Podcasts about dostoevsky

An early encounter with one of the most famous people in the world initiated Jack Zipes into the world of fairy tales - and he never looked back. In this episode, Jacke talks to the fairy tale expert about his book Buried Treasures: The Power of Political Fairy Tales, which profiles modern writers and artists who tapped the political potential of fairy tales. PLUS Jacke delivers some Chaucer news before looking at Dostoevsky's Crime and Punishment, which lands at #11 on the list of the Greatest Books of All Time. NOTE: The discussion with Jack Zipes was originally released on July 17, 2023. It has not been available in the archives for many months. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Theologian Miroslav Volf reflects on solitude, loneliness, and how being alone can reveal our humanity, selfhood, and relationship with God.This episode is part 1 of a 5-part series, SOLO, which explores the theological, moral, and psychological dimensions of loneliness, solitude, and being alone.“Solitude brings one back in touch with who one is—it's how we stabilize ourselves so we know how to be ourselves with others.”Macie Bridge welcomes Miroslav for a conversation on solitude and being oneself—probing the difference between loneliness and aloneness, and the essential role of solitude in a flourishing Christian life. Reflecting on Genesis, the Incarnation, and the sensory life of faith, Volf considers how we can both embrace solitude and attend to the loneliness of others.He shares personal reflections on his mother's daily prayer practice and how solitude grounded her in divine presence. Volf describes how solitude restores the self before God and others: “Nobody can be me instead of me.” It is possible, he suggests, that we can we rediscover the presence of God in every relationship—solitary or shared.Helpful Links and ResourcesThe Cost of Ambition: How Striving to Be Better Than Others Makes Us WorseFyodor Dostoevsky, Crime and PunishmentRainer Maria Rilke, Book of Hours (Buch der Stunden)Dietrich Bonhoeffer, Creation and FallEpisode Highlights“Nobody can be me instead of me. And since I must be me, to be me well, I need times with myself.”“It's not good, in almost a metaphysical sense, for us to be alone. We aren't ourselves when we are simply alone.”“Solitude brings one back in touch with who one is—it's how we stabilize ourselves so we know how to be ourselves with others.”“Our relationship to God is mediated by our relationships to others. To honor another is to honor God.”“When we attend to the loneliness of others, in some ways we tend to our own loneliness.”Solitude, Loneliness, and FlourishingThe difference between solitude (constructive aloneness) and loneliness (diminishment of self).COVID-19 as an amplifier of solitude and loneliness.Volf's experience of being alone at Yale—productive solitude without loneliness.Loneliness as “the absence of an affirming glance.”Aloneness as essential for self-reflection and renewal before others.Humanity, Creation, and RelationshipAdam's solitude in Genesis as an incomplete creation—“It is not good for man to be alone.”Human beings as fundamentally social and political.A newborn cannot flourish without touch and gaze—relational presence is constitutive of personhood.Solitude and communion exist in dynamic tension; both must be rightly measured.Jesus's Solitude and Human ResponsibilityJesus withdrawing to pray as a model of sacred solitude.Solitude allows one to “return to oneself,” guarding against being lost in the crowd.The danger of losing selfhood in relationships, “becoming echoes of the crowd.”God, Limits, and OthersEvery other person as a God-given limit—“To honor another is to honor God.”Violating others as transgressing divine boundaries.True spirituality as respecting the space, limit, and presence of the other.Touch, Senses, and the ChurchThe sensory dimension of faith—seeing, touching, being seen.Mary's anointing of Jesus as embodied gospel.Rilke's “ripe seeing”: vision as invitation and affirmation.The church as a site of embodied presence—touch, seeing, listening as acts of communion.The Fear of Violation and the Gift of RespectLoneliness often born from fear of being violated rather than from lack of company.Loving another includes honoring their limit and respecting their freedom.Practical Reflections on LonelinessQuestions Volf asks himself: “Do I dare to be alone? How do I draw strength when I feel lonely?”The paradox of social connection in a digital age—teenagers side by side, “completely disconnected.”Love as sheer presence—“By sheer being, having a loving attitude, I relieve another's loneliness.”The Spiritual Discipline of SolitudeVolf's mother's daily hour of morning prayer—learning to hear God's voice like Samuel.Solitude as the ground for transformation: narrating oneself before God.“Nobody can die in my place… nobody can live my life in my place.”Solitude as preparation for love and life in community.About Miroslav VolfMiroslav Volf is the Henry B. Wright Professor of Theology at Yale Divinity School and Founding Director of the Yale Center for Faith & Culture. He is the author of Exclusion and Embrace, Flourishing: Why We Need Religion in a Globalized World, and numerous works on theology, culture, and human flourishing—most recently The Cost of Ambition: How Striving to Be Better Than Others Makes Us Worse.Production NotesThis podcast featured Miroslav VolfInterview by Macie BridgeEdited and Produced by Evan RosaProduction Assistance by Alexa Rollow, Emily Brookfield, and Hope ChunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

We explore the tension between private creative work and public output—why some projects stay hidden in desk drawers, what gets lost when we don't capture ideas in the moment, and how the act of recording thoughts (whether on paper, voice memo, or typewriter) shapes what eventually gets made. The conversation moves through the craft of writing, from Dostoevsky dictating novels to assistants to the question of whether our image-saturated culture has made us illiterate in different ways than previous generations.The second half examines our complicated relationship with technology: the gratitude for AI tools that eliminate tedious tasks versus the frustration when a 2019 truck takes 45 seconds to connect to CarPlay in 2025. We discuss why analog tools aren't about nostalgia but about reliability—buying things that work the same way in year six as they did on day one, seeking friction and discomfort as antidotes to seamless existence, and recognizing that many technological "solutions" only fix problems technology itself created. Through references to Orson Welles films and a discussion of One Battle, we land on the strange appeal of living without constant connectivity, even as we acknowledge we'll never fully escape it. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

The parable of the persistent widow. Again. Scholar, poet, and preacher Cameron Bellm has heard it a hundred times—so she turned to Russian literature for help. Drawing on Viktor Shklovsky's ostranenie, the art of making the familiar strange, she reveals how to jolt ancient parables back to life. “It is the goal of art to make the stone stony again,” she says. She also urges preachers to learn from Russian Masters Tolstoy—”a master of the narration of human consciousness”—and Dostoevsky, who “takes us into the deepest, darkest, grittiest underbelly of humanity and lights a single match.” In her homily  for the 29th Sunday in Ordinary Time, Year C, she layers voices across generations—her Presbyterian grandfather's 1964 sermons, Oscar Romero, Etty Hillesum—creating “a double-exposed photograph.” Her provocation: “We identify as the persistent widow, but like it or not, we are also the judge.” ___ Support Preach—subscribe at ⁠americamagazine.org Learn more about your ad choices. Visit megaphone.fm/adchoices

Anton Chekhov was a Russian doctor who turned to fiction as a hobby, and quickly blossomed into one of the masters of the short story genre. Though he is arguably best known for his dramatic works, such as The Cherry Orchard, his stories are widely considered to be some of the most perfect examples of short fiction ever written.Constance Black Garnett was an English housewife who taught herself Russian as a hobby, and subsequently introduced the English-speaking world to some of the greatest Russian authors, including Chekhov and Dostoevsky. Though she was almost entirely self-taught in her knowledge of Russian, she was a prolific translator, and her works are still lauded today for their readability and accuracy.This is the first of thirteen volumes of Anton Chekhov's short stories.Translated by Constance Garnett.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Anton Chekhov was a Russian doctor who turned to fiction as a hobby, and quickly blossomed into one of the masters of the short story genre. Though he is arguably best known for his dramatic works, such as The Cherry Orchard, his stories are widely considered to be some of the most perfect examples of short fiction ever written.Constance Black Garnett was an English housewife who taught herself Russian as a hobby, and subsequently introduced the English-speaking world to some of the greatest Russian authors, including Chekhov and Dostoevsky. Though she was almost entirely self-taught in her knowledge of Russian, she was a prolific translator, and her works are still lauded today for their readability and accuracy.This is the first of thirteen volumes of Anton Chekhov's short stories.Translated by Constance Garnett.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Russell G. Little is a writer and practicing divorce attorney. Murder for Me is a fictionalized compilation of the many people he's encountered over his lifetime and thirty-two-year career. He lives in Houston, Texas, with his wife of thirty-two years, Melinda.Bio: An interesting fact is that I practiced law for forty years, I tried over one hundred jury trials and hundreds more before a Judge alone.  Along the way I came across some unbelievable situations. While not all can be told, they can feed my stories, and I can write those.I write on a regular basis, but I'm not always productive.  Some days I get up and erase the whole days previous work because I woke up and realized that, unlike the night before, now I thought it was garbage.  My oldest son gives me grief about that.My favorite authors are not modern. I read Proust, Dostoevsky, and Chekhov. When I'm in a writer's block, I read Hemingway's The Sun Also Rises.  The chapters about sitting in a Paris café always gets me back to the keyboard. The love of writing is what I got from those authors.Make sure to check out this author https://www.russelllittleauthor.com/You can listen to the podcast on Apple Podcast, Spotify, Google Podcast, or visit my website www.drkatherinehayes.com

Welcome back to another of our Staff Selects! Today I get to present to you a book that I have not read. Today's book "The Brother Karamazov" by Dostoevsky, and I will just be talking about the book itself and reading a bit of backstory over the author. I hope this introduction to a classic catches your interest, and as always if you enjoy the story then we invite you to visit your local library and ask them to reserve it for you!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Original background track is The Talons Of Adventure, The Antlers Of Romance by Doctor Turtle, music from the freemusicarchive.orghttps://freemusicarchive.org/music/Doctor_Turtle/none_given_1561/Doctor_Turtle_-_You_Um_Ill_Ah1/The Talons Of Adventure, The Antlers Of Romance by Doctor Turtle is licensed under a Attribution 4.0 International License.Alterations were made by us to make it fit the length of our content.#library #books #pawlskids #kidsstorytime

Virginia Tangvald é uma autora e cineasta, nascida no mar, a bordo de um barco construído pelo pai. A sua família tem uma história de vida aventureira e marcada pela tragédia, sobre a qual podemos aprender no seu premiado e multi-nomeado livro “Os Filhos do Mar Alto” — e também no documentário homónimo “Les Enfants du Large” (ou “Ghosts of the Sea”), igualmente distinguido. Tímida e encantadora, dá-se a conhecer também enquanto leitora. Preparem-se: vamos querer ler tudo!Os livros que escolheu:The idiot (O Idiota), Dostoevsky;La promesse de l'aube (A Promessa), Romain Gary;Alias Grace (Vulgo Grace), Margaret Atwood;The talented Mr.Ripley, Patricia Highsmith;Outras referências: Uma Vida à sua frente, Romain Gary.Misofonia: é uma hipersensibilidade auditiva emocional a sons específicos — como mastigar, respirar, clicar uma caneta ou bater os dedos. Para quem sofre desta condição, esses sons provocam irritação intensa, ansiedade, raiva ou até pânico, mesmo quando são normais ou discretos.O que ofereci:Bright Young Women (Raparigas Brilhantes), Jessica Knoll.Os livros aqui:www.wook.pt

Send us a textIn the previous episode, we walked with Walt Whitman down the open roads of America, hearing the chorus of ordinary lives. Now we cross continents and step into the narrow corridors of the human soul with Fedor Dostoevsky—where freedom and conscience wrestle in shadows. Whitman's poetry celebrated the sweep of America, the chorus of countless lives, and the boundless possibilities of freedom. Across the ocean and slightly later in time, Dostoevsky turned his gaze inward, exploring the shadowed recesses of the human heart. Whereas Whitman's lines embraced the world, Dostoevsky's narratives probe the tensions, doubts, and moral struggles that define our inner lives. In moving from Whitman to Dostoevsky, we travel from the expansive optimism of a young nation to the intense psychological and ethical landscapes of nineteenth-century Russia—a shift that reminds us just how varied, yet universally human, the work of great writers can be.Fyodor Dostoyevsky (1821–1881) is one of the towering figures of 19th-century literature and is often credited with deeply influencing modern psychological fiction. Born in Moscow into a middle-class family, he faced hardship early: his mother died when he was young, and his father was reportedly a strict and harsh figure. Dostoyevsky originally trained as an engineer, but his passion for literature led him to the literary scene in St. Petersburg.His life was marked by intense personal struggle. He was arrested in 1849 for involvement in a group promoting liberal ideas and was sentenced to death— On December 22, 1849, Fyodor Dostoyevsky stood on a frozen parade ground in St. Petersburg. He and his fellow prisoners were blindfolded, tied to stakes, and told they had only moments left to live. The firing squad raise  d their rifles. - the prisoners realized they only had a few seconds to live …And then—at the very last instant—the sentence was commuted. Death was postponed and his sentence was commuted at the last moment to imprisonment in a Siberian labor camp.  Life returned, with an almost unbearable intensity.Support the showThank you for experiencing Celebrate Creativity.

What truly makes Anna Karenina so significant—as an epitome of world literature—is that it is far more than a tale of love and tragedy. Tolstoy offers us a mirror of the common human condition and suffering—his characters are as alive today, with all their emotional turmoil, just as they were in the 19th century. Today, we're truly honored to welcome back Professor. Julia Titus from Yale University, to guide us into Leo Tolstoy's masterpiece Anna Karenina. Prof. Titus is the author of Dostoevsky as a Translator of Balzac (2022).  Recommended Reading:Leo Tolstoy, Anna Karenina (1878)Sigmund Freud, The Interpretation of Dreams (1899)This podcast is sponsored by Riverside, a professional conference platform for podcasting.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Comment and interact with our hostsSupport the showOfficial website Tiktok Facebook Twitter Instagram Linkedin

CONTINUED Nathaniel Peters, The Nature of Murder and Evil in Andrew Klavan's "The Kingdom of Cain" Nathaniel Peters reviews Andrew Klavan's "The Kingdom of Cain," which explores murder and evil through fiction and real-life examples. Klavan, a former atheist, was propelled to faith by pondering evil, suggesting that recognizing objective moral order is necessary to condemn acts like those of the Marquis de Sade. The book examines Leopold and Loeb, who murdered to prove their superiority and live beyond good and evil, but left a crucial clue, highlighting their human fallibility. Klavan also considers Dostoevsky's Raskolnikov, whose rationalized yet pointless murder leads to a breakdown of his self-deception. Klavan argues artistic creation, like Michelangelo's Pietà, can redeem or transform the subject of art. Michelangelo's Pietà Vatican City, Vatican City A marble sculpture by Michelangelo depicting the Virgin Mary holding the body of Jesus Christ.

CBS EYE ON THE WORLD WITH JOHN BATCHELOR SHOW SCHEDULE  9-5 GOOD EVENING: The show begins in Las Vegas as the Strip struggles with decline. FIRST HOUR 9-915 Jeff Bliss, Las Vegas Tourism Decline and Anaheim Development Jeff Bliss reports a significant decline in Las Vegas tourism, with a 12% drop in visitors, which he attributes to the city's nickel and diming practices by major corporations like MGM and Caesar's Palace, coupled with the rise of online gambling. Despite increased gaming revenue, the broader city economy, including restaurants and hotels not part of the strip, is suffering. Vegas resorts are now offering discounts and food credits to attract visitors. Nevada's unique lack of a state lottery, forcing residents to cross state lines for games like Powerball, also highlights a peculiar disadvantage. In Anaheim, a proposed skyway/gondola system aims to connect Disneyland, hotels, and sports venues. 915-930 Brandon Weichert, Artificial Intelligence, Quantum Computing, and Economic Impact Brandon Weichert and John Batchelor discuss artificial intelligence and quantum computing, with Weichert expressing optimism for AI's long-term economic benefits, though he finds a 7% GDP growth projection very optimistic. He believes AI will augment, not replace, human work, leading to positive productivity gains over time, especially in manufacturing and tech sectors. The conversation touches on AI's current competitiveness in generating novel research hypotheses, nearly matching humans in a Science magazine study, but humans still slightly lead in designing experiments. Weichertsees quantum computing as the next breakthrough 930-945  Professor Richard Epstein, Federal Power, National Guard Deployment, and University Funding Professor Richard Epstein discusses two cases involving the Trump administration's use of federal power. First, he analyzes Judge Charles Brier's ruling that Trump's deployment of National Guard troops for immigration enforcement in Southern California was partially illegal, citing the 1878 Posse Comitatus Act. Epstein distinguishes between protecting federal interests and overstepping into local policing, as with traffic violations or raids far from Los Angeles. He criticizes the political polarization between Trump and Governor Gavin Newsom for hindering cooperation during emergencies. Second, Epstein addresses Judge Allison Burroughs' interim decision against Trump's freezing of Harvard's research funds over anti-Semitism allegations, warning of long-term damage to US medical research. 945-1000 CONTINUED Professor Richard Epstein, Federal Power, National Guard Deployment, and University FundingProfessor Richard Epstein discusses two cases involving the Trump administration's use of federal power. First, he analyzes Judge Charles Brier's ruling that Trump's deployment of National Guard troops for immigration enforcement in Southern California was partially illegal, citing the 1878 Posse Comitatus Act. Epstein distinguishes between protecting federal interests and overstepping into local policing, as with traffic violations or raids far from Los Angeles. He criticizes the political polarization between Trump and Governor Gavin Newsom for hindering cooperation during emergencies. Second, Epstein addresses Judge Allison Burroughs' interim decision against Trump's freezing of Harvard's research funds over anti-Semitism allegations, warning of long-term damage to US medical research. SECOND HOUR 10-1015 Bradley Bowman, Chinese Military Parade and US Security Bradley Bowman discusses a recent massive Chinese military parade, noting the presence of Xi Jinping, Vladimir Putin, and Kim Jong-un, with the president of Iran also in attendance. He views the parade as a demonstration of China's decades-long effort to build a military capable of defeating the US in the Pacific, highlighting the erosion of American security and increased likelihood of a Taiwan Strait conflict. Specific concerns include modernized hypersonic YJ seriesanti-ship missiles challenging US naval interception, the DF61 intercontinental ballistic missile aimed at the US, and a low-observable tailless drone for manned fighters.1015-1030 Conrad Black, Canadian Politics, Mr. Carney's Government, and Regional Challenges Conrad Black discusses the challenges facing Mr. Carney's new Canadian government, particularly the unrest in Alberta. Carney's extreme green views threaten Alberta's oil and ranching economy, leading to a significant separatist movement that could see the province join the United States if its energy exports aren't facilitated. Black notes that Carney has yet to reveal his plans to address this or the historical cultural and political challenges posed by Quebec, a wealthy province with aspirations for independence. Carney has been robust on national security, agreeing with President Trump that Canada needs increased defense spending.1030-1045 Jim McTague, Lancaster County Economy and National Job Market Jim McTague provides an optimistic view of Lancaster County's economy, contrasting with national job market slowdowns. He notes low unemployment at 3.4% and no personal reports of job losses. The county's economy is buoyed by affluent retirees, who contribute millions to local restaurants and businesses, and a booming tourism sector attracting 10 million visitors annually. McTague highlights the importance of agriculture and the Amish culture as economic backbones. However, housing prices are significantly elevated, posing a challenge for younger, lower-wage workers. Growth is concentrated in suburban townships due to a superior healthcare industry and expanding data centers and pharmaceutical companies attracting professionals.1045-1100 CONTINUED Jim McTague, Lancaster County Economy and National Job Market Jim McTague provides an optimistic view of Lancaster County's economy, contrasting with national job market slowdowns. He notes low unemployment at 3.4% and no personal reports of job losses. The county's economy is buoyed by affluent retirees, who contribute millions to local restaurants and businesses, and a booming tourism sector attracting 10 million visitors annually. McTague highlights the importance of agriculture and the Amish culture as economic backbones. However, housing prices are significantly elevated, posing a challenge for younger, lower-wage workers. Growth is concentrated in suburban townships due to a superior healthcare industry and expanding data centers and pharmaceutical companies attracting professionals. THIRD HOUR 1100-1115 Molly Beer, Angelica Schuyler Church and the American Revolution Molly Beer discusses Angelica Schuyler Church (1755-1814), a prominent figure during the American Revolution. Born to the influential Schuyler family in Albany, Angelica was well-educated, a trait uncommon for women of her time but typical for Dutch families. She eloped with John Carter (later John Barker Church), much to her family's dismay, a decision perhaps driven by love for the cosmopolitan Englishman. Angelica was deeply involved in the revolutionary cause, supporting the French army and maintaining a strong patriotic identity even while living in London after the war. She cultivated extensive connections with key figures like George Washington, Alexander Hamilton, Thomas Jefferson, and Lafayette .1115-1130 CONTINUED Molly Beer, Angelica Schuyler Church and the American Revolution 1130-1145 CONTINUED Molly Beer, Angelica Schuyler Church and the American Revolution Molly Beer discusses 1145-1200 CONTINUED Molly Beer, Angelica Schuyler Church and the American Revolution Molly Beer . FOURTH HOUR 12-1215 Henry Sokolski, Plutonium, Nuclear Proliferation, and International Debate Henry Sokolski discusses the global debate surrounding plutonium, a highly poisonous substance used in nuclear weapons, especially by China, South Korea, and Britain. He explains that plutonium can be extracted from nuclear power reactors and quickly used to make a bomb, similar to the Nagasaki weapon. Sokolski criticizes the US Energy Department for suggesting that new reactor designs like Natrium and Ollo can extract plutonium while leaving enough radionuclides to prevent bomb-making, a claim previously debunked by studies. He highlights proliferation risks, citing South Korea's historical attempts to use civil reprocessing to acquire nuclear weapons.1215-1230 Jack Burnham, Manhattan Project Lessons for AI and US-China Talent Competition Jack Burnham explains that China views the Manhattan Project as a key lesson in harnessing international talent for national strategic goals, particularly in artificial intelligence. The US successfully recruited theoretical physicists fleeing Nazi Germany, nurturing a scientific reserve for the atomic bomb project. Burnham notes that after World War II, the US continued to prioritize basic science funding, leading to its technological edge. However, he suggests the US is currently struggling with this, as funding issues and regulatory uncertainty are driving American scientists abroad and limiting foreign talent attraction while countries like China, the EU, France, and Canada actively recruit US scientists.1230-1245 Nathaniel Peters, The Nature of Murder and Evil in Andrew Klavan's "The Kingdom of Cain" Nathaniel Peters reviews Andrew Klavan's "The Kingdom of Cain," which explores murder and evil through fiction and real-life examples. Klavan, a former atheist, was propelled to faith by Klavan, a former atheist, was propelled to faith by pondering evil, suggesting that recognizing objective moral order is necessary to condemn acts like those of the Marquis de Sade. The book examines Leopold and Loeb, who murdered to prove their superiority and live beyond good and evil, but left a crucial clue, highlighting their human fallibility. Klavan also considers Dostoevsky's Raskolnikov, whose rationalized yet pointless murder leads to a breakdown of his self-deception. Klavan argues artistic creation, like Michelangelo's Pietà, can redeem or transform the subject of art.1245-100 AM CONTINUED Nathaniel Peters, The Nature of Murder and Evil in Andrew Klavan's "The Kingdom of Cain" Nathaniel Peters reviews Andrew Klavan's "The Kingdom of Cain," which explores murder and evil through fiction and real-life examples. Klavan, a former atheist, was propelled to faith by pondering evil, suggesting that recognizing objective moral order is necessary to condemn acts like those of the Marquis de Sade. The book examines Leopold and Loeb, who murdered to prove their superiority and live beyond good and evil, but left a crucial clue, highlighting their human fallibility. Klavan also considers Dostoevsky's Raskolnikov, whose rationalized yet pointless murder leads to a breakdown of his self-deception. Klavan argues artistic creation, like Michelangelo's Pietà, can redeem or transform the subject of art.

Nathaniel Peters, The Nature of Murder and Evil in Andrew Klavan's "The Kingdom of Cain" Nathaniel Peters reviews Andrew Klavan's "The Kingdom of Cain," which explores murder and evil through fiction and real-life examples. Klavan, a former atheist, was propelled to faith by Klavan, a former atheist, was propelled to faith by pondering evil, suggesting that recognizing objective moral order is necessary to condemn acts like those of the Marquis de Sade. The book examines Leopold and Loeb, who murdered to prove their superiority and live beyond good and evil, but left a crucial clue, highlighting their human fallibility. Klavan also considers Dostoevsky's Raskolnikov, whose rationalized yet pointless murder leads to a breakdown of his self-deception. Klavan argues artistic creation, like Michelangelo's Pietà, can redeem or transform the subject of art. UNDATED NEAR MOSCOW

Rebels, a few clarifications first...in the intro, I accidentally referred to Paul's book as "Crime and Punishment", (which I believe is Dostoevsky) also, while Paul was gracious enough to speak to me while he was in Germany, he was not in any sort of prison. He was released 28 months into his sentence, in 2022, but you'll hear that in the interview. We all have our stories of a "personal hell", but I think there are only a few that can come close to the horror of being incarcerated. This a is a very honest and direct telling of his experience, which I'd imagine would be just as difficult to talk about. As you'll hear Paul say, it was therapeutic for him to tell the story, as will the upcoming sequel about his post-prison life. This interview is much more than a cautionary tale; it's a conversation about a worls so many of us have so little understanding about. Thanks so much for coming on the show and sharing your story, Paul!Paul's info:TikTok @paulluckismith;X @GetLuckiSmith;Truth Social @plsmith64;YouTube @PaulLuckiSmith;Facebook Paul Smith?Here's the link to Paul's book: https://www.amazon.com/Cruel-Unusual-Punishment-Psychological-Realities-ebook/dp/B0FKVWGDSP/ref=sr_1_1?crid=1M987PHCAXT9R&dib=eyJ2IjoiMSJ9.NkFR_Nb1A40ZHlH8Fdvi7Sm2IpZaRSNRZp7Qa2VENSzlKUPkjH38nUANtamvFrnGaeLiioQmms0dKw1HRfHGD4U6Chr2cCWSQEx5z8qCz-5-oQA0hr3G-MqTr78t8_d85yw5Esrov2lKnqeXD1JW2tBDF2DsllR4uWjy4vh-DLC8rUqJLw0TAwbk48N72JrbrYScDEcvS9SgG3V02l8K3A1y9dE6rQQABDc1NwM0qqU.qizHEDI8eSmqqliRfvu5XqNCFFz8cQl8orNNdVmkXb8&dib_tag=se&keywords=cruel+and+unusual+punishment&qid=1756694101&sprefix=cruel+%26+unus%2Caps%2C122&sr=8-Catch "Sherpa Selects" on Saturdays. It's the episodes you tried to avoid the first time around!More thanks: Music Credits/Voiceovers: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bruce Goldberg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ( aka Lord Mr. Bruce); other Voices: The Sherpa-lu Studio PlayersYouTube: @sherpalution5000 @sherpalution : social media for FB, IG, Bluesky, & TikTokLink page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bio.link/jimthepoHere's our website: https://shows.acast.com/the-sherpas-podcast-picksYou can support this show...FOR FREE!!! All you have to do is listen here.Email:jimthepodcastsherpa@gmail.comSupport:Review the show on Apple Podcasts or Spotify.Become a Rebel of the Sherpalution! Please subscribe to the show (for free) through your favorite podcast listening medium, so you don't miss an episode. (What if you miss one, and then we have a test????) If I'm not on your favorite medium, let me know, and I'll bribe my way on it! (That's assuming I actually have money...) Also, please reach out to me through my social media channels or email address. I'd love to hear what you think.And PLEASE let me know if there's a podcast I should be checking out...even if it's one you host! Hosted on Acast. See acast.com/privacy for more information.

Dostoevsky Update, aPoLiTiCaL Agencies, Braindead Politicians (but I repeat myself) by Tommy McElroy

The Communist Manifesto is one of the most influential and divisive works of political philosophy. Yet it almost seems quaint and harmless in a modern world of global Capitalist reach, and more rhetorical than scientific compared to the more systematic and explanatory Capital. Is Marx's theory of capitalist greed and social upheaval still relevant in a post Cold War world? Or is this a harmless historical phenomenon, relevant only in its time?Additional readings include: Bakunin's God and the State, Bernstein's Evolutionary Socialism, Sorel's Reflections on Violence, Chernyshevsky's What is to Be Done?, Dostoevsky's Notes from Underground, and Morris' News from Nowhere. And while I suspect I should be able to find a better mechanical representation of political revolution in video game history, I'm stuck instead with Red Faction: Guerrilla, which is a smarter game then it first seems, but is still pretty dang dumb.If you would rather check out Professor Kozlowski's other online projects than immediately rise up against your oppressors (all you have to lose are your chains!), check out his website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠professorkozlowski.wordpress.com

Send us a textWelcome to Celebrate Creativity - Episode 448 - Queen of CrimeWe have talked in this podcast about such great writers as Dostoyevsky and Flaubert, but so far I've left out the most popular writer of them all and that is Agatha Christie.Only the Bible and Shakespeare have sold more copies that Agatha Christie - she is often mentioned alongside great writers who have had epileptic seizures, but her case is a bit more ambiguous than Dostoevsky or Flaubert.  In this episode, I'd like to lay out what scholars and biographers have pieced together about her health, and how possible seizures might have shaped her writing and life.Now I know that some of you younger listeners might know mysteries or even Knives Out, but not realize how much all of that traces back to Agatha Christie. Let me give you a short - very short - introduction to Agatha Christie as a writer. Agatha Christie (1890–1976) was an English novelist, playwright, and short story writer — and she's often called the “Queen of Crime.” Over the course of her life she wrote 66 detective novels, 14 short story collections, and the world's longest-running play, The Mousetrap.Her works introduced some of the most famous detectives in literature, like Hercule Poirot — the meticulous Belgian sleuth with the “little grey cells” — and Miss Marple, the seemingly gentle village spinster who sees into the darkest corners of human nature.Christie's stories have sold over two billion - yes that's billion with a B - copies worldwide — more than any other author except Shakespeare and the Bible. Her works have been translated into over 100 languages, making her one of the most widely read writers in history.Support the showThank you for experiencing Celebrate Creativity.

Send us a textWelcome to Episode 445 of Celebrate Creativity - Ultimate Freedom - This is the third and final episode devoted to characters with epilepsy from   the writings of Fydor Dostoyevsky.In addition to Prince Myskin and Smerdyakov, there was another major character who has a relationship with epilepsy called Kirillov from dostoyevsky's novel by the name of Demons.  You see, Dostoevsky never explicitly says Kirillov is epileptic, but there are strong echoes of the condition, and scholars often connect him to Dostoevsky's own experiences of seizures. In Demons, Kirillov is obsessed with ultimate freedom and the idea of overcoming the fear of death by committing suicide. At several points, he describes moments of sudden, radiant joy that come to him — a kind of ecstatic clarity just before unbearable suffering. Dostoevsky himself experienced something very similar with his own epilepsy. He wrote that just before some of his seizures, he would feel a sudden, luminous happiness, as though eternity were revealed to him in a single instant.In Demons (Part II, Chapter 1), Kirillov says:“There are moments, and it is only for a few seconds, when you feel the presence of eternal harmony … You feel it in all your being, and it is clear, it is undeniable. At such moments you would not exchange it for all the joys of earth.”This is almost identical to Dostoevsky's personal description of his epileptic aura. Many readers — and critics — have taken this as evidence that Kirillov is written as an epileptic character, even if Dostoevsky never uses the word.Support the showThank you for experiencing Celebrate Creativity.

Modern men are raised in a culture of collapse. Nihilism—“God is dead”—is the air we breathe. But what if this crisis has deep roots, stretching back nearly a thousand years?In this powerful conversation, Paul (Path of Manliness) speaks with historian and Orthodox priest Fr. John Strickland, author of the Paradise and Utopia series. Together, they uncover how the Great Schism, Nietzsche, and Dostoevsky all shaped the West's descent into meaninglessness—and why only Tradition can offer a way back.This isn't nostalgia. It's about recovering what men truly need: order, stability, brotherhood, and faith that transforms the soul.If you're a man who senses something deeply wrong with modern culture, join us. Our online men's groups are building strength, forging real brotherhood, and rediscovering Tradition as the foundation for a meaningful life.

Send us a textWelcome to Celebrate Creativity – Episode 444 – A Multitude of WaysIn this podcast series, I am delving into authors who had epilepsy. And there is probably no better example than Dostoyevsky. Now it is said that Fydor Dostoevsky's portrayal of epilepsy, especially in his character Prince Myshkin, is one of the most accurate and empathetic in literature largely because it goes beyond just describing the physical symptoms. He delves into the psychological, social, and spiritual dimensions of the condition. Having experienced epilepsy himself, Dostoevsky was able to portray the condition with an authenticity that was rare for his time.Support the showThank you for experiencing Celebrate Creativity.

Send us a textWelcome to Celebrate Creativity – Episode 444 - Fate, illness, or Deception?This is the first podcast episode in a three part series dealing with a fascinating individual - the Russian writer Fydor Dostoevsky and his literary treatment of seizure disorders.  His works are rich with recurring themes such as morality, free will, nihilism, faith, and the nature of good and evil.Dostoevsky himself suffered from epilepsy - so it could be argued that his reaction to the condition it's quite different from most Siri set an alarm for five minutes writers - largely because he suffered so many seizures.  He he even went out of his way to portray some of his characters - note that I said some of his characters - having seizure disorders and being exemplary people.  Today they might be called role models.  This is perhaps most true of one of the leading characters of his novel, The Idiot - a character known as Prince Myshkin.Dostoevsky's Life and Historical ContextDostoevsky's life was marked by extreme highs and lows, which directly influenced his writing. Support the showThank you for experiencing Celebrate Creativity.

Miroslav Volf explores agapic love, creation's goodness, and God's grief—an alternative to despair, power, and world rejection.“When a wanted child is born, the immense joy of many parents often renders them mute, but their radiant faces speak of surprised delight: ‘Just look at you! It is so very good that you are here!' This delight precedes any judgment about the beauty, functionality, or moral rectitude of the child. The child's sheer existence, the mere fact of it, is ‘very good.' That's what I propose God, too, exclaimed, looking at the new-born world. And that unconditional love grounds creation's existence.”In this fourth Gifford Lecture, Miroslav Volf contrasts the selective and self-centered love of Ivan Karamazov with the radically inclusive, unconditional love of Father Zosima. Drawing deeply from Dostoevsky's The Brothers Karamazov, Genesis's creation and flood narratives, and Hannah Arendt's concept of amor mundi, Volf explores a theology of agapic love: unearned, universal, and enduring. This is the love by which God sees creation as “very good”—not because it is perfect, but because it exists. It's the love that grieves corruption without destroying it, that sees responsibility as mutual, and that offers the only hope for life in a deeply flawed world. With references to Luther, Nietzsche, and modern visions of power and desire, Volf challenges us to ask what kind of love makes a world, sustains it, and might one day save it. “Love the world,” he insists, “or lose your soul.”Episode Highlights“The world will either be loved with unconditional love, or it'll not be loved at all.”“Unconditional love abides. If the object of love is in a state that can be celebrated, love rejoices. If it is not, love mourns and takes time to help bring it back to itself.”“Each is responsible for all. Each is guilty for all. Each needs forgiveness from all. Each must forgive all.”“Creation is not primarily sacramental or iconic. It is an object of delight both for humans and for God.”“Agapic love demands nothing from the beloved, though it cares and hopes much for them and for the shared world with them.”Show NotesSchopenhauer and Nietzsche's visions of happiness: pleasure and power as substitutes for love“Love as hunger”: the devouring nature of epithemic desireIvan Karamazov's tragic love for life—selective, gut-level, and self-focused“There is still… this wild and perhaps indecent thirst for life in me”Father Zosima's universal love for “every leaf and every ray of God's light”“Love man also in his sin… Love all God's creation”Sonya and Raskolnikov in Crime and Punishment: love as restoration“She loved him and stayed with him—not although he murdered, but because he murdered”God's declaration in Genesis: “And look—it was very good”Hannah Arendt's amor mundi—“I want you to be” as pure affirmationCreation as gift: “Each is itself by being more than itself”Martin Luther on marriage, sex, and delight as godly pleasuresThe flood as hypothetical: divine grief replaces divine destruction“It grieved God to his heart”—grief as a form of agapic love“Each is responsible for all. Each is guilty for all.”Agape over erotic love: not reward and punishment, but faithful presence and care“Agapic love demands nothing… It is free, sovereign to love, humble.”Closing invitation: to live the life of love, under whatever circumstancesProduction NotesThis podcast featured Miroslav VolfEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Taylor Craig and Macie BridgeA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/giveSpecial thanks to Dr. Paul Nimmo, Paula Duncan, and the media team at the University of Aberdeen. Thanks also to the Templeton Religion Trust for their support of the University of Aberdeen's 2025 Gifford Lectures and to the McDonald Agape Foundation for supporting Miroslav's research towards the lectureship.

Is freedom too heavy for the human heart—or the only path to peace? In this episode of the Wolff Peace series, host Avis Kalfsbeek pairs Dostoevsky's philosophical parable The Grand Inquisitor with the life of Nelson Mandela, whose forgiveness and leadership transformed a nation. Dostoevsky doubted humanity's ability to handle freedom. Mandela embodied what it looks like when we rise to the challenge. Robert Paul Wolff's Political Man and Social Man is available on Amazon (I'm not an affiliate) Learn more about the series and my books at aviskalfsbeek.com Follow my Kickstarter please: https://www.aviskalfsbeek.com/kickstarter Music: Dalai Llama Rides a Bike by Javier “Peke” Rodriguez. Bandcamp: https://javierpekerodriguez.bandcamp.com. Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Try my voice clone “Amaya Calm” on Eleven Labs for your audio book or other creative project: https://try.elevenlabs.io/peace (If you use this link, I earn a small commission)

This week on Breaking Battlegrounds, we kick things off with Northwestern University's Gary Saul Morson, co-author of Cents and Sensibility, joins us to explore why revolutions never truly end, Dostoevsky's warnings about nihilism, and what economist Friedrich Hayek might think about artificial intelligence. We wrap up with Satya Thallam, senior advisor at Americans for Responsible Innovation, for an inside look at the political and national security implications of AI policy, from the White House's export control changes to the GOP's divide over state regulation, and what it all means for the future of innovation in America.

Join Eric, @CSIBillCrane, @TimAndrewsHere, @Autopritts, @JaredYamamoto, Greg, @Dr.Joe and George LIVE on 95.5 WSB from 3pm-7pm as they chat about Dostoevsky's Warning , Baby Shower Blackmail , Trump's Latest Tariff and so much more! *New episodes of our sister shows: The Popcast with Tim Andrews and The Nightcap with Jared Yamamoto are available as well!

Today we talk about two different theories for why we ritualize self-destructive behavior. We check out a lesser-known work from Dostoevsky called The Gambler. We consider how much we can hold people morally accountable for this kind of stuff. Then we look at the work of Georges Bataille, his book The Accursed Share, and how a hidden underlying economics may be a way we can understand self-destructive behavior from a new angle. Hope you love it and have a great week. :) Sponsors: Greenlight: https://www.greenlight.com/PT Nord VPN: https://nordvpn.com/philothis Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

How literature helps us to understand morality, totalitarian politics, and the life of Jesus Christ.Join the team at the IAI for four articles about great, classic literature, covering world-renowned authors such as George Orwell, Fyodor Dostoevsky, Clarice Lispector, to name but a few.These articles were written by Michael Marder, Emrah Atasoy, John Givens, and Dana Dragunoiu.Michael Marder is Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz. Emrah Atasoy is a professor in the Department of English and Comparative Literary Studies at the University of Warwick. John Givens is a professor of Russian at the University of Rochester and the author of 'The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak'. Dana Dragunoiu the author of 'Vladimir Nabokov and the Art of Moral Acts' and 'Simply Nabokov'. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join Dan and Tom as they decode some James Bond influences from History and Literature.  Hint: Proust, Dostoevsky, and others may have played a part. Christopher Booker's “Seven Basic Plots” identifies the seven main plots that literature tends to stick to.  So, we look at some classic literature and its effect on the James Bond movies.  Consequently, there aren't very many different plots to contend with, and Eon Productions has retold the same plot multiple times in their movies.  What we will decode in this episode: ·         How do Proust's works parallel a character in the last two James Bond movies? There are multiple ways this character is paralleled in Proust's writing. ·         Can Tom stay awake while reading literature? ·         What real-world characters have helped shape the James Bond movies? ·         What themes in FROM RUSSIA WITH LOVE's Tania Romanova do we see carried over in future James Bond movies? ·         Who are some of the real-world characters who influence Ian Fleming's writings? ·         Do any of the James Bond movie characters have literary influences? ·         Do Purvis and Wade deserve any credit for CASINO ROYALE's literary influences? ·         And of course, much more. To sum up, there are many characters in literature and history that may have influenced some of the characters we find in the James Bond movies. Tell us what you think about our look at James Bond influences from history and literature. Did we get the right influences? Are there other literary references you would make?  If so, please let us know.  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4m2Ymee

Matthew Levering found himself developing something resembling a Christian worldview through reading Dostoevsky and Walker Percy. This foundation led him to the Catholic Church.

Is long form reading a dying pastime? Journalist and cultural critic James Marriott joins EconTalk's Russ Roberts to defend the increasingly quaint act of reading a book in our scrolling-obsessed, AI-summarized age. He urges juggling a paper book and a Kindle, recounts ditching his smartphone to rescue his attention, and shares tactics for finding the "right" beach novel and biography. He and Russ also debate the value of re-reading, spar over Dostoevsky, celebrate Elena Ferrante, and swap suggestions for poetry that "puts reality back in your bones." Throughout, they argue that the shallowness of social media makes the best case for diving into the dense, intellectually difficult, yet uniquely transformative power of books.

In this deeply profound panel hosted by the Thomistic Institute at UT Austin, two renowned philosophers — Dr. J. Budziszewski and Dr. Scott Roniger — dive into one of the most ancient and enduring questions in moral philosophy: Does vice carry its own punishment? With references ranging from Aristotle and Augustine to Dostoevsky and Shakespeare, the speakers explore conscience, natural law, self-knowledge, and the metaphysical consequences of wrongdoing. This lecture goes far beyond the legal and social implications of morality, offering a rich philosophical and theological account of how wrongdoing disorders the soul — and why this may be the clearest evidence of divine justice.

This week, the girlies are joined by writer, cultural critic, and internet princess Rayne Fisher-Quann for a bonus follow-up to our literacy episode. We unpack Rayne's recent essay on “poser ethics” and ask: is pretending to have read Dostoevsky really that bad? Are there different kinds of reading, and is one better than the other? Have we fully reckoned with the cultural impact of a generation of men raised on Diary of a Wimpy Kid? Digressions include everyday activities that bring us closer to lead poisoning, a crucial Nerds Gummy Cluster taste test, and a deep dive into our personal neuroses. Check out some of Rayne's work here: https://internetprincess.substack.com/ This is a teaser for a Patreon-exclusive episode. To listen to the full episode and access over 50 bonus episodes, mediasodes, and monthly zoom hangs visit patreon.com/binchtopia and become a patron today. We're going on tour!!!! Find tickets at https://linktr.ee/binchtopia

Fyodor Dostoyevsky (1821 - 1881)Notes from Underground by Fyodor Dostoevsky is a sophisticated novell with extremely hard to comprehend philosophical ideas lying on the border of paranoia, orthodoxal believing of God and psychological researches on human nature. Every sentence sounds like a sort of revelation to an unprepared reader's mind and causes a deep flashback thoughts which are impossible to get rid of, which also require an immediate solution.Though it's hard to define precisely what kind of content presented in novell but one can say it is a sort of impossible mixture of traditional Dostoevsky's ideas of loneliness, ideas of internal human confilct, ideas of freedom and interhuman relationship.Reader keeps interest to the story in all time whilst he reads it. Such an effect is achieved by author's methodical strikes right into reader's head, so when you read a novell you have an extremely real experience of YOU being THERE, of you experiencing all that awe of facing loneliness and society exile. All that Dostoevsky literator's power teleports you right into that underground, right into that dirty yellow (when you read Dostoevsky's book you realize that yellow is a color neither of sun nor of life nor whatever, but it is a color of decay, corruption and something hectic) underground of poor Saint Petersburg's borough. And you feel like that underground trying to kill you, trying to eliminate of your individuality and make your soul look like a sort of madness, like all that dirty corners and floors of that dirty yellow room. You can feel like you became totaly crazy with that hero's feelings and thoughts, and you even may not imagine the level of feeling of threaten you can experience… But while you read the story you should better hold at least a tiny thread to reality in order to realize that you are not in a lunatic asylum yet.If you are not so much frightened you may be encouraged to make a trip to that world of Dostoevsky's St. Peterburg and encounter with an entire human catastrophe by reading a book or listening to it. (Summary by Yakovlev Valery)

Thank you Lily for joining! Don't forget to check out the "Dating Like Dostoevsky" digital guide. hotliterati.com

Resharing an episode from YouTube Channel Leadership Sound Bites with Host Michelle Smith. (Thank you for this opportunity, Michelle!!)Here, we dive deep into the wisdom of Dostoevsky and discuss the trap of overthinking and the transformational power of direct experience. We explore why the world needs more compassionate “fools”—people who take risks, show up imperfectly, and lead with heart, not ego.Feeling stuck? If you need help getting out of your rut, Will can help. Head to willnotfear.com to learn more about his coaching and how it can help you get off the hamster wheel and start making better decisions. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Gary Lilburn, Jane Whittenshaw , Georgia Henshaw and Jonathan Forbes star in Dostoevsky's unsettling tale of revolution and betrayal. After years away from home, Nicholai Stavrogin returns to his old home town bringing with him the radical ‘free-thinkers' of Petersburg, hell-bent on causing civil unrest. Dramatised by Melissa Murray.Stepan ..... Gary Lilburn Mrs Stavrogina ..... Jane Whittenshaw Nicholai ..... Joseph Arkley Pyotr ..... Jonathan Forbes Darya ..... Charlotte East Virginsky ..... Ian Dunnett Jr Krillov ..... Hasan Dixon Shatov ..... Stefan Adegbola Lisa ..... Cecilia Appiah Marya ..... Georgia HenshawWritten by Melissa Murray Directed by Carl Prekopp Produced by Marc Beeby and Anne Isger

Today we talk about the philosophical themes around love in The Brothers Karamazov. We talk about Dostoevsky's existential, tragic form of Christianity. Family as a microcosm of society. Active love as an experiential framing. The Grand Inquisitor. Hope you love it! :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Rocket Money: http://www.RocketMoney.com/PT Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow