Podcasts about Kay Thompson

Our guest this time is Kay Thompson. As Kay says in her bio, she is a minister, TV show host, author, Realtor® and business owner. If that isn't enough, she has raised a son and a daughter. Kay grew up, as she says, a military brat. She has lived in a number of places around the world. Like others we have had the pleasure to have as guests, her travels and living in various places and countries has made her curious and given her a broad perspective of life.   After high school she went to college. This life was a bit of a struggle for her, but the day came when she realized that college would be a positive thing for her. She will tell us the story.   After college she and her second husband, her first one died, moved to Atlanta where she has now resided for over 30 years. Kay always has had a strong faith. However, the time came when, as she explains, she actually heard God calling her to go into the ministry. And so, she did.   Kay tells us about how she also has undertaken other endeavors including writing, selling real estate and working as a successful Television host. It goes without saying that Kay Thompson performs daily a number of tasks and has several jobs she accomplishes. I hope you will be inspired by Kays's work. Should you wish to contact Kay, visit her website www.kaythompson.org.     About the Guest:   Kay Thompson is a minister, TV show host, author, Realtor® and business owner. She is the founder of Kay Thompson Ministries International, a kingdom resource for healing, hope and spiritual development. Kay is also the founder of Legacy Venture Group, a consulting and media firm which has helped countless businesses, organizations and individuals to strategically maximize potential. Kay holds a BA in Art History from Rutgers University in Camden, NJ, and an MA in Christian Ministry from Mercer University in Atlanta, GA. She is the former program director of WGUN 1010 in Atlanta and hosted the Kay Thompson TV Show, which aired on WATC-TV 57 in Atlanta. She currently hosts for the Atlanta Live broadcast on TV- 57. Kay is a member of the staff for the Studio Community Fellowship at Trillith Studios in Fayetteville, and is a host for their weekly service. She also serves as a member of the Board of Advisors for the A.D. King Foundation and works with several other non­ profit organizations in the Metro Atlanta area. Kay has lived in Georgia for over thirty years and is a resident of Stockbridge. She has two wonderful children: Anthony (Jasmine) and Chanel; and one grandchild, AJ. Kay enjoys reading, bowling and spending time with her family.   Ways to connect with Kay:   Facebook (Kay Thompson Ministries) https://www.facebook.com/kaythompsonministries Instagram (@kayrthompson) https://www.instagram.com/kayrthompson/     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Hi, everyone. I would like to say greetings wherever you happen to be today, we have a wonderful guest today. This is a woman, I would say, of many, many talents. I've been looking forward to this for a while. Kay Thompson is a minister, a TV host. She's an author, she's a realtor, and she's a business owner. My gosh, all of those. I want to find out how she does all those. But anyway, Kay, I want to welcome you to unstoppable mindset. We're really glad that you're here.   Kay Thompson ** 01:54 Well, thank you so much for having me. I appreciate being here, and thank you for contacting me excited.   Michael Hingson ** 02:01 Well, how do you do all those things all at once?   Kay Thompson ** 02:05 Well, you know, definitely can't do them all at once. Oh, okay, well, so have to kind of parse them out each day. And as I get assignments, that's how it goes. And got to prioritize one over the other. You   Michael Hingson ** 02:22 know? Well, we will, we will get to all of those, I am sure, in the course of the next hour or so. But I'm really glad that you're here, and as yet, I've been looking forward to this for a while, and and I'm sure we're going to have a lot of fun. Why don't we start? Maybe you could go back and tell us kind of about the early K growing up. What about you? So people can get to know you?   Kay Thompson ** 02:44 Oh, yeah. So growing up with the daughter of a military father, military officer. As a matter of fact, he rose to the rank of Lieutenant Colonel. So that was interesting. So it was kind of a privileged military life in that sense that, you know, he just was always, he was a very important figure in his time. So that was interesting, walking on the base with him. And, you know, people would stop and salute him, you know, it was, it was, and I was just a little caught, you know, just running alongside him and just real proud, real proud   Michael Hingson ** 03:28 of my father. Did you have any Did you have any siblings?   Kay Thompson ** 03:31 I do? I have two brothers. Yeah, they both lived in Arizona. I was in the middle, so smashed right in the middle between two very muscular, very had a very demanding, commanding, excuse me, commanding presences. So in between the two brothers there, yeah, and then my mother, she was an English teacher, and very, you know, did excellent in her own right. She did a lot of drama, just a lot of teaching. She ended up in her 60s getting her doctorate degree, and, you know, just really excelled in education. And so she was the one that was really big on education. You know, go to school, go to school. Go to school. I don't want to go to school. Well, you need to go to school anyway. So I went to school anyway. That's how I can say my life was. Now, where did you grow up? All over,   Michael Hingson ** 04:32 okay, you did. I was going to ask if you did a lot of travel, since your dad was in the military.   Kay Thompson ** 04:38 Yeah, we certainly did. I was born in Tacoma, Washington. Oh, I don't remember any portion of it, because we were the only there, basically, so I could be born. I feel like, I know that's not the reason. But we went to Washington so I could be born, and then we lived there about a year, and then we moved to New York City. Then. We moved to. Now, by this my brother was already born, because all of us are three years apart. So my brother was born in Verdun, France, okay, and then they moved to, I can't remember where they were before that. I don't know if they went straight to from there to Washington State, and then we moved to New York, and then we went to Aberdeen, Maryland, and that's where my younger brother was born. And then from there, we went to Germany. We stayed there for about three years. From Germany, we went, I can't believe I remember all this. And from Germany, we went to Ohio. We stayed there for a couple of years. And actually we were there when they had that tornado. Was like in the 70s, there was a tornado Zenith Ohio. Well, we weren't far from zenith at the time. So we were there. Then we moved from there to Virginia, and it was there for three years, then to New Jersey, and then that's where my father retired. So we were all over the place.   Michael Hingson ** 06:10 You were, my gosh, well, did you, did you learn any of the foreign languages when you were in Germany and France, or, yeah,   Kay Thompson ** 06:23 in Germany, we could only, I only remember vaguely, you know, hello, thank you to know what it is now off beat is saying goodbye, Danka and bitter, thank you. You're welcome and good, yeah. But tight. But, no, no, we didn't do that at all   Michael Hingson ** 06:47 so, but you, you certainly did a lot and you had a lot of adventures. How do you think that all of that travel affected you as you grew older? What? What did it do that helped shape you?   Kay Thompson ** 07:03 Well, I know that, you know, of course, traveling. You know, you hear the story about kids all the time they travel, and because if they're if they're moving a lot, it's hard to create lasting, long term friendships, because you're just constantly moving. And you know, never mind moving to another city, but when you go to another state, even from another country. Now, I did happen to have a friendship with a young lady. Her name was Audrey, and I met her in Germany, and I was between the age of about three to five. I met her in Germany, and we stayed friends till I was in Virginia. So you're talking from Germany, wow, to Maryland, to Virginia. We were friends until Virginia, but then once I left Virginia and went to New Jersey, and I was there for my part of my middle school and then the rest of my high school, we fell out of touch. So that was one of the things I would say is difficult, you know, just having lifelong friends, yeah, that was, that was probably one of the more difficult things. But one thing on the other side is it made great being that person that was a world traveler. It was great when you're in school and they, you know, they ask you in your classroom, hey, you know, tell us something unique about you. Oh, well, I've been to Germany because my parents, when we were in Germany, they wasted no time traveling. They were always traveling. We were on the road all the time. I mean literally, and you know, they, they were just great world travelers. We went we went to Italy, we went to Spain, we went to France, we went to Switzerland. We went everywhere in Europe that they could get in that Volvo that they had. We had a nice little Volvo, and we would pitch out at, you know, campsites, you know, just any way they could to get where they needed to get, because they wanted to see these sites, and especially because my mother was an English teacher, she did a lot of plays, she directed a lot of plays, a lot of Shakespeare. And so a lot of these places were in these books, in this literature that she taught, and I'm sure that's probably one of the major reasons they did all this traveling, all these places that she had studied about, and, you know, taught about, she actually got to go see now, I must say, the only place I didn't go to that I wanted to go to that for some reason, she took my older brother. She didn't take any, noone else went, but my mother and my older brother. And I can't understand that trip to this day they those two went to. Greece. We didn't know. No one else in the family went to Greece. And I meant to ask, I'm going to, you know, when I finish this interview, I'm going to call my brother and ask him, What, what? What did you and mom go to Greece? You know, because nobody else got to go. But I would have loved to go there as well, but, but at the time, you know, new kid, it was okay. Mom and mom and Chuck are going away. Okay. But now that I think back and look back, maybe it was, I never, I never asked about that, but I'm going to ask, Did   Michael Hingson ** 10:34 it help you, though, develop a sense of adventure and and not create any kind of fear of of traveling around. Did it make you a more curious person? Because you got to go to so many places? Oh, I asked that in the on the basis of as you grew older and thought about it.   Kay Thompson ** 10:52 Oh, yeah, I'm a very curious person, curious person, and at times that can be a little nosy, right? And so, yeah, so that, to me, was, I think, one of the ways that built expanded my mind in terms of wanting to know about people and about things, because I've worked in public relations for many years, and so just being able to understand the perspective of other people from different cultures and different mindsets, being open to people from different cultures, different races, different religions, wanting to hear their point of view, interested in you know how they feel about things, because you can have a subject, or You can have something come up, and you have so many different perspectives from people. And you can see the very same thing, they can be shown the very same thing, but one person sees it from their lens, you know, from where you know, yeah, whether it's how they grew up or their external influences, and then someone could see the very same thing, and it interpret it totally different. Yeah. So   Michael Hingson ** 12:08 one of the one of the things that I've noticed in talking to a number of people who came from military families and and others as well, who did do a fair amount of travel to various countries and so on. They do tend to be more curious, and I think that's a very positive thing. They they have a broader outlook on so many things, and they tend to be more curious and want to learn more and wish that more people could have the same experiences that they had.   Kay Thompson ** 12:40 Yeah. I mean, not afraid to try new things too, for things that other people would would not like. I remember in Germany being very young, being fed octopus and snail. You know, these delicacies over there in Germany, I remember that at this my where my father was stationed, in Germany. The street, it was in like a court area. It felt like a court area, big apartments set up in a U shape, and then right across in a U shape in the in the middle of a field, like an open space, not a field, but an open space. And then right outside of that open space, we could jump out of that open space right into a busy street called Roma Strasse, and right on the other side of that busy street was Old Town, Germany, literally stepping there were no fences and no bars and no gates. We're stepping straight from our backyard into Germany, because the base was more Americanized. So you really felt Americanized on the base. But once you stepped into Germany, the houses were these. You know, cobble it was cobblestone streets. And I remember me and my brothers used to walk out of our backyard, that big open area, and go across the street into Germany and get the authentic gummy bears. That was our weekly trip. And these gummy bears, I'm telling you now, for gummy bear enthusiasts out there, the gummy bears in Germany looked nothing like these gummy bears that we see here. They were huge. They were the cutest little bears. I almost felt guilty eating them, but we just had a great time. I remember great memories from our exploits, our visits, the life was different. You know, toilet paper was harder. I just remember now that was years ago. I don't know what it's like now, but   Michael Hingson ** 14:49 yeah, but does the gummy bears taste better?   Kay Thompson ** 14:53 Well, now I can't remember, because then, when you're a kid, any candy, you know, if you say candy, I say, yeah. Much, you know. So when I was that young, I couldn't tell, but they probably did, you know. But then again, for those people that like because I don't drink, but the beer there is much darker, too. So some people don't like that. So better to them. You know, could be, you know, we don't like it to us. So   Michael Hingson ** 15:25 I've never been to China, but I've been to Japan twice, and there's a food in China called dim sum. Are you familiar with dim sum? Okay, I'll tell you dim sum in Japan is I and I think better. It's different and tastes better than dim sum in the United States. Now I have to go to China one of these days and try it. Yeah.   Kay Thompson ** 15:48 Well, if you ever go to the buffets, have you ever gone to the Yeah? Yeah. Okay, so if you notice the people that work there, they do not eat the food that the buffet. Yeah, they so one day I'm going to do this too. I'm like, hey, you know, can I have some of which   Michael Hingson ** 16:09 you guys eat? Yeah, yeah, yeah, well, yeah, but it is, it is interesting. It's fun to to investigate and explore. And I haven't traveled around the world much. I have as a speaker, had some opportunities to travel, but I think my curiosity came from being a blind person who was encouraged by my parents to explore, and the result was that I did a lot of exploring, just even in our house around our neighborhood. And of course, when the internet came along, and I still believe this is true, it is a treasure trove of just wonderful places to go visit. And yeah, I know there's the dark web and all that, but I ignore that. Besides that, probably the dark web is inaccessible, and maybe someday somebody will sue all the people who have sites on the dark web because they're not accessible. But nevertheless, the internet is just a treasure trove of interesting places to visit in so many ways. Yeah,   Kay Thompson ** 17:17 and then a virtual reality. So one of the places that I wanted to go to was, I've always wanted to go to Egypt. I haven't had an opportunity yet, and personally, right now, don't know how you know how good an idea that is right now. Yeah, but I went to a recent VR exploration of the pyramids in Egypt. And I'm telling you, if that was how it seemed, it's definitely was a way to help me to, you know, live it out, so to speak. Because there's, like, for instance, there's a place in Florida called the Holy Land, the Holy Land, you know, the whole just like a theme park. And they say it looks, you know, there are areas where it looks just like Israel, parts of Israel. So, you know, in that respect, I've been able to realize some portion of the dream. But yeah, I have been love to get there.   Michael Hingson ** 18:16 I have been to Israel, and I enjoy happy. I was in Israel two years ago. Oh, well, so what did you do after high school?   Kay Thompson ** 18:30 Oh, after high school, interesting. So remember when I was telling you about the school thing? So I was in and out of school. I went to I started college in New Jersey. Where did you I went to Rutgers University. Rutgers, yeah, well, first I started in New Brunswick. Then I came back because we lived closer to Camden. We lived we lived in New Jersey, closer to Philadelphia. Philadelphia was about 20 minutes away.   Michael Hingson ** 18:57 Mm, okay, I lived in, I lived in Westfield, New Jersey. So we were out route 22 from New York, about 15 miles. So we were in the north central part of the state, okay, South North part, or whatever, of the state.   Kay Thompson ** 19:11 Okay, okay, yeah. Well, yeah. First it was in New Brunswick. I was there. And then after I did that, I went for about a semester, and then I transferred over to Hampton University, because both my parents went to Hampton, so I said Hampton didn't stay there, and then I ended up coming back and going to Rutgers in Camden, and there I completed my degree. Took me eight years to complete it. What   Michael Hingson ** 19:42 did you get your degree in?   Kay Thompson ** 19:43 I got my degree in art history and sculpture. So, okay, yeah, and I love what I did. I you know, I had a museum work. Loved working in a museum, and could tell you about all the i. You know, the art, the sculpture, just loved it. But it took me a minute to get that then. And then, after that, I went to, I moved to Atlanta in 92 the end of 92 so after high school, you know, just a lot of challenges, just trying to figure out who I was and what did you do. You know, how I wished I would have, now, looking back on it, I wish I would have, maybe when I got out of high school, just taking some time off first. And because in my heart, I knew I, I knew I, I knew I didn't want to go to school, but I knew I needed to go. I knew there was something in me that said, you you need to go to school. But mentally, I don't think I was mentally prepared for it, for for the you know, because when you get out of high school, and you go into college, it's a unless you take AP courses in high school, you're not prepared for the amount of work you're going to get inundated with. And it was just overwhelming to me. It took all my time. I felt like I was that person. I had to keep reading things over and over again just to get it, I used to have to, not only did I take, you know, what friend of mine calls copious notes, but then I also had to put it over in index cards. And you know, it just took me a long time because my heart wasn't in it at the time. So I ended up meeting a gentleman, my first husband. We were married, we had a son, and then, but he passed away, I think, when my son was about three, and then that's when, okay, okay. Now, you know you now, now, now. I wanted to go. Now I wanted to finish. So it was   Michael Hingson ** 22:00 your it was your husband that passed away. Yes, yeah, okay, yeah, all right, so then you decided you really needed to to do school.   Kay Thompson ** 22:12 Yeah, I needed to complete it. So that's what pushed me to complete it, leaving   Michael Hingson ** 22:17 the major aside of sculpture and art and his art history and so on. If you were to summarize it, what did college teach you?   Kay Thompson ** 22:30 Oh, that's a great question. What did college teach me? Well, you know, it taught me that, you know, I think we just need to, well, you need to know how to focus. It's really was a disciplining moment in my life. I was an Army brat. You know this bottom line, I was an Army brat even though I felt like I didn't get a whole lot of things that I wanted. In reality, I had a, like a kind of a spoiled mentality. And when I got to college, I realized that this stuff is not going to be handed to me, you know, you're not going to be handed an a you know, I'm not going to do your studying for you, you know. And so helping me to kind of detach from things I had just depended on for so long. But in that transition, it became very lonely. College was very lonely. I mean, even when I left, because I got out of when I first went to Rutgers and cam in New Brunswick, right out of high school. I had, I was at the dorm, and I wasn't ready for a dorm. I wasn't ready for that life because, you know, I left almost before the semester was over and I had to go and make up the classes. And, you know, thankfully, they allowed me to make up some of my you know, majority well. As a matter of fact, they let me make them all up, but I still had to put in the work. And that was my thing, putting in the work, putting in the work and doing things that I didn't necessarily like. Because even though I liked art and I like sculpture and all that. There were other classes that I had to take, like humanities and algebra, you know, and history, you know, not not art history, but you know, American history, European history, and all these different other subjects, these other prerequisites or curriculum that you have to take. And I didn't always enjoy those and other I don't want to do that, but no, you actually have to do it. So I'm going to say that college really helped me learn about disciplining myself to do things that I don't necessarily like, but they are required of me,   Michael Hingson ** 24:58 and I. But I would tell you, if you asked me the same question, that would be my answer. It really taught me a lot about discipline. It taught me also to realize that I really did like inappropriately so adventure and exploration and being curious and so on. I also found that my best college courses were the ones, no matter what the subject was or whether I really enjoyed it or not, were the ones where I had good teachers who really could teach and who were concerned about students and interacting with students, rather than just giving you assignments, because they then wanted to go off and do their thing. But I liked good teachers, and I went to the University of California at Irvine, and had, very fortunately, a lot of good teachers who encouraged discipline and being able to function in unexpected ways and and they also pointed out how to recognize like if you're doing something right, like in physics, when my Masters is in physics, one of the First things that one of my professors said is, if you've got to get the right answer, but the right answer isn't just getting the right numbers, like if you are trying to compute acceleration, which we know is 16 feet per second squared, or 9.8 meters per second squared. That's not right. Anyway, 3232 feet per second, or 9.8 meters per second, it isn't enough to get the 32 feet or or the 9.8 meters. You've got to get meters per second squared. Because that never mind why it is, but that is, that is the physics term for acceleration, so it isn't enough to get the numbers, which is another way of saying that they taught me to really pay attention to the details. Yeah, which was cool. And I'm hearing from you sort of the same thing, which is great, but, but then you went to college, and you majored in what you did, and so did you work in the museum part of the time while you were in college?   Kay Thompson ** 27:31 Well, what happened is, I had an art history teacher who just took a, I guess, a liking to me, because I was very enthusiastic about what I did, because I love what I did. And I had a writing background, because I had a mother who was an English teacher. So all my life, I was constantly being edited. So I came in with pretty good grammar and pretty good way to I had a writing I had a talent for writing in a way that the academic were looking for, that art history kind of so I knew how to write that way, and she hired me to help her. She was a professor that did, you know, lectures, and she hired me, paid me out of her own salary, kind of like a work study. And so I worked for her about 20 hours a week, just filing slides and, you know, helping her with whatever she needed, because she was the chair of the department. So that was a great opportunity. I was able to work with her and and maybe feel good to know if somebody thought, you know enough of you know what I did to to hire me, and feel like I I could contribute, and that I was trusted to be able to handle some of these things. I mean, you know, and I don't know how difficult it is to file slides, but you know, when it teacher wants to do a lecture, and back then they were these little, small, little, you know, square slides. Square slides drop into the projector, right? And she's looking for, you know, the temple of Nike. You know, she wants to find it in order. You know, you pull that slide and you put it in your projector, right, carousel, right, yes, yes. So that's what I did, and it was great. I loved it. I learned college. I loved I loved the college atmosphere. I loved being in that vein, and I think I really found my niche when I was when I went to Rutgers in Camden.   Michael Hingson ** 29:48 Well, there's a history lesson sports fans, because now, of course, it's all PowerPoint. But back then, as Kay is describing it, when you wanted to project things you had. Slides. So they were pictures, they were films, and they were all these little squares, maybe two inches square, and you put them in a carousel, and you put them in the projector, and every time you push the button, it would go to the next slide, or you could go back the other way. So PowerPoint is only making it a little bit more electronic, but the same concept is still there. So there, there I dealt with slides. So after college, you, you did time at the university, at the museum, I gather,   Kay Thompson ** 30:31 okay. So what happened with the museum after I graduated from college, immediately I moved to New Jersey, yeah, you know, right? I'm gonna say probably about six months, six months to a year before college, is when my first husband died, and then after I graduated, um, I moved to New Jersey first. Where did you graduate from? Again, Rutgers University in Camden. Okay, so   Michael Hingson ** 30:59 that's New Jersey so you, but after college, you moved,   Kay Thompson ** 31:03 I moved to Georgia, Georgia that   Michael Hingson ** 31:06 that makes more sense. Okay, okay,   Kay Thompson ** 31:08 okay, sorry, yeah, so I moved to Georgia, and immediately, when we came to Georgia, you know my I came with a gentleman who I married shortly after, I moved to Georgia and we opened a art gallery. We were entrepreneurs. We came because, you know, there was, we felt like there was more opportunity in Georgia for small business owners, or would be potential small business owners, or people who wanted to realize their dream. And we know that in Georgia now, I don't know if you know this, but Georgia is a great place for entrepreneurs, so definitely better than where I was at the time. So we packed the U haul and just threw everything in there and came to Atlanta. Now my the gentleman who would be my husband. So I just say my husband now, then he, he had a sister here, so we visited first with her, and that's how we got to really see the scene, check out the scene, and then we came back and moved and found our own place and everything like that. So but when we came, I opened it, I had an art gallery for about a year or so, little bit longer and but that didn't work out. Didn't, you know, just, you know, some things you tried. Just yeah, just didn't work. But then my husband and now just FYI for you, this person, the second person, I married, the second man. He passed away too, but that was in 2008 but so he's my late husband too. So I have two, two husbands that passed away. One was the first one was much younger, and my second husband. We were married for 16 years. This is early on in our relationship. We he he opened a brass outlet, a just all kinds of beautiful black brass vases and animals and just anything brass you wanted. But also, after I shut down the museum I had or the gallery, it was an art gallery, I moved my pieces into his brass outlet, and there I was able to kind of display them and sell them. We had pieces that range from, you know, $25 to $500 so we I found a little space there that I could do my work. So it was a nice little coupling.   Michael Hingson ** 33:43 Yeah, I'm with you. Uh huh. So so you, you have obviously moved on from from doing a lot of that, because now you have other endeavors, as we mentioned at the beginning, being a minister, an entrepreneur, an author and so on. So how did you transition from just doing art to doing some of the things that you do today?   Kay Thompson ** 34:18 Okay, so what happened is when I came to and I guess this is the really, deeply more personal aspect of it all, when, when I came to Atlanta again, my my first husband had passed away. He committed suicide. Yeah, so when I came to Atlanta, my second husband and I were not yet married, and all I knew is that I wanted the relationship not to be the way the first one was, in a sense of. I I didn't want to go through that specific kind of trauma again and and not that the the two gentlemen were similar. They were very different people. My second husband was a very confident, very strong willed, you know, type of a person, but the trauma and my first husband, he had his own strength in, you know, but there's something that happens when you decide, you know, to end your life. Yeah, I wanted to make sure that I had some sort of support, divine support, because the going through something like that, and when I say something like that, not only am I talking about the suicide, but the fact that he was On we were on the phone together when this happened, so and then just dealing with everything that happened around it, you can imagine someone feeling a little bit insecure, unsure. So I really began to seek God for that relationship that I know would sustain me. I had grown up, you know, my parents grew up, they brought us to church. You know, I wouldn't say my parents were they weren't ministers, but they were active in whatever church they went to, and they made sure that we went to church every Sunday, even the Vacation Bible School. I can remember that in New Jersey, I remember, you know, them just being a very, very involved. My my parents. My mother was a singer, so she sang a lot in the choir, lot of solos. My father was a deacon. They both became elders, and elders, meaning they were just senior members of ministry. Because elder in the I'm in a non denominational ministry now, but elder is another way of saying a ordained male Minister their particular denomination, an elder was, you know, almost you might want to say like a trustee, so, but they were root, they they were they were integral to their church, And they were really foundational members. And so I just remember that impact on my life, and so I needed to make sure I had that grounding, and I knew I didn't have it because I was doing any and everything I wanted to do. You know, one of the reasons my my second husband, said, You know, he, I was the one for him, is because we had a drinking competition and I beat him, you know, we were taking shots, and I beat him. And so, you know that that was something that, you know, he said, Oh, you're, you know, girl, you're the one for me. And so that was our life, running, you know, we did a lot of. We entertained. We, you know, we did a lot of partying, as you say, a lot of having a great time. We were living our best life, right? So I knew I wasn't living a life that I could tell, Hey, God, see my life, Aren't you proud? It wasn't that life I was living. I wasn't, you know, doing biblical things. I wasn't living life, right? So I needed to make sure when I came to New Jersey, I mean, when I came to Atlanta from New Jersey with this gentleman that I had not yet married, I said, Lord, you know, help me make the right decision. And I'd say we could be moved to to Georgia in it's something like January, February. Okay, we got married about two months later, and then a month after that, I was pregnant with my daughter. So things being that, it happened very fast. But one thing about it is, of course, when you're pregnant, as a woman, you know, you can't do this. I couldn't do the things that I was doing before, right? The partying, smoking, the drinking, all of that, you know, for the sake of the child. You know, you just can't do it. So I went through a terrible withdrawal. Yeah, it was, it was pretty bad and and the only refuge I had was the church. So that's how I really got into the church. And once I got into the church, I had, I had been in the church before I had made a decision. Decision when I was about, I'm going to say about five, five or six years prior to that, I had given my life to the Lord. I had, you know, come into a relationship with the Lord, but life happened, and I got out of it. You know, I quickly kind of got out of it. And so for many years, I was just doing my own thing. So again, when, when, when we came to Georgia, I got pregnant, got married, going through with the withdrawals. I just, you know, I just went back into the church, uh, rekindled that relationship. Or, or the Bible says that he, he, he's with loving kindness. Has he drawn you? So he really drew me back based on my need. And so I came back to the church and got really, really involved in ministry. And as I got involved, I just kind of threw myself into it, because I could not do the previous things I did. And then even after I had my my second child, it's a daughter, so I have a son and a daughter, I had to live a life that was good for   Michael Hingson ** 41:05 them. And what did your husband think of all that?   Kay Thompson ** 41:09 Oh, yeah. Well, first he thought I had joined a cult. Okay, yeah, that's so that was his first impression. So he came to the church because he wanted to see who these cult members were that were drawing away his wife. And when he came, he got kind of hooked to the church, yeah? But our our faith was never at the same level. You know? He came because of me. I came because of of God, right? And I don't know if he ever really, I don't think he ever really got to that level that I did, where I was just gung ho. Everything was, you know, I was a Jesus girl. I was a holy roller, you know. And he did it for us. He did it for, you know, task sake, because he was a task oriented person. But he came, he came to be a very like my parents. He came to be very important part of the church. He was a deacon. He was faithful. He loved our leaders. He served with faith and integrity. But when it came to that, you know, deep seated personal relationship with God, where you know God, I just give you everything you know that that was mine. That was what I did. So we differed in that respect, yeah,   Michael Hingson ** 42:35 well, well, hopefully though, in in the long run, you said he's passed. I assume it was not a suicide.   Kay Thompson ** 42:45 No, no,   Michael Hingson ** 42:46 Ben that he is. He is moving on in that faith. So that's a hopeful   Kay Thompson ** 42:53 thing. Yeah, I believe he is. He had congestive heart failure and he passed away. And, yeah, I believe he he's now at rest, enjoying his rest. Yes, there   Michael Hingson ** 43:06 you go. So when did he pass in 2008 Okay, so that was 17 years ago. Okay, yep, well, so you were very involved in the church. And I suppose in some senses, it's probably a question that is reasonably obvious, but then I'll still ask, how did you get into the ministry from being very heavily involved in church, and when did that happen?   Kay Thompson ** 43:38 Okay, so one day our church. You know, the churches we have depending on, I guess, your faith or leaders do in the beginning of each year, we have a 21 day consecration, which we do in January, throughout the month of January. You know they might say, okay, 21 for 21 days. Read these scriptures, and we're going to fast from, you know, sweets, meats, or, you know, whatever the directive is. And so we was in a 21 day fast, and that was at my home one day. It was in the middle of the night, and I distinctly heard a call to preach. And that's really how the it all began. I mean, I knew, you know, the Bible says that, you know, even with Jeremiah and Jeremiah one, he says, Before the foundation, you know, before your mother and your father, you know, were together, I have already called you. I already ordained you. So I heard this call to preach, very distinct call, and at that point, I told my pastor, and from that point, I was kind of groomed, and as time went on, I was given more responsibility. Uh, you know, praying, or every now and then, preaching, doing Bible study. The next thing I know, I took my licensing exam, I was licensed, and then after that, I went through ordination, and I was ordained, and that's how it really began. And it was something I really took to heart, because I didn't want to disappoint God again. I didn't want to backslide again. Because, you know, I strongly believed in the faith, and I believe in the faith, and I believe in the power of Jesus, and I didn't want to be that person that Okay. Today I'm going to be faithful to the God and to His Word. But then, you know, then on the next day, you know, you're finding me, you know, yeah, in the liquor store, or, you know, this, doing this, or, you know, in the club. I didn't want to be that person. Yeah, I was, I was sincere, and I was very gung ho, and I wanted to live out this life. I wanted to see what the calling was going to be in my life. And I loved ministry. I loved the word, because I was already an art historian. So I loved history. And so the Bible is all you know, it's something history. It's history. Yeah, it's relevant. History to me, it's alive and active, sure. So it was perfect. It was a perfect pairing for me, and that that's really been my pursuit many these years.   Michael Hingson ** 46:37 So when did you become a minister?   Kay Thompson ** 46:41 Actually, when I, when I was telling you about that fast and when I heard the word preach, essentially when I heard that word preach between me and God, that was when I became a minister. Time wise. When was that time wise? Okay, that was probably 94 Okay. I Yeah, all right.   Michael Hingson ** 47:00 So you were, you were clearly a preacher during a lot of the time with your your second husband, and so on, and, and I am so glad that he at least did explore and and and learn so much. So that's a that's a cool thing. But you've also done some other things. You deal with real estate, you're a TV show host, you're an author and well, business owner, yeah, but I want to, I want to learn more about some of those. But what kind of challenges have you faced in the ministry?   Kay Thompson ** 47:42 Yeah. I would say some of the challenges are, you know, when you're in ministry, you have to preach or get yourself prepared for going before the people. It can be a very lonely lifestyle, yeah, yeah, even, even if you're married, even if you have children, it could still be a lonely and and demanding in its own right, because there is a mandate over your life to live and not according to what you see trending now. And, you know, when I, when I first got started in ministry there, the Internet was not the way it is now. No, no, definitely. Because, I mean, it was in 2000 that I got ordained. And I'm going to say the ministry had been, you know, it was just really starting to, I don't know you guess, she said, make waves. That's when all of the big evangelists were coming out, like, you know, the TD Jakes, the Paula white and the Benny Hinn and the Juanita Biden. That is around that time when those generation of preachers were really at the forefront, correct, low dollar and, you know, Bishop, Carlton, Pearson and Rod Parsley and all these, these names. That's when it really began to really pick up steam. And so that was the error that I started off in. And you wanted to be a person. You wanted to be relevant, but at the same token, you just trying to find that balance between family and ministry and and regular life. You know, can sometimes be really challenging, and I had to learn a lot about the order of things. You know, first it's God, then it's family, and then it's ministry. That's the order. But a lot of times we mix up God and ministry. So what we think is, you know, and. Aspect of things that we think that are God, that are actually ministry, and they supersede your family. That's where you know you can really run into some trouble. So that balance between those different aspects of my life, it was difficult, and then as a person who had a a more a prophetic, a revelatory call. On top of that, God is showing you things about people, about, you know, situations that you don't necessarily ask to know about, you know. And the Bible says, you know, with much knowledge can often come sorrow, you know. And that's when you begin to see God really unveiling and revealing things about people and about yourself. Because you have to be able to, you have to be able to look at yourself and not get too self righteous, right? If God is showing you these things. But in the same token, you don't want to, you know, you say, Okay, God, you're showing me this. What do you want me to do with this? And you know, somebody else might say, Okay, you need to go tell that person what God showed you. You know, I saw you doing this. You better stop, you know, doing this. And then, you know, so busy pointing the finger. Yeah, but you have to remember, you know, and it's, it may be cliches, but you've got three pointing back at you. And so there is, you know, you you've gotta be able to stay humble and yet still balance your family and still, you know, uh, not think yourself to be more than what you are, and yet realize that God has called you to do more in ministry than the average person. So yeah, it can be challenging, but I wouldn't change it for anything.   Michael Hingson ** 51:55 It can be a challenge, but at the same time, you clearly were called to do it, and you work at keeping perspective, and I think that's the important thing, which goes back to college, which helped you learn a lot of discipline, and you get to use that discipline in a different way, perhaps, than you right, you figured out in college. But discipline is discipline, yeah. Well, how did you then get into something like the media and start being a TV show host and those kinds of things?   Kay Thompson ** 52:26 Yeah, so I have a wonderful, wonderful pastor who really takes time to work with their their members and find out what your gifts are, what your talents are, and use them. And so I So, let's just say so I was an artist. Okay, bottom line, I was a sculptor, painter, award winning painter, by the way. Let me just tell you now, you know the first or second painting I did, I entered it into a contest at the college, and I won an award, so I had a gift for this design, but in my time we were transitioning to graphic design, graphic design became the big thing, and I never had if I had the aptitude to do computer science, which, bless his soul, my beautiful son is a computer scientist, right, you know, but that gene, this, that gene, skip right on over me. I was not the math person, and when you said physicist, I said, Hmm, that that, you know, that gene just, just totally went around me,   Michael Hingson ** 53:41 yeah, so you don't know anything about 32 feet per second squared anyway, no,   Kay Thompson ** 53:45 I'm about to say, I trust you, whatever you say, you know, and it's the funny thing is, my father was a mathematician, my older brother was a chemical engineer, and Me, you know that I struggle just to pass geometry. Okay, so no, I was the artsy person.   Michael Hingson ** 54:07 Um, that's fine, but I was, yeah. How'd that get you to the media?   Kay Thompson ** 54:12 Yeah, so I was going to say, so, the combination what happened is my pastor knew a pastor who was looking for a part time job, looking for someone to have a part time job, because he had a he had his own publishing company in his house. He at the time he was he published a book that we talked about church growth. And this was at the time when the Purpose Driven Life, The Purpose Driven Life was a purpose driven church came out. It was a huge success. And he the same thing happened with him here in Atlanta, but no publishing company wanted to take. Make his story, because that's the, you know, the whole the society was inundated with this purpose driven church, you know, it was already written about. It was already done. They didn't want his story. So he decided to create his own publishing company, and it was in the basement of his mansion, and he was looking for someone to be the secretary. So I came in that I was, it was a friend of a friend of friend. They hired me, and I started working for him as a as a secretary. And then they would bring these books over, and he would, you know, send them out to be edited, and then bring them back. And then I would have to mail it out to the to the printer and one of the books one day, and I saw it, and I noticed there were still typos in it. I said, Sir, there's still typos in your book. Oh, really, yeah. And he had already paid this person $1,000 so I went back through it, found all these typos, and that's how I got into publishing, publishing my own books and and everything like that. But then one day, my pastor said, Hey, Kay, why don't you do a radio show? I was like, okay, sure, right, because I had met so many people in ministry from doing their books. So I called the radio station, the local am station, and I said, Hey, how much does it cost to do a show, blah, blah, blah, blah. And I was sponsored by my pastor and some other people, and I started a 30 minute show every week. It was called personalities, profiles and perspectives, the three teams, and I would interview people, gospel artists, pastors, you know, just politicians, you know, just people. I would reach out to them. Next thing I know, I got hired by a station in another station in Atlanta. It was called wg, I don't know if you remember, well, you, you probably don't, because you're not from Atlanta, right? But it was W G, U N, 10:10am, in Atlanta, the biggest am station aside from WSB radio, which is WSB 750 the major news network, right? WGN, 1010. Was a huge station, and I got hired by them. I was a DJ. It was a gospel station, and I ended up being the program director, and did a lot of, you know, voiceovers. I did shows, I did production. That's how I got into radio. And I loved it. I loved radio. I loved anything to do with media. It was just I knew it. I got bit with the bug when they opened up that hot mic. That was it. I was in my element. So that's how I got into radio. And then you went to TV. And then I went to TV, yeah, went to TV. Well, what happened is, I was writing books, and there is a station here in Atlanta, W ATC TV 57 and they interview people all over, actually, all over the country. You can come from wherever we know, we've had big names, you know, all kinds of people and local people. And that's one thing about it, is that local people in ministry could go there. They could sing, if they were music artists, they could, you know, talk about their books, talk about their ministry. And so I went on and talked about my book, and next thing I know, I got called in to be a host, and so I've been hosting now for about five years. Wow. You know, on and off. You know, the the show has different hosts each, and I do a couple of times a month. Okay, I'll actually be on there shortly, again in a few days. So   Michael Hingson ** 58:57 tell us about your books. You've mentioned books several times. Did you publish your own books? Okay, so tell us about your books.   Kay Thompson ** 59:06 So yeah, the first four books, well, I've done I've had four books which were on prophecy. The the main title is prophecy in the 21st Century. And then I did four different volumes. The first one was the role of prophecy in the new millennium. And basically that one was written in, I'm going to say around 2012 somewhere about 2012 and it talks about the relevance of prophecy with regard to the millennial generation, and how this you can help steer direct and go alongside millennial mindset, millennial and many millennial aspects of this generation. And then the second book was also the set under the same volume, the same name. Prophecy in the 21st Century, the role of and the second the first one is the role of prophecy in the new millennium. The second one was prophetic healing. And prophetic healing talks about prophecy and healing in the Bible and how prophetic people who operate in the prophetic can help bring forth, healing, societal, healing, relational, healing, physical, healing, financial. And then the third one was about prophetic women. And these are women in the Bible that had a prophetic calling, not necessarily called a prophetess, but display those characteristics of women that operate in Revelation and that sort of gift. And then the fourth one was called the leadership mandate, and it talks about leader and how leaders navigate in the prophetic arena and the characteristics that people ought to have, and leaders in the Bible that also operated in that revelation or that. And then the last book I wrote was called the 30 names, or not the but 30 Names of God, because there are so many more names that God is known by. But I chose 30 names that really stood out to me as what God has called. You know Jehovah Gabor. You know the warrior one fights for us. You know Jehovah Jireh, of course, we know that's our provider. Mm, hmm, Jehovah Rapha, our healer. So I found 30 names that really stood out to me, and I spoke about those in that book. So those are the books that I have, and then I've got another book that will be coming out within the next year, and and it is about healing. So those are my books, and I've published those books. And not only do I, I didn't start off publishing my own books. I started off publishing for other people, right? Because the more I worked in that field, the more I found that I could do better financially if I did it myself. Yeah, so and I, and I, one thing about it is that as a result of being an artist, that the graphic design, computer graphics, came really easy to me, I'll bet. So, yeah, so someone could hand me a manuscript. I had the editing skills right for my mother. So I could edit your book. I could create the design. I could format it. I You. Hand me your manuscript, I hand you back your finished product. So for me, you know, the cheapest person that you know, I pay the least amount because so I can publish as many books as I could write, probably, you know, but that's how I really got started doing that, and then I began to do it for other people, other leaders, other pastors, friends, you know, just people that want that service. I provide that service. And so that's how that really got started.   Michael Hingson ** 1:03:12 Now we don't have a lot of time, but I just curious. You also do something in real estate.   Kay Thompson ** 1:03:19 I do, yeah, I I got my license in 2005 and maybe one year, maybe one year, and then I got out of it right away. Life happened, and then I came back in 2022, and began to did it full time. And so I love it. I love real estate. Right now I'm in residential, but I do some commercial, and the ultimate goal is to do mostly commercial and to have a space. The goal for commercial is to really help others entrepreneurs who are interested in having businesses offline, giving them an opportunity to have a space that is little to nothing, and that's one of the ways that I really want to give back, is to be able to offer that opportunity for people out there to help others to achieve that same goal. And so I believe in entrepreneur. I've been an entrepreneur for 17 years now. So, yeah, have a heart for that. So I want to see other people get through that challenge and be successful. So, and I know it takes money,   Michael Hingson ** 1:04:37 but in real estate helps.   Kay Thompson ** 1:04:39 It definitely helps. Yeah? Well, real estate is constantly going up, you know, even if the market is down and even if finances are down, real estate is something that is immovable,   Michael Hingson ** 1:04:52 so go back up.   Speaker 1 ** 1:04:54 Yeah, yeah, for sure, and   Michael Hingson ** 1:04:57 you clearly enjoy everything that you're. Doing, which is the important thing, yes, I have that is that is really cool, and I am so glad that we had a chance to talk about all this, needless to say, and I want to thank you for being on unstoppable mindset. Clearly, you have an unstoppable mindset, and you exhibited in so many ways. So I really want to thank you, but I also want to thank all of you for listening out there, wherever you happen to be, if you'd like to reach out to KK, how can people find you?   Kay Thompson ** 1:05:31 They can go to my website. It is my name, K Thompson, dot, O, R, G, all my books are there? Contact information, some of my podcasts. You can watch some of Atlanta live the videos of the shows. It's all on my website,   Michael Hingson ** 1:05:49 all right, and that's in in the notes and so on. So, k, a, y, T, H, O, M, P, S O, n.org, correct. So hope that you'll all go there and and check Kay out and and communicate with her. I'm sure that she would love, and I would love to know what you think and get your thoughts about today. So please feel free to email me at Michael, H, I m, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, wherever you're observing our podcast today, please give us a five star rating. We value very highly your reviews, and we, of course, love them most when you give us a five star review. So please do that. And Kay, for you and for everyone who is out there today, if you know anyone else who ought to be on unstoppable mindset, I would really appreciate it if you'd introduce us and we will bring them on the podcast, because we're always looking for people who have stories to tell about their lives and being unstoppable. So please don't hesitate to let us know. You can also go to our podcast page, which is Michael hingson, M, I, C, H, A, E, L, H, I N, G, s o n.com/podcast, so we'd love you to do that as well. But again, really appreciate all you being out there and listening to us and and I'm sure you you like, like, I have gotten some wonderful things out of talking with case. Okay, once again, I want to thank you for being here. This has been absolutely wonderful.   Kay Thompson ** 1:07:22 Well, thank you. I really enjoyed it. I appreciate you asking me to be here and just so glad to be able to share with you today your audience. Really appreciate it.   Michael Hingson ** 1:07:37 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Consuelo Casula ist Psychologin, Psychotherapeutin und Ausbilderin für klinische Hypnose. Sie war Präsidentin der Europäischen Gesellschaft für Hypnose (ESH) und ist international bekannt für ihre Arbeit mit Metaphern in der Psychotherapie. In ihrer therapeutischen Haltung verbindet sie systemische Ansätze mit hypnotherapeutischer Sprachkunst – beeinflusst unter anderem durch Milton Erickson, Kay Thompson, Jeffrey Zeig und Teresa Robles. Neben ihrer Tätigkeit als Therapeutin und Dozentin ist sie auch als Autorin zahlreicher Fachbücher tätig – darunter „Die Schuhe der Prinzessin“ und „Die Kunst der Metapher“ (beide Titel frei aus dem Italienischen übersetzt). In dieser Interviewfolge erfährst du: Wie Consuelo Casula über Freud zur Psychotherapie kam. Warum eine Begegnung mit Kay Thompson ihre therapeutische Richtung entscheidend veränderte. Welche Rolle Metaphern in ihrer Arbeit spielen – und warum das „Stachelschwein“ zu ihrer Lieblingsmetapher wurde. Wie sie mit dem Altern umgeht – und was „Aging with Grace“ für sie bedeutet. In welchen sieben Lebensbereichen sie persönliche Flexibilität als zentrales Therapieziel versteht. Wie ihr Aufenthalt im Krankenhaus zu einer existenziellen Selbsterfahrung wurde. Was es braucht, damit Frauen in therapeutischen Kontexten mutiger ihre Stimme erheben. Warum es manchmal einfach den richtigen Partner braucht, der sagt: „Geh nach Phoenix.“ Eine Folge voller Lebensklugheit, therapeutischer Erfahrung und poetischer Tiefe.

"Come to the Mardi Gras" - Bing Crosby; "How Soon (Will I Be Seeing You)" - Bing Crosby; "Jubilee" - Kay Thompson, Williams Brothers, & Bing Crosby; "Ain't Cha Ever Comin' Back?" Bing Crosby

This episode was originally released on 6/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS's Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy's Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley's insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy's Tavern: Where the Elite Meet To Eat • Norman Corwin's Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. Featured in today's episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran's WTIC Golden Age of Radio program, who's episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who's interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today's Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como

Leah Porter is back for our first Discovery Dialogues episode of 2025! This episode is jammed packed with thoughts on television, podcasts, parades, kids and phones, and giant pumpkins! Before diving in, Andrew Reich joins Gray for a quick explanation of an upcoming public hearing by Harrison County Planning Commission. The Planning commission has proposed a six month moratorium on zoning designations of R2 and R3, high density housing. Also, IMPORTANT: We need shout-outs! Please send us who you think is doing awesome stuff here in Harrison County! Click here to submit your shout-out.THINGS MENTIONED IN THIS EPISODE:The White Lotus on HBOAdolescence on NetflixRadio Lab: GrowthOne Day, Everyone Will Have Always Been Against This by Omar El-AkkadThe Treehorn Trilogy by Florence Parry Heide, illustrated by Edward GoreyThe work of Peter BrownEloise by Kay Thompson, illustrated by Hilary Knight

Support Breaking Walls at https://www.patreon.com/thewallbreakers By November of 1944 Suspense was pulling a rating of 10.4. There were now more than eight million people tuning in. Roma wines was satisfied as Suspense was providing stiff competition to The Frank Morgan Show running opposite on NBC Thursday nights at 8PM eastern time. On November 9th Lena Horne guest-starred in a Robert L. Richards script called “You Were Wonderful” about the murder of a nightclub singer in South America. Horne is the visiting American singer intent on solving the crime. Lena Horne was born on June 30th, 1917 in Brooklyn, New York. Both sides of her family were multi-racial with both African and Native American heritage. Her father Teddy was a one-time owner of a restaurant and hotel while her mother Edna was an actress with a traveling theater troupe. As a young girl Lena's father left the family to move to Pittsburgh, while Lena traveled with her mother around the country before returning to New York City when she was twelve. Lena dropped out of high school at sixteen and joined the chorus line at the Cotton Club. In 1935 she made her first screen appearance as a dancer in Cab Calloway's musical short Jitterbug Party. She got married in 1937, but soon separated from her husband, first touring with bandleader Charlie Barnet in 1940 before returning to New York to work at Cafe Society in Greenwich Village. She soon replaced Dinah Shore as vocalist on NBC's The Chamber Music Society of Lower Basin Street and recorded with Henry Levine and Paul Laval, in June 1941 for RCA Victor. Horne then left New York City for Hollywood, being hired to perform in a Cotton Club-style revue for Cafe Trocadero on the Sunset Strip. In 1942, when she became the first African-American with a major studio contract, it was with the understanding that she wouldn't be obligated to portray servants—a condition that handicapped her entrée into mainstream Hollywood movies. She soon appeared in the films Panama Hattie, Cabin in the Sky, Stormy Weather, Thousands Cheer, Swing Feever, Broadway Rhythm, and Two Girls and a Sailor. With the exceptions of Cabin in the Sky and Stormy Weather, Lena's early screen appearances were often designed as standalone musical numbers that could easily be cut out in prejudice Southern markets unaccepting of African American performers. Horne's Suspense appearance was big news. Both Spier and his wife Kay Thompson, a friend who worked with her at MGM, pressed the movie studio to allow her to headline the show. Network executives at CBS were concerned that Roma might pull its contract if Southern stations didn't want to air the program. Thompson agreed to appear as Horne's uncredited backup singer in three musical numbers, which Thompson arranged. MGM's publicity department got to work and given the unfortunate day's climate, Horne's appearance was heralded as one of the more daring and successful half hours of network drama at the time. She is the first and only African American to headline Suspense. “It was an event of terrific importance to Lena,” noted Movieland magazine, “for the first time a performance of hers was judged on merit alone; she was announced only as the star of the play, without reference to her race.” Spier noted that in the studio, Lena “seemed so poised, so sure of herself and her every speech, so business-like in her approach to the role.” However when she grabbed his hand for encouragement, she was ice cold. Part of it was performance nerves, but a lot of it came from the anxiety of getting the chance to publicly justify her talent. Horne later said, “Bill was marvelous and intelligent. Anyone married to Kay would have to be strong.” It was an especially memorable and proud evening for members of the African-American community who were glued to their radios in record numbers.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Willam Spier was born on 10/16/1906 in New York City. He began his career as an editor at Musical America Magazine, eventually becoming its chief critic. His radio career began in 1929, when he produced and directed The Atwater-Kent Hour, a Met Opera presentation. He soon became a valuable member of BBD&O's growing staff of radio writers & directors. In 1931 Spier went to Hollywood to direct one of the first big budget radio programs in southern California. Coming back to New York, he was one of the people responsible for the creation of The March of Time. In 1940 Spier left BBD&O & began working for CBS. He was soon their story editor. Meanwhile, CBS decided to bring Forecast back. Season two premiered on 7/14/1941, with a play from Hollywood called The Arabian Nights. It starred Marlene Dietrich & was directed by Charles Vanda. The following week Kay Thompson starred in 51 East 51 from New York. It was an on-the-scene comedy at a fictitious upscale New York bar. Her director that evening was Bill Spier. The two were soon dating, marrying in 1942. Two weeks later, Spier produced & directed a Forecast episode called Song Without End, starring Burgess Meredith & Margo. It was to be a biopic on musicians and composers. That autumn Vanda & Spier were in New York, pushing for the launch of Suspense as a CBS cost-sustained show. On Sunday 12/71941 Japan attacked Pearl Harbor & Manilla, finally thrusting the US into World War II. The next Sunday, as CBS prepared for the Monday multi-network broadcast of Norman Corwin's We Hold These Truths, Bill Paley finally approved Suspense's launch as a thirteen-week summer series in 1942. Vanda got Harold Medford to come East to write. Although Bill Spier was head of CBS's New York Story Department, it was Harold Medford who polished the first seven shows. Vanda also got CBS musician Bernard Herrmann to compose the show's score. Suspense premiered on Wednesday June 17th, 1942 at 10:30PM eastern time. The first episode, “The Burning Court” was adapted from a story by John Dickson Carr. Seeking a star, Vanda chose Charlie Ruggles. Known for his comedic flair, Ruggles was in New York for the opening of his latest film, Friendly Enemies. Vanda believed that Suspense could cast against type. It came to be a show staple. Charles Vanda wound up only being in charge of the first five shows. He went into the army. The second show was the John Collier mystery “Wet Saturday,” a grim tongue-in-cheek tale of murder. The final three shows by Vanda were a take on the Lizzie Borden case, a murder story aboard a train, & a thrill kill, “Rope” that Alfred Hichcock later shot with James Stewart. With Vanda entering the service Bill Spier took over the production. Spier's first episode as producer was on 7/22/1942. On 9/2 Suspense broadcast Lucille Fletcher's “The Hitchhiker.” At the time Fletcher was married to Bernard Herrmann. “The Hitchhiker” starred Orson Welles. Welles & Spier had known each other since The March of Time. Welles just returned from Brazil where he'd been promoting greater Pan-Americanism on behalf of RKO. It was his first appearance on Suspense. When the thirteen-week summer run ended, CBS was set to cancel the series. The last episode was called, “One Hundred In the Dark.” It aired on September 30th, 1942. In the end Suspense was saved by the amount of fan mail & phone calls to CBS. Spier pushed to link the show with a prestigious mystery author. He approached the agent of John Dickson Carr, who'd written “The Burning Court,” & a deal was soon in place for him to write exclusively for the program. CBS picked up Suspense for the fall season and put it on the air Tuesdays at 9:30PM beginning 10/27. John Dietz returned as director and a foreboding narrator, “The Man In Black,” was played by Ted Osborne.

PART TWO of a two-part series

In this episode of the SCBWI Podcast, we are joined by Tracy van Straaten!TRACY VAN STRAATEN, Founder and PresidentFounded in 2019, TvS Media Group LLC  is an award-winning boutique public relations and consulting firm specializing in book publishing, entertainment, and brand management, with particular expertise in children's and young adult media. Founder and President Tracy van Straaten has more than 30 years of publicity, communications, and marketing experience, and she has created hundreds of campaigns for bestselling, award-winning, and debut authors, as well as beloved characters, celebrities, and brands.Over the course of her career, she has directed media campaigns and strategy for more than 200 New York Times bestsellers, including Suzanne Collins's bestselling The Hunger Games series; He's Just Not That Into You by Greg Behrendt and Liz Tuccillo; Olivia by Ian Falconer; and the re-launch of the Eloise series by Kay Thompson and Hilary Knight, for which van Straaten received a Literary Marketplace (LMP) Award for publicity campaign. Her longstanding media and industry relationships and vast network of national contacts across all media platforms have resulted in an impressive track record of high-profile placements. In 2023, TvS Media Group was awarded a Public Relations Society of America (PRSA) Chicago Skyline Award of Excellence and a Publicity Club of Chicago Golden Trumpet Award for the media campaign for the 30th Anniversary of Goosebumps by R.L. Stine.Tracy van Straaten has held publicity and marketing positions at Little, Brown and Company, HarperCollins, William Morrow, Simon & Schuster, and, from 2006-2019, Vice President of Communications, Publicity, and Educational Marketing for the Scholastic Trade publishing division. She served on the board of the Children's Book Council, holds a B.A. in English and Art History from Hamilton College, and earned a master's degree in Children's Literature from Simmons University in Boston. In 2017, she received the Simmons University Alumni Achievement Award for Excellence in Children's Literature. She currently serves on the board of The Carol Shields Prize for Fiction.Check out their services here: https://www.tvsmediagroup.com/servicesSupport the Show.

EPISODE 93: Jim Caruso made his Broadway debut singing Kay Thompson arrangements alongside Liza Minnelli in the Tony Award-winning Liza's At The Palace.  He has performed at The Carlyle and Algonquin Hotels, Carnegie Hall, Lincoln Center, the United Nations, and the White House, winning numerous MAC, Nightlife and Bistro Awards. For the past twenty years, he has produced the Broadway at Birdland concert series and celebrated talent at "Jim Caruso's Cast Party" at Birdland in New York City, as well as in Los Angeles, Las Vegas, London, San Francisco, Dallas and on the high seas.  His recordings include “Live and In Person,” “The Swing Set,” “Christmas at Birdland,” and “The Sunday Set.”   jim-caruso.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

This is a totally surprise conversation. Recently a friend of ours, Davi Mondt Lowman made me aware of a project that had been going on in the tiny town of Cambridge, Iowa.  That project has become the 1850 Homestead and barn which recently opened its doors to the public. I took my radio gear to an open house and, as luck would have it, I was able to sit down with Margret Freeland Nelson (family of the homesteaders), Kay Thompson who now owns the barn and her daughter Michelle Reisberg who, with her husband Bill, now manage the facility that is open for a host of public and private events.  We think you'll enjoy this story. Thanks for listening! The award winning Insight on Business the News Hour with Michael Libbie is the only weekday business news podcast in the Midwest. The national, regional and some local business news along with long-form business interviews can be heard Monday - Friday. You can subscribe on  PlayerFM, Podbean, iTunes, Spotify, Stitcher or TuneIn Radio. And you can catch The Business News Hour Week in Review each Sunday Noon on News/Talk 1540 KXEL. The Business News Hour is a production of Insight Advertising, Marketing & Communications. You can follow us on Twitter @IoB_NewsHour...and on Threads @Insight_On_Business.

Welcome to the Early Edition of the Business News Headlines for Friday the 15th day of September and in a moment we'll share why we are doing an "early edition". Also, make sure you click ahead for the conversation about the historic 1850 Homestead. It's a fun family story about Norway, Illinois, Iowa and a beautiful barn that has opened for public and private events.  If you want to reach us on social media and if you're on Threads you can find  us @Insight_On_Business. And you can hook up with us all day on Twitter or "X" @IOB_NewsHour and on Instagram.  Here's what we've got for you today: How many UAW workers walked off the job? We'll share; A social media giant has been hit with a massive fine and why; Some Boston Market locations have re-opened and why they were closed; Starbucks to change their cups...will you go along with it? Disney, a pastor and "resisting authority".  No, really; A quick programming note; It's called "retail shrink" and the numbers are massive. For the interview you'll meet Margret Freeland Nelson whose family owned the 1850 Homestead location for generations, Kay Thompson who with her husband now own the barn and Michelle Reisberg who, along with her husband, manage the site that is now open for public and private events.  It's quite the story. To listen, click this link. Thanks for listening! The award winning Insight on Business the News Hour with Michael Libbie is the only weekday business news podcast in the Midwest. The national, regional and some local business news along with long-form business interviews can be heard Monday - Friday. You can subscribe on  PlayerFM, Podbean, iTunes, Spotify, Stitcher or TuneIn Radio. And you can catch The Business News Hour Week in Review each Sunday Noon on News/Talk 1540 KXEL. The Business News Hour is a production of Insight Advertising, Marketing & Communications. You can follow us on Twitter @IoB_NewsHour...and on Threads @Insight_On_Business.

Front Row Classics says "Bonjour, Paris!" as we celebrate 1957's Funny Face. Brandon is joined this week by Brett Rutherford and Vanessa Ferguson from Beyond the Mouse. The trio discuss Stanley Donen's classic musical, which features the only pairing of Fred Astaire and Audrey Hepburn. The hosts discuss their favorite musical numbers and pay tribute to the talented artists who brought this film to the screen. Special attention is also given to the legendary Kay Thompson in one of her only screen roles. We hope you'll be saying this episode is truly S'wonderful! 

On today's episode, the crew discusses potential moves for both the Clippers and Lakers after they missed out on trading for Kyrie Irving, whether LeBron's frustration with the Lakers not being able to bring Kyrie in will lead them to be pressured into making a move, and Shams Charania gives insight into how Luka's been feeling in the aftermath of the team's new addition. Then, they talk about the Phoenix Suns' new owner, Mat Ishbia, getting approval from the other league owners and Kay Thompson's 42-point performance against the Thunder.

Before she was ten years old, Evelyn Rudie earned an Emmy nomination for her performance as Eloise in a TV adaptation of Kay Thompson's classic children's book. She also made two appearances on Suspense, including a holiday offering from "radio's outstanding theater of thrills." We'll hear her as a little girl who wants a dog for Christmas in "Dog Star" (originally aired on CBS on December 22, 1957). Then, she's got a new imaginary friend and a new game in an adaptation of Ray Bradbury's "Zero Hour" (originally aired on CBS on May 18, 1958). Plus, as a bonus, we'll hear "The Cave," another Suspense Christmas story about two boys who discover a world of adventure when they go exploring on Christmas Day (originally aired on CBS on December 20, 1955).

At our recent event we had three incredible individuals join us on stage to share a part of their story of struggle to redemption. At our event in September, everyone in the room wrote down things they were struggling with and laid them down at the front of the stage. Those were gathered and read through by our team and there was a recurring theme of fear and anxiety throughout each one. We decided to focus on that as a theme for this panel along with some advice from Kay Thompson who is a counselor here in West Georgia. Enjoy and share with someone who needs some encouragement!

Happy Birthday to Kay Thompson! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

The dollar bill belonged to the friend of Kay Thompson's father-in-law — it lists the locations in Europe the man was stationed in WWII. WBZ's Brooke McCarthy has more:

En prévision de la prochaine séance du All That Jazz Cinema Club (infos sur nos réseaux sociaux), on vous parle du film Drôle de frimousse (Funny Face) de Stanley Donen. En 1957, à la fin de l'âge d'or de la comédie musicale, ce film réunit pour la seule et unique fois à l'écran Fred Astaire et Audrey Hepburn, à Paris, dans l'univers de la mode. On parle aussi des chansons de Gershwin, de la formidable Kay Thompson... et de philosophie ! Plus d'info : https://allthatjazzpodcast.wordpress.com/2022/02/17/794/

It's a long one, and we're not sorry. Matt's back on the pod to talk about his wealth of knowledge on Audrey Hepburn, as well as breaking format to discuss in length this bonkers of a movie. Jon and Matt fall in love with Kay Thompson, have thoughts on Fred Astaire's singing and dancing, and gush over the clothes. We promise you that you'll be entertained this episode - just stick through it!Matt's Instagram: @mattkoplikPodcast Socials -Email: butasongpod@gmail.comInstagram: @butasongpodTwitter: @butasongpodFacebook: @butasongpodNext episode: Muppet Treasure Island!

This episode of the Chevrolet Musical Moment program August 25, 1938. Kay Thompson performs. Chevrolet used music to attract car buyers. In the 1930's Chevrolet dealers could by syndicated episodes of Musical Moments to broadcast in their local market area. This underscores one of the biggest differences between Chevy and their rival, Ford -- marketing. Musical Moments was produced by the World Transcription Service in 1935 and 1936, and local Chevrolet dealers could pay (or, possibly were required to pay) for them to be played over their local stations. Music was provided by David Rubinoff and his Orchestra, who were veterans of The Chase and Sanborn Hour and Rubinoff had his own program on NBC during the same period as the Musical Moments broadcasts (Rubinoff's $100,000 Stradivarius violin was nearly as famous as he was). Announcing duties and the description of the latest Chevy models were handled by Hugh Conrad or Graham McNamee. Fifteen minutes of music might not have been enough to get you to by a 1936 Chevy for Christmas, but it certainly could have put the notion in your brain! (These notes were from OTRcat.com) Kay Thompson (born Catherine Louise Fink; November 9, 1909 – July 2, 1998) was an American author, singer, vocal arranger, vocal coach, composer, musician, dancer, actress, and choreographer. She is best known as the creator of the Eloise children's books and for her role in the movie Funny Face.

Indy goes to Paris with Audrey Hepburn and Fred Astaire in Funny Face, Sam likes Tara Westover's Educated so much she double recommends it, then we preview next week's deep dive, the classic film noir Double Indemnity.   Funny Face is a 1957 American musical romantic comedy film directed by Stanley Donen and written by Leonard Gershe, containing assorted songs by George and Ira Gershwin. Although having the same title as the 1927 Broadway musical Funny Face by the Gershwin brothers, and featuring the same male star (Fred Astaire), the plot is totally different and only four of the songs from the stage musical are included. Alongside Astaire, the film stars Audrey Hepburn and Kay Thompson.   Educated (2018) is a memoir by the American author Tara Westover. Westover recounts overcoming her survivalist Mormon family in order to go to college, and emphasizes the importance of education in enlarging her world. She details her journey from her isolated life in the mountains of Idaho to completing a PhD program in history at Cambridge University. She started college at the age of 17 having had no formal education. She explores her struggle to reconcile her desire to learn with the world she inhabited with her father.   Funny Face Trailer: https://www.youtube.com/watch?v=Hs6ASCq9YtY&ab_channel=AdlerangriffeAdlerangriffe Educated by Tara Westover: https://en.wikipedia.org/wiki/Educated_(book) Double Indemnity Trailer: https://www.youtube.com/watch?v=S3wjJcuGsVE

In this film review episode, we continue to honor our May celebrity birthdays and discuss the wonderful movie, “Funny Face”, starring Fred Astaire, Audrey Hepburn and Kay Thompson.

Today is the 122nd birthday of Fred Astaire. Naming his best work is pointless, it is all flawless. Naming one of my favorite pieces is easy, I absolutely love the “Clap Your Hands” piece from Funny Face he performs with Kay Thompson (included below). Absolutely brilliant. The world is a better place because he was in it and still feels the loss that he has left. This episode is also available as a blog post. --- Send in a voice message: https://anchor.fm/waldina/message

Today, I am honored to welcome legendary artist and illustrator Hilary Knight to the podcast. Tune in to hear about designing a costume for Elaine Stritch, why he had to fly to Rome for Kay Thompson, the children’s book series he didn’t enjoy working on, his three exotic influences, where the design for Eloise really came from, painting a mural for Tommy Hilfiger, Eloise’s real life room at the Plaza, plus stories about George Abbott, Irene Sharaff, Andy Warhol, and more.

Kay's perspective as a self-expressed 'back of the pack' runner has resonance with the human as much as it does the runner within us - it's about the shared goals of self improvement, goal setting and health. Kay describes her GNR beginnings, being literally at the back at Poly sessions but not escaping the beastings, the legend that is Ron and her battles with injury and motivation. I was struck by Kay never giving up, working hard to progress and helping others when they joined the club. My thanks to Kay for an enlightening chat. *PS we both had wifi issues so forgive some iffy sound quality at times (note the uber slick start!) - this will be far easier when we can meet and do this over a brew...

From STUDIO 67 in Hollywood, it’s our BUDDIES LOUNGE HOLIDAY JUBILEE! Join the HO-HO-Host, the BIG W as he explores, with eggnog in hand, the Space-Age Pop Holiday Hi-Fi musical sounds of the 1950’s and the 1960’s in LIVING STEREO!! The playlist: Kay Thompson’s Jingle Bells - Andy Williams Frosty The Snowman - Ira Ironstrings I’ve Got My Love To Keep Me Warm - Della Reese I Saw Mommy Kissing Santa Clause - Al Hirt Mary Were Is Your Baby - Bobby Darin Jingle Bell Rock - Herb Alpert and the TJB Sleigh Ride - Ella Fitzgerald We Need A Little Christmas - Percy Faith Let It Snow, Let It Snow, Let It Snow - Frank Sinatra Holiday On Skis - Al Caiola & Riz Ortolani Cha Cha All The Way - Capitol Studio Orchestra Santa Claus Is Coming To Town - Steve Lawrence & Eydie Gormé Christmas Night in Harlem - Lester Lanin Mistletoe and Holly - Jack Jones Rudolph The Red-Nosed Reindeer - Three Suns It Happened In Sun Valley - The Modernaires / Tex Beneke White Christmas - Esquivel It Won’t Cool Off - Dean Martin Christmas Is The Season Of The Bells - Jo Stafford A Present For Santa Claus - Eddy Arnold Merry Little Christmas - Harry Simeone Chorale (Everyone’s Watin’ For) The Man With The Bag - Kay Starr Jingle Bells - Count Basie That Holiday Feeling - Juliette Little Drummer Boy - Arthur Lyman Mele Kalikimaka - Bing Crosby & Andrew Sisters Exotic Night - Martin Denny Medley: Parade Of The Wooden Soldiers/Toyland - The Living Guitars I'd Like You For Christmas - Julie London Santa Looked a Lot Like Daddy (Or Daddy Looked a Lot Like Him) - Buck Owens & His Buckaroos (There's No Place Like) Home for the Holidays (1954 Version) - Perry Como Winter Wonderland - The Golddiggers The Christmas Song Cha Cha - Hugo Winterhalter Baby, It's Cold Outside - Carmen McRae & Sammy Davis Jr Peppermint Stick Parade - Bobby Vinton One Little Snowflake - Mel Tormé Good King Wenceslas - Glad Singers Mr. Santa - Lenny Dee Captain Santa Claus - Bobby Helms Christmas In Killarney - Wyane King Here We Come A-Caroling - Ray Conniff & The Sin

Think Pink with this week's guest, Kay Thompson! Will she make it on our list? Join the party and find out? Website: hollywoodpartypodcast.com YouTube: https://www.youtube.com/c/LaurenSemarHollywoodParty IG: @hollywoodpartypodcast Logo: @kellyrobyn.co Theme music: Berkley Gedney Background music: epidemicsound.com And like all group projects in high school, I did everything: researched, written, narrated, edited by me: Lauren Semar --- Support this podcast: https://anchor.fm/hollywoodparty/support

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast NOVEMBER 9 NATIONAL LOUISIANA DAY Ryan Murphy, Dorothy Dandridge, Hedy Lamarr, Karen Dotrice, Lou Ferrigno , Ed Wynn, Nikki Blonsky , John Megna, Edna May Oliver, Fernando Meirelles, Nick Lachey, Giovanna Mezzogiorno, Marco Bellocchio, Bille August, Carl Sagan, Kay Thompson, Marie Dressler --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

Illustrator and writer, Hilary Knight, chats with Giuseppe Castellano about his life and work as an illustrator; his service for the U.S. Navy during World War II; his up-and-down relationship with Kay Thompson; the creation of “Eloise”; the mysterious theft of his “Eloise” painting from The Plaza hotel in 1960; and much, much more.

The holidays are upon us here at the library and we couldn't be more excited. Tune in to hear all the holiday happenings around Tiny Town, take notes on our Best of 2019 book recommendations, and learn how you can help your neighbors this season from the chair of Neighbor 2 Neighbor Rich Master. Happy Holidays! For more information, donations, and volunteer opportunities for Neighbor 2 Neighbor, please visit their website here . Best Reads of 2019: Amy: The Last Romantics by Tara Conklin Ask Again Yes by Mary Beth Keane The Night Tiger by Kangsze Choo The Nickle Boys by Colson Whitehead The Dutch House by Ann Patchett The Ninth House by Leigh Barugo JoAnn: Nothing to See Here by Kevin Wilson Bonnie: She Said by Jodi Kantor and Megan Twohey   Holiday Book Recommendations: Amy: Santa Mouse by Michael BrownFather Christmas by J.R.R. TolkeinChristmas Cookies by Jennifer Darling JoAnn: Pick a Pine Tree by Patricia Toht The Bird in Santa's Beard by Don Rutt and Jeffery Schatzer Bonnie: The Jolly Christmas Postman by Janet Alberg Eloise at Christmastime by Kay Thompson  

From STUDIO 67 in Hollywood, it’s our BUDDIES LOUNGE HOLIDAY JUBILEE’s for 2019! Join the HO-HO-Host, the BIG W as he explores, with eggnog in hand, the Space-Age Pop Holiday Hi-Fi musical sounds of the 1950’s and the 1960’s in LIVING STEREO!! The playlist: Kay Thompson’s Jingle Bells - Andy Williams Frosty The Snowman - Ira Ironstrings I’ve Got My Love To Keep Me Warm - Della Reese I Saw Mommy Kissing Santa Clause - Al Hirt Mary Were Is Your Baby - Bobby Darin Jingle Bell Rock - Herb Alpert and the TJB Sleigh Ride - Ella Fitzgerald We Need A Little Christmas - Percy Faith Let It Snow, Let It Snow, Let It Snow - Frank Sinatra Holiday On Skis - Al Caiola & Riz Ortolani Cha Cha All The Way - Capitol Studio Orchestra Santa Claus Is Coming To Town - Steve Lawrence & Eydie Gormé Christmas Night in Harlem - Lester Lanin Mistletoe and Holly - Jack Jones Rudolph The Red-Nosed Reindeer - Three Suns It Happened In Sun Valley - The Modernaires / Tex Beneke White Christmas - Esquivel It Won’t Cool Off - Dean Martin Christmas Is The Season Of The Bells - Jo Stafford A Present For Santa Claus - Eddy Arnold Merry Little Christmas - Harry Simeone Chorale (Everyone’s Watin’ For) The Man With The Bag - Kay Starr Jingle Bells - Count Basie That Holiday Feeling - Juliette Little Drummer Boy - Arthur Lyman Mele Kalikimaka - Bing Crosby & Andrew Sisters Exotic Night - Martin Denny Medley: Parade Of The Wooden Soldiers/Toyland - The Living Guitars I'd Like You For Christmas - Julie London Santa Looked a Lot Like Daddy (Or Daddy Looked a Lot Like Him) - Buck Owens & His Buckaroos (There's No Place Like) Home for the Holidays (1954 Version) - Perry Como Winter Wonderland - The Golddiggers The Christmas Song Cha Cha - Hugo Winterhalter Baby, It's Cold Outside - Carmen McRae & Sammy Davis Jr Peppermint Stick Parade - Bobby Vinton One Little Snowflake - Mel Tormé Good King Wenceslas - Glad Singers Mr. Santa - Lenny Dee Captain Santa Claus - Bobby Helms Christmas In Killarney - Wyane King Here We Come A-Caroling - Ray Conniff & The Singers

This week we wanted to give you all a chance to get to know us a little better and we are starting with One Page at a Time co-host Jill Berrett Given! Jill is life-long bookwork, advocate for local libraries, has a masters degree in Library Science and is the mother of three children ages 6, 4 and 1.5.  In this episode we talk about: 1. Costumes! Jill’s family are all big Halloween enthusiasts. So much so that they plan their theme (because of course they do group costumes) and costumes all year long! She chats about their process of choosing and making their costumes each year. 2. We dive right in and chat about some books with great costume options in them to get your creative juices flowing! Why books? They are such a great, visual sources of inspiration, that’s why! 3. Calvin and Hobbes by Bill Watterson. Jill and Amanda even take a trip down memory lane and chat about a sewing a stuffed Hobbes for each of our first borns (pattern available here: https://www.instructables.com/id/Stuffed-Hobbes-with-pattern/) 4. Dragons love Tacos by Adam Rubin. Dress your whole hoard up as dragons, or, if you have one who isn’t feeling the dragon vibes, then they can be the taco! 5. We pause our book list to discuss how we feel about dressing up as princesses for a book character day. Hey, if a princess book gets your child excited about books, then we say go for it! 6. Eloise by Kay Thompson. While Jill may spend a year planning and sewing their costumes, if you are looking for something less...involved, this little girl is a great choice! Her black skirt, white blouse, knee socks and red bow can be pulled together with easily found pieces that can even be used again after the dress-up event! Bonus! 7. Put Me in the Zoo by Robert Lopshire. Jill admits that the amazing yellow dress worn by the little girl in this book is a costume she dreams about how she would draft and sew someday! 8. Mr. Panda series by Steve Antony. Jill was gracious enough to give everyone a sneak “peek” at her family’s costumes for this Halloween: black and white animals inspired by Mr. Panda and all his black-and-white animal pals! Jill left us with a great idea of how to get started on putting these great ideas into practice this week. She suggested that if you don’t know where to start when putting together a book-inspired costume, because it is such a visual subject, start by just looking at the books we talked about today! Hopefully the wonderful illustrations and endearing stories in each and every one of them will spark an idea for you! We had so much fun chatting with each other and hopefully letting everyone get to know us a little bit better! If you are curious about Jill’s epic Halloween sewing adventures, she has an Instagram account for her creative pursuits, which can be found at: Instagram: @jillybugscreates Additional books we mentioned: Chikka Chikka Boom Boom by Bill Martin, Jr.  Where’s Waldo by Martin Handford

Blue Smoke, His Majesty's Theatre and Leith Pottery - The history of the song Blue Smoke, Kay Thompson remembers His Majesty's Theatre and Richard Steadman gives a history of Dunedin's Local Leith Pottery.

It's me, Eloise! Just kidding - but it is Kay Thompson, a pioneering, pants-wearing, vocalist-coach-creator-author! Meet the creator of the 'children's' book Eloise, and find out how you can book a $5500 party at the Plaza Hotel!

This is a snippet from BW-EP93: Radio And The New York City Subway (1947 - 1975) ____ On July 21st, 1941, CBS’s pilot series, Forecast presented a potential nightclub comedy called “51 East 51,” starring Kay Thompson. In the early 1940s Kay Thompson was known as a musician, composer, actress, and writer. Her work on Forecast at CBS introduced her to director Bill Spier. The two were married in 1942. One of the other pilots produced on Forecast was Suspense. By 1947 the show’s rating had grown to 15.0. On Thursday nights at 8PM more people were listening to Suspense on CBS than any other show in the country. On October 30th, 1947, June Havoc guest-starred in “Subway.” Surprisingly, the next day, Roma Wines announced they were dropping their sponsorship. CBS indicated an alcohol brand would no longer be acceptable for the series. Roma’s last sponsored episode was on November 20th, 1947. For the next five weeks CBS broadcast Suspense on Friday evenings. In the fall of 1947, Bill Spier was simultaneously going through a divorce with Kay Thompson and an engagement with his new fiancé, June Havoc. Ms. Havoc appeared as a guest-star on Suspense four times between June and November, including in the last Roma Wines show.

Movie Meltdown - Episode 492 This week we sit down for an epic discussion with Sam Irvin. Sam is a director, producer, screenwriter - amongst many other jobs in the industry. Including being a published author as well as a two-time Rondo Award winner, for articles in both Scream magazine as well as Little Shoppe of Horrors magazine. He’s worked with everyone from Brian De Palma to Cassandra Peterson and has had run-ins with amazing movie stars going all the way back to his childhood. So settle in and listen to the phenomenal tales of his journey to Hollywood and all the terrific projects he’s put together.   And while we load up on lots of ketchup and plastic fangs, we also mention… programming kiddie matinees, Christopher Lee, Oblivion, William Conrad, a horror film fanzine, Hervé Villechaize, a VIP tour at Warner Brothers Studios, a big chain of movie theaters, Countess Dracula, Roger Moore, House on Haunted Hill, the creature starts to deteriorate, Famous Monsters of Filmland, Carrie, The Pit and the Pendulum, George Takei, Dracula with a beach towel for a cape, at Pinewood Studios, Kay Thompson, Peter Cushing, Cinefantastique, Dressed to Kill, Richard Chamberlain, I’m either killing people or giving them Christmas presents, Shelia E, I literally finished my last exam didn't even go to my graduation ceremony… went direct to the airport and got on a plane, the most famous casting session in the history of cinema, Isaac Hayes, Richard Lester, I’m watching this very strange duo, Diana Rigg, Phantom of the Paradise, Carel Struycken, Stephen Amell, you get invited to do the most bizarre things in this industry, Ingrid Pitt, Maud Adams, and they took me backstage afterwards and we all had champagne, Julie Newmar, Hieronymus Bosch murals on the walls, Pino Donaggio, Blake Edwards’ The Great Race, Taste the Blood of Dracula, Sisters, dropping her in a different genre, The Three and Four Musketeers, the World Series and the Super Bowl, a cross between Dark Shadows and Buffy the Vampire Slayer, Kirk Douglas come over here I want to tell you a story about this kid, I was naive enough to think... oh I guess this happens to all fans, Blow Out, Lifetime thrillers and Hallmark Christmas movies, ten seconds of Will Smith, the double bill of Plague of the Zombies and Dracula Prince of Darkness, Terry Sweeney, last gasp of stop motion animation, Jimmy Fallon and Drew Barrymore, Christopher Lee invited me to lunch with him at Pinewood Studios, Two on a Guillotine, George Lucas, great old-time matte painters, Paul Bartel & Mary Woronov, Dante's Cove, they were all horror movies, Britt Ekland, it was the most embarrassing moment of my life, The Man with the Golden Gun and Richard O'Brien.  “There was a seminal moment in my childhood that determined that I wanted to be a movie director…” And for more on WonderFest, go to: https://wonderfest.com/

Fashion Kweens Robert and Javi explore the glamorous world of Paris Haute Couture in "Funny Face" from 1957. Directed by Stanley Donen, with Audrey Hepburn, Kay Thompson and Fred Astaire, special visual consultant Richard Avedon, and gorgeous costumes by Hubert de Givenchy. Learn how Kay Thompson steals the show, why Audrey Hepburn insisted on Givenchy designing her Paris wardrobe and other alleged behind the scenes fun facts in this madcap review of this stylish Hollywood classic by legendary director Stanley Donen.

Click here for a transcript of this show. It's the holiday season, and that means that radio stations have moved a bunch of traditional songs into their rotations. Some of them have even gone All-Christmas-All-The-Time. But it seems as though some of these songs don't stand up to closer scrutiny as Christmas songs. They're set in the winter time, but they don't appear to mention Christmas at all, or they happen to take place during the season but that's about it. And while I'm complaining about Christmas songs that don't stand up to scrutiny, have you really listened to Andy Williams' "Happy Holiday (The Holiday Season)"? Sometimes I think poor Andy had a stroke in the middle of recording that one. It's little more than a bunch of clichés strung together, and then he loses his mind and starts spouting nonsense lyrics, and failing miserably to make them rhyme. I'm going to blame Kay Thompson for this mess, because there's no way Irving Berlin is responsible. And don't get me started (again) on "My Favorite Things." During the show I mentioned a short cartoon version of "Frosty the Snowman" that's aired every Christmas season since 1955 on WGN-TV in Chicago. Here's that clip for your listening pleasure: And while I'm providing extra goodies, here, also as promised, is the audio of Wally Schirra reporting a "UFO" in December of 1965. When I was in the third grade I sent a letter to NASA, and they sent me a packet of stuff, including photos of astronauts on the moon, a photo of Earth taken from space, and a flyer with frequently-asked questions about outer space. I remember distinctly that one of the questions was about whether the astronauts had ever seen a UFO, and the answer was that Wally Schirra had reported a UFO that turned out to be Santa Claus. I presume they were referring to this event. At any rate, the episode has been available for a little while now, but if you're the DIY sort you may want to download or listen here: I'm likely to be out of town next weekend, so it's possible that I'll be taking a week off from the show. Next time around we finish Shel Silverstein for sure, and then I have a listener-suggested episode. Have a great holiday! Thanks so much for your support!

This episode is sponsored by the color red. For his remake of the Dario Argento cult horror classic SUSPIRIA, Luca Guadagnino ("Call Me By Your Name") keeps the '70s German dance academy setting, but adds a lot of real-world political upheaval to the original's bloody witches' brew. Adam and Josh debate the effectiveness of Guadagnino and company's intellectual approach to the story's giallo origins. Plus: there are color movies and then there are movies that have color. Giants of world cinema Kurosawa, Bergman and Hitchcock knew how to flaunt it, but so do an emerging class of young filmmakers who make savvy use of the cinematic palette. 0:00-1:57 - Billboard 3:25-30:01 - Review: "Suspiria" Thom Yorke, "Suspirium" 30:54-41:16 - Next Week / Notes 41:16-48:59 - Polls (Musical Biopics / Best Picture Follow-ups) Kay Thompson, "Think Pink" (from "Funny Face") 49:38-51:38 - Donations & Thank Yous 53:50-1:29:23 - Top 5: Uses of Color 1:29:23-1:33:02 - Close / Outtake       Learn more about your ad choices. Visit megaphone.fm/adchoices

It's very special episode time! Very special for a number of reasons, not least of which is the fact that Kate took five hours to edit this episode down from two and a half hours to a svelte, sleek 47:41. It was also special because it features two guests from fellow podcast Go Your Own YA. So a big time thank you to Carey and Marie for taking time out of their schedules. Finally, it was special because Kate and Betsy finally got to tackle one of the big books they've been skirting around for months. That's right. Eloise is in the house and the results are priceless! Along with a bit of random Eloise trivia, I hope you're prepared for a surprise fact. The four women were actually able to locate a joke in the original book that was excised from editions printed today. And it involves dragging a fellow children's book character through the mud. See if you can guess who it is. Source Notes: - Here's a link to the Go Your Own YA podcast which you most certainly must search out: https://www.goyourownya.com/ - The great Eloise heist is mentioned in this article at NPR: https://www.npr.org/2017/07/11/536655235/eloise-at-the-museum-tells-the-story-behind-the-beloved-mischief-maker - We couldn't find any videos that have someone singing Nanny's song, but we did find this recording featuring Kay Thompson: https://www.youtube.com/watch?v=CYqqLeM2qZQ - You can find the rest of the Source Notes here: http://blogs.slj.com/afuse8production/2018/06/04/fuse-8-n-kate-kay-thompsons-eloise-by-kay-thompson/

Question? What do starlets Marlene Dietrich, Kay Thompson, Margaret Sullivan, and Loretta Young have in common? How about writers and directors Norman Corwin, Helen Deutsch, and Bill Spier. How about Danny Kaye, Mel Allen, Gerald Mohr, Elliot Lewis, Byron Kane, Lurene Tuttle, Paula Winslowe, Joseph Kearns, and Arthur Q. Bryan? Answer: They guest-starred, grew, or launched their careers on CBS’s Forecast! Forecast was a summer replacement series for the Lux Radio Theatre which ran for two seasons in 1940 and 1941. It ushered in an era of show pilots for public viewing and helped give rise to countless actors, writers, and directors, as well as two huge shows: Suspense & Duffy’s Tavern. On Breaking Walls Episode 80, we present an in-depth look at Forecast featuring interviews, insights, and episode moments. Highlights: • Why would Forecast have come to the airwaves in the first place? • Hear CBS head William S. Paley’s insights on programming • How Alfred Hitchcock helped launch the famed mystery show, Suspense • Bill Spier: Music critic, turned producer and director of mystery • How Elliott Lewis got his start on Forecast • Mel Allen & Duffy’s Tavern: Where the Elite Meet To Eat • Norman Corwin’s Two pieces for Forecast that helped catapult his career • How radio actor Byron Kane got his first role on Forecast • Jim Backus & the Class of 1941 * Hopalong Cassidy • The Country Lawyer: One of the most experimental radio broadcasts of its time • An all african-american jubilee to close Forecast The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers Special thanks to our Sponsors: • Twelve Chimes, It’s Midnight https://twelvechimesradio.blogspot.com • The Fireside Mystery Theatre https://www.firesidemysterytheatre.com The reading material used in today’s episode was: The Encyclopedia of Old-Time Radio by John Dunning and Forecast: Is there a Sponsor in a House by Martin Grams Jr. Featured in today’s episode were interviews with: • Bill Spier and Mel Allen for Dick Bertel & Ed Corcoran’s WTIC Golden Age of Radio program, who’s episodes can be found at GoldenAge-Wtic.org • Elliott Lewis and Byron Kane, for the Society to Preserve and Encourage Radio Drama, Variety, and Comedy, which can be found at SPERDVAC.com • and Jim Backus and Norman Corwin with Chuck Schaden, who’s interviews can be streamed for free at SpeakingofRadio.com. Norman Corwin was also interviewed by Michael James Kacey for his DVD The Poet Laureate of Radio: An Interview with Norman Corwin, which you can pick up on Amazon. Selected Music featured in today’s Episode was: • My Blue Heaven by Glenn Miller • Begin the Beguine & Stardust by Artie Shaw • Alcolba Azul, by Elliot Goldenthal The Battle Cry for Freedom by Jaqueline Schwab for the Civil War, by Ken Burns Falling played by Michael Silvermann • Catch a Falling Star, by Perry Como A Special Thank you to: Ryan Kramer Christian Neuhaus Rebecca Shield WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers URL - thewallbreakers.com Online Store - jamesthewallbreaker.com/shop/

Karen's Karbo's In Praise of Difficult Women is our March book club pick. Karen joins Lian, Julie and Liz to talk about some of our favorite feisty, kooky, relentless, inscrutable, exacting women. Thank you JK Rowling, Kay Thompson, Helen Gurley Brown, Angela Merkel and Nora Ephron among others. Also on today's episode, we announce our April "You're The Best" photo contest in our Facebook Group and on Instagram. Details on our website www.satellitesisters,com including the scoop on prizes from Salsa Basket and Cool Jams. In other news, Lian's son does not find her helpful travel tips all that helpful and Julie has a major Urban Nana announcement for the spring. This also involves children who may or may not be taking advice from their parents. Liz explains her new podcast Safe For Work and invites you to call in or write with questions. To leave a voicemail for the producers, call 424-224-5711 or email Safe@Wondery.com. Her sisters don't want advice from her but you might. Go here to listen: wondery.fm/sisterFor great Satellite Sisters gifts, visit our online shop, go here. Our sponsors today areBrooklinen (use promo code sisters),MeUndies,Omax3 Salsa Basket (use coupon code sisters)To subscribe to Satellite Sisters on Apple Podcasts, click here. To subscribe to Satellite Sisters on Stitcher, click here.To find Satellite Sisters on Spotify, click here. Click here to buy our Satellite Sisters book "You're The Best: A Celebration of Friendship" The complete Satellite Sisters podcast audio archive is here. Don't forget to subscribe to Satellite Sisters Talk TV if you want to listen to Lian and Julie's TV recaps of CBS drama Madam Secretary and PBS Poldark recap Pol,Dark and Handsome. To join our Facebook Group, go here.Follow us Instagram and Twitter @SatSisters

Is it film school ... or more like sitting in a bar chatting with an industry vet who's a brilliant recantour? Actually a bit of both! Informative, insightful, ... and funny as all hell, we chat with busy as all hell director Sam Irvin about his early days with Brian DePalma on THE FURY, HOME MOVIES, DRESSED TO KILL and more. We cover his voluminous output helming features for both the big and small screens over the last 25 years - his roster of actors including Rod Steiger, Heather Graham, John Heard, Michael Madsen, Linda Fiorentino, Issac Hayes, George Takei, Julie Newmar, Elvira (aka Cassandra Peterson) and others. We delve into his work as a cinema historian - stopping off to discuss his lauded biography on actress / singer / author Kay Thompson, and his co-producing of Bill Condon's Oscar winning film GODS AND MONSTERS starring Sir Ian McKellen and Brendan Fraser. We chat about his experiences as a cinema journalist, teacher at USC (where FRUITVALE STATION / CREED director Ryan Coogler attended one of his classes), and his ground breaking work in the creation of early LGBT themed films and TV series for the mainstream. Then we finish with his present status as one of Lifetime and Hallmark Channel's primo go-to helmsman in the creation of many of their popular thrillers and holiday films. Yeah, we pack a lot into this one!Make sure you check out Sam's MY CHRISTMAS PRINCE - starring PITCH PERFECT's Alexis Knapp, Callum Alexander, Marina Sirtis, and (reunited after 40 years) HARDY BOYS / NANCY DREW's Parker Stevenson & Pamela Sue Martin. It runs throughout the 2017 holiday season on Lifetime. Check local schedules."And to all a good night!" * Learn more about MY CHRISTMAS PRINCE @ http://www.mylifetime.com/movies/my-christmas-prince* Learn more about SAM IRVIN @ http://www.imdb.com/name/nm0006787/?ref_=nmbio_bio_nmRights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

My guest is Rebecca Kay Thompson of RKT Wellness Solutions. She’s a lifestyle and wellness coach who brings a holistic approach to solving a broad spectrum of challenges, from health and wellness to relationship coaching, personal finance, and home/office organization. Her honest and practical coaching style helps her clients become proactive in maintaining a fulfilling life of whole wellness. Rebecca emphasizes the simple question, “What does wellness mean to YOU?” This allows her clients to look at the big picture, break down shortfalls, and then focus on improvement. Rebecca has a bachelor’s degree in Leadership Development from Villanova University, where she graduated with many accolades in her 40’s! After conquering her personal battle to achieve wellness, Rebecca has recently added nutrition coaching to her 20-year repertoire. TWEET: “Ep 92 is all about #wellness and how to make it a way of life!” #RebeccaKayThompson “The Wellness Factor” Are you experiencing wellness? Of course, this can mean different things to different people. In addition, the motivation to pursue wellness takes many different forms. For Rebecca, it took losing her mother to pancreatic cancer in 2013, after watching a lifetime battle against wellness. Through chronic illness and countless medications, Rebecca watched her mom struggle and die “the slowest, most torturous death.” When she found herself falling into the same pattern, she put the brakes on her misery from being overweight, unhappy, and unwell. She gives us insight into the critical “Aha moment.” TWEET: “A #sanctuary day is taking the time to be #mindful about myself.” #RebeccaKayThompson “What the universe says to you . . .” Have you come home from a day’s work and simply felt unfulfilled? If this is a recurring feeling, then you may need to take the first step like Rebecca did. She said, “That’s it. I’m going to pursue my dream.” She tells of the many great things that have happened in her life since she changed her focus. A job to pay the bills isn’t the same as one that fulfills your passion and chases your dreams. Rebecca explains why you may need to rethink your college degree field, figure out the next step, and create the BEST version of yourself. TWEET: “When you’re #passionate about something, it will change the world.” #RebeccaKayThompson New Dreams? How many dreams can you chase at once? Can they change over time? The answers are that you can chase as many dreams as you want, and YES, they can change over time. For example, Rebecca wants to write a book someday; she also wants to be a hero. No one knows what the future holds or what opportunities may come, but remember this: multiple dreams ARE allowed and you ARE allowed to change them! TWEET: “When the #universe speaks to you, #LISTEN.” @RebeccaKayThompson Rebecca’s Recommended Action Step: “If you want to be a pig farmer, then call yourself a pig farmer!” Whatever it is that you want to be, create the best version of yourself and don’t forget to dress the part! OUTLINE OF THIS EPISODE: [1:25] Rebecca’s “Sanctuary Day”---What is it? [6:00] Getting to the point of WELLNESS [12:10] Get a coach to guide you to your dream [16:15] The example of Cornell Thomas (See Episode 59 and 76) [20:17] When the universe speaks to you . . .  [24:40] Could your college degree have been WRONG? [30:29] How many dreams can you have? [32:55] You’re allowed to change dreams! [36:55] Rebecca’s Recommended Action Step for Dream Chasers   RESOURCES MENTIONED IN THIS EPISODE: Rebecca on LinkedIn Rebecca on Facebook   TWEETS YOU CAN USE: TWEET: The “Aha moment” is mission critical in deciding you want to be well. @RebeccaKayThompson TWEET: “I get to help people be the best version of themselves.” @RebeccakayThompson TWEET: “Live your own #dream and not someone else’s.” @Rebeccakaythompson

Jim Caruso made his Broadway debut alongside Liza Minnelli in the smash hit Liza’s At The Palace!, singing, dancing and celebrating the music and arrangements of the late, great Kay Thompson and the Williams Brothers. The show was honored with a 2009 Tony Award for Best Special Event and the recording was nominated for a Grammy.For his nightclub work, Caruso has won six MAC Awards and two BackStage Bistro Awards for sold-out shows at Birdland, The Oak Room at the Algonquin Hotel, and The Russian Tea Room. He has also performed at clubs in Los Angeles, Chicago, Atlanta, Palm Beach and London.His recent studio recording, “The Swing Set,” was called “a top drawer, first-rate swinger” by Jazz Times and “a completely entertaining experience” by All About Jazz. His first CD, "Caruso Live and In Person," went to number one on both the album and singles charts at Outvoice.com. Jim was featured in a Tribute to Kander & Ebb at Carnegie Hall, backed by the New York Pops, and performed in a Tribute to Hope & Crosby in an evening hosted by Michael Feinstein at Zankel Hall. He and singer/pianist Billy Stritch are regular performers at Bemelmans Bar at The Carlyle Hotel in NYC.With his award-winning jazz vocal and comedy trio, Wiseguys, he performed in an all-star Inaugural extravaganza for President Clinton, and were then invited to sing at his First State Dinner at the White House in an evening hosted by Lauren Bacall. The trio performed in concert at the Weill Recital Hall in Carnegie Hall, and in "the big room" with Rosemary Clooney.On the small screen, Jim was seen co-starring with Kathie Lee Gifford on Showtime Television in “Personal Assistant,” which was written and directed by Charles Busch. He also co-starred on the Nostalgia Network variety sit-com, “Café DuArt” for two seasons.As a writer, Jim has contributed to InStyle Magazine, Theatermania and InTheater Magazine He has produced and booked television talk and entertainment programs like "Jim J. & Tammy Faye" and "Fox After Breakfast," and was a Field Producer for E! Entertainment Television, working the red carpets, conducting interviews for "Celebrity Profiles" and covering the Tony Awards.Caruso hosted "Broadway On Broadway" in Times Square for a crowd of 100,000 theater fans, hosted MAC Awards at Town Hall in Manhattan and co-hosted the Drama Desk Award webcasts for four years. His radio series was heard on BroadwayWorld.com for four years, and his podcast “Here! On Broadway” was honored with a Summit Award. He can currently be heard on Legends 100.3 FM Radio with his weekly “New York Minute” segment.For the past fifteen years, he has hosted a weekly Monday night showbiz bash at Birdland called "Jim Caruso’s Cast Party,” which has brought him two BroadwayWorld Awards, a New York Nightlife Award, MAC Award and the Sidney Meyer Award. He’s taken celebrity versions of the Party to Lincoln Center and Town Hall in New York, and celebrated local talent at venues in London, Los Angeles, Las Vegas, San Francisco, Chicago, Austin, Dallas, Orlando, Pittsburgh, Cleveland, and on the high seas. The weekly “Broadway at Birdland” series he produces has also been honored with a Nightlife Award.

For fans of Kay Thompson’s Eloise comes a brilliant parody updated for the tiny hipsters of Brooklyn, Austin, Portland, and beyond. Like its predecessor, ELLA by Mallory Kasdan and illustrated by Marcos Chin, tells the story of a spunky six year-old girl who lives in a hotel—but if you think you know the story, think again. Ella has a nanny called Manny. He has tattoos for sleeves and he might go in with some guys to buy a grilled cheese truck. Mallory Kasdan is a writer and voice actor. She writes about parenting and culture and does voice-overs for television and radio. Join Mallory and me on Tuesday, February 17, 10-11 A.M. CT US, as we discuss about ELLA, which was published by Viking Children’s Books in January of 2015. 

Empezamos con Kay Thompson y 'You hit the spot' (Has dado en el clavo), grabado en 1935. Una de las más populares canciones de Irving Berlin es 'A pretty girl is like a melody' (Una chica guapa es como una melodía), estrenada en la revista 'Ziegfeld Follies of 1919'. La escuchamos en un disco grabado en 1936 por la cantante y pianista Hildegarde, que toca también unos compases del 'Nocturno nº 2' de Chopin. Raúl Abril canta 'Mi melodía', grabada en 1947. El primer disco de Charles Trenet fue 'Je chante' (Yo canto), grabado en 1937. El español Mario Rey grabó en México en 1953 el fox 'La noche que partí'. Django Reinhardt y Stéphane Grappelli, con su Quinteto del Hot Club de Francia, grabaron en 1938 la vieja canción francesa 'Billets-doux' (Cartas de amor). Alberto Diale, con la orquesta de Roberto Firpo, canta en español el tango italiano 'Scrivimi' (Escríbeme), grabado en Buenos Aires en 1942. Quizá la más hermosa canción sobre cartas de amor es 'Mi carta', compuesta por Mario Clavell y grabada por él en 1947. Tres años después Antonio Machín grabó el bolero 'No quiero abrir tu carta'. En 1956, en Hollywood, Peggy Lee grabó 'Love letters' (Cartas de amor). Al año siguiente, Lolita Garrido grabó en Madrid el bolero '¿Sabes, corazón?'. Terminamos con 'Please, Mr. Postman' (Por favor, señor cartero), que fue el primer disco del trío The Marvelettes, grabado hace medio siglo. Escuchar audio