Podcast appearances and mentions of Stella Dallas

Original Release Date: Monday 12 May 2025    Description:   Phil is back from Fort Worth, Texas, and has a Logan's Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight's plans to "save" Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, "Sinners" might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we're not talking about The Godfather Part II).

Lux Radio Theatre | Dodsworth (Walter Huston, Nan Sunderland) || Stella Dallas (Barbara Stanwyck, John Boles) || Broadcast: October 4, 1937; October 11, 193700:00 ... Dodsworth -- Dodsworth was a 1936 American drama film directed by William Wyler, and starring Walter Huston, Ruth Chatterton, Paul Lukas, Mary Astor and David Niven. Sidney Howard based the screenplay on his 1934 stage adaptation of the 1929 novel of the same name by Sinclair Lewis. Huston reprised his stage role.56:17 ... Stella Dallas -- was a 1937 American drama film based on Olive Higgins Prouty's 1923 novel of the same name. It was directed by King Vidor and stars Barbara Stanwyck, John Boles, and Anne Shirley. At the 10th Academy Awards, Stanwyck and Shirley were nominated for Best Actress in a Leading Role and Best Actress in a Supporting Role, respectively.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

The movie at the heart of this week's episode deeply embodies the passion behind Oscar Wild's favorite mini-game, Smash or Pass. Men can be unreliable, deceitful, temperamental, or just plain old rude. But at the end of the day, they can also be charming, hot, upstanding, and in endless supply, and I know, my toast is burning.Sophia and Nick rewind to 1937 yet again to further discuss the contentious Oscar race for Best Actress. They previously highlighted Barbara Stanwyck in Stella Dallas on “Stanwyck September” last year along with Janet Gaynor in A Star Is Born on “Always Remember Us This Way”with guests Connor and Dylan MacDowell. Listen to hear them break down Irene Dunne's Oscar nominated performance in The Awful Truth before critiquing Luise Rainer's poorly aged win for The Good Earth and providing an extensive conversation on their favorite acting category (25:57). Would they have awarded their one Oscar to Irene Dunne or does Luise get to keep her statuette?Who would you have awarded Best Actress this year?Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan AdamichMore content including updated nomination predictions @ oscarwild.squarespace.comListen to Sophia's guest appearance on “And The Runner-Up Is” with friend of the pod Kevin Jacobsen as they discuss the 1937 Best Actress race in even more detail: https://podcasts.apple.com/us/podcast/and-the-runner-up-is/id1358031226?i=1000543593068

We went deep for our second King Vidor Special Subject episode, looking at four films from the 1930s: Street Scene (1931), adapted by Elmer Rice from his famous stage play about working-class New Yorkers; the little-known Cynara (1932), starring Ronald Colman as a kindly upper-middle-class man who stumbles into adultery and the abyss; Our Daily Bread (1934), Vidor's eccentric, self-produced response to the Great Depression; and Stella Dallas, one of the great woman's pictures, centered on one of Barbara Stanwyck's greatest performances. Class, gender, transformation of consciousness, and how they're served by melodrama story structures all come in for examination as we find links with the films of other auteurs, from Ozu to Lynch. And in Fear and Moviegoing in Toronto, we take a quick look at monster movie tropes and James Cameron's masochistic feminism in The Terminator. All this and more feedback on our Lilli Palmer series!  Time Codes: 0h 00m 30s:      More general musings on Vidor 0h 05m 49s:      STREET SCENE (1931) [dir. King Vidor] 0h 26m 44s:      CYNARA (1932) [dir. King Vidor] 0h 45m 32s:      OUR DAILY BREAD (1934) [dir. King Vidor] 1h 00m 46s:      STELLA DALLAS (1937) [dir. King Vidor] 1h 39m 13s:      Fear and Moviegoing in Toronto: James Cameron's The Terminator (1984) 1h 45m 23s:      Listener Communiqués +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema.  SHOW NOTES:  Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com;  "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment;  “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024,  University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned:  The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles;  A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stella_Dallas

March 7, 1948 - The Walking Man Contest from Truth or Consequences has ended and the secret is out; Jack Benny is The Walking Man. References include Sophie Tucker, Van Johnson and radio shows Stella Dallas, Portia Faces Life, and The Judy Canova Show.

The first in a series of conversations about one woman's childhood.

With fall approaching, Sophia and Nick decided it's the perfect time to explore the career one of their favorite stars, Barbara Stanwyck, in a spin on their “They Won for That?” series. She may be coined "The Best Actress Who Never Won an Oscar” since she only received an Honorary, but this makes her four nominations all the more necessary to celebrate. They first discuss Barbara's early rise to fame before analyzing her first nomination for Stella Dallas, one of her most emotional and heartbreaking performances. Then, onto the quippy Ball of Fire (25:06) and an adaptation of the hit radio show, Sorry, Wrong Number (43:04). What is your favorite Barbara performance?Listen to their Noirvember episode on Double Indemnity here.Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich

I was unable to attend this year's Ritrovato; a pity as the programming is often a preview of films that subsequently screen elsewhere and inevitably become highlights of the year. Luckily, Richard was there to report on what he saw he saw.  In the podcast, we discuss the following sections of the festival:The Time Machine: 1923, where films from a century ago get highlighted; The Space Machine section, particularly the Cinema Libero selections, of which Richard was able to see every feature film. We discuss the New Film Foundation Restorations, of which Richard highlights BUSHMAN ( David Schickele, 1981) and TIME OF THE HEATHEN(Peter Kass, 1961) . BUSHMAN will be shown at Bristol's Cinema Rediscovered this year. Richard also highlights two Iranian films by Bharam Beyzaie, director of DOWNPOUR Like with  CHESS IN THE WIND, programmer Ehsan Khoshbakht describes THE STRANGER AND THE FOG and THE BALLAD OF TARA as a holy grail of Iranian Cinema, pre-revolutionary films thought lost and now  restored. Richard touches on some of the restorations he saw: MAN'S CASTLE (Frank Borzage),  CROSS OF IRON, CRY THE BELOVED COUNTRY (Zoltan Korda); MARRIAGE CIRCLE  and  LADY WINDERMERE'S FAN,  the latter with a score by Timothy Brock and shown with a  full orchestra; Stella Dallas, with Stephen Horne's orchestral score and an equally  wonderful orchestra. We discuss the Anna Magnani section; the Rouben Mamoulian section, which Richard views as an opportunity to see the films at their best rather than any revelations; The Michael Powell section, mostly Powell without Pressburger. Powell himself said he didn't think his reputation would survive many more discoveries of his quota quickies. Has it? We also discuss  being at the festival this year: The pros and cons of seeing films on the Square; the system of advance bookings; the faults and virtues of the introductions; and whether Ritrovato should continue the digital programming it began during COVID.  The overall assessment is that it was a wonderful festival and I look forward to once more be present at it next year, José Arroyo

Stella Dallas, the star vehicle for Barbara Stanwyck, hinges on a thought experiment: if you knew that by pushing a button your child would be happy for the rest of her life—but the cost of this happiness was that you could never see her again—would you do it? Mike and Dan talk about King Vidor's 1937 melodrama as an example of what movies do so well: getting viewers to understand why people make decisions that defy logic but which are emotionally reasonable. Mike calls Stella a character who exhibits the maximum of emotion with the minimum of introspection: is he correct? Skip that birthday party—no one's coming, anyway—and give this a listen! Dan interviewed Catherine Russell on New Books in Film about her 2023 book The Cinema of Barbara Stanwyck. You can find the interview here and the book here. If you're interested in the 1923 novel by Olive Higgins Prouty upon which the film is based, you can find it here. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stella Dallas, the star vehicle for Barbara Stanwyck, hinges on a thought experiment: if you knew that by pushing a button your child would be happy for the rest of her life—but the cost of this happiness was that you could never see her again—would you do it? Mike and Dan talk about King Vidor's 1937 melodrama as an example of what movies do so well: getting viewers to understand why people make decisions that defy logic but which are emotionally reasonable. Mike calls Stella a character who exhibits the maximum of emotion with the minimum of introspection: is he correct? Skip that birthday party—no one's coming, anyway—and give this a listen! Dan interviewed Catherine Russell on New Books in Film about her 2023 book The Cinema of Barbara Stanwyck. You can find the interview here and the book here. If you're interested in the 1923 novel by Olive Higgins Prouty upon which the film is based, you can find it here. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stella Dallas, the star vehicle for Barbara Stanwyck, hinges on a thought experiment: if you knew that by pushing a button your child would be happy for the rest of her life—but the cost of this happiness was that you could never see her again—would you do it? Mike and Dan talk about King Vidor's 1937 melodrama as an example of what movies do so well: getting viewers to understand why people make decisions that defy logic but which are emotionally reasonable. Mike calls Stella a character who exhibits the maximum of emotion with the minimum of introspection: is he correct? Skip that birthday party—no one's coming, anyway—and give this a listen! Dan interviewed Catherine Russell on New Books in Film about her 2023 book The Cinema of Barbara Stanwyck. You can find the interview here and the book here. If you're interested in the 1923 novel by Olive Higgins Prouty upon which the film is based, you can find it here. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

https://notesonfilm1.com/2023/05/11/thinking-aloud-about-film-stella-dallas-henry-king-usa-1925/ We discuss the latest in the series of magnificent Film Foundation Screenings, the 1925 version of STELLA DALLAS directed by Henry King and restored by MOMA. It's a glorious experience to see a film now almost 100 years old, looking brand new, probably seeing it in a better condition than most audiences would have seen it upon first release, particularly if they didn't live in major metropolitan centres. The quality of the image, the toning, the tinting: it's a sensuous joy. We also praise the film itself. It's a work that continues to move. We compare it to two later versions: King Vidor's 1937 film with Barbara Stanwyck and John Erman's 1990 version with Bette Midler. We discuss the treatment of class in all three films. José argues for the superiority of the 1937 version and praises Stanwyck and the extraordinary last shot of that film. That aside, we also discuss why we love this marvellous silent film, praised as a masterpiece when it first came out and then sidelined as a mere ‘woman's film' for many generations.

We're not quite done with our Oscar discussion for this year, but in this episode, it ties into the past, and one of the great stars of Hollywood's Golden Age. Barbara Stanwyck is an actor I've been familiar with by name, but not as much by her work. When my guest- film critic Matthew St. Clair- suggested this topic, however, I got excited in being able to rectify that. Listen as we discuss Stanwyck's four Oscar-nominated films, "Stella Dallas," "Ball of Fire," "Double Indemnity" and "Sorry, Wrong Number," and how the Oscars haven't really changed much over the years. I hope you enjoy!

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand. Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/Podcast Service I Recommend https://redcircleinc.grsm.io/entertainmentradio7148 Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

We're revisiting all the episodes featuring Ted Walch in order of their release. Here's Ted talking about Stella Dalls (1937). Learn more about your ad choices. Visit megaphone.fm/adchoices

"Stella Dallas" Lux Radio Theatre - October 11, 1937 --- Send in a voice message: https://anchor.fm/waldina/message

As a social climber turned selfless mother in the heartbreaking 1937 melodrama STELLA DALLAS, Barbara Stanwyck earned the first of her four Oscar nominations. And two films into their Stanwyck Marathon, Adam and Josh remain in awe of both the actress's power and her subtlety. The film itself offers a still-potent critique of class as its heroine is forced to choose between her own identity and her beloved daughter. It also gives us an opportunity to revisit 2013's Top 5 Movie Mother-Daughters, with Adam and Josh considering the memorable mothers and daughters that have come to screens in the intervening decade (lookin' at you, Greta Gerwig). Plus, Josh reviews the new stop-motion animated charmer MARCEL THE SHELL WITH SHOES ON. 0:00 - Billboard 1:04 - Stanwyck #2: "Stella Dallas" 33:28 - Review (JL): "Marcel The Shell With Shoes On" 38:20 - Next Week / Notes 43:07 - Massacre Theatre 49:44 - Top 5: Movie Mother-Daughters 1:20:17 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1930s saw the introduction of sound in film, the implementation of the Hays code, and marks the beginning of the “Golden Age of Hollywood”.  On this episode of our “Hollywood by the Decade” series, we're guided by special guest Patricia White—Centennial Professor of Film and Media Studies and Coordinator of Gender and Sexuality Studies at Swarthmore College—through a discussion of the landscape of Hollywood in the 30s, including how the enforced morality of the Hays code influenced which stories were told and how, while perhaps counterintuitively creating opportunities for surprising subtext. Join us as we examine BLONDE VENUS (1932) starring Marlene Dietrich, and STELLA DALLAS (1937) starring Barbara Stanwyck. Links Mentioned:Blonde Venus https://archive.org/details/blonde-venus-1932-remastered-720pStella Dallas https://www.amazon.com/gp/video/detail/B08CY15HWB/Find Patricia White:Check out Rebecca: BFI Film Classics - https://shop.bfi.org.uk/rebecca-bfi-film-classics-paperback.html (also available through Amazon, other book sellers, etc.)Find Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

Choice Classic Radio presents to you Lux Radio Theatre which aired from 1934 to 1955. Today we bring to you the episode titled "Stella Dallas.” We hope you enjoy the show! Please consider supporting our show by becoming a patron at http://choiceclassicradio.com

This week on And the Runner-Up Is, Kevin welcomes Sophia Ciminello from the Oscar Wild podcast to discuss the 1937 Oscar race for Best Actress, where Luise Rainer won for her performance in "The Good Earth," beating Irene Dunne in "The Awful Truth," Greta Garbo in "Camille," Janet Gaynor in "A Star Is Born," and Barbara Stanwyck in "Stella Dallas." We discuss all of these nominated performances and determine who we think was the runner-up to Rainer. 0:00 - 9:55 - Introduction 9:56 - 31:04 - Irene Dunne 31:05 - 51:13 - Greta Garbo 51:14 - 1:08:09 - Janet Gaynor 1:08:10 - 1:24:10 - Barbara Stanwyck 1:24:11 - 1:41:36 - Luise Rainer 1:41:37 - 2:07:45 - Why Luise Rainer won / Twitter questions 2:07:46 - 2:14:05 - Who was the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Sophia Ciminello on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

October 28, 1945 - $85,000 Bet. After dreaming of an eighty-five thousand dollar bet last week, Jack gets held-up in this episode. References include news commentators Erskine Johnson, Gabriel Heater and H.V. Kaltenborn, child star Margret O'Brien, actress Ingrid Bergmen, soap opera Stella Dallas, the song "My Dream Are Getting Batter All The Time", WWI General Pershing, Diamond Jim Brady, Julius Caesar.

"Stella Dallas" - Lux Radio Theater - October 11, 1937 Staring: Barbara Stanwyck and John Boles --- Send in a voice message: https://anchor.fm/waldina/message

On the 1937 edition of the Supporting Actress Smackdown we discuss Best Picture nominated classics Stage Door and Dead End, plus the blockbuster disaster epic In Old Chicago and acting nominated mysteries and melodramas with Night Must Fall and Stella Dallas. Thanks to Chelsea Eichholz, Pamela Hutchinson, Boyd Van Hoeij, and Tim Robey for being fabulous and very funny guests.

For this pass at Warner Bros. 1937, we have two more vehicles for Dave's favourite actress, Kay Francis: Confession, Joe May's scene-for-scene remake of the German melodrama Mazurka; and Michael Curtiz's Stolen Holiday, a version of the Stavisky affair with Francis, Claude Rains, and Ian Hunter making up the Curtiz Triangle and Orry-Kelly, as usual, fearlessly emphasizing the outré bodies of Warner's female stars. How do you prefer to see Kay Francis: as a sort of combination of Stella Dallas and the Michael Douglas character from Fatal Attraction, mowing down Basil Rathbone in the name of Sacred Motherhood? Or inspiring Claude Rains to discover unsuspected depths of decency with her talent for unconditional friendship? The beauty of this episode is: you don't have to choose.    Time Codes: 0h 01m 00s:                 Warner Bros. 1937 Studio Data  0h 04m 02s:                 CONFESSION (dir. Joe May)    0h 33m 49s:                 STOLEN HOLIDAY (dir. Michael Curtiz)             Studio Film Capsules provided by Clive Hirschhorn's The Warner Brothers Story Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

Today is the 114th birthday of Barbara Stanwyck. Born Ruby Stevens, reinvented herself into an internationally-known actress, and stayed in the public eye for 60 years. You know by now, I am a sucker for reinvention and longevity, throw in excellent work like Stella Dallas, Double Indemnity, and A Taste of Evil. The world is a better place because she was in it and still feels the loss that she has left. This episode is also available as a blog post: http://waldina.com/2021/07/16/happy-114th-birthday-barbara-stanwyck/ --- Send in a voice message: https://anchor.fm/waldina/message

Lux Radio Theatre - Stella Dallas

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a long-run classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943 /1945); CBS Radio network (Columbia Broadcasting System) (1935-54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. --------------------------------------------------------------------------- Sherlock Holmes Radio Station Live 24/7 Click Here to Listen https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 ---------------------------------------------------------------------------- Support this podcast at — https://redcircle.com/lux-radio-theatre/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We're delving into class warfare on this week's podcast as filmmaker Fyzal Boulifa discusses his terrific British drama LYNN + LUCY and his favourite movie – director King Vidor's melodrama STELLA DALLAS. We chat about Barbara Stanwyck's incredible central performance, the intriguing class issues at the centre of the story and the way film critics often look down on overtly sentimental cinema.On The Pick of the Flicks Podcast, a different guest every week stops by to discuss their favourite movie of all time. We are proudly part of the Flickering Myth Podcast Network.If you enjoy the podcast, please subscribe on iTunes, Stitcher, Spotify and Player FM and leave us a comment, rating or review. For more entertainment news, reviews and interviews, head over to http://www.flickeringmyth.com/

Support Classic Movie Musts and get your exclusive access to our weekly supplemental podcast, Classic Movie Musts: Double Feature, and our monthly supplemental podcast, Max's Movie Musts, by subscribing on Patreon at www.patreon.com/classicmoviemusts   In this episode we're joined by Ted Walch to discuss the maternal melodrama Stella Dallas (1937), directed by King Vidor and starring Barbara Stanwyck.   Timestamps: Opening Credits: 1:02 Feature Presentation: 4:14 Ending Credits: 53:20

We've got five nominees, but it's a two-film race this year. One is widely acclaimed as one of the greatest films ever made; the other is one of the most beloved, with a massive influence on popular culture. Both movies are deserving - but which one will win? Join Rachel Schaevitz and Aaron Keck as we discuss the year in cinema, poetic realism, screwball comedy, Cary Grant, Barbara Stanwyck, the transition to color, what makes a great antiwar film, Leo McCarey's "Elvis year," and the monolith that is Walt Disney - and then we'll award the best picture of 1937 and announce the nominees for 1938. This year's nominees are The Awful Truth, Grand Illusion, Pepe Le Moko, Snow White & the Seven Dwarfs, and Stella Dallas. Who wins the Moonlight?

Each episode MJ's Old Sport, Rosalie Kicks, travels six feet under and pries open a coffin of one of my favorite Hollywood corpses and performs a post watch examination of one their forgotten films. For her latest dissection she examines the 1937 flick -- STELLA DALLAS starring, one of her favorite corpses Barbara Stanwyck.

S2 Ep11 JENNY WELBOURN: The creator of Wear I Live, which is focused on navigating the fashion world in a more ethical and sustainable way. Listen and subscribe on: iTunes | Spotify | Stitcher | Google Play | or wherever you get your podcasts! Please rate & review the show so more vintage lovers find this community. Pre-Loved Podcast is a weekly interview show about rad vintage style with guests you’ll want to go thrifting with. Find the show on Twitter at @PreLovedPod and follow @brumeanddaisy and  #PreLovedPod for updates on future episodes. This episode of Pre-Loved Podcast is sponsored by Depop. Depop is the community marketplace app where creatives come to buy, sell and discover the most unique items from around the world. For many of us, fashion is a form of expression. A way to tell a story of who we are, how we’re feeling and what we stand for. Whether you want to shock, inspire, rebel or just experiment. Depop gives you the space to do just that without breaking the bank or the planet. Download the app for iOS and Android now or head to Depop.com to get started. If you want to show the show some love, you can do that on Patreon. Pre-Loved Podcast: Jenny Welbourn of Wear I Live This week’s guest is Jenny Welbourn of Wear I Live. This week’s guest is the wonderful Jenny Welbourn, of Wear I Live. Jenny is a Colorado native who’s been living in New York City for about 4 and a half years to study fashion at the Fashion Institute of Technology. Jenny has an amazing YouTube channel called Wear I Live where she focuses on sustainable and responsible lifestyle and fashion choices. We talk about sustainability and ethics, how to make a difference in your own little fashion revolution, and of course, personal style and Jenny’s best thrifted finds. All the Episode Links: Wear I Live channel @wearilive The True Cost film Fashion Revolution Remake River Blue A spring thrifted lookbook from Jenny #whomademyclothes Fashion Revolution action kit for citizens Article via Remake on donated clothes ending up in landfills Beacon’s Closet The Break Dobbin Street Vintage Awoke Urban Jungle Avec Desire Vintage Shop on Depop Common Threads on Depop Quinn Lake on Depop Hitomi on YouTube Jenny’s vintage denim collection 10 ft. Single by Stella Dallas - vintage shop Jet Rag clothing in Los Angeles Selva/Negra LACAUSA Ace & Jig @palomawool Julia of @itsblitzzz @neyon_tree Jazmine @thatcurlytop @chessi Ariel Kellogg earrings **If you’re local to Cedar Rapids, we’re doing an April 17th screening of The True Cost at the Cedar Rapids Public Library ***I’ve launched a newsletter from the Brume & Daisy blog! It’s called The French Press and you can sign up here. Want to get in touch? Email me at prelovedpod@gmail.com Pre-Loved Podcast is created by Emily Stochl of Brume & Daisy. Follow me on Instagram, Twitter, and my blog.

Four-time Oscar nominee Barbara Stanwyck was one of the biggest stars of Hollywood, dazzling audiences with her dynamic turns in Double Indemnity, Stella Dallas, and more. We’ll hear Stanwyck in her one and only Suspense appearance - “The Wages of Sin” (originally aired on CBS on October 19, 1950). Then, she stars in a radio recreation of a big screen adaptation of one of the most famous Suspense shows of all time - “Sorry, Wrong Number” (originally aired on The Lux Radio Theatre on January 9, 1950).

I had a great time talking to Leah Williams from the blog Cary Grant Won't EAT YOU.. I love that title. I had read a post she did on Villain Steven Dallas from Stella Dallas. It was a great read and made me want to punch Stevie baby even more. We also talk about Brief Encounter and ask is Dr Alec a sincere sensitive guy or a shyster that has done this kind of thing regularly, the old, my friend lets me use his bachelor pad ploy. Then we move onto Blue Gardenia starring Ann Baxter. Its a fun flick with Raymond Burr playing a lecherous artist. She gets dumped by her soldier boy and ends up at dinner with that swinger Raymond and gets very drunk, much to Raymonds delight. He brings her back to his bachelor pad and tries to make advances on poor Ann. Ann being drunk....but not that drunk....Fights off the brute and here comes the fireplace poker. She is the opposite of cool as a cucumber. Ann Sothern and Richard Conti also star. Theres a funny scene when Richard tosses his little black book to his friend since he won''t need it anymore. Then onto the adorably suave, cool, and very funny William Powell. We both find him to be incredibly dreamy. I'm swooning now. Thanks so much to Leah for being my guest. It was her first podcast and she was great!! She'll be back.Mostly thanks to the listeners. You are the best.GracexoxoYou can find Leah's blog herewww.carygrantwonteatyou.comYou can also listen on iTunes and podbean app.www.truestoriesoftinseltown.podbean.complease follow my facebook page​www.facebook.com/truestoriesoftinseltown My other podcasts www.thebroadsway.org/blog www.inyourfacewithdonnieandgrace.com/news All podcasts are on itunes and podbean

Bright, hard boiled yet deeply human, earthy, independent, consummate professional, passionate, conservative, world weary, astute, confident, funny, strong, loyal...you really can't pin Barbara Stanwyck down to any one thing. In episode 15 we discuss (in our humble opinion) three films that showcase her best work - Ladies of Leisure (1930), Stella Dallas (1937), and Clash by Night (1952). Stay tuned for episode 16 in which we discuss the wonderful Joan Bennett followed in episode 17 with the queen of slapstick herself, Carole Lombard! Sources: Ankerich, M.G. (2015) Dangerous Curves atop Hollywood Heels: The Lives, Careers, and Misfortunes of 14 Hard-Luck Girls of the Silent Screen. Albany: BearManor Media. Bogdanovich, P. (1997) Who The Devil Made It: Conversations with Legendary Film Directors. New York: Ballantine Books. Callahan, D. (2011) Barbara Stanwyck The Miracle Woman. Jackson: University Press of Mississippi. Capra, F. (1997) The Name above the Title: An Autobiography. Boston: DaCapo Press. Clash by Night (1952). Dir. Fritz Lang [DVD] RKO Pictures. Ladies of Leisure (1930) Dir. Frank Capra [DVD} Columbia Pictures. Stella Dallas (1937) Dir. King Vidor [DVD} United Artists. Wilson, V. (2013) A Life of Barbara Stanwyck: Steel True 1907-1940. New York: Simon and Schuster. Carman, Emily (2016) Independent Stardom: Freelance Women in the Hollywood Studio System. University of Texas Press Scandals of Classic Hollywood: The Many Faces of Barbara Stanwyck -https://thehairpin.com/scandals-of-classic-hollywood-the-many-faces-of-barbara-stanwyck-a1dbaf8648a2#.w82nq07ge [audio excerpt from Clash by Night (1952). Copyright RKO Radio Picures]

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June 1, 1952 - It's the season finally! Jack Benny's movie "Charlie's Aunt", Marilyn Monroe's movie "Niagra", the soap opera "Stella Dallas", Wheel of Fortune, and a big fire at a Hollywood movie studio are all mentioned in this episode.

In this episode, we talk about classic tearjerkers!! Here are the films: Love Affair (1939) Love Story (1970) Stella Dallas (1937)

This week, Mark says British humor is lame. Wade disagrees. Plus, a great new X-Men: Days of Future Past Blu-ray! Digigods Podcast, 07/21/15 (MP3) -- 33.6 MB right click to save Subscribe to the Digigods Podcast In this episode, the Gods discuss: Adventures of Captain Fabian (Blu-ray) Age of Consent (Anniversary Series) (DVD) Baby, It's You (Blu-ray) The Best of British Comedy (DVD) The Best of Everything (Blu-ray) Black & White Ballets (Blu-ray) Black Sabbath (Studio Classics) (Blu-ray) Black Veil Brides: Alive And Burning (Blu-ray/DVD) Blown Away (Studio Classics) (Blu-ray) Boys in Brazil (DVD) Can't Stand Losing You (Blu-ray) Committed (DVD) Criminal Law (Blu-ray) The Crimson Cult (Studio Classics) (Blu-ray) Deranged (Studio Classics) (Blu-ray) Donizetti: Classic Comedies (Blu-ray) Donizetti: Maria di Rohan (DVD) Eastern Boys (DVD) Eat With Me (DVD) The Eternal Sea (Blu-ray) The Fabulous Baker Boys (Blu-ray) Gerontophilia (DVD) Hell's Five Hours (Blu-ray) Hidden Away (DVD) House of 1000 Dolls (Studio Classics) (Blu-ray) Johann Strauss: The Waltz King (Der Zigeunerbaron) (DVD) King of the Gypsies (Blu-ray) Life Stinks (Studio Classics) (Blu-ray) The Longest Ride (Blu-ray) The Lovers (Blu-ray) Mad Love (Anniversary Series) (DVD) Madhouse (Studio Classics) (Blu-ray) Mahler: Symphonies Nos. 9 & 10 (Blu-ray) Man of Conquest (Blu-ray) Mark Morris: L'Allegro, il Penseroso ed il Moderato (Blu-ray) Mom (DVD-R) Monte Walsh (Studio Classics) (Blu-ray) A Month in the Country (Blu-ray) My Beautiful Laundrette (Blu-ray) Nana (DVD-R) Ned Kelly (Blu-ray) Of Girls and Horses (DVD) Places in the Heart (Blu-ray) Real Men (Studio Classics) (DVD) Report to the Commissioner (Studio Classics) (Blu-ray) Roller Boogie (Blu-ray) Rush (Studio Classics) (Blu-ray) Samuel Goldwyn Collection Volume II: They Got Me Covered, Stella Dallas, Dead End, The Westerner, The Princess and the Pirate, The Secret Life of Walter Mitty (DVD) The Second Best Exotic Marigold Hotel (Blu-ray) Seek (DVD) Set Fire to the Stars (DVD) She Must be Seeing Things (DVD) Sinfonietta - Symphony in D - Stamping Ground (Blu-ray) A Song to Remember (Anniversary Series) (DVD) Strauss: Feuersnot (Blu-ray) Street Smart (Blu-ray) Sugar Hill (Studio Classics) (Blu-ray) Tiger Orange (DVD) Truck Turner (Studio Classics) (Blu-ray) The Unesco Concert for Peace (Blu-ray) What We Do in the Shadows (Blu-ray) Wild Thing (Blu-ray) William Shakespeare: Comedy, Romance, Tragedy (Blu-ray) The World of Henry Orient (Blu-ray) X-Men: Days of Future Past Rogue Cut  (Blu-ray) Please also visit CineGods.com . 

The miracle of Matthew's recovery and the beauty of well-timed plague. A Fuck You Bates (literally!) and Shannon's original Carson/Jane slash! Did you want Cora to die (even for just a second?) Should Ethel have Stella Dallas-ed her baby?

Stella Dallas  10/11/37 Lux Radio Theater, one of the genuine classic radio anthology series (NBC Blue Network (1934-1935); CBS (1935-1955), adapted first Broadway stage works, and then (especially) films to hour-long live radio presentations. It quickly became the most popular dramatic anthology series on radio, running more than twenty years. The program always began with an announcer proclaiming, "Ladies and gentlemen, Lux presents Hollywood!" Cecil B. DeMille was the host of the series each Monday evening from June 1, 1936, until January 22, 1945.