Podcasts about Joan Fontaine

Front Row Classics is taking a look at the only Best Picture winning film from Alfred Hitchcock's canon. Brandon is joined by Peter Martin to discuss 1940's Rebecca. The film remains a favorite due to its gothic atmosphere and stellar performances. Brandon and Peter discuss the similarities and differences from Daphne du Maurier's novel along with the battle of wills between Hitchcock and producer David O. Selznick. The two also praise the performances of Laurence Olivier, Joan Fontaine and Judith Anderson.

It's Hammer Time, and we're looking at some of the more under-appreciated output from The Studio That Dripped Blood”; first up it's 1966's “The Witches” (aka “The Devil's Own”). A film in which a headmaster cosplaying as a priest is seen as a harmless quirk; the local butcher puts paid to the adage “laugh and the whole world laughs with you.”; and your choice of drinks is gin, gin or more gin. A box office failure; “The Witches” was not considered a worthy part of Hammer's horror output, languishing for decades as a mere footnote to both the story of Hammer Films, and the career of star Joan Fontaine. Thankfully, that reputation has shifted with time, as later generations have rediscovered it. The story is a blueprint for folk horror, whilst predating those movies that would come to define the genre and Quatermass creator Nigel Kneale's subtlety witty script means this feels a lot more fresh and modern than some of the more melodramatic gothic horrors the studio produced, with a set of strong female characters driving the narrative. Whilst some may find the heavily choreographed climatic ceremony comical, if the movie has drawn you in, these sequences can actually be eerily mesmerising. Watch (or re-watch) to avoid spoilers and join us.

The decades long feud between Hollywood legends and real life sisters Joan Fontaine and Olivia de Havilland.

Dave McArthur and Bill Hodges stay sober and short while discussing the 1940 Best Picture Winner Rebecca, directed by Alfred Hitchcock and starring Joan Fontaine and Laurence Olivier.

“RICHARD CARLSON: CLASSIC CINEMA STAR OF THE MONTH” (081) - 3/31/2025 Tall, dark-haired, and handsome, RICHARD CARLSON was always a welcomed addition to any cast. From the beginning, when he was playing preppy college students opposite LANA TURNER, to his reign in the 1950s as the King of Sci-Fi thrillers, Carlson brought believability and authority to each role but also a sense of introspective thoughtfulness. You looked into his deep blue eyes and chiseled face and believed him. Whatever he was selling, we were buying. And while he never became an A-list leading man, he enjoyed a long and steady career and enhanced many a mediocre film with his special appeal. This week, we celebrate RICHARD CARLSON as our Star of the Month.  SHOW NOTES:  Sources: Monsters in the Machine (2016), by Steffen Hantke; Keep Watching the Skies (2009), by Bill Warren; “Richard Carlson: Albert Lea's Other Film & Television Star,” December 24, 2016, by Ed Shannon; “Today's Underrated Actor Spotlight: Richard Carlson,” June 24, 2105, by Bynum, www.thetinseltoentwins.com; “A Tribute To Richard Carlson,' January 9, 2014, www.scififilmfiesta.com; “Richard Carlson, Actor, Dies at 65,” November 27, 1977, New York Times; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Desert Death (1935), starring Raymond Hatton; The Young in Heart (1938), starring Janet Gaynor, Roland Young, Douglas Fairbanks, Jr & Paulette Goddard; The Duke of West Point (1938), starring Louis Hayward & Joan Fontaine; Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, & Robert Mitchum; These Glamour Girls (1939), starring Lana Turner & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; Beyond Tomorrow (1940), starring Haley Carey & Charles Winning; No, No, Nanette (1940), starring Anna Neagle; The Howards of Virginia (1940), starring Cary Grant & Martha Scott; Back Street (1941), starring Margaret Sullavan & Charles Boyer; The Little Foxes (1941Ol staring Bette Davis & Teresa Wright; The Affairs of Martha (1942), starring Marsha Hunt & Richard Carlson; My Heart Belongs to Daddy (1942), starring Richard Carlson & Martha O'Driscoll; Fly By Night (1942) starring Richard Carlson & Nancy Kelly; Hold That Ghost (1941), starring Bud Abbot & Lou Costello; White Cargo (1942), staring Hedy Lamarr& Walter Pidgeon; Presenting Lily Mars (1943), starring Judy Garland & Van Heflin; The Man From Down Under (1943), starring Charles Laughton & Donna Reed; So Well Remembered (1947), starring John Mills & Martha Scott; Behind Locked Doors (1948), starring Richard Carlson & Lucille Bremer; The Amazing Mr. X (1948), starring Turban Bey, Lynn Bari, & Cathy O'Donnell; King Solomon's Mines (1950), starring Stewart Granger & Deborah Kerr; The Sound of Fury (1950), starring Frank Lovejoy; The Blue Veil (1951), starring Jane Wyman, Charles Laughton, & Joan Blondell; The Magnetic Monster (1953), starring Richard Carlson; It Came from Outer Space (1954), starring Richard Carlson & Barbara Rush; The Maze (1953), starring Richard Carlson & Hillary Brooke; The Creature from The Black Lagoon (1954), starring Richard Carlson & Julie Adams; All I Desire (1953), starring Barbara Stanwyck & Richard Carlson; Riders To the Stars (1954), starring William Lundigan; Appointment with a Shadow (1957), starring George Nadar; The Saga of Hemp Brown (1957), starring Rory Calhoun; Johnny Rocco (1958), starring Richard Evers & Coleen Gray; Tormented (1960), starring Richard Carlson; Kid Rodelo (1966), starring Broderick Crawford & Janet Leigh; Change of Habit (1969), starring Elvis Pressly, Mary Tyler moore, & Richard Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wes & Erin continue their discussion of the 1940 Best Picture winner "Rebecca," starring Joan Fontaine and Laurence Olivier.

Alfred Hitchcock's first American film—part love story, part ghost story, part courtroom melodrama—centers on a poor, timid young woman who falls in love with wealthy aristocrat Maxim de Winter, a widower tortured over the death of his first wife. When the young woman becomes the second Mrs. De Winter and moves into Maxim's estate, she finds her predecessor's initials stamped all over the house, and its staff in thrall to her beautiful, vibrant memory. But at the heart of the first Mrs. De Winter's legacy lies a rot, and just what that rot represents in the film—be it the oppressions of vitality and ambition, the wages of class mobility, the unruly desires of sexuality, or the latent evidence of civilizational decline—is our subject today. Wes & Erin discuss the 1940 Best Picture winner "Rebecca," starring Joan Fontaine and Laurence Olivier.

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most-legendary filmmakers of all time only directed one movie to a Best Picture Oscar…and Rebecca was it. Alfred Hitchcock slickly portrays the brutal treatment of the victimized newlywed Joan Fontaine. She's a target for everyone in the film, especially a vicious housekeeper played by Judith Anderson and a neglectful and possibly homicidal husband played by Laurence Olivier. But did Hitch enjoy what Fontaine's character goes through...or does he sympathize with her? And just how much of a compromise is the censored version of the unseen title character's fate in this stylish, gothic thriller? So throw the 648th edition of Have You Ever Seen into those holes in the sides of your head as we head to Manderley and whisper about what's going on in Rebecca. Feel free to write as many memos as you want like the control freak David Selznick used to do, but jotting all those notes down would be aided by sipping Sparkplug Coffee. Go to "sparkplug.coffee/hyes" and get yourself a 20% discount. Review our podcast and give us a rating, but also subscribe. Do the same on YouTube, under our hyesellis location on the 'Tube (comment, like, etc). Respond to us by emailing (haveyoueverseenpodcast@gmail.com), tweeting (@moviefiend51 and @bevellisellis) or Blueskying (ryan-ellis and bevellisellis). 

This week, we talk about Alfred Hitchcock's 1941 mystery Suspicion. Joan Fontaine plays a woman who suspects her husband, played by Cary Grant, may be more sinister than she may have at first realized.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.Details: An RKO Radio Picture, produced by Alfred Hitchcock and Harry E. Edington. Screenplay by Samson Raphaelson, Joan Harrison, and Alma Reville, based on the novel Before the Fact by Francis Iles. Starring Joan Fontaine, Cary Grant, Nigel Bruce, Sir Cedric Hardwicke, and Dame May Whitty. Cinematography by Harry Stradling Sr. Music by Franz Waxman.Ranking: 22 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Suspicion got 1,881 ranking points.

Drama on a SaturdayFirst a look at the events of the dayThen Suspense, originally broadcast January 4, 1959, 66 years ago, Don't Call Me Mother starring Agnes Moorehead. A possessive mother is determined to break up her son's marriage. Followed by Yours Truly Johnny Dollar starring Bob Bailey, originally broadcast January 4, 1959, 66 years ago, The Hollywood Mystery Matter. A strange $10,000 embezzlement by "Parley Baron," a dying old man. Then This is Your FBI, originally broadcast January 4, 1946, 79 years ago, Crime in the Roaring 20's. A look back at the early years of the FBI and the surge of crime following the first World War. Followed by  The Screen Guild Theater, originally broadcast January 4, 1943, 82 years ago, Suspicion starring Joan Fontaine.  Basil Rathbone and Nigel Bruce appear together in a non-Sherlock Holmes adventure. Finally, Claudia, originally broadcast January 4, 1949, 76 years ago, Bulb Snatching.  Going to bed early.Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

“HITCHCOCK's COLLABORATORS FROM THE GOLDEN AGE” - (068) ALFRED HITCHCOCK, the iconic “Master of Suspense,” loved to work with certain actors over and over again. Often, he had very complicated relationships with his actors. (Just ask TIPPI HEDREN!) However, he managed to form great working relationships with stars like JAMES STEWART, GRACE KELLY, INGRID BERGMAN, and CARY GRANT. This week, we take a fun look at some of the actors who he loved to work with. So, which actor did he put in more of his films than anyone else? The answer may surprise you. SHOW NOTES:  Sources: Cary Grant (2020), by Scott Eyman;  Hitchcock's Heroines (2018), by Caroline Young; Hitchcock's British Films (2010), by Maurice Yacowar; It's Only A Movie: Alfred Hitchcock a Personal Biography (2006), by Charlotte Chandler; Alfred Hitchcock: A Life in Darkness and Light (2003), by Patrick McGilligan; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; "Alfred Hitchcock & Cary Grant Together: Twisted image,” by Kevin Maher, www.top10filmlists.com; “Alfred Hitchcock's Most Frequent Collaborators, Ranked,” January 21, 2024, by Alice Caswell, ScreenRant.com; “The Relationship Between Alfred Hitchcock and Cary Grant, Explained,” January 16, 2023, by Heather Lawton, MovieWeb; “Leo G. Carroll,” Actor, 80, Dead, October 19, 1972, New York Times; “Miss Clare Greet, Actress, 47 Years; British Stage Favorite Dies,” February 15, 1939, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; RogerEbert.com; Movies Mentioned:  The Ring (1927), starring Carl Brisson & Ian Hunter; Blackmail (1929), starring John Longden; The Manxman (1929), starring Anne Ondra; Murder! (1930), starring Herbert Marshall; Ellstree Calling (1930), starring Will Fyffe; Juno and the Paycock (1930), starring Sara Allgood & Barry Fitzgerald; The Skin Game (1931), starring Edmund Gwenn; The Man Who Knew Too Much (1934), starring Peter Lorre; Sabotage (1936), starring Sylvia Sidney; Young and Innocent (1937), starring Nova Pilbeam; Jamaica Inn (1939), starring Charles Laughton & Maureen O'Hara; Rebecca (1940), starring Joan Fontaine, Laurence Olivier, & Judith Anderson; Suspicion (1941), starring Cary Grant & Joan Fontaine; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright; Spellbound (1945), starring Gregory Peck & Ingrid Bergman; Notorious (1946), starring Ingrid Bergman & Cary Grant; The Paradine Case (1947), starring Gregory Peck, Alida Valli, & Ann Todd; Under Capricorn (1949), starring Ingrid Bergman, Joseph Cotten & Michael Wilding; Stage Fright (1950), starring Marlene Dietrich & Jane Wyman; Strangers on a Train (1951), starring Farley Granger, Robert Walker & Ruth Roman; To Catch A Thief (1955), starring Cary Grant & Grace Kelly; Anastasia (1956) starring Ingrid Bergman, Yul Brynner, & Helen Hayes; North by Northwest (1959), starring Cary Grant & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivia de Havilland and Joan Fontaine's sibling rivalry is the stuff of Hollywood legend. These sisters didn't just compete for roles—they fought for lifelong supremacy. From early career tensions and competing Oscar wins to family rifts that never healed, this is the story of two sisters who turned sibling rivalry into an art form. Who ultimately came out on top, and how did their feud become an iconic tale of ambition, jealousy, and fame?Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Diss and Tell on the Wondery App or wherever you get your podcasts. You can listen early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/diss-and-tell/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The OTRNow Radio Program 2024-018The Shadow Of Fu Manchu. July 14, 1939. Program #29. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The Si-Fan and The "Blue Light" strikes. Hanley Stafford, Gale Gordon. 11009. The Shadow Of Fu Manchu. July 17, 1939. Program #30. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Milk, fish, and trowel. Hanley Stafford, Gale Gordon.IT'S HIGGINS SIR July 3, 1951. Program #1. NBC net. Sustaining. The first show of the series. Higgins and the ancestral silver descend of the Roberts family, and life will never be the same. Harry McNaughton, Paul Harrison (writer, producer, director, conceiver), Vinton Hayworth, Peggy Allenby CRESTA BLANCA HOLLYWOOD PLAYERS October 1, 1946. CBS net. "Rebecca". Sponsored by: Cresta Blanca Wines. A woman's husband cannot forget his beautiful first wife, and with good reason. A gothic romance. Joan Fontaine, Joseph Cotten, Bernard Katz (music), Axel Gruenberg (adaptor), Frank Bingman (announcer).Joan Fontaine reprises her role from the 1940 Alfred Hitchcock film "Rebecca" in this radio adaptation. FRANK BUCK' S JUNGLE QUIZ  July 15, 1941. Mutual net. Sustaining. The first program of the series. A game show with orphans from St. John's Orphanage in Brooklyn as guests. The kids try to stump Frank with animal questions. The first question is, "What snake is the deadliest?" The show is so bad, it's good. Frank even interrupts the announcer as he gives the system cue! Frank Buck.  THE ADVENTURES OF FRANK RACE May 1, 1949. Program #1. Broadcasters Program Syndicate syndication. Commercials added locally. An untitled story. The Dineen family has lost two of their Victory ships. Were they sunk for their insurance? Tom Collins, Tony Barrett, Buckley Angel (writer, director), Joel Murcott (writer, director), Bruce Eells (producer), Ivan Ditmars (organist).an radio adventure serial syndicated by Bruce Eells Productions. The 30-minute program's first East Coast broadcast was 1949, and the show ran 43 episodes. "  THE HALL OF FANTASY February 13, 1947. CBS net, KALL, Salt Lake ity origination. "The Perfect Script". Commercials deleted. An insane radio producer entices a script writer to his isolated beach house to write "the perfect script." Drugs and insanity await him. Robert Olsen (writer), Richard Thorne (performer, producer, director), Carl Grayson, Beth Colter, Nelson Hall, Earl Donaldson (music). 

"BOBBY DRISCOLL: CLASSIC CINEMA STAR OF THE MONTH" EPISODE 64 - “BOBBY DRISCOLL - STAR OF THE MONTH” - 12/02/2024  BOBBY DRISCOLL's name may not be too familiar anymore, but in his heyday, he was the male equivalent of NATALIE WOOD. He was one of the most talented and prolific child stars of the 1940s and 1950s. His descent into darkness should serve as a cautionary tale to all of the stage mothers out there who think their kids will be the next big thing. Sometimes, there is a price to pay for fame, and it ain't always pretty. Join us as we discuss the tragic life of child star Bobby Driscoll. SHOW NOTES:  Sources: Great Child Stars (1976), by James Robert Parish; “Bobby Driscoll, Dope Suspect," July 11, 1956, Los Angeles Examiner; “Bobby Driscoll Arrested in Bean Shooting Row,” August 23, 1956, Los Angeles Times; “Actor Bob Driscoll Arrested As Addict,” October 29, 1959, Mirror News; “Actor Freed of Charges on Narcotics,” December 12, 1959, Los Angeles Times; “Bobby Driscoll Napped After Rift with Gun,” June 18, 1960, The Citizen News; “New Charge Confronts Former Star,” June 23, 1960, Mirror News; “Actor Fined For Striking Heckler,” October 14, 1960, Los Angeles Examiner; “Driscoll Theft Charge Issued,” April 11, 1961, The Citizen News; “Bobby Driscoll is Arrested Again,” May 2, 1961, Los Angeles Examiner; “Bobby Driscoll, a Film Star at 6, an Addict at 17, Sent to Chino,” October 19, 1961, by Charles Hillinger, Los Angeles Times; “Truly, A Lost Boy,” March 4, 2007, by Susan King, Los Angeles Times; “Oscars Flashback: The Tragic Life and Death of Former Disney Star Bobby Driscoll,” January 22, 2019, by Lynette Rice, Entertainment Weekly; BobbyDriscoll.com; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Lost Angel (1943), starring James Craig, Marsha Hunt, & Margaret O'Brien; The Fighting Sullivans (1944) starring Thomas Mitchell & Anne Baxter; Sunday Dinner With A Soldier (1944), starring Anne Baxter, John Hodiak, Charles Winner, & Anne Revere; The Big Bonanza (1944), starring Richard Arlen; So Goes My Love (1946), starring Myrna Loy & Don Ameche; Identity Unknown (1945), starring Richard Arlen; Miss Susie Slagle's (1946), starring Veronica Lake; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; O.S.S. (1946), starring Alan Ladd & Geraldine Fitzgerald; Three Wise Fools (1946), starring Margaret o'Brine & Lionel Barrymore; Song Of The South (1946), starring James Baskett; If You Knew Susie (1948), starring Eddie Cantor; So Dear to My Heart (1948), starring Burl Ives & Beulah Bondi; The Window (1949), starring Barbara Hale, Arthur Kennedy, Ruth Roman, & Paul Stewart; Treasure Island (1950), starring Robert Newton; When I Grow Up (1951), starring Robert Preston & Martha Scott; The Happy Time (1952), starring Charles Boyer, Louis Jordan, & Marsha Hunt; Peter Pan (1953) The Scarlett Coat (1955), starring Cornel Wilde & George Sanders; The Party Crashers (1958), starring Connie Stevens & Frances Farmer; Dirt (1965), starring Sally Kirkland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do You Expect Us To Talk? returns with more Hitchcock in its "Women... don't trust your husbands" series. Suspicionfeatures a young woman (Joan Fontaine) who marries a cad (Cary Grant), whose behavior escalates from reckless and selfish to something far more suspicious. Is she overthinking things, or could he actually be trying to murder her? Join Becca, Chris, and Dave as we discuss what Quentin Tarantino thinks about Hitchcock, how this film might work today outside the constraints of the Hays Code, just how much of a jerk Cary Grant's character is, and whether Joan Fontaine will ever learn. You can follow Becca, Chris, and Dave on Twitter/X. You can also find us on iTunes, Spotify, Podbean, and YouTube—just search for us. If you enjoy our content, leave us a lovely review! It helps us grow. And if that's not enough, you can follow us on X (formerly Twitter) and like us on Facebook. Do You Expect Us To Talk will return with Saboteur.

We return surprisingly often to the Hitchcock well, but his 1940s films are so interesting. Here is a gothic romantic mystery, with poor Joan Fontaine just trying to get her bearings in an old, dark house. Why are her new husband, Laurence Olivier, and his housekeeper, Judith Anderson, so mean to Joan, and what’s become of the cupid in the morning room? Join us and find out. Shelly Brisbin with Annette Wierstra, Micheline Maynard and Randy Dotinga.

We return surprisingly often to the Hitchcock well, but his 1940s films are so interesting. Here is a gothic romantic mystery, with poor Joan Fontaine just trying to get her bearings in an old, dark house. Why are her new husband, Laurence Olivier, and his housekeeper, Judith Anderson, so mean to Joan, and what’s become of the cupid in the morning room? Join us and find out. Shelly Brisbin with Annette Wierstra, Micheline Maynard and Randy Dotinga.

« J'ai rêvé la nuit dernière que je retournais à Manderley... »Victoire, Pascale, Jeanne et Marianne comparent le roman de Daphné du Maurier, Rebecca, à son adaptation en film réalisée par Alfred Hitchcock avec Laurence Olivier, Joan Fontaine et Judith Anderson. Une jeune femme rencontre Maxim de Winter, un riche veuf en vacances à Monte-Carlo : après une cour expéditive, il l'épouse et l'emmène dans son manoir de Manderley en Cornouailles. Mais là-bas, l'ombre de Rebecca, la première Madame de Winter, continuer de hanter les lieux...Le film d'Alfred Hitchcock est-il fidèle au livre dont il est tiré ? Réponse dans l'épisode !3 min 29 : On commence par parler du roman Rebecca de Daphné du Maurier, paru en 1938.58 min 39 : On enchaîne sur l'adaptation en film sortie en 1940 et réalisée par Alfred Hitchcock avec Laurence Olivier, Joan Fontaine et Judith Anderson. :l1 h 42 min 38 : On termine sur nos recommandations autour des films de Daphné du Maurier, Hitchcock et des manoirs hantés.Avez-vous lu ou vu Rebecca ?Recommandations :L'Affaire Charles Dexter Ward, écrit par H. P. Lovecraft (1941)Hitchcock, réalisé par Sacha Gervasi (2012)Manderley for ever, écrit par Tatiana de Rosnay (2015)Fenêtre sur Cour, réalisé par Alfed Hitchcock (1954)Les Oiseaux, réalisé par Alfred Hitchcock (1963)Mexican Gothic, écrit par Silvia Moreno-Garcia (2020)L'ombre d'Emily, réalisé par Paul Feig (2018)Crédits : Main Theme - Franz Waxman (tiré de la bande-originale Rebecca) - © 1940

Cette nuit jʹai rêvé que je retournais à Manderley. Cette phrase en voix off ouvre la première œuvre américaine dʹAlfred Hitchcock. Ce film, cʹest Rebecca, sorti en 1940, lʹadaptation de Daphné du Maurier. Le roman, énorme succès de librairie, sort en 1938. Tout de suite, cette histoire qui raconte lʹemprise dʹune morte, Rebecca, sur son entourage et sur son mari, fascine. Car celui-ci, veuf peu éploré, se remarie un an après sa mort. Mais la nouvelle épouse, en tous points différentes, a fort à faire pour effacer le souvenir de la défunte dans la demeure sinistre de Manderley, dans la tête du mari et surtout dans le cœur de la gouvernante, Madame Sanders, une horrible bonne femme qui adulait Rebecca. Alors que la guerre débute en Europe, Alfred Hitchcock et sa famille arrivent à Hollywood, dans le sérail du très puissant producteur David O Selznick. David O Selznick est en train de terminer la superproduction dʹAutant en Emporte le vent et cherche à réitérer le même succès, du moins le même engouement avec un nouveau film. Cʹest pourquoi il va chercher pour lʹadaptation dʹun roman anglais un réalisateur anglais talentueux. Mais la manière de travailler dʹHitchcock et celle de Selznick sont aux antipodes. Les relations entre les deux hommes ne seront pas tout repos. Et puis, la guerre inquiète beaucoup Hitchcock à qui lʹon reproche dʹavoir quitté lʹAngleterre. Mais le film se fait quand même avec Joan Fontaine et Laurence Olivier et plait beaucoup au public. Il gagne lʹOscar du meilleur film en 1940 qui va dans la poche, non pas de Hitchcock mais de Selznick. Pour vous raconter tout ça, nous avons à disposition les merveilleux entretiens entre Alfred Hitchcock et François Truffaut, nous avons le livre référence de Donald Spoto, la Face cachée dʹun génie, et plein dʹautres choses. Dès lors plongeons dans lʹunivers de Rebecca, un classique de lʹhistoire du cinéma. REFERENCES En 1962, Alfred Hitchcock accorde un long entretien à François Truffaut. En 1999, cette conversation est diffusée en 25 épisodes sur France Culture. Dans ce neuvième entretien, on verra ce que les films d'Hitchcock empruntent aux contes de fées. https://www.radiofrance.fr/franceculture/podcasts/les-nuits-de-france-culture/hitchcock-truffaut-9-25-9347365 Donald SPOTO, La face cachée dʹun génie : la vraie vie dʹAlfred Hitchcock, Albin Michel Joan Fontaine on Alfred Hitchcock, Audio Interview https://www.youtube.com/watch?v=vcTgOJnWWqA

Whether you have a sister or not, it's a relationship that has long fascinated us. In this special edition of Woman's Hour, Nuala McGovern explores what makes the female sibling dynamic so compelling.If you were watching the Paris Olympics, you might have spotted identical twins Lina and Laviai Nielsen taking to the track. The Olympic duo join Nuala to discuss competing together at an elite level in athletics, winning bronze side-by-side for Team GB, and navigating triumphs and challenges in the public eye after Lina's Multiple Sclerosis diagnosis.Psychotherapist Jennifer Gledhill joins Nuala to talk about the psychology of sister relationships. What pushes you apart, and what brings you together? She also gives her tips on how to have a better relationship with your sister.How do you deal with the grief of losing a sister? British-Kurdish activist Payzee Mahmod's joins Nuala to talk about her beloved sister Banaz, who was murdered aged 20 in a so-called 'honour' killing. Their father and uncle are serving life sentences for the murder. Nuala and Payzee talk about loss, legacy and how Banaz's death drove Payzee's campaign against child marriage.What is Nuala like as a sister? Joining us from Ireland to spill the beans are Nuala's own two sisters – Vera and Eileen!Film historian Alex Von Tunzelmann charts one of the most famous sisterly feuds in Hollywood history – the explosive rivalry between the Oscar-winning British actresses, Olivia de Havilland and Joan Fontaine.And what if you don't have biological sisters or didn't grow up with them, but want the support system that can come with a sisterhood? Angel, from London, is now 21 years old and was in the care system from the age of five. She's a mentor and ‘big sister' for Sister System, a charity that works with care-experienced women and girls. Angel and the charity's founder Okela Douglas join Nuala to discuss why sisterhood can have such a profound impact.Presenter: Nuala McGovern Producers: Maryam Maruf and Erin Downes Editor: Olivia Bolton Studio Manager: Gayl GordonArchive: Fleabag / Two Brothers Pictures / Harry Bradbeer; Pride and Prejudice / Working Title Films / Joe Wright; Little Women / Columbia Pictures / Greta GerwigThe book reading is from Joan Fontaine's memoir, No Bed of Roses published by William Morrow and Company

Immerse yourself in the opulent yet tragic world of Edith Wharton's "The House of Mirth," brought to you by Vintage Classic Radio's "Sunday Night Playhouse." This captivating radio adaptation, originally presented by The Theater Guild on the Air and sponsored by US Steel, first graced the Broadway stage at the Guild Theatre on December 14, 1952. This week, journey back in time to explore the rise and fall of Lily Bart, a woman caught in the whirlwind of New York's high society at the turn of the century. As Lily navigates through social scandals and financial precarity, her pursuit of happiness leads to unforeseen consequences. This production features a stellar cast including Joan Fontaine delivering a poignant performance as Lily Bart, Sidney Greenstreet's commanding presence as Gus Trenor, and Martha Sleeper's compelling portrayal of Judy Trenor. Franchot Tone joins as Laurence Selden, adding depth and nuance to this complex tale. Also featuring Anne Revere as Bertha Dorset, each member of the cast adds emotional gravity to this classic drama. Tune in to Vintage Classic Radio this Sunday evening to experience the poignant elegance and dramatic intricacies of "The House of Mirth."

Lux Radio Theatre || Under Two Flags (Herbert Marshall, Olivia de Havilland) || The Plainsman (Fredric March, Joan Fontaine) | May 24, 1937; May 31, 1937: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Academy Award Winner for Best Picture in 1940, Rebecca from United Artists, directed by Alfred Hitchcock, and starring Lawrence Olivier and Joan Fontaine.

"One of the most important fights is against tradition." Island In The Sun (1957) directed by Robert Rossen and starring James Mason, Harry Belafonte, Dorothy Dandridge, Joan Fontaine, Joan Collins and John Williams Next Time: A Piece of the Action (1977)

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 43 - “Favorite Classic Films of the 1930s” - 07/08/2024 During the golden era of old Hollywood, each decade brought forth exciting films that helped define the motion picture industry. In a new feature, Steve and Nan will discect each decade and highlight movies that resonated with them as they started their individual study of film. Beginning with the 1930s, listen as they discuss film that made an impact not only on them, but on the film industry as a whole. And yes, a few of the film they discuss are from that magic year of 1939. SHOW NOTES:  Sources: Pursuits of Happiness: The Hollywood Comedy of Remarriage (1981), by Stanley Cavell; The Screwball Comedy Films: A History and Filmography 1934-1942 (2022), by Grégoire Halbout; The Art of the Screwball Comedy (2013), by Doris Milberg; Wiliam Holden: A Biography (2010), by Michelangelo Capua; The Life and Loves of Barbara Stanwyck (2009), by Jane Ellen Wayne; The Lonely Life: An Autobiography (2017), by Bette Davis; Leslie Howard: The Lost Actor (2013), by Estel Eforgan; Jean Arthur: The Actress Nobody Knew (1997), by John Oller; The Films of Frank Capra (1977), by Victor Scherle and William Turner Levy; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Mary Poland, Joan Fontaine, Lucille Watson, Virginia Pohvah, Virginia Weidler, Marjorie Main, Virginia Grey, Hedda Hopper, Ruth Hussey, and Mary Beth Hughes; The Petrified Forest (1936), starring Leslie Howard, Bette Davis, Humphrey Bogart, Porter Hall, Genevieve Tobin, Dick Foran, Joe Sawyer, Charley Grapewin, and Paul Harvey; Mr. Smith Goes To Washington (1939), starring James Stewart, Jean Arthur, Thomas Mitchell, Claude Rains, Edward Arnold, Beulah Bondi, and Guy Kibbee; Easy Living (1937), starring Jean Arthur, Ray Milland, Edward Arnold, Luis Alberni, Franklin Pangborn, Mary Nash, William Demarest, and Esther Dale; My Man Godfrey (1936), starring William Powell, Carole Lombard, Gail Patrick, Alice Brady, Eugene Pallette, Jean Dixon, Misha Auer, and Alan Mowbray; The Awful Truth (1937), starring Cary Grant, Irene Dunne, Ralph Bellamy, Cecil Cunningham, Molly Lamont, Alexander D'Arcy, Joyce Compton, and Esther Dale; Stage Door (1937), starring Katharine Hepburn, Ginger Rogers, Lucille Ball, Ann Miller, Andrea Leeds, Eve Arden, Gail Patrick, Adolphe Menjou, Franklin Pangborn, Samuel S. Hinds, and Constance Collier; Golden Boy (1939), starring Barbara Stanwyck, William Holden, Adolphe Menjou, Lee J. Cobb, Joseph Calleia, Edward Brophy, and Sam Levene; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

What was the secret behind 1932 Wampas Baby Star Ginger Rogers and her astronomical success? A Svengali-like dance mentor? A relentlessly ambitious stage mother who didn't really care about her daughter? Pure luck that allowed "not a real actress" to get by on charm and dancing alone? Hint: It's none of the above, but plenty of people have suggested it might be! This special Close Up episode features (of course) Ginger Rogers, as well as Fred Astaire, Lela Rogers, Howard Hughes, Lew Ayres, James Stewart, Katharine Hepburn, Joan Fontaine, and more! This episode contains (mild) language that may be inappropriate for some listeners. Hosted on Acast. See acast.com/privacy for more information.

Alicia has the life and loves of screen legend Olivia de Havilland, with spiderweb appearances by so many legends including her sister Joan Fontaine, Errol Flynn, Howard Hughes, John Huston, and so many more! Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alfred Hitchcock's first film for the United States market. A psychological thriller about a young bride (Joan Fontaine) living with the ghosts of her husband's (Laurence Olivier) dead first wife. Co-starring Judith Anderson and George Sanders.

#hitchcockmonth continues with Hitch's American debut, 1940's Rebecca, which stars Lawrence Olivier and Joan Fontaine. Rebecca is a new take on Jane Eyre and has connections to Citizen Kane; it's an absolute recommend from us. Up Next: Suspicion (1941) What We're Watching: Witchboard (1986) Where to Find us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ boozeboobsandbloodpodcast@gmail.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠boozeboobsandbloodpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  bluesky: @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠b3podcast.bsky.social⁠

EPISODE 33 - “Zachary Scott: Star of the Month (May)” - 04/29/2024 Suave, debonaire, and effortlessly charming, ZACHARY SCOTT is best known for his role in MICHAEL CURTIZ's film noir classic Mildred Pierce (1945). As the duplicitous, silver-tongued charmer Monte Beragon, he romances Mildred, played by JOAN CRAWFORD (in her Oscar-winning role), and Mildred's daughter, Veda (ANN BLYTH). This became Scott's signature role: the sexy cad who was usually at his best swindling, seducing, or being a general scoundrel. It was always fun watching Scott's dastardly ways unfold. He could rock a tux, looked naked without a martini in his hand, and always had a cigarette close by. He was so magnetic that he could even make film-goers feel sorry for him. While he seldom got to play the good guy, when he did, as in what is perhaps one of his best roles in JEAN RENOIR's The Southerner (1945), you realize the versatility that he seldom had the opportunity to display. With a career that included over 40 films and dozens of television roles, ZACHARY SCOTT is our Star of the Month. SHOW NOTES:  Sources: Zachary Scott: Hollywood's Sophisticated Cad (2009), by Ronald L. Davis; “Actor Zachary Scott, Leading Man for 3 Decades, Dies of Brain Tumor,” October 4, 1965, Akron Bacon Journal “Who Was Zachary Scott?” www.zachtheatre.org; “Zachary Scott's Guilded Cage,” Spring 2020, by Farren Smith Nehme, www.filmnoirfoundation.org; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden, Bruce Bennett, Lee Patrick, and Butterfly McQueen; The Southerner (1945), starring Zachary Scott, Betty Field, Beulah Bondi, Norman Lloyd, J. Carroll Naish, Jay Gilpin, Jean Vanderwilt, Blanche Yurka, and Percy Kilbride; The Mask of Dimitrios (1944), starring Zachary Scott, Faye Emerson, Peter Lorre, and Sydney Greenstreet; Hollywood Canteen (1944), starring Bette Davis, John Garfield, Joan Crawford, Joan Leslie, Dane Clark, Joe E, Brown, Barbara Stanwyck, Id Lupino, Sydney Greenstreet, and Jack Benny; Danger Signal (1945), starring Zachary Scott, Faye Emerson, Mona Freeman, Richard Erdman, Rosemary DeCamp, and Joyce Compton; Her Kind Of Man (1946), starring Zachary Scott, Dane Clark, Janis Page, and Faye Emerson; The Unfaithful (1947), starring Ann Sheridan, Lew Ayres, Zachary Scott, and Eve Arden; Stallion Road (1947), starring Ronald Reagan, Alexis Smith, and Zachary Scott; Cass Timberlane (1947), starring Spencer Tracy, Lana Turner, Zachary Scott, Tom Drake, Mary Astor, Margaret Lindsay, and Albert Dekker; Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, Lucille Bremer, and Martha Vickers; Whiplash (1948), staring Dane Clark, Alexis Smith, Zachary Scott, Eve Arden, S.Z. Sakall, Jefferey Lynn, and Alan Hale Jr; Flamingo Road (1949), starring Joan Crawford, Zachary Scott, Sydney Greenstreet, David Brian, Virginia Huston, Gladys George, and Fred Clark; Shadow On The Wall (1950), starring Ann Sothern, Zachary Scott, John McIntire, Gigi Perreau, Kristine Miller, and Nancy Davis; Born To Be Bad (1950), starring Joan Fontaine, Zachary Scott, Joan Leslie, Robert Ryan, and Mel Ferrer; Stronghold (1951), starring Veronica Lake, Zachary Scott, and Rita Meceda; The Secret of Convict Lake (1951), starring Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Barbara Bates, and Janette Nolan; Dead On Course (1953), starring Zachary Scott and Kay Kendall; Flame of the Islands (1955), staring Yvonne DeCarlo, Howard Duff, and Zachary Scott; Violent Stranger (1957), starring Zachary Scott, and Faith Domergue; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus podcast episode, a collection of characters makes the St. Valentine's Day massacre look like a picnic. We'll hear five Suspense stories about romances gone wrong with husbands and wives at each other's throats. Peter Lorre plots to get rid of an unfaithful wife in "Till Death Do Us Part" (originally aired on CBS on December 15, 1942), and even though his wife isn't real, Edward G. Robinson still winds up accused of her murder in "My Wife Geraldine" (originally aired on CBS on March 1, 1945). Robert Young's wife vanishes into the night in "You'll Never See Me Again" (originally aired on CBS on September 5, 1946) and Kirk Douglas plans to bump off his wife instead of sharing an inheritance in "Community Property" (originally aired on CBS on April 10, 1947). Finally, Joan Fontaine is a Mrs. planning to do away with her Mr. in "The Lovebirds" (originally aired on CBS on March 3, 1949).

On Episode 71 of Women InSession, we discuss the great Joan Fontaine and what made her a special actress! Panel: Kristin Battestella, Zita Short Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe

The sixth episode of our season on the awesome movie year of 1939 features Josh's personal pick, George Cukor's The Women. Directed by George Cukor from a screenplay by Anita Loos and Jane Murfin and starring Norma Shearer, Rosalind Russell, Joan Crawford, Paulette Goddard, Mary Boland and Joan Fontaine, The Women was based on the hit 1936 Broadway play by Clare Boothe.The contemporary reviews quoted in this episode come from Mildred Martin in the Philadelphia Inquirer, Mae Tinee in the Chicago Tribune, and Katherine Howard in the Fort Worth Star-Telegram.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1939 installment, featuring a special Valentine's Day pick, Leo McCarey's Love Affair.

Welcome to season 3! We're kicking off this season with a couple of episodes on our favorite films from the Gothic Romance genre, and who better to start us off than the master of the macabre, Alfred Hitchcock? Rebecca, starring Joan Fontaine and Sir Laurence Olivier, was Hitchcock's first film made in the US and his only Best Picture winner. The film also earned an Oscar for cinematographer George Barnes, whose talents with light, shadow, and camera movement created the moody atmosphere that pervades Rebecca. It was produced by David O. Selznick, who was coming off the huge success of Gone with the Wind and looking to make another big hit. Deeply faithful to its source material, Daphne du Maurier's best-selling novel, the film is a suspenseful cinematic take on classic Gothic Romance literature. The parallels with Bronte's Jane Eyre are numerous, but it's Hitchcock's ability to dramatize psychological terror that brings this movie into the modern age. Come to Manderley again with us, and watch out for Mrs. Danvers!

for the full episode join the Patreon [patreon.com/fashiongrunge]---There is such a distinct memory I have watching Rebecca for the first time. My Mom showed this to me when I was about 10 and thank goodness because my bar for cinema was set pretty high from the jump. This is one of me and Charles' all time favorite films and we have been quoting it in real life for years so it's high time we review it proper. We get into the behind the scenes drama with Hitchcock and the producer Selznick, casting drama and mess, and have another Oscar rage segment because this is a near perfect film.Off-Topic rants include: why we should honestly be terrified of orcas, MTV Unplugged vs. VH1's Storytellers, objectifying men in politics and why need a hottie President ---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Charles @charleshaslamFollow Fashion Grunge PodcastSubstack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

Two hours of CrimeFirst a look at this day in History.Then Dragnet starring Jack Webb, originally broadcast January 4, 1953, 71 years ago, The Big Mask Part II. The "Black Masked Bandit" eludes efforts of the cops to track him down. It's as if he knows what the law is planning next. Followed by The Screen Guild Theater, originally broadcast January 4, 1943, 81 years ago, Suspicion starring Joan Fontaine, Bazil Rathbone, and Nigel Bruce. This is the only time I know of where Rathbone and Bruce worked together apart from the Sherlock Holmes series. A woman suspects her no-good husband has killed his best friend and plans to do her in as well!Then Gangbusters, originally broadcast January 4, 1947, 77 years ago, The Case of the Elusive Burglar. Ted Murphy engineered a jail break with a book; but learned that alert detectives could write a closing chapter to suit themselves.Followed by The Lives of Harry Lime starring Orson Welles, originally broadcast January 4, 1952, 72 years ago, Cherchez La Gem. Harry's in Hawaii after $75,000 in stolen jewels. Finally Mr. District Attorney starring David Brian, originally broadcast January 4, 1953, 71 years ago, The Case of the Murder Syndicate. A wife collects double indemnity on her recently deceased husband. Mr. D.A. rightfully suspects that she's hired a professional killer. Thanks to Eric for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

A leaked elevator footage showed the world a fight between Solange Knowles and her brother-in-law Jay-Z. We go over possible theories on what caused this altercation and how Beyonce, Solange, and Jay-Z responded to the leaked footage. We then go over a lifelong feud with sisters Oliva de Havilland and Joan Fontaine. Instagram: SaveYourSorry (@saveyoursorry) • Instagram photos and videosEmail us with your media and suggestions: SaveYourSorry@gmail.com

We love a live show here at Worst Foot Forward and this one was no different! We were joined by the team from Lexx Education - Laura Lexx and her brother Ron - for an episode about the World's Worst Sibling as part of the Cheerful Earful Podcast Festival in London. Brothers-in-arms Ben and Barry presented a combination of Hollywood and Washington high-flyers, while Laura went back to Ancient Egypt and Rob discovered a third, less-good Attenborough brother down the back of the genealogical sofa. Follow us on Twitter: @worstfoot @bazmcstay @VanderLaugh @LexxEducation Follow us on Instagram: @worstfoot  Join us on our Discord server! https://discord.gg/9buWKthgfx Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you'd like to support the show during this whole pandemic thing, and especially as we work on our first book and plan more live shows! https://www.patreon.com/WorstFootForward Worst Foot Forward is part of Podnose: www.podnose.com

Ever since Cain killed Abel — or, to put it in old Hollywood terms, ever since JOAN FONTAINE rebuffed OLIVIA DE HAVILLAND at the 1941 Oscar ceremony — sibling relationships have been complicated. In this episode we take a look at famous Hollywood siblings, some of whom you may know, others who may be a complete surprise. We'll discuss the operatic singing superstar and her ghoulish TV star sister, the suave urbanite brothers who played bad guys and heels with equal aplomb, and a quartet of singing sisters from the Midwest who melted hearts in the 1940s. But, rest assured, unlike Cain and Abel (or Joan and Olivia), not all of these siblings relationships were as toxic.  SHOW NOTES:  Sources: Hollywood Enigma: Dana Andrews (2012), by Carl Rollyson Dana Andrews: The Face of Noir (2014), by James McKay Jeanette MacDonald Autobiography: The Lost Manuscript (2004), by Sharon Rich Memoirs of a Professional Cad (1960), by George Sanders A Long Way From St. Petersburg: The Tom Conway Story (2016), by C.E. Parkinson “Dana Andrews, Film Actor of 40s, Is Dead At 83,” December 19, 1992, by Richard Severa, The New York Times “S.W.A.T Star Steve Forrest Dies at 87,” May 22, 2013, by Mike Barnes, The Hollywood Reporter “Priscilla Lane; Singer, Actress in 30s and 40s - Obituary,” April 7, 1995, by Myrna Oliver, The Los Angeles Times “Lola Lane: Acted in 1930s and 40s - Obituary,” June 25, 1981, The New York Times “George Sanders: Film Villain, a Suicide,” April 26, 1972, by John Darnton, The New York Times Wikipedia.com IMDBPro.com --------------------------------- http://www.airwavemedia.com; Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mindi brings us our second episode of the season! The Big Show Podcast 1951-10-07 (029) Tallulah Bankhead, Josephine Baker, Joan Fontaine, George Sanders, etc (Mindi)

Alfred Hitchcock, renowned as the "Master of Suspense," directed a range of films with equally intricate leading ladies. In this episode, we dive deep into the horrifying connections between Hitchcock and his female stars, shedding light on the secrets that have intrigued audiences for decades. We'll discuss the compelling and saddening stories of Hitchcock's "ice cold blondes" like June Howard-Tripp, Ingrid Bergman, Joan Fontaine, and Tippi Hedren. Furthermore, we'll explore Hitchcock's characterizations, which some interpret as potentially revealing a complex relationship with women. We'll also examine the pivotal contributions of his screenwriters, Joan Harrison and Alma Reville, who played a significant role in the director's legendary status and made him the film legend he was. TW: We do discuss sexual assault as well as other topics commonly covered in Hitchcock films Learn more about your ad choices. Visit megaphone.fm/adchoices

Aprovechando que nuestra invitada en esta entrega de la Tertulia de maduritos interesantes es la escritora Carmen Posadas y que su novela Invitación a un asesinato ha sido adaptada al cine, abrimos este tiempo de cultura y nostalgia hablando de detectives de la gran pantalla. No falta, como de costumbre, el recuerdo a figuras del mundo cinematográfico como el director François Truffaut, que nos dejó un 21 de octubre de 1984, o la actriz Joan Fontaine que nació un 22 de octubre de 1917. Escuchar audio

Dive into a world of theatrical splendour with a podcast episode that takes you from the hauntingly beautiful orchestration of Rebecca to the uproarious hilarity of Dawn French Is A Twat at The London Palladium. Directed by the talented Alejandro Bonatto, Rebecca enchants with an orchestral ensemble of 18, featuring a new English translation by Christopher Hampton and Michael Kunze. The allure of this performance draws inspiration from the world-famous novel and the iconic Alfred Hitchcock film of 1940, starring Laurence Olivier and Joan Fontaine, a cinematic masterpiece that garnered 11 Oscar nominations and secured two wins for Best Picture and Best Cinematography. Embark on an uproarious adventure with comedy royalty Dawn French at The London Palladium in Dawn French Is A Twat, promising an evening of irreverent humour and unparalleled wit. Renowned for her ground-breaking work with Jennifer Saunders in French and Saunders and her iconic role as Geraldine Granger in The Vicar of Dibley, French has left an indelible mark on British comedy. Join the podcast episode for an in-depth exploration of Dawn French's comedic legacy, seamlessly blending humour with poignant reflections on life's joys and challenges.  From the sun-kissed shores of Skopelos to the heart of Nikos' family-run taverna, you'll be transported to a Greek paradise at Mamma Mia! The Party. As the sun sets, indulge in a delectable four-course Greek feast before surrendering to the infectious beats of an ABBA disco, dancing the night away under the glittering lights. Join family and friends for the ultimate Greek holiday experience that promises to linger in your memory. Tune in to this podcast episode for a journey through contrasting yet equally captivating realms of theatre, where the haunting echoes of Rebecca and the uproarious joy of Dawn French Is A Twat paint a vibrant tapestry of the performing arts.

In this episode, I spoke with author Milan Hain about his latest book "Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System". David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck.

This week on We Are Not Amused, we're reviewing the 1943 film adaptation of Jane Eyre starring Orson Welles and Joan Fontaine. Join us as we talk about the many "choices" made by the filmmakers and how we can't figure out what to rate the film (for once!). As a bonus, you'll get to listen to Taylor recite an entire scene from the film herself.

We're starting in the year 1940 with the Alfred Hitchcock film, Rebecca. We'll dive into Rebecca's casting history, and how life on set for its lead actress imitated art. Guests: Dara Jaffe, Associate Curator at the Academy Museum; Patricia White, Professor of Film and Media Studies and Coordinator of Gender and Sexuality Studies at Swarthmore College Academy Museum digital engagement platforms, including this podcast, are sponsored by Bloomberg Philanthropies. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Dennis is joined by author Sam Staggs whose Substack newsletter “Did You Sleep With The Models?” documents the five years he spent as Editor-In-Chief of the gay magazines Mandate, Playguy and Honcho in the early 1980's. Sam talks about how the project began as a book that he wrote during the pandemic and then evolved into a Substack newsletter with photographs and illustrations pulled straight from the magazines. He also discusses what it was like to oversee three gay porn magazines just as AIDS was starting to ravage the community. Sam also discusses two of his Hollywood-related books; All About All About Eve and Finding Zsa Zsa: The Gabors Behind The Legend. Other topics include: the many upsides of publishing on Substack, his friendship with film critic Pauline Kael, interacting with gay porn icons like Al Parker, Casey Donovan and Kristen Bjorn, the dishy lunch he once had with actress Joan Fontaine, the rumor that Nancy Reagan gave good head and the gay agent who passed on representing Did You Sleep With the Models? because he thought it should be primarily focused on AIDS. https://samstaggs.substack.com/  

It's Oscar Week! A week we'll always love… even if we haven't seen the all the movies. Our guest this week is Michael Schulman, author of Oscar Wars, a definitive bio of the awards ceremony and the organization that created it. From the catfights of Joan Fontaine and Olivia de Havilland to the slap heard round the world, this book has it all. Halle Berry, Frank Capra, Steven Spielberg, John Wayne, Dennis Hopper, Easy Riders, Raging Bulls and Citizen Kanes, they are all here and you don't want to miss any of them. We loved every moment of this conversation…and we didn't want you to miss a thing. So, no bookstore again this week, but next week we are back with a bookstore, promise. Books mentioned in the podcast: Play It as It Lays by Joan Didion “Jumpers” by Tad Friend for The New Yorker https://www.newyorker.com/magazine/2003/10/13/jumpers Hollywood: The Oral History by Sam Wasson Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman by Sam Wasson

In early 1943 Orson Welles was in production alongside Joan Fontaine with 20th Century Fox for Jane Eyre. Although Welles enjoyed acting for the screen, he preferred live radio. In March, when Jack Benny took ill with pneumonia, Welles filled in as host of The Jack Benny Program. Jack returns on April 11th, but Orson isn't quite ready to let go. (Photo: Actors Mickey Rooney, Jack Benny, and Orson Welles talk things over before going on the air in a recent broadcast here in connection with the March of Dimes for the National Foundation for Infantile Paralysis.)