Podcasts about dostoevsky

The Communist Manifesto is one of the most influential and divisive works of political philosophy. Yet it almost seems quaint and harmless in a modern world of global Capitalist reach, and more rhetorical than scientific compared to the more systematic and explanatory Capital. Is Marx's theory of capitalist greed and social upheaval still relevant in a post Cold War world? Or is this a harmless historical phenomenon, relevant only in its time?Additional readings include: Bakunin's God and the State, Bernstein's Evolutionary Socialism, Sorel's Reflections on Violence, Chernyshevsky's What is to Be Done?, Dostoevsky's Notes from Underground, and Morris' News from Nowhere. And while I suspect I should be able to find a better mechanical representation of political revolution in video game history, I'm stuck instead with Red Faction: Guerrilla, which is a smarter game then it first seems, but is still pretty dang dumb.If you would rather check out Professor Kozlowski's other online projects than immediately rise up against your oppressors (all you have to lose are your chains!), check out his website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠professorkozlowski.wordpress.com

Send us a textWelcome to Celebrate Creativity - Episode 448 - Queen of CrimeWe have talked in this podcast about such great writers as Dostoyevsky and Flaubert, but so far I've left out the most popular writer of them all and that is Agatha Christie.Only the Bible and Shakespeare have sold more copies that Agatha Christie - she is often mentioned alongside great writers who have had epileptic seizures, but her case is a bit more ambiguous than Dostoevsky or Flaubert.  In this episode, I'd like to lay out what scholars and biographers have pieced together about her health, and how possible seizures might have shaped her writing and life.Now I know that some of you younger listeners might know mysteries or even Knives Out, but not realize how much all of that traces back to Agatha Christie. Let me give you a short - very short - introduction to Agatha Christie as a writer. Agatha Christie (1890–1976) was an English novelist, playwright, and short story writer — and she's often called the “Queen of Crime.” Over the course of her life she wrote 66 detective novels, 14 short story collections, and the world's longest-running play, The Mousetrap.Her works introduced some of the most famous detectives in literature, like Hercule Poirot — the meticulous Belgian sleuth with the “little grey cells” — and Miss Marple, the seemingly gentle village spinster who sees into the darkest corners of human nature.Christie's stories have sold over two billion - yes that's billion with a B - copies worldwide — more than any other author except Shakespeare and the Bible. Her works have been translated into over 100 languages, making her one of the most widely read writers in history.Support the showThank you for experiencing Celebrate Creativity.

Send us a textWelcome to Episode 445 of Celebrate Creativity - Ultimate Freedom - This is the third and final episode devoted to characters with epilepsy from   the writings of Fydor Dostoyevsky.In addition to Prince Myskin and Smerdyakov, there was another major character who has a relationship with epilepsy called Kirillov from dostoyevsky's novel by the name of Demons.  You see, Dostoevsky never explicitly says Kirillov is epileptic, but there are strong echoes of the condition, and scholars often connect him to Dostoevsky's own experiences of seizures. In Demons, Kirillov is obsessed with ultimate freedom and the idea of overcoming the fear of death by committing suicide. At several points, he describes moments of sudden, radiant joy that come to him — a kind of ecstatic clarity just before unbearable suffering. Dostoevsky himself experienced something very similar with his own epilepsy. He wrote that just before some of his seizures, he would feel a sudden, luminous happiness, as though eternity were revealed to him in a single instant.In Demons (Part II, Chapter 1), Kirillov says:“There are moments, and it is only for a few seconds, when you feel the presence of eternal harmony … You feel it in all your being, and it is clear, it is undeniable. At such moments you would not exchange it for all the joys of earth.”This is almost identical to Dostoevsky's personal description of his epileptic aura. Many readers — and critics — have taken this as evidence that Kirillov is written as an epileptic character, even if Dostoevsky never uses the word.Support the showThank you for experiencing Celebrate Creativity.

Modern men are raised in a culture of collapse. Nihilism—“God is dead”—is the air we breathe. But what if this crisis has deep roots, stretching back nearly a thousand years?In this powerful conversation, Paul (Path of Manliness) speaks with historian and Orthodox priest Fr. John Strickland, author of the Paradise and Utopia series. Together, they uncover how the Great Schism, Nietzsche, and Dostoevsky all shaped the West's descent into meaninglessness—and why only Tradition can offer a way back.This isn't nostalgia. It's about recovering what men truly need: order, stability, brotherhood, and faith that transforms the soul.If you're a man who senses something deeply wrong with modern culture, join us. Our online men's groups are building strength, forging real brotherhood, and rediscovering Tradition as the foundation for a meaningful life.

Send us a textWelcome to Celebrate Creativity – Episode 444 – A Multitude of WaysIn this podcast series, I am delving into authors who had epilepsy. And there is probably no better example than Dostoyevsky. Now it is said that Fydor Dostoevsky's portrayal of epilepsy, especially in his character Prince Myshkin, is one of the most accurate and empathetic in literature largely because it goes beyond just describing the physical symptoms. He delves into the psychological, social, and spiritual dimensions of the condition. Having experienced epilepsy himself, Dostoevsky was able to portray the condition with an authenticity that was rare for his time.Support the showThank you for experiencing Celebrate Creativity.

Send us a textWelcome to Celebrate Creativity – Episode 444 - Fate, illness, or Deception?This is the first podcast episode in a three part series dealing with a fascinating individual - the Russian writer Fydor Dostoevsky and his literary treatment of seizure disorders.  His works are rich with recurring themes such as morality, free will, nihilism, faith, and the nature of good and evil.Dostoevsky himself suffered from epilepsy - so it could be argued that his reaction to the condition it's quite different from most Siri set an alarm for five minutes writers - largely because he suffered so many seizures.  He he even went out of his way to portray some of his characters - note that I said some of his characters - having seizure disorders and being exemplary people.  Today they might be called role models.  This is perhaps most true of one of the leading characters of his novel, The Idiot - a character known as Prince Myshkin.Dostoevsky's Life and Historical ContextDostoevsky's life was marked by extreme highs and lows, which directly influenced his writing. Support the showThank you for experiencing Celebrate Creativity.

Miroslav Volf explores agapic love, creation's goodness, and God's grief—an alternative to despair, power, and world rejection.“When a wanted child is born, the immense joy of many parents often renders them mute, but their radiant faces speak of surprised delight: ‘Just look at you! It is so very good that you are here!' This delight precedes any judgment about the beauty, functionality, or moral rectitude of the child. The child's sheer existence, the mere fact of it, is ‘very good.' That's what I propose God, too, exclaimed, looking at the new-born world. And that unconditional love grounds creation's existence.”In this fourth Gifford Lecture, Miroslav Volf contrasts the selective and self-centered love of Ivan Karamazov with the radically inclusive, unconditional love of Father Zosima. Drawing deeply from Dostoevsky's The Brothers Karamazov, Genesis's creation and flood narratives, and Hannah Arendt's concept of amor mundi, Volf explores a theology of agapic love: unearned, universal, and enduring. This is the love by which God sees creation as “very good”—not because it is perfect, but because it exists. It's the love that grieves corruption without destroying it, that sees responsibility as mutual, and that offers the only hope for life in a deeply flawed world. With references to Luther, Nietzsche, and modern visions of power and desire, Volf challenges us to ask what kind of love makes a world, sustains it, and might one day save it. “Love the world,” he insists, “or lose your soul.”Episode Highlights“The world will either be loved with unconditional love, or it'll not be loved at all.”“Unconditional love abides. If the object of love is in a state that can be celebrated, love rejoices. If it is not, love mourns and takes time to help bring it back to itself.”“Each is responsible for all. Each is guilty for all. Each needs forgiveness from all. Each must forgive all.”“Creation is not primarily sacramental or iconic. It is an object of delight both for humans and for God.”“Agapic love demands nothing from the beloved, though it cares and hopes much for them and for the shared world with them.”Show NotesSchopenhauer and Nietzsche's visions of happiness: pleasure and power as substitutes for love“Love as hunger”: the devouring nature of epithemic desireIvan Karamazov's tragic love for life—selective, gut-level, and self-focused“There is still… this wild and perhaps indecent thirst for life in me”Father Zosima's universal love for “every leaf and every ray of God's light”“Love man also in his sin… Love all God's creation”Sonya and Raskolnikov in Crime and Punishment: love as restoration“She loved him and stayed with him—not although he murdered, but because he murdered”God's declaration in Genesis: “And look—it was very good”Hannah Arendt's amor mundi—“I want you to be” as pure affirmationCreation as gift: “Each is itself by being more than itself”Martin Luther on marriage, sex, and delight as godly pleasuresThe flood as hypothetical: divine grief replaces divine destruction“It grieved God to his heart”—grief as a form of agapic love“Each is responsible for all. Each is guilty for all.”Agape over erotic love: not reward and punishment, but faithful presence and care“Agapic love demands nothing… It is free, sovereign to love, humble.”Closing invitation: to live the life of love, under whatever circumstancesProduction NotesThis podcast featured Miroslav VolfEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Taylor Craig and Macie BridgeA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/giveSpecial thanks to Dr. Paul Nimmo, Paula Duncan, and the media team at the University of Aberdeen. Thanks also to the Templeton Religion Trust for their support of the University of Aberdeen's 2025 Gifford Lectures and to the McDonald Agape Foundation for supporting Miroslav's research towards the lectureship.

This week on Breaking Battlegrounds, we kick things off with Northwestern University's Gary Saul Morson, co-author of Cents and Sensibility, joins us to explore why revolutions never truly end, Dostoevsky's warnings about nihilism, and what economist Friedrich Hayek might think about artificial intelligence. We wrap up with Satya Thallam, senior advisor at Americans for Responsible Innovation, for an inside look at the political and national security implications of AI policy, from the White House's export control changes to the GOP's divide over state regulation, and what it all means for the future of innovation in America.

Join Eric, @CSIBillCrane, @TimAndrewsHere, @Autopritts, @JaredYamamoto, Greg, @Dr.Joe and George LIVE on 95.5 WSB from 3pm-7pm as they chat about Dostoevsky's Warning , Baby Shower Blackmail , Trump's Latest Tariff and so much more! *New episodes of our sister shows: The Popcast with Tim Andrews and The Nightcap with Jared Yamamoto are available as well!

Today we talk about two different theories for why we ritualize self-destructive behavior. We check out a lesser-known work from Dostoevsky called The Gambler. We consider how much we can hold people morally accountable for this kind of stuff. Then we look at the work of Georges Bataille, his book The Accursed Share, and how a hidden underlying economics may be a way we can understand self-destructive behavior from a new angle. Hope you love it and have a great week. :) Sponsors: Greenlight: https://www.greenlight.com/PT Nord VPN: https://nordvpn.com/philothis Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

For more podcasts and videos on motivation and unstoppable momentum, visit: http://futurestrong.org/podcastshttp://futurestrong.org/videosTo build a whole child: https://futurestrong.org/2022/05/06/essential-real-life-skills-to-start-teaching-your-child-at-any-age-video/Learn more about our Digital Lives And Detox HERE: https://futurestrong.org/project/truth-about-tech/For content copyright and disclaimer, please visit: https://futurestrong.org/copyright/#FutureSTRONGAcademy #RNS #OurFutureSTRONG

How literature helps us to understand morality, totalitarian politics, and the life of Jesus Christ.Join the team at the IAI for four articles about great, classic literature, covering world-renowned authors such as George Orwell, Fyodor Dostoevsky, Clarice Lispector, to name but a few.These articles were written by Michael Marder, Emrah Atasoy, John Givens, and Dana Dragunoiu.Michael Marder is Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz. Emrah Atasoy is a professor in the Department of English and Comparative Literary Studies at the University of Warwick. John Givens is a professor of Russian at the University of Rochester and the author of 'The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak'. Dana Dragunoiu the author of 'Vladimir Nabokov and the Art of Moral Acts' and 'Simply Nabokov'. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this podcast, we will be talking about 10 life lessons from the philosophy of Fyodor Dostoevsky. Fyodor Dostoevsky was a 19th century novelist and philosopher and is considered to be one of the first writers to incorporate concepts of what we now know as existentialism. So with that in mind, here are 10 life lessons from the philosophy of Fyodor Dostoevsky -  01. Excessive self-pride leads to isolation 02. Be better for yourself, not for other people 03. It's more important to live life, than to think about life 04. Emotional intelligence is as insightful as rationality 05. Love life more than its meaning 06. Be virtuous and just 07. Fight evil with love and compassion 08. Moral freedom is no freedom at all 09. Compassion and love can break alienation 10. Learn to enjoy suffering I hope you enjoyed listening to this podcast and hope these 10 life lessons from the philosophy of Fyodor Dostoevsky will add value to your life.  Fyodor Dostoevsky was a 19th century novelist and philosopher, considered by many to be one of the most influential authors in all of world literature. Born and raised in Tsarist Russia, Dostoevsky was heavily exposed to the misery and injustice characteristic of his time. Among his more marking experiences, he spent four years in a Siberian labour camp, went through compulsory military service in exile, and had to beg for money while in Western Europe due to his gambling addiction. And yet, despite his first-hand experience of misery and suffering, Dostoevsky remained hopeful and optimistic about what life is. He is considered to be one of the first writers to incorporate concepts of what we now know as existentialism. Dostoevsky's works revolve around a few major themes like the meaning of life, the constancy of suffering, the divide between rationality and emotion, spirituality, and the various sides of the human condition.  Some of his well known novels and essays are Crime and Punishment, The Brothers Karamazov, The Idiot, and Notes from the Underground. Through his novels and essays, Dostoevsky tried to make sense of the suffering and misery around him, attempting to find meaning and hope even in the bleakest of times. His work represents a deep dive into human suffering, the evil surrounding us, and the problems caused by moral corruption and in each of the universes he created, he gave ways to escape the apparent  constant suffering and torment of his characters through moral virtue, love, compassion, and one's own sense of meaning. His writings were heavily influential for the existentialist current of philosophy, representing sources of inspiration for other consecrated authors like Friedrich Nietzsche and Jean-Paul Sartre.

Join Dan and Tom as they decode some James Bond influences from History and Literature.  Hint: Proust, Dostoevsky, and others may have played a part. Christopher Booker's “Seven Basic Plots” identifies the seven main plots that literature tends to stick to.  So, we look at some classic literature and its effect on the James Bond movies.  Consequently, there aren't very many different plots to contend with, and Eon Productions has retold the same plot multiple times in their movies.  What we will decode in this episode: ·         How do Proust's works parallel a character in the last two James Bond movies? There are multiple ways this character is paralleled in Proust's writing. ·         Can Tom stay awake while reading literature? ·         What real-world characters have helped shape the James Bond movies? ·         What themes in FROM RUSSIA WITH LOVE's Tania Romanova do we see carried over in future James Bond movies? ·         Who are some of the real-world characters who influence Ian Fleming's writings? ·         Do any of the James Bond movie characters have literary influences? ·         Do Purvis and Wade deserve any credit for CASINO ROYALE's literary influences? ·         And of course, much more. To sum up, there are many characters in literature and history that may have influenced some of the characters we find in the James Bond movies. Tell us what you think about our look at James Bond influences from history and literature. Did we get the right influences? Are there other literary references you would make?  If so, please let us know.  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4m2Ymee

Matthew Levering found himself developing something resembling a Christian worldview through reading Dostoevsky and Walker Percy. This foundation led him to the Catholic Church.

Is long form reading a dying pastime? Journalist and cultural critic James Marriott joins EconTalk's Russ Roberts to defend the increasingly quaint act of reading a book in our scrolling-obsessed, AI-summarized age. He urges juggling a paper book and a Kindle, recounts ditching his smartphone to rescue his attention, and shares tactics for finding the "right" beach novel and biography. He and Russ also debate the value of re-reading, spar over Dostoevsky, celebrate Elena Ferrante, and swap suggestions for poetry that "puts reality back in your bones." Throughout, they argue that the shallowness of social media makes the best case for diving into the dense, intellectually difficult, yet uniquely transformative power of books.

In this deeply profound panel hosted by the Thomistic Institute at UT Austin, two renowned philosophers — Dr. J. Budziszewski and Dr. Scott Roniger — dive into one of the most ancient and enduring questions in moral philosophy: Does vice carry its own punishment? With references ranging from Aristotle and Augustine to Dostoevsky and Shakespeare, the speakers explore conscience, natural law, self-knowledge, and the metaphysical consequences of wrongdoing. This lecture goes far beyond the legal and social implications of morality, offering a rich philosophical and theological account of how wrongdoing disorders the soul — and why this may be the clearest evidence of divine justice.

This week, the girlies are joined by writer, cultural critic, and internet princess Rayne Fisher-Quann for a bonus follow-up to our literacy episode. We unpack Rayne's recent essay on “poser ethics” and ask: is pretending to have read Dostoevsky really that bad? Are there different kinds of reading, and is one better than the other? Have we fully reckoned with the cultural impact of a generation of men raised on Diary of a Wimpy Kid? Digressions include everyday activities that bring us closer to lead poisoning, a crucial Nerds Gummy Cluster taste test, and a deep dive into our personal neuroses. Check out some of Rayne's work here: https://internetprincess.substack.com/ This is a teaser for a Patreon-exclusive episode. To listen to the full episode and access over 50 bonus episodes, mediasodes, and monthly zoom hangs visit patreon.com/binchtopia and become a patron today. We're going on tour!!!! Find tickets at https://linktr.ee/binchtopia

In this podcast, we will be talking about 4 Daring Ways to Be Real in This Fake World from the philosophy of Fyodor Dostoevsky. Fyodor Dostoevsky was a 19th century novelist and philosopher and is considered to be one of the first writers to incorporate concepts of what we now know as existentialism. So with that in mind, here are 4 Daring Ways to Be Real in This Fake World from the philosophy of Fyodor Dostoevsky -  01. Dare to Be Innocent in a World That Worships Image  02. Dare to Accept Your Messy, Irrational Self 03. Dare not afraid of falling apart 04. Dare to Love When It Hurts I hope you enjoyed listening to this podcast and hope these 4 Daring Ways to Be Real in This Fake World from the philosophy of Fyodor Dostoevsky will add value to your life.  Fyodor Dostoevsky was a 19th century novelist and philosopher, considered by many to be one of the most influential authors in all of world literature. Born and raised in Tsarist Russia, Dostoevsky was heavily exposed to the misery and injustice characteristic of his time. Among his more marking experiences, he spent four years in a Siberian labour camp, went through compulsory military service in exile, and had to beg for money while in Western Europe due to his gambling addiction. And yet, despite his first-hand experience of misery and suffering, Dostoevsky remained hopeful and optimistic about what life is. He is considered to be one of the first writers to incorporate concepts of what we now know as existentialism. Dostoevsky's works revolve around a few major themes like the meaning of life, the constancy of suffering, the divide between rationality and emotion, spirituality, and the various sides of the human condition.  Some of his well known novels and essays are Crime and Punishment, The Brothers Karamazov, The Idiot, and Notes from the Underground. Through his novels and essays, Dostoevsky tried to make sense of the suffering and misery around him, attempting to find meaning and hope even in the bleakest of times. His work represents a deep dive into human suffering, the evil surrounding us, and the problems caused by moral corruption and in each of the universes he created, he gave ways to escape the apparent  constant suffering and torment of his characters through moral virtue, love, compassion, and one's own sense of meaning. His writings were heavily influential for the existentialist current of philosophy, representing sources of inspiration for other consecrated authors like Friedrich Nietzsche and Jean-Paul Sartre.

Fyodor Dostoyevsky (1821 - 1881)Notes from Underground by Fyodor Dostoevsky is a sophisticated novell with extremely hard to comprehend philosophical ideas lying on the border of paranoia, orthodoxal believing of God and psychological researches on human nature. Every sentence sounds like a sort of revelation to an unprepared reader's mind and causes a deep flashback thoughts which are impossible to get rid of, which also require an immediate solution.Though it's hard to define precisely what kind of content presented in novell but one can say it is a sort of impossible mixture of traditional Dostoevsky's ideas of loneliness, ideas of internal human confilct, ideas of freedom and interhuman relationship.Reader keeps interest to the story in all time whilst he reads it. Such an effect is achieved by author's methodical strikes right into reader's head, so when you read a novell you have an extremely real experience of YOU being THERE, of you experiencing all that awe of facing loneliness and society exile. All that Dostoevsky literator's power teleports you right into that underground, right into that dirty yellow (when you read Dostoevsky's book you realize that yellow is a color neither of sun nor of life nor whatever, but it is a color of decay, corruption and something hectic) underground of poor Saint Petersburg's borough. And you feel like that underground trying to kill you, trying to eliminate of your individuality and make your soul look like a sort of madness, like all that dirty corners and floors of that dirty yellow room. You can feel like you became totaly crazy with that hero's feelings and thoughts, and you even may not imagine the level of feeling of threaten you can experience… But while you read the story you should better hold at least a tiny thread to reality in order to realize that you are not in a lunatic asylum yet.If you are not so much frightened you may be encouraged to make a trip to that world of Dostoevsky's St. Peterburg and encounter with an entire human catastrophe by reading a book or listening to it. (Summary by Yakovlev Valery)

On the surface, being a moral saint sounds like a great thing. But, not so fast! The contemporary philosopher Susan Wolf doesn't think so. And both Dostoevsky and Camus have their own concerns about thinking of yourself as morally pure! Find out more! 

Thank you Lily for joining! Don't forget to check out the "Dating Like Dostoevsky" digital guide. hotliterati.com

Resharing an episode from YouTube Channel Leadership Sound Bites with Host Michelle Smith. (Thank you for this opportunity, Michelle!!)Here, we dive deep into the wisdom of Dostoevsky and discuss the trap of overthinking and the transformational power of direct experience. We explore why the world needs more compassionate “fools”—people who take risks, show up imperfectly, and lead with heart, not ego.Feeling stuck? If you need help getting out of your rut, Will can help. Head to willnotfear.com to learn more about his coaching and how it can help you get off the hamster wheel and start making better decisions. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Here, I give my report after having finished Dostoevsky's Notes From Underground and also report on the first fifth of Peterson's Reversed Thunder, a work on Revelation.

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

Gary Lilburn, Jane Whittenshaw , Georgia Henshaw and Jonathan Forbes star in Dostoevsky's unsettling tale of revolution and betrayal. After years away from home, Nicholai Stavrogin returns to his old home town bringing with him the radical ‘free-thinkers' of Petersburg, hell-bent on causing civil unrest. Dramatised by Melissa Murray.Stepan ..... Gary Lilburn Mrs Stavrogina ..... Jane Whittenshaw Nicholai ..... Joseph Arkley Pyotr ..... Jonathan Forbes Darya ..... Charlotte East Virginsky ..... Ian Dunnett Jr Krillov ..... Hasan Dixon Shatov ..... Stefan Adegbola Lisa ..... Cecilia Appiah Marya ..... Georgia HenshawWritten by Melissa Murray Directed by Carl Prekopp Produced by Marc Beeby and Anne Isger

In this thought-provoking lecture, Dr. Scott Roninger explores the profound connections between literature, philosophy, and our understanding of human nature, focusing especially on Dostoevsky's The Brothers Karamazov and Plato's philosophical dialogues. Through Mark Twain's reflections on mastering the Mississippi River, Roninger introduces the distinction between viewing life practically versus contemplatively, emphasizing the importance of awe and beauty. He then delves into Dostoevsky's characters, aligning them with Plato's three parts of the human soul—appetite, spirit (thumos), and intellect (nous)—highlighting the Christian dimension of these philosophical concepts. Roninger argues that true human flourishing and societal health stem from properly orienting our deepest desires toward truth, virtue, and ultimately God.

Rafe is joined by author and Big Brain Smart Head™ Annie Holmquist to discuss her learnings from Russell Kirk about four principles for childhood success: happy family, extended family interactions, regular reading exposure, and the freedom to explore.In classic Buf style, the conversation drifts on and off the topic and wanders into other realms like playing games with toddlers, Dostoevsky, baseball, and jumping on and off of moving trains...Check out Annie's substack at https://annieholmquist.substack.com to read more about how she is "countering the 'great cataract of nonsense' in our world with good ol' fashioned common sense."*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!

Fyodor Dostoevsky was facing a firing squad. He quietly counted the last moments of his life. Dostoevsky, a believer in Jesus, is considered one of the greatest writers in all of literature. His monumental novel, The Brothers Karamazov, explored themes about God, life, and death. It was said of Dostoevsky, “He spoke about Christ ecstatically.” The rifles raised. “Ready! . . . Aim . . .” Jesus, alluding to His own execution, speaks to His disciples and to us of the eternal value of life and death when He said, “The hour has come” (John 12:23). The image is a seed (our life), which produces a great harvest through its own sacrifice (v. 24). Jesus tells us not to love this life too much, for it is those who are willing to sacrifice this present life who will find “eternal life” (v. 25). These are hard words—we cherish our life on earth. But Jesus is saying that being His disciple requires sacrifice. We’re counseled to hold life loosely, to embrace the joy of the life to come, and to find our hope in His words, “My Father will honor the one who serves me” (v. 26). Fyodor looked death in the face. But a letter from the Czar was delivered at the last second. A reprieve. Dostoevsky’s life was spared, yet this experience would infuse all of his later works. Indeed, the epigraph of The Brothers Karamazov is this verse, John 12:24: “Unless a kernel of wheat falls to the ground and dies, it remains only a single seed. But if it dies, it produces many seeds.”

Reginald Dwayne Betts spent more than eight years in prison. Today he's a Yale Law graduate, a MacArthur Fellow, and a poet. His nonprofit works to build libraries in prisons so that more incarcerated people can find hope. SOURCES:Reginald Dwayne Betts, founder and director of Freedom Reads, award-winning poet, and lawyer. RESOURCES:Doggerel: Poems, by Reginald Dwayne Betts (2025).“The Poet Writing on Prison Underwear,” by Adam Iscoe (The New Yorker, 2023).The Voltage Effect, by John List (2022).“If We Truly Believe in Redemption and Second Chances, Parole Should Be Celebrated,” by Reginald Dwayne Betts (The Washington Post, 2021).Insurrections, by Rion Scott (2016).The Secret History of Wonder Woman, by Jill Lepore (2014).Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, by Robert M. Pirsig (1974).The Black Poets, by Dudley Randall (1971).“For Freckle-Faced Gerald,” by Etheridge Knight (Poems from Prison, 1968).Felon: An America Washi Tale, by Reginald Dwayne Betts.Freedom Reads. EXTRAS:“Can a Moonshot Approach to Mental Health Work?” by People I (Mostly) Admire (2023).“Can Data Keep People Out of Prison?” by People I (Mostly) Admire (2023).“The Price of Doing Business with John List,” by People I (Mostly) Admire (2022).“Why Do Most Ideas Fail to Scale?” by Freakonomics Radio (2022).

Today we talk about the philosophical themes around love in The Brothers Karamazov. We talk about Dostoevsky's existential, tragic form of Christianity. Family as a microcosm of society. Active love as an experiential framing. The Grand Inquisitor. Hope you love it! :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Rocket Money: http://www.RocketMoney.com/PT Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow

Today we talk about the book The Idiot by Fyodor Dostoevsky. We talk about the curse of sainthood. The connection between beauty and morality via his moral-aesthetic spectrum. Realism vs. Idealism. And how beauty can save the world. Hope you love it! :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Better Help: https://www.BetterHelp.com/PHILTHIS Nord VPN: https://nordvpn.com/philothis  Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow

Today we discuss the philosophical themes of the book Demons by Fyodor Dostoevsky. We talk about western liberalism, the lack of moral leadership, the promises of Nihilism, the Madman and the Saint, and Dostoevsky's complicated relationship to faith. Hope you love it! :) Sponsors: Better Help: https://www.BetterHelp.com/PHILTHIS Quince: https://www.QUINCE.com/pt Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow