Lions, Towers & Shields

This George Stevens (best director Oscar) epic looms large. It’s a classic “roadshow” film of the 1950s, complete with West Texas vistas, Technicolor, big stars like Rock (Hudson), Liz (Taylor) and Jimmy (Dean), but no intermission, even though it’s three hours long! It also looms large in the history of the Texas towns (Marfa and Valentine) where it was filmed. I’ve grown up with stories of people tangentially touched by the production, and there are songs that celebrate, or sometimes give the side eye to, the whole thing. Shelly Brisbin with Laura Rice, Micheline Maynard, David J. Loehr and Randy Dotinga.

Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together. Shelly Brisbin with Annette Wierstra, Nathan Alderman and Micheline Maynard.

The first film Fritz Lang made in the US after he fled the Nazis, Fury is the story of a man who is lynched by the residents of a small town. The film is not a groundbreaking 1950s independent production, but an MGM star vehicle from 1936, featuring one of the studio’s then newest stars, Spencer Tracy. It’s not even Fritz Lang’s best film, but you’ll see some groundbreaking technique here. Shelly Brisbin with Nathan Alderman, Randy Dotinga and Micheline Maynard.

If you meet up with Lawrence Tierney in a dark alley - or in a kitchen, for that matter - chances are the encounter won’t end well. Tierney is truly the bad boy of film noir, and no film shows it better than “Born to Kill.” Claire Trevor is great, as always, but I do question her taste in men. I imagine a few eyebrows raising at what the filmmaker gets away with here, including the brazen attitude of our leading man. And oh hey, Elisha Cook Jr. Is here, too, bringing all the gay subtext. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about. The episode title is a callback. It’s what we do! Shelly Brisbin with Nathan Alderman, David Almeida, David J. Loehr and Micheline Maynard.

This film was a passion project for George Cukor and Katharine Hepburn. RKO let them do it, but the studio was sorry, when the movie confused audiences in 1935, and made no money. It has attained a bit of a cult following since. Hepburn and her father, Miracle on 34th Street’s Edmund Gwynn are fleeing trouble, and Sylvia dons a male disguise to help her dad. They meet con man Cary Grant, and hilarity and awkward moments of gender identity ensue. Shelly Brisbin with Nathan Alderman, Randy Dotinga and Micheline Maynard.

Let the show’s 5th year begin! LTS regular Micki Maynard turned me onto this one. Paul Newman and Sidney Pottier star as jazz musicians in Paris. Their love interests are Joanne Woodward and Dihann Caroll, repectively. Louis Armstrong plays a character called Wild Man Moore. If my synopsis seems superficial, that’s because I haven’t actually seen this one. But I love the cast, and I love the idea that Sidney and Diahann are doing something more interesting than playing that one Black person in the movie. So come discover this one along with me. Shelly Brisbin with Micheline Maynard and Nathan Alderman.

Shelly Brisbin with Randy Dotinga, Micheline Maynard, David J. Loehr and Nathan Alderman.

We return surprisingly often to the Hitchcock well, but his 1940s films are so interesting. Here is a gothic romantic mystery, with poor Joan Fontaine just trying to get her bearings in an old, dark house. Why are her new husband, Laurence Olivier, and his housekeeper, Judith Anderson, so mean to Joan, and what’s become of the cupid in the morning room? Join us and find out. Shelly Brisbin with Annette Wierstra, Micheline Maynard and Randy Dotinga.

A new film tells the story of Humphrey Bogart through the lens of the women who were most important in his life - his mother and his four wives. Shelly talks with Bogey’s son, Stephen Humphrey Bogart, about the new film. Shelly Brisbin.

Join us for peak 1950s MGM musical. If that doesn’t interest you, I can’t help. Fred Astaire and Cyd Charisse dance their hearts out, Oscar Levant levants, and Vincente Minnelli does his usual excellent job as director. We take issue with the plot and at least one of the main characters, but it’s entertaining. And I like the triplets number. Shelly Brisbin with David Almeida, Micheline Maynard, Randy Dotinga and David J. Loehr.

Susan Hayward won an Oscar. Susan Hayward was a protégé and fan of Barbara Stanwyck. Susan Hayward would like NOT to be put to death for her part in murder, please. Robert Wise (Star Trek: The Motion Picture AND The Sound of Music) directs. And this film showcases not only Miss Hayward, but a crazy intense jazz score. Unlike the usual “women in prison” pictures, this one features a protagonist who is not misunderstood, or innocent of all charges. She’s a hooker, and a lifelong criminal. But does she deserve the death penalty? Based, as they say, on a true story. Shelly Brisbin with Micheline Maynard.

Previously, on Lions, Towers & Shields, we’ve talked about one western. It was an unusual one, and included themes a modern audience tends to read as gay. Well guess what? We’re doing it again. Desert Fury puts Lizbeth Scott, Bert Lancaster and John Hodiak into a love triangle. Film noir expert Eddie Muller says this is the gayest movie ever produced in classic Hollywood. But is it? Please enjoy the lush color, and the Miklos Rosza score. And look, there’s Mary Astor and Kristine Miller, too. So we have a very noir cast getting together to ride a present-day version of the range. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

An entertainer from the rural south rises to become a political demagogue. And he’s played by Andy Griffith. This is all kinds of messed up! It’s actually a great film, with A LOT to say to us in the 21st Century. It’s directed by Elia Kazan, and also stars Patricia Neal. Shelly Brisbin with Micheline Maynard, Brandon Rottinghaus and Monty Ashley.

In 1970, Arthur Hailey’s blockbuster book, Airport, became the first film in that decade’s disaster movie cycle. It also led to three more Airport films, and the adaptation of Zero Hour (also a Hailey story) into Airplane!. This second installment, Airport 1975, celebrates its 50th anniversary this year. It straddles the line between big budget, all-star A picture (the original), and implausible 70s schlock, as observed in the final two Airport films. Here, we’re also treated to appearances by classic stars, including Gloria Swanson and Myrna Loy. I am contractually obliged to say that Charlton Heston is the hero. Shelly Brisbin with Micheline Maynard and David J. Loehr.

We close out International Summer Vacation with a film most of us haven’t seen, or even heard of. It comes to us from Argentina, and director Carlos Hugo Christensen. It’s based on a story by noir stalwart, Cornell Woolrich, and consists of two stories involving the door of the title. It’s also notable for incredible cinematography from Pablo Tabernero. The Film Noir Foundation restored, and is showing the film around the country at FNF’s Noir City festivals this year. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

We return to France for King of Hearts, directed by Philippe de Broca and starring Alan Bates and Geneviève Bujold. The suggestion to see this film comes from our own Erika Ensign, who praises its anti-war message, among other attributes. The film is set in a small French town during World War I, after the locals have fled the battle. Residents of a nearby asylum escape and take over the town. The film was made in 1966, in the shadow of French involvement in the Vietnam War. Shelly Brisbin with Erika Ensign, Nathan Alderman, Randy Dotinga and Micheline Maynard.

Tokyo Story is on numerous lists of the best films of all time. It’s in my personal top five. This movie is considered the masterpiece by legendary filmmaker Yasujiro Ozu, and it stars his luminous muse, Setsuko Hara. Tokyo Story is a black and white time capsule of life in Japan after World War II and depicts how the war and Japan’s modernization disrupted its family dynamic. Compared with the boldness of Akira Kurosawa’s movies, it’s sedate and thoughtful, and you may easily find yourself shedding a tear or two. Micheline Maynard with Shelly Brisbin and Nathan Alderman.

Starring Joan Crawford is Samuel Garza Bernstein’s new appreciation of the screen queen. It’s a great book, and I wanted you to meet the author, Samuel Garza Bernstein. We’ve known each other since I was 16. These two things are only partially related. Shelly Brisbin with Samuel Garza Bernstein.

Forgive a film noir detour during our international vacation season. This is episode 100, and so I’ve picked a movie I love, and that feels right in the collective LTS wheelhouse. James M. Cain’s story of betrayal and murder was directed by Billy Wilder, and stars Barbara Stanwyck (natch), Fred McMurray and Edward G. Robinson. This film is full of dynamite lines, crazy sexual chemistry, and noir lighting for days. Shelly Brisbin with David J. Loehr, Nathan Alderman, Micheline Maynard, Annette Wierstra and Randy Dotinga.

Our summer travels continue this week to Italy, where Federico Fellini is our guide. The title translates to “the sweet life” in English, and that’s what star Marcello Mastroianni seeks in Rome, over the course of seven days. Mastroianni is a tabloid journalist, and we follow him through seven stories, during the film. Anita Ekberg is the female star probably most known to American film fans. La Dolce Vita ranks among Fellini’s best, and the movie also gives us a glimpse of modern Italy, a generation removed from World War II. Shelly Brisbin with Micheline Maynard and Dr. Drang.

Shot in the postwar ruins of occupied Tokyo, Akira Kurosawa’s early buddy-cop thriller will make you feel every drop of sweat in its sweltering summer heat wave. A rookie cop (Toshiro Mifune) loses his gun to a pickpocket; the gun ends up in the hands of a desperate ex-soldier with nothing to lose. As his weapon gets used in a series of escalating, awful crimes, the young detective and his savvy mentor (Takashi Shimura) must race through the underworld to track down the shooter and get it back. Stray Dog is a top-notch police procedural, but it’s also a surprisingly kind, humane, and empathetic look at a city emerging from wartime. Nathan Alderman with Shelly Brisbin, Micheline Maynard and Randy Dotinga.

We begin our International Summer Vacation season with a prime example of the French New Wave. Breathless is directed by Jean-Luc Godard, and stars Jean-Paul Belmondo and Jean Seberg. The film is notable for its visual style, and the impact it had on the careers of its leading actors. Belmondo plays a criminal who wants to be Humphrey Bogart. He spends much of the film on the run, and with his American girlfriend. Problems ensue. Shelly Brisbin with Dr. Drang and Nathan Alderman.

Down in the depths of precode cinema, where Shelly likes to spend torrid nights, there’s a depiction of how a department store can be a little Peyton Place, and how Warren William is never to be trusted. The great precode lothario stars with very young Loretta Young and Wallace Ford (who we just saw as a middle-aged creep in The Breaking Point) as her love interest. Aside from the sleaze, it’s kind of fun to see how a department store works in the 1930s. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

Here are Elizabeth Taylor and Montgomery Clift at their hottest, with an adaptation of Theodore Dreiser’s An American Tragedy. Just as in Night of the Hunter, Shelley Winters maybe ought to watch her back. George Stevens directs, and here, he’s beginning his epic period. In the 50s, he’ll direct Giant and Shane, among others. This one is full of melodrama and social aspiration and also has a bunch of Oscars, including Stevens’ first for directing. It’s nice to look at. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two LTS regulars were excited when I mentioned it. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

Every once in awhile, your host takes a flier, choosing a film for us to watch that I’ve seen once or twice, if at all. Also arising from the 2022 draft episode is this English romance from 1945. It’s from the filmmaking team of Powell and Pressburger, and stars Wendy Hiller, so on credentials alone, it’s worth your attention. A young woman travels to the Hebrides to marry an older, wealthy man. But circumstances change her thinking Shelly Brisbin with Randy Dotinga, Micheline Maynard and Nathan Alderman.

Gene Kelly was at the height of his powers in 1951, starring in musicals for MGM, and choreographing some of them. Here, Vincent Minelli directs, but the dancing is by Kelly. Leslie Caron makes her film debut, and the rest of the cast has a decidedly continental vibe. The film is “inspired” by George Gershwin’s 1928 musical of the same name, but the writing credit here goes to Alan Jay Lerner, aka half of the celebrated Lerner and Lowe musical composing team. An American in Paris won a boatload of Oscars, including Best Picture. Shelly Brisbin with Micheline Maynard and David J. Loehr.

Unlike the mid-40s film that first brought us Bogie and Bacall, The Breaking Point is a relatively faithful adaptation of Ernest Hemingway’s story, To Have and Have Not. This one stars John Garfield (in one of his final films) and Patricia Neal. Michael Curtiz directs, but if that suggests a routine Warner Bothers potboiler (I love those) it is not. Garfield is a boat captain talked into doing some smuggling. There’s a love triangle and an ending that’ll just wrench you. Shelly Brisbin with Randy Dotinga and Nathan Alderman.

This 1936 film is based on the well-known novel of the same name, by Sinclair Lewis. It’s the story of a successful middle-aged man (Walter Huston) who wants something new from his life. That’s what his wife (Ruth Chatterton) wants, too, but their ideas are very different, and not compatible. And there’s Mary Astor, living her best life in an Italian villa, being all awesome and stuff. It’s fun to watch these three actors work. The writing is good, too. William Wyler (who we last heard from in The Best Years of Our Lives) directs Shelly Brisbin with Micheline Maynard and Nathan Alderman.

If the Jeopardy answer is “A Christmas-themed film of the mid-1940s”, you might expect the question to be “What is ‘It’s A Wonderful Life’” or “What is ‘Miracle on 34th Street.’” But on this year’s LTS holiday episode, those questions would be wrong! Our movie this year comes with stars like Victor Moore and Don DeFore, not Jimmy Stewart or Donna Reed. But our little holiday movie has a lot to recommend it. There’s found family, a budding love story, a challenge to capitalism and entrepreneurship by war veterans. It all happens at Christmastime in a New York mansion that’s been appropriated for the holidays by our eclectic cast of characters. Shelly Brisbin with Annette Wierstra, Micheline Maynard and David J. Loehr.

I hear that Alec Guinness made a couple of movies in the 1970s or 80s that you may know. This is not that. This is a classic Ealing Studios comedy in which Alec plays eight characters. Because it’s a British comedy, I was not surprised to find that it dealt with social class. Robert Hamer directs, and Dennis Price is the actual star. This episode is full of connections to other things we like. Everyone brought the trivia. Shelly Brisbin with Erika Ensign, Randy Dotinga, Micheline Maynard and David J. Loehr.

This is a disturbing film: also a good one. Charles Laughton’s only directorial outing focuses on a con man (and worse) terrorizing a pair of children as they run from him. He’s attempting to secure some money he covets, and to shut up those meddling kids. Robert Mitchum is our charismatic villain and star, along with Shelley Winters and silent luminary Lillian Gish, also turning in worthy performances. Buckle up, friends. You’ve been warned. Ish. Shelly Brisbin with David J. Loehr, Randy Dotinga and Dr. Drang.

For me, this movie answers some important LTS questions: what did that Ernst Lubitsch guy direct besides To Be Or Not To Be? How was Herbert Marshall ever a romantic lead? And finally, where are the precodes? It’s been forever! TIP also give me the chance to introduce Kay Francis and Miriam Hopkins, the fashion-forward queen of Warner Brothers before Bette Davis, and Miss Davis’ later southern belle nemesis in several films - respectively. Trouble in Paradise is a romantic triangle comedy featuring “a gentleman thief, a (lady) pickpocket” and a fancy woman who is their mark. It’s very funny, and very risqué in the way that precode movies tend to be - could they say that in 1932? Highly recommended by your host and at least two panel regulars. Shelly Brisbin with Nathan Alderman, David J. Loehr and Randy Dotinga.

For this episode, we’re breaking format a bit. Instead of focusing on one film, we’ll talk about several: all from the silent film era. It’s not a draft, but each panelist has picked a movie, and we’ve all watched them! Our guide is guest host, Micki Maynard! Micheline Maynard with Shelly Brisbin, Nathan Alderman, Dr. Drang, Annette Wierstra and Randy Dotinga.

Nicholas Ray directs Humphrey Bogart and Gloria Graham. Bogie is Dix Steele, who should not be confused for Captain Picard’s hollowdeck alter ego, Dixon Hill. (Am I the only one who does that?) Bogie is not a detective, but a screenwriter suspected of murder. In A Lonely Place is considered one of the best film noir made, and Bogart and Graham give excellent performances. Shelly Brisbin with Judy Samelson, Randy Dotinga, Micheline Maynard and Nathan Alderman.

It’s the age-old story: Boy meets girl, boy and girl fall in love, boy and girl get married, girl’s psychosexual hangups put strain on their marriage, girl may or may not begin turning into a large murderous panther because of an ancient family curse … you know, the usual. Horror auteur Val Lewton and ace director Jacques Tourneur spin a low budget into shadow-drenched, spine-tingling gold in a creepy classic that takes the time to care about its characters, and brilliantly lets sound, suggestion, and your imagination do all the heavy lifting. Featuring the most infamous bus in movie history! (Note: This is the 1940s original, not the, er, sweaty 1980s remake.) With your guest host, Nathan Alderman. Nathan Alderman with Shelly Brisbin, Annette Wierstra and Randy Dotinga.

We watch Billy Wilder’s story of a silent film queen’s life in middle age and the screenwriter who stumbles into her world. Noir, melodrama, dark humor, horror. It’s all here in this classic, staring Gloria Swanson. She’s all of 46 when she made this movie, but a has-been like her character. This episode is full of excellent trivia and unexpected connections made by our super-smart panel. Shelly Brisbin with David J. Loehr, Randy Dotinga and Micheline Maynard.

Probably the best of the Sturges comedies, The Palm Beach Story is part romance, part screwball comedy, part drawing room comedy. The performances sparkle, the movie looks great, and the plot is inventive. Joel McCrea and Claudette Colbert are our delightful stars. And I get to talk about Mary Astor some more. Don’t miss this one, kids. Shelly Brisbin with Micheline Maynard, David J. Loehr, Dr. Drang, Annette Wierstra and Nathan Alderman.

Fair warning: this recap of a Preston Sturges film from 1937 also features Barbie content. Shelly Brisbin with Micheline Maynard, David J. Loehr, Randy Dotinga and Nathan Alderman.

Shelly talks with the “czar of noir” about his new book, his favorite films noir and what’s happening at Turner Classic Movies. Shelly Brisbin with Eddie Muller.

Who would dare comment on the inherently propagandistic aspects of the war effort, right in the middle of World War II? That would be Preston Sturges. A soldier is discharged from the Army because he has hay fever, but is declared a war hero when he returns to his hometown. Eddie Bracken and Ella Raines (last seen on LTS in Phantom Lady) are your stars. Shelly Brisbin with David J. Loehr, Nathan Alderman and Randy Dotinga.

The Summer of Sturges continues with a movie that’s not in a class with The Lady Eve. But we still need to talk about it. World-renown conductor Rex Harrison suspects his much younger wife (Linda Darnell) of cheating on him, and he dreams up three different ways to punish her for it. Shelly Brisbin with Erika Ensign, David J. Loehr and Randy Dotinga.

We begin the summer of (Preston) Sturgess celebration with a true classic. Director and stars were at their best here, and it’s a treat to watch LTS’ favorite dame work her magic on Henry Fonda. I have four more Sturgess offerings coming up, but this one is hard to beat. Shelly Brisbin with Randy Dotinga, David J. Loehr, Micheline Maynard and Annette Wierstra.

Audrey Hepburn is iconic as Holly Gollighty. Is there more to say? Of course. That’s why we have a podcast. Shelly Brisbin with Erika Ensign and Annette Wierstra.

The Lubitsch Touch applied to Nazi occupation? You bet. Carole Lombard and Jack Benny star as members of an acting troupe in Poland, scrambling after the Nazis arrive. It’s funny and serious all at once, with great performances. The film was released two months after Lombard died in a plane crash, and would have earned good will, had the subject matter not been a rough go for Americans of the time. Shelly Brisbin with David J. Loehr, Randy Dotinga, Nathan Alderman and Dr. Drang.

We return to Huston (John) and Bogart, but there’s also Lauren Bacall, Claire Trevor (Oscar winner for this), Edward G. Robinson and more. The cast is trapped together in a Florida hotel, awaiting a hurricane. It’s a film noir, so there are secrets and gun play, plus the eventual storm to contend with. And a boat. Shelly Brisbin with Annette Wierstra, Dr. Drang, Lisa Schmeiser and David J. Loehr.

Here’s a movie from Douglas Sirk’s high period. We’ve only talked about Sirk in the context of “Lured,” a movie I think is underrated, but one that looks nothing like this splashy 50s melodrama. This one stars Jane Wyman and Rock Hudson. And I get to talk about Agnes Moorehead. So, bonus! Can a lonely widow find love with a tree farmer? Stay tuned. We also mention Todd Haynes’ excellent 2002 remake (you read that right!), “Far from Heaven” with Julianne Moore. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.

“A fascinating crumminess.” That’s how Pauline Kael described Joseph Lewis’ “Gun Crazy,” a noir whose cast you probably won’t know, but whose visual style and essential seediness are compelling. It’s a story about two people with a mutual obsession with guns, but it’s told with sensitivity and a focus on their relationship. Shelly Brisbin with Randy Dotinga and Nathan Alderman.

Suggested by Lisa Schmeiser: If you liked “The Apartment” or “Mad Men,” welcome back to mid-century NYC office culture. We’re on Madison Avenue, inside the cutthroat world of publishing. Our guides are Hope Lange, Stephen Boyd, Suzy Parker, Martha Hyer, Diane Baker, Brian Ahenre and Miss Joan Crawford. Jean Negulesco handles direction. Shelly Brisbin with Lisa Schmeiser, Nathan Alderman and Randy Dotinga.

Ethel Merman in her heyday. What more do you need to know? Merman didn’t make a lot of movies, so here’s a glimpse at what theatre audiences saw during her long Broadway career. Also along for the Irving Berlin musical are Donald O’Connor, Dan Dailey, Johnnie Ray and Mitzi Gaynor. And, um, who’s that other blonde person? Marilyn Monroe is here, too. Thanks to my panelists, Matthew and David for suggesting it. Shelly Brisbin with David Almeida and Matthew Arter.