American actor
POPULARITY
5 episodes with Farley Granger
2 episodes with Farley Granger
2 episodes with Farley Granger
2 episodes with Farley Granger
2 episodes with Farley Granger
2 episodes with Farley Granger
Send us a textGeorge Feltenstein joins Tim Millard to review the Warner Archive's April Blu-ray releases, a diverse collection spanning from 1950s classics to 2000s comedies that have been restored with stunning new transfers and special features.• Leslie Caron and Mel Ferrer star in "Lily" (1953), a Technicolor gem restored from original 3-strip negatives • Despite studio doubts, "Lily" became a massive success that was later reissued theatrically instead of going to television• "Side Street" (1950) features rare on-location New York City filming with Farley Granger and Cathy O'Donnell• Anthony Mann's noir thriller uses the city as a character, with John Alton's cinematography and a memorable climactic car chase• "Springfield Rifle" (1952) starring Gary Cooper presented restoration challenges as an early Warner Color film• "Just Friends" (2005) with Ryan Reynolds finally gets its first proper U.S. Blu-ray release with all special features• "Clean and Sober" (1988) showcases Michael Keaton's breakthrough dramatic role alongside Morgan Freeman• Glenn Gordon Caron's film about addiction remains relevant today, balancing serious subject matter with moments of hopePurchase Links:LILI (1953) BLU-RAYSIDE STREET (1950) BLU-RAYSPRINGFIELD RIFLE (1952) BLU-RAYJUST FRIENDS (2005) BLU-RAYCLEAN AND SOBER (1988) BLU-RAYReplacement Program Communications Upgraded Audio is available on Just Friends and Clean and Sober Important news : Recently, we upgraded the audio tracks to five releases. These changes were what we call, “running changes” so many customers already have the upgraded Audio. But if you were one of the early purchasers of these titles you may be eligible to receive a free replacement disc that includes the upgraded audio. Clean and Sober “Clean and Sober” (Blu-ray) is eligible for a replacement disc that will include DTS-HD MA 2.0 stereo audio. To know if you're eligible for the replacement, check your purchased disc. If it does not have DTS-HD MA 2.0 stereo you're eligible for a replacement. Just Friends “Just Friends” (Blu-ray) is eligible for a replacement disc that will include all special features and DTS-MA HD 5.1 audio. To know if you're eligible for the replacement, check your purchased disc. If it has only 2.0 audio and one special feature – the trailer - you're eligible for a replacement. To receive your replacement follow these instructions; Email customerservice@moviezyng.com with your request. Be sure to include your original purchase receipt in your initial email to Movie Zyyng. Movie Zyng is working with Warner Bros. and AV Entertainment to facilitate the replacement even if you'veThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
Jaume Segalés y su equipo hablan de Cómicas y de cine clásico. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Cómicas" en el Teatro de la Zarzuela Mujeres de teatro en la España del siglo XVIII. Nos vamos al Teatro de la Zarzuela donde, sólo este fin de semana, está en cartel una propuesta muy especial: "Cómicas". Ayer 8, hoy, sábado y domingo, 9, 10 y 11 de mayo. Se trata de una nueva producción propia del templo del género chico por excelencia (ubicado en la c/ Jovellanos, 4). Esta propuesta teatral y musical, a modo de tonadilla escénica, recupera el legado de mujeres españolas que tuvieron un papel ciertamente destacado y reconocido durante la segunda mitad del siglo XVIII en los escenarios de nuestro país. La obra está protagonizada por las voces de las solistas Jone Martínez, María Hinojosa y Pilar Alva y por la narración de la actriz Cristina Medina, acompañadas por el conjunto Forma Antiqva, aclamada agrupación de música antigua que engloba oboes, trompas, violines, violonchelos, contrabajo, guitarra barroca, tiorba y clave. Entrevistamos al clavecista Aarón Zapico, que es quien tuvo la idea original de esta propuesta y quien se ocupa de la dirección musical. La dirección escénica corre a cargo de Pepa Gamboa y la dramaturgia es de Antonio Álamo. "Cómicas" - Mujeres de teatro en la España del siglo XVIII- Teatro de la Zarzuela (c/ Jovellanos, 4) - Nueva producción del Teatro de la Zarzuela. 8, 9 y 10 de mayo a las 19:30 y el 11 de mayo a las 18:00 Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre La soga. Thriller psicológico criminalístico de 1948 dirigido por Alfred Hitchcock basado en la obra teatral homónima de 1929 de Patrick Hamilton. La historia fue adaptada para la película por Hume Cronyn y el guion fue escrito por Arthur Laurents. Está protagonizada por James Stewart, John Dall y Farley Granger. La trama se centra en los estudiantes Brandon (Dall) y Philip (Granger), quienes, alentados por las ideas de su profesor de filosofía (Stewart), asesinan a un antiguo compañero y celebran una fiesta con el cadáver aún oculto en su apartamento. Todo con el único propósito de probar que son intelectualmente superiores y capaces de cometer el "crimen perfecto". Tanto la película como la obra de teatro original guardan importantes similitudes con el mediático caso real del asesinato de Bobby Franks a manos de los estudiantes Nathan Leopold y Richard Loeb, cometido en Chicago en 1924.
"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter; Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir! SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
“HITCHCOCK's COLLABORATORS FROM THE GOLDEN AGE” - (068) ALFRED HITCHCOCK, the iconic “Master of Suspense,” loved to work with certain actors over and over again. Often, he had very complicated relationships with his actors. (Just ask TIPPI HEDREN!) However, he managed to form great working relationships with stars like JAMES STEWART, GRACE KELLY, INGRID BERGMAN, and CARY GRANT. This week, we take a fun look at some of the actors who he loved to work with. So, which actor did he put in more of his films than anyone else? The answer may surprise you. SHOW NOTES: Sources: Cary Grant (2020), by Scott Eyman; Hitchcock's Heroines (2018), by Caroline Young; Hitchcock's British Films (2010), by Maurice Yacowar; It's Only A Movie: Alfred Hitchcock a Personal Biography (2006), by Charlotte Chandler; Alfred Hitchcock: A Life in Darkness and Light (2003), by Patrick McGilligan; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; "Alfred Hitchcock & Cary Grant Together: Twisted image,” by Kevin Maher, www.top10filmlists.com; “Alfred Hitchcock's Most Frequent Collaborators, Ranked,” January 21, 2024, by Alice Caswell, ScreenRant.com; “The Relationship Between Alfred Hitchcock and Cary Grant, Explained,” January 16, 2023, by Heather Lawton, MovieWeb; “Leo G. Carroll,” Actor, 80, Dead, October 19, 1972, New York Times; “Miss Clare Greet, Actress, 47 Years; British Stage Favorite Dies,” February 15, 1939, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; RogerEbert.com; Movies Mentioned: The Ring (1927), starring Carl Brisson & Ian Hunter; Blackmail (1929), starring John Longden; The Manxman (1929), starring Anne Ondra; Murder! (1930), starring Herbert Marshall; Ellstree Calling (1930), starring Will Fyffe; Juno and the Paycock (1930), starring Sara Allgood & Barry Fitzgerald; The Skin Game (1931), starring Edmund Gwenn; The Man Who Knew Too Much (1934), starring Peter Lorre; Sabotage (1936), starring Sylvia Sidney; Young and Innocent (1937), starring Nova Pilbeam; Jamaica Inn (1939), starring Charles Laughton & Maureen O'Hara; Rebecca (1940), starring Joan Fontaine, Laurence Olivier, & Judith Anderson; Suspicion (1941), starring Cary Grant & Joan Fontaine; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright; Spellbound (1945), starring Gregory Peck & Ingrid Bergman; Notorious (1946), starring Ingrid Bergman & Cary Grant; The Paradine Case (1947), starring Gregory Peck, Alida Valli, & Ann Todd; Under Capricorn (1949), starring Ingrid Bergman, Joseph Cotten & Michael Wilding; Stage Fright (1950), starring Marlene Dietrich & Jane Wyman; Strangers on a Train (1951), starring Farley Granger, Robert Walker & Ruth Roman; To Catch A Thief (1955), starring Cary Grant & Grace Kelly; Anastasia (1956) starring Ingrid Bergman, Yul Brynner, & Helen Hayes; North by Northwest (1959), starring Cary Grant & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 63 - “NOT EVEN NOMINATED: A DISCUSSION ABOUT CLASSIC CINEMA WITH AUTHOR JOHN DILEO” - 11/25/2024 Author JOHN DILEO, film historian and author, has just published his eighth book, Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances. This week, John joins Steve and Nan to discuss his book, as well as his origin story on how he got hooked on classic cinema. Join us for the fun, lively discussion about old Hollywood. And make sure you check out John's book. SHOW NOTES: Sources: 100 Great Film Performances You Should Remember — But Probably Don't (2002), by John DiLeo: Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances (2024), by John DiLeo; TCM.com; Wikipedia.com; IMDBPro.com; Movies Mentioned: Dr. Jekyll and Mr. Hyde (1931); Fredric March & Miriam Hopkins; Mr. Deeds Goes to Town (1936), starring Gary Cooper & Jean Arthur; The More the Merrier (1943), starring Jean Arthur , Joel McCrea, and Charles Coburn; The Best Years of Our Lives (1946), starring Dana Andrews, Fredric March, Myrna Loy, Teresa Wright, Harold Russell, Cathy O'Donnell, Virginia Mayo, and Steve Cochran; Miracle On 34th Street (1947), starring Maureen O'Hara, John Payne, Edmund Gwynn, and Natalie Wood; The Treasure of The Sierra Madre (1948), starring Humphrey Bogart & Walter Huston; All About Eve (1950), starring Bette Davis, Anne Baxter, Gary Merrill, Celeste Holm, George Sanders, Thelma Ritter, and Marilyn Monroe; Ace In the Hole (1951), Starring Kirk Douglas & Jan Sterling; Strangers on a Train (1951), starring Farley Granger, Robert Walker, Ruth Roman, & Pat Hitchcock; Mr. Blanding Builds His Dream House (1948), starring Cary Grant, Myrna Loy, & Melvyn Douglas; Rope (1948), starring James Stewart, Farley Granger & John Dahl; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; From Here To Eternity (1953), starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, & Frank Sinatra; The Bandwagon (1953), Fred Astaire & Cyd Charisse; Seven Brides for Seven Brothers (1954), starring Howard Keel, Jane Powell, & Russ Tamblyn; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, & Shirley Jones; Judgement at Nuremberg (1961), starring Spencer Tracy, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Montgomery Clift, Richard Widmark, & Jusy Garland; To Kill A Mockingbird (1962), starring Gregory Peck, Mary Badham, Philip Allford, Brock Peters; Whatever Happened to Baby Jane (1963);, starring Bette Davis, Joan Crawford, & Victor Bueno; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke & David Tomlinson; The Trouble With Angels (1966); starring Rosalind Russell, Hayley Mills, Mary Wickes & Binnie Barnes; The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, and Katharine Ross; Wiat Until Dark (1968), starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efram Zimberlist, Jr. & Jack Weston; That's Entertainment (1974); The Devil's Rain (1975), starring Ida Lupino, William Shatner, Ernest Borgnine, Tom Skerritt, Eddie Albert, Keenan Wynn, Joan Prather & John Travolta; That's Entertainment II (1976); Ordinary People (1980), starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton, Judd Hirsh, & Elizabeth McGovern; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Front Row Classics welcomes back author, John DiLeo, to discuss his latest book : "Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances". The book takes a look at forty overlooked performances by actors whose co-stars took home the gold on Oscar night. The book celebrates performances ranging from the silent era through modern day. Brandon and John discuss several of the performances highlighted from films such as Captains Courageous, Paper Moon, Mary Poppins, Key Largo and Ordinary People. John DiLeo is the author of seven other books about classic movies: And You Thought You Knew Classic Movies, 100 Great Film Performances You Should Remember—But Probably Don't, Screen Savers: 40 Remarkable Movies Awaiting Rediscovery, Tennessee Williams and Company: His Essential Screen Actors, Screen Savers II: My Grab Bag of Classic Movies, Ten Movies at a Time: A 350-Film Journey Through Hollywood and America 1930-1970, and There Are No Small Parts: 100 Outstanding Film Performances with Screen Time of 10 Minutes or Less. He has been an annual participant in the Black Bear Film Festival (Milford, PA), conducting onstage interviews with such notables as Farley Granger, Arlene Dahl, Marge Champion, Keir Dullea, Jane Powell, Rex Reed, Tab Hunter, Lorna Luft, and Jane Alexander. Born in Brooklyn, he currently resides in Milford, PA, where he can be found most Sunday afternoons introducing classic movies on the big screen at the historic Milford Theater. DiLeo is present on social media in the usual places, including Facebook and Instagram.
EPISODE 51 - “Richard Conte (Star of the Month) ” - 09/02/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** In the great film noir classic Thieves Highway, a gripping drama that takes on the dirty underbelly of the trucking industry, the spectacular RICHARD CONTE plays Nick Garcos, a world-weary, jaded, World War II vet who returns home. After finding his family's produce business in shambles and his father crippled, he seeks revenge against the crooked rival produce dealer who caused his father's accident. In his gripping portrayal, Conte shows his strengths as an actor. With his square shoulders, cleft chin, and intense eyes, Conte gives the impression that he means business. Conte was just as comfortable playing mobsters and street hoods as he was playing charming, sympathetic leading men. He always projected manly strength, and you knew he was no one you wanted to mess with. So say hello to our Star of the Month, RICHARD CONTE. SHOW NOTES: Sources: Bad Boys: The Actors of Film Noir (2003), by Karen Burroughs; “Conte In the Sun,” March 3, 1946, by Thomas M Pryor, New York Times; “A Star Comes Home,” March 3, 1950, by Louis Berg, Los Angeles Times Magazine; “The Role I Liked Best…” May 20,1950, by Richard Conte, Saturday Evening Post; “Richard Conte: Official Biography,” June 14, 1951, Universal Pictures; “Conte Forms Indie Pix, TV Company,” January 21, 1960, Variety; “Conte Has His Own Method,” February 14, 1960, by Don Albert, Los Angeles Times; “Actor Conte, Wife Reveal Divorce,” July 12, 1962, by Harrison Carroll. LA Herald Examiner; “Richard Conte Getting Offers He Can't Refuse As Ideal Mafia Type,” March 14. 1973, Variety; “Richard Conte, Cold-Eyed Movie Gangster, Dies at 61;” April 16, 1975, by Jack Jones, Los Angeles Times; “Richard Conte Dies In Hollywood at 65,” April 23 1975, Variety; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Heaven With A Barbed Wire (1939), starring Jean Rogers and Glenn Ford; Guadalcanal Diary (1943), Starring William Bendix, Lloyd Nolan, and Anthony Quinn; The Purple Heart (1944), starring Dana Andrews and Farley Granger; Captain Eddie (1945), starring Fred MacMurray and Lynn Bari; A Bell For Adano (1945), starring Gene Tierney and John Hodiak; A Walk In The Sun (1945), starring Dana Andrews. Lloyd Bridges, and John Ireland; The Spider (1945), starring Faye Marlowe; 13 Rue Madeleine (1947), starring James Cagney; The Other Love (1947), starring Barbara Stanwyck and David Niven; Call Northside 777 (1948), starring James Stewart and Helen Walker; House of Strangers (1949), starring Susan Hayward; Thieves Highway (1949), staring Lee J. Cobb and Valentina Cortese Big Jack (1949), starring Wallace Beery and Marjorie Main; Whirlpool (1950), starring Gene Tierney and Jose Ferrer; The Sleeping City (1950), starring Coleen Gray Under The Gun (1951), starring Audrey Totter; The Blue Gardenia (1953), starring Anne Baxter; Highway Dragnet (1954), starring Joan Bennett; The Big Combo (1955), starring Cornel Wilde; I'll Cry Tomorrow (1955). Starring Susan Hayward; New York Confidential (1955), Starring Broderick Crawford; Full of Life (1956), starring Judy Holiday; The Brothers Rico (1957), starring Dianne Foster; They Came To Cordova (1959), starring Gary Cooper and Rita Hayworth; Ocean's 11 (1960), starring Frank Sinatra; Who's Been Sleeping In My Bed? (1963), starring Dean Martin; Circus World (1964), starring John Wayne and Rita Hayworth; The Greatest Story Ever Told (1965); Tony Rome (1967); The Lady In Cement (1968); Hotel (1967); Operation Eagle Cross (1968); The Godfather (1972); Shoot First, Die Later (1974); Evil Eye (1975); Violent Rome (1975); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 49 - “Birthday Tribute to Classic Cinema Star Ann Blyth ” - 08/19/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** With her crystal clear soprano voice, porcelain doll face, and fierce acting talent, ANN BLYTH became a much in-demand star in the 1940s and 1950s. While known mostly as a romantic musical comedy star in film such as “Mr. Peabody and the Mermaid” (1948), “Rose Marie” (1954), and “Kismet” (1955), she was also a deft dramatic actress when given the chance. Who can forget her as Veda, he daughter who made JOAN CRAWFORD's life a living hell, in “Mildred Pierce” (1945), or as the down-trodden alcoholic singer in “The Helen Morgan Story” (1957)? Blyth turns 96 on August 13th and is truly a living legend. Listen this week as we pay tribute with an episode about Ann Blyth's remarkable life and career. SHOW NOTES: Sources: Ann Blyth: Singer, Actress, Star (2018), by Jacqueline T. Lynch; “Ann Blyth: Official Biography,” July 1956, Paramount Pictures; “Film Actress Breaks Back in Accident,” March 10, 1945, LA Examiner; “Actress Ready to Work After Skiing Accident,” January 18, 1946, LA Examiner; “Ann Blyth's Mother Dies,' July 23, 1946, Los Angeles Times; “Bright Future Visioned For Youthful Ann Blyth,” September 10, 1949, by Hedda Hopper, Los Angeles Times; “Angelic Annie,” September 27, 1952, by Richard G. Hubler, Collier's Magazine; “The Blyth Spirit,” October 12, 1952, by William Brownell, New York Times; “Ann Blyth: Bride of the Year,” June 1953, Photoplay Magazine; “A Blyth Spirit From An Earlier Error,” February 28, 1985, by Jack Hawn, Los Angeles Times; “She's Still Singing Just As Beautifully,” March 19, 1989, by Mitchell Smyth, Toronto Daily Star; “Looking Back: Ann Blyth” June 5, 1990, by Ann Blyth, The Hollywood Reporter; “Playing Thier Songs,” October 14,1994, by Libby Slate, Los Angeles Times; “Little Bit of This, Little Bit of That,” September 29, 1997, by Candace A. Wedlan, Los Angeles Times; “Not Like Veda,” August 12, 2013, by Susan King, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Chip Off The Old Block (1944), starring Donald O'Connor, and Peggy Ryan; Babes On Swing Street (1944), starring Peggy Ryan; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, and Eve Arden; Swell Guy (1946), starring Sonny Tufts; Brute Force (1947), starring Burt Lancaster, Yvonne DeCarlo, and Ella Raines; Killer McCoy (1947), starring Mickey Rooney; A Woman's Vengeance (1948) starring Charles Boyer; Another Part of The Forest (1948), starring Fredric March, Florence Eldridge, Edmond O'Brien, and Dan Duryea; Mr. Peabody and the Mermaid (1948), starring William Powell and Irene Hervey; Top O' The Morning (1949), starring Bing Crosby and Barry Fitzgerald; Once More My Darling (1949), starring Robert Montgomery; Free For All (1949), starring Robert Cummings: Our Very Own (1950), starring Farley Granger; Katy Did It (1951), starring Mark Stevens; The Great Caruso (1951), starring Mario Lanza; Thunder On the Hill (1951), starring Claudette Colbert; All The Brother's Were Valiant (1953), starring Robert Taylor, Stewart Granger; Rosie Marie (1954), starring Ann Blyth; The Student Prince (1954), starring Mario Lanza; Kismet (1955), starring Howard Keel; Slander (1957), starring Van Johnson and Steve Cochran; The Buster Keaton Story (1957), starring Donald O'Connor; The Helen Morgan Story (1957), starring Paul Newman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to It's A Wonderful Podcast!! We're back home in the world of Noir for this series on Couples On The Run as Morgan and Jeannine discuss four movies that take this topic in different directions, influence each other, and give us some of the most heartfelt and thrilling crime movies of their eras. They start the series this week with Nicholas Ray's directorial debut; the melancholy, hopeful, yet grimly dark love story THEY LIVE BY NIGHT (1948) starring Farley Granger & Cathy O'Donnell! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
New Releases: Bad Boys Ride or Die Directed by: Adil and Bilal Starring: Will Smith, Martin Lawrence, Vanessa Hudgens, Eric Dane Release Date: June 7th, 2024 When their late police captain gets linked to drug cartels, wisecracking Miami cops Mike Lowrey and Marcus Burnett embark on a dangerous mission to clear his name. Inside Out 2 Directed by: Kelsey Mann Starring the voices of: Amy Poehler, Maya Hawke, Ayo Edebiri, Tony Hale, Lewis Black, Phyllis Smith Release Date: June 14th, 2024 Joy, Sadness, Anger, Fear, and Disgust have been running a successful operation by all accounts. However, when Anxiety shows up, they aren't sure how to feel. Tuesday Directed by: Diana Oniunis-Pusic Starring: Julia Louis Dreyfuss, Lola Petticrew Release Date: June 14th, 2024 A mother and her daughter must confront Death when it arrives in the form of an astonishing talking bird. Treasure Directed by: Julia Von Heinz Starring: Lena Dunham, Stephen Fry Release Date: June 14th, 2024 A music journalist accompanies her father, a charmingly stubborn Holocaust survivor, on a journey to his homeland. While she's eager to make sense of her family's past, her dad has an agenda of his own. Classic Films: Rope (1948) Directed by: Alfred Hitchcock Written by: Arthur Laurents Starring: James Stewart, Farley Granger, John Dall Release Date: September 25th, 1948 Just before hosting a dinner party, Philip Morgan (Farley Granger) and Brandon Shaw (John Dall) strangle a mutual friend to death with a piece of rope, purely as a Nietzsche-inspired philosophical exercise. Hiding the body in a chest upon which they then arrange a buffet dinner, the pair welcome their guests, including the victim's oblivious fiancée (Joan Chandler) and the college professor (James Stewart) whose lectures inadvertently inspired the killing. Happy Together (1997) Directed by: Wong Kar Wai Written by: Wong Kar Wai Starring: Tony Leung, Leslie Cheung, Chang Chen Release Date: October 10th, 1997 Lai (Tony Leung Chiu Wai) and his boyfriend, Ho (Leslie Cheung), arrive in Argentina from Hong Kong, seeking a better life. Their highly contentious relationship turns abusive and results in numerous break-ups and reconciliations. When Lai befriends another man, Chang (Chen Chang), he sees the futility of continuing with the promiscuous Ho. Chang, however, is on his own personal journey and, ultimately, both Lai and Ho find themselves far from home and desperately lonely. Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: @criticspod Patreon: Support Us Tee Public: Merch Store YouTube: Watch Our Videos Jeff's Art: Jeff Lassiter Sean's Reviews: Sean at the Movies
Season 2, episode 2 of @pockets_podcast is out now! We discuss Farley Granger and Strangers on a Train, homoeroticism in Hitchcock films, the symbiotic relationships between straight women and gay men and also give some family drama advice. This was a particularly fun one! Enjoy!
GregaMortis joins Richard to discuss the rather naughty giallo called Amuck! (1972), written and directed by Silvio Amadio. This film is definitely not pro-eel. Check out Greg's goodies:http://landofthecreeps.blogspot.com/https://podcasts.apple.com/us/podcast/land-of-the-creeps/id479470271https://open.spotify.com/show/0UUxOhtj1rex5sSCz0Jn5O?si=b3dd7aa16be047dcPick up your copy of Giallo Meltdown and Giallo Meltdown 2:https://www.amazon.com/Giallo-Meltdown-Richard-Glenn-Schmidt/dp/B0CRDY18D3/https://www.amazon.com/Giallo-Meltdown-Richard-Glenn-Schmidt/dp/150783912X/http://doomedmoviethon.comhttp://doomedmoviethon.blogspot.comhttps://www.youtube.com/channel/UCuj-7z59efubCNMRoS-PUwghttp://legionpodcasts.com
Rope from 1948 is a little known Alfred Hitchcock film that deals with one of Hitchcock's favorite subjects....MURDER!!! Specifically, murder that is intellectually argued as a "good" for society. Rope stars John Dall and Farley Granger as Brandon and Phillip, two well-to-do New Yorkers who have just murdered their friend, David. What follows is a tension-filled dinner party of paranoia that leaves the audience to wonder just how long before David's body is discovered by the party-goers. Get 20% OFF Manscaped + Free Shipping with promo code CINEMA20 at https://manscaped.com (affiliate link) Find The Cinema Psychos Show on Youtube -
EPISODE 30 - “Robert Walker: Old Hollywood's Tragic Boy Next Door” - 04/08/2024 No one played sensitive, lost souls quite like ROBERT WALKER. However, he is best known for playing one of the most complicated, psychopaths in film history, Bruno Antony in ALFRED HITCHCOCK's masterpiece “Strangers On A Train” (1951). His journey from playing sensitive innocents to playing Bruno is reflective of his troubled, turbulent life, and the heartbreak from which he never recovered. This week, we'll discuss the artistry and the tragedy of this incredible actor. SHOW NOTES: Sources: Star-Crossed: The Story of Robert Walker and Jennifer Jones (1986), by Beverly Linet; Portrait of Jennifer (1995), by Edward Z. Epstein; Showman: The Life of David O. Selznick (1992), by David Thomson; Hollywood On The Couch: A Candid Look at the Overheated Love Affair Between Psychiatrists and Moviemakers (1993), by Marc Green and Stephen Farber; “Biography of Robert Walker,” April 1951, Paramount Pictures; “I Know Myself Now”, by Marva Anderson, July 1950, Movieland Magazine; “Actor Walker Dies After Drug Dosage,” August 3, 1951, by Gladwin Hill, New York Times; “Robert Walker: A Great Star Lost,” August 15, 1999, by David Thomson, The Independent On Sunday (London); “An Affair to Forget?” March 1998, by Nick Clooney, American Movie Classics Magazine; “Utahn's Rising Career in Films Came to a Sudden Tragic End,” July 23, 1999, by E. Hunter Hale, Deseret News; “Robert Walker, Jr. ‘Star Trek' Actor and Son of Superstars, Dies at 79,” December 6, 2019, The Hollywood Reporter; IMDBPro.com; Wikipedia.com; Movies Mentioned: Strangers On A Train (1951), starring Robert Walker, Farley Granger, Ruth Roman, Leo G. Carroll, Pat Hitchcock, and Kasey Rogers; New Frontier (1939), starring John Wayne and Phylis Isley (Jennifer Jones); Dick Tracy's G-Men (1939), starring Ralph Byrd and Phylis Isley (Jennifer Jones); Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, and Helen Parrish; These Glamour Girls (1939), starring Lana Turner, Lew Ayres, Marsha Hunt, Ann Rutherford, Mary Beth Hughes, Richard Carlson, and Jane Bryan; Dancing Co-Eds (1939) staring Lana Turner, Richard Carlson, Ann Rutherford, Lee Bowman, and Artie Shaw; The Song of Bernadette (1943), starring Jennifer Jones, Charles Bickford, Vincent Price, Anne Revere, William Eythe, Lee J. Cobb, and Gladys Cooper; Bataan (1943), Staring Robert Taylor, George Murphy, Thomas Mitchell, Desi Arnaz, and Robert Walker; Madame Curie (1943), starring Greer Garson, Walter Pidgeon, Henry Travers, and Robert Walker; See Here Private Hargrove (1944), staring Robert Walker and Donna Reed; Since You Went Away (1945), starring Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotten, and Robert Walker; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, and Robert Walker; The Clock (1945), starring Judy Garland and Robert Walker; Her Highness and the Bell Boy (1945), starring June Allyson, Hedy Lamarr, and Robert Walker; The Sailor Takes A Wife (1945), starring June Allyson and Robert Walker; Til The Clouds Roll By (1946); Robert Walker, June Allyson, Judy Garland, Kathryn Grayson, Van Heflin, Van Johnson, Lucille Bremer, Cyd Charisse, and Angela Lansbury; One Touch of Venus (1948), starring Robert Walker, Ava Gardner, Tom Conway, and Eve Arden; Please Believe Me (1950), starring Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens; The Skipper Surprises His Wife (1950), starring Robert Walker and Joan Leslie; Vengeance Valley (1951), starring Burt Lancaster, Joanne Dru, and Robert Walker; My Son John (1952), staring Helen Hayes, Robert Walker, and Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Paul and Erin review two films about identical plans to commit the perfect murder: Alfred Hitchcock's 1951 suspense classic STRANGERS ON A TRAIN, and Danny de Vito's 1987 directorial debut THROW MOMMA FROM THE TRAIN.
THE LEFT HAND ENDEAVOR is this month's theme and that means classic noir 5 days a week. Bob loves this shit so we're all gonna overdose on it. No drug use under the Hays Code, though. We got ourselves a lovely little “noirmance” from “Rebel Without a Cause” director Nicholas Ray. This is actually Ray's debut film and it's a very worthy noir gem that most folks may not have heard about. We're talking about “THEY LIVE BY NIGHT” from 1948. It stars Farley Granger and Cathy O'Donnell in an incredibly sincere and believable romance that is cornered by the dark realities of the kind of world that all of our characters this month are forced to live in. A beautifully shot love story that connects until it inevitably rips you apart. This world is too hard on true love. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
EPISODE 21 - “Love Is In The Air” - 02/05/2024 Let's face it, Valentine's Day can be a mixed bag. Either you're blissfully in love and the day is a romantic dream, or, you are not in love and part of you wants to stomp all the roses and put the chocolate bon-bons in a sling shot and pummel Cupid. Whatever your head space this Valentine's Day, Steve and Nan have a movie for you. Listen in as they share some of their favorite romantic movies to get you in the mood, or give you something to aspire to next year. These movies have a perky female plumber, WWII vets returning from war, and even a wealthy dying woman aboard an ocean liner — something for everyone! SHOW NOTES: Sources: The Great Romantic Films (1974), by Lawrence J. Quick; Halliwell's Film and Video Guide (1987), by Leslie Halliwell; The MGM Story (1982), by John Douglas Eames; The Warner Brothers Story (1980), by Clive Hirschhorn; They Dreamed of Home (1943), by Niven Busch; “Till The End of Time: The Post World War II Drama That Deserves More Recognition,” July 30, 2022, by Patrick Fogerty, www.collider.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: 'Til We Meet Again (1940), starring Merle Oberon, George Brent, Pat O'Brine, Geraldine Fitzgerald, Bonnie Barnes, and George Reeves; Cluny Brown (1946), starring Jennifer Jones, Charles Boyer, Helen Walker, Peter Lawford, Una O'Connor, Richard Haydn, Reginald Gardiner, Reginald Own, Margaret Bannerman, Sara Allgood, C. Aubrey Smith, Florence Bates, and Ernest Cossart; The Clock (1945), starring Judy Garland, Robert Walker, James Gleason, Lucile Gleason, Keenan Wynn, Ruth Brady, and Marshall Thompson; Enchantment (1948), starring David Niven, Teresa Wright, Evelyn Keyes, Farley Granger, Jayne Meadows, Leo G. Carroll, Phillip Friend, Henry Stevenson, Shepperd Strudwick and Gigi Perreau; Till The End Of Time (1945), starring Guy Madison, Dorothy McGuire, Robert Mitchum, Bill Williams, Tom Tully, Ruth Nelson, Jean Porter, William Gargan, Selena Royale, and Johnny Sands; Brief Encounter (1945), starring Celia Johnson, Trevor Howard, Noël Coward, Joyce Carey, Cyril Raymond, Stanley Holloway, Margaret Barton, Henrietta Vincent, and Everly Gregg; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to this week's episode of “Friday Night Noir” on Vintage Classic Radio, where we dive into the thrilling world of Patrick Hamilton's gripping play, "Rope." Originally written in 1929, Hamilton's play is a masterpiece of suspense and psychological drama, capturing the essence of the noir genre with its dark themes and intricate characters. Patrick Hamilton, born in 1904 in England, was a renowned playwright and novelist, widely celebrated for his ability to portray the stark realities of urban life and the complexities of the human psyche. His works often delved into the grim aspects of existence, making him a prominent figure in the literary world of the early 20th century. Hamilton's life, marred by personal tragedies and struggles with alcoholism, significantly influenced his writing style, imbuing it with a sense of realism and depth that resonated with his audience. "Rope," one of Hamilton's most famous plays, is set in a single room and unfolds in real-time, a testament to his innovative narrative techniques. The story revolves around two young men, Brandon and Granillo, who, in a macabre quest for thrill and a demonstration of their perceived intellectual superiority, commit a heinous crime. They strangle a fellow student, hide his body in a chest, and then host a dinner party with the chest as the centerpiece, inviting the victim's friends and family. This act sets off a tense and gripping narrative, exploring themes of morality, guilt, and the psychology of crime. The play is a chilling exploration of the consequences of unchecked arrogance and the dangerous allure of intellectual vanity. It questions the boundaries of morality and the ease with which one can be swayed by charismatic but flawed logic. Hamilton's writing is sharp, with dialogues that cut to the core of the human condition, making "Rope" a compelling and thought-provoking piece. While the play was later adapted into a film by the legendary director Alfred Hitchcock, starring Jimmy Stewart and Farley Granger, the essence and impact of Hamilton's original play remain undiluted. Hitchcock's adaptation brought its own flavor to the story, but it's Hamilton's original play that we celebrate today, appreciating its contribution to the noir genre and acknowledging its lasting impact on both theater and film. Join us as we delve into the dark, enthralling world of "Rope," uncovering the layers of this classic noir masterpiece and paying homage to the brilliant mind of Patrick Hamilton. Stay tuned for an episode filled with suspense, psychological intrigue, and a deep dive into one of the most captivating plays of the 20th century.
“Criss cross.”In 1951, Alfred Hitchcock was at a low point in his career after the disappointing critical reception of his previous two films, Under Capricorn and Stage Fright. Desperate for a hit, he wanted to adapt the 1950 Patricia Highsmith novel Strangers on a Train about a chance encounter that leads to a murder pact between two very different men. He bought the rights and enlisted screenwriter Raymond Chandler to adapt the book for the screen. Though Chandler delivered a script, Hitchcock ultimately rejected it in favor of a rewrite by Czenzi Ormonde and an uncredited Barbara Keon. With his leads locked in – Farley Granger as tennis pro Guy Haines and Robert Walker as the villainous Bruno Antony – Hitchcock began production on what would become another tension-filled thriller. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Strangers on a Train.Here's a hint at what we talk about:In this episode, we dive deep into the fantastic performances by Robert Walker as the creepy and charismatic Bruno and Farley Granger as the morally conflicted Guy. We also discuss the homoerotic undertones in the film and how Hitchcock used them to toy with ideas about sexuality and identity. Though we find a few plot holes, overall we both agree this is one of our favorite Hitchcock films thanks to its psychological tension, unique visual style, and fun fairground climax.One of the standout elements of Strangers on a Train is the striking black-and-white cinematography by Robert Burks. In his first collaboration with Hitchcock, Burks brought an experimental flair that heightens the psychological tension. The use of shadows, unique camera angles, stylized lighting, and innovative techniques like the curved lens shot of Miriam's murder create an atmosphere of dread and danger. Burks' innovative work garnered him an Oscar nomination and built the foundation for a longtime partnership with Hitchcock.Strangers on a Train is a taut, psychologically complex thriller brought to life by Hitchcock's masterful direction. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE. Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd
“Criss cross.”In 1951, Alfred Hitchcock was at a low point in his career after the disappointing critical reception of his previous two films, Under Capricorn and Stage Fright. Desperate for a hit, he wanted to adapt the 1950 Patricia Highsmith novel Strangers on a Train about a chance encounter that leads to a murder pact between two very different men. He bought the rights and enlisted screenwriter Raymond Chandler to adapt the book for the screen. Though Chandler delivered a script, Hitchcock ultimately rejected it in favor of a rewrite by Czenzi Ormonde and an uncredited Barbara Keon. With his leads locked in – Farley Granger as tennis pro Guy Haines and Robert Walker as the villainous Bruno Antony – Hitchcock began production on what would become another tension-filled thriller. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Strangers on a Train.Here's a hint at what we talk about:In this episode, we dive deep into the fantastic performances by Robert Walker as the creepy and charismatic Bruno and Farley Granger as the morally conflicted Guy. We also discuss the homoerotic undertones in the film and how Hitchcock used them to toy with ideas about sexuality and identity. Though we find a few plot holes, overall we both agree this is one of our favorite Hitchcock films thanks to its psychological tension, unique visual style, and fun fairground climax.One of the standout elements of Strangers on a Train is the striking black-and-white cinematography by Robert Burks. In his first collaboration with Hitchcock, Burks brought an experimental flair that heightens the psychological tension. The use of shadows, unique camera angles, stylized lighting, and innovative techniques like the curved lens shot of Miriam's murder create an atmosphere of dread and danger. Burks' innovative work garnered him an Oscar nomination and built the foundation for a longtime partnership with Hitchcock.Strangers on a Train is a taut, psychologically complex thriller brought to life by Hitchcock's masterful direction. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE. Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd
Pietro Secchia era senza dubbio il numero 2 del Partito Comunista Italiano. Il posto di potere se lo era guadagnato in oltre vent'anni di clandestinità, di lavoro nelle riunioni carbonare nelle cantine, nelle case di campagna, facendo politica braccato dalla polizia politica. Era una delle anime del partito: quella rivoluzionaria. Lui sognava la lotta armata e ha lavorato affinché la prospettiva di una rivoluzione vincente nelle piazze fosse la prospettiva di tutto il partito. BIBLIOGRAFIA Massimo Caprara, Quando le botteghe erano oscure Gianni Cervetti, L'oro di Mosca Cesare Catananti, La scomunica ai comunisti. Protagonisti e retroscena nelle carte desecretate del Sant'Offizio Miriam Mafai, L'uomo che sognava la lotta armata. La storia di Pietro Secchia Miriam Mafai, Botteghe oscure, addio: com'eravamo comunisti Giorgio Amendola, Lettere a Milano Giorgio Bocca, Palmiro Togliatti Paolo Spriano, Storia del Partito Comunista italiano. Vol. 1: Gli anni della clandestinità Il Quaderno dell'Attivista, a cura di Marcello Flores d'Arcais Giancarlo Pajetta, Le crisi che ho vissuto Pietro Secchia, La guerriglia in Italia Marco Albeltaro, Le rivoluzioni non cadono dal cielo. Pietro Secchia, una vita di parte Armando Cossutta con Gianni Montesano, Una storia comunista Giulio Seniga, Togliatti e Stalin. Contributo alla storia del Pci con il testo integrale nella stesura autografa di Pietro Secchia del documento che anticipa di tre anni la svolta del Rapporto Kruscev. I documenti pubblicati in questo libro sono gran parte di quelli trafugati durante la fuga di Seniga del luglio del 1954. Giulio Seniga, Credevo nel partito, A cura di Maria Antonietta Serci e Martino Seniga Carlo Feltrinelli, Senior service Giorgio Bocca, Togliatti Vindice Lecis, Il nemico Maurizio Caprara, Lavoro riservato. I cassetti segreti del PCI Franco Giannantoni e Ibio Paolucci, Giovanni Pesce «Visone» un comunista che ha fatto l'Italia Donald Sassoon, Togliatti e il partito di massa. Il PCI dal 1944 al 1964 Concetto Marchesi, Perché sono comunista Santo Peli, Storie di Gap. Terrorismo urbano e Resistenza Stefano Zurlo, Quattro colpi per Togliatti. Antonio Pallante e l'attentato che sconvolse l'Italia Arturo Colombi, Nelle mani del nemico Paolo Spriano, Storia del Partito Comunista Italiano. Vol. 3: I fronti popolari, Stalin, la guerra Paolo Spriano, Storia del Partito Comunista Italiano. Vol. 5: La resistenza, Togliatti e il partito nuovo Pietro Secchia, Il Partito Comunista Italiano E La Guerra Di Liberazione 1943-1945 Alessandro Portelli, L'ordine è già stato eseguito. Roma, le Fosse Ardeatine, la memoria Michail Bulgakov, Il Maestro e Margherita FILMOGRAFIA Senso è un film di Luchino Visconti uscito nel 1955, interpretato da Alida Valli e Farley Granger, ispirato da un racconto di Camillo Boito. Aiuto regista furono anche Francesco Rosi e Franco Zeffirelli. In questo film qualcuno ha voluto leggere maliziosamente la trasposizione dell'amore tra Pietro Secchia e Giulio Seniga. Il dottor Zivago è un film del 1965 diretto da David Lean, con Omar Sharif, Julie Christie e Geraldine Chaplin. Il film è tratto dal romanzo di Boris Pasternak, pubblicato per la prima volta dalla casa editrice Feltrinelli. Vinse cinque Golden Globe e cinque Oscar. Alcune scene furono girate all'Hotel Metropol di Mosca. Il Maestro e Margherita è un film realizzato in coproduzione italo-jugoslava del 1972. Interpretato da Ugo Tognazzi è stato diretto da Aleksandar Petrović. Fu ispirato dall'omonimo romanzo di Michail Bulgakov. Per scriverci opinioni o consigli, ricevere la bibliografia, commentare la puntata, avere l'elenco delle canzoni: ombelico@ilpost.it Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode I'll be delving into film criticism with an analysis of the 1948 film Rope, produced and directed by Alfred Hitchcock and starring John Dall, Farley Granger, and James Stewart. Rope has fascinated me since I first saw it earlier this year; it's now one of my favorite films and, in my opinion, and although it enjoys considerably less fame than staples like Psycho and Vertigo, Hitchcock's best. Its central theme, as I'll be arguing here, is the relation between the life-world of human symbolic reality and the Real itself, and as such makes an excellent example for exploring some of the themes of metaphysical idealism from my recent episodes. At the same time, I thought it would make an excellent warmup for a larger film criticism project I'd like to attempt, a look at the religious themes in the films of Martin Scorsese. --- Send in a voice message: https://podcasters.spotify.com/pod/show/asatanistreadsthebible/message Support this podcast: https://podcasters.spotify.com/pod/show/asatanistreadsthebible/support
WoHos!Well, as Quinn journeys back to her homeland for a few weeks, we thought it might be fun to talk about another Hitchcock film. This one just happens to be my fave. I wanted to save this one until June 30, which is the 72nd anno of this classic flick, but as Quinn has, (and maybe some of you WoHos have) some driving ahead of you this week and weekend, I thought I would release it a little earlier. Look. You're Welcome.The Christina & Quinn chat is long again. Jump to minute 11:55 if you want to get right into the film.The weather, freaky deaths/accidents, Quinn's dad's brain tumor (that he had when she was young), Quinn's childhood pet dog, Jake, how dogs see us, how Christina has the best cat (sorry Y'all cat owners that I got the best one). But also, not sorry. You get it.We discuss Robert Walker's performance and life cut short by alcoholism, what big fans we both are of Patricia Hitchcock, the humor in the film, how much Bruno is not okay, whether or not Bruno set the whole thing up, homoerotic subtext, shadows, and popping some kid's balloon with a cigarette. Seriously, how great would that be?Next up on the Quinnisode: GASLIGHT from 1944.Next up on the main show: Slashers with YOU'RE NEXT & TENEBRAE.Next up on the World of Foundational Horror™: EVIL DEAD TRAPWe also have some special shows coming up on David Cronenberg's VIDEODROME, shows on possession with THE EXORCIST & THE WAILING, a Ti West Special with THE INNKEEPERS & HOUSE OF THE DEVIL, Tech horror with TETSUO & eXistenZ and horror about writers with BURNING & IN THE MOUTH OF MADNESS.We're so excited to bring these shows to you. Thanks so much for your continued support! It really means the World of Horror™ to us, truly. Please join our Facebook and YouTube pages and tell all your friends all about us. Seriously, though, please join and subscribe because we need more of you on those pages.We love you! DON'T go into the basement. Support the showInterstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-MediaSubscribe to the Podcast for a Special Shoutout!
"There's too much air in your glass." Rope (1948) directed by Alfred Hitchcock and starring James Stewart, John Dall and Farley Granger. Next Time: The Killing (1956)
Join Aaron and T.J. this week as they discuss Alfred Hitchcock's Rope, a tautly constructed drama about two men who murder their classmate, thinking that they've pulled off the perfect killing. They discuss the erotics of suffering and the star text of Farley Granger, the film's aesthetics and, of course, the most pressing question of all: just what makes these two characters gay, anyway? Plus, they talk about the ethics of staying on Twitter in the aftermath of Elon Musk's takeover. Give it a listen!
Book Vs. Movie: Strangers on a TrainThe 1950 Novel Vs. the 1951 Classic FilmThe Margos return to Alfred Hitchcock with his classic thriller Strangers on a Train, based on Patricia Highsmith's debut novel. The story of two men meeting up and deciding to commit double murder in just a few hours may strain credulity--but it is a fun story ride!In the novel, budding architect Guy Haines meets wealthy gadabout Charles Anthony Bruno (called Bruno throughout the book) on a train ride to Texas. Guy wants to divorce his cheating (and pregnant) wife, Miriam, to marry his true love, Anne Faulkner. Bruno has a father who wants him to grow up and be more responsible, while he would rather travel, drink, and spend his family's money. Bruno proposes they kill the person in their lives holding back their happiness. Guy agrees to escape the conversation and is shocked when Bruno strangles Miriam to death. Bruno now wants a favor in return. Highsmith was a master of thrills and suspense with several books, including “The Talented Mr. Ripley” series. Her private life consisted of several relationships with both men and women, including a married psychologist who helped her with theories about sociopaths and psychopaths. She was surprised to find her book sold to Alfred Hitchcock for $7500 and angry her agent did not ask for more. (Hitch was known for his secrecy.) The movie adaptation changed her setting from the South and Southwest to NYC and Washington, DC, and included a gay subtext about the relationship between the lead characters. In an adapted script by Raymond Chandler and Czenzi Ormonde, Guy becomes a tennis pro who ultimately cannot go through with the killing of Bruno's father. (Spoilers in this episode!) What are the other differences between the book and the film? And which version did the Margos like better? Have a listen!In this ep the Margos discuss:Author Patricia HighsmithThe clever plot and how it has been used over the years.Hitchcock's work ethic and how it influenced the film.The cast of the 1951 film: Farley Granger (Guy,) Robert Walker (Bruno,) Ruth Roman (Anne Morton,) Leo G. Carroll (Senator Morton,) Patricia Hitchcock (Barbara Morton,) Kasey Rogers (Miriam,) Marion Lorne (Mrs. Anthony,) Jonathan Hale (Mr. Anthony,) Howard St. John (Capt. Turley,) John Brown (Professor Collins,) Norma Varden (Mrs. Cunningham) and Robert Gist as Detective Hennessey.Clips used:Pitch for “the perfect murder”Strangers on a Train (1951 trailer)Bruno and Guy meetBruno at home with his motherMiriam goes bye-byeGuy's alibiBruno touches a guestMusic: Dimitri Tiomkin Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement
Book Vs. Movie: Strangers on a TrainThe 1950 Novel Vs. the 1951 Classic FilmThe Margos return to Alfred Hitchcock with his classic thriller Strangers on a Train, based on Patricia Highsmith's debut novel. The story of two men meeting up and deciding to commit double murder in just a few hours may strain credulity--but it is a fun story ride!In the novel, budding architect Guy Haines meets wealthy gadabout Charles Anthony Bruno (called Bruno throughout the book) on a train ride to Texas. Guy wants to divorce his cheating (and pregnant) wife, Miriam, to marry his true love, Anne Faulkner. Bruno has a father who wants him to grow up and be more responsible, while he would rather travel, drink, and spend his family's money. Bruno proposes they kill the person in their lives holding back their happiness. Guy agrees to escape the conversation and is shocked when Bruno strangles Miriam to death. Bruno now wants a favor in return. Highsmith was a master of thrills and suspense with several books, including “The Talented Mr. Ripley” series. Her private life consisted of several relationships with both men and women, including a married psychologist who helped her with theories about sociopaths and psychopaths. She was surprised to find her book sold to Alfred Hitchcock for $7500 and angry her agent did not ask for more. (Hitch was known for his secrecy.) The movie adaptation changed her setting from the South and Southwest to NYC and Washington, DC, and included a gay subtext about the relationship between the lead characters. In an adapted script by Raymond Chandler and Czenzi Ormonde, Guy becomes a tennis pro who ultimately cannot go through with the killing of Bruno's father. (Spoilers in this episode!) What are the other differences between the book and the film? And which version did the Margos like better? Have a listen!In this ep the Margos discuss:Author Patricia HighsmithThe clever plot and how it has been used over the years.Hitchcock's work ethic and how it influenced the film.The cast of the 1951 film: Farley Granger (Guy,) Robert Walker (Bruno,) Ruth Roman (Anne Morton,) Leo G. Carroll (Senator Morton,) Patricia Hitchcock (Barbara Morton,) Kasey Rogers (Miriam,) Marion Lorne (Mrs. Anthony,) Jonathan Hale (Mr. Anthony,) Howard St. John (Capt. Turley,) John Brown (Professor Collins,) Norma Varden (Mrs. Cunningham) and Robert Gist as Detective Hennessey.Clips used:Pitch for “the perfect murder”Strangers on a Train (1951 trailer)Bruno and Guy meetBruno at home with his motherMiriam goes bye-byeGuy's alibiBruno touches a guestMusic: Dimitri Tiomkin Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Tratto dall'omonima pièce teatrale del 1929 di Patrick Hamilton, "Nodo alla gola" di Alfred Hitchcock uscito al cinema nel 1948 racconta la storia di due giovani omosessuali, Brandon e Philip (John Dall e Farley Granger) conviventi nel loro appartamento newyorchese. Una sera, per il solo piacere del gesto, i nostri due protagonisti strangolano un compagno di collegio. Presi da un momento di lucida follia, decidono di nascondere il cadavere in una cassapanca a pochi minuti dall'inizio di un party in cui sono invitati proprio i genitori del morto e la ex-fidanzata. Tra gli invitati c'è Rupert Cadell (James Stewart) un loro ex-professore per meritare, almeno così credono, la sua ammirazione per l'audacia e l'arguzia del loro diabolico gesto, i due tradiranno il loro segreto in un continuo gioco di doppi sensi e battute. Un film girato come un piano sequenza diviso in 10 quadri attraverso l'utilizzo di 10 rulli di pellicola che duravano 10 minuti, è una sperimentazione incredibile che racconta una storia ancora moderna, che per certi versi affronta il concetto di banalità del male. Ne parliamo insieme a Massimiliano Bolcioni.
For the first film of Raph's "Keep Rolling" theme, we take a look at Alfred Hitchcock's 1948 film, Rope. Based on the Patrick Hamilton play, the film tells the story of two men who murder for philosophical reasons, then host a party in the apartment where the body is hidden. Starring John Dall, James Stewart, Farley Granger and Constance Collier, this psychological thriller is littered with great performances. On this one, we discuss how Rope stands out as a daring work that pushes the boundaries of cinema, its notable use of long takes & hidden cuts (lol "hidden") creating the continuous shot, as well as its exploration of taboo subjects such as homosexuality and murder. We also delve into the themes of the film, including the Nietzschean concept of the "superman or ubermensch" and the idea of intellectual arrogance leading to moral corruption. Additionally, we analyze the performances of the cast, including James Stewart's portrayal of a former teacher who suspects that his students may be responsible for the murder. Join us as we explore themes of morality, guilt, and obsession in this classic Hitchcock masterpiece.Temps Rising @ Behind This Wall on 30/04/23Donation Link: https://www.justgiving.com/fundraising/tjx3peaks***JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music and radio as Rei.do.Nada, some video content and some writing as well. Instagram: https://instagram.com/__jabriel__Website: https://www.jabrielalsuhaimi.comIf you're looking to start your own podcast and need an editor or producer please follow:https://www.jabrielalsuhaimi.com/podcastingservices/ RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting. Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta. Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.
Q-Balls!Quinn and I looked at Alfred Hitchcock's 1948 experimental film, ROPE, which was intended to seem like one unbroken take. It was, in fact, composed of 10 shots because...1948. Jimmy Stewart, John Dall, and Farley Granger star in this film that is loosely based on the murder committed by Leopold and Loeb. It is filled with a lovely supporting cast and some top-notch mid-Atlantic accents.Quinn and I talk teaching, looking forward to summer break, our relationship to dead bodies, funerals, and memorial services, and our two very different responses to this film.Thanks for tuning in. We appreciate it so very much!On the main show, Mac and I will be discussing "Animals Run Amok" films when we look at Alfred Hitchcock's THE BIRDS from the US and BLACK SHEEP from New Zealand.Please remember to tell all your friends all about us. Check us out on all the things. We have a YouTube Channel and an Instagram page where I'd love to connect with you.We love you and, don't go into the basement! Interstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-Media
Welcome. You're listening to Reel Charlie Speaks, an LGBTQ podcast spin-off of the film and television review blog, Reel Charlie looking at movies and TV from a gay male perspective since 2009. I'm your host, Philip Bahr. Each month I select a classic queer film, television series, or creator. I talk about how the subject spoke to me when I first discovered it years ago, and how its stood the test of time. In episode 10 I explore two classic films from the master, Alfred Hitchcock. First up, Rope (1948), followed by Strangers on a Train (1951). Both films boast lesbian and gay writers, both star bisexual actor Farley Granger, and both feature queer male relationships during a time when Hollywood was contained by the Hays Code. Currently the films are available to stream on various platforms for a rental fee and on disk from your local library. Perfect reason to hold on to your disk player. Corrections: Not sure why I kept wanting to say Bruner instead of Bruno. I lived in New York City during the 1990's, not the 2000's. I Confess is the name of the Hitchcock film where Montgomery Clift plays a priest. http://www.alfredhitchcock.com/life-and-legacy/filmography/ https://www.britannica.com/biography/Alfred-Hitchcock https://www.tcm.com/tcmdb/person/87065%7C10493/Alfred-Hitchcock/#filmography https://ew.com/movies/every-alfred-hitchcock-movie-ranked/ Reel Charlie's review of Rope: https://reelcharlie.wordpress.com/2014/04/06/rope-the-masterpiece-collection/ Reel Charlie's review of Strangers on a Train: https://reelcharlie.wordpress.com/2015/01/18/strangers-on-a-train-blu-ray/ Reel Charlie's all things Hitchcock: https://reelcharlie.wordpress.com/category/directors-alfred-hitchcock/ https://reelcharlie.wordpress.com/2022/08/29/reel-charlie-speaks-podcast/ Music by Daddy_s_Music from Pixabay --- Send in a voice message: https://podcasters.spotify.com/pod/show/reel-charlie-speaks/message
The lads go off the beaten path to New York City for a detour down 1950's Side Street from director Anthony Mann (The Naked Spur)! Come hear us discuss this beautifully shot tale of theft and morality starring Farley Granger, Cathy O'Donnell, James Craig, Paul Kelly, Edmon Ryan and Jean Hagen - we promise that you'll break a sweat! Questions, comments or do you need us to hold a package? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast
A masked killer stalks a graduation party in this 1981 horror film. Ashley, Matt and Sean talk about The Prowler, as 13 Days of Halloween continues here at Mashley at the Movies.
Dana and Tom discuss another Alfred Hitchcock classic in Rope (1948): directed by Alfred Hitchcock, adaptation by Hume Cronyn, screenplay by Arthur Laurents, starring James Stewart, John Dall, and Farley Granger. Plot Summary: Philip Morgan (Farley Granger) and Brandon Shaw (John Dall) strangle a mutual friend to death with a piece of rope to experience the supremacy of murder. Planning to capitalize on this experience, the two plan a dinner party upon the very chest where they have laid their victim. To make matters worse, the pair welcome their invited guests, including the victim's oblivious fiancée (Joan Chandler), the victim's parents, and the college professor (James Stewart) whose lectures inadvertently inspired the killing. Will the two succeed and prove their superiority, or will they fail and prove the folly of their efforts? You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at https://www.facebook.com/profile.php?id=100081916827044 (Greatest Movie of All-Time Podcast). For more on the episode, go to: https://www.ronnyduncanstudios.com/post/rope-1948 (https://www.ronnyduncanstudios.com/post/rope-1948) For the entire list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list (https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list)
You probably know the trope of the "gay psycho killer" that's been around for decades (every boy just loves his mother, right?), but not all gay psycho killers are portrayed with quite the same insidious intent! In this week's episode of Cinema Very Gay, Jake and Kevin discuss two films inspired by the true crime story of the Leopold and Loeb murder of 1924, Alfred Hitchcock's Rope from 1948 and Swoon, directed by Tom Kalin in 1992. Hitchcock's Rope is not frequently remembered as one of his finest movies, but the queer coding of his two main characters, played by John Dall and Farley Granger, is hardly subtle. This movie follows two friends in real time as they host a dinner party for friends and family of the man they just murdered, while his body is hidden in the same room. It is only loosely based on how Leopold and Loeb were characterized in their trial (spoiler, they didn't get away with it and their trial was a media racket) and still manages to grip the audience and rope us along while their "perfect" crime unravels before them. More directly inspired by the real-life Leopold and Loeb, Swoon is a fictional retelling of their romance and friendship leading up to the murder, and then the subsequent investigation and trial of the two. The movie stars Daniel Schlachet as Richard Loeb and Craig Chester as Nathan Leopold and definitely does not shy away from showing the queerness of the two killers. What do these movies say about the sexual repartee of tops and bottoms? Why is the gay psycho killer such a captivating trope? Is Rope actually a movie about edging? Swing by Cinema Very Gay wherever you get your podcasts and listen in to our new episode! We have also come to the long-awaited conclusion of our mini-series on the Eating Out series with the final installment, Eating Out: The Open Weekend. Somehow this movie was released in the same year as the 4th film, but sends the viewers on another roller coaster of quality. We aren't sure why Tiffany is even less present than the last film, or why Q. Allan Brocka leaned into an extremely tired transgender storyline, but at least we can reflect fondly on all the wonderful one-liners from throughout the series! BONUS: listen to our rock-solid pitch for the plot of the 6th Eating Out film.
Grab your watch and hit the road, the lads on the lamb and talking about noir staple Nicholas Ray's directorial debut They Live by Night! Starring the eternally young duo of Cathy O'Donnell and Farley Granger with Howard Da Silva, Jay C. Flippen and Helen Craig to round out this tale of crime and passion. Press play and join us on this twisted road! (Note: for those who want to get straight to business, the movie talk starts at 11:42) Questions, comments or an all night wedding chapel? therealoutofthepodcast@gmail.com
Ben calls 911, Nash explains his break-up with Kyle, and things continue to get stranger.TW: Gun shotsMidnight Musicals Presents TOTAL HORROR SHOW Part 2Written and produced by Jared GoodeAll songs by Jared GoodeMusical arrangements and production by James EdwardsAdditional arrangement and production by Chris WisemanSound editing, mix, and design by Nico Rivers"Montgomery Clift and Farley Granger" song inspired by an idea from Bryan SandlinVasilios Filippakis is BenPhilip Rodriguez is WesleySam Stoll is NashJared Goode is KyleNatalie Masini is SaraAngel Melanson is The OperatorCasting Assistance provided by Tess MyersTotal Horror Show key art by VilchmanMidnight Musicals Theme composed and produced by James EdwardsMidnight Musicals logo by Jen Allen/Winky P ProductionsTwitter: @MMusicalsPodIG: MidnightMusicalsPodmidnightmusicalspod.com
We are SO excited to finally present the winner of our social media poll: Rope (1948)!!! After overcoming several technical difficulties, we have finally been able to release our chat with two of our favorite Gen Zers, Isabella and Ben. We dive into this creepy tale that was inspired by a real murder: two former Harvard students murder a former classmate...and then serve a dinner to the victim's family and friends over his dead body. Their former teacher is on to their devious misdeed. Will they get caught? Will they get away with the “perfect crime?” Grab your party invitation and join us for a chat on astrology, superhero abilities, philosophy of thinking, and true crime on this very special episode! *Note: This episode contains explicit language and discusses graphic content.Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!— Be sure to check us out onOur website: https://the-old-soul-movie-podcast.simplecast.com/FacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast
Even with previous slasher movie influences, MY BLOODY VALENTINE stood out in amongst the saturated horror market of 1981. But even a well-crafted, creative story couldn't guarantee immediate success for this film, yet it continues to be a celebrated slasher 40 years later. //**Discussions include**// State of horror movies in 1981 & the Canadian horror pop; unique story & character setups, atmosphere & importance of location; playing on & against horror tropes; multiple problems during filming & budget challenges; casting & character breakdowns; music for the film, MPAA struggle, release & establishing a fan base; theatrical vs. unrated edition, the 2009 remake, plus memorable moments & behind-the-scenes tidbits. Paul Kelman, Neil Affleck, Lori Hallier & Don Francks star in MY BLOODY VALENTINE (1981). Directed by George Mihalka. //***Picks of the Week***// • Lindsay's Pick: HAPPY BIRTHDAY TO ME (1981). Melissa Sue Anderson, Glenn Ford /// Directed by J. Lee Thompson. • Justin's Pick: THE PROWLER (1981). Lawrence Tierney, Farley Granger, Vicky Dawson /// Directed by Joesph Zito. //***MurrayMoment***// The story of how Billy & Mickey Kelly were married in 1981. //***Final Thoughts on MY BLOODY VALENTINE.***// —Next Episode: THE EVIL DEAD (1981)!— //Please rate, review & subscribe. //Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com //Follow & Subscribe on Facebook, Instagram, Twitter & YouTube. //Questions? Comments? Email us: dontpushpausepodcast@gmail.com //Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders Be Kind and Rewatch! // October 19, 2021
They Live By Night (1948) / Red Rock West (1993) a great american poet once said "sensitive thugs y'all all need hugs". Farley Granger and Nic Cage are the hoods in question this week, as we take a look at two on-the-run films noir by Nicholas Ray and John Dahl. one is a classic, one is not. ++ discussed on malcolm in the middle: Unhinged, Casino Royale, Encounters of the Spooky Kind 2, The Wire
Tom Savini chats with Nicholas Vince (HELLRAISER, NIGHTBREED) about shining shoes, being a photographer in Vietnam, 8 years in repertory theatre, DAWN OF THE DEAD, anatomically correct makeup, GEORGE ROMERO'S vampire film MARTIN, his definition of happiness, working with STEPHEN KING on CREEPSHOW, DARIO ARGENTO's TRAUMA, FRIDAY 13TH, the remake of NIGHT OF THE LIVING DEAD, creating suspense in films, the Tom Savini degree course in makeup, working with QUENTIN TARANTINO on DJANGO UNCHAINED, DUSK TILL DAWN, making actor Farley Granger cry, and much more. The painting Tom chose is Pygmalion and Galatea by Jean-Léon Gérôme
Our Hitchcock month begins with a classic story, 1951's "Strangers on a Train," starring Farley Granger and Robert Walker. The hosts have some great love for this story and the way Hitchcock builds the tension. Intro and outro music: Life of Riley by Kevin McCloud (InCompetech) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/
Oh goodness, I had so much fun talking books, old movies, and other influences with Sarah Zettel author of The Chatty Corgie series Murder Always Barks Twice and To Fetch a Felon under the pen name Jennifer Hawkins. you can follow her on Facebook at Jennifer Hawkins Author and on TicTok at Jennifer Hawkins Author. Some of the great movies we talked about and highly recommend for you Snoops and Sleuths are on this list. Laura- 1944 Starring Gene Tierney and Clifton Webb The Mad Miss Manton-1938 Starring Barbara Stanwyck and Henry Fonda The Thin Man-1934 Starring William Powell and Myrna Loy The Star of Midnight-1935 Starring Ginger Rodgers and William Powell The Unfaithful- 1947 Starring Ann Sheridan and Lew Ayres Gaslight-1944 Starring Ingrid Bergman and Charles Boyer Rope-1948 Starring James Stewart, Farley Granger, and John Dall Anatomy of a Murder-1959 Starring Lee Remick and James Stewart Dial M for Murder- 1954 Starring Grace Kelley and Ray Milland My goodness! I didn't know we covered so many. Hopefully, Listeners, you'll give one of these great movies a try. To support the show, join me on Parteon.com/TheCozySleuth or on Ko-fi.com/thecozysleuth or go to Zazzle.com/themysticcozy for show merch.
RADIO SAFE VERSION. It's a different campground, in a completely different part of the country, with a slightly different audience, but it's still another early July X-Day Drill live show with Dr. Hal and Rev. Stang. There are about 20 years' worth of those in the can. Luckily, this one is spiced up by Father Joe Mama's grippingly unforgettable first sermon at 24X-Day, a reveal of Wizard Bong the mysterious document, a little more SWONK comics and Dobbstown Mirror readings, and the romantic Rudy Schwartz Project song, "Farley Granger's Oxygen Tent." subgenius.com
It's a different campground, in a completely different part of the country, with a slightly different audience, but it's still another early July X-Day Drill live show with Dr. Hal and Rev. Stang. There are about 20 years' worth of those in the can. Luckily, this one is spiced up by Father Joe Mama's grippingly unforgettable first sermon at 24X-Day, a reveal of Wizard Bong the mysterious document, a little more SWONK comics and Dobbstown Mirror readings, and the romantic Rudy Schwartz Project song, "Farley Granger's Oxygen Tent." http://subgenius.com
You would think people would know not to talk to strangers? Tennis players, beware!?E-mail me at: ChrisFadestoBlack@gmail.comFollow Me & More:https://omnil.ink/slowfadetoblackpodciinma
03 Pain Killer:Henpecked husband Harvey Turman (Lou Jacobi), who happens to suffer from excruciating back pain, visits his doctor (Farley Granger) for a cure. The doctor diagnoses that Harvey's nagging wife Nadine (Peggy Cass) is the cause of his pain, and the only way that his backaches will cease is if he eliminates her.Original Air Date: October 14, 1984Support the show (https://www.patreon.com/moviedumpster)
03 Pain Killer: Henpecked husband Harvey Turman (Lou Jacobi), who happens to suffer from excruciating back pain, visits his doctor (Farley Granger) for a cure. The doctor diagnoses that Harvey’s nagging wife Nadine (Peggy Cass) is the cause of his pain, and the only way that his backaches will cease is if he eliminates her. … Continue reading "Talks from the Darkside | 03 Pain Killer" The post Talks from the Darkside | 03 Pain Killer appeared first on Movie Dumpster.
In 1924, Richard Loeb and Nathan Leopold were two affluent and brilliant college students who developed an obsession with one another. An obsession that fed not only their egos but the darkest parts of their minds. Join us as Ro tells us the story of two overprivileged geniuses who committed a crime for the sake of the thrill and thought their intellect and money would save them from any consequences. Social Email: 3amysteryclub@gmail.com Instagram: @3AMClubPod Twitter: @3AMClubPod1 Facebook: https://www.facebook.com/groups/3AMMC Tik Tok: @3ammysteryclub Pinterest: 3AM Mystery Club Sources: Hitchcock, Alfred, Arthur Laurents, James Stewart, Farley Granger, John Dall, Cedric Hardwicke, Constance Collier, and Patrick Hamilton. Alfred Hitchcock's Rope. , 2012, 1948 A Crime to Remember: Hearts of Darkness. Investigation Discovery, 2018 https://en.wikipedia.org/wiki/Leopold_and_Loeb https://www.smithsonianmag.com/history/leopold-and-loebs-criminal-minds-996498/
Directed by Alfred Hitchcock and Starring James Stewart, John Dall, Farley Granger and Joan Chandler.
Hablamos de "La Soga", de Alfred Hitchcock. La primera en Technicolor del director. James Stewart, John Dall y Farley Granger en actuaciones magistrales. Hablamos del plano secuencia; del erotismo; de la arquitectura de Hitchcock; de James Mason y Cary Grant en papeles que no han hecho; de si es mejor la intriga o el suspense. Hablamos de cine y de vida, valga la redundancia. Intervienen: Don Diego Álvarez (@diegocdn28), el Señor Despachito (@despachitoNY) y Nacho Rozas (@inakorozas, director). Control técnico: Marcos Machado.
In the thirteenth episode of Season 2, Noir Means Noir, Kyle is joined by singer, actor, traveler Reagan Osborne to discuss the melancholic fatalism at the tender heart of Nicholas Ray's lyrical film noir about the existential circumstance of love between societal outcasts, They Live by Night.
Stinking Pause – the movie review podcast with Scott, who this week is joined by Steven and Antony to chat about Hitchcock, high rise hijinks and homicide. It's 1948 and we are discussing the master of suspense's most technically challenging movie to date. Starring James Stewart, John Dall and Farley Granger, join us as we take a peek in the trunk and chat about Rope. “You're quite a good chicken strangler as I recall.” Brandon and Philip are two young men who share a New York City apartment. They consider themselves intellectually superior to their friend David Kentley, and as a consequence, decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet, and their old schoolteacher Rupert, from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. This and previous episodes can be found on; Apple Podcasts Podchaser Stitcher Spreaker Player FM Acast IHeartRadio Libsyn Podcast Party Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com Thanks for listening Scott Steven and Antony
This week, we continue our dive into the films of Alfred Hitchcock! Our second film in the series was a first-watch for all of us: Rope. The movie features incredible performances by Jimmy Stewart, John Dall, and Farley Granger. It was written by the phenomenal Arthur Laurents, most famous for writing the script to West Side Story and based on a 1929 play by Patrick Hamilton. The film features Brandon and Philip, a couple attempting to get away with murder. Stewart plays their prep school mentor who unwittingly inspired the two with his sensationalist theories on elitism and survival of the superior. In our discussion, we touch on classism, LGBTQ representation in film, the artistry of cinematography, and acquired tastes. Join us! Fill in some of your cinematic gaps as we venture into what we've dubbed #OperationMasterOfSuspense. This operation name is extremely on the nose. I know. Follow the podcast @BaCEAPodcast on Twitter. Don’t forget to leave a review or comment. And as always, thank you for listening. Let us know, what did your kids think of this one? Bill & Claire's Excellent Adventures is an In The Mouth of Dorkness production. Follow them @ITMODcast on Twitter, Instagram, and Facebook.
Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 27 Sam is joined by Neil Alcock, the man behind film blog The Incredible Suit. Neil has chosen Alfred Hitchcock's 1948 single-location thriller Rope (80 minutes) starring John Dall, Farley Granger and James Stewart. Neil and Sam talk about Hitchcock's pioneering filmmaking, James Stewart playing against type and champion the epic background set. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest Hosted by @sam_clements. Produced by Louise Owen. Guest star Neil Alcock. Edited by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Every Hitchcock film ranked on The Incredible Suit
On this week’s episode of Black Girl Film Club, Ashley and Britney discuss Strangers On a Train (1951) directed by Alfred Hitchcock and starring Farley Granger, Ruth Roman and Robert Walker. Your favorite podcast hosts learn more about the noir genre and a valuable lesson about “crisscross” stranger danger while taking public transportation. They also discuss one of the most harrowing scenes involving a carousel committed to film. This week’s recommendations are Gilda (1946) directed by Charles Vidor and Double Indemnity (1944) directed by Billy Wilder. Follow us on Twitter @ blkgirlfilmclub. Check us out on Instagram @ blackgirlfilmclub. Visit us at http://blackgirlfilmclub.com. Email us at blackgirlfilmclub@gmail.com.
Mormon settlers are being forced off their land by an evil land baron and Mexican raiders. Only Trinity, the right hand of the devil, can help them...if you can wake him up. They Call Him Trinity (1970) stars Terence Hill as the unorthodox Trinity and Bud Spencer as his brother, the left hand of the devil, Bambino. Also starring Farley Granger, Dan Sturkie, and Remo Capitani in a classic Italian, comedy, spaghetti, western you won't soon forget. Join Invasion of the Remake as we travel back to the old west to discuss, rethink, recast and remake They Call Me Trinity! Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, RadioPublic, BluBrry, Libsyn, YouTube, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Get an even better deal on the best seat prices for concerts and sporting events at SeatGiant.ca using our promo code: invasion at checkout! All prices in Canadian dollars. For our American listeners, fear not, SeatGiant.com also offers you the same great deals in US dollars and you can also use our promo code: invasion for more savings. Challenge by: Sean Faust of the What Does It Matter Podcast @WDIMpodcast
This time around, it's Hitchcock and good old fashioned soap opera with nudity. Firstly, Alfred Hitchcock's 1948 stunt of a movie, Rope starring James Stewart, John Dall and Farley Granger, then we move on to 1974 for Number 96 - an Australian comedy based on a taboo-breaking television soap opera starring Elaine Lee and Johnny Lockwood. Please support the podcast at patreon.com/paleocinema for as little as $US1 a month. The wonderful YouTube channel is youtube.com/c/terryfrost Thanks for listening and take care of yourselves.
País Estados Unidos Dirección Alfred Hitchcock Guion Raymond Chandler, Czenzi Ormonde (Novela: Patricia Highsmith) Música Dimitri Tiomkin Fotografía Robert Burks (B&W) Reparto Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll, Patricia Hitchcock, Howard St. John, Laura Elliott, Marion Lorne Sinopsis Inspirada en la novela homónima de Patricia Higsmith. Durante un viaje en tren, Guy, un joven campeón de tenis (Farley Granger), es abordado por Bruno (Walker), un joven que conoce su vida y milagros a través de la prensa y que, inesperadamente, le propone un doble asesinato, pero intercambiando las víctimas con el fin de garantizarse recíprocamente la impunidad. Así podrían resolver sus respectivos problemas: él suprimiría a la mujer de Guy (que no quiere concederle el divorcio) y, a cambio, Guy debería asesinar al padre de Bruno para que éste pudiera heredar una gran fortuna y vivir a su aire.
In der letzten Sendung vor dem grossen Jubilaeum gehen wir noch einmal ein paar Jahrzehnte zurueck und beleuchten einen von Terence Hill und Bud Spencer groessten Film Hits. Die Rede ist natuerlich von Die rechte und die linke Hand des Teufels. In diesem Streifen teilt das Schlagkraeftige Duo wieder einmal im wilden Westen aus und helfen einer Gruppe von frommen Einsiedlern gegen einen korrupten Major und dessen Spiessgesellen. Darueber hinaus gibt es noch eine weitere Episode von Kino Aktuell, wo wir zwei aktuelle Filme ansprechen und zwei neue Trailer durchgehen. Ferner geben wir ein paar Ausblicke auf die Ausgabe 100.
We're taking a long hard look at Hitchcock's queer classic 'Rope' where Farley Granger and John Dall thumb their handsome noses at the Hayes code and play a queer couple who murder for kicks. OK so they couldn't kiss, touch or tap dance to Judy Garland, but almost every scene in this play-on-film crackles with queer sexual tension between the two... and that's before their mentor Jimmy Stewart shows up... But where did the inspiration come for these twisted queens? Enter Leopold and Loeb - socialite bright young things who in 1924 killed a young boy for kicks and thought they were above the law. They weren't. But their twisted romance and horrific crime meant the pair went down in history. Not only did they inspire a play by Patrick Hamilton and the movie by Hitch but they inspired Swoon, a 90s avant garde queer art film. We look at both, we celebrate the genius of Hitch (again) but we also have a right old laugh about butt plugs, flip-flopping tops and bottoms, and reveal which queer heart throb COULD have played opposite Farley Granger... if he hadn't been so painfully closeted. Spoilers, bad puns and frankly disgusting humour ahoy!
Alfred Hitchcock had fallen upon hard times, successfully speaking, so he put every effort into making sure that THIS FILM was a hit. We think he succeeded and gave Robert Walker, so often cast as "the nice guy" arguably the best role of his career as the lovable sociopath Bruno Anthony. As an added attraction, watch oddly attractive Farley Granger get out-acted by a cigarette lighter!
This week on Song by Song Martin, two Sams and a Simon head out onto the wide open roads of America to examine possibly one of the strongest songs on Foreign Affairs, with discussion of the origins of the Burma Shave advertising campaign, the interplay of voice and melody on the track, and the appearance of Farley Granger in Nicholas Ray's debut film They Live By Night. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Burma-Shave, Foreign Affairs, Tom Waits (1977) They Live By Night (film), directed by Nicholas Ray (1948) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.
Three men. One room. Now the fun begins. (Feel free to interpret that any way you wish.) Hitchcock Month continues, as A/V writer-director Joseph Lewis drops by to discuss 1948's Rope, wherein John Dall and Farley Granger's perfect murder is in danger of being unraveled by Jimmy Stewart; and 1954's Rear Window, in which Stewart's busted-up photographer spies on his neighbors, including a potentially murderous Raymond Burr. Paul, AJ, and Joe discuss the one-take gimmickry of Rope and how it translates the stage to screen; the homosexual subtext (or text) of that film; what Hitchcock had to say about voyeurs; and Hitch's subversive casting of the all-American Jimmy Stewart. Next: Hitchcock Month continues, as Wanna Cook? co-author Ensley F. Guffey discusses 1944's Lifeboat and 1954's Dial M for Murder.
In years past, Paul and AJ have devoted month-long chunks of the show to Quentin Tarantino, modern film's remix master; and Hayao Miyazaki, Japan's animation master. For 2016, the boys are devoting February to another cinematic maestro: Alfred Hitchcock, the Master of Suspense. The first pair of films under discussion are 1943's Shadow of a Doubt, wherein Joseph Cotten's killer misanthrope shares blood (and a telepathic link) with young Teresa Wright; and 1951's Strangers on a Train, in which Robert Walker commits a murder for Farley Granger and expects him to return the favor. Joining Paul and AJ for this double about doubles is Aja Romano, geek culture writer for The Daily Dot, who educates the boys on why these are her favorite Hitchcock films. The gang talks Hitchcock's perfect mise en scene, why and how trains are important to the Master's work, the films' incestuous and homoerotic (not to mention vampiric!) undertones, and much more. Next: Hitchcock Month continues as A/V writer-director Joseph Lewis confines the boys to one podcast for 1948's Rope and 1954's Rear Window.
For his first attempt at a Technicolor film and his first collaboration with James Stewart, Alfred Hitchcock chose to adapt the British stage play Rope's End as a series of 10 minute long takes. Loosely based on real life child murderers Leopold and Loeb, Farley Granger and John Dall murder a school chum in their apartment, hide his body in a chest of books and cooly host a party around him, aroused by the thrill of it possibly being discovered. Dan and Vicky's date with Hitchcock includes their opinions on the film, it's central long take gimmick, the homosexual themes and the performances of Granger, Dall and Stewart. They also catch us up with what they've been watching recently -- the new Christmas horror film Krampus for Dan and lots of stand up specials for Vicky. And Dan hints at a none to pleasant run in with legendary screenwriter/playwright Arthur Laurents. Add some communist witch hunts and a dude named Pee Wee Hunt and his orchestra to the mix and you've got a Hot Date not to be missed. The body's in the chest!! 1948's Rope is your Hot Date Episode 21.
Kalle Lind och Johan Hilton pratar bögar och skräckfilm. Saker och personer som råkar nämnas: Anthony Perkins, analfixering, seriemördare, Hitchcock som pappgubbe, psykoanalys, Salvador Dalí, franska nya vågen, Hasse Ekman, senator McCarthy, Kejneaffären, Tippi Hedren, cruisingkulturen, Farley Granger, fallet Leopold och Loeb, Repet, James Dean, dold porr, taxidermin, Julianne Moores butchighet, Ellen DeGeneres, Buffalo Bill, aids, tidningen Confidential och en jädra massa mumma för freudianerna.
Luchino Visconti was known for dabbling with neorealism, but Senso mixed his love of the opera and melodrama with the film movement that his name is attached to. Italy's first Technicolor film, Senso is a love story set during the Austrian occupation of Venice in the 1860's. The film is a visual feast, with sweeping setpieces that reflect Visconti's love of the opera. Alida Valli and Farley Granger (whose English was dubbed into Italian for the film's Italian release) give stellar performances as the leads, particularly Valli, who won a Golden Globe for her effort. This is another title currently readily available on Blu-Ray and DVD from the Criterion Collection; viewing the heavily-cut American version of the film from the disc's special features is to experience an exercise of how not to edit a film. Have a question or comment for the host? Email Sean at 1001moviespodcast.com. Also, if you're enjoying our journey, please leave some positive feedback on iTunes!
Underappreciated Hitchcock - Our Old Movie Club, featuring classic films many of us haven’t seen selected just for us by Philip Michaels, is back! In this edition, we look at two underappreciated films of Alfred Hitchcock: 1943’s “Shadow of a Doubt” and 1948’s “Rope.” The former features Joseph Cotten shooting up through the ceiling of creepy, a battle of telepathy versus telegraphy, the special bond of people named Charlie, murder by soda, and an appearance by the Exposition Radio Network. The latter offers long unbroken scenes, drunk Farley Granger, a perfect murder perpetrated by Batman villains, and Jimmy Stewart as Columbo. Both films have Hitchcock in common, as well as Hume Cronyn… and murder! Host Jason Snell with Philip Michaels, Steve Lutz, Monty Ashley, Dan Moren, David J. Loehr and Andy Ihnatko.
Coming of Age is a Philadelphia-based national initiative that was created in 2002 to help people age 50+ explore their futures, promote 50+ connection and contribution, and build stronger non-profits and communities. We currently have initiatives in Philadelphia, Delaware,San Francisco Bay Area, Kansas City, MO, Austin, TX, and Central PA. Initiatives in additional communities will be established in the near future. In the April 30, 2013 edition of Boomer Generation Radio, Coming of Age's director, Dick Goldberg, chats with Rabbi Address about the program and its resources for people age 50+. About Dick Goldberg Dick Goldberg, Director of Coming of Age Dick is director of both the Philadelphia initiative and the national network of Coming of Age. During his tenure as director, Coming of Age has grown from a Philadelphia project to one being replicated throughout the country. Dick's background includes work as a writer, producer and community volunteer. Because of his successfully pursuing an encore career after age 50 (becoming director ofComing of Age), he was named one of eighteen 2010 Wells Fargo Second Half Champions. He served as the producer of The National Jewish Theatre and Stage South, the state theatre of South Carolina; he wrote the off-Broadway drama Family Business, which ran in New York for over a year and in regional theatres throughout the country, and was the basis for his becoming a Guggenheim Fellow. Dick authored episodes of the TV series Kate and Allie and MacGyver; wrote the feature filmThe Imagemaker, starring Jerry Orhach and Farley Granger; and the Franklin Institute Omnimax film Philadelphia Anthem. He has also written book and restaurant reviews for The New York Times andThe Philadelphia Inquirer. Regarding local nonprofit volunteering, Dick served as President of the Board of the Eastern Pennsylvania chapter of The Leukemia and Lymphoma Society from 2000 to 2002. From 2002 to 2004, he was Board Chair of Planned Parenthood Southeast Pennsylvania Advocates and has served on the Eastern Pennsylvania Regional Board of the Anti-Defamation League for the past 9 years. In 2010, he joined the Board of the Philadelphia Corporation for Aging. Dick holds B.A. and M.F.A. degrees from Brandeis University, where he also taught in the graduate school. Contact Dick at dgoldberg@comingofage.org. About Boomer Generation Radio Boomer Generation Radio airs on WWDB-AM 860 every Tuesday at 10 a.m., and features news and conversation aimed at Baby Boomers and the issues facing them as members of what Rabbi Address calls “the club sandwich generation.” You can hear the show live on AM 860, or streamed live from the WWDB website. Subscribe to the RSS feed for all Jewish Sacred Aging podcasts. Subscribe to these podcasts in the Apple iTunes Music Store.
In this week's episode, the Gents cover So Sweet, So Dead (1972) starring Farley Granger and Black Tavern (1972) from the Shaw Brothers Studio. Please remember that we are still doing the program for Japan initiative, donations of $50 get you the opportunity to program an episode of the GGtMC. We also go over a big chunk of feedback and we discuss grooming techniques of Italian women in the 70's....go figure. Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message
THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyone—the shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.
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