right?   Suffice it to say, neither DeepStar Six or Leviathan made any kind of impact at the box office or with critics. DeepStar Six couldn't even muster up its modest $8.5m budget in ticket sales, while Leviathan would miss making up its $25m budget by more than $10m. Although, ironically, Leviathan would shoot in the Malta water tanks Cameron would reject for The Abyss.   Okay. Back to The Abyss.   Rather than cast movie stars, Cameron would bring in two well-respected actors who were known to audiences but not really that famous.   For the leading role of Bud Brigman, the foreman for the underwater Deepcore rig, Cameron would cast Ed Harris, best known at the time for playing John Glenn in The Right Stuff, while Mary Elizabeth Mastrantonio would be recognizable to some for playing Tom Cruise's girlfriend in The Color of Money, for which she was nominated for an Academy Award for Best Supporting Actress. Other actors would include Michael Biehn, Cameron's co-star from The Terminator and Aliens, Leo Burmester, who had been featured in Broadcast News and The Last Temptation of Christ, Todd Graff, who had starred in Tony Bill's Five Corners alongside Jodie Foster and John Turturro, character actor John Bedford Lloyd, Late Night with David Letterman featured actor Chris Elliott in a rare non-comedy role, and Ken Jenkins, who would become best known as Doctor Kelso on Scrubs years down the road who had only made two movies before this point of his career.   More than two millions dollars would be spent creating the underwater sets for the film while Cameron, his actors and several major members of the crew including cinematographer Mikael Salomon, spent a week in the Cayman Islands, training for underwater diving, as nearly half of the movie would be shot underwater. It was also a good distraction for Cameron himself, as he and Hurd had split up as a couple during the earliest days of pre-production.    While they would go through their divorce during the filming of the movie, they would remain professional partners on the film, and do their best to not allow their private lives to seep into the production any more than it already had in the script.   Production on The Abyss would begin on August 15th, 1988, and would be amongst the toughest shoots for pretty much everyone involved. The film would endure a number of technical mishaps, some due to poorly built supports, some due to force majeure, literal Acts of God, that would push the film's production schedule to nearly six months in length and its budget from $36m to $42m, and would cause emotional breakdowns from its director on down. Mastrantonio would, during the shooting of the Lindsey resuscitation scene, stormed off the set when the camera ran out of film during the fifteenth take, when she was laying on the floor of the rig, wet, partially naked and somewhat bruised from being slapped around by Harris during the scene. “We are not animals!” she would scream at Cameron as she left. Harris would have to continue shooting the scene, yelling at nothing on the ground while trying to save the life of his character's estranged wife. On his way back to his hotel room after finishing that scene, Harris would have to pull over to the side of the road because he couldn't stop crying.   Biehn, who had already made a couple movies with the meticulous director, noted that he spent five months in Gaffney, but maybe only worked three or four weeks during that entire time. He would note that, during the filming of one of his scenes underwater, the lights went out. He was thirty feet underwater. It was so dark he couldn't see his own hand in front of him, and he genuinely wondered right then and there if this was how he was going to die. Harris was so frustrated with Cameron by the end of the shoot that he threatened to not do any promotion for the film when it was released into theatres, although by the time that happened, he would be making the rounds with the press.   After 140 days of principal photography, and a lawsuit Owensby filed against the production that tried to kick them out of his studio for damaging one of the water tanks, the film would finally finish shooting on December 8th, by which time, Fox had already produced and released a teaser trailer for the movie which featured absolutely no footage from the film. Why? Because they had gotten word that Warners was about to release their first teaser trailer for their big movie for 1989, Tim Burton's Batman, and Fox didn't want their big movie for 1989 to be left in the dust.   Thirty-four years later, I still remember the day we got both trailers in, because they both arrived at my then theatre, the 41st Avenue Playhouse in Capitola, Calfornia, within five minutes of each other. For the record, The Abyss did arrive first. It was the Tuesday before Thanksgiving, the day before we opened the Bill Murray comedy Scrooged, and both Fox and Warners wanted theatres to play their movie's trailer, but not the other movie's trailer, in front of the film. I programmed both of them anyway, with Batman playing before The Abyss, which would be the last trailer before the film, because I was a bigger Cameron fan than Burton. And as cool as the trailer for Batman was, the trailer for The Abyss was mind-blowing, even if it had no footage from the film. I'll provide a link to that first Abyss teaser trailer on the website as well.   But I digress.   While Cameron worked on editing the film in Los Angeles, two major teams were working on the film's effects. The artists from Dreamquest Images would complete eighty effects shots for the film, including filming a seventy-five foot long miniature submarine being tossed around through a storm, while Industrial Lights and Magic pushed the envelope for computer graphics, digitally creating a water tentacle manipulated by the aliens that would mimic both Bud and Lindsey in an attempt to communicate with the humans. It would take ILM six months to create the minute and fifteen second long sequence.   Originally slated to be released in time for the Fourth of July holiday weekend, one of the busiest and most important weekends of the year for theatres, The Abyss would be held back until August 9th, 1989, due to some effects work not being completed in time, and for Cameron to rework the ending, which test audiences were not too fond of.   We'll get back to that in a moment.   When The Abyss opened in 1533 theatres, it would open to second place that weekend with $9.3m, only $350k behind the Ron Howard family dramedy Parenthood. The reviews from critics was uniformly outstanding, with many praising the acting and the groundbreaking special effects, while some would lament on the rather abrupt ending of the storyline.   We'll get back to that in a moment.   In its second week, The Abyss would fall to third place, its $7.2m haul behind Parenthood again, at $7.6m, as well as Uncle Buck, which would gross $8.8m. The film would continue to play in theatres for several weeks, never losing more than 34% of its audience in any given week, until Fox abruptly stopped tracking the film after nine weeks and $54.2m in ticket sales.   By the time the film came out, I was managing a dollar house in San Jose, a point I know I have mentioned a number of times and even did an episode about in September 2021, but I can tell you that we did pretty good business for The Abyss when we got the film in October 1989, and I would hang on to the film until just before Christmas, not because the film was no longer doing any business but because, as I mentioned on that episode, I wanted to play more family friendly films for the holidays, since part of my pay was tied to my concessions sales, and I wanted to make a lot of money then, so I could buy my girlfriend of nearly a year, Tracy, a nice gift for Christmas. Impress her dad, who really didn't like me too much.   The film would go on to be nominated for four Academy Awards, including for Mikael Salomon's superb cinematography, winning for its special effects, and would enjoy a small cult following on home video… until shortly after the release of Cameron's next film, Terminator 2.   Rumors would start to circulate that Cameron's original cut of The Abyss was nearly a half-hour longer than the one released into theatres, and that he was supposedly working on a director's cut of some kind. The rumor was finally proven true when a provision in James Cameron's $500m, five year financing deal between Fox and the director's new production company, Lightstorm Entertainment, included a $500k allotment for Cameron to complete his director's cut.   Thanks to the advancements in computer graphics between 1989 and 1991, Industrial Lights and Magic was able to apply what they created for T2 into the never fully completed tidal wave sequence that was supposed to end the movie. Overall, what was now being called The Abyss: Special Edition would see its run time expanded by 28 minutes, and Cameron's anti-nuke allegory would finally be fully fleshed out.   The Special Edition would open at the Loews Village VII in New York City and the Century Plaza Cinemas in Century City, literally down the street from the Fox lot, on land that used to be part of the Fox lot, on February 26th, 1993. Unsurprisingly, the critical consensus for the expanded film was even better, with critics noting the film's story scope had been considerably broadened. The film would do fairly well for a four year old film only opening on two screens, earning $21k, good enough for Fox to expand the footprint of the film into more major markets. After eight weeks in only a total of twelve theatres, the updated film would finish its second run in theatres with more than $238k in ticket sales.   I love both versions of The Abyss, although, like with Aliens and Cameron Crowe's untitled version of Almost Famous, I prefer the longer, Special Edition cut. Harris and Mastrantonio gave two of the best performances of 1989 in the film. For me, it solidified what I already knew about Harris, that he was one of the best actors of his generation.   I had seen Mastrantonio as Tony Montana's sister in Scarface and in The Color of Money, but what she did on screen in The Abyss, it still puzzles me to this day how she didn't have a much stronger career. Did you know her last feature film was The Perfect Storm, with George Clooney and Mark Wahlberg, 23 years ago? Not that she stopped working. She's had main or recurring roles on a number of television shows since then, including Law and Order: Criminal Intent, Blindspot and The Punisher, but it feels like she should have had a bigger and better career in movies.   Cameron, of course, would become The King of the World. Terminator 2, True Lies, Titanic, and his two Avatar movies to date were all global box office hits. His eight feature films have grossed over $8b worldwide to date, and have been nominated for 45 Academy Awards, winning 21.   There's a saying amongst Hollywood watchers. Never bet against James Cameron. Personally, I wish I could have not bet against James Cameron more often. Since the release of The Abyss in 1989, Cameron has only made five dramatic narratives, taking twelve years off between Titanic and Avatar, and another thirteen years off between Avatar and Avatar 2. And while he was partially busy with two documentaries about life under water, Ghosts of the Abyss and Aliens of the Deep, it seems that there were other stories he could have told while he was waiting for technology to catch up to his vision of how he wanted to make the Avatar movies.   Another action film with Arnold Schwarzenegger. An unexpected foray into romantic comedy. The adaptation of Taylor Stevens' The Informationalist that Cameron has been threatening to make for more than a decade. The adaptation of Charles Pelligrino's The Last Train from Hiroshima he was going to make after the first Avatar. Anything. Filmmakers only have so many films in them, and Cameron has only made eight films in nearly forty years. I'm greedy. I want more from him, and not just more Avatar movies.   In the years after its initial release, both Ed Harris and Mary Elizabeth Mastrantonio have refused to talk about the film with interviewers and at audience Q&As for other movies. The last time Harris has ever mentioned The Abyss was more than twenty years ago, when he said he was never going to talk about the film again after stating "Asking me how I was treated on The Abyss is like asking a soldier how he was treated in Vietnam.” For her part, Mastrantonio would only say "The Abyss was a lot of things. Fun to make was not one of them.”   It bothers me that so many people involved in the making of a film I love so dearly were emotionally scarred by the making of it. It's hard not to notice that none of the actors in The Abyss, including the star of his first three films, Michael Biehn, never worked with Cameron again. That he couldn't work with Gale Anne Hurd again outside of a contractual obligation on T2.     My final thought for today is that I hope that we'll someday finally get The Abyss, be it the theatrical version or the Special Edition but preferably both, in 4K Ultra HD. It's been promised for years. It's apparently been completed for years. Cameron says it was up to Fox, now Disney, to get it out. Fox, now Disney, says they've been waiting for Cameron to sign off on it. During a recent press tour for Avatar: The Way of Water, Cameron said everything is done and that a 4K UHD Blu-ray should be released no later than March of this year, but we'll see. That's just a little more than a month from the time I publish this episode, and there have been no official announcements from Disney Home Video about a new release of the film, which has never been available on Blu-ray after 15 years of the format's existence, and has been out of print on DVD for almost as long.   So there it is. Our 100th episode. I thank you for finding the show, listening to the show, and sticking with the show.   We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about James Cameron, The Abyss, and the other movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

spoiler alert: meat wedge is elbows deep in Law & Order: Criminal Intent, so if you're worried about a 22 year old show being spoiled uhh... plug your ears. Get bonus content on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Writer and actor Eric Bogosian (Talk Radio, Law & Order: Criminal Intent, Succession) has been in the business for a while. Long enough, that he tells Recode's Peter Kafka, he's learned to let other people worry about the business stuff. AMC's hoping he's good business for them; the network is hoping its new Interview with a Vampire can help fill the zombie-shaped genre hole left by the ending of The Walking Dead. Bogosian talks about the modern-day relevance of Talk Radio, paying for his kids' college with a steady Law & Order paycheck, and why he decided not to monetize his online project 100 (monologues). Featuring: Eric Bogosian (@ericbogosian), Actor and Writer Host: Peter Kafka (@pkafka), Senior Editor at Recode More to explore: Subscribe for free to Recode Media, Peter Kafka, one of the media industry's most acclaimed reporters, talks to business titans, journalists, comedians, and more to get their take on today's media landscape. About Recode by Vox: Recode by Vox helps you understand how tech is changing the world — and changing us. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Courtney B. Vance started acting in college. He went to Yale drama school, where he met his future wife Angela Bassett. He starred in the debut performance of August Wilson's Fences, first at the Yale repertory theater in 1985, then later on Broadway in 1987. Since then, he has gone on to work on the big and small screen, too. He has had parts on shows like Law and Order: Criminal Intent, The People v. O.J. Simpson, and Lovecraft Country. His latest project is the AMC series 61st Street, which Vance executive produced and stars in. He joins the show to talk about his acting career on both the stage and screen. He also talks about what it was like taking on the role of a lawyer again in the new series 61st Street. Plus, he talks with us about what it was like working alongside the legendary James Earl Jones in the iconic play Fences.