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"The Black Path of Fear" is a thrilling radio adaptation of Cornell Woolrich's novel of the same name, broadcast as part of the Suspense series on August 31, 1944, starring Brian Donlevy. Plot Overview:Bill Scott, a chauffeur, and Eve Roman, his gangster boss's wife, flee to Havana, Cuba, in hopes of escaping the wrath of Eddie Roman. However, their escape is short-lived as Eddie pursues them and Eve is murdered shortly after their arrival. Scott is then framed for Eve's murder and must desperately navigate the unfamiliar and perilous streets of Havana to clear his name and find the real killer. Key Details:Starring: Brian Donlevy as Bill Scott.Adaptation: Adapted for radio by Robert Tallman.Production: Produced and directed by William Spier.Cast: Also featured Lurene Tuttle, Hans Conried, Wally Maher, and John McIntire.Themes: Suspense, psychological thrills, and noir elements.Cornell Woolrich: The story is a classic example of Woolrich's suspenseful style, with themes of paranoia, isolation, and doomed love.Later Adaptations: The story was also adapted for television and film, including the 1946 film noir "The Chase".Another Radio Adaptation: Suspense aired a second version of the story on March 7, 1946, starring Cary Grant.suspense, murder, Havana, investigation, drama, noir, storytelling, mystery, crime, emotions
Säsongsavslutning för Kritcirkeln med ett långt och späckat avsnitt om allt från debatter om gråtrunkande kritiker till nostalgisk saknad efter ungdomsårens coola scenkonst - till nutidens coola scenkonst. Vi har blivit mutade med folköl på en källarteater, mött döden i virtual reality, sett kannibaliska, kåta och nakna nunnor i Berlin och spisat Wagner i olika skalor. Samt, inte minst, beskådat Mecenatens återkomst. Mycket nöje och trevlig sommar! Med Loretto Villalobos och Cecilia Djurberg (prod och klipp) I detta avsnitt hörs ljud och/eller musik (med tillstånd) ur föreställningarna "Sancta "av Florentina Holzinger efter Paul Hindemith & August Stramms ”Sancta Susanna”. Dirigent :Marit Strindlund Theatertreffen i Berlin, gästspel från Mecklenburgisches Staatstheater Schwerin på Volksbühne Berlin Richard Wagners ”Hammerlied” ur ”Mackan och Cleveman” med Markus Jupither och Lars Cleveman, piano: Johan Ullén. Ersta kyrka, Stockholm Mecenatens återkomst av Gertrud Larsson med Gertrud Larsson, Jenny Svenberg Bunnel, Anna-Lena Efverman, Frida Bergh och gäster. Teater Brunnsgatan fyra "The Tannhäuser Dream" av Robin Jonsson och Ebba Petrén, med Emelie Wahlman, Nea Landin, Ana Stanišić, Louise Ryme Scen: Konträr i Stockholm "[EOL]. End of Life " av DARUM - Victoria Halper & Kai Krösche, samproduktion Brut Wien, Theatertreffen i Berlin, gästspel på Gropius Bau Vi pratar också om: "En trappa till himlen" av Erik Holmström, Malmö dockteater "Marthas hus" av Olof Runsten och Anna Ladegaard, efter RW Fassbinder och Cornell Woolrich. Gästspel Turtetern i Stockholm "Double serpent" av Sam Max i regi av Ersan Mondtag Hessisches Staatstheater Wiesbaden, gästspel på Theatertreffen i Berlin "Unser Deutschlandmärchen" efter en roman av Dinçer Güçyeter, regi och bearbetning Hakan Savaş Mican, Maxim Gorki Theater, Berlin (också Theatertreffen)
338 - "Suddenly death was inside the house here with me. And I couldn't move, I couldn't get up out of this chair." Tuck in to hear the origin of Hitchcock's thriller Rear Window, the conclusion of the classic story from the "Suspense Master" Cornell Woolrich.
337- My neighbor murdered his wife! Tuck in for theorigin of Hitchcock's Rear Window, the classic story from the"Suspense Master" Cornell Woolrich.
Today Drusilla and Josh discuss Peter Weir's under loved The Plumber (1979). From wiki: “The Plumber is a 1979 Australian psychological thriller film about a psychotic plumber who terrorizes a grad student. Written and directed by Peter Weir, The Plumber was originally made and broadcast as a television film in Australia in 1979 but was subsequently released to theatres in several countries beginning with the United States in 1981.[1] The film was made shortly after Weir's critically acclaimed Picnic at Hanging Rock became one of the first Australian films to appeal to an international audience.[2] The film stars Judy Morris, Ivar Kants, and Robert Coleby, all of them being most notable at the time as actors in Australian soap operas.[3]Also discussed: television, Nights of Cabiria, Medea, Heart Eyes (2025), Companion (2025), Despiser (2003), Presence (2025), Rules of the Game, Carlos Hugo Christansen films, Cornell Woolrich, and more!We do commentary! Order the blu-rays with Bloodhaus commentary from ARROW Video!Dressed to Kill https://www.arrowfilms.com/4k/dressed-to-kill-limited-edition-4k-ultra-hd/15861302.html The Long Kiss Goodnight https://www.arrowvideo.com/4k/the-long-kiss-goodnight-limited-edition-4k-uhd/16034468.html NEXT WEEK: The Vanishing (1988)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkel https://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/
The fight for America's future isn't just at the ballot box—it's in the culture. The Left's grip on media, education, and storytelling has reshaped the nation, but their misinformation is starting to crumble. Politics alone won't save us—conservatives must reclaim the culture and shape the values that define our country. Andrew Klavan joins The Kevin Roberts Show for a must-listen conversation on why, and how, we must fight back. The Left has used storytelling to rewrite America—now it's time to take it back. Andrew Klavan is the host of "The Andrew Klavan Show" for the Daily Wire and author of such internationally bestselling crime novels as True Crime, filmed by Clint Eastwood, Don't Say A Word, filmed and starring Michael Douglas and Empire of Lies. Stephen King called him “the most original novelist of crime and suspense since Cornell Woolrich.” As a screenwriter, Andrew wrote the screenplays to “A Shock to the System,” which starred Michael Caine, “One Missed Call,” which starred Edward Burns, and “Gosnell: The Trial of America's Biggest Serial Killer,” starring Dean Cain. He also wrote the script for the groundbreaking iOS app, “Haunting Melissa,” which won the 2014 Appy Award for Entertainment.
This week we have “The Singing Walls,” an episode of Suspense, that first aired on September 2, 1943. The story is based on the Cornell Woolrich story “C-Jag," published in the October 1940 issue of Black Mask. Find more on The Beginner's Guide to Pulp Fiction at https://brickpicklemedia.com/pulpguide/.
From the gritty, hard-boiled story by Cornell Woolrich, to the vision and expert coordination of producer Joan Harrison, to the masterful execution of director Robert Siodmak, Phantom Lady seemed to be destined for film noir history. Join Marc and Dan as they discuss this classic that not only stands tall on its own merits, but also holds an important place in the evolution of film noir's classic era.https://shadowsofnoir.com/
To celebrate 400 episodes of Stars on Suspense, I'm sharing five of my favorites from the first decade of "radio's outstanding theatre of thrills" - a star-studded showcase of classic chillers. First, Orson Welles wishes he only had a brain...and gets one with disasterous results in "Donovan's Brain," a two-part sci-fi/horror epic (originally aired on CBS on May 18 and May 25, 1944). Then, Robert Young isn't a father and he doesn't know best in "You'll Never See Me Again," a classic story from Cornell Woolrich (originally aired on CBS on September 5, 1946). Edward G. Robinson plays himself and "The Man Who Thought He Was Edward G. Robinson" in a comedic thriller (originally aired on CBS on September 30, 1948). Brian Donlevy is a psychiatrist whose new patient is a human lie detector in "Lazarus Walks" (originally aired on CBS on October 31, 1946). And finally, Lucille Ball is a crook who catches a bigger fish - a serial killer - in her trap in "A Little Piece of Rope" (originally aired on CBS on October 14, 1948).
There's always more to say about detective fiction. Books mentioned in this episode: — The Man in the Brown Suit by Agatha Christie — The Secret Place by Tana French — The Crozier Pharaohs by Gladys Mitchell — Postern of Fate by Agatha Christie — The Examiner by Janice Hallett — The Appeal by Janice Hallett — The Documents in the Case by Dorothy L Sayers and Robert Eustace — Three-A-Penny by Lucy Beatrice Malleson — Portrait of a Murderer by Portrait of a Murderer — Death in Fancy Dress by Anthony Gilbert — The Unpleasantness at the Bellona Club by Dorothy L Sayers — The Murder on the Links by Agatha Christie — The Body in the Library by Agatha Christie — The Thin Man by Dashiell Hammett — Murder's A Swine by Nap Lombard — The Case of the Gilded Fly by Edmund Crispin — The Organ Speaks by E.C.R. Lorac — Death in Dwelly Lane by Frank Vigor Morley — Agatha Christie: Mistress of Mystery by Gordon C. Ramsey — "The Adventure of the Cardboard Box" by Arthur Conan Doyle — His Last Bow by Arthur Conan Doyle — A Study in Scarlet by Arthur Conan Doyle — Hard Liver by Anthony Weymouth — “Death Sits in the Dentist's Chair” by Cornell Woolrich, collected in Darkness at Dawn: Early Suspense Classics — Mr Fortune, Please by H.C. Bailey — Black Land, White Land by H.C. Bailey Shedunnit episodes mentioned in this episode: — Whodunnit Centenary: 1924 — A Reading Life — Lucy, Anthony, and Anne — The Unpleasantness at the Bellona Club (Green Penguin Book Club 1) — The Murder on the Links (Green Penguin Book Club 2) — The Thin Man (Green Penguin Book Club 3) — Instrument of Death — Edmund Crispin's Inside Jokes — Death at the Speakeasy — In The Dentist's Chair — Mr Fortune, Please (Green Penguin Book Club 4) — Mysterious Knitting Support the podcast by joining the Shedunnit Book Club and get extra Shedunnit episodes every month plus access to the monthly reading discussions and community: shedunnitbookclub.com/join. NB: Links to Blackwell's are affiliate links, meaning that the podcast receives a small commission when you purchase a book there (the price remains the same for you). Blackwell's is a UK bookselling chain that ships internationally at no extra charge. To be the first to know about future developments with the podcast, sign up for the newsletter at shedunnitshow.com/newsletter. The podcast is on Twitter, Facebook, and Instagram as @ShedunnitShow, and you can find it in all major podcast apps. Make sure you're subscribed so you don't miss the next episode. Click here to do that now in your app of choice. Find a full transcript of this episode at shedunnitshow.com/notesandqueriestranscript. Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scott Henderson is facing execution for a murder he didn't commit and the countdown clock is ticking. His only chance of reversing fortune rests in a close friend's ability to scour New York's grimy nightlife and locate the anonymous woman who can prove he wasn't at the crime scene. Such are the opening stakes in Cornell Woolrich's pulp thriller, "Phantom Lady", the focus of our latest review. Demonic drugs, fever dream rhythms and even an orange pumpkin hat - what could be more Halloween than that! Thrills and chills abound in this twisty, influential noir.
Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. On Thursday November 2nd, 1944, Van Johnson made his first appearance on “radio's outstanding theater of thrills” in “The Singing Walls.” In this Cornell Woolrich story, a man is drugged by gangsters to be framed for a crime. All he can remember is that music seemed to be coming out of the walls that surround him. Van Johnson started on Broadway in the mid-1930s and was selected as the understudy for Gene Kelly in Pal Joey. Lucille Ball got him an audition in Hollywood. From then on he was a “boy next door” handsome Hollywood star. At the time of this Suspense appearance, radio columns were commenting about the frequency of his appearances on radio's biggest programs. He was on all of the big comedy and variety shows as well as dramatic programs, often appearing on radio multiple times a week, sometimes daily, during this period of his career.
June Havoc - actress, singer, and younger sister of Gypsy Rose Lee - returns to the podcast in a sixty-minute adaptation of Cornell Woolrich's "The Black Angel" (originally aired on CBS on January 24, 1948). She plays a woman who plays detective to clear her husband of murder, only to get close to the man who may be the real killer. Then, she recreates one of her big screen roles opposite George Raft in a Lux Radio Theatre adaptation of "Intrigue" (originally aired on CBS on May 10, 1948).
Open wide! Support the podcast by joining the Shedunnit Book Club and get two extra Shedunnit episodes a month plus access to the monthly reading discussions and community: shedunnitbookclub.com/join. There are spoilers in this episode for the titles listed below. Mentioned in this episode: — Death in the Dentist's Chair by Molly Thynne — The Uncertain Glory by Molly Thynne — "Death Sits in the Dentist's Chair" by Cornell Woolrich, collected in Darkness at Dawn: Early Suspense Classics — Murder Underground by Mavis Doriel Hay — One, Two, Buckle My Shoe by Agatha Christie — Death of a Dentist by M.C. Beaton — Death in the Clouds by Agatha Christie — "The Cornish Mystery" by Agatha Christie, collected in Poirot's Early Cases — "The Wrong Problem" by John Dickson Carr, collected in The Third Bullet and Other Stories — Antidote to Venom by Freeman Wills Crofts — Sweet Danger by Margery Allingham — The Fashion in Shrouds by Margery Allingham — The Red House Mystery by A.A. Milne — "The Honour of Israel Gow" by G.K. Chesterton, collected in The Innocence of Father Brown — "In the Teeth of the Evidence" by Dorothy L. Sayers, collected in In the Teeth of the Evidence — Balachander, N et al. “Evolution of forensic odontology: An overview.” Journal of pharmacy & bioallied sciences vol. 7,Suppl 1 (2015): S176-80 — Bishop M. The influence of 'Golden Age' authors of detective fiction, in particular, D. L. Sayers, on the public opinion of dentists and dentistry. Br Dent J. 2024 Jul;237(1):51-54 NB: Links to Blackwell's are affiliate links, meaning that the podcast receives a small commission when you purchase a book there (the price remains the same for you). Blackwell's is a UK bookselling chain that ships internationally at no extra charge. To be the first to know about future developments with the podcast, sign up for the newsletter at shedunnitshow.com/newsletter. The podcast is on Twitter, Facebook, and Instagram as @ShedunnitShow, and you can find it in all major podcast apps. Make sure you're subscribed so you don't miss the next episode. Click here to do that now in your app of choice. Find a full transcript of this episode at shedunnitshow.com/inthedentistschairtranscript. Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices
We close out International Summer Vacation with a film most of us haven’t seen, or even heard of. It comes to us from Argentina, and director Carlos Hugo Christensen. It’s based on a story by noir stalwart, Cornell Woolrich, and consists of two stories involving the door of the title. It’s also notable for incredible cinematography from Pablo Tabernero. The Film Noir Foundation restored, and is showing the film around the country at FNF’s Noir City festivals this year. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
We close out International Summer Vacation with a film most of us haven’t seen, or even heard of. It comes to us from Argentina, and director Carlos Hugo Christensen. It’s based on a story by noir stalwart, Cornell Woolrich, and consists of two stories involving the door of the title. It’s also notable for incredible cinematography from Pablo Tabernero. The Film Noir Foundation restored, and is showing the film around the country at FNF’s Noir City festivals this year. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
Support Breaking Walls at https://www.patreon.com/thewallbreakers Back on December 2nd, 1943 when Suspense first became sponsored by Roma Wines, the script chosen for the first Roma episode was “The Black Curtain” starring Cary Grant. Of the performance Grant said, “If I ever do any more radio work, I want to do it on Suspense, where I get a good chance to act.” The just-heard Lurene Tuttle felt the same way about acting in radio. On November 30th, 1944 Grant was back on Suspense for a repeat performance of “The Black Curtain.” He requested that Lurene Tuttle join him again as the female lead. “The Black Curtain” is an adaptation of a Cornell Woolrich story about a man who wakes up after a fall on a city sidewalk and realizes he can't remember his name or events of the last three years. He soon learns he's been accused of murder. Somehow he has to prove his innocence, which means finding the real killer. The repeat performance wasn't initially planned. The original script, “To Find Help” starring Frank Sinatra had to be postponed due to a scheduling conflict. Grant happened to be available and it also happened to be the one-year anniversary of Roma's sponsorship. More than eight million people heard this broadcast. The cast features the aforementioned Lurene Tuttle, Wally Maher, Pat McGeehan, Harry Lang, and a young Conrad Binyon, who had previously played an uncredited part in The Howards of Virginia with Grant. Binyon was amazed that Cary Grant remembered him.
Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier's trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier's credit, he did his best to allow them the time to have parts on other shows. Spier's rehearsals were known for their loose atmosphere. He selected the best radio actors to be part of the Suspense troupe. This circle included Wally Mayer, Jeannette Nolan, Joseph Kearns, John McIntire, and Lurene Tuttle. Lurene Tuttle later worked with Spier on The Adventures of Sam Spade. Spier had a habit of purposely going into a broadcast with a script that was a minute or two long so the actors were forced into high tension. Spier wouldn't allow a studio audience. He placed the orchestra behind a screen, out of sight of the cast so that the actors could better concentrate on their performance. Suspense found sponsorship in the fall of 1943 with Roma Wines. The show moved to Thursdays at 8PM eastern time. The first sponsored episode was called “The Black Curtain” and starred Cary Grant. It's the first time listeners heard both the phrases “A tale well calculated to keep you in Suspense” and “radio's outstanding theater of thrills.” Uniquely, West Coast and Mountain time would get a separate broadcast on Monday December 6th. This broadcast split would continue until September of 1944. The next month on January 13th, 1944 Lucille Ball starred in an episode called “Dime a Dance.” The script was based on a story by Cornell Woolrich and adapted by Bob Tallman. Tallman wrote scripts in a single day with edits done in the hour between rehearsal and broadcast. Thirty-two and a seasoned film actress, in 1944 Ball began to carve out a second career on the radio. She appeared on Duffy's Tavern, Abbott & Costello, and The Screen Guild Theater. In “Dime a Dance” she plays a dancer in a hall. A serial killer is targeting young women. Her character, Ginger Allen, gets involved in tracking the killer down. This episode's rating was 8.5. Roughly six million people tuned in. For more info on Lucille Ball's radio career, tune into Breaking Walls episode 100.
This week we have “The Black Angel,” an episode of Suspense, that first aired on January 24, 1948. The story is based on the 1943 Cornell Woolrich novel of the same name. The novel was reworked from two earlier Woolrich pulp stories: “Murder in Wax,” first published in the March 1935 issue of Dime Detective and “Face Mask,” which first appeared in the October 1937 issue of Black Mask. Find more on The Beginner's Guide to Pulp Fiction at https://brickpicklemedia.com/pulpguide/.
A round up of crime fiction for June 2024 by Paul Burke.Westport James Comey Head of Zeus A Killing in Paradise Elliot Sweeney Wildfire Armistice Day John Fullerton Partisan PressEruption Michael Crighton & James Patterson Century Southern Man Greg Iles Hemlock Press The Bedlam Cadaver Robert J Lloyd Melville House Press A Divine Fury DV BISHOP MacmillanThe Little Sparrow Murders Seícho Yokomizo trans. Bryan Karetnyk, Pushkin Vertigo The Mercy Chair MW Craven Constable French Windows Antoine Lourain Gallic Press In a Place of Darkness Stuart MacBride Transworld The Revenge of Rita Marsh Nilesha Chauvet Faber Under Her Roof AA Chaudhuri HeraPenguin Classics Crime & Espionage - 10 books including le Carré, Shirley Jackson, Edogawa Rampo, Cornell Woolrich, George Simenon.Paul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2024. His first book An Encyclopedia of Spy Fiction will be out in 2025.Music courtesy of Guy Hale KILLING ME SOFTLY - MIKE ZITO featuring Kid Anderson. GUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024 Slaughterfest, National Crime Reading Month, CWA Daggers
Welcome back to the 182nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 182nd episode we bring you a Duet Review of The Rear Window, written and directed by Emily Dix – adapted from Alfred Hitchcock's 1954 film of the same name, as well the original short story, “It Had to Be Murder” by Cornell Woolrich – presented by Bygone Theatre, in association with Hart House Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the cinematic gaze, the evolution of surveillance, and the art of impersonating Jimmy Stewart. The Rear Window is playing at Hart House Theatre (7 Hart House Circle, Toronto, ON) until May 31st, 2024. Tickets can be purchased from the following link: https://harthouse.ca/theatre/on-stage CONTENT WARNING: The Rear Window contains discussions intimate partner violence and substance abuse; this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for The Rear Window (both on stage and screen). It will begin with a general non-spoiler review until the [16:27] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Bygone's promotional video demonstrating the technology used in this production (from the QR code in the program): https://www.youtube.com/watch?v=Tu6SKJwygpg&ab_channel=BygoneTheatre Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Oi gente, nesse episódio falamos do conto “It Had to Be a Murder” (1942), de Cornell Woolrich, história que inspirou o clássico “Janela Indiscreta' (1954), de Alfred Hitchcock. Conversamos sobre diversos temas como voyeurismo, vida em sociedade, limites das redes sociais e muito mais. E claro, falamos também das adaptações e remakes. Livros citados: At the Window (1894), de H. G. Wells Música da nossa trilha sonora: Rhodesia de Twin Musicom. Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/ Artiste : http://www.twinmusicom.org/ Deixe seus comentários aqui para gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:12 Apresentação 00:02:29 Os contos e o roteiro 00:15:00 Vida social 00:40:00 Indicações 01:10:05 Encerramento Janela Indiscreta (1954) https://www.imdb.com/title/tt0047396/ Janela Indiscreta (1998) https://www.imdb.com/title/tt0166322/ O post #84 – Janela Indiscreta de Cornell Woolrich apareceu primeiro em Chá das Cinco Com Literatura.
Title: Cloak & Dagger [Wikipedia] [IMDb] Director: Richard Franklin Producer: Allan Carr Writers: Tom Holland (screenplay/story), Cornell Woolrich (story) Stars: Henry Thomas, Dabney Coleman, Michael Murphy Release date: August 10, 1984 (US) PROMO: Anime Talk (@AnimeTalk12) SHOWNOTES: At the conclusion of Season Seven of Collateral Cinema, we are checking out the 1984 spy adventure film starring Henry Thomas, Dabney Coleman, and Michael Murphy: Cloak & Dagger! This 80s flick resonated with us on many levels, sparking discussions on its setting in San Antonio, Texas; tie-in arcade game by the same name; and status as a family-friendly espionage movie. We had an absolute blast this season and we hope you have as well; stay tuned for post-season content and Season Eight in October! Collateral Cinema is on Facebook, Instagram, and Twitter, and is on GoodPods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeartRadio, and wherever else you get your podcasts! Collateral Media presents Robert Ortegon's Texas Sundown, a 2024 indie short film made by and starring the crew of Collateral Cinema, available now on YouTube: youtu.be/trpnh2fYkaY (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)
Today Mickey Rooney stars as an expelled student who discovers the brutal murder of his stepmother and, assuming it was committed by his father, frames himself for the crime. However, he soon realizes his father is innocent, and he has taken the rap for the true perpetrator. This is the 10th and final tale by mystery writer Cornell Woolrich, and another incredible dramatization from the radio series "Suspense." Joining us one final time for this series is researcher Dr. Joe Webb. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2024/02/1949-04-28-lie.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
Today's story is a grim departure from Cornell Woolrich's usual man-on-the-run suspenseful mystery, as we plunge into the gloomy world of New Orleans, voodoo, and jazz music. This is an extraordinary production of the Cornell Woolrich story, "Papa Benjamin," about a bandleader who steals an unholy rhythm, and gets a curse put upon him, which leads him to the edge of madness. Dr. Joe Webb is here with us again to discuss this story as our journey through the work of Cornell Woolrich nears its end. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
It begins with a train wreck, and an unhappy woman who assumes the identity of a burn victim. But how long can she continue this charade? That's the premise of today's story by mystery writer Cornell Woolrich. Our very special guest researcher Dr. Joe Webb is with us again to discuss this episode of the radio series "Suspense" from 1946 which stars Susan Peters, whose own tragic backstory lends a dark undertone to this story. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/09/1946-12-12-they-call-me-patrice.html https://en.wikipedia.org/wiki/Susan_Peters An interesting post from Library of Congress about Susan Peters's TV show: https://blogs.loc.gov/now-see-hear/2023/02/discovering-tvs-miss-susan/ Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
Today on the podcast, a woman learns that her husband won a lottery. The only problem is, the ticket is in the pocket of his coat... buried with his body. So begins a story with a darkly comic bent from the pen of Cornell Woolrich, the king of the pulps all throughout the 1940s. Agnes Moorehead (best remembered for her intense performance on "Sorry Wrong Number") stars, and Dr. Joe Webb joins us for this divisive story from 1946. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/07/1946-04-04-post-mortem.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
What would you do if you knew your spouse was a wanted criminal? To make matters worse, she was a fire starter and you were an insurance investigator? That's the dilemma of the protagonist in this story by the popular mystery writer we are featuring all this month on the podcast, Cornell Woolrich. We are pleased to be joined once again by radio researcher Dr. Joe Webb to discuss today's story from 1949, which stars Fredric March. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/03/1943-12-09-night-reveals.html https://suspenseproject.blogspot.com/2023/07/1946-04-18-night-reveals.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
The OTRNow Radio Program 2012-040Treasury Star Parade. Program #102. Treasury Department syndication. "It Isn't Peanuts". A Washington, D. C. cab driver tells off two society ladies who don't realize that there's a war on!. Vincent Price (host), Edward G. Robinson, David Broekman and His Orchestra. The Tenth Man. November 7, 1947. The National Mental Health Foundation syndication. "The Old Folks At Home". Sustaining. NBC Orthacoustic transcription. Grandpa is living at home with a married couple, and that seems a bit difficult for everyone. Ralph Bellamy (narrator), Jackson Beck (announcer), Jack Nair (writer), Drex Hines (director), Dallas Pratt (technical advisor).Jeff Regan, Investigator. September 11, 1948. CBS Pacific net. "The Story Of Cain and Abel and The Santa Maria". Sustaining. A little silver ship has been stolen, and Jeff has been hired to get it back. Jack Webb, Wilms Herbert, Lurene Tuttle, Dickie Chambers, Paul Frees, Wally Maher, Marvin Miller, E. Jack Neuman (writer), Sterling Tracy (producer), Richard Aurandt (music), Bob Stevenson (announcer).Bring 'Em Back Alive. October 30, 1933. RKO Radio Pictures syndication. "The Weretiger of Sungai". The program features Frank Buck (impersonated). The date is approximate. The program is also known (incorrectly) as, "The Jungle Adventures Of Frank Buck.".Bring Em Back Alive 1933-10-30 Manhunt. October, 1943. ZIV Syndication. "The Clue of the Melody Murders". Sponsored by: Commercials added locally. The series was recorded in New York. Being syndicated, the series was heard on different stations on different dates. Maurice Tarplin (narrator), Larry Haines, Frances Robinson. Counterspy. June 25, 1945. ABC net. "The Case Of The Dog Of Dynamite". Sponsored by: Fresh Deodorant. The former commander of all Gestapo agents in Spain plans to enter a U.S. government laboratory working on very valuable "bugs.". Don MacLaughlin, Phillips H. Lord (producer), Mandel Kramer, Helen Warren, David Leeds (announcer). Beyond Midnight 1969 Picture. Beyond Midnight was a South African radio horror anthology series that ran from 1968 to 1970 on Springbok Radio.A couple living and working in Africa experience a nightly "visitor" roaming among their trash bins. Becoming increasingly frustrated by being woke up on a frequent basis, the two devise a plan to take a picture in hopes of finding a solution to ridding themselves of the "visitor". However, the "visitor" is something more than what they bargained for. Sleep No More. December 12, 1956. NBC net. "Three O'Clock". Sustaining. Nelson Olmsted, Ben Grauer (announcer), Kenneth MacGregor (director), Cornell Woolrich (author, using the name William Irish).
The OTRNow Radio Program 2012-040Treasury Star Parade. Program #102. Treasury Department syndication. "It Isn't Peanuts". A Washington, D. C. cab driver tells off two society ladies who don't realize that there's a war on!. Vincent Price (host), Edward G. Robinson, David Broekman and His Orchestra. The Tenth Man. November 7, 1947. The National Mental Health Foundation syndication. "The Old Folks At Home". Sustaining. NBC Orthacoustic transcription. Grandpa is living at home with a married couple, and that seems a bit difficult for everyone. Ralph Bellamy (narrator), Jackson Beck (announcer), Jack Nair (writer), Drex Hines (director), Dallas Pratt (technical advisor).Jeff Regan, Investigator. September 11, 1948. CBS Pacific net. "The Story Of Cain and Abel and The Santa Maria". Sustaining. A little silver ship has been stolen, and Jeff has been hired to get it back. Jack Webb, Wilms Herbert, Lurene Tuttle, Dickie Chambers, Paul Frees, Wally Maher, Marvin Miller, E. Jack Neuman (writer), Sterling Tracy (producer), Richard Aurandt (music), Bob Stevenson (announcer).Bring 'Em Back Alive. October 30, 1933. RKO Radio Pictures syndication. "The Weretiger of Sungai". The program features Frank Buck (impersonated). The date is approximate. The program is also known (incorrectly) as, "The Jungle Adventures Of Frank Buck.".Bring Em Back Alive 1933-10-30 Manhunt. October, 1943. ZIV Syndication. "The Clue of the Melody Murders". Sponsored by: Commercials added locally. The series was recorded in New York. Being syndicated, the series was heard on different stations on different dates. Maurice Tarplin (narrator), Larry Haines, Frances Robinson. Counterspy. June 25, 1945. ABC net. "The Case Of The Dog Of Dynamite". Sponsored by: Fresh Deodorant. The former commander of all Gestapo agents in Spain plans to enter a U.S. government laboratory working on very valuable "bugs.". Don MacLaughlin, Phillips H. Lord (producer), Mandel Kramer, Helen Warren, David Leeds (announcer). Beyond Midnight 1969 Picture. Beyond Midnight was a South African radio horror anthology series that ran from 1968 to 1970 on Springbok Radio.A couple living and working in Africa experience a nightly "visitor" roaming among their trash bins. Becoming increasingly frustrated by being woke up on a frequent basis, the two devise a plan to take a picture in hopes of finding a solution to ridding themselves of the "visitor". However, the "visitor" is something more than what they bargained for. Sleep No More. December 12, 1956. NBC net. "Three O'Clock". Sustaining. Nelson Olmsted, Ben Grauer (announcer), Kenneth MacGregor (director), Cornell Woolrich (author, using the name William Irish).
Actor Jack Webb was best known for his persuasive portrayal of police Sergeant Joe Friday. Today we get to hear Jack Webb as a criminal. The story is another in our 10-week tribute to the prolific pulp mystery writer and novelist Cornell Woolrich. Joining us once again to discuss this story is researcher Dr. Joe Webb (no relation to Jack Webb or Joe Friday). Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/09/1947-03-13-you-take-ballistics.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
Today we have another story of a person seemingly vanishing off the face of the earth. But this time her finance is having none of it! We continue with our 10 episode series devoted to mystery writer Cornell Woolrich, the author of Alfred Hitchcock's "Rear Window." His story "I Won't Take A Minute" is about a man trying desperately to find his sweetheart, who went into a building to run an errand and never comes back out. Joining us to discuss this fast-moving thriller is researcher Dr. Joe Webb. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/07/1945-12-06-i-wont-take-minute.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
Cary Grant gives a powerful performance in the story of a man who wakes up in the street after an accident, not remembering the last few years of his life. The problem is, he is being pursued by the police for a crime he supposedly committed, and now must prove his innocence before he's caught. This is another exciting fast-paced thriller from the mystery writer, Cornell Woolrich, and joining us today to talk about this story from the 1944 episode of "Suspense" is our guest, researcher Dr. Joe Webb. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/05/1944-11-30-black-curtain.html https://suspenseproject.blogspot.com/2023/03/1943-12-02-black-curtain.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
If you prefer your murderous plots to be confined to the comfort of your podcast listening, you have come to the right place. Today a man is convinced he has been implicated in a crime while drugged, and he must find the killer. The only clue he has is the terrible dream in which he remembers only fleeting details. Our subject is Cornell Woolrich's tense thriller "The Singing Walls," and the star is the Hollywood megastar Van Johnson. Dr. Joe Webb is here to help us navigate our way through the dark and perilous world of Woolrich. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/05/1944-11-02-singing-walls.html https://suspenseproject.blogspot.com/2023/03/1943-09-02-singing-walls.html Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
If you like Alfred Hitchcock's 1954 film "Rear Window," you may know it was based off a story by one of the kings of the pulp mystery, Cornell Woolrich. Today we are beginning a new 10 part series presenting the best Cornell Woolrich stories adapted for radio. And, yes, they are very much like Hitchcock's "Rear Window." Returning to our microphones to join us for this roller coaster of exciting stories is radio expert Dr. Joe Webb. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/02/1943-07-06-white-rose-murders.html https://stevehodel.com/2015/10/25/maureen-ohara-heroine-of-1943-white-rose-murders-cbs-radio-broacast-dies-at-age-95-radio-drama-inspired-dr-george-hodel-to-commit-real-life-murder/ Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
**THIS EPISODE CONTAINS FULL SPOILERS** Did you know that Alfred Hitchcock's 1954 movie is based on a 1944 short story by Cornell Woolrich? Neither did we…which is embarrassing considering it's stated in an opening title card! Please enjoy a new episode of Film Is Lit, in which special guest Ryan Burns joins us to discuss how modern and thrilling this classic still is. Is there ANYTHING better than a romance between Grace Kelly and Jimmy Stewart?? #RearWindow #AlfredHitchcock #FilmisLitPod #JamesStewart #JimmyStewart #GraceKelly #RaymondBurr #ThemaRitter #CornellWoolrich #ItHadtobeMurder #RyanBurns #DannyGaylord #LauraSielingGaylord #movieadaptation #bookvsmovie #bookworm #shortstory #fiction
La ventana indiscreta es el más famoso y perfecto de los relatos escrito por Cornell Woolrich. Quizá el mayor hallazgo de Woolrich consiste en plantear una serie de problemas cotidianos, fácilmente comprensibles para el lector (la ruptura de un matrimonio, la falta de expectativas profesionales de un policía, el aburrimiento de un hombre que intenta entretenerse observando desde una ventana los movimientos de sus vecinos…), y llevar su solución al extremo —casi siempre el asesinato— con la misma naturalidad con la que se propondría una salida más plausible. Todos sus relatos se caracterizan por la atmósfera asfixiante que se apodera de los personajes, que acaban siendo presas de un mecanismo de irremediable fatalidad del que no logran escapar más que en último momento. ✨Disfruten de la sesión, acomódense y...ACCIÓN!! 📽🎙 Voz y Sonido: Olga Paraíso Música Epidemic Sound con licencia premium autorizada 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas 📢Nuevo canal informativo en Telegram: https://t.me/historiasparaserleidas Canal de YouTube Historias para ser Leídas: https://www.youtube.com/c/OlgaParaiso 🚀🚀🚀🚀🚀🚀🚀 Cornell Woolrich, también conocido como William Irish, es considerado como el mejor escritor de un género en el que confluyen la novela policiaca y el thriller. Uno de los aciertos del escritor neoyorquino fue el de contar la historia desde el punto de vista de la víctima, de alguien corriente en manos del azar. ¿Una prueba? La ventana indiscreta. Cornell Woolrich comenzó a publicar sus novelas y relatos de misterio en 1934, pero hasta el año 1942 no utilizó el nombre de William Irish: fue con su legendaria La mujer fantasma. Se le conoció con el sobrenombre de El Rey del Suspense y ciertamente lo fue, el mejor escritor de suspense que ha habido nunca. Es autor de relatos y novelas maestras tales como No quisiera estar en sus zapatos, Lo que la noche revela. La novia vestía de negro, Marihuana o Me casé con un muerto, entre otras muchas. Era un hombre retraído, solitario, afectado de una relación amor-odio con su madre, que acabó viviendo en un hotel sus últimos años, alcoholizado, célebre y huraño. Nació en 1903 y murió en 1968. ▶️🎙 Si esta historia te ha cautivado y deseas unirte a nuestro grupo de taberneros galácticos, tienes la oportunidad de contribuir y apoyar este podcast desde tan solo 1,49 euros al mes. Al hacerlo, tendrás acceso exclusivo a todos las historias para nuestros mecenas y podrás disfrutar de los episodios sin interrupciones publicitarias. ¡Agradezco enormemente tu apoyo, me ayudas mucho a seguir creando contenido!. 🚀🍻 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
MAXIM JAKUBOWSKI, publisher, editor, bookseller, writer & critic chats to Paul Burke about his new novel Just a Girl with a Gun. "Less sex Jakubowski" Cornelia c'est moi... Just a Girl with a Gun Killing Eve meets Mr and Mrs SmithIn the neon-lit world of seduction and secrets, Cornelia, a mesmerizing stripper, finds herself pulled into a sinister web spun by the enigmatic organization known only as ‘The Bureau'. Recruited for her hidden talents, she becomes an unlikely assassin, caught between the dance floor and a life of deadly precision.But Cornelia harbours a secret passion that sets her apart from the other killers – she has a penchant for rare books. With each mission she completes, Cornelia indulges her obsession, using her ill-gotten gains to amass a collection that becomes both her refuge and her escape.Amidst the chaos and danger, Cornelia's path intertwines with Hopley, a fellow assassin haunted by his past. Unwittingly drawn together by their shared world of shadows, they navigate a treacherous landscape where trust is scarce, and survival is paramount.As their forbidden romance blooms amidst the darkness, Cornelia and Hopley find solace in each other's arms, their connection a fragile thread of love against a backdrop of deceit and danger. Yet, as they delve deeper into the heart of The Bureau, they discover a haunting truth that threatens to tear them apart. In this exotic and gripping thriller, where death is a dance partner and love flickers in the shadows, Cornelia must confront her own loneliness and unravel the mysteries that surround her. Will she find redemption and a chance at a life beyond the deadly stage? Or will the sinister forces at play consume her, leaving only echoes of a lost love in their wake?Maxim Jakubowski worked for many years in book publishing and is well-known for his books in a variety of genres. Under a pen name, he is also a Sunday Times bestseller. He lives in London and is currently the Chair of the Crime Writers' Association.Recent books by Maxim jakubowski - (co-ed) Reports from the Deep End & Death Has a Thousand Faces (short stories)RecommendationsFilm POOR THINGS Jan, 24, Mentions: Boris Vian, Lawrence Block, Cornell Woolrich, Day Keane, Brett Halliday, James Hadley Chase, Peter Cheyney, Edward Hopper (painter), WR Burnett, Brian Aldiss, JG Ballard, Michael Moorcock, Philip Jose Farmer Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Music courtesy of Guy Hale author of The Comeback Trail trilogy, featuring Jimmy Wayne - KILLING ME SOFTLY - MIKE ZITO featuring Kid AndersonGUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 2023
It's been a crazy month, and the Halloween Haunts countdown of bonus episodes suffered as a result. To make it up to you after a lengthy delay, I'm sharing a trilogy of terror - three scary old time radio shows to enjoy in the days before Halloween. First, Frank Lovejoy learns about the consequences of defying a voodoo curse in "Papa Benjamin," a Cornell Woolrich adapted for Escape (originally aired on CBS on January 24, 1948). Next, Peter Lorre stars in "The Black Cat," Edgar Allan Poe's tale of cruelty, rage, and a killer undone by the strangest of circumstances from Mystery in the Air (originally aired on NBC on September 18, 1947). Finally, Ida Lupino and Vincent Price co-star in Lucille Fletcher's Victorian era horror story "Fugue in C-Minor" from Suspense (originally aired on CBS on June 1, 1944).
On September 30, 1962 a major milestone in radio drama came to an end with the final episode of the long running series, SUSPENSE. Ironically, the episode was titled "Devil Stone" and was the last dramatic radio play from a series that had its roots in the golden age of radio.What began as a "new series frankly dedicated to your horrification and entertainment" took on a life of its own mostly due to the talents of some outstanding producers and adaptations and original stories from the cream of mystery writers of the time. The golden age of radio was truly the golden age of SUSPENSE as show after show broadcast outstanding plays which were "calculated to intrigue...stir [the] nerves."It was the series' first producer, William Spier, who set the framework of rules that was to stay with the show for most of its run. Mr. Spier determined that the series should deal with life-and-death situations established near the beginning of each play and then through the use of Bernard_Herrmann's musical coloring and the writer's characterizations slowly tighten the knot of SUSPENSE. Many of the early stories were written by the mystery writer John Dickson Carr. Others were by such fine writers as Lucille Fletcher, whose SUSPENSE play, "Sorry, Wrong Number" (listen/download) was turned into a major motion picture; Robert Arthur, Robert L. Richards, Morton Fine, and David Friedkin. The series also drew from the mystery writers of the day as well as the horror writers of literature; writers such as Edgar Allan Poe, H. P. Lovecraft, Cornell Woolrich, Dorothy L. Sayers, and H. G. Wells.
This week we have “The Black Curtain,” an episode of Suspense, one of the most popular shows of the old-time radio era. Suspense aired over CBS from 1942 to 1962. This hour-long episode first aired on January 3, 1948. The story is based on the 1941 Cornell Woolrich novel of the same name. This is the third time Suspense presented the story, having previously broadcast 30 minute versions in 1943 and 1944. Find more on The Beginner's Guide to Pulp Fiction at https://brickpicklemedia.com/pulpguide/.
Book Vs. Movie: Rear WindowThe 1942 Short Story Vs. the 1954 Classic FilmThe Margos are swooning throughout this episode for one of the greatest movies of all time, adapted from a short story by a very interesting (and prolific) author. Alfred Hitchcock's Rear Window is one of his finest works based on the short story; It Had to be Murder by Cornell Woolrich. Woolrich is considered one of his generation's best mystery/suspense writers, with dozens of titles making it to movie adaptations, including The Bride Wore Black, Night Had a Thousand Eyes, Mrs. Winterbourne, and Original Sun. He was so proficient as a writer of novels, screenplays, and short stories he had two noms de plumes--William Irish & George Hopley. A lonely man (he once dedicated a book to his hotel room), when he passed in 1968, he left his work to his alma mater Columbia University which eventually helped change the copyright laws. (See Sonny Bono Copyright Term Extension Act, 1998.)The story's bones are the same as the film: an injured man stuck in his apartment becomes a “peeping tom,” spying on his neighbors and being grumpy to “Sam,” who is paid to help him. Our protagonist believes he has witnessed a murder across the street and is trying to get the police to take him seriously. The 1954 adaptation was shot on the Paramount Studio lot with a full-sized apartment building courtyard to mimic the real thing in Greenwich Village. James Stewart plays LB “Jeff” Jeffries, a photojournalist who is home recovering from a broken leg. Jeff must wear a cast for one more week before returning to his adventurous life. He passes the time by snooping on his neighbors across the courtyard. Grace Kelly plays his impossible beautiful girlfriend from the upper crust society who is trying to get a commitment from Jeff. (He negs her constantly, which makes ZERO sense!) Jeff wants to see Lisa be more adventurous when he thinks he witnesses a murder across the courtyard. Thelma Ritter plays his nurse Stella, and the trio becomes detectives trying to figure out a sweaty salesman played by Raymond Burr (pre-Perry Mason) who may have made his wife disappear--permanently. This film lost out to many major awards to On the Waterfront (it was a contender!) However, time has turned it into a masterclass of direction, sound, editing, acting, and writing. The Margos debate between the original short story and the classic film--which did we like more?In this ep the Margos discuss:The backstory of writer Cornell WoolrichThe work of Alfred HitchcockThe cast of the 1954 film: James Stewart (LB “Jeff” Jefferies,) Grace Kelly (Lisa Carol Tremont,) Wendell Corey (Tom Doyle,) Thelma Ritter (Stella,) Raymond Burr (Lars Thorwald,) Judith Evelyn (Miss Lonelyhearts,) Ross Bagdarasian (the songwriter,) Miss Torso (Georgine Darcy,) and Irene Winston as Mrs. Thorwald.Clips used:Stella talks with LB JeffriesRear Window Original 1954 trailerJames Stewart gets the binocularsLisa shows upLisa gets caught snooping.Raymond Burr tosses Jimmy Stewart out the windowMusic: Franz WaxmanBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: Rear WindowThe 1942 Short Story Vs. the 1954 Classic FilmThe Margos are swooning throughout this episode for one of the greatest movies of all time, adapted from a short story by a very interesting (and prolific) author. Alfred Hitchcock's Rear Window is one of his finest works based on the short story; It Had to be Murder by Cornell Woolrich. Woolrich is considered one of his generation's best mystery/suspense writers, with dozens of titles making it to movie adaptations, including The Bride Wore Black, Night Had a Thousand Eyes, Mrs. Winterbourne, and Original Sun. He was so proficient as a writer of novels, screenplays, and short stories he had two noms de plumes--William Irish & George Hopley. A lonely man (he once dedicated a book to his hotel room), when he passed in 1968, he left his work to his alma mater Columbia University which eventually helped change the copyright laws. (See Sonny Bono Copyright Term Extension Act, 1998.)The story's bones are the same as the film: an injured man stuck in his apartment becomes a “peeping tom,” spying on his neighbors and being grumpy to “Sam,” who is paid to help him. Our protagonist believes he has witnessed a murder across the street and is trying to get the police to take him seriously. The 1954 adaptation was shot on the Paramount Studio lot with a full-sized apartment building courtyard to mimic the real thing in Greenwich Village. James Stewart plays LB “Jeff” Jeffries, a photojournalist who is home recovering from a broken leg. Jeff must wear a cast for one more week before returning to his adventurous life. He passes the time by snooping on his neighbors across the courtyard. Grace Kelly plays his impossible beautiful girlfriend from the upper crust society who is trying to get a commitment from Jeff. (He negs her constantly, which makes ZERO sense!) Jeff wants to see Lisa be more adventurous when he thinks he witnesses a murder across the courtyard. Thelma Ritter plays his nurse Stella, and the trio becomes detectives trying to figure out a sweaty salesman played by Raymond Burr (pre-Perry Mason) who may have made his wife disappear--permanently. This film lost out to many major awards to On the Waterfront (it was a contender!) However, time has turned it into a masterclass of direction, sound, editing, acting, and writing. The Margos debate between the original short story and the classic film--which did we like more?In this ep the Margos discuss:The backstory of writer Cornell WoolrichThe work of Alfred HitchcockThe cast of the 1954 film: James Stewart (LB “Jeff” Jefferies,) Grace Kelly (Lisa Carol Tremont,) Wendell Corey (Tom Doyle,) Thelma Ritter (Stella,) Raymond Burr (Lars Thorwald,) Judith Evelyn (Miss Lonelyhearts,) Ross Bagdarasian (the songwriter,) Miss Torso (Georgine Darcy,) and Irene Winston as Mrs. Thorwald.Clips used:Stella talks with LB JeffriesRear Window Original 1954 trailerJames Stewart gets the binocularsLisa shows upLisa gets caught snooping.Raymond Burr tosses Jimmy Stewart out the windowMusic: Franz WaxmanBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
On Ron's Amazing Stories this time we have a classic creepy tale titled Night Has a Thousand Eyes. This probably conjures up all kinds of ideas of what this story might be about. The real events however are much deeper than the title suggests. Also, on the show we have an extended These Are Your Stories. (A mysterious trumpet, Black Eyed Kids on Halloween, and a burning building.) It all starts off with a brand new Five Minute Mystery. So press that play and let's get started. Featured Story - Night Has A Thousand Eyes Our featured story is a creepy tale about a phony stage mentalist who mysteriously acquires supernatural powers of precognition. Night Has a Thousand Eyes is a 1948 horror film directed by John Farrow and starring Edward G. Robinson. The screenplay was written by Barré Lyndon and is based on the novel of the same name by Cornell Woolrich. The production you will hear is an adaptation of the story on the Screen Directors Playhouse. It first aired on February 27, 1949. Other Stories Include - The Fine Art Of Murder, Big Damn Hero, Hollywood Roosevelt, BEK And Halloween, Under The Desk, and Night Has a Thousand Eyes Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at and - Good Treats for your dog to eat. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:
This week we have “The Black Path of Fear,” an episode of Suspense. This episode first aired on August 31, 1944. The story is taken from the 1944 Cornell Woolrich novel The Black Path of Fear. Find more on The Beginner's Guide to Pulp Fiction at https://brickpicklemedia.com/pulpguide/.
For this bonus episode, we're celebrating "Noirvember" with five tales from crime fiction master Cornell Woolrich. His stories inspired movies like Rear Window and Phantom Lady and dozens of old time radio shows. First, Nancy Kelly is out to save her husband from a date with the executioner in "Eve" (an AFRS rebroadcast from October 19, 1944). Then, Lee Bowman stars in the search for a missing woman in "I Won't Take a Minute" (originally aired on CBS on December 6, 1945) and Robert Young hunts for his missing wife in "You'll Never See Me Again" (originally aired on CBS on September 5, 1946). Finally, Henry DeSilva and Jack Webb play cop and criminal in "You Take Ballistics" (originally aired on CBS on March 13, 1947) and Fredric March is an arson investigator whose latest case strikes close to home in "The Night Reveals" (originally aired on CBS on May 26, 1949).
THE FEMALE OF THE SPECIES: Join me and film enthusiast and blogger James Wilson, Blogging by Cinema Light, as we talk Vertigo/Mississippi Mermaid, two films about woman who are one thing in the first half, but something else in the second half. “You shouldn't keep souvenirs of a killing.” You meet someone. You fall in love. But something seems…off. In fact, you begin to wonder, is this the person they claim to be or are they somebody totally different…Sounds like it's time for Episode 85 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, film enthusiast and blogger James Wilson, who has chosen as his film Alfred Hitchcock's masterpiece, Vertigo, while I have chosen Francois Truffaut's tribute to Hitchcock, Mississippi Mermaid, both films about men who become involved with women who appear to be one thing in the beginning, but turn out to be something entirely different by the end. And in this episode, we answer the such questions as: Why were Vertigo and four other movies taken out of circulation and why wasn't Psycho? What is a Cornell Woolrich and would you want to be one? How and why did Hitchcock go from being a pop culture filmmaker to an artist? How do Truffaut and Hitchcock treat women differently? What is the Vertigo effect? What about the French? What is a before and after picture? Red, green, red, green, red, green…? What was the alternative ending to Vertigo? Be sure to check out James' blog Blogging by Cinema Light at https://bloggingbycinemalight.blogspot.com/2022/09/booksmart.html?fbclid=IwAR0A3PFc9_wxqTdiO5kjQMRdme4aoapvetsWBDXeZ-7CKvDVJGfXwDk_fyU Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss --- Support this podcast: https://anchor.fm/howard-casner/support
Sonic Echo covers Cornell Woolrich's "Dime-a-Dance"! Learn more about your ad choices. Visit megaphone.fm/adchoices
Follow and Connect: https://linktr.ee/mysterytheaterSuspense Radio Shows was a CBS radio series that aired from 1942 to 1962.Suspense was dubbed "radio's outstanding theater of thrills" and was one of the great radio programs of the Golden Age of Radio. Leading Hollywood actors of the time starred in suspense films.PLOTA man awakens on the street with no recollection of the previous three and a half years! The story was first broadcast on "Suspense" on December 2, 1943, and then again on January 3, 1948. This suspense play, starring Cary Grant and produced and directed by William Spier, is based on Cornell Woolrich's exciting and tense bestseller The Black Curtain. "That day in that street was the beginning, or rather the beginning of a new life for me. My head was pounding like a drum. Everything was a jumble at first, with all the noise and people milling around." Frank Townsend had apparently slipped and hit his head on an icy sidewalk but had no recollection of it.About the Podcast:Mystery Theater Old Time Radio PodcastWe bring you the best radio plays and programs of mystery, intrigue, and comedy from the Golden Age of Radio. And along the way, we will share some history and information about the programs, cast, writers, and more.*Support the channel**Merch:*Social media:*Follow me on Instagram:*Follow me on Facebook:https://linktr.ee/mysterytheater *Our Affiliates Partners:Check out Health Ranger Store LINKS: https://linktr.ee/mysterytheaterThis post/video contains affiliate links, meaning I may receive a commission if you make a purchase using these links.#mystery #horror #otr #oldtimeradio #otr #oldtimeradio #podcast #horror #scary #mystery #suspense #sci-fi #mysterytheater #otr #oldtimeradio #mystery #mystertheater Mystery Theater Old Time Radio Show PodcastWe make available thousands of old-time radio shows for your listening enjoyment.Some of the most popular radio programs from the 1930s, 1940s, and 1950s can be found here. Before television, radio supplied entertainment by airing mystery, suspense, and comic radio plays and shows. News and soap operas were also available.Some OTR Radio Shows are complete series collections of famous shows. Many dates from the "Golden Age" of Radio.The Best radio plays and programs of mystery, intrigue, Westerns, and comedy from the Golden Age of Radio.We will be drawing from some of the greatest old-time radio libraries.And along the way, we will share some of the history and information about the programs, cast, writers, and more.#oldtimeradio #otr #horrorSupport this podcast at — https://redcircle.com/mystery-theater-old-time-radio-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
It's time for Episode 115 of Adapt or Perish, so grab your binoculars and join us for a look at the classic thriller, Rear Window! In this episode, we discuss: It Had to Be Murder, Cornell Woolrich's original 1942 short story (which may have been inspired by Through a Window by H.G. Wells) Rear Window, the 1954 movie directed by Alfred Hitchcock, written by John Michael Hayes, and starring Jimmy Stewart, Grace Kelly, Thelma Ritter, and Raymond Burr Rear Window, the 1998 TV movie directed by Jeff Bleckner, written by Eric Overmyer and Larry Gross, and starring Christopher Reeve, Daryl Hannah, and Robert Forster And for a look at 2007's Disturbia, also inspired by Rear Window and directed by D.J. Caruso and starring Shia LaBeouf, check out Episode 15 of Multiplex Time Machine, hosted by Jeremy and his best friend Ian Averill, available on the web, on Apple Podcasts, and wherever else you get your pod. Footnotes: Episode 23: Dial M for Murder (on Apple Podcasts, Overcast, Spotify, and the web) Episode 96: Daphne du Maurier's Rebecca (on Apple Podcasts, Overcast, Spotify, and the web) CORGI ELEVATOR Gus Van Sant's 1998 theatrical remake of Psycho You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.