Podcast appearances and mentions of Eve Arden

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

This episode was originally released on 8/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 106, we join Eve Arden at Madison High School and find out why we all love Our Miss Brooks. —————————— Highlights: • Who is Eunice Quedens? • Eve the heroine with Elizabeth Arden cosmetics. • Starting out in Hollywood • Getting on the Radio • Teaming with Danny Kaye, Jack Haley, and Jack Carson • William Paley and his Packaged Program Initiative • My Friend Irma and Two New Proposed Female-driven Situation Comedies • Our Miss Booth—Not Happening • Eve Arden, meet Connie Brooks • Our Miss Brooks—The New Summer Hit • Colgate Signs on in the Fall of 1948 • Cast Camaraderie • Eve Arden—Radio's Top Comedienne • Miss Brooks Gains Traction • Taking the Show into TV without Jeff Chandler • Winding down the Radio Show • Looking Ahead to September —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: On the Air — By John Dunning Network Radio Ratings, 1932-53 — By Jim Ramsburg As well as articles from the archives of Broadcasting Magazine, Radio Daily, and Radio Mirror. —————————— On the interview front: Eve Arden, Gale Gordon, Jack Haley and Gloria McMillan were with Chuck Schaden. Hear their full chats at SpeakingofRadio.com. Eve Arden was also with John Dunning on July 25th, 1982 for 71KNUS Mary Jane Croft was with SPERDVAC on March 14th, 1992. For more information, please go to SPERDVAC.com. Shirley Booth was with Dick Cavett in 1971. And Ozzie and Harriet Nelson were on Johnny Carson's Tonight Show on November 18th, 1969. —————————— Selected music featured in today's episode was: • It's Been a Long Long Time — By The Harry James Band • Easy Street — By June Christy • Living Without You — By George Winston • Hello Mary Lou — By Ricky Nelson

This episode was originally released on 7/1/2020. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 105 we pour shots and take dictation with The Adventures of Sam Spade. —————————— Highlights: • Bill Spier's Musical Beginnings Lead to Suspense • Howard Duff: Unknown Actor • How About Now For Sam Spade? • CBS and ABC compete for Spade • Spade Versus Bergen & McCarthy • 1947-48: Radio's Highest-Rated Season • Spade Hits Its Stride • Stop The Music • June Havoc, Uncredited Spade Actress • Unamerican Hammett? Unamerican Duff? • Spade Gets Cancelled—Twice • Howard Duff: Radio Preservationist • What's Next —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: On the Air — By John Dunning Network Radio Ratings, 1932-53 — By Jim Ramsburg As well as articles from the archives of Billboard Magazine, Broadcasting Magazine, Radio Daily, and Variety. —————————— On the interview front: • Eve Arden, Howard Duff, and Lurene Tuttle were with Chuck Schaden. Hear their full chats at SpeakingofRadio.com. • Dick Joy, Elliott Lewis, and E. Jack Neuman were with John Dunning for his 71KNUS program from Denver. • Howard Duff, June Havoc, and Bill Spier were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear their full chats at https://goldenage-wtic.org/ • Lurene Tuttle remembered radio with Same Time, Same Station on February 6th, 1972. • Frank Stanton spoke with CBS in honor of their 50th anniversary in 1977. • Mary Jane Croft was with SPERDVAC on March 14th, 1992. For more information, please go to SPERDVAC.com. —————————— Selected music featured in today's episode was: • Fever — By Peggy Lee • Smoke Gets In Your Eyes — By The Mallett Men • Young At Heart — By Frank Sinatra • The Prologue and Main Title piece from High Spirits — By George Fenton • Atomic Cocktail — By Slim Gaillard

Comedy on a ThursdayFirst,  a look at this day in History.Then, Fibber McGee and Molly, originally broadcast October 2, 1945, 80 years ago, Welcoming Mayor LaTrivia Home—the first show of the season. The whole town is down at the railroad station to greet Mayor La Trivia, who is returning from the war. Gale Gordon returns to the program after his military service. Followed by The Great Gildersleeve starring Harold Peary, originally broadcast October 2, 1946, 79 years ago,  Leila's Wedding Invitations.  Leila announces her marriage...and not to the water commissioner!Then, The Phil Harris-Alice Faye Show, originally broadcast October 2, 1953, 72 years ago, The Horse Race.   Phil buys a horse! Followed by Our Miss Brooks starring Eve Arden, originally broadcast October 2, 1949, 76 years ago, Rival Football Team.  Will Stretch Snodgrass transfer to Clay City High? Finally. Claudia, originally broadcast October 2, 1947, 78 years ago, Many Happy Returns.   Breakfast in bed for Claudia's mama. Returning the wedding presents.   Kathryn Bard and Paul Crabtree star.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

With school back in session, we're visiting the faculty lounge at Madison High with three cast members from Our Miss Brooks in their roles as radio detectives. Gale Gordon sheds the stuffy suit of Principal Osgood Conklin as amateur sleuth Gregory Hood in "Murder in Celluloid" (originally aired on Mutual on July 2, 1946). Jeff Chandler leaves bashful biology teacher Mr. Boynton behind to travel to the Big Easy as Michael Shayne in "The Case of the Model Murder." And Gerald Mohr ditches the accent of French teacher Monsieur LeBlanche as Phillip Marlowe in "The Torch Carriers" (originally aired on CBS on January 7, 1950). Plus, we'll hear all three alongside Eve Arden in an episode of Our Miss Brooks (originally aired on CBS on February 20, 1949).

Comedy on a ThursdayFirst,  a look at this day in History.Then, Our Miss Brooks starring Eve Arden, originally broadcast August 21, 1949, 71 years ago, The Conklins' Anniversary At Crystal Lake. Miss Brooks and Mr. Boynton spend the weekend at Crystal Lake with the Conklins, who are celebrating their twenty-fifth anniversary. Followed by Too Many Cooks starring Hal March and Mary Jane Croft, originally broadcast August 21, 1950, 75 years ago, The New System. Then, the Adventures of Archie Andrews starring Bob Hastings, originally broadcast August 21, 1948, 77 years ago, Going on a Picnic.  The family decides to go on a picnic, but so do the skunks, turtles, ants, cows, Jughead, Betty and Veronica. Followed by Granby's Green Acres starring Gale Gordon and Bea Benederet, originally broadcast August 21, 1950, 75 years ago, Granby Breaks Down.  Granby becomes very sensitive to noise.  The last show of the series.Finally. The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast August 21, 1959, 66 years ago, Betsy Learns about Beheading.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

This episode was originally released on 9/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls Episode 95, we go back to school with radio's teacher's pets, class clowns, and perhaps the most iconic “Miss” in radio history. —————————— Highlights: • How William Paley used The Columbia Workshop to launch shows and careers. • Suspense Moves to Hollywood and Gets Sponsorship • The Radio Rise of Eve Arden and the Launch of Our Miss Brooks • The NBC University Theater dramatizes a Washington Irving Classic • The New Mr. and Mrs. Ronald and Benita Colman Show • Johnny Dollar Investigates a Suspicious Schoolhouse Fire • Theater Five saves a Nursery • All Hallow's Eve —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • The Who Is Johnny Dollar Matter — by John C. Abbott • On The Air — By John Dunning • Network Radio Ratings, 1932-53 — by Jim Ramsburg As well as articles from: • Broadcasting Magazine - April 27th, September 14th, and November 30th 1964, as well as January 4th, January 11th, and June 28th, 1965. • Radio Daily - September 30th, 1949 • Sponsor Magazine - September 2nd, 1952 —————————— On the interview front: • SPERDVAC was with Jack Johnstone, Al Lewis, Jeanette Nolan and Elliott Reid—For more information, please go to SPERDVAC.com. • Chuck Schaden interviewed Eve Arden, Parley Baer, Ken Carpenter, Norman Corwin, Gale Gordon, Jack Haley, Agnes Moorehead, Russell Thorson, and Willard Waterman. Hear their full chats at SpeakingofRadio.com. • Hans Conried, William N. Robson, and William Spier were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. These interviews can be heard at GoldenAge-WTIC.org. • Eve Arden, Roberta Goodwin Bailey, and E. Jack Neuman were with John Dunning for 71KNUS. • Elliott Reid was with Frank Bresee and Walden Hughes on October 14th, 2002 and Don Quinn was interviewed by Owen Cunningham in 1951. —————————— Selected Music featured in today's episode was: •I Wonder Why - by Dion and the Belmonts • Pyramid of the Sun - by Les Baxter • Moon - by George Winston • The Look of Love - by Billy May and his Orchestra • Young at Heart - by Frank Sinatra • I'll be Seeing You - by the Harry James Band • Spooky - by Dusty Springfield ——————————

ere is one of the greatest ensembles of the classic era - or any era, for that matter. Katharine Hepburn, Ginger Rogers, Lucile Ball, Ann Miller, Eve Arden (and cat), Gail Patrick, Andrea Leads. Constance Collier, all sharing a theatrical boarding house in New York, and struggling to become big stars. Kate says something about calla lilies, and also snipes with Ginger. It’s so much fun!, Shelly Brisbin with Micheline Maynard, David J. Loehr, Nathan Alderman and Randy Dotinga.

ere is one of the greatest ensembles of the classic era - or any era, for that matter. Katharine Hepburn, Ginger Rogers, Lucile Ball, Ann Miller, Eve Arden (and cat), Gail Patrick, Andrea Leads. Constance Collier, all sharing a theatrical boarding house in New York, and struggling to become big stars. Kate says something about calla lilies, and also snipes with Ginger. It’s so much fun!, Shelly Brisbin with Micheline Maynard, David J. Loehr, Nathan Alderman and Randy Dotinga.

Comedy and Variety on a ThursdayFirst, a look at the events of the dayThen, Our Miss Brooks starring Eve Arden, originally broadcast July 31, 1949, 76 years ago, Will Connie Resign?  Rumor has it that Miss Brooks is leaving Madison High and moving to Connecticut! The story has an interesting tie-in with the winner of a Colgate sweepstakes.Followed by Granby's Green Acres starring Gale Gordon and Bea Benaderet, originally broadcast July 31, 1950, 75 years ago, Granby Lays an Egg.  The farm needs chickens, so Granby buys two hundred of them, all roosters!.Then, The Chase and Sanborn Hour with host Edward Arnold, originally broadcast July 31, 1938, 87 years ago, with guest Faye Bainter. Charlie McCarthy is trying to sell tickets to his benefit performance of "Carmen." Edward Arnold and Faye Bainter appear in "Doddsworth," by Sinclair Lewis, adapted by Sidney Howard. Charlie does his version of the play, calling it "Doddsworthless." He uses the same cast, but plays the lead himself. The Stroud Twins discuss the theory of electricity.Finally, Lum and Abner, originally broadcast July 31, 1935, 90 years ago, Sells Jot ‘em Down Store.  Squire Skimp and Snake Hogan are very unhappy that Abner has refused to invest his $2000 in the silver mine. In fact, they force Abner into a car and drive away with him! Thanks to Laurel for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

In Breaking Walls episode 94 we visit the malt shops, drug stores, and soda counters in America's heartland and spend time with radio's best dramatic actors and actresses. Highlights • Norman Corwin, Margaret Sullavan, and Byron Kane's Big Break • The Pharmacist Goes to War—and Saves a Life • Inner Sanctum and Santos Ortega • Dennis Day: Soda Jerk • The Rise of Jack Webb • Dragnet Is Born and Radio Changes Forever • Tales of the Texas Rangers and the Wheaties Big Parade • The End of Fibber McGee and Molly • Back to School The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: On The Air - By John Dunning Network Radio Ratings, 1932-53 - by Jim Ramsburg Forecast: Is there a Sponsor in the House - by Martin Grams Jr. Just the Facts, Ma'am : The Authorized Biography of Jack Webb - by Eugene Alvarez & Daniel Moyer And articles from Radio Life, January 1949. On the interview front: • SPERDVAC was with Harry Bartel, Ralph Bell, Himan Brown, Lilian Buyeff, Lawrence Dobkin, Herb Ellis, Virginia Gregg, Byron Kane, Jeanette Nolan, Herb Vigran, and Peggy Webber—For more info, please go to SPERDVAC..com • Chuck Schaden interviewed Eve Arden, Himan Brown, Dennis Day, Phil Harris, Jim Jordan, Lurene Tuttle, and Herb Vigran. Hear their full chats at SpeakingofRadio.com. • Joel McCrea was with educator Al Greenberg. For more information please go to OrcoDevelopment— That's O R C O Development (dot) org. • Jim Jordan was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. This interview can be heard at GoldenAge-WTIC.org. • While Dennis Day and E. Jack Neuman were with John Dunning for 71KNUS and Vic Perrin was with Neil Ross for KMPC. Selected music featured in today's episode was: • Sleep Walk — By Santo & Johnny • Go Slow — By Julie London • The Klezmer's Wedding — By André Moisan • Living Without You — By George Winston • See you in September — By The Happenings

Westerns and Comedy on a ThursdayFirst a look at the events of the dayThen, Have Gun, Will Travel starring John Dehner, originally broadcast July 17, 1960, 65 years ago, Little Guns. Paladin travels to Preston, Arizona, when his old friend James Ellis hires him to prevent a range war.Followed by Gunsmoke starring William Conrad, originally broadcast July 17, 1960, 65 years ago, Busted Up Guns.  The Indian agent on the Sioux reservation has gone off the deep end, is drunk and determined to keep guns away from the Indians.Then Our Miss Brooks starring Eve Arden, originally broadcast July 17, 1955, 70 years ago, Planning a Trip to Europe. Miss Brooks is trying to promote a summer vacation trip to Europe...but so are Mr. Boynton and Mr. Conklin.Followed by Granby's Green Acres starring Gale Gordon and Bea Benederet, originally broadcast July 17, 1950, 75 years ago, Granby Discovers Electricity.  Granby decides an electric milker is needed for his farm. Finally, Hilltop House, originally broadcast July 17, 1953, 72 years ago, The Wrong Letter.  Dr. Browning gives Julie the wrong letter about Reid. Bad news?Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Comedy  on a ThursdayFirst,  a look at this day in History.Then, Granby's Green Acres starring Gale Gordon and Bea Benederet, originally broadcast July 10, 1950, 75 years ago, Granby Plants a Crop. What to plant? Corn? Wheat?Followed by The Adventures of Archie Andrews starring Bob Hastings, originally broadcast July 10, 1948, 77 years ago, Archie's Date.  Archie needs a pair of garters and socks and suspenders and just about everything else for his date tonight. Then, The Paul Winchell-Jerry Mahoney Show, originally broadcast July 10, 1944, 81 years ago, Jerry's Birthday Bicycle. Jerry is hoping for a bicycle for his birthday, but hasn't been behaving himself lately. The last show of the season.Followed by Our Miss Brooks starring Eve Arden,  originally broadcast July 10, 1955,  70 years ago, Connie Tries To Forget Boynton.  Miss Brooks is trying to forget her romance with Mr. Boynton, but she keeps seeing him everywhere!Finally. The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast July 10, 1960, 65 years ago, Installing a Buzzer System. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

This episode was originally released on 4/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 90 and on the second part of our western trilogy, dramatic radio goes from boom to bust in a nine year period after World War II, as a group of actors become radio legends, while the radio western grows up. Highlights: • William S. Paley's Plan to Overtake NBC • The West-Coast Hollywood Actors • Robson, Yarborough, Lewis, and Hawk Larabee • Escape Moves the Western Forward • The Life and Death of Jeff Chandler • CBS Becomes Number 1 • NBC Fires Back with New Western Shows • Elliott Lewis, Suspense, On Stage, and Crime Classics • The Birth of Gunsmoke • Jack Johnstone, Jimmy Stewart, and The Six Shooter • The Networks Pull the Plug in 1954 • What's Next The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Radio Rides The Range: A Reference Guide to Western Drama on the Air, 1929 - 1967 by Jack French and David S. Siegel • Network Radio Ratings, 1932-1953 - by Jim Ramsburg As well as passages from • Broadcast Magazine — 12/22/1947, 2/16/1948, 3/1/1948 • Sponsor Magazine — 10/1/1951 On the Interview Front: • Parley Baer, Harry Bartell, Lillian Buyeff, Mary Jane Croft, John Dehner, Lawrence Dobkin, Sam Edwards, Herb Ellis, Virginia Gregg, Jack Johnstone, Byron Kane, Elliott Lewis, Jeanette Nolan, and Herb Vigran were with SPERDVAC, the Society to Preserve and Encourage Radio Drama, Variety, and Comedy. For more information, please go to SPERDVAC.com • Hans Conried, Howard Duff, and Elliott Lewis with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. The full interviews can be heard at GoldenAge-WTIC.org • Jack Benny, Hans Conried, Betty Lou Gerson, Elliott Lewis, and Lurene Tuttle were with Chuck Schaden. Chuck's interviews from an over 39-year career can be listened to for free at SpeakingofRadio.com • Eve Arden, Elliott Lewis, and E. Jack Neuman were with John Dunning for his 1980s 71KNUS Radio program from Denver. Some of his interviews can be found at OTRRLibrary.org • William Conrad, John Dehner, Rex Koury, Norman Macdonnell, John Meston, William N. Robson, and George Walsh were John Hickman of WAMU for his Gunsmoke documentary. • Mr. Hickman was the longtime host of “Recollections.” A modern version of this program is heard each Sunday evening as “The Big Broadcast.” For more information, please go to WAMU.org • William Conrad was also with collector Chris Lambesis for a December 15th, 1969 interview • Jimmy Stewart was with Larry King in 1986 • And William S. Paley and Frank Stanton were interviewed for CBS's 50th Anniversary program in 1977. Selected Music Featured in Today's Episode Was: • I've Got the World on a String - by Frank Sinatra • Pyramid of the Sun & Voodoo Dreams - by Les Baxter • I'll Be Seeing You - by The Harry James Orchestra • Route 66 - by Nat King Cole

Starring the delightful Eve Arden as the sharp-tongued yet lovable Miss Brooks, each episode unfolds with a delightful mix of humor, romance, and everyday school shenanigans. From her interactions with the affable but clueless principal, Mr. Conklin, to the quirky faculty members and the well intentioned but mischievous students, "Our Miss Brooks" captures the essence of small-town school life with a touch of timeless comedy. This episode was originally broadcast January 15th, 1950 on CBS Radio.

Paramount+ wants you forget it ever happened. But you can't forget it because you never knew it happened in the first place.   Grease is one of Paramount's crown jewels and this prequel series has been all but erased from its incredibly brief existence.  It's exactly the sort of thing we're always looking for. Grease is the word, indeed.

This episode was originally released on 1/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 87, we spotlight some New Year's Day radio programming from the Golden Age of radio, specifically beginning in 1946 after the end of World War II and television's post-war rise. Highlights: • Skelton • Casey Crime Photographer and the Invasion of TV • Radio City Playhouse and Our Miss Brooks • The Railroad Hour and NBC's Monday Night of Music • Memories from the 1939-40 World's Fair • On Stage with Mr. and Mrs. Radio • The Greatest Western • Radio Drama's Demise The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers The reading material used in today's episode was: • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Network Radio Ratings, 1932-1953 - by Jim Ramsburg • And Edison Research's June 2018 Podcast Consumer Statistics www.podcastinsights.com/podcast-statistics/ On the interview front: • John Gibson, Tony Marvin and Jan Miner were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. The full interviews can be heard at GoldenAge-WTIC.org • Jack Benny, Harriet Nelson, Elliott Lewis, Eve Arden, and Parley Baer were with Chuck Schaden. His interviews from an over 39-year career can be listened to at SpeakingofRadio.com • Elliott Lewis, E. Jack Neuman, and Eve Arden were with John Dunning for his 1980s 71K Newstalk Radio program from Denver. Some of his interviews can be found at OTRRLibrary.org • Al Lewis was with SPERDVAC's Larry Gassman in 1998. For more information, please go to SPERDVAC.com • And Norman Macdonnell, Bill Conrad, and WIlliam N. Robson were interviewed for a 5-part audio documentary on Gunsmoke in the early 1970s. Selected music featured in today's episode was: • Voodoo Dreams, and Pyramid of the Sun by Les Baxter • Exotique Bossa Nova by Martin Denny • I'll Be Seeing You, by Harry James • Auld Lang Syne by the Manhattan Strings • And Catch a Falling Star by Perry Como

Welcome to June Doom IV, our annual tradition of covering disaster movies. This month, we're covering movies that were literal disasters! First up is Under the Rainbow, the best example of creative artists making every wrong choice. It's an absolute mess of a movie that suffers from the worst cinema sin: it's boring as hell. Listen to the podcast so that you don't have to watch it! Starring Chevy Chase, Carrie Fisher, Eve Arden, Billy Barty, Adam Arkin, and Mako!

Send us a textIn our last episode the still double-drugged Captain Flashman and Queen Cerulean defeated Dr Krakow and her rescue army by freezing them with a Ring Bomb. Queen Cerulean then ordered Chief Magician Carl to unfreeze Dr Krakow but before doing so, he learned that his newly adopted son, Carl Jr. had died. Embittered, Carl unfroze Dr Krakow and reunited her with Eve, hoping to use Dr Krakow for his own purposes. However once together, Eve and Dr Krakow began to plan their escape. Will Eve and Dr Krakow make good on their escape plans? Will captain Flashman remain double-drugged and the love slave of Queen Cerulean? And will Captain Credo ever return to our adventure? There's only one way to find out… for those of you slow on the uptake, that means you need to listen to the newest episode to find out. Episode Website: https://captainflashmandefenderoftheuniverse.buzzsprout.comTo keep up to date on all Captain Flashman news, follow him on Facebook and Instagram.This episode stars: Gene Abella as Captain Credo and Morris the GuardMelyssa Ade as Earl the Guard and the CookSam Agro as the Announcer and Chief Magician CarlSean Browning as Captain FlashmanDave Healey as the Stuffed-Up Sponsor and Khan the CruelVicki Jenkins as Dr Krakow and Princess HaloJane Luk as Queen CeruleanAnn McDougall as Eve Arden and Un-Named GuardMusic by Jeff RosenthalProduced, Directed and Written by Dave HealeyAssociate Producer Vicki Jenkins Episode Recorded, Mixed and Soundscape Design by Dave HealeyIntro and Outro Designed by Dave Healey and Dylan Shropshire and Mixed by Dylan Shropshire.© Dave Healey 2025Support the showCaptain Flashman Fighting Evil Since 2023

A Funny WednesdayFirst,  a look at this day in History.Then The Steve Allen Show, originally broadcast June 4, 1950, 75 years ago with guest Eve Arden. The Summer replacement for Our Miss Brooks.  Steve and Eve do a sketch portraying the happy home life of two married screen stars. Followed by the news from 75 years ago, then My Favorite Husband starring Lucille Ball and Richard Denning, originally broadcast June 4, 1950, 75 years ago, George is Messy. Liz is concerned that George is a slob.Then The Henry Morgan Show, originally broadcast June 4, 1947, 78 years ago, Morgan's Around The World Listening Post. "Morgan's Around The World News." Some bad advice; "Jimmy Morgan, Hollywood Reporter."Followed by Mr Ace and Jane starring Goodman and Jane Ace, originally broadcast June 4, 1948, 77 years ago, That's No Lady, That's My Wife. Mr. Ace is assigned by the advertising company where he works to prepare a radio program about a married couple where the husband is constantly upset by the ridiculous things his not-so-bright wife does. But the sponsor doesn't like it because he feels that nobody could be as dumb as the lady on the program. Or as Mr. Ace puts it, 'That is no lady, that's my wife'.Finally. Lum and Abner, originally broadcast June 4, 1942, 83 years ago, Robert Blevins is Killed!  Pine Ridge had it's first loss in the war. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

A Funny TuesdayFirst a look at the events of the dayThen Our Miss Brooks starring Eve Arden, originally broadcast June 3, 1951, 74 years ago, Miss Brooks takes over the First Aid Course.   Miss Brooks has to take over teaching Madison High's first aid course. But first, a test of her abilities.  Followed by the news from 74 years ago, followed by The Jack Benny Show, originally broadcast June 3, 1951, 74 years ago, The Cast sings the Commercial.  The last show of the season. Jack reads one of Mary's lines and cracks up the cast. Mahlon Merrick is introduced as the writer of all the singing commercials and music director of the program. The Sportsmen do not appear, so the rest of the cast sings the very clever commercial. Artie Auerbach is introduced as "Mr. Kitzel." Joseph Kearns is introduced as the vault keeper and one of the men from the Internal Revenue Department. Will Wright is the other tax man. Sheldon Leonard is introduced as the race track tout. Then Bob Hope, originally broadcast June 3, 1941, 84 years ago with guest Humphrey Bogart.  Bob and guest Humphrey Bogart do a prison drama. Followed by The Old Gold Comedy Theater hosted by Harold Lloyd, originally broadcast June 3, 1945, 80 years ago, Having a Wonderful Crime. A lawyer and two honeymooning friends are on the lam from a murder rap. The script is based on the RKO film of the same nameFinally, The Couple Next Door, originally broadcast June 3, 1960, 65 years ago, Is Bobby a Genius?Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Hey everyone, James Scully here. I've got a new webinar on Monday June 16th at 7PM that I'm very excited about on the story behind the CBS Talent Raids of the late 1940s and how it altered the radio landscape just as the TV era began. Here's a link for tickets and more info and if you can't make it live, don't worry I'll be emailing everyone who registers a video of it once it's over — https://www.eventbrite.com/e/the-cbs-talent-raids-part-1-the-post-war-radio-era-webinar-tickets-1389789390479?aff=oddtdtcreator Here's an overview of the webinar below: In the fall of 1948, three of the four major radio networks — ABC, CBS, and NBC — were funneling their soaring radio profits into the burgeoning television side of their businesses. And because all individual U.S. citizens were taxed 77% on all income over $70k (roughly $907k today), big stars of the day like Jack Benny, Bing Crosby, and Freeman Gosden had the idea to incorporate their popular shows as businesses in order to qualify for significant breaks under capital gains tax laws. What happened when the parent company of NBC, the nation's #1 network at the time, refused to make this deal? It's time to uncover how a smart bet by CBS helped it overtake its main rival during the golden age of radio and early television. Join James Scully — Radio historian and producer/host of Breaking Walls, the docu-podcast on the history of U.S. network radio broadcasting for a two-part series that explores the events surrounding the CBS Talent Raids of 1948, and the many men and women who benefited from this monumental period in entertainment. In Part One: Post-War Radio Era, we'll focus on how a tax code and the country's top comedian helped shift Network superiority from NBC to CBS right as the TV era began, including: • An overview of the radio and TV networks in the late 1940s, from how the radio industry grew from wireless telegraphy in the 1910s to one of the largest businesses in the United States • A look at the biggest stars of the day and their programs like Jack Benny, George Burns, Gracie Allen, Eve Arden, and Lucille Ball • Some of the big news stories of that era, including why the United States experienced so much labor turmoil as the baby boomer era began following the end of World War II • A play-by-play of the CBS Talent Raid, including why CBS head William S. Paley happily agreed to these capital gains deals when NBC's David Sarnoff was vehemently opposed; and which yet unknown stars benefited the most • How and why this deal changed the balance of power in the entertainment industry leading into the Television era Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there! Part 2 on the early Television era will be presented at a later date.

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A Funny WednesdayFirst,  a look at this day in Historhttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.htmly.Then My Favorite Husband starring Lucille Ball and Richard Denning, originally broadcast May 21, 1950, 75 years ago.  Liz fakes a cold to fool George's mother, but the plan backfires and the whole neighborhood thinks the Cooper's are expecting. Followed by the news from 75 years ago, then Our Miss Brooks starring Eve Arden, originally originally broadcast May 21, 1950, 75 years ago, The Rare Black Orchid. Walter Denton has discovered uranium...on his shoe! Meanwhile, someone has stolen Mr. Conklin's rare black orchid!Then The Phil Harris Alice Faye Show, originally originally broadcast May 21, 1950, 75 years ago, Drivers License Renewal. Phil tries to get his driver's license renewed. Followed by The Adventures of Archie Andrews starring Bob Hastings, originally broadcast May 21, 1949, 76 years ago, The New TV Set.  Mr. Andrews has purchased a new television. When the family tries to watch a program, complications result. Finally. Lum and Abner, originally broadcast May 21, 1942, 83 years ago, Contributing to the USO.  A public service script appealing for contributions to the U.S.O. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Shelters:https://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

A Funny ThursdayFirst a look at this day in History.Then Our Miss Brooks starring Eve Arden, originally broadcast May 15, 1949, 76 years ago, Yearbook Photo Mixup. It's Friday the 13th, and Miss Brooks seems destined to cause Mr. Conklin grief. A photo of Miss Brooks in a bathing suit doesn't help!Followed by the news from 76 years ago, then The Phil Harris Alice Faye Show, originally broadcast May 15, 1949, 76 years ago, - Cadillac in the Swimming Pool.   Phil and Remley manage to get Mr. Scott's Cadillac into his swimming pool, and then the complications begin!Then The Jello Program starring Jack Benny, originally broadcast May 15, 1938, 87 years ago, Murder in the Library.   Jack has bought a race horse! The cast does, "Murder In The Library" or "Book Marks The Spot."Followed by Hildegarde's Radio Room, originally broadcast May 15, 1945, 80 years ago. Guest Patsy Kelly is upset that Xavier Cugat is ignoring her. Finally. Lum and Abner, originally broadcast May 15, 1942, 83 years ago, Abner Sleeping on the Job.  Lum catches Abner sleeping on the job, the bell gets put back on the front door!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

National Honesty day.  Entertainment from 1976.  Louisiana became 18th state, George Washington inaugurated as 1st US prsident, Galileo imprisoned for saying earth revolved around the sun.  Todays birthdays - Eve Arden, Robert Easton, Johnny Horton, Cloris Leachman, Burt Young, Bobby Vee, Johnny Galecki, Kunal Nayyar, Kirsten Dunst, Gal Gadot.  Agnes Moorehead died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/ Honesty - Billy JoelDisco lady - Johnnie TaylorDon't the girls all get prettier at closing time - Mickey GilleyBirthday - The BeatlesBirthdays - In da club - 50 Cent    http://50cent.com/The battle of New Orleans - Johnny HortonTake good care of my baby - Bobby VeeBig Bang Theory TV themeExit - Fifty shades of red - Darryl Perry    https://www.derrylperry.com/ countryundergroundradio.comcooolmedia.com

A terrific dramedy (and not a musical, ironically) featuring an all-star cast about a group of aspiring actresses looking to make it on Broadway.  Starring Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Lucille Ball, Eve Arden, Gail Patrick, Constance Collier and Andrea Leeds.

This week's "Saturday Matinee" on Vintage Classic Radio kicks off with "Our Miss Brooks" in the episode "Convict". Originally aired on November 8th, 1953. Eve Arden stars as the beloved English teacher, Miss Brooks, and finds herself in a humorous mixup involving a misidentified convict. The show also stars Gale Gordon as the blustery Principal Osgood Conklin, Richard Crenna as student Walter Denton, Jane Morgan as Mrs. Davis, and Jeff Chandler as the handsome Mr. Boynton. Following this comedic adventure, we tune into "The Phil Harris-Alice Faye Show" for "Truman's Inaugural" from January 23rd, 1949. This episode finds bandleader Phil Harris and his movie star wife Alice Faye in a series of misunderstandings and funny incidents as they prepare for President Truman's inauguration. Along with Phil Harris and Alice Faye, the case includes Elliott Lewis as Frankie Remley, Walter Tetley as Julius, and Robert North as Willie. We wrap up with the "Lux Radio Theatre" presentation of comedy "Bedtime Story", originally broadcasted on February 26th, 1945. This charming tale stars Don Ameche and Loretta Young as a married couple navigating the comedic trials of marriage, with each trying to outwit the other in a series of lighthearted antics.Tune in for laughs, surprises and timeless storytelling this weekend on Vintage Classic Radio's "Saturday Matinee".

NO SOAP RADIO - Our Miss Brooks: Student Government Day Our 5th NO SOAP RADIO production created in April, 2023. This is a recreation of the 1949 Our Miss Brooks program, “Student Government Day”, starring Eve Arden. This was a dream come true for No Soap member Zach Eastman. He had been working on a Walter Denton imitation for years and finally had a chance to show it off. This show was produced, directed and edited by Paul Kovit. If you'd like to see a video version of this show check out our website: https://nosoapradioplayers.com/ While there you can access our other productions as well as info about our group. And if you like our videos feel free to hit the subscribe button on YouTube so you can be alerted as soon as we release another production. CAST: Adrienne Jones as Martha Conklin John Henderson as The Show Announcer Victoria Gordon as Harriet Conklin Paul Kovit as Osgood Conklin Zach Dillinger as Phillip Boynton and Luster Creme Spokesman Laura Mirksy as Margaret Davis and Palmolive Soap Spokeswoman Annette Bochenek as Connie Brooks Tony Semczuk as Honest Jim and Palmolive Shaving Cream Spokesman Paul Patterson as Mayor Rimson Zach Eastman as Walter Denton Matthew Merback as The Police Officer, Palmolive Soap Spokesman and Luster Creme Singer Jon Delfin as The Tuberculosis Spokesman

A Funny FridayFirst a look at this day in History.Then My Friend Irma starring Marie Wilson, originally broadcast January 31, 1949, 76 years ago. Professor Kropotkin is going to have to go to the old men's home, unless his friends can help. Followed by Father Knows Best starring Robert Young, originally broadcast January 31, 1952, 73 years ago, An Evening Out.  Jim and Margaret Anderson are planning a night out. The plans don't quite work out because of family demands. Then The Great Gildersleeve starring Williard Waterman, originally broadcast January 31, 1951, 74 years ago, Shower for Marjorie.  Gildersleeve plans to give Marjorie a baby shower, but so does Leroy!Followed by Our Miss Brooks starring Eve Arden, originally broadcast January 31, 1954, 71 years ago, Four Fiancees.  Miss Enright has signed up Miss Brooks in a marriage-by-mail correspondence club, so she can have a clear field with Mr. Boynton. Miss Brooks winds up with four fiances!Finally Claudia, originally broadcast January 31, 1949, 76 years ago, A Tiny Thaw.  David's in a good mood and looks like a lawyer. Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

I won't be able to put together new episodes for the next two weeks, so I've decided to reach back into the "Stars on Suspense" archive and share some of my favorite "best of" collections. This week, it's a showcase of the comedians who showed a different side of their talents when they starred on Suspense in thrillers. First, Danny Kaye schemes to bump off a rival and steal his girl in "The Too-Perfect Alibi" (originally aired on CBS on January 13, 1949).  Then, Fibber McGee and Molly take a car trip with an uninvited passenger in "Backseat Driver" (originally aired on CBS on February 3, 1949) and Bob Hope tries to talk his way out of a date with a killer in "Death Has a Shadow" (originally aired on CBS on May 5, 1949). Finally, Milton Berle tries method acting as a way to beat a murder rap in "Rave Notice" (originally aired on CBS on October 12, 1950) and Eve Arden of Our Miss Brooks is a jilted woman with murder on her mind in "The Well-Dressed Corpse" (originally aired on CBS on January 18, 1951).

The OTRNow Radio Program 2024-021The Shadow Of Fu Manchu. July 28, 1939. Program #35. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The thing that coughs strikes...with four foot long arms!. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. July 31, 1939. Program #36. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. The thing that coughs in the night strikes again!. Hanley Stafford, Gale Gordon. The Sealtest Village Store. March 20, 1947. NBC net. Sponsored by: Sealtest Milk. Guest Vincent Price becomes, "Vinnie The Hillbilly." Leo Diamond plays the harmonica; nine-year-old drummer Joey Preston. Bob Stanton sings and sounds just like Sinatra. Jack Haley tries to take ukulele lessons. Bob Jellison, Bob Stanton, Eve Arden, Frank Nelson, Hans Conried, Jack Haley, Joey Preston, John Laing (announcer), Leo Diamond, Vincent Price, Virginia Martin, Eddie Paul and His Orchestra.Frontier Fighters. 1938. Program #9. Broadcasters Program Syndicate/Bruce Eells and Associates syndication. "The Donner Party". Sponsored by: Music fill for local commercial insert. The story of the ill-fated wagon train that was trapped in the snows of the mountains while heading West. Originally syndicated by Radio Transcription Company Of America (Transco). 14:43, Audio Condition: excellent audio, otherwise complete.The Batman Mystery Club. September 05, 1950. "The Monster Of Dunphries Hall". An audition recording, announced as program #103. At a meeting of the club, Robin (the president of the club) makes no secret of Batman's identity. Sir Alfred Dunphries plans to spend the night in the "Death Chamber." The solution of a pretty good mystery is not to be revealed until the next meeting. Scott Douglas, Ronald Liss.  Gallant American Women. October 31, 1939. Blue Network. "These Freedoms". Sustaining. Pioneer women in the making of America, produced in co-operation with The United States Office Of Education, The Federal Security Agency and The Works Projects Administration.Eva Hantzel (program supervisor), Mary R. Beard (The World Center For Women's Archives: historical consultant), Eugenie Leonard, Rudolph Schramm (composer), Jane Ashman (writer)  The Amazing Mr. Malone. August 28, 1948. ABC net. Sustaining. Tony Milano, a gangster who believes that "cleanliness is next to godliness" has it in for Jack Reed. Tony frames Jack Reed for murder, so Jack is in need of Mr. Malone's talents as a criminal lawyer. In the opening scene, a man trying to use a pay telephone, speaks to the operator before the sound effects man drops a nickle into the slot. Hearing the nickle, the actor quickly repeats speaking to the operator. Nice recovery!. Frank Lovejoy, Eugene Wang (writer), William P. Rousseau (director), Rex Koury (music), Dresser Dahlstead (announcer), Bernard L. Schubert (producer), Howard Duff (?), Craig Rice (creator). The Whistler. September 01, 1948. CBS Pacific net. "Payment In Full". Sponsored by: Signal Oil. After a lawyer murders his wife, he finds himself defending the man he framed for the crime. A better-than-usual story. Bill Bouchey, Laurette Fillbrandt, Sidney Reuthal (writer), George W. Allen (producer, director), Wilbur Hatch (music), Marvin Miller (announcer).

A Funny ThursdayFirst a look at this day in History.Then Our Miss Brooks starring Eve Arden, originally broadcast January 23, 1949, 76 years ago, New Head of the English Department.  The position of head of the English department is up for grabs, and Miss Brooks would very much like to grab it. Followed by Lum and Abner, originally broadcast January 23, 1949, 76 years ago, The Farewell Dinner.  Lum and Abner are back from the presidential inauguration. With whom is Ben Withers in love? It's Miss Rowena! She's going to hold a dinner party for Lum. Lum thinks Miss Rowena is going to murder him! Then The Aldrich Family starring Ezra Stone and Jackie Kelk, originally broadcast January 23, 1941, 84 years ago, Pen Pal. Nancy Adams is writing to a boy in Arizona.  To make her jealous, Henry's writing letters that he pretends are for a woman n another town.  But it seems the other girl has a boyfriend in Henry's town.  Followed by You Bet Your Life starring Groucho Marx, originally broadcast January 23, 1952, 73 years ago, The Secret Word is Water.  The first contestants are a CPA and his new wife, then a lady pharmacist and a barber. Finally Superman, originally broadcast January 23, 1942, 83 years ago, Lita The Leopard Woman.  The Leopard Woman's plan to assassinate Max Heller is foiled by a fainting nurse. She decides to try again, by pretending to be a patient in the hospital.Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Send us a textWith Captain Credo, Eve Arden and Major Tom unable to establish contact with Dr Commander, Dr Krakow and her rescue army on their space phone, they decide to send Major Tom to meet up with her in the hopes that she can rescue them and the double-drugged Captain Flashman from the evil clutches of Queen Cerulean. Will Major Tom make good his escape and rendezvous with Dr Commander, Dr Krakow? Will Dr Commander, Dr Krakow's rescue army be able to Free Captain Credo and Eve? And most of all will she be able to extricate Captain Flashman from his drug induced flirtation with evil?Episode Website: https://captainflashmandefenderoftheuniverse.buzzsprout.comTo keep up to date on all Captain Flashman news, follow him on Facebook and Instagram.This episode stars:Gene Abella as Captain Credo and Guard With Carl's New Cordless Electrical WhipMelyssa Ade as Little Chester and the LieutenantSam Agro as the Announcer and Chief Magician CarlSean Browning as Captain Flashman and Major TomDave Healey as the SoldierVicki Jenkins as Dr KrakowJane Luk as Queen Cerulean and several Traumatized BabiesAnn McDougall as Eve ArdenMusic by Jeff RosenthalProduced, Directed, and Written by Dave HealeyRecorded, Mixed, and Sound Design by Dave HealeyCast Website© Dave Healey 2025Support the showCaptain Flashman Fighting Evil Since 2023

New Years Day ComedyFirst a look at this day in History.Then Jack Benny, originally broadcast January 1, 1939, 86 years ago, Goodbye 1938,  Hello 1939.   Mary reads a New Year's poem. The show features the first performance of, "The New Tenant," which was to become an annual New Year's fantasy. Followed by Our Miss Brooks starring Eve Arden, originally broadcast January 1, 1950, 75 years ago, Babysitting on New Years Eve. A New Year's Eve story. Miss Brooks is stuck babysitting while everyone else is going out to a party. Motion Picture Daily and Fame magazines present an award to Eve Arden as the best radio comedienne of 1949. Then The Great Gildersleeve starring Harold Peary, originally broadcast January 1, 1947, 78 years ago, New Years Ball.  Gildersleeve resolves to be a bad boy! Dressed as a pirate, he goes to the costume ball without a date.Followed by Gunsmoke starring William Conrad, originally broadcast January 1, 1956, 69 years ago, Puckett's New Year.  Jed Larner has left Ira Pucket out on the prairie, where his foot becomes badly frozen and is cut off by Doc. Feeling that he's less than a man, Pucket decides to rob a bank!Finally Lum and Abner, originally broadcast January 1, 1945, 80 years ago, New Years Day at Abners. While waiting for New Year's Day dinner, Lum, Abner and Ulysses opine how the womenfolk don't really appreciate the holidays!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

This Saturday on Vintage Classic Radio, our "Saturday Matinee" celebrates the holiday season with a lineup of festive episodes. We kick off with the "Our Miss Brooks" episode titled “Exchanging Christmas Gifts,” where the ever-entertaining Miss Brooks, played by Eve Arden, navigates the complexities of gift exchanges among colleagues. The cast also features Gale Gordon as the blustery Principal Osgood Conklin, and Richard Crenna as the endearing student Walter Denton. Following that, we lighten the mood with a "New Year's Skit" by Bob Hope. In this episode, Bob Hope delivers his trademark quick-witted humor in a series of comic sketches and monologues that reflect on the passing year and the one to come, featuring guest appearances by his regular ensemble including Les Brown and his Band of Renown. The festivities continue with an episode from "The Great Gildersleeve" titled "New Year's Costume Ball." Harold Peary stars as the lovable Throckmorton P. Gildersleeve, wrestling with the hilarious mishaps of organizing a costume ball to ring in the new year. The episode also features Walter Tetley as his nephew Leroy and Lillian Randolph as their housekeeper, Birdie. The laughter carries on with the "Jack Benny Show," where Jack Benny and his cast, including Mary Livingstone, Phil Harris, and Rochester, engage in a whimsical adventure in "A New Year's Fantasy." This episode takes listeners on a humorous journey through time with Benny's vaudevillian antics. The grand finale features the legendary Count Basie Orchestra in CBS's "The Anniversary Dancing Party" New Year's special. Broadcast originally on December 31, 1967, this special brings the vibrant sounds of Count Basie and his orchestra to life, filling the airwaves with energetic jazz that's perfect for welcoming the new year. Together, these episodes create a delightful blend of comedy, drama, and music, encapsulating the spirit and excitement of the holiday season just before New Year's Eve.

Our annual Christmas special sponsored by Mount Wheeler Power in Ely.  Dragnet starring Jack Webb, originally broadcast December 22, 1949, 75 years ago - a .22 Rifle for Christmas. A young boy named Stanley Johnstone is missing, and so is the .22 caliber rifle he was going to get for Christmas. Plus Our Miss Brooks starring Eve Arden, originally broadcast December 22, 1949, The Magic Christmas Tree. A party at Miss Brooks', with a magic Christmas tree, or was it all a dream?

Send us a textJoin former child star Moosie Drier, and author Jonathan Rosen, in another edition of Forgotten Films! This time, we take a look back at 1981's Under the Rainbow! Besides Peter, it starred Chevy Chase, Carrie Fisher, Eve Arden, Adam Arkin, Billy Barty, Mako, and many more!Support the show

Send us a textJoin former child star Moosie Drier, and author Jonathan Rosen, in another edition of Forgotten Films! This time, we take a look back at 1981's Under the Rainbow! Besides Peter, it starred Chevy Chase, Carrie Fisher, Eve Arden, Adam Arkin, Billy Barty, Mako, and many more!Support the show

This Saturday on Vintage Classic Radio's "Saturday Matinee," we begin with the charming "Our Miss Brooks" in the episode "Magic Christmas Tree." In this delightful holiday special from December 25, 1949, Connie Brooks, played by the incomparable Eve Arden, experiences the magic of Christmas when she discovers a talking Christmas tree that grants wishes. The cast also includes Gale Gordon as the irritable Principal Osgood Conklin, Richard Crenna as the earnest student Walter Denton, and Jane Morgan as the lovable landlady Mrs. Davis. Following that, we will enjoy "The Aldrich Family" in their "Christmas Program" episode, which first aired on December 23, 1948. Here, teenager Henry Aldrich, brought to life by Ezra Stone, becomes hilariously entangled in the chaos of organizing a school Christmas play. His misadventures cause endless trouble for his family and friends, featuring Jackie Kelk as Homer Brown and Katharine Raht as his ever-patient mother, Alice Aldrich. Lastly, we wrap up with "The Jack Benny Show" in the episode titled "Decorating the Christmas Tree," from December 23, 1951. Jack Benny, along with his valet Rochester, portrayed by Eddie Anderson, and his pianist Dennis Day, attempts to decorate his house for Christmas, leading to a series of comic missteps and witty banter. Mary Livingstone adds to the merriment with her sharp wit, while Phil Harris contributes his usual boisterous charm. Each episode offers a glimpse into the holiday spirit of the late 1940s and early 1950s, filled with laughter, mishaps, and the warmth of the season, performed by a stellar cast of radio's golden era.

Joan Crawford won her only Academy Award for her performance in this classic film noir about a single mother who starts her own business after her husband leaves her, which brings her financial success but further complications to her personal life.  Co-starring Jack Carson, Zachary Scott, Eve Arden and Ann Blyth.  Directed by Michael Curtiz.

Front Row Classics welcomes back our friend Vanessa Ferguson and Brett Rutherford from Beyond the Mouse. The two hosts and Brandon are celebrating the 100th anniversary of MGM by taking a look at one of the greatest examples of the studio's unparalleled glamour. 1941's Ziegfeld Girl is a mammoth production illustrating what life was like for performers in the Ziegfeld Follies. The film features a star-studded cast with three great MGM stars at the center: Judy Garland, Lana Turner and Hedy Lamarr. The hosts discuss their various storylines along with the performances by Jimmy Stewart, Jackie Cooper, Tony Martin, Eve Arden and Edward Everett Horton

#Noirvember 16, 2024 Eve Arden - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles.  #Noirvember 30 Day Challange Playlist -  https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf  GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”

This Saturday on Vintage Classic Radio's "Saturday Matinee", we start with the beloved "Our Miss Brooks" in the episode titled "Workhorse". Originally aired on November 7, 1948, the episode features the ever-humorous struggles of high school English teacher Connie Brooks as she juggles excessive workloads and the demands of her quirky colleagues and students at Madison High. The stellar cast includes Eve Arden as Miss Brooks, Gale Gordon as Principal Osgood Conklin, Richard Crenna as student Walter Denton, Jane Morgan as Mrs. Davis, and Jeff Chandler as biology teacher Mr. Boynton. Following is "The Phil Harris-Alice Faye Show" with the episode "How Long Genius Phil Goes Undiscovered", first broadcast on November 6, 1953. In this hilarious installment, Phil Harris worries about his unrecognized talents and contemplates a career that might better suit his self-declared genius, causing a typical uproar in his household. The episode features Phil Harris as himself, Alice Faye as his sensible and patient wife, with additional support from Elliott Lewis as Frankie Remley, Walter Tetley as Julius Abruzzio, and Robert North as Willie. We wrap up with a musical treat from the "Benny Goodman" concert in the episode titled "Madhattan Room". Dating back to November 6, 1937, this performance captures Goodman at the height of his popularity during the swing era, playing at the famous Madhattan Room in New York City. Benny Goodman leads the ensemble with his clarinet, and the show features vocal performances alongside classic instrumental numbers, providing listeners with a taste of a live 1930s big band jazz concert. Join us for this trio of classic entertainment that promises to bring laughter, nostalgia, and the unbeatable charm of early radio and music legends.

This is the last Halloween-themed comedy show for now. Our Miss Brooks was a late-40s through 1950s classic sitcom that leaned heavily into character comedy. It was led by Eve Arden, who carried her persona of the wise-cracking character she developed in the movies, over to a high school English teacher, who was perpetually broke, ever pining for the reclusive biology teacher Phillip Boynton, a creating endless slapstick pandemonium for her high-strung boss, Osgood Conklin. This is their Halloween episode, all about an ill-timed and ill-advised Halloween surprise party. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

A Variety and Comedy TuesdayFirst a look at the events of the dayThen The Chase and Sanborn Hour, originally broadcast October 8, 1939, 85 years ago with guest Charles Laughton.  Charlie the fire chief. Edgar Bergen tells Charlie about the great Chicago fire of 1879. Guest Charles Laughton and host Don Ameche appear in, "Jamaica Inn," adapted from the film that is opening this week. Vera Vague lectures on banking and finance. Charlie and Charles appear in, "Mutiny On The Albany Night Boat.". We follow that with Our Miss Brooks starring Eve Arden, originally broadcast October 8, 1950, 74 years ago, The Measles?  Does Miss Brooks really have the measles?Then The Jimmy Durante Show, originally broadcast October 8, 1947, 77 years ago with guest Eddie Cantor.  Guest Eddie Cantor and Jimmy reminisce about the good old days of show biz. Finally, Superman, originally broadcast October 8, 1941, 83 years ago, Crooked Oil Association.  After shooting up Tumbleweed's tank trucks, a second attempt is made to sabotage the trip to the refinery. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Front Row Classics is celebrating the 65th anniversary of Otto Preminger's Anatomy of a Murder. Brandon is joined by Dominic Cellini to discuss this controversial courtroom drama. Jimmy Stewart stars in one of his most underrated performances as a country lawyer who is much sharper than he lets on. The film also includes sharp performances from Ben Gazzara, Lee Remick, George C Scott, Arthur O'Connell and Eve Arden. Brandon and Dominic discuss the intelligent script featuring dialogue and language that audiences weren't used to hearing in the late fifties. We also pay tribute to amazing opening credit sequence designed by Saul Bass and the jazz score by Duke Ellington.

EPISODE 49 - “Birthday Tribute to Classic Cinema Star Ann Blyth ” - 08/19/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** With her crystal clear soprano voice, porcelain doll face, and fierce acting talent, ANN BLYTH became a much in-demand star in the 1940s and 1950s. While known mostly as a romantic musical comedy star in film such as “Mr. Peabody and the Mermaid” (1948), “Rose Marie” (1954), and “Kismet” (1955), she was also a deft dramatic actress when given the chance. Who can forget her as Veda, he daughter who made JOAN CRAWFORD's life a living hell, in “Mildred Pierce” (1945), or as the down-trodden alcoholic singer in “The Helen Morgan Story” (1957)? Blyth turns 96 on August 13th and is truly a living legend. Listen this week as we pay tribute with an episode about Ann Blyth's remarkable life and career. SHOW NOTES:  Sources: Ann Blyth: Singer, Actress, Star (2018), by Jacqueline T. Lynch; “Ann Blyth: Official Biography,” July 1956, Paramount Pictures; “Film Actress Breaks Back in Accident,” March 10, 1945, LA Examiner; “Actress Ready to Work After Skiing Accident,” January 18, 1946, LA Examiner; “Ann Blyth's Mother Dies,' July 23, 1946, Los Angeles Times; “Bright Future Visioned For Youthful Ann Blyth,” September 10, 1949, by Hedda Hopper, Los Angeles Times; “Angelic Annie,” September 27, 1952, by Richard G. Hubler, Collier's Magazine; “The Blyth Spirit,” October 12, 1952, by William Brownell, New York Times; “Ann Blyth: Bride of the Year,” June 1953, Photoplay Magazine; “A Blyth Spirit From An Earlier Error,” February 28, 1985, by Jack Hawn, Los Angeles Times; “She's Still Singing Just As Beautifully,” March 19, 1989, by Mitchell Smyth, Toronto Daily Star; “Looking Back: Ann Blyth” June 5, 1990, by Ann Blyth, The Hollywood Reporter; “Playing Thier Songs,” October 14,1994, by Libby Slate, Los Angeles Times; “Little Bit of This, Little Bit of That,” September 29, 1997, by Candace A. Wedlan, Los Angeles Times;  “Not Like Veda,” August 12, 2013, by Susan King, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Chip Off The Old Block (1944), starring Donald O'Connor, and Peggy Ryan; Babes On Swing Street (1944), starring Peggy Ryan; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, and Eve Arden; Swell Guy (1946), starring Sonny Tufts; Brute Force (1947), starring Burt Lancaster, Yvonne DeCarlo, and Ella Raines; Killer McCoy (1947), starring Mickey Rooney; A Woman's Vengeance (1948) starring Charles Boyer; Another Part of The Forest (1948), starring Fredric March, Florence Eldridge, Edmond O'Brien, and Dan Duryea; Mr. Peabody and the Mermaid (1948), starring William Powell and Irene Hervey; Top O' The Morning (1949), starring Bing Crosby and Barry Fitzgerald; Once More My Darling (1949), starring Robert Montgomery; Free For All (1949), starring Robert Cummings: Our Very Own (1950), starring Farley Granger; Katy Did It (1951), starring Mark Stevens; The Great Caruso (1951), starring Mario Lanza; Thunder On the Hill (1951), starring Claudette Colbert; All The Brother's Were Valiant (1953), starring Robert Taylor, Stewart Granger;  Rosie Marie (1954), starring Ann Blyth; The Student Prince (1954), starring Mario Lanza; Kismet (1955), starring Howard Keel; Slander (1957), starring Van Johnson and Steve Cochran; The Buster Keaton Story (1957), starring Donald O'Connor; The Helen Morgan Story (1957), starring Paul Newman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 43 - “Favorite Classic Films of the 1930s” - 07/08/2024 During the golden era of old Hollywood, each decade brought forth exciting films that helped define the motion picture industry. In a new feature, Steve and Nan will discect each decade and highlight movies that resonated with them as they started their individual study of film. Beginning with the 1930s, listen as they discuss film that made an impact not only on them, but on the film industry as a whole. And yes, a few of the film they discuss are from that magic year of 1939. SHOW NOTES:  Sources: Pursuits of Happiness: The Hollywood Comedy of Remarriage (1981), by Stanley Cavell; The Screwball Comedy Films: A History and Filmography 1934-1942 (2022), by Grégoire Halbout; The Art of the Screwball Comedy (2013), by Doris Milberg; Wiliam Holden: A Biography (2010), by Michelangelo Capua; The Life and Loves of Barbara Stanwyck (2009), by Jane Ellen Wayne; The Lonely Life: An Autobiography (2017), by Bette Davis; Leslie Howard: The Lost Actor (2013), by Estel Eforgan; Jean Arthur: The Actress Nobody Knew (1997), by John Oller; The Films of Frank Capra (1977), by Victor Scherle and William Turner Levy; IMDBPro.com; Wikipedia.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Mary Poland, Joan Fontaine, Lucille Watson, Virginia Pohvah, Virginia Weidler, Marjorie Main, Virginia Grey, Hedda Hopper, Ruth Hussey, and Mary Beth Hughes; The Petrified Forest (1936), starring Leslie Howard, Bette Davis, Humphrey Bogart, Porter Hall, Genevieve Tobin, Dick Foran, Joe Sawyer, Charley Grapewin, and Paul Harvey; Mr. Smith Goes To Washington (1939), starring James Stewart, Jean Arthur, Thomas Mitchell, Claude Rains, Edward Arnold, Beulah Bondi, and Guy Kibbee; Easy Living (1937), starring Jean Arthur, Ray Milland, Edward Arnold, Luis Alberni, Franklin Pangborn, Mary Nash, William Demarest, and Esther Dale; My Man Godfrey (1936), starring William Powell, Carole Lombard, Gail Patrick, Alice Brady, Eugene Pallette, Jean Dixon, Misha Auer, and Alan Mowbray; The Awful Truth (1937), starring Cary Grant, Irene Dunne, Ralph Bellamy, Cecil Cunningham, Molly Lamont, Alexander D'Arcy, Joyce Compton, and Esther Dale; Stage Door (1937), starring Katharine Hepburn, Ginger Rogers, Lucille Ball, Ann Miller, Andrea Leeds, Eve Arden, Gail Patrick, Adolphe Menjou, Franklin Pangborn, Samuel S. Hinds, and Constance Collier; Golden Boy (1939), starring Barbara Stanwyck, William Holden, Adolphe Menjou, Lee J. Cobb, Joseph Calleia, Edward Brophy, and Sam Levene; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 33 - “Zachary Scott: Star of the Month (May)” - 04/29/2024 Suave, debonaire, and effortlessly charming, ZACHARY SCOTT is best known for his role in MICHAEL CURTIZ's film noir classic Mildred Pierce (1945). As the duplicitous, silver-tongued charmer Monte Beragon, he romances Mildred, played by JOAN CRAWFORD (in her Oscar-winning role), and Mildred's daughter, Veda (ANN BLYTH). This became Scott's signature role: the sexy cad who was usually at his best swindling, seducing, or being a general scoundrel. It was always fun watching Scott's dastardly ways unfold. He could rock a tux, looked naked without a martini in his hand, and always had a cigarette close by. He was so magnetic that he could even make film-goers feel sorry for him. While he seldom got to play the good guy, when he did, as in what is perhaps one of his best roles in JEAN RENOIR's The Southerner (1945), you realize the versatility that he seldom had the opportunity to display. With a career that included over 40 films and dozens of television roles, ZACHARY SCOTT is our Star of the Month. SHOW NOTES:  Sources: Zachary Scott: Hollywood's Sophisticated Cad (2009), by Ronald L. Davis; “Actor Zachary Scott, Leading Man for 3 Decades, Dies of Brain Tumor,” October 4, 1965, Akron Bacon Journal “Who Was Zachary Scott?” www.zachtheatre.org; “Zachary Scott's Guilded Cage,” Spring 2020, by Farren Smith Nehme, www.filmnoirfoundation.org; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden, Bruce Bennett, Lee Patrick, and Butterfly McQueen; The Southerner (1945), starring Zachary Scott, Betty Field, Beulah Bondi, Norman Lloyd, J. Carroll Naish, Jay Gilpin, Jean Vanderwilt, Blanche Yurka, and Percy Kilbride; The Mask of Dimitrios (1944), starring Zachary Scott, Faye Emerson, Peter Lorre, and Sydney Greenstreet; Hollywood Canteen (1944), starring Bette Davis, John Garfield, Joan Crawford, Joan Leslie, Dane Clark, Joe E, Brown, Barbara Stanwyck, Id Lupino, Sydney Greenstreet, and Jack Benny; Danger Signal (1945), starring Zachary Scott, Faye Emerson, Mona Freeman, Richard Erdman, Rosemary DeCamp, and Joyce Compton; Her Kind Of Man (1946), starring Zachary Scott, Dane Clark, Janis Page, and Faye Emerson; The Unfaithful (1947), starring Ann Sheridan, Lew Ayres, Zachary Scott, and Eve Arden; Stallion Road (1947), starring Ronald Reagan, Alexis Smith, and Zachary Scott; Cass Timberlane (1947), starring Spencer Tracy, Lana Turner, Zachary Scott, Tom Drake, Mary Astor, Margaret Lindsay, and Albert Dekker; Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, Lucille Bremer, and Martha Vickers; Whiplash (1948), staring Dane Clark, Alexis Smith, Zachary Scott, Eve Arden, S.Z. Sakall, Jefferey Lynn, and Alan Hale Jr; Flamingo Road (1949), starring Joan Crawford, Zachary Scott, Sydney Greenstreet, David Brian, Virginia Huston, Gladys George, and Fred Clark; Shadow On The Wall (1950), starring Ann Sothern, Zachary Scott, John McIntire, Gigi Perreau, Kristine Miller, and Nancy Davis; Born To Be Bad (1950), starring Joan Fontaine, Zachary Scott, Joan Leslie, Robert Ryan, and Mel Ferrer; Stronghold (1951), starring Veronica Lake, Zachary Scott, and Rita Meceda; The Secret of Convict Lake (1951), starring Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Barbara Bates, and Janette Nolan; Dead On Course (1953), starring Zachary Scott and Kay Kendall; Flame of the Islands (1955), staring Yvonne DeCarlo, Howard Duff, and Zachary Scott; Violent Stranger (1957), starring Zachary Scott, and Faith Domergue; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices