Podcasts about Jimmy Dean

National Weed your garden day.  Entertainment from 2012.  Pope Gregory 9th orders all cats killed, US Postal service says no mailing your children, Miranda law becomes manditory.  Todays birthdays - Seigfried Fischbacher, Bobby Freeman, Malcolm McDowell, Richard Thoms, Tim Allen, Ally Sheedy, Chris Evans, Rivers Cuomo, Mary Kate & Ashley Olsen.  Jimmy Dean died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Grow grow grow your garden - AO KidsSomebody I used to know - Gotye  KimbraGood girl - Carrie UnderwoodBirthdays - In da club - 50 Cent   http://50cent.com/Do you want to dance - Bobby FreemanThe Waltons TV themeHome Improvement TV themeBuddy Holly - WeezerFull House TV themeBig John - Jimmy DeanExit - Only girl in town - Donna Fisk    https://www.donnafisk.com/countryundergroundradio.comcooolmedia.com

Helen and Gavin chat about American Manhunt: Osama bin Laden, Pee-wee as Himself, and Mission Impossible: The Final Reckoning and it's Week 4 of the list of Grammy Record of the Year Winners from 1962, which will be picked from Take Five by The Dave Brubeck Quartet, Big Bad John by Jimmy Dean, Moon River by Henry Mancini, The Second Time Around by Frank Sinatra, and (Up a) Lazy River by Si Zentner.

Today on the Woody and Wilcox Show: Chelsea's back and has an update on her son; Hailey Bieber sold her company for $1 billion dollars; Musical acts that got arrested while on stage; John Mulaney's new show; Southern Lawyer guy vs. Jimmy Dean guy; An aquarium is offering an adult sleepover experience; Woman catches her husband cheating with the help of an electric toothbrush; Frank stops at Publix before heading to the hospital after his car crash; And more!

Send us a textSo many of our country songs have great stories, and frankly , great messages. messages. JIM ED BROWN, JIMMY DEAN, CLAUDE KING, RAY CHARLES ,,,, yep country RAY CHARLES, MARTY ROBBINS, MEL TILLIS, RAY PRICE, RAY STEVENS and so much more . All with a story, or maybe a message. Much more my friends. Please enjoy and share.

On the latest episode of The CineSkinny, we take a wild trip with a ruthless tycoon (Benicio del Toro), his deeply moral daughter (Mia Threapleton) and his Swedish tutor-cum-secretary (Michael Cera) in Wes Anderson's breakneck espionage comedy The Phoenician Scheme.  We come back down to earth with the urgent and enraging documentary The Encampments, which takes us inside the Palestine solidarity campus encampment at Columbia University that became a focal point last spring in the fight against the ongoing genocide in Gaza. And inspired by The Encampments and the upcoming SAFAR Film Festival, each member of the team recommends a great Palestinian film. TIMESTAMPS: What We've Been Watching: Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean; Julia & Julia; Taskmaster; Feel Good (1:40) The Phoenician Scheme review (12:08) The Encampments review (32:05) Palestinian cinema: It Must Be Heaven, Gaza mon amour, 5 Broken Cameras (48:52) Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Ground Floor, Leith – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

A l'occasion du Festival de Cannes, plongez au coeur du star système et découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour.  Dans l'Amérique des fifties, les acteurs James Dean et Marlon Brando auraient entretenu une passion torride. Alors que les intéressés ont toujours nié, certains témoins rapportent une relation faite de rivalité et d'autodestruction… La fabrique d'un mensonge James Dean meurt dans un accident de voiture à l'âge de 24 ans en 1955. Dès l'instant où la nouvelle est annoncée, Marlon Brando nie toutes les rumeurs qui le lient à Jimmy Dean. Il n'en démord pas : il l'aurait rencontré sur le tournage de "À l'est d'Eden", le film d'Elia Kazan, en 1952. Et… c'est tout. Pas de baiser, pas de séduction, pas de partie de jambes en l'air. Cette version, ce sera l'histoire officielle, martelée jusqu'à la mort de Brando en juillet 2004. Alors, comment toute cette histoire a été fabriquée ? Un podcast Bababam Originals Production : Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Première diffusion : 12 avril 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Jimmy Dean

fWotD Episode 2937: Cher Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 20 May 2025, is Cher.Cher ( SHAIR; born Cheryl Sarkisian; May 20, 1946) is an American singer, actress and television star. Dubbed the "Goddess of Pop", she is known for her androgynous contralto voice, bold visual presentation and multifaceted career, while cultivating a screen persona that mirrors her public image by often portraying strong-willed and outspoken women. An influential figure in popular culture, her continual reinvention has fueled multiple comebacks over a career spanning more than six decades.Cher gained fame in 1965 as part of the folk rock duo Sonny & Cher, early exponents of 1960s counterculture, while also scoring solo top-ten singles such as "Bang Bang (My Baby Shot Me Down)". In the 1970s, she topped the US Billboard Hot 100 with narrative pop songs "Gypsys, Tramps & Thieves", "Half-Breed" and "Dark Lady". After focusing on acting, she reemerged in a hair metal style with the albums Cher (1987), Heart of Stone (1989) and Love Hurts (1991), producing international number-one singles "If I Could Turn Back Time" and "The Shoop Shoop Song (It's in His Kiss)". At 52, she reached a commercial peak with the dance-pop album Believe (1998), which introduced the "Cher effect"—a stylized use of Auto-Tune to distort vocals. The title track became 1999's number-one song in the US and the UK's best-selling single by a female artist. In the 21st century, she released her highest-charting US Billboard 200 albums, Closer to the Truth (2013) and Dancing Queen (2018), both of which debuted at number three.Cher became a TV star in the 1970s with The Sonny & Cher Comedy Hour and her solo show Cher, both on CBS, attracting over 30 million weekly viewers. She gained critical acclaim after debuting on Broadway and starring in the film adaptation of Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). Transitioning to film, she earned two Academy Award nominations—for Silkwood (1983) and Moonstruck (1987), winning the Oscar for Best Actress for the latter—and received the Cannes Film Festival's Best Actress Award for Mask (1985). Other starring roles include The Witches of Eastwick (1987), Mermaids (1990), If These Walls Could Talk (1996, her directorial debut), Tea with Mussolini (1999), Burlesque (2010) and Mamma Mia! Here We Go Again (2018). Her life and career inspired the 2018 jukebox musical The Cher Show.Cher is one of the best-selling music artists of all time, with estimated global sales of over 100 million records. She is a Rock and Roll Hall of Fame inductee and the only solo artist with number-one singles on the US Billboard charts in seven consecutive decades (1960s–2020s). Her accolades include an Academy Award, a Grammy Award, an Emmy Award, three Golden Globes, the Billboard Icon Award and the Kennedy Center Honors. Her 2002–2005 Living Proof: The Farewell Tour was the highest-grossing concert tour by a female artist at the time, earning $250 million—about $402 million in 2025. Beyond music and acting, Cher is known for her progressive politics and advocacy for causes including LGBTQ rights and HIV/AIDS awareness.This recording reflects the Wikipedia text as of 00:18 UTC on Tuesday, 20 May 2025.For the full current version of the article, see Cher on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kendra.

Hour 4 Ryfun thinks he heard something on the news, but can't find anything to back it up. A liberal hates Jimmy Dean, Ronald Reagan, and Lauren Nobles. The county has a roundabout meeting but barely anyone shows. Audio from WGIG-AM and FM in Brunswick, GA

Michael tells the story of the Texas singer/songwriter, actor, TV host, and meat purveyor's 1976 sentimental spoken-word ode to moms Hosted on Acast. See acast.com/privacy for more information.

With your host, Jimmy Dean

This George Stevens (best director Oscar) epic looms large. It’s a classic “roadshow” film of the 1950s, complete with West Texas vistas, Technicolor, big stars like Rock (Hudson), Liz (Taylor) and Jimmy (Dean), but no intermission, even though it’s three hours long! It also looms large in the history of the Texas towns (Marfa and Valentine) where it was filmed. I’ve grown up with stories of people tangentially touched by the production, and there are songs that celebrate, or sometimes give the side eye to, the whole thing. Shelly Brisbin with Laura Rice, Micheline Maynard, David J. Loehr and Randy Dotinga.

This George Stevens (best director Oscar) epic looms large. It’s a classic “roadshow” film of the 1950s, complete with West Texas vistas, Technicolor, big stars like Rock (Hudson), Liz (Taylor) and Jimmy (Dean), but no intermission, even though it’s three hours long! It also looms large in the history of the Texas towns (Marfa and Valentine) where it was filmed. I’ve grown up with stories of people tangentially touched by the production, and there are songs that celebrate, or sometimes give the side eye to, the whole thing. Shelly Brisbin with Laura Rice, Micheline Maynard, David J. Loehr and Randy Dotinga.

Zeb Turner - "No More Nothin' (But Gettin' You Off My Mind)" [0:00:00] The Davis Sisters - "Rock-A-Bye Boogie" [0:06:39] Virgil Vickers and his Kentucky Playboys - "Truck Driver's Rock" [0:08:45] The Dixielanders - "Walk Easy" [0:10:58] Jimmy Dean and his Texas Wildcats - "False Pride" [0:13:35] Music behind DJ: Chuck "Fingers" Hess - "Tijuana Stomp" [0:16:19] Jack Tate and The Sandy Land Play Boys - "Casanova" [0:18:37] Howard Fogg and the Lonesome Valley Boys - "Highway Man" [0:20:57] Rusty Draper - "Folsom Prison Blues" [0:23:48] Tommy Faile - "Big Train" [0:26:26] Wayne Stimson - "Glasgow County Jail" [0:28:45] Music behind DJ: Intruders - "Creepin'" [0:31:28] Bob Ehret - "Stop The Clock" [0:33:50] Johnny Strickland - "That's Baby" [0:35:42] Narvel Felts - "A Little Bit Of Soap" [0:38:20] Conway Twitty - "Go On And Cry" [0:39:52] Bonnie Fussell and the Jives - "Too High Class" [0:41:55] Music behind DJ: Intruders - "Creepin'" [0:44:09] Dale Thomas - "Lonely In Louisville" [0:46:50] J .W. Foster - "Common Downfall" [0:50:16] (Mr.) Connie Dycus - "Wrap It Up" [0:52:55] Jim Trahan - "Knock Three Times" [0:54:32] Gene Crawford - "Blues Over Ice" [0:58:26] https://www.wfmu.org/playlists/shows/150930

Zeb Turner - "No More Nothin' (But Gettin' You Off My Mind)" [0:00:00] The Davis Sisters - "Rock-A-Bye Boogie" [0:06:39] Virgil Vickers and his Kentucky Playboys - "Truck Driver's Rock" [0:08:45] The Dixielanders - "Walk Easy" [0:10:58] Jimmy Dean and his Texas Wildcats - "False Pride" [0:13:35] Music behind DJ: Chuck "Fingers" Hess - "Tijuana Stomp" [0:16:19] Jack Tate and The Sandy Land Play Boys - "Casanova" [0:18:37] Howard Fogg and the Lonesome Valley Boys - "Highway Man" [0:20:57] Rusty Draper - "Folsom Prison Blues" [0:23:48] Tommy Faile - "Big Train" [0:26:26] Wayne Stimson - "Glasgow County Jail" [0:28:45] Music behind DJ: Intruders - "Creepin'" [0:31:28] Bob Ehret - "Stop The Clock" [0:33:50] Johnny Strickland - "That's Baby" [0:35:42] Narvel Felts - "A Little Bit Of Soap" [0:38:20] Conway Twitty - "Go On And Cry" [0:39:52] Bonnie Fussell and the Jives - "Too High Class" [0:41:55] Music behind DJ: Intruders - "Creepin'" [0:44:09] Dale Thomas - "Lonely In Louisville" [0:46:50] J .W. Foster - "Common Downfall" [0:50:16] (Mr.) Connie Dycus - "Wrap It Up" [0:52:55] Jim Trahan - "Knock Three Times" [0:54:32] Gene Crawford - "Blues Over Ice" [0:58:26] https://www.wfmu.org/playlists/shows/150930

Note: "Act 2" will be a separate published audio podcast.*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics:*Ice storm North of the Hard Livin' Line!*Dad visited with EZ.*The NFK had an issue preparing the day's Jimmy Dean's sausage sandwich.*Corey in the chat thinks EZ should throw The NFK out of the house.*EZ updates "The Fat-a-thon." The ladies shit the bed!Sponsors:Adam Casari Realty., TAG Accounting, Impact Power Sports, Kuiper Tree Care, Frank Fuss / My Policy Shop Insurance, Kings Room Barbershop, Shoreliners Striping, Ervines Auto Repair Grand Rapids Hybrid & EV, Interested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Caroline Aaron is known to theatre, film and television audiences, as well as a published author and playwright.She made her Broadway debut in Robert Altman's "Come Back to the Five and Dime, Jimmy Dean,Jimmy Dean" and later appeared in the film. The following Broadway season, she starred in the revival of "The Iceman Cometh". She next starred in Mike Nichols's Broadway smash comedy "Social Security". She returned to Broadway starring in "I Hate Hamlet." She headlined the west coast premiere of Wendy Wasserstein's "The Sisters Rosensweig" and was acknowledged with both a Helen Hayes and Dramalogue Award. Next on Broadway she starred in Woody Allen's comedy "Honeymoon Hotel". She headlined Lincoln Center's award winning play "A Kid Like Jake." She played the title role in "All The Days" at the McCarter Theatre and was named best actress by several newspapers in the New York/New Jersey area. She headlined "Call Waiting" at The. Odyssey theatre which became a hit and was later made into a film available on Amazon Prime.On film Caroline has been in over a hundred films and is frequently in demand from top directors including Woody Allen, the late Mike Nichols, Nora Ephron, Paul Mazursky, and Robert Altman.Favorite film roles include “21 & 22 Jump Street”, “Just Like Heaven", "Nancy Drew", "Surveillance", "Love Comes Lately", "Edward Scissorhands", "Anywhere But Here", The Big Night", and "Bounce" among others. Later this year she will be seen in "Theatre Camp", "Between Two Temples", and "The Fourth Dementia".Television audiences are also familiar with her work as a guest star on hundreds of shows. She has recurred on Curb Your Enthusiasm, Ghosts, Episodes and Transparent. She is best known for her role as Shirley Maisel on the hit Amazon series "The Marvelous Mrs. Maisel." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brandon, James, Britnee, and Hanna discuss the portrait of America stretched across Robert Altman's filmography, starting with his 1975 country-music industry drama Nashville https://swampflix.com/ 00:00 Pearl Jam 01:23 Striptease (1996) 05:06 Incendies (2010) 08:01 La Moustache (2005) 10:30 American Sniper (2014) 17:13 Rambo I - V (1982 - 2019) 25:20 Nashville (1975) 54:50 McCabe & Mrs. Miller (1971) 1:15:30 Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) 1:36:05 Short Cuts (1993)

We got a call from someone who needed the name of a song from way earlier in the morning! Turns out it was Jimmy Dean, just not THAT Jimmy Dean!

Harold and the Purple Crayon is a lovely, enduring children's classic (if you've never encountered it, have Steve Buscemi read it to you!) -- did Hollywood treat it with gentleness and respect, when they decided to use it as the jumping-off point for the movie "Harold and the Purple Crayon?" The answer may not surprise you!The LIVE tapings of season 2 of FlopTV end TONIGHT with TMNT II: The Secret of the Ooze! But a season pass gets out access to the full line-up thru the end of February! And hey, while you're clicking on stuff, why not subscribe to our NEWSLETTER, “Flop Secrets?!”Wikipedia page for Harold and the Purple CrayonRecommended in this episode:Dan: Brewster McCloud (1970) & Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982) Stu: Flow (2024) Elliott: The Three Musketeers (1973)Go to Squarespace.com for a free trial, and when you're ready to launch, go to www.squarespace.com/FLOP to save 10% off your first purchase of a website or domain. 

Wilson County News reader Marcy Shodrock of San Antonio was kind enough to stop by the news office and drop off her recipe for Black-eyed Pea Chili. This looks like a perfect recipe for our colder weather. Black-eyed Pea Chili 1 lb. Jimmy Dean sausage 1 chopped onion 3 ribs chopped celery 4 cans black-eyed peas, undrained 16 oz. can tomatoes 1 can Rotel 2 Tbls. chili powder Brown sausage in a dutch oven. Drain on paper towels. Sauté onion and celery in 1 Tbls. Olive oil. Add black-eyed peas, tomatoes, Rotel, and chili powder. Add sausage. Simmer 30 minutes....Article Link

We're all here, and we're listing our top 5 things of 2024! It's a fun one.  (00:00:00)Intro (00:14:04)Work Stories (00:31:15)Top 5 Email: info@earthbornegames.com Website: https://earthbornegames.com Discord: https://discord.com/invite/mXN2cUNPXE Gamefound: https://gamefound.com/en/creators/earthborne-games BGG: https://boardgamegeek.com/boardgame/342900/earthborne-rangers Twitter: https://twitter.com/EarthborneGames Instagram: https://www.instagram.com/earthbornegames/ Facebook: https://www.facebook.com/earthbornegames

We tackle the absurdity of food cravings, from the seductive pull of Jimmy Dean sandwiches to the culinary wonders of factory-grade preservatives. Processed foods might kill us, but hey, at least we'll die full.

Where can two strippers get a bite to eat on Christmas Eve? By  MelissaBaby. (abridged) Listen to the Podcast at Steamy Stories. “Fuck Christmas,” Clover shouted, “and fuck you, Tony. Fuck Santa Claus, fuck his elves and fuck all ten goddamn reindeers.” “Eight,” Roxanne said, filing her nails and looking at her over the top of her glasses. “Shut up, Roxy, I'm talking about reindeers, not how many cocks you sucked over the weekend.” “Clover, calm down,” Tony said, “It was worth taking a shot.” “Bullshit, I told you nobody goes to a strip club on Christmas Eve.”“She did tell you,” Roxanne said, “Even louder that she's telling you now.” “Look,” he said, shrugging, “I'm sorry, but it wasn't nobody…” “We've had five customers,” Clover said. “And the last one was two hours ago,” Roxanne chimed in, “It's almost ten thirty.” Clover jerked her thumb at Roxanne. “She might look like a doofus wearing that stupid Santa hat, but she's right.” Tony held up his hands, “Okay, it turned out to not be a great idea. You guys are always saying that more customers come in because they are lonely than because they are horny. I figured it would be a lonely night for a lot of guys…” “It might be a great night to be a hooker,” Clover said, “but not a dancer.” He looked at his watch, then over his shoulder at LeAnn, the bartender. “Tell you what,” he told her, “If nobody else comes in before eleven, go ahead and close up.” He started to walk away, but Roxanne called him back. “We paid our club fees, Tony, that isn't right.” He looked up toward the ceiling, as if he were looking for a script to read from. “You want to close and go home early, but you want your club fees refunded because I said we would close and you could go home early?” “No,” Clover said, “We want our club fees refunded because we paid you fifty dollars to dance on a night when you dragged us in here to dance, even though we told you nobody was coming the fuck in.” “Fine,” he said, throwing his hands in the air, “LeAnn, give them back their club fees.” The door opened, and they both groaned, but it was not a customer. Sporty, the Gold Dollar's bouncer, came in. “Speaking of guys you'll fuck,” Clover muttered. When he approached the bar, she said, “Hey Sporty, how come you go out with Roxy? I always heard black guys like girls with nice big asses.” “I always heard strippers were friendly,” he shot back. He sat down next to Roxanne. “Where have you been?” she asked him. “Yeah,” Clover said, “There could have been a brawl in here, between the rats and the cockroaches.” “I was sitting out in my car, listening to some jams.” Clover tipped out and gave LeAnn a big hug, then she and Roxanne walked out to their cars in a light cold rain. “You ain't waiting for Sporty?” Clover asked. “Nope, don't want to talk to him right now. Meet you at the diner.” They each got in their cars. A light coating of slush covered Roxanne's windshield, but the wipers easily pushed it to the side. She pulled out of the parking lot on to the slippery street and drove the mile and a half to their usual after work spot, the Finest Kind Diner, while Clover followed close behind. When she turned into the diner's parking lot she noticed immediately that the lights were turned off, except for a string of colored Christmas bulbs blinking around the front door. Clover thought for a minute. “We could go to Denny's.” “Are they open?” “How the fuck would I know? Call ‘em up.” “Oh, so I have to look up the number?” “I figured it has a man's name, so you would know it.” Roxanne sat back in her seat. “I don't want to drive all the way across town, just to go to Denny's. What else would be open?” “Just White Castle.” Roxanne thought for a minute. “Yeah, what the fuck, let's go to White Castle.” “We ought to just go in one car,” Clover suggested. “Fine. Yours or mine?” “Yours,” Clover said, “Mine is more full of trash than a westside trailer park.” She pulled her car into a parking space, shut it off and got out. “I hate this drizzly shit,” she said as she got into Roxanne's passenger seat. “Hey, don't you live in a westside trailer park?” Roxanne asked. “Yeah, that's why I know what I am talking about.” “Speaking of knowing what you're talking about,” Roxanne said, “Santa Claus has eight reindeer.” “Are you counting Rudolph?” “Nope. Rudolph doesn't count.” “Who decided that?” “Clement Moore.” “Who the fuck is he? Sounds like a baseball player.” “He wrote The Night Before Christmas.” “Twas the night before Christmas,” Clover recited in a sing song voice, “And all through the place, Roxanne was sitting on every guy's face.” “And up from the lawn there arose such a clatter,” Roxanne returned, “As Clover devoured the whole turkey platter.” Clover nodded her head. “That was pretty good,” she admitted. Roxanne was quiet for a moment, then asked, “You wonder though, who the fuck would name a reindeer Blitzen? What is he, a Nazi reindeer?” “I bet Rudolph was originally Adolf the Red Nosed Reindeer and they changed it during the war or something. Hey, what's going on with you and Sporty?” “He wants me to go to his mom's house for Christmas dinner.” “And you don't want to go?” “Mom, Dad, I'd like you to meet my girlfriend from the strip club?” “Oh yeah, I get it. But still, you guys been going out for a while now. You are going to meet them sooner or later.” “It doesn't have to be on Christmas with all the relatives there.” “So what are you going to do?” “I don't know.” There were three cars parked outside the White Castle when they arrived. The restaurant's windows were so wet with condensation that they could not see through them. But when they dashed inside, they were nearly blinded by the garish light. “This is like sensory overload,” Roxanne said, as Jingle Bell Rock squalled from a tinny sound system. They walked over to the counter. There was no one behind it. Roxanne leaned forward, craning her neck to look back into the kitchen. She saw a young man in a white uniform and a hairnet dumping french fries out of a fryer basket. “Excuse us,” she called. He looked over his shoulder. “Be with you in a minute, ma'am,” he said. Clover cackled and nudged Roxanne with her elbow. “Ma'am. He thinks you're an old fucking lady.” “Yeah, and he thinks I'm taking my mom out for Christmas Eve.” The man came to the counter. His name badge identified him as Julio, assistant manager. “What can I get you ladies?” he asked. “I'd like four hamburgers, an order of medium fries and a large coffee, regular,” Roxanne said. “Give me six whiteys and a large Mountain Dew,” Clover added. “Would you like fries with that?” “Fuck no, I'm gonna eat most of hers.” Julio rang up their orders and Roxanne paid for both. Clover looked around the room. There were three occupied booths. In one a pair of middle aged men, wearing the uniforms of parking attendants, sat sipping coffee. At another, an older woman in a ragged green coat had only a cup of water and a single empty burger box on the table in front of her. A couple of booths down, three young, black clad goths were sitting together. They looked to be in their early twenties; two boys, one very large, the other thin and jittery, and a purple haired girl sitting across from them, loudly chewing gum. They all looked like they were coming down off a much better time than they were having now. “It's kind of a sad looking bunch of people in here,” Clover said. “Yeah,” Roxanne said, “It's Christmas Eve and they've got no place to go.” “That sounds familiar. I mean, what the fuck is the difference between them and us?” “We've got money in our pockets.” “Yeah, money we took from other lonely people,” Clover said. She looked lost in thought for a moment, then asked Roxanne, “How much money you think you've got in your pocket?” “I don't know, a hundred, maybe a hundred and twenty dollars.” Clover looked around the room, her lips tight and her brow knotted. “I'll bet I know what you're thinking,” Roxanne said. “It's fucking Christmas,” Clover said, shrugging. Roxanne called Julio back to the counter. “How much are those sacks of thirty sliders?” she asked him. “Thirty two dollars and fifty two cents.” She looked over her shoulder at the woman with her single burger. “Give me two sacks,” she said, fishing her cash out of her pocket. “You still want the other order?” “Yeah,” Clover said, “And I want you to give anybody whatever they want to drink. Keep a tab and I'll pay for them later.” Julio hesitated a moment, then said, “Okay, it will take a little bit of time. Your other order will be up in a minute.” When their food was ready, they went to the empty table between the old lady and the goths. As they walked past the parking attendants, Clover asked them, “How you guys doing? You had to work tonight?” “Fuckin' Nutcracker,” one of them grumbled. “So are you going to see your son tomorrow?” Roxanne asked Clover when they had taken their seats. Clover nodded. “Not till the afternoon. But I get to have him the next day, too.” “Have you got plans?” “I was thinking we'd go to Hong Kong Garden for dinner.” “And the next day?” “Are you kidding? The day after Christmas? We're going fucking shopping.” Roxanne laughed. “Yeah I'm sure that'll thrill a ten year old boy, going shopping with his mom.” They had each finished two burgers when Julio called to them that their order was ready. Clover walked over to the counter, picked up a bag of hamburgers in each hand and turned to face the dining area. “Ladies and gentlemen,” she hollered, “My friend Poindexter and I would like to treat everyone to Whiteys for Christmas.” She went from table to table, holding out the bags, so that each person could take some burgers. “And if anyone wants something to drink,” she said, “It's on us. Just step up and tell Julio what you want.” After going to each table, she had half a bag left. She put it on the table in front of Roxanne and sat down. Roxanne twisted in her seat and watched as several of the patrons went to the counter and ordered drinks. She noticed that the old woman in the next booth had neither gotten up nor taken any burgers. She took one from the bag, leaned over the back of the booth and asked, “Would you like another burger, ma'am?” “Are you sure it's okay?” “Of course it is,” Roxanne said, “Merry Christmas.” “Merry Christmas, dear,” the woman replied, taking the burger. Roxanne's phone buzzed. “I bet I know who that is,” Clover muttered. Roxanne looked at the screen. “Yeah, it's Sporty.” She sat back in the booth and answered, simply saying, “Hey.” “Listen baby,” he said, “I wish you hadn't split like that. I don't want you mad at me, whether you go tomorrow or not.” “I never said I was mad at you, Sporty. I'm just tired of all the back-and-forth on this shit.” “I don't think having Christmas with my family is shit.” “Now you're just looking to be offended. They know where you work, right?” “Yeah.” “So, you're going to tell them your bringing a girl from work to Christmas dinner, so I can sit there, eating turkey with everybody looking at me like I'm a whore.” “Ain't nobody gonna call you a whore.” “My own mom calls me a whore.” “Well, my mom ain't your mom.” “I don't know, Sporty. I'm just not sure I'm ready for this.” “We've been going out almost a year.” “Off and on.” “Whatever. Where are you at anyway? I come over to Finest Kind because I thought you guys would be here.” “They're closed.” “Well, no shit, I just told you I was over here.” “We're at the White Castle on Union Street.” “So, would it be cool if I come by?” “Yeah, sure. I'll see you in a bit.” Roxanne disconnected, shaking her head. “This fucking guy,” she muttered, “I'm telling you, he won't give up…” “And that's a bad thing? Let me ask you something,” Clover said, “and don't get pissed.” “Okay.” “Are you nervous about meeting his family because you think they won't like you being a stripper or because you don't think they'll like you being white?” Roxanne was silent for a minute. “Maybe both,” she said. “Either way, I think that's his problem, not yours. I mean it's his family.” “Yeah, but I'm afraid that if they give him a lot of shit about it, he isn't going to pick me over them.” “Well then, fuck him. He ain't worth it if he does that.” Roxanne shrugged. “Yeah, I guess.” An old man with flyaway white hair came into the restaurant. He appeared to be wearing just a light sweatsuit under his ratty coat. He sat down next to the old woman. She spoke quietly to him for a minute, then he loudly cleared his throat. “Excuse me, ladies,” he said in a hoarse voice. “Flo says you are buying burgers for everyone. Is that so?” “Sure is,” Clover said. Roxanne took two more burgers from the bag and handed them to him. “Go get yourself a coffee or something,” Clover said, “Whatever you want, it's on us.” The man thanked them, stood and fetched coffee for himself and Flo. Sporty came in a few minutes later, took off his wet coat and hung it on the end of the booth. He slid in next to Roxanne. Looking at the bags on the table, he asked, “Why did y'all buy so many burgers?” “Because we're generous bitches and we share with everybody,” Clover said. “Well, shit then.” He reached into the bag and pulled out a couple of burgers. After a few bites he said, “I need to get a drink.” “Just go to the counter,” Roxanne told him, “We're running a tab.” Sporty stuffed the rest of the burger in his mouth, then went to the counter. He came back a minute later with a large orange soda. “You been thinking about tomorrow?” he asked Roxanne. “Yeah, I've been thinking about it…” “Hey Sporty,” Clover said, interrupting her, “Let me ask you something.” “Yeah, what?” He reached for another burger. “Why do so many black families have macaroni and cheese for Christmas dinner?” “Because it's good as hell. We still have all the regular shit, turkey and mashed potatoes and cranberries and all that.” “Pumpkin pie or sweet potato?” “What do you think? Sweet potato pie.” “What kind of stuffing?” “Cornbread.” “Just plain?” “Fuck no, my mom puts Jimmy Dean sausage in it.” “Damn!” Clover exclaimed. “Listen, if this silly bitch don't want to come to your mom's house for Christmas dinner can I come?” “You can both come as far as I'm concerned.” Roxanne laughed. “That's actually a pretty good plan. If your mom spends five minutes with Clover, she'll think I'm little miss sunshine.” “No, she'll think you're a dumb bitch who thinks Santa only has eight reindeer.” “Rudolph doesn't count.” “Damn, you back on that shit?” Sporty said, rolling his eyes. Clover slipped out of the booth. “Fuck you both,” she said, standing up. “Hey everybody,” she shouted, “I'm taking a Christmas survey. How many reindeers does Santa Claus have?” There was murmuring throughout the room. The big goth kid was counting on his fingers. One of the parking attendants was quietly singing Rudolph The Red Nose Reindeer. His friend said, emphatically, “Eight.” The goth girl said “Nine, if you count Rudolph.” “Rudolph wasn't one of the originals,” he replied. “So where did he come from?” “Gene Autry.” “Dead white man,” she muttered. The man who had been singing said, “The Night Before Christmas guy gave them their names.” The skinny goth kid glared over the back of the booth at him. “But who said he was in charge of fucking reindeer?” “He wrote the goddamn poem!” “They didn't know about Rudolph then!” “Isn't it nice to see how the holidays bring people together,” Roxanne said to Sporty. “All right,” Clover said, clapping her hands together. “Let's put it to a vote. How many people say nine?” She raised her hand and the goth kids and the old lady joined her. “Who says eight?” Roxanne, Sporty, the parking guys and the old man raised their hands. Clover looked at Sporty. “Put your fucking hand down, man, your vote don't count.” “Why don't my vote count?” “Because you ain't hoping to get any pussy from me tonight.” “You got that right,” he smirked. Roxanne turned in her seat. “How many people say ten?” They all looked at her, perplexed. No one raised a hand. “That's your cue to sit down and shut the fuck up,” she said to Clover. Clover looked around with a frown, then sat without saying anything more. Sporty looked over his shoulder and said, “Who thinks Die Hard is a Christmas movie?” Everyone raised their hand. “Goddamn right,” he muttered. Roxanne nudged him with her elbow. “I need to go to the bathroom,” she said. He stood up and let her go by. The parking lot guys were getting up to leave. They thanked her for the burgers as she went past their table and wished her a happy holiday. One gave her a big hug. At least he didn't try to cop a feel, she thought as she went into the women's bathroom. When she opened the door to come out a few minutes later, Sporty was standing in front of it. “You know how cute you look in that hat?” he asked. “Do you know how desperate you sound when you try to sweet talk me?” “Nah, I ain't desperate. It'd be alright if you don't want to go tomorrow. I get it. But don't go saying you weren't welcome to go, because you were asked.” “Okay, that's fair. It's just that it's a big step.” “You got to take steps if you want to get anywhere,” he said. She put her hand on his shoulder and kissed his cheek. Looking past him, she did not see anyone watching them. She gripped the waist of his pants and walked backward, pulling him into the bathroom. Sporty pushed the door shut behind him, and let Roxanne tug him across the room until her hips bumped against the edge of the sink. Roxanne leaned back, looking up at him and biting her lip. He gazed down at her, his hands on her hips, and kissed her. She kissed him back, but then turned her head. “At some point,” she said, “we have to talk about where we are going.” “We do,” he replied, “but we ain't got to do it right now.” She draped her arms over his shoulders and they exchanged a long, hard, tongue swirling kiss. Sporty's hands moved to her breasts, squeezing and caressing them, while Roxanne dropped her hand down to rub his stiff cock through his jeans. “I think you've got something you want to give me for Christmas,” she whispered. “I don't know,” he said, “I don't think you've been a very good girl.” “Do you want me to be a good girl?” “Aw, hell no,” he said. He took a half step back, seized her waist and spun her around to face the sink. Her Santa hat fell off, landing in the basin. He ran one hand down between her legs and cradled her chin in the other. “Look at you,” he whispered in her ear. Her glasses had slipped down her nose. She pushed them back into their proper position and gazed at herself in the mirror. “Look and see what I see.” Roxanne looked at his eyes in the mirror as his hand rubbed and squeezed her pussy. “Don't look at me, look at you.” She stared at her own reflection, resisting the temptation to watch as he unfastened her jeans and pushed them down over her hips. But when his fingers slipped inside her, she leaned her head back and kissed the side of his neck. His fingers probed deep into her, his thumb played with her clitoris. She reached back and rubbed his crotch. She fumbled at his belt until he gently pushed her hand away and undid it himself. Roxanne felt his cock bump against her ass, then slip down between her thighs. He placed his hand between her shoulders and gently pushed her down until her elbows were on the sides of the sink. She picked up her Santa hat and put it back on her head. Sporty kneaded her ass, then spread her thighs, pressed the head of his cock into her pussy and began to fuck her with long, smooth strokes. Clover snickered when she saw Sporty disappear into the women's bathroom. Get your figgy pudding, girlfriend, she thought, don't go until you get some. She walked to the counter and got a refill on her Mountain Dew, then stopped and listened for a minute. The sound wasn't loud, but she could hear them in the bathroom. They were definitely fucking in there. As she walked back to the booth, she saw the goth girl looking toward the bathroom. She glanced up at Clover with a smirk. Clover winked at her and sat back down in the booth. A few minutes later, the skinny goth kid leaned close to the window and peered out. He wiped away the condensation with his sleeve and looked again. “Fucking cops,” he muttered. “What cops?” Clover asked. “Cop car just pulled up.” “Oh, shit,” Clover muttered. She looked toward the bathroom. She couldn't hear Roxanne and Sporty where she was sitting, but there was no doubt that when the cops walked in, they would. They had to walk right past the bathroom to get to the counter. One of them might even go into the mens' room. She thought about warning them somehow, but didn't think there was enough time. That was confirmed when she saw the cops approaching the door. She had to do something. Just as they reached the door, she began singing at the top of her lungs. You better watch out, you better not cry, you better not pout, I'm telling you why. The goth girl looked up at her and immediately realized what she was doing and joined in. Santa Claus is coming to town. The cops walked in. One was an older man. His eyes and shoulders both drooped. There's another guy doesn't want to be working on Christmas Eve, Clover thought. His partner was a young, thin black man. They walked right past the bathroom to the counter. He's making a list, He's checking it twice. The other goth kids joined in the singing. He's gonna a find out who's naughty and nice. The old couple began to sing along. Santa Claus is coming to town. The two cops stood by the counter, looking around the room. Julio approached the cash register. The older cop leaned in and spoke to him. Julio pointed to Clover and the cop looked over at her. He nodded, then spoke to Julio again. He sees you when you're sleeping, He knows when you're awake He knows if you've been bad or good, So be good for goodness sake Julio handed each of the cops a bag of burgers and a cup of coffee. Now get the fuck out of here, Clover thought, but instead of leaving they walked toward her. The older cop held out his hand. “Awfully nice thing for you to do, ma'am,” he said. The other customers kept singing. Clover shook his hand. The younger cop shook with her as well. They turned toward the door, tipping their hats to the older couple as they went by. The older cop walked out just as the customers were finishing the last chorus, but the younger cop turned and went to the counter. He held out his open bag toward Julio. “Could you toss a couple of ketchups in there?” he asked. Julio nodded and dropped a handful of packets in his bag. “Thank you, Merry Christmas.” he said, then waved to the customers. “Merry Christmas, everyone.” He took two steps toward the door and stopped and looked toward the bathroom. Clover could hear Roxanne moaning from where she was sitting. He looked around the room. “Does anyone know who is in there?” he asked. “Yes, officer,” Clover said, “That's my friend. I'm afraid she ate a few too many of these gut grenades. You know what they can do to your digestion.” “Yeah, we all been there once or twice, I suppose,” he said. He went to the door and started to open it, then stopped, obviously listening to the sounds emanating from the bathroom. He turned and looked Clover in the eyes. An amused expression crossed his face. He winked at her and walked out. Roxanne had already come twice when she heard the singing. She thought it was just in her head until Sporty paused between thrusts and muttered, “What the fuck is that?” “Jesus, don't fucking stop,” she groaned. “Oh, you need some more of this dick?” “Goddamn it, yes, Sporty, fuck me.” He gripped her hips and began slapping his loins against her ass harder. She braced her hands against the mirror and shoved back against each plunge of his cock. “You getting kind of loud,” he told her. She dropped her head and her Santa hat fell off. She grabbed it and bit down on the white felt ball to keep from crying out. But after a minute or two, she let go of it, unable to keep from moaning loudly each time he jammed his cock deep inside her. She looked up at him in the mirror. Their eyes met, and the look of passion on his face pushed her over the edge into another orgasm. Before it subsided, she felt him stiffen, jerk his cock a few more times and withdraw, as his hot cum ran down the inside of her thigh. “At least they stopped that fucking singing,” Sporty said as Roxanne cleaned herself up. He picked up her Santa hat from the floor, brushed it off and stuck it back on her head, then unlatched the door. “Hold on a minute, babe,” Roxanne said. She raised her face and kissed him. “I'd be happy to go to your mom's tomorrow.” “Damn,” he said with a wide grin, “All I had to do was fuck you real good?” “You always fuck me real good.” “Then I will always get my way, right?” “Don't push your luck,” she said, opening the door. As they came out of the bathroom, the goth kids were walking toward the exit. “Merry Christmas. And thanks,” the girl said. “Yeah, thanks,” skinny kid said as well. The big kid stopped, looked at Roxanne and held his fist out toward Sporty. “Yo,” he said, “You da dawg, bro.” Sporty bumped fists with him. “Fucking white kids,” he muttered, chuckling. They slipped back into the booth, where Clover was waiting for them with her arms crossed and a smug expression on her face. “What was that singing?” Sporty asked. “That was me saving the you two fuckpuppies from spending Christmas in the slammer.” “What are you talking about?” Roxanne asked. “A couple cops came in here while you were getting your stocking stuffed. We were singing so they wouldn't hear the noise you were making.” “We weren't making that much noise.” Sporty laughed. “Girl, you loud as hell.” The old couple came to their booth and thanked them for their burgers. “Merry Christmas,” the man said, shaking all their hands. “There is a special place in heaven for you ladies,” the woman said. As they walked away, Clover said, “You think there is a special place in heaven for us?” “If we died tonight, we might at least be able to make a case for it,” Roxanne said with a shrug. “And by next week, we are fucked again.” Julio came out of the kitchen with a damp rag and wiped the table where the parking guys had been sitting. “Hey, Julio didn't vote,” Clover said. She called to him. “Julio, how many reindeers does Santa Claus have?” Julio looked at her with a perplexed expression. “I don't know,” he said. “You know, like in the song. Dancer and Prancer and Donger and Blitzkin…” “Donger?” Roxanne asked. Julio shrugged. “I don't know that song.” “You don't know it? What the fuck country are you from?” He stared as her and said, “Colombia.” “Oh. Shit. Sorry, I wasn't trying to be rude.” “She doesn't have to try,” Roxanne said, “It's her default mode.” Julio shook his head and returned to the kitchen. “Give the brother a break,” Sporty said, “He's from South America. What the fuck he gonna know about reindeers? Ask him about llamas, he'll probably tell you everything you ever wanted to know.” “I can't think of anything I want to know about llamas,” Clover shot back. “But I do feel kind of bad for the guy. I mean, he'd have had a lot easier night if we hadn't come in here and bought burgers and shit for everybody.” “It's his job,” Roxanne said with a shrug. “Yeah, and we fucking threw a fit because we had to work on Christmas Eve.” “You threw a fit. I didn't.” “You didn't like it.” “No, but I acted like a fucking grown-up about it.” “Yeah, but you have to act like one because you don't look like one.” Sporty looked in the bag. “Anybody want this last burger?” he asked. Roxanne and Clover shook their heads. Sporty bit into the burger, swallowed and said, “You feel so bad for the guy, why don't you do something nice for him for Christmas?” “Like what?” Clover asked. “Like what the fuck you think?” Sporty asked. Clover looked at him for a minute, then tipped her head to look past him. Julio was wiping off the service counter. “He's not a bad looking guy,” Roxanne said. “Well then, why don't you go do it then?” Clover asked. “I wasn't a twat to him.” “Besides,” Sporty said with a grin, “she already got hers.” “I ain't gonna fuck him in the bathroom,” Clover said. Roxanne laughed. “The bathroom is clean, at least.” “You don't think I will do it, do you?” “Bitch, I stopped trying to figure out what you would or wouldn't do about the time you set my boyfriend's car on fire,” Roxanne said. Julio disappeared into the kitchen. “Fuck both of you,” Clover said. She got up and followed him. “Hey, Julio,” she called. He was standing at the dish sink and turned around at the sound of her voice. “Listen, dude,” she said, “I hope I didn't say anything that offended you or got you upset or what not. That's just me clowning around.” “It is fine. I understand.” “Well, I think we put a lot of extra work on you tonight, coming in here and disrupting and shouting and singing and all.” “No, it is fine, Missus.” “Well, it's Christmas and all that. I'd like to maybe give you a little something for your trouble…” Julio waved his hands. “No Missus, we are not allowed to except tips.” “Yeah, I wasn't talking about giving you money.” She looked around and saw an open door at the back of the kitchen. She walked to it and peered into a dark room. “What's in here?” she asked. “That's the manager's office.” Clover walked in and flipped the light switch. A large flat top desk against the far wall nearly filled the room. There was a faux leather swivel chair in front of it. Clover plopped down into it, spun around, and put her feet up on the desk. Julio stood in the doorway, looking nervous. “The manager does not like anyone sitting in his chair,” he said, “No one is allowed.” “But you're the assistant manager right?” “Si.” “So when he ain't here, you're the fucking manager and it's your chair.” “I do not think so…” “And I am your guest, so I can sit in your chair.” “Missus,” he said, “I know it's a foolish rule but I need this job.” “Do you think I'm gonna tell anybody about this?” Julio looked at her with a puzzled expression. “About what, Missus?” “First of all, stop calling me Missus. Then come over here and find out.” She sat up, put her feet on the floor and patted the top of the desk. Julio leaned back and looked around the kitchen as if he suspected someone might be lurking there. Clover patted the desktop again. “The boss told you not to sit in his chair, but he didn't say shit about sitting on his desk, did he?” “No. I suppose he did not.” She pushed the chair back until it banged into the wall. “So have a seat.” Julio bit his lip, seeming lost in thought, then sat on the edge of the desk. “Dude, lose that dumbass apron.” Julio reached behind his back and untied the apron. Before he could pull it over his head, Clover had his belt unbuckled. He watched with an expression of amazement as she deftly unsnapped his waistband, yanked down his zipper, and pulled his cock free. “Do all the men in Columbia have big dicks?” she asked as she wrapped her hand around it. “Si,” Julio said, “It is well known in Latin America, Missus.” “You call me Missus again and I might bite it off,” she said. She flicked her tongue at the head, then wrapped her lips around it and began to suck. Julio briefly lifted his hips from the desk and tugged his pants and shorts down to his thighs. Clover cupped his balls in her left hand, massaging them, while her right hand stroked his shaft. She took it in her mouth again, but almost immediately, she heard a chime ringing. She raised her head and asked Julio, “What the fuck is that?” Julio had a look of panic on his face. “Someone is at the drive-through,” he said, “I must go serve them.” He started to rise, but she put her hands on his hips and pushed him back down. “No, fuck that,” she said, “Stay right there.” She got up and rushed to the dining room. Roxanne and Sporty were sitting in the booth, kissing. “Hey, you fucking lovebirds, I need help here,” she shouted. When they looked at her in surprise, she said, “There's somebody in the fucking drive-through. Either of you guys ever work at a fast food place?” “I worked at Burger King in high school.” Sporty said. “Well, pry Roxy's hand off your whopper and get the fuck in here and find out what they want.” She disappeared back into the kitchen. Roxanne and Sporty looked at each other and shrugged. “I'll give it a try,” Sporty said. He slipped out of the booth and headed toward the kitchen, Roxanne following close behind. “It's like somebody told Santa they wanted a shit show for Christmas,” she muttered. Sporty went to the drive-through window and looked around. “Fuck. I don't know how to use this touchscreen shit,” he said. “Can you at least talk to the guy?” Roxanne asked. “Yeah, that shit looks the same. Hold on.” He was distracted by the sounds coming from the manager's office. “What's she doing in there?” he asked. “Sounds like she's sucking his dick.” “Damn, she's loud, too. Sounds like somebody got a rag stuck in their wet-vac.” He pressed several buttons on the communications panel, but nothing happened. He fiddled with the volume knob, and clicked the headset on and off, all to no avail. Suddenly, he was startled by a blasting horn, and looked over to see a white pick up truck right outside the window The driver, a large, red faced, bearded man, was glaring at him. “Honey, I don't think that's Santa Claus,” Roxanne said. Sporty slid the window open. “I've been out here trying to order for ten fucking minutes,” the man shouted. “Yeah, sorry about that,” Sporty said. “We got some kind of computer problem.” The man looked past him at Roxanne. “Looks to me like the problem is you're having some kind of party in there.” “Naw, she's the manager. She come in to try to fix it.” “So why isn't she fixing it?” “Sir,” Roxanne said, “I'm sorry, but there is nothing we can do about it until the tech guys get here.” “I worked to midnight on Christmas Eve. All I wanted was some burgers for when I get home.” “I'll see what I can get for you, no charge.” She went to the grill. There were onions simmering in the corner and pre-cooked patties in a warming pan. She found a package of buns and put a half dozen on the grill to brown. The man tapped his fingers impatiently on the door of his car. “This is some bullshit,” he barked at Sporty, “You got something for me or not?” “Roxy is fixing it up right now.” “The manager's name is Roxy?” “Yeah, she was named for her grandmom.” Roxanne's glasses kept steaming up from the grill's heat. She did her best to assemble the burgers, but one got no onions, one had triple pickle and some were drenched with mustard and ketchup while others got no more than a drop or two. She boxed the burgers, stacked them in a bag, and handed it to Sporty. “About time,” the man grumbled. “What about a Coke? I need something to drink.” “Coming right up!” Roxanne said with a big smile. As she poured a Coke from the dispenser she thought, I hope those burgers give you the shits, asshole. Sporty handed him the drink and cheerily said, “Merry Christmas, sir.” The man growled. “Yeah, right. I guess the two of you can get back to whatever you were doing now.” “Thank you, sir,” Sporty said, “But we already finished that. Appreciate the thought though.” The man glared at them, muttered something underneath his breath, and drove off. “What did he say?” Roxanne asked. “I didn't catch in, but I think one of the words started with an F and one with an N.” “Feliz Navidad?” “Most likely not.” “Should we figure out how this works, in case someone else pulls up?” “How long Julio gonna take getting his nut?” Roxanne shrugged. “Hold up,” Sporty said, “I got a better idea.” He walked to the back door, opened it and, looking outside, flicked a couple of light switches on the walk. “There you go,” he said. “What did you do?” “Turned off the outside lights, so the place looks closed.” Clover took Julio's cock into her mouth until she felt his pubic hair tickling her nose, then swallowed. That will keep him from trying to go see what's happening in the kitchen, she thought. When she was out of breath, she rose up, releasing his cock with a loud popping sound. She circled the head with her tongue a few times, then dove down and swallowed again. It was late, she was tired, her jaw was starting to ache and her belly was rumbling in complaint over its load of greasy hamburger. She sucked in her cheeks as hard as she could, and Julio exhaled loudly and raised his hips from the desk. As she lifted her head, Julio spurted into her mouth. She swallowed most of it, then picked up his apron off the desk and wiped her face with it, surreptitiously spitting out the rest of his load. He leaned forward, his head hanging low, while he recovered his breath. Clover stood up, and loudly burped. “Sorry about that,” she said. Julio stood, pulling up his pants. “It is okay, Missus.” They walked into the kitchen. Julio immediately noticed that it was dark outside the drive through window. “You friends, I think they turned off the lights,” he said, “I will have to turn them on and to see what else they might have done.” “Okay, well, Merry Christmas, dude.” “And to you, Missus.” Clover turned away, but he added, “Missus?” She looked back. “Maybe you will come for hamburgers again.” Clover looked him over. “Yeah, I might.” Roxanne and Sporty were sitting in the booth when Clover returned to the dining room. Roxanne was leaning against him, her head on his shoulder and her eyes shut. Clover sat down across from them. “You guys about ready to go?” she asked. Roxanne sat up straight and stretched. “Yeah we might as well,” she said. Sporty looked out the window. “That sleet shit turned into real snow,” he said. He nudged Roxanne. “Let me up, baby.” She stood and he slid out of the booth. “Give me your keys,” he said, “I'll get your car warmed up.” She fished her keys out of her purse and handed them to him as he put on his coat. Watching him walk out, Clover said, “When a man cleans the snow off your car for you, he's getting serious. Especially if he does it after you fuck him.” “I think asking me to come with him to his mom's house for Christmas shows that pretty good, too.” “So, stop being a fucking pussy about it. You think you're going to find another nice guy who is obviously crazy about you and doesn't give a shit what you do for a living?” Roxanne was silent for a minute. “It doesn't seem likely, does it?” she said at last. They kissed again and Sporty said, “You know, I had a lot of girlfriends before, but I never brought one home with me on Christmas.” She patted his cheek, kissed him and said, “I've had a lot of boyfriends before, but I never fucked one in the bathroom at White Castle on Christmas Eve.” She kissed him on the nose and dashed to her car, calling, “See you tomorrow, babe.” “It's about time,” Clover said, as Roxanne got into the drivers seat, “I'm freezing my tits off over here.” “That's because they're fake.” “Probably. They should've come with like a heater option.” “I wish I'd known it was a problem, I would have got you one for Christmas.” Clover reached across the console and squeezed Roxanne's hand. “Merry Christmas, Rhonda,” she said. Roxanne felt her eyes moisten. “Merry Christmas, Charlene.” The last display before the park exit, the grand finale, was a great arc of lights over the road. On the left, Santa rode in his sleigh, overflowing bags of gift boxes and teddy bears behind him. His reindeer stretched along the arc, their legs blinking in a dance across the night sky. At the right end of the display, Rudolph's nose glowed like a beacon. “Nine!” Clover shouted, “Bitch, count ‘em! nine fucking reindeers!” “Rudolph doesn't count.” “He counts in this town.” “Why? Because Parks and Rec says he does?” Clover sat back, her arms crossed over her chest in triumph. “Nine fucking reindeer,” she smirked. “Eight,” Roxanne muttered. “Nine.” “Eight…” By  MelissaBaby for Literotica

David and Katherine celebrate the 100th anniversary of The Al Hirschfeld Theatre, formerly the Martin Beck Theatre. Plus, David interviews artist Justin "Squigs" Robertson about his special project celebrating the theatre's centennial. Rededicated to Al Hirschfeld on what would have been his 100th birthday in 2003, this is the only Broadway Theatre to ever be named after an artist. In this episode, learn about the many exciting productions played at the theatre, hear about the star-studded rededication, and join us in celebrating the many performers and creatives whose work appeared on the theatre's stage. Thank you Squigs for joining us in this special celebration. Learn more about his work at www.squigsonline.com Follow Squigs on Instagram @SquigsRobertson View Squigs' full work with an interactive identifying key. Listen to our previous episode with Squigs: Episode 12 with Justin "Squigs" Robertson Thank you to the Algonquin Hotel for hosting the interview. Follow along with the show notes to view the works mentioned in this episode: Frank Langella as Dracula, 1977 Kiss Me Kate, 1999 with Brian Stokes Mitchell and Marin Mazzie Harry Houdini, 2002 Bobbe Arnst in A La Carte, 1927 Theatre Guild 1928-29 Season, 1929 The D' Oyly-Carte Company Prepare to Offer a New Season of Gilbert & Sullivan, 1936 Cabin in the Sky, 1940 Hallelujah, Baby!, 1967 St. Louis Woman, 1946, featuring the Cakewalk Bye Bye Birdie, 1960 Oliver, 1963 Into the Woods, 1987 The Sound of Music, 1998 Guys and Dolls, 1992 Nathan Lane A Connecticut Yankee, 1943 Baker Street, 1965 Sweet Smell of Success, 2002 Yellow Jack, 1934 Victoria Regina, 1938 The Iceman Cometh, 1946 Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, 1982 Sweet Bird of Youth, 1959 The Rose Tattoo, 1951 Orpheus Descending, 1957 The Pirate Rehearsal, 1942 Say Darling Rehearsal, 1958 Milk and Honey Rehearsal, 1961 My Sister Eileen, 1941 The Grass Harp, 1952 The Curious Savage, 1950 Moon Over Buffalo, 1995 Tropical Revue with Katherine Dunham, 1943 Jacobowsky and the Colonel, 1944 Nancy Walker in Copper and Bass Poster, 1957 Man of La Mancha, 1965 Jerry Zaks Carol Channing Arthur Miller Nathan Lane and Matthew Broderick in The Producers, 2002 Victor Garber Barbara Cook Whoopi Goldberg View Squigs' full drawing of the Al Hirschfeld Theatre! Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel   Watch Hirschfeld Moments: Ep.4 - Hirschfeld Draws a Star! Follow us on Twitter Follow us on Instagram HirschfeldHomestyle.com The Hirschfeld Package at The Algonquin Hotel

Your Humble Host is back with an all new Sounds Like Radio! It's Volume 181 as Gildersleeve thinks it would be a good idea to install a suggestion box in the family home. What could go wrong, huh? Well now a few folks could tell you like Slim Whitman, Shelley Fabares (our picture with this show), Bing Crosby, Helen Kane/Betty Boop, Jimmy Dean, Tammy Wynette & Arthur Godfrey. From October 29, 1952 let's listen to The Great Gildersleeve and some fine music.

---Our Guest: Robin Hackett Follow/Subscribe Youtube Channel  @RobinHackett  --Robin Hackett is a naturally gifted singer, songwriter and author who brilliantly conveys inspiring, heartfelt messages through her music and words. She has toured Europe and also performs across the US. ---She has the ability to deliver powerful messages with beautiful rhythms that stay with you long after the music ends. Her sound has been compared to artists such as Roberta Flack, Joni Mitchell, Sarah Vaughn, and Sade. Folk Rock, Jazz, and Americana are all home to her. With Robin's ability to expand beyond one genre, it has given her the ability to reach audiences and industry notoriety across multiple media platforms.​ --Her song Hard Left appeared on the CBS Hit Comedy, How I Met Your Mother. She appeared in the JVC Jazz festival in New York and also won a top ten finalist spot for a Sarah McLachlan's Lilith Fair Tour.. ---Robin was featured on CNBC Television and received editorial in Acoustic Guitar Magazine, PC Magazine, and Mac World Magazine. She has ranked on Rollingstone.com charts along side K.D Lang, Emmy Lou Harris, and Roger McGuinn. Her songs gained fan recognition on MP3.com, voted #1 Jazz song and artist for “Saying Goodbye”, #2 Folk song for “Jimmy Dean”, and #3 Folk song for “Come on Love” which features Grammy Award winning trumpeter Chris Botti. Robin has opened for Woodstock legend Richie Havens, Sara Hickman, Keb' Mo', and John Ondrasik/Five for Fighting. Her collection spans 6 CDs of original music. Another CD is in the works. -----Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : https://www.youtube.com/professorsoramusic ** OneMicNite Theme Song , "Chance" & Background Songs "Kanye" , "Straight Vibing" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms. . ** Support Us Now: Give "Stars" on Facebook ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

Cette semaine, redécouvrez l'une des rumeurs les plus controversées d'Hollywood : dans l'Amérique des fifties, les acteurs James Dean et Marlon Brando auraient entretenu une passion torride. Alors que les intéressés ont toujours nié, certains témoins rapportent une relation faite de rivalité et d'autodestruction… À l'occasion du centenaire de la naissance de Marlon Brando, nous revenons sur cette histoire non-officielle, révélée en 2016. La fabrique d'un mensonge James Dean meurt dans un accident de voiture à l'âge de 24 ans en 1955. Dès l'instant où la nouvelle est annoncée, Marlon Brando nie toutes les rumeurs qui le lient à Jimmy Dean. Il n'en démord pas : il l'aurait rencontré sur le tournage de "À l'est d'Eden", le film d'Elia Kazan, en 1952. Et… c'est tout. Pas de baiser, pas de séduction, pas de partie de jambes en l'air. Cette version, ce sera l'histoire officielle, martelée jusqu'à la mort de Brando en juillet 2004. Alors, comment toute cette histoire a été fabriquée ? Ecoutez la saison précédente : Henri VIII et Catherine Parr : le dernier mariage de Barbe Bleue Un podcast Bababam Originals Production : Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Réalisation : Matthew Roques Suivez-nous sur Flipboard SOURCES : James Dean: Tomorrow Never Comes, Darwin Porter and Danforth Prince, Blood Moon Productions Le film Listen to me Marlon, Stevan Riley, 2015 "Marlon Brando et James Dean, les amants terribles ?", Le Figaro, 23/03/2016 "James Dean aurait été l'esclave sexuel de Marlon Brando", Vanity Fair, 22/03/2016 "James Dean et Marlon Brando: les révélations sur leur passion SM", Gala, 18/03/2016 Learn more about your ad choices. Visit megaphone.fm/adchoices

When worlds collide, do consumers benefit? The hosts weigh in on Lunchly, the much hyped new Lunchables competitor launched by uber influencers and entrepreneurs Mr. Beast, Logan Paul and KSI. They also highlight unusual collaborations between fashion and consumer brands, and reach for healthy soups and shots. Show notes: 0:25: LOUIE-ville? Church Time. The Kids Are Not Alright. Breakfast Totes. Maker's Mahk. The Perfect Collab. – Ray returns from Kentucky and gets schooled at home, before the hosts highlight the Taste Radio Meetup on September 25 and an interview with serial entrepreneur Jeff Church at the event. They then turn their attention to Lunchly and whether the brand's positioning as a healthier alternative to Lunchables holds water. Ray also reports on his experience visiting the Maker's Mark distillery and the launch of the bourbon brand's new cellar aged expression; Jacqui praises Heyday's new soups; and the Newton-based hosts munch on a new line of crunchy, spicy cookies and sip on cold-pressed juice shots and guayusa-infused energy drinks. Brands in this episode: Suja, Lunchly, Prime, Feastables, Jimmy Dean, Klondike, Good Humor, Popsicle, Maker's Mark, Momofuku, Sunnie, Lunchables, Milk Bar, Momofuku, Heyday Canning, Sofresco, Ability Energy

This is the one-hundred and eighth episode of The Empty Bowl, in which Justin's life is in Jimmy Dean's hands, Dan does some Pop-Tarts geometry, and we both keep ranking old cereals, because it ain't much...but it's honest work.

National S'more day.  Entertainment from 1968.  Missouri became 24th state, Asperin was invented, England found out about the American Declaration of Independence.  Todays birthdays - Herbert Hoover, Jack Haley, Eddie Fisher, Jimmy Dean, Bobby Hatfield, Ronnie Spector, Ian Anderson, Rosanna Arquette, Antonio Banderas, Angie Harmon.  Isaac Hayes died.Intro - Pour some sugar on me - Def Leppard   https://defleppard.com/S'mores - Buck HowdyHello I love you - The DoorsFolsom Prison Blues - Johnny CashHappy birthday - The BeatlesBirthdays - In da club - 50 Cent    https://www.50cent.com/ Tell me why - Eddie FisherBig John - Jimmy DeanUnchained melody - The Righteous BrothersBe my baby - The RonettesAqua lung - Jethro TullChocolate salty balls - Isaac HayesExit - Its not love - Dokken    https://www.dokken.net/ Follow Jeff Stampka at cooolmedia.com or on facebook

Time to bust out the fiddle and rosin up the bow!Today's guests--Sheryl, Reggie, and Jenifer Wrinkle--are fiddle virtuosos of the highest order. Hear them share how their early experiences playing the fiddle in Southeast Texas led them each on a musical journey of a lifetime.Their conversation with Buck and Wanda Carole covers a wide range of topics, including:Their early years playing the fiddle in performances and contests throughout the Southeast United States;The role that their mom and dad played in their development as artists;Sheryl's current endeavors as a band leader and a playwright;Reggie's current undertaking as a West Texas country music entrepreneur--the construction and opening of the new Lime Rock Amphitheater;Jenifer's thoughts on playing with country music's biggest stars, and also the on the release of her upcoming album;An update on the musical trajectory of Cameron Wrinkle, Reggie's son who is on the precipice of country music stardom;An added bonus of hearing Jenifer's latest hit song Living My Dreams (Momma's Song), and Cameron's latest hit single In My Heaven;and much, much, more!The podcast brings up a wide names from Southeast Texas and country music, including Jimmy Wrinkle, Carol Ann Wrinkle, Juanita Wrinkle, Tracy Byrd, Cameron Wrinkle, Reba McEntire, Martina McBride, Pam Tillis, Carrie Underwood, Luke Bryan, Trisha Yearwood, Blake Shelton, Scotty McCreery, Charlie Daniels, Grandpa James Wrinkle, Grace Wrinkle, Wallace Wrinkle, Neal Wrinkle, Hardy Wrinkle, Buddy Holly, Waylon Jennings, MacDavis, Jimmy Dean, Tanya Tucker, Roy Orbison, the Gatlin Brothers, Bob Wills, Gary P Nunn, Natalie Maines, Benny Brocato, Frazier Moss, Dakota Wrinkle, Lainey Wilson, David Lee, Mark Mesler, Bud Lee, Dale Ernheart,...and more! So don't fiddle around! Spend a little over an hour with the Wrinkle Family Fiddlers--it's worth the price of admission!Right here, on Down Trails of Victory podcast!

Bubbles Mushrooms is once again back again for this Monday! This weeks double hotseat features Scott and Adam who are both returning guests. Scott brings us in expertly while Adam asks for a second take on his intro, Edward reveals that Adam has some tricks up his sleeve this week and Katie reminds everyone who the real hosts of the show are. Next, we do a quick check-in with Hong Kong guy and Belgium guy, Adam has a Chappell Roan AI corner, Luke & Edward continue mouthing off about stuff and Scott gives us a Little League update.

Find me and the show on social media. Click the following links or search @DrWilmerLeon on X/Twitter, Instagram, Facebook, and YouTube!   FULL TRANSCRIPT: Wilmer Leon (00:00): Let's play a word association game. When I say eugenics, what comes to mind? What does it mean? Is the opposition to critical race theory? A eugenics construct is eugenics alive and well and still impacting our culture? Does eugenics influence the character portrayals in movies that you see in commercials? And what are your children being taught in school and why? Announcer (00:35): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge. Wilmer Leon (00:43): Welcome to the Connecting the Dots podcast with Dr. Wilmer Leon and I am Wilmer Leon. Here's the point. We have a tendency to view current events as though they happen in a vacuum, failing to understand the broader historic context in which most events take place. During each episode of this podcast, my guests and I have probing, provocative, and in-depth discussions that connect the dots between these events and the broader historic and the broader historic context in which they occur. This enables you to better understand and analyze the events that are impacting the global village in which we live on today's episode. The issue before us is eugenics. Is it a warped pseudoscience of the past or is it still impacting how people view each other? My guest is a historian and journalist whose work documents deconstructs and interprets eugenics themes in popular culture, identify formation among African-Americans and reproductive apartheid in carceral spaces and within marginalized communities. She's the author of In Search of Purity, popular Eugenics and Racial Uplift Among New Negroes, 1915 to 1935, and Pop U, popular Eugenics in television and film. She is Dr. Chantel Sherman. Chantel, welcome to the show. Dr Shantella Sherman (02:19): Thank you. I appreciate you having me. Always. Wilmer Leon (02:23): Before we get to your work as a researcher and historian, let's talk about your work as a researcher, historian, and journalist. You're the founder of the Acumen Group and you're also the Acumen Group, publishes Acumen Magazine. What is the Acumen Group? Dr Shantella Sherman (02:43): The Acumen Group is basically an institution where we are training, it's a nonprofit where we're training folks to deconstruct the things around them, specifically related to eugenics, but also related to race to the world around them, how we construct identities not only racially, but within our families, within our nation, and how we view and observe the worlds around us. So the goal with the Acumen Group was to take what it is that we have in institutions and do a trickle down, or I like to say like a sprinkler system, so that every person has the ability to actually see what it is that we're studying, know what folks are saying when they create policy, understand the dynamics that go into creating policy and the power that they have to change it. But since most people aren't comfortable being in school anymore, or they figure once they reach the 12th grade, then that's it. They stop reading, they stop, I'm having conversations. They stop really engaging with the process of life. And so the goal is to tool people up, first of all, by making them comfortable with being in classrooms again, being armchair historians and armchair politicians so that they understand the world around them and then giving them the tools to actually go out and change the things that they need to change. Wilmer Leon (04:06): And Acumen Magazine, how often is it published? Where do people get it? What's in Acumen Magazine? Dr Shantella Sherman (04:14): Acumen Magazine came about because we have students, a lot of students who once they got the information, they were on fire. They really wanted to be able to tell this information and represented it and reproduce it. And so we created the magazine as a quarterly. It is student led, it is student produced with me at the helm doing much of the graphic design and the editing. But it is students from around the globe at this point that showcase their research. It is dialed down in a way that it's journal quality, but in a rather popular and inviting way of reading it. So it's more like a magazine, even though it feeds like a journal. Wilmer Leon (05:00): One of the things that has stood out to me, as you and I talk about all the work that you're doing, all the research that you're doing, all the presentations, it seems as though, and if I'm wrong, please correct me. It seems as though there's a lot more interest in your work abroad as in Europe than there is here in the United States. Dr Shantella Sherman (05:24): Yes, it's the quick answer. I think that there's a real passion across the globe, but specifically in these European spaces, because even though eugenics took off here in America, and I think it was the perfect laboratory for the pseudoscience, it in fact originated in Europe. And so the concept of how to create better people, the concept of how to nation build it comes from them as part of the colonial mainframe. And so it's that colonizing empire with its tentacles. But how do you manage people that you consider to be less than, to be inferior, to be the world's workers, to be low on the totem pole? How do you manage them? And so Europeans are still looking at this in other ways. They never stopped the eugenic mainframe. They never stopped the cogs and the wheels from spinning. And so when we look at things today, and I know we'll get to this artificial intelligence or people talking about genomes and helping with medicine, creating the medicine that you need based upon gene pools and gene sets, these are all tentacles and legs of the original eugenics movement. (06:45) And so if we don't understand what that is, then the folks in Europe understand it. And so they're courses, they're college courses are designed to fit around this, whether it's law, whether it is political science, whether it's journalism, they understand that eugenics is still a part of the conversation. So for instance, Francis Go, who's considered to be the father of Eugenics, his original laboratory, the Eugenics Records lab, those societies are still very much in existence under different names. So the original Eugenics Institute under Francis Galton has now been renamed, and it's called the Adelphi Forum. And they're still having meetings early or as late as 20 23, 20 24. So part of, again, what the Acumen Group does is we send researchers, or I will attend myself, and we go in and we listen to how eugenics is now being talked about, or genetic research is now being talked about in a rather deconstructed way, so that folks are studying what happened, for instance, with Covid trying to determine through blood types or through environment who was more prone to having contagions. (08:07) And that way it's no longer about the survival of the fittest, about who can survive different catastrophes and disasters based upon the help of science. Because if it's survival of the fittest, when the smoke cleared according to data, 63.7% globally of the folks who died from covid or complications from Covid were white people. So it makes sense that you then want to try and figure out if survival of the fit is about white people dominating people of color, but you have a pandemic come through, and the majority of the folks who passed away from this epidemic pandemic were white people. How do you explain that in a scientific way? So you'd start to study them all over again. So again, that's that eugenic tentacle still reaching out the way it does. Wilmer Leon (09:00): So let's take a step back and start with a definition of this pseudoscience known as genetics, known as eugenics. And after you define it, explain why it's a pseudoscience. Dr Shantella Sherman (09:16): Perfect. The term itself came about roughly 1840, though folks have believed that you could create or build better people or better societies through reproduction probably since the beginning of time. So the idea was that you can, in the same way you manufacture or manipulate the DNA, we weren't using the term DNA then, but germ plasm of plants and animals. You want to breed in certain things and breed out certain things. We believe that some point in this country and across the globe that you could actually do the same thing with people. And Francis goin took this science to a different level. And at the time it was considered a science. It was a bonafide science. The theories were that in the same way that you reproduce height and weight and hair color and eye color and things like that and pass them on to your children, that you could also pass along your characteristics. (10:15) So they were stuck. There was a gene for lying, there was a chromosome for stealing. It is the belief that if you mix this type of person with this type of person, you'll end up with these type of children. And the belief eugenically was that these genes sat for generation after generation after generation. So if you had a great, great grandfather who was a criminal, that criminality was in your genes and the genes of your children, and that it was just one thing that would potentially push it on out, or in other instances it just manifested itself. So we know it to be a pseudoscience. All of the theories were fallible because if that was the case that meant that we just have a world full of criminals, we would have a world full of liars. And it's not to say that this, to some extent we don't, but these are things that can't be set aside. (11:13) One of the things that is really defining about eugenics as well is that poverty is considered to be in your DNA. So this is the reason why, again, when we start talking about social sciences and reform work, the belief is that if you are born poor, you're going to stay poor. If your parents were burden on society, you will be a burden on society. If you had a child born out of wedlock somewhere along this family tree, that that immorality is in you and therefore you have to be watched, monitored, segregated, kept from doing things that other Americans do or other British do or other whomever do, because there is a discogenic taint, if you will, a contamination to your gene pool. And so that's where we get the marriage laws that are restricting folks. So we get segregation to restrict people from coming together. Wilmer Leon (12:12): So as a part of this, and I say this all the time, and usually people look at me, the whole construct of race is an artificial construct. Race does not exist. Racism exists because that is a thought process based upon the artificial construct of skin color, hair type, nose type, all of these types of elements that we attribute to race. That's an artificial construct grown out of the whole eugenics. Pseudoscience. Dr Shantella Sherman (12:56): Absolutely. And the reason why America became such a tremendous laboratory for the quote science at the time, is that Africans came over looking like traditional stereotypical Africans, very, very dark in complexion, very broad noses, very thick lips. And by the time you get to emancipation, you need eugenics to go through and measure noses and measure the thickness of lips because skin color is no longer attributed necessarily to white or black. You have enough black people who are, their skin tone is light enough that you cannot tell them from a white person, Wilmer Leon (13:37): Hence passing. Dr Shantella Sherman (13:39): Exactly. And there were enough at this point that you end up with your Dred Scott Case with your Plessy versus Ferguson with people saying, how can I identify this person as black when I can't by the naked eye see that they're black? And so we start to attribute within the eugenics mainframe things like 60 or 70 different measurements that every American at some point has to go through, whether it's through the school system, the public health system, which is just being birthed all around the same time. And so you have these folks like Frederick Hoffman who was a statistician who worked for Prudential Life Insurance, which is still around, who literally came up with a 330 page manifesto. He called it an article, I called it several volumes, but it was about who the Negro was and his health deficiencies and why black people as a whole did not deserve life insurance or health insurance because they were naturally predisposed genetically to cancers, to calamity, to disease, through filth, and just we were immoral, and it was our behaviors that created the discogenic bodies, the unfit bodies. So eugenics is the science of the fit over the unfit. And when you understand it that way, you also understand that there were as many, at some point as many white people who had to deal with this concept that they were not white enough. And so understand that any white person, when we start getting into things like the Racial Integrity Act, any white person who is not white enough is automatically classified in the black column. All right? Anyone who's not white, 100% white is now considered to be black. Wilmer Leon (15:34): So this takes us to the whole discussion about the one drop rule, and if there's one drop of black blood in your body, you are black. And in the south, particularly, I want to say Louisiana, but it might've been other places you had designations such as quadron, which meant you were one quarter black terone, you were one eighth black. That's where a lot of these designations came from. And I think it's important, I think for people to understand that if you're trying to construct a society that has in it a racial hierarchy, that white people are at the top of the pecking order, and black people are at the bottom of the pecking order, that white people are the dominant black people are the servant, then if you're trying to construct and maintain this type of social order or what you and I'll call disorder disorder, then you need this type of pseudoscience as the mechanism of proving or validating these warped racist theories. Dr Shantella Sherman (16:44): Absolutely. And within that same mainframe, Wilma, also understand that because you have so many people who at this time could be classified as mixed race, I could be classified as mixed race at this point based on the fact that I'm not dark enough. But then there were qualifiers that were put into place according to skin tone, even within darkness. So I think that you see the film cast, it touches on eugenics so briefly that I went, but that wasn't their purpose. That's okay. But the reality is you also had these qualifiers attached to different skin tones. So the closer a person was to whiteness, it was also debilitating to that black person. Wilmer Leon (17:32): Why do you say, wait a minute, why do you say whiteness and not just white? Are you being grammatically correct or is Oh, Dr Shantella Sherman (17:38): Yeah, I'm Wilmer Leon (17:39): No, no, no, but or is there a differentiator between, because when you say whiteness as opposed to just saying white, what distinction are you drawing? Dr Shantella Sherman (17:54): When I say whiteness, I'm taking on the character. I'm taking on the tone. Thank you. Not just the physicality of it. Thank you. I'm also taking into consideration the mentality of it. So sometimes I use film so that you'll get this, the Birth of a nation, the fear was not about the dark-skinned person that you could know and identify. It was all of a sudden about this mixed race, black person who gets into the White House, who gets into, I want you to pay attention to where I'm going with this. Who gets into Congress, who gets into these places where he does not belong? And so all of a sudden there's a different level of fear that says, if this person who I can't necessarily identify as black, black, see, we started out as docile and lazy and these characteristics, but all of a sudden you mix the parents, white man, black woman. (18:48) Then they're ledgers that I read that say things like the lighter the person is, they take on the sinister qualities of the white master who produced this person. So all of a sudden he's crafty, he's diabolical, he's a rapist because he's taking on his daddy's quality. So in the birth of a nation, what did the woman say? This is a fate worse than death to have a black man touch me and rape me the way his father, this white man has done previously. This is a part of that white character, eugenically showing itself in this now mixed race, black child, the virtue of white women basically is code. You're putting a mirror to those genes. And basically the fear was these are not just enslaved people or newly emancipated people. These are the sons and daughters. In many instances of the whiteness, the power structure that has been there. (19:49) So if you're telling me that eugenically within the DNA, all of those things that have been experienced and lived experiences and in the DNA and in the germ plasm of the oppressors are now in their offspring who are free to do whatever it is that they wish to do on the face of the earth, and they have the mobility to move about, all of a sudden this fear is driven into the average white male that says, now I have to be concerned not just with my children, my black children having sexual contact with the white children that I don't want them to have contact with. But I also have a fear that my children will have the type of sinister character that would allow them to elevate themselves in a way that corrupts genetically, socially, medically in every possible way, these children that I'm looking to protect in the first place. (20:51) And so you end up with, I sometimes call it a schizophrenic nature of racism, which is I must protect, there's a fear of me dying or being annihilated. And so you end up with folks like Starter who's talking about the rising tide of blackness. You're talking about fear of losing genetic power, but if this is survival of the fittest and you are superior, there's nothing in my black jeans that could possibly contaminate you. That's just not possible. So it's not logical, it's not scientific in any way, but it has become the social and medical mainframe for what we do under racism. Wilmer Leon (21:39): In your work, you have the ABCs of eugenics, and we don't have time to go through all of them. So folks, go to the acumen group.org, dot com Dr Shantella Sherman (21:57): Org. Wilmer Leon (21:58): Go to the acumen group and.dot org. So for example, you have the American Breeders Association, the first national membership based organization promoting Eugenics. Talk about just quickly, the American Breeders Association and breeding out and cultural lag, these kinds of constructs and ideas that this whole thing was built around. Dr Shantella Sherman (22:28): Well, I mean the American Breeders Association, it was about breeding cattle. It was about breeding animals, farm animals. But the belief was, again, if I can breed out certain things in my animals, why can't I breed them out of my children or the community around me? And so the American Breeders Association understand that they were the first informal university, I would say, because most people were farmers. We were in an agrarian society. Everyone was still building and growing. And so what comes out of that are your beauty contests. So when you had your state fair, you would have the American Breeders Association sponsoring it, and they would have the section for the fattest calf and the biggest cow and the nicest squash and the best tasting cherry pie. And then on the other end, they would have the baby contest, the fitter families contest. And the idea was, if you're going to have this much control over everything else in your environment, why wouldn't you also have that same level of control over your household and over the people around you? (23:35) And also Wiler, it sets up this thing where we do this all the time without thinking about it, you can go down the street and look at a person and them based on how they look. And I'm not saying, oh, his shoes are run over. You look at the face and you say, oh, his eyes are too close together. There's something wrong with that brother. Or Look at the slope on his head, or his lips are just way too big. Or We do this unconscious, we don't think about it. But these are all those eugenic theories and thoughts that were brought down to a playground level, if you will. And we went through this thing called the ugly laws, where anything that didn't satisfy our eyes, we could then conscript to being unfit. And so people who wear glasses, people who weren't wearing braces at this point, so if your teeth were not quite the way they could be, if your ears were bigger than folks thought they should be, you were nicknamed, you were bullied, you were pushed aside. Usually your teachers or nurse or doctor would say there was something wrong with you when really there wasn't, and you were then segregated from the rest of the children because you were an eyesore. Wilmer Leon (24:49): That takes me to, in your ABCs, there's language, and I'm glad you put it at the playground level, because there's language that became adopted into our dialogue that had to do with, I think the word is infirm, putting people in institutions, institutionalizing people. So words such as feeble-minded words such as retarded hearted. There were classifications that were associated or ascribed to people. And again, a lot of that language has become common parlance, but there was eugenic constructs tied to this language. Dr Shantella Sherman (25:37): Eugenics birthed that language, and I keep saying it did not exist in that way beforehand. You may have said this person a little slow or we're going to put the dunks cap on 'em, that type of thing. But you still saw that there was value in the person. You wouldn't segregate them from the rest of society or from the village or from the town. This was just the person who was a little slow. They still, for the most part, went to the same school. When eugenics enters into the frame though, what it says is that if other children see this, they will believe that this is normal, and we need to determine not what is natural, but what is normal, what we will and what we will not accept. And so you get terms like moron, idiot, buil, and within those high grade buil, low grade buil, medium grade buil, and each one of these was based upon iq. (26:27) And so you have early IQ tests. At the time, there was the term test, you had the Goddard test, you had different social scientists and psychiatrists who were coming in and basically saying, if I give this child this test, it shows that they have the aptitude of a two to 3-year-old. If they're in that range, then we're going to say that there are moron. If they have an aptitude of four to a 5-year-old, we're going to say they're an idiot. And you keep going up this way. The problem is not everyone's going to school. Not everyone is in the same region. So I mean, as of Wilmer Leon (27:05): 20 agrarian cultures did not see the need for advanced mathematics and science and reading. You don't need that to bale hay. You don't need that to chop cotton Dr Shantella Sherman (27:18): Wilmer. When I do the research, I find that organizations like the four H Club was originally a eugenic organization. Wilmer Leon (27:27): Wow. Did not know that Dr Shantella Sherman (27:29): The goal was to keep all of the people who were migrating. See, black people weren't the only ones migrating from the south because this became an economic imperative. You also had white people migrating from the Midwest into these other areas. But when they did, they lost the character of the Midwest and they started doing things. They started doing way too much drinking, way too much partying. The girls went wild. They lost their biblical way, they lost their American way. And so the goal was to give them something that would make them stay in the Midwest. They'll make them shun all of the other stuff that's out there. So you started saying, the folks out there are unfit and you are fit, and you live from the land. And so the goal was to make sure you had four H folks who understood you are America. And so when we look at the IQ test and your SATs and your acts today, all of these eugenic tests were originally designed for the Midwest. And that's why folks outside of the Midwest do the worst on the test because Wilmer Leon (28:32): No, wait a minute, I didn't know. Now I've taken the LSAT, I've taken a lot of these tests. I did not realize that there was a geographic basis or higher that I did not know people from the Midwest do better. Why do people from Iowa do better on the exam than people from California Dr Shantella Sherman (29:01): Easily? Because the person who designed the test was in Iowa, creating it with the folks in Iowa so that they set the rubric. This is his name is escaped. VP Franklin, the historian who did this great piece about the test is designed for the dog. He said, A cat and the dog kept tapping each other and whatever. The dog wouldn't move. The cat is popping him in the head and running around. The dog is just sitting there. And it's like someone would say that that dog is lazy. No, the test is designed for the dog. The cat is the one with the problem, but you focused on the dog ignoring him. The cat is the one over here losing his mind. The goal is to change how you frame things. How are you looking at things? And so again, Wiler, you have to take a step back from everything that you're looking at and just kind of deconstructing and pull it back up. As a black man, if you go somewhere and you're defending your wife, they say, oh, he's brave. Depending on where you are. If you're a black man in the Midwest and you're defending your wife, I don't care from what it becomes. If it's a squirrel that runs out across her, then he's an animal abuser. Okay? It's all in. Wilmer Leon (30:18): He's a squirrel hater. Dr Shantella Sherman (30:20): He's a squirrel hater. Get him. It's all in the examination. Masculinity and manhood are defined by patriotism, Americanism fighting the rugged cowboy. It's all of that. When you see a black man stand up, he goes to save the day. They say, why is he looking like that? Wilmer Leon (30:39): Why is he so aggressive? Dr Shantella Sherman (30:41): Why is he so aggressive? He could have shot one bullet instead of 20. But you don't say that to Arnold Schwarzenegger, come on. How many times can you kill him? It is that. And so you start to pull back from all of that. Why are your children being suspended more than others? All children. It used to be you had psychiatrists, psychologists that would say all children begin to rebel between the ages of eight and maybe 12. And then again, when they hit a growth spurt of 14, 15, 16-year-old child, teenager is one of the worst animals to have to encounter because nothing is logical. Everything is either too much or too little. We used to understand that they're teenagers and they're doing teenagery things. All of a sudden they become criminals depending on who they are. And as the nation and the world becomes majority minority, many of the things that were once considered just to be the trappings of life, this is how people grow. This is a part of what children and teenagers do. They rebel a little bit. This is Jimmy Dean and all of this, all of a sudden that's out the water. It becomes, they're a menace to society. They are dangerous. They are aggressive. They're taking the funds of the nation. It's a waste because the people are a waste. Wilmer Leon (32:09): So let's go to, because you mentioned Jimmy Dean. I think rebel without a cause was the film. And I remember when my son was in high school, I had to say to him more than once, look, you can't do what your white friends do. You can't get away with the same things they're going to get away with. The police will come and take them home. They will come and take you away. So you need to be sure that you can't fall for that Okie-doke and the banana and the tailpipe trick. Dr Shantella Sherman (32:46): Exactly. Wilmer Leon (32:47): Right. Exactly. So you have a book called Pop You EU popular eugenics in television and film. And again, you mentioned Rebel Without a Cause, and Minister Society was the other term that you used, which is a very popular film. So how does this whole eugenics dynamic play itself out in the commercials? In fact, let me just, this is a very long-winded way, but to show my age, I remember when I started seeing interracial couples in commercials. That is a relatively new phenomenon. Folks younger than me, my son, he sees it as normal. When I first saw that, it might've been the Cheerios commercial with the biracial child, the father, the African-American father is on the couch. The biracial child comes and pours Cheerios on him while he is laying on the couch. And that child was obviously biracial. I lost my mind. What am I seeing on television? Because before that, there was no way in the world that you were going to see, particularly an African-American man with a biracial child. That had to mean the mother in terms of this dynamic was white. Oh my God, no. So that's a very long-winded way of me, Dr Shantella Sherman (34:34): Wil. No, but you're very right. It's a quick turn. It is been a very, very quick turn. And it's not even as if it's being presented the way it would stereotypically be presented. Again, you have to understand, this man is in the house. He's not, I don't want to mess with him because oj, this isn't something that's volatile. This is something that's very relaxed, and it normalized. It kind of evened it out. Those who had problems with it were ostracized. And Wilmer Leon (35:03): Of course, but a lot of people had serious, oh, a lot of folks, they took that commercial off. Dr Shantella Sherman (35:13): But what you do is you keep pushing against the breaker. You keep pushing against the breaker. And so one of the chapters that's coming up in the second volume of Pop U, which would be out later this year, it looks at the interracial dynamic and how you can now popularize this to a point where not only is it accept it, but it's lauded. So the series 9 1 1, you get a character like Angela Bassett leading the show who has a black husband starting out who comes to her after 20 years and says, I've been hiding the fact that I'm gay and I don't want to be with you anymore. And then enter this wonderful fire chief who's tall and blonde, and he's given all of the John Wayne in a modern context, and he's overwhelmingly in love with her, and he falls right into place. And everyone was like, oh, it's such a brilliant dynamic. And all I keep saying is, I actually love the show. I love the content, but could you have saved her husband? Could you have left an actual black family intact? Wilmer Leon (36:28): And why do you have to be gay? But this interracial, the introduction and the acceptance of the interracial then brought us into the LB two dynamic. Dr Shantella Sherman (36:48): You get to the first episode, this happens in the first episode, Angela Bass and this, and I can't, Athena and her husband. This is episode one, Athena. So if you're going to watch this, you're going to grow into this, and you're going to love the characters so much, it breaks that eugenic mainframe open. And I can understand why you have these old traditionalists who are literally watching television saying, it's garbage. It's the left. It's these people that don't, you're feeding us this garbage. They're going deep. But you're right, everything becomes, you have a lesbian couple there who's adopting biracial kids from a white drug addict. They threw in everything except the eugenic asylum. They put it all right there and then made each and every last one of them heroes. So every week you, yay. And they then the fight. So now it becomes normalized, not that it wasn't already happening around you in the first place. So is life imitating art? Is art imitating life? Who's fueling what? And so my thing is, so long as you can find a way of making sure that all sides are represented positively, you may be okay, but that's not necessarily what's been happening. So back to your original question with this, you can go back as far Sidney porter and the blackboard Wilmer Leon (38:13): Junk. Oh, I would say that who was coming to dinner to Dr Shantella Sherman (38:17): Be a waste? (38:21) Well, in the heat of the night. So again, I think that he was the original testing ground. All of the isms in our society went through City 48 because he was beautiful and dark and upstanding, and they put him in a good looking suit. And he went in and he did the work. So you can do in the heat of the night when you're talking about whiteness and you have a black man standing in a room where there's a white girl having sex on the top of graveyards in the cemetery with indiscriminate men. And the fight is, why did you let my little sister say that? She's basically a whore in the presence of that black man. How dare you? We all know she's not right, but you made her say it in the front of him. You can't do that. So we're going to skip all of these other reasons why her whiteness is in question. And now the fault is on the white police chief for allowing a black man to understand she ain't really white. All of these are built into that Hollywood mainframe, and when you pull 'em apart, you kind of go, wow. Wilmer Leon (39:31): It's interesting that you, well, two things. One, blackboard jungle wasn't that set in London? Dr Shantella Sherman (39:37): No, no, no. That was the other one to start with. Love. Wilmer Leon (39:41): Oh, to start with love. Okay. Right. Dr Shantella Sherman (39:44): I'm sorry. Go ahead. Wilmer Leon (39:45): Well, Sidney Poitier, not African-American. Does the fact that particularly at that time is one of the reasons or one of the factors that enabled him to have those roles was because he was an African-American. Because we know at that time that foreign blacks were given much more latitude than African-Americans. That's why, for example, there were many African-American musicians that changed their names to foreign sounding names. I can't remember the brother, but there was one musician that used to wear this turban. The brother was from Cleveland, I think, and he used to wear a turban so that the promoters of the shows would think he wasn't from here, and then he would have more latitude. But you're saying that had nothing to do with Sidney Poitier. Dr Shantella Sherman (40:55): I think with him, he may have been slightly different. One, visually he fit the optics. And again, I think that you had a whole series of directors and producers at this point that were really trying to push the envelope. So I think originally in the first book, I deal with the fact that you have Sidney Poitier doing three different films that are dealing with discogenic children, the bad children, the teenager thing. So you get the blackboard jungle first, and then 10 years later you get to serve with love where he's in England dealing with British kids. And the first one, he is one of the students like Gordon General, he is one of the throwaways and they're calling them waste. Now, the concept of human waste, that's eugenic. There's certain people that should not be born. There's certain people who are burdened on society, and what you do is you put them in a garbage can and you have the school system sit on the lid all day so that people, you're babysitting, but you're not to teach them anything because they don't have the capacity to learn. (41:53) The second one, you get British students, but it's Sidney Poitier teaching young white girls that you don't do the things that they were doing in the film. He's teaching manhood to British white kids. So once again, you're like, but it's him. And then the third film is a piece of the action where you have him back in America in an inner city, and you'll see the difference in how the children are viewed and what happens when you put Sidney Poitier and Bill Cosby in front of these discogenic black kids in the middle of Chicago. How do you place them at that point? And so all of these things optically, what are you saying? Where are you trying to go with this? And so what are you saying about these kids? Are they still throwaways? And as they talk Wilmer Leon (42:44): About the objects, I want to be sure if you could spend just a couple minutes on, because I think a lot of times folks will look at these films and they don't realize what they're looking at. They don't understand the optics. Dr Shantella Sherman (43:01): Anytime you find a particularly dark-skinned man, see the darker person is the closer they are to their primitive ancestry. So anytime you get a beautifully dark black man and you put him in front of a screen, what the average person is looking for in this country is someone who's scratching their head and Yael Boston and scared and running, and whose eyes get big Manan Morton and someone who has the capacity of a child, he will have to be saved by whoever is the white hero because he doesn't have the capacity to think, to learn to do anything, but still scream and run. But you put Sidney Poitier in there, again, being beautifully black and eloquent and having integrity. Notice in each one of these films, Sidney Poitier is coming in unquote whiter than the white person that's in the film. He's coming in, they're more educated than the white people in the film. (44:08) He's coming in as a sex object in many of the instances that you start to see. And that was not just taboo. It was literally turning the eugenic theories upside down. It literally cut out the bias. It slid it. And so it made you have to think, am I judging the elevator operator because he's doing something else? He actually has a brain. Am I conscripting people to places where they actually have a capacity beyond what it is that I'm seeing? If he's this dark and he's this brilliant, he has this type of mind and he has this type of integrity, and he has a wife and children back, and he's making money and all of these other things. And he attended college understanding everything that we're seeing in television and film was going against the reality of what was in front of people. That's the other thing. (45:07) It's fantasy. It was fantasy. So all of a sudden, if folks don't have the capacity to know the difference between what is real and what is imagined through Hollywood, and all of a sudden I start giving you beautiful dark men who are brilliant and bright, I start giving you black women who have integrity and who are business women and who are matriarchs of their household and don't curse and beat their kids. And I'm walking around with the on welfare and this, this, and this, and all of a sudden you start to look at the people around you and realize you've been in fantasy land for a long time. The people around you really are wonderful and brilliant and American and all of these other great things. Wilmer Leon (45:50): Guess who's coming to dinner 1967. So this is a year before Dr. King is assassinated. Sidney Poitier. Talk about that dynamic in, and I think Spencer Tracy plays the father of the woman, the white woman that Sidney Poitier falls in love with. Dr Shantella Sherman (46:12): Well, and the whole thing, women becomes hokey after a while because it's almost as if they're preaching to you. Spencer Tracy is like, and as we go through the annals of history and just like, right. I love the fact though, in this film that you have the older black characters. You have the maid saying, you know, ain't got no business up in here with this girl coming into a house like this. Years ago, it wasn't even that you would've gone into the back door. You'd have been swinging from a tree. You ought to know better. And because you can't separate that, Wilmer Leon (46:45): You have to know your place. Dr Shantella Sherman (46:47): And I really did not like the fact that you had his parents, Sidney Poitier's parents are trying to warn him off like, listen, I didn't like that. Because it's like, in reality, those warnings are real today. Oh, absolutely. Hey, you watch where you step, right? Again, you don't do what they do Wilmer Leon (47:06): Well, so take us with that, because I wanted to try and show some type of lineage here. So where are we with this today? Because a lot of people would think that eugenics and how it manifests itself, that was then, we're not really seeing that. Now. You touched on it with 9 1 1 and all, but give us some examples of, because you spend an awful lot of time researching in terms of what we're seeing today. How is it manifesting itself today Dr Shantella Sherman (47:43): At the pendulum, wil, we quite frankly, you can swing too far in one direction and then it flips over. The reality is that many of the eugenic theories that we started with, we still have, we call them by different names. We don't say that a person is an idiot buil all of that anymore. What we say is their sub normal. We say that they need an emotional assistance program within the school. We say that we don't want to segregate them out, but we're going to find a way of pulling these things together. So even I Wilmer Leon (48:18): Think it's called a EP and alternative educational plan. Dr Shantella Sherman (48:21): Absolutely. But you keep everyone in the same space. And even the rubric is not really, it's still a eugenic rubric. Do you have both parents in your house? What is the income of the household? It's all of these other things that go back to what we call the three Ds. Delinquent dependent. What's the other one? Delinquent dependent. I always get to that last one. Wilmer Leon (48:48): It'll come to you. Dr Shantella Sherman (48:50): Yeah. All right. But it's the three Ds that most school systems, most medical systems use that determine how the child will fare in the school. But they start using this rubric when the three or four, and this is the reason why you have three year olds being suspended and expelled from school. They don't listen. They're aggressive. They're throwing tantrums. That's what three year olds do. But now there's a pathology that's attached to it. And so when you look at, yes, if I look at things like the cloning, because we moved into transhumanism and people go, oh, this AI and all of this other stuff, these are just fancy terms so that you don't understand that that original theory, survival of the fittest and white gene power and all of this, covid showed you something. So you're getting television shows where you're talking about cloning people, you're talking about orphan black, you're talking about AI integrated into things. You're talking about, we need to build better humans externally, because internally, white women are not having babies, and when they do, they're having non white men. Okay, the Wilmer Leon (50:02): Browning of America, Dr Shantella Sherman (50:03): Right? The browning of the world, right? Say there's a reason why they're calling London Stan now, because everybody, these aren't immigrants coming in. These are births in the nation. And so all of a sudden the culture of the nation is beginning to shift. So what we want to do is start having the people who would normally clean the streets or do other things. We have machines that do this now. And so what you're doing is creating a poverty class where folks won't be able to do anything except what you want them to do. And so we are getting back, you can't put 'em in asylums, but you can't put 'em in ghettos. You can't put'em in counsel housing. And so you start to understand that the television is starting to help you do this. You're getting different films about when we create better people that can assist us with being more human, you have more time to be human and go to yoga and do this other stuff. If someone else is doing the thinking for you. That becomes problematic in a number of ways. But what it does supposedly is secure your cells, your good cells, that fitness, because you're now being outnumbered. Wilmer Leon (51:19): I'm not even sure how to frame this question, but in listening to what you've just said, it ties to a conversation I was having yesterday in that we seem to be moving away from the collective to the individual with the iPhone and the iPad. It is a whole lot more about me as the individual and what satisfies me as the individual. I remember seeing these dance parties where kids will go with their iPods, listen to music in their own ears, in a group of people. Everybody's listening to different music. Everybody's dancing the same rhythm. Everybody's dancing to different rhythms because they're listening to different things. And this is supposed to be a party. I don't even know if that ties it, but that just came into my Dr Shantella Sherman (52:21): Head. No, but it does, because again, when I'm speaking of the term outnumbered, when we talk about transhumanism, the belief is that society, the world is going to basically at this point, because the good, the fit have been outnumbered by the unfit. Those who have the least ability and capacity to raise children are having the most children. Years ago, you would sterilize these folks, you would strike 'em as an idiot, em basil, you put 'em in an asylum or at the public health center for a couple days, you would sterilize them, do full hysterectomies or surgeries for the men, and then you let 'em back out on the street and say, okay, you can do all the damage you can do in your lifetime, which won't be long based upon your behavior, but you will not reproduce this foolishness into another generation. We're going to stop this. They're still doing this in prisons, by the way, today. Alright, so that's first and foremost. But what starts to happen is it's not that you want to be individual in and of yourself, you also want to be a celebrity. So everywhere you go Wilmer Leon (53:26): Likes taking Dr Shantella Sherman (53:27): Pictures of yourself, Wilmer Leon (53:29): I have to be liked. Dr Shantella Sherman (53:30): And then you can't function when enough people don't like it. But I've seen people sitting at a table and everyone's taking pictures of the food they're eating, the food they're drinking, they may look over at each other a little bit, but you all are family and you came together, but you're not even having conversations. So you're in a bubble by yourself and your own self. It's all Wilmer Leon (53:50): About this, Dr Shantella Sherman (53:51): Right? You're in a bubble by your own self and you can't relate. The mainframe is also speeding up so that I'm feeding you so much information at one time that you can't focus. And since you can't focus, it means it's doing something internally to you as well. At some point, Wilma, we may talk about the Rosetta Effect. Alright, go Wilmer Leon (54:13): Ahead. Dr Shantella Sherman (54:16): And this is one of my champion causes because it's about size and it's about weight and it's about happiness. Back in the 1950s, sixties, the country was trying to figure out where the healthiest spaces in America were, and they found that it was a little community upstate New York called Rosetta. And when they got there, they were like, this doesn't make sense. It was mostly a Italian spot, and everyone over there was just gargantuan. These are some big people. Wilmer Leon (54:42): This sounds like a Twilight Zone episode. No, Dr Shantella Sherman (54:44): No, no. And I don't mean I shouldn't say it like that, but it was the men had bellies out in front of them. The women were B, and people were short and styled. Some of 'em were tall, but based upon the eugenic theories, these should be the most unhealthy people with hypertension, diabetes, heart conditions, just heart attacks waiting around the corner. Their BMIs were just ridiculous. They got there, they started testing them, and they realized, yeah, they just eating crap. They eating prosciutto and ham and cheese and melon walking down the street. One guy says, I want to die with a meatball in my mouth. And they did that right? And they just, Kiki can and laughing and drinking a lot of wine. What they concluded in the study was that the people felt safe, they felt loved, they felt nurtured. They felt respected. The old people lived into their nineties and hundreds because they had people looking out for them. (55:42) The children felt free to walk around in their neighborhoods and they had other people looking after them. And the middle aged, the birthing folks realized we have a community that will look after our children to keep them safe. We used to have that in the south, even under the duress of the lynching tree and other things. And that's why the lifespan was as long as it was, even though we were eating chitlins and hog malls and whatever else, it wasn't until the duress of society comes in and starts telling you, you're too this. You're too that. You're not enough of this. This is what causes this. This is how you get to that. You're not enough. They're giving you too much of this. And that is what we are dealing with. Now, within three years of the study coming out, we came in, America came in and told them, you don't want to live up underneath your grandparents all your lives. Sell the house and put them in a home. Send the kids to daycare. They'll get behind in school. They started feeding information to them about being more American. As soon as they became more American, guess what? They Wilmer Leon (56:44): Started dying faster. Dr Shantella Sherman (56:46): Hypertension showed up. And so the eugenic mainframe right now with transhumanism is going back to this and basically saying, you need yoga and water and to rest and music therapy and chelation and all of this. And the truth of the matter is, let the robot do the heavy lifting and you just live. Let the machine carry the baby. Wilmer Leon (57:10): Let me give you what I think is somewhat of a parallel here. The first time I went to Iran, I'm sitting in the lobby of my hotel. When we weren't in meetings and lectures and whatnot, we would sit in the lobby of the hotel and drink coffee and interact. I saw all these women with surgical tape on their faces, Muslim women with surgical tape, and it was just odd. So after about the second or third day, I turned to my interpreter, I said, Ali, why am I seeing all of these women with all this surgical tape on their faces? And he tells me that Tehran is the nose job center of the Middle East. And that fairly wealthy Muslim women come to Tehran to get their eyes done and get their noses done. And I said, Ali, that's insane. These women are beautiful. And he says, yeah, but they're reading Western glamor magazines and they want to look like women from the west. (58:41) So I'm in this interview, I'm on this television show on press tv, and the host asks me my thoughts about, I was there the first time I was there for 10 days, and he asked me my thoughts and I says, well, let me tell you something. I says, you guys, you don't have to worry about General Schwartzkoff. You got to worry about Colonel Sanders. And he says, excuse me? I said, based on what I see your adopting of the Western aesthetic is for your women. When that three piece in a biscuit hits, you guys are done. Hypertension, obesity, diabetes. I said, once you get a taste of those additives in American food and that salt hits you, I said, America will take you over in a minute. Dr Shantella Sherman (59:45): It's a wrap. It's literally a wrap. I mean, when we have folks right now, if you go the next time interview are out in the streets, go into the nearest target of Walmart, go down the aisle, not for cosmetics, but for things like deodorant and lotion, they're now putting additives in that specifically for melanated skin. And the goal is to bleach your underarm. Pitts. The goal is to lighten your skin as you're putting on your lotion. So it's not listed as a skin bleacher, but the combination and compounds that you would actually lighten your skin with are now in soaps, deodorant, lotions, anything that you can think of. And it's for every part of your body. Understand what I'm saying? And so I'm thinking, who really needs this? Wilmer Leon (01:00:42): Is that where this whole, because I've noticed these new commercials with the total body deodorant. Is that where that's coming from? Dr Shantella Sherman (01:00:50): That's also a part of it. Yes. Come on, come had baby soda since you've had life. So come on. Say that again. Wilmer Leon (01:00:58): You've had Dr Shantella Sherman (01:00:58): What? Baking soda. Oh, Wilmer Leon (01:01:00): Right. Dr Shantella Sherman (01:01:00): Everybody said if you were worried about sweat, I mean, come on, sweat and odor. We know how to deal with this. Again, country folks, you've been Virginian and lower. You got it. So the fact that you're now creating through Suave and Dove and shame motion, every brand now has something that, and they call it melanated. They're letting you know this is for people who are brown, who don't want to be brown anymore. This is for folks who don't want to be to appear unfit. They're now girdles for your feet. They're now, you want a smaller size foot. We got some tape and stuff that we can wrap your feet in so that you get a smaller size shoe. It's bizarro, but fit over unfit. Wilmer Leon (01:01:51): The Acumen Group is we could talk, well, you and I, we go through this for hours. The Acumen Group, you're holding your first annual eugenics conference in the United Kingdom in October. Talk about that. Give us a little bit of that, please. Dr Shantella Sherman (01:02:07): Well, we're still pulling all the logistics together at this point when we're, but I'm grateful to God that we're celebrating our 10th anniversary as of this year. 2024 is also for us, the 100 year anniversary of a lot of the eugenic legislation that came about in 1924. And it's still occupying spaces in the parameters of our policymaking today. So we are partnering with a number of universities in, Wilmer Leon (01:02:35): Well, wait a minute, A minute, just So in 24, you had the Eugenic Sterilization Act, you had the Racial Integrity Act, and you had And Immigration Go ahead. Dr Shantella Sherman (01:02:45): And the Immigration Act. Wilmer Leon (01:02:47): Okay, Dr Shantella Sherman (01:02:47): So those three and two of the three came out of Virginia right up here where we are. So one just basically limited the number of immigrants that can come into the country. The second one said that anyone within a state that's considered to be socially inept and or mentally inept through those IQ tests and measurements can be sterilized for the better of the country. And then the third, the Race Purity, race Integrity Act basically said, once again, there are only two races. We aren't going to do Mongolo and Caucasoid and all of that. There are only two races, white and non-white. So even that praxis understanding that today when someone says black people are 20 times more likely to have X, Y, and Z, they aren't necessarily talking about black this way. They're talking about non-white. And so you really have to get to a point where you learn how to read these studies if you're going to repeat the information in them. (01:03:44) Alright, so the goal, the universities, the goal is to get all of these wonderful students from around the globe into one space, along with working scholars and the public to sit down and talk about the tentacles of eugenics and how it's become a sprinkler system. And it's still very much alive. It's still very healthy, it's robust, and it's right in front of us, but we don't necessarily recognize it. So we want to give a platform to scholars, to students, and to the public, the general public to come in, learn a little bit, share information, and go away with workable tools to combat this when and where we see it. Wilmer Leon (01:04:23): And for those who want to get more information, where do they go Dr Shantella Sherman (01:04:28): To the website? www.theacumengroup.org. You can visit us on all of the social medias, either as Dr. Chantel or as the Acumen Group. Wilmer Leon (01:04:40): An Acumen is A-C-U-M-N-E-N? Dr Shantella Sherman (01:04:45): Yes. Wilmer Leon (01:04:46): E-N-H-C-U-M. Hey, don't say I'm feeble-minded, please. I just can't spell. Don't do it. I went to Catholic school so I can do math. Dr Shantella Sherman (01:04:57): Don't do it. Wilmer Leon (01:04:59): Oh wow. Doctor Cantella Sherman, as always, you bring it. You brought it as you always do. Dr. Chantel Sherman, I have to thank you so much for joining me today. Dr Shantella Sherman (01:05:12): Thank you. Always a pleasure. Anytime Wilmer Leon (01:05:15): Folks. Thank you all. So much for listening to the Connecting the Dots podcast with me, Dr. Wilmer Leon. Stay tuned for new episodes every week. Also, please follow and subscribe, review, share the show. You can follow us on social media. You can find all the links below in the show description. Please go to that Patreon link and make a contribution so all the assistance that you can provide will be greatly, greatly appreciated. If you have any questions or you would like to suggest show topics, please make those suggestions as you communicate with us through the links below with your comments to the show. Remember folks, this is where the analysis of politics, culture, and history converge talk without analysis is just chatter and we don't chatter on connecting the dots. See you allall next time. Until then, I'm Dr. Woman Leon. Have a great one. Peace. I'm out Announcer (01:06:22): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge.

Patrick and Kevin Clement follow up our Story Songs Week (episodes 1733-1737) by putting a country music spin on the concept. We begin with songs from Jimmy Dean and Lefty Frizzell.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Jimmy Dean once said “You can't control the wind…” but there is something you can do.

This week the hosts Joshua Conkel and Drusilla Adeline discuss doppelgängers with Robert Altman's Images.  From wiki: “Images is a 1972 psychological horror film directed and co-written by Robert Altman and starring Susannah York, René Auberjonois and Marcel Bozzuffi. The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home.”But also discussed: a real-life horror story, Gawker in the 00s, a mysterious butt stabber, Death of a Cyclist, Woman in the Dunes, Pitfall, Infested, Attack the Block, Arachnophobia, Doppelgänger by Naomi Klein, 3 Women, Persona, Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Nashville, Gosford Park, Pauline Kael, Faye Dunaway's reality show, One Tree Hill,  The Eyes of Laura Mars, and more!NEXT WEEK: Darren Aronofsky's Mother! (2017)Follow them across the internet: Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/Drusilla Adeline: https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

Jimmy-Dean is an experienced airline industry veteran of 25 years, serving as a commercial airline pilot, recruiter, trainer and check pilot, with several years in airline flight operations management, and  experience as both a chief pilot and operations manager.  Jimmy-Dean is currently the Vice President, Flight Operations at WestJet, leading their approximately 2000 pilots and the team that supports them, and holds the role of Transport Canada designated system chief pilot.  www.lovefly.co.uk #fearofflying #flyingwithoutfear #westjet FB - Lovefly Insta - @loveflyhelp YouTube - https://youtu.be/4NFx_3Iog6Y     Intro music 'Fearless' Daniel King

In this thought-provoking episode of English Plus Podcast, we delve into the layers of common proverbs, navigate the complexities of personal challenges, and explore the subtleties of language that shape our understanding of the world around us. Join us as we dissect the true meaning behind the age-old saying, "blood is thicker than water," and challenge its relevance in today's diverse familial structures. Dive deeper into personal resilience with a reflection on Jimmy Dean's inspiring quote about adjusting our sails in the face of life's unpredictable winds. We also tackle the quick judgments encapsulated in the idiom "jump to conclusions," offering strategies to foster patience and clarity in everyday interactions. Our exploration doesn't stop at phrases and idioms. We unlock the profound depths of the word "profundity," examine the peculiar properties of helium that defy freezing, and dissect the subtle art of persuasion through the "foot-in-the-door" technique. Language enthusiasts will enjoy a detailed clarification of commonly confused coastal terms and a tutorial on avoiding common blunders in using the past continuous tense. The episode culminates with a stirring discussion on the future of artificial intelligence—pondering whether AI will complement or surpass human intelligence. Whether you're a language lover, a philosophical thinker, or someone curious about the psychological aspects of interaction, this episode offers rich insights and practical advice to navigate the complexities of life and language. Tune in to English Plus Podcast for an enriching journey that promises to expand your perspectives and provoke thoughtful reflection on everyday wisdom and beyond. You can unlock all our premium content on Patreon Never stop learning on englishpluspodcast.com  

This week we welcome Jason Bronstad, CEO of MALK Organics, to the podcast. Jason is a seasoned CPG professional with 20+ years of experience in the food and beverage industry. With a successful background at leading companies like Sara Lee and Jimmy Dean, Bronstad joined MALK in 2020 as a consultant and quickly rose to CEO in June 2021. Under his leadership, MALK has experienced significant growth, becoming the fastest-growing plant-based milk brand in 2022. Bronstad's mission is to expand MALK's consumer base by educating people on its health benefits as the top alternative milk option. His personal journey towards a healthier lifestyle fuels his passion for promoting wellness.   In this episode, you'll discover: Jason's CEO journey and his strategies for steering MALK Organics to success. How MALK is pioneering the premium segment of plant-based milks. Insights from Jason's failures and the valuable lessons learned. The transformative influence of TikTok on consumer information-seeking behavior.

Hello Happy Hour! Check out this week's ad read for some good times and good treats! This episode is chaos in all the right ways! We talk about the rise in pay to asking the hard hitting questions like why won't Mcdonald's bring back the salads and what is this Wendys surge pricing? You guys do not want to miss this. Have a great week everyone!

Expo West 2024 remains top of mind for the hosts, who discuss how attendees' perception of innovation and their evaluation of new products has evolved in recent editions of the annual event. They also spoke about how a confluence of global flavors and convenient, clean label foods and beverages is a positive sign for the industry as a whole.  Show notes: 0:35: Cognitive Jamon. Expo Trollin'. Call Congress. MENA-Licious. Taco Bell Coffee? Paneer Pops. - On location in Barcelona, Ray chats about a notable cocktail competition and wonders if functional ham could be good for the city's denizens. John follows up on his Linkedin post about “meaningful innovation” at Expo West, Mike prompts Ray who prompts listeners to call their elected leaders about an often overlooked topic, and the hosts collectively praise the growing accessibility of high quality, culturally-inspired and occasion-based snacks and frozen meals. John can't stop eating a limited-edition line of chips and recalls when Mike accused a brand of using a famous logo on its cans without permission and Jacqui gives props to paneer. Brands in this episode: Torres Brandy, Homiyah, Doosra, Afia, Jimmy Dean, Mason Dixie Foods, Red's, Rudi's, Deep Indian Kitchen, Aahana's, Yaza Labne, Annie's Toum, Better Sour, Ziba Foods, Maazah, Crafty Counter, Fabalish, Sunnie, Kokada, Teddy Grahams, Wanderlish, Bob Evans Farms, Graza, Torres Potato Chips, Uncle Matt's, Milo's, Beekeeper Coffee, Grounded Milkshake, Sach Paneer, Rind Snacks

Our Hopeless Scvm reconfigure and leave Schleswig for Galgenbeck, but they must make another stop first. If they can make it, that is, without “uninvited guests”. Sasha gets an Unheroic Feat, Rusig sheds tears, Tommy delivers a chair-shot, Jimmy Dean wraps it up, Svint shows up, and Skreech wears an Aladdin vest, on this episode of Flail to the Face. This episode's Scvm: Levi Brusacoram as Sasha the Sun Scorched Zealot Thomas Geno-Stumme as Rusig the Bearer of Woes @munkymoto Kevin Welch as Tommy the Shonky Skulker @Smiling_dm1 Jake Vaughn as Jimmy Dean the Indomitable Mountaineer and Svint the Mutated Goblin @vaughnhaus Nate Seibert as Skreech the Narcomancer @TheRolledNate And Christopher Heinrich as the Game Master @7CannibalChris7 This episode features: The Sun Scorched Zealot by Nick Tregidgo The Bearer of Woes by Munkymoto The Indomitable Mountaineer by Rugose Kohn @RugoseKohn The Mutated Goblin by Heckin' Viv @HeckinViv The Shonky Skulker from Goblin Gonzo by Tommy Sunzenauer.  The Narcomancer by Brain Rat. The Myrvr by El Chupalabras @elchupalabras Cover art created by Cannibal Chris. Episode edited by Kevin Welch and Levi Brusacoram. Theme music: Haunting of the Flesh courtesy of Karl Casey @ White Bat Audio SFX courtesy of Epidemic Sound Find us on whatever social media platform you use: Facebook Twitter Instagram BlueSky

Jimmy Ray Dean was an American country singer, television host, actor and businessman.

90s country music star Billy Dean stops by the studio! He shares the story behind his song "Billy the Kid," if he's related to Jimmy Dean and more! Then, it's President's Day, find out if you know these facts! Plus, we share our favorite things about small towns!See omnystudio.com/listener for privacy information.

This month's guest is Tyler Sladen of Albuquerque, NM. Tyler is a serious falconer who specializes in hunting quail with his Tiercel goshawk “Jimmy Dean.” Tag along with Tyler and Dr. Dale as they discuss the sport of falconry, and specifically hunting the quails of North America with raptors and bird dogs. Sladen, Jimmy Dean, and his corps of Setters have combined to take over 100 quail across nine states in 2023. As a Student of Quail, you can learn a lot from seeing how quail react when pursued by a hawk, and what kind of “storm shelters” serve to foil a hawk's attempts. Join us on January 20; you're going to enjoy this one.

Savor Community Facebook PageSavor Moment:Proverbs 16:3 Roll your works upon the Lord this year.Sausage Pinwheels1 package cream cheese softened 1 package Jimmy Dean sausage2 packs crescent rollspoppy seedsIn a medium pan, fully cook and drain sausage. Mix sausage with softened cream cheese. Spread the crescent rolls into rectangles. (Two triangles together) Spread cream cheese mixture over the entire rectangle. Roll rectangle into a long cylinder. Place in freezer for one hour. Slice into 1/4 inch pinwheels and place in a 425 degree preheated oven. Sprinkle with poppyseed and bake for 15 minutes.

They say that everyone loves a good comeback story. Rudi's is writing the first chapter of a new one. Founded in 1976, the Colorado-based brand markets organic and gluten free breads, including sourdough loaves, English muffins, wraps and buns, and has fostered a loyal consumer following at natural and conventional retailers including Whole Market and Kroger.  In 2014, natural foods company Hain Celestial acquired Rudi's from private equity firm Charterhouse Equity Partners for $61.3 million. At the time, Rudi's generated nearly $85 million in annual retail sales, according to published reports. Unfortunately, brand sales and distribution regressed under new ownership. By May 2020, revenue was down to $35 million while ACV in the natural channel, which had been at 98%, plunged into the 30s. That month, Hain unloaded Rudi's to Mayfair Equity Partners, which incorporated the brand into its Promise Gluten Free bakery business. Over the next two years, Rudi's saw two CEOs arrive and depart, but in October 2022 Mayfair enlisted board member Jane Miller, who previously led the brand from 2008 to 2014, to helm the company. She also tapped experienced food and beverage executive Adam Hertel as chief sales officer. Their plan to breathe new life into Rudi's has evolved over the past year and came with the realization that sales and distribution couldn't return to 2014 levels without a significant shift in strategy and investment in innovation. In this episode, Miller and Hertel explained how they identified the most pressing issues at Rudi's and detailed its close working relationships with its retail partners to develop new products, including Texas toast and breakfast sandwiches. Show notes: 0:43: Interview: Jane Miller, CEO & Adam Hertel, Chief Sales Officer, Rudi's – Taste Radio editor Ray Latif spoke with Miller and Hertel at NOSH Live Winter 2023 about their respective paths to Rudi's, how they incorporated market research and consumer trends into the company's innovation strategy and how they factor timing and retailer resets into new product development and what gave them confidence to play in new categories. They also discussed how Gen Z and Alpha consumers fit into Rudi's business strategy and brand positioning as a whole, why “95 percent vs. 99 percent certainty” is a rule they abide by and whether they advocate for team members to have an entrepreneurial mindset or prefer for ideation and strategy to be generated by leadership. Brands in this episode: Rudi's Bakery, Jimmy Dean, Uncrustables

This week on BMND, Kail and Vee discuss the dynamics of Jada and Will Smith's relationship, the headlines surrounding Tristan Thompson, and the difficulty of setting boundaries with family. Additionally, they share their thoughts about going on a date financed by a gift card. In coparenTEA, a listener struggles after her breakup results in getting pushed out of her stepdaughter's life. In Down in the DMs, an upset stomach plays the unexpected spoiler during "quicky" while on a family visit Make sure to check out our Instagram @babymamasnodramapodcast! And check out Kail and Vee for more! Please support the show by checking out our sponsors! Nordic Naturals: Shop today at nordic.com use promo code MAMA for 20% off BetterHelp: This episode is sponsored by BetterHelp. Visit BetterHelp.com/MAMADRAMA today to get 10% off your first month. Shopify: Sign up for a one-dollar-per-month trial period at SHOPIFY.COM/bmnd Skims: The Cotton collection and more are available now at SKIMS.com Plus, get free shipping on orders over seventy five dollars! After you place your order, be sure to let them know we sent you! Select "podcast" in the survey and be sure to select our show in the dropdown menu that follows. Jimmy Dean. Learn more at JimmyDean.com