Podcast appearances and mentions of Richard Brooks

The truth behind the British Steel debacle as revealed by guest Richard Brooks; plus the new phenomenon of 'Yank Avoidance' and a roadmap through the confusing landscape of BBC podcasting. 

TVC 686.2: Peter Ford, son of screen legends Glenn Ford and Eleanor Powell, helps Ed celebrate the seventieth anniversary of the release of Blackboard Jungle, the iconic film from 1955 that not only starred Glenn Ford as a young English teacher in an inner-city high school, but which prominently featured the song “Rock Around the Clock” in its soundtrack, putting Bill Haley and the Comets on the map while also launching the era of rock 'n' roll music. Peter Ford was just ten years old when Blackboard Jungle was released, yet he played a very prominent role in getting his dad and director Richard Brooks to integrate “Rock Around the Clock” into Blackboard Jungle—indeed, Little Stevie van Zandt once credited Peter as being the catalyst for one of the seminal moments in rock 'n' roll history. Peter Ford is also the author of Glenn Ford: A Life, an intimate look at the life and times of one of our finest screen actors.

CW: This episode contains spoilers and discussions of cinematic sexual violence. The film writer Jessica Ritchey returns to the show for a two-part series about two controversial films about a woman's complex sexuality, films that took a couple of decades to be rediscovered and better understood.In part one we discuss Richard Brooks' 1977 drama Looking for Mr. Goodbar starring Diane Keaton, based on the popular seventies bestseller by Judith Rossner, based on the true story of a New York City schoolteacher who was murdered by a man she picked up at a singles bar. Mr. Goodbar was a major hit for Paramount upon release, but a few weeks later it was overshadowed by another Paramount release with an even bigger cultural impact and hit soundtrack, Saturday Night Fever. Mr. Goodbar has been hard to see properly for decades due to its reputation as a misogynist, depressing film and the extremely expensive licensing costs for its disco soundtrack, until the end of 2024 when Vinegar Syndrome unexpectedly released a limited-edition restoration. Jessica and I dig into the thorny and complex issues this film presents about a woman's sexuality, partly due to Richard Brooks' determination to tell a more empathetic story than the more punishing tone of Rossner's novel (she was angered by the adaptation). Brooks may not have been the ideal person to make this film being two generations removed from the subject but nevertheless his film contains an interesting and useful critique of the patriarchy, using his understanding of New Hollywood techniques. Jessica and I also discuss the film's use of music, Diane Keaton's tremendous performance as Theresa Dunn, the depiction of all the terrible men in her life, and our responses to the shocking conclusion of the film. Part two of this discussion is exclusive to the Patreon feed: more about Mr. Goodbar, contrasted against a controversial 2003 film that could be seen as a feminist response to it, Jane Campion's In the Cut, and a 1982 TV movie about a woman in danger that echoes some of these themes, Hotline starring Lynda Carter. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Jessica Ritchey on Bluesky, and support her work on Patreon.The limited edition Vinegar Syndrome release of Looking for Mr. Goodbar can be purchased here.“Goodnight Theresa”, a YouTube playlist Jessica and I cooked up of disco songs that came out too late to be included on the Goodbar soundtrack but would have fit right in.Trailer for Looking for Mr. Goodbar (Richard Brooks, 1977)

Front Row Classics is celebrating an audacious and vastly underrated thriller from Warner Bros. Brandon is pleased to welcome back Holley Snaith to discuss Storm Warning from 1950. This noir thriller was an allegory for the politically charged era of the Red Scare in Hollywood. Brandon and Holley discuss Richard Brooks' and Daniel Fuchs' screenplay that was ahead of its time in its indictment of the KKK. The film also features an unlikely cast that includes Ginger Rogers, Doris Day and Ronald Reagan. 

Storm Warning Front Row Classics is celebrating an audacious and vastly underrated thriller from Warner Bros. Brandon is pleased to welcome back Holley Snaith to discuss Storm Warning from 1950. This noir thriller was an allegory for the politically charged era of the Red Scare in Hollywood. Brandon and Holley discuss Richard Brooks’ and Daniel … Continue reading Ep. 283- Storm Warning →

Probablemente a las nuevas generaciones no les suene mucho el personaje pero los más veteranos seguro que recuerdan a la Mula Francis de cuando la veían de niños en televisión. 75 años se cumplen del estreno de la primera de las siete películas que protagonizó este singular equino que podía hablar. Os lo contamos todo sobre ella. Como aperitivo a la película sobre María Callas que se estrena dentro de pocos días, con Angelina Jolie en el papel de la diva, nuestra Enciclopedia nos va a hablar de ópera en el cine. También la música es protagonista en la entrevista que ha hecho Elio Castro esta semana. Ha charlado con Juan Carlos Pérez, líder del grupo musical vasco Itoiz, famoso en los años 70 y 80, y del que se acaba de estrenar un documental. Y en la sección dedicada al western tenemos esta semana una película de los años 60: “Los profesionales”, dirigida por Richard Brooks y con Lee Marvin, Burt Lancaster, Claudia Cardinale y Jack Palance encabezando su reparto.

Hay líneas en la vida, que si las cruzas, no tienen vuelta atrás. Asomarse al abismo de nuestro interior, produce vértigo, pero también terror, al descubrir que no tenemos el corazón de oro, que pensamos tener. El ahora centenario Truman Capote (1924-1984) descubrió en Kansas algo de sí mismo, que le hundió en un pozo del que ya nunca pudo salir. Al investigar el incomprensible crimen de la familia Clutter en “A sangre fría” (1966) reinventa el periodismo, pero es incapaz de escribir ningún libro más, sumido en el alcoholismo y un descenso a los infiernos, que le lleva a destruir todas sus amistades. En este programa de radio, "Al Trasluz", escuchamos fragmentos del libro leído por Eugenio Barona, después de la voz del propio Capote leyendo el principio de la novela. Oímos escenas de las película que hizo Richard Brooks sobre la obra en 1967 (A sangre fría), Douglas McGrath sobre la biografía de George Plimpton en 2005 (Historia de un crimen) y de Bennet Miller en 2008 sobre el libro de Gerald Clarke (Capote). Escuchamos también la composición que hizo Peter Gabriel en 1980 (Family Snapshot) y la "Canción para Truman Capote" de Rhett Miller en 1989. La música que suena de fondo a los comentarios de José de Segovia es de la banda sonora original de Quincy Jones para la película de 1967 (In Cold Blood), la de 2005 por Rachel Portman (Infamous) y la de 2008 por Mychael Danna (Capote). El diseño sonoro y la realización técnica es de Daniel Panduro

This week, the guys are talking about the faux documentary/first found footage movie ever (?) 84 Charlie MoPic. Is it too clean? Too gritty? Realistic? Why does Dale Dye love it so much? The guys also talk about performative progressives, realism of the genre growing in the age of YouTube and much more. Next week: The last days of Emperor Hirohito's reign of power. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) 84 Charlie MoPic stars Jonathan Emerson, Nicholas Cascone, Jason Tomlins, Christopher Burgard, Glenn Morshower, Byron Thames and Richard Brooks; directed by Patrick Sheane Duncan. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Series Eight, host Andrew Martin meets professional genealogist Richard Holt. He finds out how Richard got hooked on family history, what made him turn professional, has he ever experienced 'imposter syndrome', and his efforts to access original Wills - and challenging a proposal by the UK Government's Ministry of Justice on the disposal of historic Wills. THE LIFE STORY - MATTHEW BUYRN (aka JOHN DUNMORE)  Richard has chosen to tell the life story of his 4x Great Grandfather Matthew Buyrn, who was born in Edmonton, Middlesex, England in 1793. However, throughout the records, another name for Matthew repeatedly emerges - John Dunmore. Why does he have two names? Matthew enlisted in the Royal Marines in 1812 (during the Napoleonic Wars) starting out at the Royal Marines Barracks at Chatham, Kent, before transferring to Plymouth. He then set sail with the Marines but by 1833 he was discharged to hospital due to suffering from what was described at the time as 'mania'. What follows is a series of events that would see him end up in prison, and as a man whose mental health was at a low.   THE BRICK WALL - RICHARD BROOKS  A puzzle in the village of Bledlow Ridge, Buckinghamshire, England has Richard scratching his head... and seeming half the village too.  His ancestor - Richard Books - was born circa 1740, but the location is not yet known. During his life this Richard built a house on common land, married and had lots of children... who in turn had lots of children too, but he was a poor man, with no Will, and no marked grave. Can you identify the birthplace or baptism location of Richard Brooks? If you think that you can help Richard with a research clue or idea, then you can contact him via his website, alternatively you can send us a message via our contact form and we'll pass it along to him.  Meanwhile.... Richard is curious of Andrew's offer of help, but can he get him to the right place? - - -Episode Credits: Andrew Martin - Host and Producer Richard Holt - Guest  Thank you for listening! You can sign up to our email newsletter for the latest and behind the scenes news. You can find us on Twitter @FamilyHistPod, Facebook, Instagram, and BlueSky. If you liked this episode please subscribe for free, or leave a rating or review.

El 'Cinema a la Xarxa' d'aquesta setmana est

FILMOTECAMURCIA.es Viernes 20 de septiembre / 18.45 horas / Entrada libre hasta completar aforo'Una noche en la ópera' (A night at the opera; Sam Wood, 1935) Estados Unidos. 94'. VELlevado por un extravagante sentido de los negocios, Groucho mete en un barco con destino a Nueva York a las grandes estrellas de la Ópera de Milán. A bordo viajan también unos polizones: Harpo y Chico. Entre los tres revolucionan el barco, organizan un escándalo en Nueva York y convierten la noche del estreno en una locura que el mundo de la ópera nunca podrá olvidar. Martes 24 / 20.45 horas / (Centenario Truman Capote) / Entrada libre hasta completar aforo'Truman Capote' (Bennet Miller, 2005) Estados Unidos. 110'. VOSEEn noviembre de 1959, Truman Capote lee una crónica del New York Times que relata el sangriento asesinato de los cuatro miembros de la familia Clutter en su granja de Kansas. Aunque sucesos similares aparecen en la prensa todos los días, hay algo que llama la atención del escritor y quiere utilizarlo para demostrar una teoría: en manos de un escritor adecuado, la realidad puede ser tan apasionante como la ficción. Consigue que el The New Yorker lo envíe a Kansas con su amiga Harper Lee para cubrir el caso. Su voz aniñada, su amaneramiento y su peculiar forma de vestir despiertan al principio la hostilidad de los vecinos de la zona, pero Capote se gana pronto la confianza de Alvin Dewey, el agente encargado de la investigación. Miércoles 25 de septiembre / 18.30 horas / Entrada libre hasta completar aforo'Ben – Hur' (William Wyler, 1959) USA 212' / (La antigüedad filmada: el cine de romanos)Antigua Roma, bajo el reinado de los emperadores Augusto y Tiberio (s. I d.C.). Judá Ben-Hur (Charlton Heston), hijo de una familia noble de Jerusalén, y Mesala (Stephen Boyd), tribuno romano que dirige los ejércitos de ocupación, son dos antiguos amigos, pero un accidente involuntario los convierte en enemigos irreconciliables: Ben-Hur es acusado de atentar contra la vida del nuevo gobernador romano, y Mesala lo encarcela a él y a su familia. Mientras Ben-Hur es trasladado a galeras para cumplir su condena, un hombre llamado Jesús de Nazaret se apiada de él y le da de beber. En galeras conocerá al comandante de la nave (Jack Hawkins) y más tarde a un jeque árabe (Hugh Griffith) que participa con sus magníficos caballos en carreras de cuadrigas. Jueves 26 de septiembre / 21.30 horas/ (Centenario Truman Capote) 'A sangre fría' (Richard Brooks, 1967) Estados Unidos. 134'. VOSEAdaptación de la novela homónima de Truman Capote. Un honrado granjero de Kansas lleva una vida tranquila con su esposa y sus dos hijos. No puede sospechar ni remotamente que él y su familia van a ser asesinados por dos ex-presidiarios con las facultades mentales perturbadas. ESTRENOS DE LA SEMANA'Topuria: Matador' (Giampaolo Manfreda, 94´)Hay muchos números uno, pero solo uno logra ser leyenda. El flamante campeón de artes marciales mixtas, Ilia Topuria, lo tiene claro. Tras derrotar a Josh Emett en Florida y colocarse en el Top Five Mundial de la todopoderosa liga UFC, entra en la jaula dispuesto a arrebatarle el título al hasta entonces invicto Alexander “The Great” Volkanovsky. 'Topuria: Matador' es la historia de superación personal de Ilia, desde su Georgia natal en guerra y su llegada a España, hasta catapultarse como el campeón mundial.'Transformers: One' (Josh Cooley, animación, 103´)Es la historia jamás contada del origen de Optimus Prime y Megatron y de cómo pasaron de ser hermanos de armas que cambiaron el destino de Cybertron para siempre, a convertirse en enemigos acérrimos.'Puntos suspensivos' (David Marqués, 90´)Diego Peretti, Jose Coronado, Cecilia SuárezLeo (Diego Peretti), exitoso escritor de novelas de misterio, firma con el seudónimo de Cameron Graves. Mientras escribe su próximo libro en un aislado chalet, recibe la extraña visita de Jota (José Coronado), un inquietante personaje que dice ser periodista. Nadie conoce la identidad de Leo y solo Victoria (Cecilia Suarez), su agente, sabe que está allí, así que: ¿Cómo ha conseguido Jota llegar hasta él?, ¿Cuáles son sus intenciones? Un oscuro secreto relacionado con Adriana (Georgina Amorós), su joven amante, parece estar detrás de la misteriosa visita. Mentiras, traiciones, amenazas y muerte marcaran el despiadado duelo entre estos personajes.'Solos en la noche' (Guillermo Rojas, 88´)Pablo Gómez-Pando, Andrea Carballo, Alfonso SánchezUn grupo de abogados laboralistas, significados políticamente, se esconde en una casa cuando se produce en España el golpe de Estado del 23 de febrero de 1981. Sin saber muy bien qué hacer, discutirán entre huir del país, permanecer escondidos a esperar acontecimientos o intentar hacer algo para defender la joven democracia española.

El matrimonio protagonista, el de Mary – Jean Simmons y Fred -John Forsythe- hace aguas, se está derrumbando. Tienen una hija adolescente, que en uno de los diversos flashbacks que conforman el film pregunta a la madre porqué todos los cuentos acaban después de casarse. ¿Y después qué pasa? Brooks, director y guionista, en este proyecto personal parece ofrecernos un capítulo de su propia vida, de su amor a Jean Simmons, que aparte de ser la actriz principal era su esposa. A Jean le costó mucho interpretarse a sí misma, una mujer adicta al alcohol y a las pastillas con un intento de suicidio camuflado. Le ayudó mucho en los parones del rodaje su amiga Theresa Wright, su madre en la película, una madre que no la apoya, es la suegra perfecta del marido paternalista, todas las decisiones de su hija le parecen fallidas y más que ninguna su impulsiva escapada a Las Bahamas. Cambiar el plomizo Denver por el sol de Nassau y olvidarse de todo, o quizá recordar más que nunca. Ver a su hija pequeña en la niña que construye un castillo de arena, encontrar en el avión a su amiga de la universidad (Shirley Jones), que mantiene una relación con un hombre casado con otra, toparse con una pareja de novios enamorados que parecen flotar sobre las olas. Ella dejó de flotar hace tiempo, y buscó levitar con fármacos y Smirnoff. Mary esconde el alcohol en cualquier sitio, en una bota, hasta en la cisterna, y tiene siempre a mano el espray para disimular el olor a aguardiente. Hasta que el derrape sea de órdago, la borrachera termine en la comisaría, denunciada y agarrando la mano del marido a través de los barrotes. La vida real no era como en las películas de Hollywood, la llama eterna unía a Spencer Tracy a Katherine Hepburn, a Ingrid Bergman y a Bogart, solo en el celuloide. Después la película termina y el llanto es real, las mañanas se repiten, ya no hay más lunas de miel, los desayunos con resaca, la ama de casa en bata no aprecia el American way of life, su marido es un abogado bien remunerado. Mary tiene hasta sirvienta –Nanette Fabray- su confidente, la única que parece entenderle. “Si en estos momentos no estuviéramos casados y fueras libre, ¿te casarías otra vez conmigo?” Ella al fin es la más valiente, él no responde, mira hacia abajo. Y llega el final, no es tan feliz como decían, sin fuegos artificiales ni grandes fastos, el pastel de aniversario ya quedó en el cubo de la basura. Esta noche observamos a una mujer bella beber vodka en un frasco de perfume… Salvador Limón, Raúl Gallego y Zacarías Cotán

The team discuss the laws that are being shoved through parliament before the electoral iron curtain descends (and those that are being left on the other side), plus an update from Richard Brooks on the latest goings-on at the Post Office inquiry.

Welcome back to purgatory!!! This week the boys chat about the 1996(only three after the first) follow up of The Crow with The Crow: City of Angels.  We chat about the massive cutting of the film by Miramax and Harvey Wienstien and the decision to take away Tim Pope(Director) and David S. Goyer's(writer) idea of making the film different and respectful of the original and much more. The Crow: City of Angels is directed by Tim Pope and written by David S. Goyer and the film stars Vincent Perez, Mia Kirshner, Richard Brooks, Iggy Pop, Thomas Jane, Vincent Castellanos, Thuy Trang, Eric Acosta, Ian Durby, Tracey Ellis, Holly Chant, Kerry Rossall and The Deftones!!! Thanks for checking us out and if you'd like to find our back catalog go to podbean.com Intro track "Lament for a Lost Son" compossed and conducted by Graeme Revell https://youtu.be/7g8RnIM3uVA?si=hn3ur4Lvwxmbwt-4 Outro track "Jurassitol" By Filter from the The Crow: City of Angels soundtrack https://youtu.be/J5nMdLhSvgM?si=U9Jk164Eoa2qa1BI

Erin and Paul review two films about Diane Keaton looking for love... or at least someone to share a bed with for the night: the 1977 shocker LOOKING FOR MR. GOODBAR, and Nancy Meyers' upscale 2003 comedy SOMETHING'S GOTTA GIVE.

This week, we're taking a trip to 1950s Italy as we discuss Patricia Highsmith's classic thriller The Talented Mr. Ripley and its acclaimed 1999 adaptation directed by Anthony Minghella. Topics of discussion include the novel's iconic con artist protagonist, the twisty plot, homoerotic subtext, and how Minghella put his own spin on the themes and characters.  Media Mentioned Scrapper (2023) dir. Charlotte Regan (note: Lulu was wrong, the lead actress's name is actually Lola Campbell, not Lola Chambers) Aftersun (2022) dir. Charlotte Wells The Once and Future Witches by Alix E. Harrow Dune by Frank Herbert The Artful Dodger (2023), starring Thomas Brodie-Sangster, David Thewliss, and Maia Mitchell Oliver Twist by Charles Dickens Saltburn (2023) dir. Emerald Fennell Do Revenge (2022) These Violent Delights by Micah Nemerever The Haunting of Hill House by Shirley Jackson “Patricia Highsmith” by Richard Brooks for the Guardian The Bourne Identity movies Nimona by N.D. Stevenson Sorry to Bother You (2018) dir. Boots Riley The Celluloid Closet (1995) dir. Rob Epstein and Jeffrey Friedman Hannibal (2013-2015) King Arthur: Legend of the Sword dir. Guy Ritchie Ripley (upcoming Netflix show) BBC Sherlock And Don't Look Back by Rebecca Barrow All the Dead Lie Down by Kyrie McCauley Content Warnings: discussions of antisemitism, racism, murder, violence, homophobia, gaslighting, suicide, and classism.

Matt & Todd discuss the badass western film loaded with badass characters. Featuring a cast of badass actors. Lee Marvin, Burt Lancaster, Robert Ryan & Woody Strode take on Jack Palance and his army of revolutionaries to rescue Claudia Cardinale. Directed by Richard Brooks.

"I've got a furious day ahead."  In Cold Blood (1967) directed by Richard Brooks and starring Robert Blake, Scott Wilson, John Forsythe and Paul Stewart. Next Time: Sixteen Candles (1984)

Private Eye has been reporting on the Post Office scandal for over a decade: Richard Brooks joins the team to discuss how we got here and where things go next. Plus, updates on the Mirror Hacking debacle and the massive profits being made on Teesside.

History repeats first as tragedy --- radio evangelism and the good, hard business sense of Christianity in the 1920s, but next the farce --- the co-opting of religion for political and financial purposes in the 21st Century. And, in both cases, railing at, to quote a fictional preacher, “Harvardism, Yaleism, and Princetonism.” The shadowy and evil elites, of course. Woops, throw in one more “ism,” Darwinism. It's on repeat play now. And it was all seen clearly in 1926 by a guy named Sinclair Lewis. Who penned a novel that inspired a fantastic and illustrative film, 1960's Elmer Gantry, from United Artists. The novel Gantry was so scandalous that it was, as the phrase goes, “banned in Boston.” It was incredibly popular nonetheless, but almost too hot to handle until the thawing of the Production Code for film in the 50s. At long last came Renaissance man Richard Brooks, to move Gantry forward as a project and into American theaters. email: David@thosewonderfulpeople.comWebsite and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

What if the nurturing bond between a mother and her son held profound insights about parenting, love, and personal growth? Tonight, I reunite with an old friend who has carved a remarkable path in their career, and we embark on a deep exploration of this intimate relationship. We navigate through her son's journey of self-discovery as an aspiring music producer, and unravel the often daunting process of college applications, magnifying the transformative power of a mother's love.Delving deeper, we analyze the tightrope act of prioritizing parenthood and partnership, mirroring the numerous facets of life's complex dance. My guest provides profound insights on fostering core values in children—honesty, respect, inclusivity, and curiosity—a crucial aspect of raising well-rounded individuals. We also honor role models like Richard Brooks and Mark Lamont Hill, underscoring their influence in shaping positive outlooks for the younger generation.Finally, we turn our gaze to the inspiring world of black women, celebrating their unique experiences, defying stereotypes, and advocating for collective empowerment. We delve into my own enriching travel experiences with my son across four continents, underscoring the lustrous potential of intentional travel for black people. As we traverse the lesser-known realms of women in corporate politics, especially within private equity, we emphasize the importance of community support and encouragement. Join us for an enlightening conversation, as we toast to the strength of human connection, and express our gratitude for the journey we're all on.

Ian, Helen, Andy, and Richard Brooks discuss scrapping HS2, scrap on Teesside, long-delayed justice for victims of the Post Office and Labour's new policy of borrowing all its ideas from the pages of the Eye. 

Dana and Tom discuss the Gangster Thriller, Key Largo (1948): written and directed by John Huston, co-written by Richard Brooks, music by Max Steiner, starring Humphrey Bogart, Lauren Bacall, Lionel Barrymore, and Edward G. Robinson.Plot Summary: You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/key-largo-1948For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Richard Brooks is a sales and growth consultant in the localization industry, a visiting faculty at the Cranfield School of Management,  and a Senior Advisor for Slator.  In this episode, Richard explains the importance of value-based selling and shares his thoughts on a variety of topics including sales training, value creation, pricing and discounts, knowing your customer, and more.Richard's Contact Information Linkedin: https://www.linkedin.com/in/richardbrooks/Twitter: https://twitter.com/RichardMBrooks Website: https://richard-brooks.com/

Andy, Helen and Adam take a look at the completely resigned Nadine Dorries, the Revenge of the Maybot, and the Great Royal Reboot (where you press a big button and then nothing happens). Plus, Richard Brooks digs into the figures at a very successful - then mysteriously unsuccessful - PPE supplier.

Michael Brace of the Reel Media Network is this week's guest to discuss 1996's The Crow: City of Angels. Although originally intended to be a very different movie from its predecessor, producers forced changes to make it as similar as possible. We talk about the production headaches, what the film was supposed to be, what parts of it still work despite the changes, and the fact that this was the final film starring Power Rangers' Thuy Trang.Visit Reel Media Network to check out their podcasts and follow them on FacebookWant to tell us what you think? Have any questions or comments for Perry about superheroes in media or comics? Leave a voice message to play on the show. You can also apply to be a guest on the show.Patrons get to listen to episodes before everyone else, no ads, and they also get access to my exclusive companion podcast, the Superhero Cinephiles Book Club. If you want to join in, please consider supporting us through Patreon!This episode is brought to you by BlendJet. Use my special link, zen.ai/supercinemapod12, to save 12% at blendjet.com. The discount will be applied at checkout!FacebookTwitterInstagramContact

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On this episode of The Snub Club, the crew discusses 1967's In Cold Blood. Directed by Richard Brooks and starring Robert Blake and Scott Wilson, In Cold Blood was nominated for four Academy Awards but won nothing. In this episode, Danny, Sarah and Caleb discuss true crime, the emergence of New Hollywood, and Truman Capote.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Frisbeat by Blue Wave Theory

Book Vs. Movie: Cat on a Hot Tin RoofThe 1955 Play Vs. the 1958 Classic FilmThe Margos are feeling very Southern in this episode devoted to the work of Tennessee Williams and his personal favorite work--Cat on a Hot Tin Roof. The 1955 play was based on his 1952 short story “Three Plays of a Summer Game” and won the Pulitzer Prize for Drama during its Broadway debut. The story of the Pollitt family in the Mississippi Delta and their personal grievances and torturous secrets was considered incredibly raw and racy for the conservative 1950s. The 1955 play was directed by Elia Kazan and starred future Dallas star Barbara Bel Geddes as Maggie “The Cat” Pollitt and Ben Gazzara as Brick Pollitt. Burl Ives (“Big Daddy”) and Madeleine Sherwood (“Sister Woman”) would go on to star in the film adaptation in 1958. Bel Geddes and Kazan were nominated for the Tony Award in the original production, and the themes of homophobia, family bonds, and sexism excited audiences then and to this day. The film was directed and adapted by Richard Brooks during a time known as the “Hays Code,” which meant the homosexual yearnings expressed by Brick Pollitt (played by Paul Newman in the movie) for his recently deceased best friend Skipper had to be downplayed. Also, the character of Maggie (Elizabeth Taylor in an Academy Award-winning performance) is more toned down and “likable” to ensure not to offend movie-goer sensitivities. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Tennessee Williams and how this particular story evolvedThe censoring of the original work to filmWhy the play endures.The cast of the 1958 film: Elizabeth Taylor (Maggie Pollitt,) Paul Newman (Brick Pollitt,) Burl Ives (“Big Daddy” Pollitt,) Jack Carson (Gooper Pollitt,) Judith Anderson (“Big Momma” Pollitt,) Madeleine Sherwood (“Sister Woman” Pollitt,) Larry Gates (Dr. Baugh) and Vaughn Taylor as Deacon Davis.Clips used:Maggie & Brick talk about SkipperCat on a Hot Tin Roof (1958 trailer)Ben Gazarra and 1955 clip Cat on a Hot Tin RoofBrick and Big Daddy“Mendacity”Music: Charles Wollcott Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: Cat on a Hot Tin RoofThe 1955 Play Vs. the 1958 Classic FilmThe Margos are feeling very Southern in this episode devoted to the work of Tennessee Williams and his personal favorite work--Cat on a Hot Tin Roof. The 1955 play was based on his 1952 short story “Three Plays of a Summer Game” and won the Pulitzer Prize for Drama during its Broadway debut. The story of the Pollitt family in the Mississippi Delta and their personal grievances and torturous secrets was considered incredibly raw and racy for the conservative 1950s. The 1955 play was directed by Elia Kazan and starred future Dallas star Barbara Bel Geddes as Maggie “The Cat” Pollitt and Ben Gazzara as Brick Pollitt. Burl Ives (“Big Daddy”) and Madeleine Sherwood (“Sister Woman”) would go on to star in the film adaptation in 1958. Bel Geddes and Kazan were nominated for the Tony Award in the original production, and the themes of homophobia, family bonds, and sexism excited audiences then and to this day. The film was directed and adapted by Richard Brooks during a time known as the “Hays Code,” which meant the homosexual yearnings expressed by Brick Pollitt (played by Paul Newman in the movie) for his recently deceased best friend Skipper had to be downplayed. Also, the character of Maggie (Elizabeth Taylor in an Academy Award-winning performance) is more toned down and “likable” to ensure not to offend movie-goer sensitivities. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Tennessee Williams and how this particular story evolvedThe censoring of the original work to filmWhy the play endures.The cast of the 1958 film: Elizabeth Taylor (Maggie Pollitt,) Paul Newman (Brick Pollitt,) Burl Ives (“Big Daddy” Pollitt,) Jack Carson (Gooper Pollitt,) Judith Anderson (“Big Momma” Pollitt,) Madeleine Sherwood (“Sister Woman” Pollitt,) Larry Gates (Dr. Baugh) and Vaughn Taylor as Deacon Davis.Clips used:Maggie & Brick talk about SkipperCat on a Hot Tin Roof (1958 trailer)Ben Gazarra and 1955 clip Cat on a Hot Tin RoofBrick and Big Daddy“Mendacity”Music: Charles Wollcott Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

The sixth and finale film in our Stranger Than Fiction cycle is Richard Brooks' true crime magnum opus, In Cold Blood (1967). Often overlooked by the infamy of its origin source, In Cold Blood enormous value as a film: the beautiful and stark cinematography of Conrad Hall (who went on to shoot Butch Cassidy and the Sundance Kid and Road to Perdition), the unsettling and rapturous performances of leads Robert Blake and Scott Wilson, the surgical plotting and execution of Richard Brooks. It sits snugly inbetween the post-war studio system and the auteur anarchism of the 1970s. Despite these creative high marks, In Cold Blood could be a thesis statement for this cycle: exploitation and true life film are inseparable. The moral weight of retelling this grisly murder of a family by two drifters is too much for the film, even with its progressive anti-death penalty ideology. But we find interest and discourse in the cracks and fissures of great art. Perfection in film would be a negation of the medium. For our chaser film, we trace the lineage of true crime back to Compulsion (1959), a mess of a film that is salvaged by wonderful performances from Orson Welles, Diane Varsi, Dean Stockwell, and the truly creepy Bradford Dillman.

Please join us at patreon.com/tortoiseshack Did you know that the IDA have paid almost ten million euro of our money to a company that is pumping billions into fossil fuels? It's true. Citigroup are the second biggest financers of the fossil fuel industry in the world and they are tap, tap, tapping away in Dublin, only the destruction is in the Amazon. Joining us to discuss what is happening, how it works and the ways we can stop it is climate finance director with stand.earth Richard Brooks. I get the feeling we'll be talking with Richard again soon. The tortoise shack special with Meryl Streek is available here now:https://www.patreon.com/posts/patron-exclusive-82896883

In his gritty '55 flick BLACKBOARD JUNGLE, director Richard Brooks introduced a wide audience to Sidney Poitier, the harsh world of inner-city schools...and a genre of music called "rock ‘n' roll."Host Rico Gagliano tells the story of Bill Haley's "Rock Around the Clock"—cinema's first rock needle drop—with the help of music detective and author Jim Dawson, film writer Anna Ariadne Knight, and actor Peter Ford...the Hollywood kid who may have accidentally started the rock-n-roll era.The third season of the MUBI Podcast, titled “Needle on the Record,” dives into the unifying power of movie music and tells the stories behind some of cinema's most renowned “needle drops”—moments where filmmakers deployed pre-existing music instead of an original score. Each episode explores an iconic marriage of song and image that's become part of pop culture. It's a six-part mixtape for film lovers.Check out our film collection Turn It Up: Music on Film, featuring a selection of eclectic music films, from concert docs to music-rich feature films. This includes Andrew Dominik's ONE MORE TIME WITH FEELING, streaming now nearly globally.And to stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Hollipop & Rōbi are jumping into the pool of true crime, tackling the story that started it all, In Cold Blood. Richard Brooks' film adaptation of the novel by Truman Capote was a game-changer back in 1967, but how does it play now?

El rocanrol incursionó en el cine en 1955, cuando “Rock Around the Clock” de Bill Haley y sus Cometas sonó en los créditos iniciales de Semilla de maldad (Blackboard Jungle), película dirigida por Richard Brooks y en la cual Glenn Ford interpreta a un profesor que tiene que lidiar con un grupo de indomables en una escuela pública.

We begin our second edition of Mercenary Month with Richard Brooks's classic 'The Professionals'! Burt Lancaster and Lee Marvin head up an all-star cast who are sent to rescue a railroad magnate's wife from the clutches of a Mexican bandit in the dying days of the Old West. But all is not as it seems! A classic western with great shootouts and set pieces the film, 'The Professionals' is one of the giants of the genre and is perfect to kick off our month of Mercenary films. Merc month is back! Follow us on Twitter @FightingOnFilm and on Facebook. For more check out our website www.fightingonfilm.com Thanks for listening!

The question of “Why?” hovers over Alice Diop's new SAINT OMER, as well as the 2016 French crime that inspired it, in the same way it hovers over 1967's IN COLD BLOOD, Richard Brooks' film adaptation of the Truman Capote “non-fiction novel” that helped establish the true crime genre as we understand it today. We bring that understanding of true crime to our discussion of SAINT OMER on its own terms— in particular how its removed observational style intersects with its complex emotional center — as well as in conversation with IN COLD BLOOD's own mythologizing of madness. Plus, Scott reviews some 2022 highlights from one of our favorite film distributors in Your Next Picture Show. Please share your comments, thoughts, and questions about IN COLD BLOOD, SAINT OMER, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, leaving a short voicemail at 773-234-9730, or commenting on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more.  Outro music: “Little Girl Blue” by Nina Simone Next pairing: Alfonso Cuarón's CHILDREN OF MEN and HBO's THE LAST OF US Learn more about your ad choices. Visit megaphone.fm/adchoices

The new French film SAINT OMER fictionalizes the true story of an inexplicable crime, giving the perpetrator's story a full airing in a way that recalls Truman Capote's formative non-fiction novel IN COLD BLOOD, and by extension director Richard Brooks' near-contemporaneous film of the same name. So this week we're looking back at how IN COLD BLOOD shaped the true-crime genre for better and worse, how Brooks and cinematographer Conrad Hall used expressive yet revealing black-and-white photography to create the cinematic equivalent of the non-fiction novel, and how the film's unusual structure affects the impact of seeing its central crime play out. Plus, we respond to some feedback inspired by our recent episodes on CHILD'S PLAY and GLASS ONION. Please share your comments, thoughts, and questions about IN COLD BLOOD, SAINT OMER, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: “Kansas (Remembers Me Now)” by Orville Peck Learn more about your ad choices. Visit megaphone.fm/adchoices

The new tech-horror movie M3GAN achieved viral status before it even hit theaters, but its subsequent box-office performance suggests there's more to this film's success than just dance memes. Part of it can be chalked up to the degree to which it is a perfect January movie, but there's also its well-balanced combination of self-aware humor, capitalist critique, and parental anxiety, all of which it shares with its most direct cinematic antecedent, 1988's franchise-starter CHILD'S PLAY. After talking out our reactions to M3GAN's use of magic-adjacent “emergent technology” to stoke very real human fears, we draw some connections to CHILD'S PLAY's weaponization of the uncanny valley, skepticism about marketing to children, and understanding of childhood trauma. Plus, our resident Chucky expert Scott offers his suggestions for how to navigate the rest of the franchise. Please share your comments, thoughts, and questions about CHILD'S PLAY, M3GAN, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, leaving a short voicemail at 773-234-9730, or commenting on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more.  Outro music: “Titanium” by Anthony Willis & Jenna Davis (M3GAN OST) Next pairing: Richard Brooks' IN COLD BLOOD and Alice Diop's SAINT OMER Learn more about your ad choices. Visit megaphone.fm/adchoices

Frame Fatale es un podcast de películas ¿no canónicas? conducido por Sebastián De Caro, Santiago Calori y Axel Kuschevatzky. En el sexagésimo séptimo episodio volvemos a contar con un guest starring de lujo del querido Fernando Martín Peña (el mejor argentino vivo) y nos ocupamos de una película que él mismo eligió (o eso creemos): Los profesionales (The Professionals, 1966) de Richard Brooks. Sí, que esto sea gratis realmente nos escapa. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia de cosas que van a aparecer en este feed de manera caprichosa algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

Luis Herrero habla de cine con Luis Alberto de Cuenca, José Luis Garci y Eduardo Torres-Dulce.

American involvement in WWII is imminent at the time of these 20th Century Fox selections from late 1941 for this Studios Year by Year episode, producing what may be the first "true" noir, I Wake Up Screaming (directed by H. Bruce Humberstone), and a plea for American solidarity with England, war correspondent movie Confirm or Deny (directed by Archie Mayo, from a story co-written by Samuel Fuller). We talk about what it might mean to be a "true" noir and what might differentiate the Fox noir from the noirs of other studios, about the very special screen presence of Joan Bennett (entering her noir phase), and about cozy war films. And in our Fear and Moviegoing in Toronto segment we briefly discuss three movies: Tennessee Williams' Cat on a Hot Tin Roof (directed by Richard Brooks), Preston Strurges' The Palm Beach Story, and Bodil Ipsen's Melody of Murder.    Time Codes: 0h 01m 00s:      I WAKE UP SCREAMING (dir. H. Bruce Humberstone) 0h 42m 23s:      CONFIRM OR DENY (dir. Archie Mayo) 1h 04m 12s:      FEAR & MOVIEGOING IN TORONTO – Cat on a Hot Tin Roof (1958), The Palm Beach Story (1942) and Melody of Murder  (1944)     Studio Film Capsules provided by The Films of Twentieth Century Fox by Tony Thomas & Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!   

This week Scott takes us back to Holcomb, Kansas to finish the tale of the gruesome murders that inspired the second-best-selling true crime book in history, Truman Capote's "In Cold Blood." This is part 2 of a 2 part series. This episode is sponsored by: The Cherokee County Chamber of Commerce The Post Herald weekly newspaper Easy Street, Restaurant, Bar, and Performance Hall Theme song is The Legend of Hannah Brady by the Shane Givens Band https://music.apple.com/us/album/the-legend-of-hannah-brady/1013006958?i=1013006965 Sources: “In Cold Blood”, book by Truman Capote (1966) “Truman Capote and the Legend of ‘In Cold Blood'”, book by Ralph F. Voss (2011) “And Every Word is True”, book by Gary McAvoy (2019) “Cold Blooded: The Clutter Family Murders”, Sundance documentary series (2017) “In Cold Blood”, 1967 film (Richard Brooks, director) “The Capote Tapes”, Hulu documentary (2019) “Infamous”, 2006 film (Toby Jones as Capote) “Capote”, 2005 film (Philip Seymour Hoffman as Capote) “Holcomb: The Death of Innocence”, documentary by Smoky Hills Public Television (1997) --- Support this podcast: https://anchor.fm/truecrimeoneasystreet/support

This week Scott takes us to Holcomb, Kansas in 1959 to begin the tale of the gruesome murders that inspired the second-best-selling true crime book in history, Truman Capote's "In Cold Blood." This is part 1 of a 2 part series. This episode is sponsored by: The Cherokee County Chamber of Commerce The Post Herald weekly newspaper Easy Street, Restaurant, Bar, and Performance Hall Theme song is The Legend of Hannah Brady by the Shane Givens Band https://music.apple.com/us/album/the-legend-of-hannah-brady/1013006958?i=1013006965 Sources: “In Cold Blood”, book by Truman Capote (1966) “Truman Capote and the Legend of ‘In Cold Blood'”, book by Ralph F. Voss (2011) “And Every Word is True”, book by Gary McAvoy (2019) “Cold Blooded: The Clutter Family Murders”, Sundance documentary series (2017) “In Cold Blood”, 1967 film (Richard Brooks, director) “The Capote Tapes”, Hulu documentary (2019) “Infamous”, 2006 film (Toby Jones as Capote) “Capote”, 2005 film (Philip Seymour Hoffman as Capote) “Holcomb: The Death of Innocence”, documentary by Smoky Hills Public Television (1997) --- Support this podcast: https://anchor.fm/truecrimeoneasystreet/support

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment. Join your host, Tony Black, this time joined by Frame to Frame co-host Andy Williams, to discuss the birth of true crime storytelling in Richard Brooks' dark adaptation of Truman Capote's IN COLD BLOOD. Next time on Partisan, guest Ian Buckley joins Tony to discuss the epic era of the Crusades and Ridley Scott's 2005 film KINGDOM OF HEAVEN... Host / Editor Tony Black Guest Andy Williams Like our Facebook page: https://www.facebook.com/partisanpod Follow us on Twitter: @partisanpod_ @yhbwwatchingpod Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

durée : 01:30:00 - Les Nuits de France Culture - par : Albane Penaranda - Un physique athlétique, d'où provient une voix teintée d'ironie : voilà le regard de critiques sur le jeu et la personnalité du comédien Burt Lancaster, sujet de cette émission des "Mardis du cinéma" de 1991. Autour de Francesca Piolot, les critiques de cinéma retracent dans cette archive de 1991 la carrière du comédien Burt Lancaster, aux Etats-Unis, en Italie et en France. Les invités de ce Mardi du Cinéma déroulent sa filmographie pour restituer toute la complexité de Burt Lancaster : de ces premiers rôles d'athlète, très physiques, vers le personnage de vieil aristocrate dans Le Guépard de Visconti, qui marque un véritable tournant dans sa carrière. Ils évoquent The Killers (Les Tueurs), son premier film en 1946 aux côtés d'Ava Gardner, Tant qu'il y aura des hommes (1953), Bronco Apache (1954), Vera Cruz (1954), Elmer Gantry (1960), Le Train (1964), The Swimmer (Le Plongeon) (1968), Le Guépard (1963), Violence et Passion (1974), Atlantic City (1980). Pour le critique de cinéma Jean-Loup Bourget, Burt Lancaster est un "des très grands acteurs américains", qui a été "tout de suite la star de son premier film". "Il a ce physique très athlétique de comédien américain, un rôle de boxer un peu gangster. Il est impressionnant sur le plan physique, de la musculature, de la stature. Et puis il y a quelque chose dans le visage qui n'est pas simplement brutal, il y a de la force, de la tendresse, de l'ingénuité, une sorte d'innocence, c'est tout de suite un rôle d'une certaine complexité qui laisse apparaître un tempérament." Dans de nombreux films, Burt Lancaster "n'hésite pas à jouer les brutes épaisses, à paraître très méchant." Gilles Gourdon met en évidence l'association de force et de fragilité dans le jeu de Burt Lancaster en observant : "ce qu'il y a de très particulier dans cette voix qui est effectivement une voix assez grave, c'est qu'en même temps il y a une sorte de fêlure et dans le ton toujours un très léger recul, une légère ironie, et ça lui a probablement servi dans ses relations avec Visconti." Dans deux archives, on peut entendre Burt Lancaster évoquer justement la sensibilité de son personnage tragique du prince Fabrizio Corbera de Salina dans Le Guépard de Luchino Visconti. Il parle aussi de son travail de préparation pour jouer dans Le Train aux côtés de Jeanne Moreau. L'émission est ponctuée d'extraits des films Bronco Apache et Vera Cruz de Robert Aldrich, Tant qu'il y aura des hommes de Fred Zinnemann, Elmer Gantry de Richard Brooks, Le Guépard et Violence et Passion de Luchino Visconti, 1900 de Bernardo Bertolucci et Le Train de John Frankenheimer. Par Francesca Piolot Réalisation Josette Colin Avec Gilles Gourdon, Michel Field, Maxime Héraut, Jean-Loup Bourget, Jane Gozzett, Christophe Carrière et Jean-Pierre Troadec et en archives la voix de Burt Lancaster Mardis du cinéma - Burt Lancaster (1ère diffusion : 16/07/1991) Edition web : Véronique Vecten, Documentation sonore de Radio France Archive Ina-Radio France

Why yes we ARE back for season 5 of You Might Know Her From with nothing less than an Emmy winner, babies! Sheryl Lee Ralph joins us for a candid conversation about her decades-long career on stage and screen. You might know her from: Abbott Elementary, Moesha, Sister Act 2, To Sleep with Anger, Ray Donovan, A Piece of the Action and the original Broadway productions of Thoroughly Modern Millie and Dreamgirls. Sheryl is a powerhouse quadruple threat: actor, singer, dancer, and producer who knocked us out as Deena Jones in Dreamgirls and just won an Emmy for her work as Barbara Howard in Abbott Elementary. We cover everything from her Broadway beginnings, to her disco one hit wonder, “In the Evening,” to sharing a memorable opening night with Carol Channing. Plus, working with Michael Bennett, Charles Burnett, Sidney Poitier, and Robert DeNiro. And why you don't want an orangutan as a scene partner Buckle up bebes, because your dreams are just about to come true! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Sheryl Lee Ralph won an Emmy for Abbott Elementary Jimmy Kimmel bit at Emmy's Selma Blair is on Dancing with the Stars Jojo Siwa lesbian drama on tik tok We miss Tom Bergeron  Tyra's whoops on DWTS Former guests Natalie Zea promoting La Brea and Caroline Aaron in the Maisel clip Sheryl & former guest Lisa Ann Walter were fast friends  Husband is Penn State Senator Vincent Hughes  Played Deena Jones in the original Broadway cast of Dreamgirls, directed by Michael Bennett “Steppin to the Bad Side” choreo Produced Thoughts of a Colored Man on Broadway in 2021 The Dreamgirls movie was bad and didn't ask Sheryl to cameo Played Muzzy in the original Broadway cast of Thoroughly Modern Millie. Role was originated by Carol Channing in the movie screaming “Raspbbbbberrrrries” out of a moving plane Carol Channing had to erase the black woman from her family in order to “make it.” Her close friendship with Pearl Bailey Wants to do Mame, Hello Dolly, Madame Rose. Damian suggesting Sunset Boulevard Won Indie Spirit award for To Sleep with Anger (dir Charles Burnett) DeVon Nixon was her son in To Sleep with Anger and he's now on Snowfall (Not DeVon Franklin) Her husband in that movie (Richard Brooks) plays her husband on Abbott First movie was directed by Sidney Poitier: A Piece of the Action (1977) Played Dee, the stepmother on Moesha Wanted to be like Patty Duke on The Patty Duke Show or Sally Field on The Flying Nun Moesha jumped the shark in 6th season where Frank (the dad) had a secret son and the writers were determined to add unnecessary drama. Sheryl left the show.  Has gay cred: longtime HIV activist, played Margo Channing in Applause, produced the Sylvester musical.  Dancers in Applause were Shaun T and Leslie Odom Gay disco anthem “In the Evening”  Would call her Instant Mom co-star, Tia Mowry if car broke down Starred opposite Robert DeNiro in Mistress Jon Voight DOES wear a white scarf to dress up  Mother is fashion designer Ivy Ralph who created the kariba suit Sheryl's Dreamgirls premiere dress Stars as Rita in Oliver & Company but singing voice went to Ruth Pointer Co-starred I'm the 1994 live action Flintstones movie and had to do a scene with an orangutan  Was a judge for Shade the Rusical on s6 of Drag Race which was particularly rough. They sang live.  Sang one song at 54 Below for Jen Tepper in honor of 20th anniversary of Millie Carol Channing on Wendy Williams Former guest Da'Vine Joy Randolph should play Pearl Bailey  Carol Channing + Pearl Bailey special (1969) Lea Michele opened Funny Girl and there were lots of videos, then she got COVID Funny Girl had to bring in someone last minute bc of so much COVID (Barbara Tirrell as Mrs Meeker) Rosie was set to see Lea too. She has a new gf who's a TikTok person Rosie's sign off is “TikTok ya don't stop”

Welcome to another episode of the Translation Company Talk Podcast. This week we cover performance improvement inside LSPs and how our organizations can develop focus, get better at things that matter to business owners and executives and to reduce waste. This interview is a master class in management and a must for every LSP executive.  To cover this important topic, we are lucky to be hearing once again from Richard Brooks, CEO of K-International in UK. As an entrepreneur, executive, academic and management guru, he talks in depth about how organizations can use a simple strategy to improve performance across different business functions inside an LSP organization. We cover some very important topics including developing strategy, explaining objectives to staff, getting their buy-in to work towards a common goal and much more.   Don't forget to subscribe to this podcast on iTunes, Apple Podcasts, Google Podcasts, Spotify or your platform of choice, and please keep your comments and feedback coming. Give the Translation Company Talk a five star rating wherever you are listening.    This episode is sponsored by Hybrid Lynx. 

EXTRA! EXTRA! HEAR ALL ABOUT IT! This week Branden and Lewis are talking about Deadline U.S.A. from 1952, starring Humphrey Bogart and directed by Richard Brooks. A film about journalism and the integrity of the presses. What did our co-hosts make of it? We talk about Bogart, the world of 50's journalism, and abrupt endings! As always we recommend everyone to watch along with us, and send your thoughts to us @filmchurchradio Thank you so much for the support on the previous episodes, we love reading all the comments and reviews! If you Like the show make sure to leave us a rating and review wherever you listen! We hope that you enjoy the show and return in future to the congregation! Show Website: https://film-church-radio.captivate.fm/listen Branden's Letterboxd: https://letterboxd.com/selmanscope/ Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/ Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927 Instagram: https://www.instagram.com/filmchurchradio/

Welcome back to the GGtMC!!! This week Sammy and Will discuss Looking for Mr. Goodbar (1977) directed by Richard Brooks, a very underseen but not impossible to find film that folks should have a look at, hear our thoughts on this show!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message