Podcasts about Technicolor

What if God is actually waiting for YOU to move?We spend a lot of our lives waiting for God to show up. But what if He's the one waiting on us? This week, Kyle Ranson dives into the story of Joseph (you know, the one with the Technicolor dream coat?) and shows us why God often asks us to go before we see the whole plan. God is bringing heaven to earth—and your next step might be exactly how He does it.Recorded live at Crossroads Church in Cincinnati, Ohio.

{This week's sponsor is Select Int'l Tours} ▶Visit selectinternationaltours.com/recon to book a pilgrimage!In this week's episode of Catholic ReCon, testimonies from reverts and converts, guest Nadia Bondarczuk shares her amazing story!What happens when a Protestant from Argentina moves to Spain and discovers the Catholic faith?In this powerful testimony, she shares how God used an unexpected journey—from Argentina to Spain, including time in Pamplona and Madrid—to lead her home to the Catholic Church.Along the way, she encountered questions she couldn't ignore:• "It was the beginning of the end."• "I got a glimpse of the chaos."• "The truth is important."• "My eyes opened."• "The Bible came to life in Technicolor."• "Once I found the Eucharist, it was game over."From visiting the Cathedral of Madrid to wrestling with Scripture, Church history, and the authority Christ gave His Church, this conversation reveals why delayed obedience is still disobedience—and how the search for truth ultimately led to the Eucharist.If you've ever wondered why someone would leave Protestantism for Catholicism, or you're searching for the truth yourself, this testimony is for you.Subscribe to Catholic ReCon for more authentic conversion stories that show how God continues to draw people into His Church.#Catholic #ConversionStory #Eucharist #ProtestantToCatholic #CatholicTestimony #Bible #ChurchHistory #Argentina #Spain #CatholicReCon #Protestant ▶To support this channel, visit donorbox.org/catholic_recon▶This is the home of powerful, real-life faith transformations

durée : 01:28:31 - par : Aurélie Moreau - Leopold Stokowski a eu un impact incomparable sur la diffusion du répertoire "classique" par son immense talent de chef d'orchestre, ses transcriptions symphoniques et créations d'œuvres de ses contemporains, ses recherches sur la musique et le son… - équipe : Cécile Bonnet des Claustres, Thomas Guinegagne - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Dr Adam Koontz and Col Willie Grills talk about an icon of western films, "The Searchers" Visit our website - A Brief History of Power Thanks to our sponsors, Ad Crucem, Memento, and Gnesio Health Dr Adam Koontz - Redeemer Lutheran Church Pr. Willie Grills - Zion Lutheran Church Music thanks to Verny

Invité de CFO Radio, Cédric Brignon, Directeur Financier et Transformation de Banijay Entertainment, partage son parcours au sein de grands groupes internationaux du divertissement tels que Technicolor, Warner Bros et Netflix. Il revient sur les enjeux de croissance, de financement et de transformation d'un leader mondial de la production audiovisuelle. Une interview qui met en lumière les défis de l'innovation, de l'intelligence artificielle et de la création de valeur dans une industrie en pleine mutation.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

June started on this podcast with a fast-cutting musical in Moulin Rouge. Now I end the month talking about an old-school Technicolor song-and-dancer...and it was an award-winning mega-smash. The King And I is Walter Lang's crowning achievement as a director and the King is the part Yul Brynner played thousands of times onstage. He won an Oscar for playing this hardheaded chauvinist on celluloid opposite Deborah Kerr's Anna, the headstrong English widow hired to teach his many kids. The culture clash leads to a curious "love" story where they barely touch each other until that...well, let's say head-scratching climax. Not a fan of that ending! The lavish production is entirely set-bound, but this is still quite an experience. So settle in for my 748th episode as I investigate the et ceteras in The King And I. Subscribe to "Have You Ever Seen" in your app. Rate the show. Review it. Tweet me (@moviefiend51). Bluesky me (ryan-ellis). Email me (haveyoueverseenpodcast@gmail.com). Letterboxd me (RyanHYES).

De 17H à 20H, l'Happy Hour FG, Avec Antoine Baduel, Stars, Mixes Live, cadeaux. L'Happy Hour, c'est le son de la DJ radio, des interviews, des voyages de rêve, et les bons plans de la rédaction

“Now we're showing up in full Technicolor and saying, ‘This is who I am.'” –Sheila DarceyWhen you turn 50, two things happen: you don't give a hoot about what other people think … and you start to really understand and embrace your power. I'm really excited to talk with Sheila Darcey, a visionary artist and the author of Sketch by Sketch, about how she claimed herself as an artist and developed a tool that you don't have to be an artist to use. The SketchPoetic method is an embodied, somatic practice. Sheila says “The moment you're attached to the outcome or the audience, it becomes art.” And that's not what this is about. It's less about what things look like and how they feel. Sheila explains the process in issue 5 of Pause. Check out the conversation and give SketchPoetic a try. Sheila suggests 7 days is for healing or releasing something. If you want to make a habit, try 21 days, and if you want transformative growth, try consistently for 40 days.We talk about: The invitation of unfinished and “messed up” sketchbooks How Sheila developed SketchPoeticDiscovering emotions under emotions and rewiring emotional neuropathwaysDoing a body scan before you start sketching Plateauing with a practice and how to loosen your graspThe energy of our marks and how our intuition shows when we are in flow and take the time to pause and look afterABOUT SHEILASheila Darcey is a visionary artist and author of Sketch by Sketch, guiding others back to themselves through the healing language of intuitive art.LINKShttp://www.sketchpoetic.comhttps://sheiladarcey.substack.comhttps://www.instagram.com/sketchpoetic/DOABLE CHANGESAt the end of every episode, we share three doable changes, so you can take what you've heard and put it into action. Action is how change happens.Often we feel like our actions have to be huge to match the bigness of our desires, but we have seen over and over and over again that the little things add up. By stacking up a series of Doable Changes, you will create that big change that you crave. Choose the one that really resonates with you this week and really make it part of your life. Here are Three Doable Changes from this conversation:PLAY WITH WHAT'S THERE. My foundation opened up into my sketch book. Maybe you spilled coffee or a page got marked by a pen in your bag. Instead of tearing out the page or starting a new book, play with what's already there. DO A BODY SCAN. Before you try the SketchPoetic project or journal or try another creative act, pause for a minute and do a body scan. Acknowledge how you feel throughout your body.LOOSEN UP. There is benefit to sustained practices, but sometimes things that serve us begin to feel stale. We don't get the same thing out of them. What happens if you try holding your practice more loosely for a week? For example, sketch in the sand or the dust instead of a notebook. Skip your morning pages and write a single page … in crayon or list the first 5 words that come into your head. Allow they practice to shift.

It's off to Sherwood Forest with two of the stars of The Adventures of Robin Hood, the 1938 lavish Technicolor production that pits Errol Flynn's Robin against Basil Rathbone's vile Sir Guy. It's one of the best (maybe the best) film adaptation of the classic legend, and it still thrills audiences today. We'll hear Olivia de Havilland (Maid Marian) in "Voyage Through Darkness" (originally aired on CBS on September 7, 1944) and Alan Hale, Sr. (Little John) in "The Leading Citizen of Pratt County" (originally aired on CBS on May 30, 1946). Plus, Edmond O'Brien stars in a radio retelling of Robin Hood from Family Theatre (originally aired on Mutual on July 27, 1949). Check out this TCM special on the making of The Adventures of Robin Hood!

Send us Fan MailNOTE: SIX of the titles will release August 4th, instead of July 28th: Random Harvest, The Sisters, Presenting Lily Mars, Macao, A Midsummer Night's Dream, and The Seventh Cross.July's Warner Archive lineup spans Technicolor adventure, razor-sharp noir, pre-Code troublemaking, MGM romance, big-studio prestige, and WWII realism, all framed by what it takes to bring classic films to Blu-ray. We share what's new in the restorations, what extras make each disc worth owning, and why these titles still delight us decades later. Moviezyng JULY pre-orders are now available.Moviezyng link: Letty Lynton (1932) DVDAmazon pre-orders: still pending Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

Wait... Jess is just now changing her married name?? Charlotte has too many crushes, but what does this one behavior that they keep doing mean?

You know what you need to do, but something keeps stopping you from taking action.   In this episode, I share two client stories that reminded me how powerful it is when women finally trust their own inner knowing. One client described her experience as moving from black and white to Technicolor. Another came to coaching believing she couldn't lose weight and wasn't sure she could change her drinking habits.   What changed wasn't a diet plan. What changed was how they saw themselves.   You'll hear about self-worth, awareness, and learning to ask "What do I want?" created immediate shifts for these women and why saying yes to yourself may be the first step toward creating the results you've wanted for years. Enjoy the show! Free Guide: Download the Jumpstart Your Weight Loss in Menopause Guide at drdebbutler.com/podcast-companion-guide   Mini Session: Ready to master your mind? Book a free mini session at drdebbutler.com/workwithme   Thinner Peace Quiz: Take the quiz at drdebbutler.com/quiz to identify your obstacles to eating when hungry and stopping when full Peace with Food 30-Day Course - Available at www.drdebbutler.com/joy Now, go listen to the podcast. Click here to listen to the 1st episode. It's the best place to start! If you've been loving my podcast, please subscribe and review the show. The only way it will pop up to others is when people review it, so if you're loving it – pass on the good word!  What You'll Learn From This Episode Why knowing what you need and acting on it are two different things How one client described coaching as going from "black and white to Technicolor" Why self-worth often matters more than food plans and weight loss strategies The hidden reason many women keep overeating or overdrinking How learning to ask "What do I want?" changes everything

Send us Fan MailHannah and Laura are THRILLED to have romance author Mazey Eddings on the pod to talk about her newest release, You Won't Forget Me! Mazey talks about she sees books as a "snapshot in time," reflects on sharing her purpose with the world, and how she navigates writing mental illnesses in joyful stories. Hannah and Laura geek out over all of Mazey's books/characters, get some good advice related to waffles and dentistry, and decide to make Mazey their new best friend.*CW for the episode: discussions of familial trauma, depression, mental illness, abusive relationships*Be sure to follow Mazey at:Mazey Eddings -- websiteInstagram: @mazeyeddingsFrom the Messy Desk of Mazey Eddings | SubstackMedia Mentions:You Won't Forget Me by Mazey EddingsTilly in Technicolor by Mazey EddingsLate Bloomer by Mazey EddingsWell, Actually by Mazey EddingsA Brush with Love by Mazey EddingsLizzie Blake's Best Mistake by Mazey EddingsThe Plus One by Mazey EddingsBeverly Jenkins worksTessa Dare's worksChristina Lauren's worksTalia Hibbert's worksHelen Hoang's worksGothic: An Illustrated History by Roger LuckhurstFormula 1: Drive to Survive---NetflixDateline---HuluSupport the showBe sure to follow OWWR Pod!www.owwrpod.com YouTube: @owwrpodBlueSky: @OwwrPodTikTok: @OwwrPodInstagram: @owwrpodThreads: @OwwrPodSend us an email at: owwrpod@gmail.comCheck out OWWR Patreon: patreon.com/owwrpodOr join OWWR Discord! We'd love to chat with you!You can follow Hannah at:Instagram: @brews.and.booksThreads: @brews.and.booksTikTok: @brews.and.booksYou can follow Laura at:Instagram: @goodbooksgreatgoatsBlueSky: @myyypod

Is the theater experience back? Independent horror films like Obsession and Backrooms are making waves at the box office. Fresh stories like The Drama and Crime 101 have made their mark. So co-host Nicholas Ybarra and producer Sonja Mereu thought this was a great time to highlight some independent films that are absolutely worth seeing on the big screen while you still can. - We start with Boots Riley's highly-anticipated, pro-Union, Technicolor powerhouse, I Love Boosters. The film stars Keke Palmer and Demi Moore. - Second, Aleshea Harris delivers an outstanding directorial debut in the revenge film, Is God Is. - Speaking of memorable debuts, Sophie Romvari makes her feature debut with the personal and powerful Blue Heron. All these films can be seen on the big screen through tomorrow, and they are definitely worth seeing while you can. Keep an eye out for more great independent films throughout the year. The more we see them, the more they get made. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

EPISODE 142 -  “LUCILLE BREMER: CLASSIC CINEMA STAR OF THE MONTH” - 6/01/2026  One of those fascinating “what happened to her?” MGM stories is LUCILLE BREMER. Bremer was an elegant redheaded dancer who MGM clearly thought was going to be their next big musical star after ELEANOR POWELL had stepped away. She had the glamour, the dancing ability, the carriage… she looked like she belonged in Technicolor. However, her career lasted only a few short years, and during that time, she worked with visionary talents like VINCENTE MINNELLI and ARTHUR FREED. She danced with FRED ASTAIRE at the absolute height of his artistry. She appeared in Technicolor spectacles that later generations would rediscover and celebrate. She shone so brightly in films during the 1940s, but then, like a shooting star in the night sky, she just vanished. So just what happened to this talented actress? We'll find out as we honor LUCILLE BREMER as our June Star of the Month. SHOW NOTES:  Sources: “Actress Lucille Bremer: From Broadway Lights to La Jolla Shores,” January 17, 2025, by Debbie L. Sklar, Times of San Diego; Lucille Bremer, 79, Actress and Dancer, April 20, 1996, New York Times; “Actress Lucille Bremer Marries,” August 5, 1948, The Spokesman-Review; Life Magazine, March 25, 1946; “Flight of a ‘Rocket',” January 7, 1945, Albuquerque Journal; Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Penny Arcade (1942), starring Lucille Bremer & Peter Garey; This Love of Mine (1944), starring Cyd Charisse & Lucille Bremer; Meet Me In St, Louis (1944), starring Judy Garland, Margaret O'Brien, Mary Astor, Leon Ames, Lucille Bremer, Marjorie Main, & Tom Drake; Yolanda and the Thief (1945), starring Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick & Leon Ames; Ziegfeld Follies (1945), starring Gene Kelly, Judy Garland, Lena Horne, Kathryn Grayson, Lucille, Ball, Lucille Bremer, Esther Williams, Red Skelton; Till The Clouds Go By (1946), starring Judy Garland, June Allyson, Lucille Bremer, Van Heflin, Robert Walker, Van Johnson, Lena Horne, Frank Sinatra, Cyd Charrise, Tony Martin, Dinah Shore, & Angela Lansbury;  Dark Delusion (1947), starring Lionel Barrymore, James Craig, Lucille Bremer, & Jayne Meadows; Adventures of Casanova (1948), starring Arturo de Córdova, Lucille Bremer, Turhan Bey & John Sutton;  Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, & Lucille Bremer; Behind Locked Doors (1948); starring Lucille Bremer & Richard Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A lot of organizations say they've “gone Agile,” but still struggle with missed deadlines, unclear priorities, and teams that feel busy without delivering better outcomes. In this episode, Scott Dunn joins Brian Milner to unpack why Agile ROI is so often misunderstood and what leaders should actually be measuring instead.    Overview What does a successful Agile transformation actually look like? Too often, organizations adopt Scrum or Agile practices because everyone else is doing it, without first defining the business outcomes they hope to achieve. The result is predictable: teams follow the motions of Agile while leadership struggles to see measurable value. In this conversation, Brian Milner and Scott Dunn explore why ROI conversations around Agile frequently go off track and how leaders can reconnect Agile practices to meaningful business goals like faster delivery, improved customer satisfaction, stronger collaboration, and better adaptability. They discuss the hidden cost of operationalizing Agile too early, why coaching and leadership alignment still matter, and how the rise of AI makes strong Agile fundamentals more important, not less.   References and resources mentioned in the show: Scott Dunn #104: Mastering Product Ownership with Mike Cohn #132: Can Nice Guys Finish First? with Scott Dunn Do the Proven Benefits of Agile Training Justify the Costs? by Mike Cohn Subscribe to the Agile Mentors Podcast   Want to get involved? This show is designed for you, and we'd love your input. Enjoyed what you heard today? Please leave a rating and a review. It really helps, and we read every single one. Got an Agile subject you'd like us to discuss or a question that needs an answer? Share your thoughts with us at podcast@mountaingoatsoftware.com This episode's presenters are: Brian Milner is a Certified Scrum Trainer®, Certified Scrum Professional®, Certified ScrumMaster®, and Certified Scrum Product Owner®, and host of the Agile Mentors Podcast training at Mountain Goat Software. He's passionate about making a difference in people's day-to-day work, influenced by his own experience of transitioning to Scrum and seeing improvements in work/life balance, honesty, respect, and the quality of work. Scott Dunn is a Certified Enterprise Coach and Scrum Trainer with over 20 years of experience coaching and training companies like NASA, EMC/Dell Technologies, Yahoo!, Technicolor, and eBay to transition to an agile approach using Scrum.

Ben's mind wandered during Sunday's sermon . . . and he got to thinking about how Joseph's life story plays out like a classic closed causal loop time travel story . . . You can watch on Youtube here:

Send us Fan MailWe continue our theme of "Movies That Couldn't Be Made Today" with one that literally couldn't (for TECH-nical reasons). . .  we are watching something filmed in vibrant, beautiful, and now extinct TECHNICOLOR!!!  Our shining example of this format is 1947's "Black Narcissus."  Directed by the duo of Powell and Pressburger, starring Deborah Kerr and David Farrar, this film is about a group of nuns tasked with setting up a convent high in the Himalayas, leaving familiarity behind and grappling with the mysticism and other-worldliness of this strange setting.We also review in layman's terms what the Technicolor process is, what made it so special, and why it is not possible to recreate it in today's world.So, as Hamlet tells Ophelia, so we advise you, "Get thee to a nunnery... go!"

Our Family Freak-Outs series continues to go from strength to strength as we examine Douglas Sirk's Written on the Wind (1956) and Kenneth Lonergan's Manchester by the Sea (2016), a couple of masterpieces of American cinema in radically different modes: Technicolor melodrama and micro-realism. We discuss the curious myth of America in Written on the Wind, as embodied in the Hadley family's tortured relationship with Rock Hudson, and the enormous pressure of trauma on the quotidian surface of Manchester by the Sea, and, of course, the key freak-out moments within the family freak-outs.  Time Codes: 0h 00m 25s:     WRITTEN ON THE WIND (1956) [dir. Douglas Sirk] 0h 33m 28s:    MANCHESTER BY THE SEA (2016) [dir. Keneth Lonergan] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

VYS0061 | Talking About Talking About Talking About UFOs - Show notes The truth is out there... sometimes... maybe... well, Hine and Buckley just aren't sure. UFOs, UAPs, Flying Saucers, Alien Spacecraft, whatever you think they are, you don't know for sure - and if you think you do know for sure, it's a sure sign you don't. What you do know for sure is that you are told a lot of different things about them by a lot of different people: abductees spinning stories of high strangeness, senators pressuring whistle-blowers for information in congress, devoutly religious authors telling tales of angels and demons, folklorists and scholars of comparative religion painting vivid pictures of ancient beings dressed up in the skin of Technicolor sci-fi nightmares... no-one agrees and everyone is out to prove that their interpretation is the right interpretation - but what does any of it actually mean? In this episode Hine and Buckley don't analyse the verisimilitude of the stories or the veracity of the storytellers but instead examine the discourse around the phenomena or more accurately the discourse around the discourse around UFOs. The mechanisms with which people might think about this topic and the reasons that they may think in that way. The conversation around UFOs is big business, a lot of people making a lot of money - but who are these people and what happens to that money? Where did it all start? Was it Peter Levenda that stealthily laid the ground work over the last 50 years to shape the UFO movement as we know it today? Why would people lie about this stuff? Why should you believe some conspiracy theorist warning you of the terrible dangers of the existential crisis that UFOs pose anymore than you should trust some conspiracy theorist warning you of the terrible dangers of vaccines and their link to childhood autism?... and if the people who are trying to take control of the discourse are lying, overly-gullible or deluded, then is there really any truth out there at all? (recorded 23 April 2026) Whitley Strieber - Wikipedia UFOlogy - Wikipedia 2 Navy Airmen and an Object That 'Accelerated Like Nothing, I've Seen' - New York Times (Pay Wall) Pentagon UFO Videos - Wikipedia To the Stars Peter Levenda - Wikipedia Sinister Forces by Peter Levenda - Goodreads Unholy Alliance: A History of Nazi Involvement with the Occult by Peter Lavenda - Goodreads Tom DeLonge - Wikipedia Jim Semivan - The Sol Foundation Hal Puthoff - Wikipedia Luis Elizondo - Wikipedia The Necronomicon: A Study of Ancient Ritual Magic and Esoteric Grimoire Traditions by Simon - Goodreads HP Lovecraft - Wikipedia VYS0036 | Infinite Game - Vayse to Face with Joseph Matheny Dead Names: The Dark History of the Necronomicon: The Untold Story of Lovecraft's Stolen Grimoire by Simon - Goodreads Ong's Hat Sekret Machines by Tom DeLonge and Peter Levenda - Goodreads Penny Royal Podcast The Collins Elite/Final Events - Wikipedia Aleister Crowley - Wikipedia Helena Blavatsky - Wikipedia Anton LaVey - Wikipedia Brandon Sanderson - Wikipedia Hellier - Youtube Hyperstition - Wikipedia ARG - Wikipedia Kayfabe - Wikipedia LARPing - Wikipedia Andrew Collins Synchronicity - Wikipedia Cosmic Trigger - Wikipedia Robert Anton Wilson - Wikipedia Chapel Perilous - Wikipedia JFK Assassination - Wikipedia AP Strange Steph Quick Rob Reiner - Who Killed JFK? Podcast Occam's Razor - Wikipedia Capitalism - Wikipedia MrBeast - Wikipedia Extraterrestrial UFO hypothesis - Wikipedia Psychosocial UFO hypothesis - Wikipedia VYS0054 | You Can't Make An Omelette Without Breaking A Few Egregores - Vayse to Face with Joshua Cutchin Joshua Cutchin Demonic UFO hypothesis - Wikipedia Buddhism - Wikipedia The Diamond Sutra - Wikipedia Mayahna Buddhism and Quantum Mechanics by Michael Behrens - Sience and Non-Duality Reality in Buddhism - Wikipedia The Matrix The Matrix Trailer - Youtube UFO of God: The Extraordinary True Story of Chris Bledsoe by Chris Bledsoe Diana Walsh Pasulka - Wikipedia Steven M. Greer - Wikipedia Meditation - Wikipedia Flow State - Wikipedia Mindfulness - Wikipedia Elon Musk - Wikipedia Jeff Bezos - Wikipedia Count to a Billion (How I began to grasp the atrocity of Musk) by Susan Duerksen - The Jumping Off Place Amazon Breaks Record For Lobbyist Spending Amid Anti-Union Drive by Jordan Zakarin - perfectunion.us Predator - Wikipedia Predator Trailer - Youtube Saul Hudson (Slash) Slash by Slash and Anthony Bozza - Goodreads Philip K Dick - Wikipedia John Nash - Wikipedia A Beautiful Mind by Sylvia Nasar - Goodreads A Beautiful Mind (Film) - Wikipedia A Beautiful Mind Trailer - Youtube Joan of Arc - Wikipedia The Schizophrenia of Joan of Arc by Clifford Allen Schizophrenia - Wikipedia Temperal Lobe Epilepsy - Wikipedia Focal Seizures - Epilepsy Action (British Epilepsy Association) living with the rarest form of epilepsy - reddit Is AI Really Just a Tool? It Could Be Altering How You See Reality by University of Exeter - Sci-tech Daily Mirage Men - Wikipedia Mirage Men: An Adventure into Paranoia, Espionage, Psychological Warfare, and UFOs by Mark Pilkington - Goodreads Mirage Men Trailer - Youtube VYS0020 | Messages of Deception - Vayse to Face with Mark Pilkington False or misleading statements by Donald Trump - Wikipedia L Ron Hubbard - Wikipedia L. Ron Hubbard's 5 Most Impressive Lies (Besides Scientology) by Kristi Harrison - Cracked Carlos Castaneda - Wikipedia Laurens van der Post - Wikipedia More myth than man by JDF Jones - The Guardian The Trickster and the Paranormal by George P. Hansen Voices for Vaccines - Website which helps de-bunk harmful misinformation about Vaccines Autism, Vaccines and Immunization - Autism Today - debunking misinformation about the link between childhood autism and vaccines - spoilers: there isn't a link VYSXXXX | The Real Vayse: Halloween 2024 Vayse online Ko-Fi Website Youtube Instagram Bandcamp (Music From Vayse) Bluesky Email: vayseinfo@gmail.com

Every now and then, we get to be on the other side of the mic. This week, we're sharing a conversation we had as guests on Baiba Wisse's show, Live In Technicolor, and it turned into one of the more personal conversations we've had in a while.Baiba asked us the questions we don't always get to sit with on our own show. How did this all start? What was really going on behind the scenes? What do Will and Karen actually believe about why we're here? So that's what this one is. The origin story, the messy parts included.In this episode, we get into:How a full-on existential crisis during the pandemic cracked Will open and why he's grateful it didThe moment Will and Karen almost shut the whole show down, and what changed their mindsWhy "programming" isn't just a metaphor.... how culture, family, and experience build the filters we see everything throughWhat it actually means to create your own reality, and the one thing that was blocking Will from experiencing itWhere Will and Karen genuinely disagree on soul contracts, oneness, and the nature of the human experienceThe skeptic vs. believer dynamic that makes TSM work, and why both perspectives belong in the roomHow to find your footing when life is hitting hard, and why presence might be the only real answerThis one is for anyone who's ever wondered if the version of themselves they've been showing the world is actually who they are.Thanks to Baiba for the conversation and for allowing us to share it with our community. Follow her show on Apple Podcasts or Spotify!Find us at skepticmetaphysician.com | Listen on Apple, Spotify, Amazon, and everywhere podcasts live...technicolor or otherwise. :)_____________________________________________Free gift: My Life After Death: A Memoir from HeavenWant to know what the afterlife actually looks like? Dr. Elisa Medhus's son Erik wrote a book about it...from the other side. A book channeled from the other side that readers call the most convincing account of the afterlife ever written. Grab your free digital copy at:skepticmetaphysician.com/newsletterThe Skeptic Metaphysicians is a spiritual awakening podcast for open-minded thinkers who refuse to check their critical thinking at the door. Each episode explores consciousness expansion, enlightenment, soul purpose, and soul growth through honest, grounded conversation with leading voices in metaphysics, psychic phenomenon, quantum healing, and beyond. We dive deep into spiritual awakening, ascension, alignment, and the awakening process without the dogma. From mediumship and spirit guides to Arcturian contact, astrology, and the subconscious mind, we explore it all with curiosity, humor, and zero guru worship. Whether you're in the middle of your own awakening, questioning reality, or just spiritually curious, this is the podcast for seekers and skeptics alike.Subscribe, Rate & Review!If you found this episode enlightening, mind-expanding, or even just thought-provoking (see what we did there?), please take a moment to rate and review us. Your feedback helps us bring more transformative guests and topics your way!Connect with Us: 

Send us Fan MailIn Part 1 of our June Announcement podcast, George Feltenstein of the Warner Archive announces four films releasing in June from the Warner Archive, including the much anticipated Letty Lynton (1932). We also review one Hanna-Barbera TV Series. PLUS George shares his memories of his former boss, Ted Turner, who loved classic films, and was integral to the ongoing restoration and preservation of the MGM Library.Part 2 will announce the remaining five films releasing in June. Coming soon.Pre-orders are not yet available. Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

Send us Fan MailIt's still indie intermission time!! Hannah and Laura are covering the second half of The Heavenly Sword by Alice Poon, digging into the characters and themes. In other news, Hannah is doing some investigative work into Pedro Pascal's career and Laura is delving into a new anime.**This episode contains SPOILERS for The Heavenly Sword by Alice Poon. Spoiler section begins at: 31 min 50 secs. ***CW for the episode: discussions of violence, death, blood, gore, religion, sex, neurodivergence, ableism, racism, war, politics, infertility, pregnancy, family estrangement, abandonment, cloning, sexual assault, rape, weaponsMedia Mentions:The Heavenly Sword by Alice Poon Demon Slayer---Netflix The Office---PeacockHow I Met Your Mother---Netflix Tilly in Technicolor by Mazey Eddings Calico the board game Yellowface by R.F. Kuang The Unbearable Weight of Massive Talent---NetflixFantastic Four---Disney+ Support the showBe sure to follow OWWR Pod!www.owwrpod.com YouTube: @owwrpodBlueSky: @OwwrPodTikTok: @OwwrPodInstagram: @owwrpodThreads: @OwwrPodSend us an email at: owwrpod@gmail.comCheck out OWWR Patreon: patreon.com/owwrpodOr join OWWR Discord! We'd love to chat with you!You can follow Hannah at:Instagram: @brews.and.booksThreads: @brews.and.booksTikTok: @brews.and.booksYou can follow Laura at:Instagram: @goodbooksgreatgoatsBlueSky: @myyypod

This 'My Little Secret' is interesting... See omnystudio.com/listener for privacy information.

In this week's episode, Raleigh, NC, Mayor Janet Cowell joins us from the NewDEAL Forum Ideas Summit to discuss her approach to leading one of the fastest-growing cities in the country. The conversation digs into housing supply needs and affordability, as well as her data-driven approach to public safety and traffic safety. The conversation also covers her path into public service, from her career as a Councilwoman to serving as State Senator, then becoming the first state-wide female Treasurer of the State, and now, Mayor. They talk about the value of collaboration in delivering results and why she compares being an elected official to living in Technicolor. Tune in to Mayor Cowell's pro tips for experiencing the best of Raleigh, and her definition of what a successful Democrat looks like today. IN THIS EPISODE: • [01:03] Raleigh, North Carolina, Mayor Janet Cowell's leadership in a fast-growing state. • [03:34] How she is effectively working to support affordable housing in her state. • [08:43] Law enforcement, youth empowerment, and data-driven resource allocation. • [11:34] Her path into public service from a mission and values-driven childhood to politics. • [12:47] Engaging the people of North Carolina. • [15:52] What prompted her to run for mayor, and how she describes life in public service. • [18:01] Her success as the first statewide woman treasurer of North Carolina. • [23:25] Highlights you can't afford to miss in Raleigh. • [24:57] How Mayor Cowell came to land in her state. • [26:19] What a successful democrat looks like in North Carolina in 2026.

Velocity can help a team plan, but it creates problems when leaders use it to judge performance. In this episode, Brian Milner and Scott Dunn explain why that shift happens so often and what leaders should pay attention to instead.   Overview Velocity is one of the most misunderstood metrics in Agile. Used well, it helps a team forecast and make planning decisions. Used poorly, it becomes a productivity score that encourages inflated estimates, unhealthy comparisons, and a focus on output rather than value. In this episode, Brian and Scott discuss why leaders often reach for velocity, why it gives them the wrong signal, and how teams can reconnect measurement to outcomes, learning, and business impact. They also explore how AI is making this issue more urgent by increasing delivery speed while putting even more pressure on leaders to ask whether teams are building the right things.   References and resources mentioned in the show: Scott Dunn #35: Metrics with Lance Dacy Rethink the Refinement Session: Less Time, Better Outcomes by Mike Cohn The Cost of Change Curve Is Outdated by Mike Cohn Subscribe to the Agile Mentors Podcast    Want to get involved? This show is designed for you, and we'd love your input.   Enjoyed what you heard today? Please leave a rating and a review. It really helps, and we read every single one.   Got an Agile subject you'd like us to discuss or a question that needs an answer? Share your thoughts with us at podcast@mountaingoatsoftware.com   This episode's presenters are: Brian Milner is a Certified Scrum Trainer®, Certified Scrum Professional®, Certified ScrumMaster®, and Certified Scrum Product Owner®, and host of the Agile Mentors Podcast training at Mountain Goat Software. He's passionate about making a difference in people's day-to-day work, influenced by his own experience of transitioning to Scrum and seeing improvements in work/life balance, honesty, respect, and the quality of work.  Scott Dunn is a Certified Enterprise Coach and Scrum Trainer with over 20 years of experience coaching and training companies like NASA, EMC/Dell Technologies, Yahoo!, Technicolor, and eBay to transition to an agile approach using Scrum. 

This week Jonathan and Tim review Daredevil: Born Again S02E07 The Hateful Darkness, Star Wars: Maul - Shadow Lord S01E07 Chapter 7: Call to Oblivion, S01E08 Chapter 8: The Creeping Fear, and The Boys S05E05 One-Shots.Peter Gabriel Sledgehammer RSD zoetrope vinyl #vinyl #zoetrope #petergabriel Record Store Day 2026Star Trek: Strange New Worlds | Season 4 Official Teaser | Paramount+ (CCXP Mexico 2026)'Gen V' Not Returning for Season 3 at AmazonDC's ‘The Authority' Movie Put on Back Burner, Says James Gunn: ‘Script Wasn't Quite There' and Story ‘Didn't Work in Terms of the Larger DCU'HOUSE OF THE DRAGON SEASON 3 | Teaser Trailer | #HBOMaxAsiaGerry Conway, Punisher Co-Creator and Spider-Man Writer, Dies at 73Roger Sweet, Creator of He-Man, Dies at 91Ted Lasso — Season 4 Official Teaser | Apple TVHow IMAX 70MM Film is Scanned and Printed!Three-Strip Technicolor's Rise & Fall - YouTubeWorld largest movie screenAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We've reached the final curtain call for our Cate Blanchett spotlight here on We Drink & We Watch Things, and we're closing out with the performance that officially turned her into an Oscar winner: Martin Scorsese's 2004 epic, The Aviator. It's the ultimate meta-cinematic challenge - one of the greatest modern actresses stepping into the sensible shoes of the greatest Golden Age actress, Katharine Hepburn. Mix yourself something classic and sophisticated - perhaps a Howard's Punch by Mackenzie - and let's head to the golf course.This week, we examine the sheer audacity of Cate's "impersonation-turned-performance," looking at how she mastered that iconic, rapid-fire New England lockjaw and the athletic, "don't-fence-me-in" energy that defined Hepburn. We break down her electric chemistry with Leonardo DiCaprio's Howard Hughes, specifically that brilliantly uncomfortable family dinner at the Hepburn estate where two different worlds of American aristocracy collide. We also discuss the film's stunning visual evolution, as Scorsese uses "two-strip" and "three-strip" Technicolor effects to mirror the era, and how Cate manages to shine through the stylized, vibrant hues as a woman who was "too much" for any one man to hold onto.If you love the glamour of Old Hollywood, the technical precision of a master at work, or just want to hear us debate if anyone else could have pulled off "Hot Dawg!" with such conviction, this is the perfect finale. We're blending our awe for her first Academy Award-winning turn with our usual casual banter, making this a truly legendary conclusion to our first Actress Month run.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

On this episode of Scene Missing, we head into shadowy postwar London for a stylish and strange detour in the career of Douglas Sirk. Before the lush Technicolor melodramas of the 1950s, Sirk took a crack at noir with the 1947 thriller Lured. A serial killer mystery wrapped in elegance, obsession, and just a touch of dark humor. Starring Lucille Ball in a rare dramatic role, the film follows a woman drawn into a dangerous undercover game as bait for a killer targeting lonely hearts. Along the way, she crosses paths with a gallery of suspects played by the likes of George Sanders and Boris Karloff, each bringing their own eerie flavor to the mystery.Joining me for the conversation is Washington D.C. comedian Lady Vee, and we dig into what makes Lured such an odd and fascinating hybrid. Is this a straight noir, or something more playful and subversive? How does Sirk's later thematic obsession with performance and identity show up here? And where does this sit in the evolution of Lucille Ball before I Love Lucy changed everything?

Send us Fan MailIt's calm seas and second helpings of strawberries this week as the TGTPTU boys cover their third of four curated Edward Dmytryk films, the multiple Oscar-nominated picture THE CAINE MUTINY (1954).  Saving its then “issues” producer (and subsequent to this movie an issues director) Stanley Kramer's bacon, Dmytryk delivered a bona fide hit picture adapting the already popular book by Herman Wouk about a fictional mutiny during WWII among American seaman upon the titular Caine. Deviating from the Broadway courtroom play starring Henry Fonda (who'll show up in next week's Dmytryk film), the movie hews closer to the novel depicting on screen and in glorious Technicolor events aboard the ship leading to the mutiny, leaving the theatrical adaptation's courtroom drama for the third act. The movie would also add Yosemite National Park as a romantic getaway between its Ivy League, very mid, blonde protagonist and POV character Ensign Willie Keith played by a now relatively unknown Robert Francis who died tragically at age 25 after a plane crash and his character's fiancée May Wynn played by May Wynn who changed her stage name to that of her character on the recommendation of Kramer. And for more on the plot, there's IMDB, Wikipedia, and further resources on the World Wide Web if you don't have a great-grandpa around to ask.   The film would have seven Academy Awards nominations and no wins, with Bogart losing out to Brando (and Kramer to Spiegel) for On the Waterfront.     This episode Ken and his metaphor get sweaty towards the ep's end; Ryan reveals the thuggish life of Joan Didion; and Gen Z'ers Jack and Thomas settle the TGTPTU style guide dispute over how to pronounce “gif.”   And now for an important announcement:Despite what your lying ears have heard, there has never been a recorded mutiny on TGTPTU. The truths of each episode lie not in their incidents, but in the way these three hosts in the battle for the Pacific Northwest meet the crisis of their lives. Now sound the Star Trek Original Series whistle, we're coming onboard.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

To commemorate the release of Michael, Nick and Bella explore some of the short films (yes, short films... not music videos) from the King of Pop. Jackson helped define this art form and brought the medium to a prominence that no other artist had approached. *Click on the titles of the films to watch them on YouTube*- We start with what is widely considered to be the greatest music video of all time, the horror-inspired Thriller, directed by John Landis. - Legendary filmmaker Martin Scorsese directs MJ and Wesley Snipes in the eighteen-minute, street-inspired Bad. - Finally, Technicolor dance pictures, gangster movies, and Film Noir all inspire some of the most unforgettable choreography Michael Jackson ever performed (which is saying a lot) in Smooth Criminal. - Additionally, in Sonja's Movie Minute, you'll hear about her experience and thoughts after attending the LA Premiere of Michael. Let us know what you think of these short films. What is your favorite MJ film or music video?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Does he have the cancer that kills you when you get married? You'll have to listen to find out. Valley of the Dolls (1967) film on the Internet Archive Valley of the Dolls (1966) book on the Internet Archive Valley of the Dolls: Why We Love This Awful Movie By Broey Deschanel Casting the Women of Valley of the Dolls | PT 1 By Be Kind Rewind The Making of Valley of the Dolls | PT 2 By Be Kind Rewind Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time By Stephen Rebello   FIND US ON LETTERBOXD SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM EMAIL THE SHOW: abreathoffreshmovie@gmail.com  

Chapter 7 sees Lucille Ball arrive at MGM, 31 years old, acutely aware this is her last shot at stardom.  She'll become the redhead we all think of including shining in Technicolor.  There's ‘Du Barry Was a Lady' which reintroduces her to Red Skelton and introduces her to Gene Kelly.  Then there's ‘Best Foot Forward,' a more-than-anything-else fun picture which begins her run of cameos (with the likes of Arthur Freed and Abbott & Costello).  There's also ‘Meet the People' with Dick Powell (right before his turn to Noir) and ‘Without Love' with Katharine Hepburn and Spencer Tracy.  All of this peppered with war bond tours and, a true tragedy outside the scope of World War II, Lucille losing a family member.  And Desi?  He's in the Army now, stationed at Birmingham Hospital which is close enough to Desilu the ranch he should be coming home nights.  But, well, Desi's Desi.  To wit, we can't help but notice his and Lucille's seemingly unending cycle of passionate fights and makeups.  Until that cycle looks like the end.  Please chime in here and/or on Instagram @fromoutofthepastpodcast with your questions & comments, or just sharing your love of Lucille Ball and her road to ‘I Love Lucy!'  Thanks for listening ...

A company can vanish from your pocket and still show up in court and that is not a metaphor. We take a hard look at the afterlife of innovation and the real business question behind it: can intellectual property outlive the company that created it, and if so, what legal structures make that possible?We trace six vivid case studies that turn “failed products” into ongoing value. BlackBerry shows how patent monetization and portfolio restructuring can create immediate liquidity while keeping a long royalty tail and upside participation. Nokia shows what happens when IP moves from consumer devices into network infrastructure, where standards essential patents and FRAND commitments can produce durable, recurring IP licensing revenue. Ericsson takes the same idea and makes it operational, using deals that shift ownership to specialist entities while retaining tiered revenue shares, aligning incentives and keeping the program disciplined.Then the tone gets sharper: Nortel reveals how bankruptcy restructuring can turn patents into the centerpiece of an estate, driving auctions and creditor recovery. Kodak demonstrates how timing, litigation risk, title clarity, and negotiation pressure can reshape patent portfolio valuation, even when the underlying innovation is strong. Technicolor closes the loop with a deal engineered like a financial instrument: cash up front, future revenue participation, and a license back to keep operating.If your business changed tomorrow, would your intellectual property still be creating value? Subscribe, share this with your team, and leave a review with the one IP strategy you want us to unpack next.Send us Fan MailCheck out "Protection for the Inventive Mind" – available now on Amazon in print and Kindle formats.The views and opinions expressed (by the host and guest(s)) in this podcast are strictly their own and do not necessarily reflect the official policy or position of the entities with which they may be affiliated. This podcast should in no way be construed as promoting or criticizing any particular government policy, institutional position, private interest or commercial entity. Any content provided is for informational and educational purposes only.

Walk Worthy of Your Calling Ephesians 4:1-10 by William Klock “It's Pauline and she sounds angry.”  It was my first week working as an Apple Computer repair tech and the receptionist was telling me I had a call.  I'd repaired Pauline's computer that morning and now she was on the phone and angry.  I didn't know what to expect, but I knew there was no way her computer had the same problem.  I picked up the phone and listened as Pauline yelled at me for a couple minutes because now her printer wasn't working.  This was a new problem.  It didn't make sense.  I spent the next half hour walking her through everything I could think of to get the printer working.  Nothing worked and she was getting angry again.  I knew the printer was plugged into the wall, because we'd already verified the lights were on.  “Pauline, this may sound really stupid, but the printer cable is plugged into the computer?  Right?  You plugged it back in when you got the computer home?”  She bit my head off.  “I never had to plug it in before!” she yelled at me.  “Okay, well, nothing else is working so just humour me.  Is there a cable plugged into the side of the printer?”  “Yes.”  Follow that cable to its other end and tell me where it goes.  If it's not plugged into the printer port on the computer, the computer can't talk to the printer.”  I heard grumbling on the other end of the phone, then a bit of swearing, and then she hung up.  She didn't call back.  Problem solved.  And thus began my career as a computer repair tech. There were a couple calls like that every week.  There was lady who delete an application from her iMac and needed help to reinstall it.  I told her to put the CD in the computer and then to double click it when it appeared on the desktop.  After going round in circles for over half and hour I finally figured out that she didn't know what a CD-ROM drive was.  She was holding the CD up the screen and then putting the mouse on top of it and clicking the mouse button.  As Veronica can relate, I had stories like this all the time.  These were the ones with funny endings.  A lot of them were just exercises in hair-pulling frustration.  I had to listen as people fumed or cry when I told them their hard disk was dead and their data were lost.  I had to call to tell them how much it was going to cost to fix their computer and then figure out what to do when they couldn't afford it.  But those direct interactions with my customers reminded me where my bread and butter came from.  They were the business.  Keeping them satisfied was the mission. A few years later I was hired by a company in Seattle.  The week before I was supposed to start, I went down to meet the guys I'd be working with.  Their shop had a completely different vibe.  And that was because the techs were completely isolated from the customers.  They didn't take phone calls, they didn't offer support, they didn't even talk to them at the service counter.  All they did was fix computers.  And that changed everything.  Talking with them, I used the word “customer” and the lead tech said, “Let me stop you right there.  We don't call them customers.  We call them…”  And what he called them isn't something I can repeat.  It was really bad.  The next morning I called the general manager there and told him I didn't want the job.  I eventually did get a job with that same company in Portland.  Things were run pretty much the same way as that shop in Seattle.  Thankfully the attitude was much better, but I noticed the problem.  When you never meet or deal with the customers, it changes your perspective.  The service counter keeps handing you broken computers and your job is to fix them.  And it never stops.  And instead of seeing the broken computers as the problem, you start to see the people who broke them as the problem.  You can even start to see them as the enemy.  And it becomes all about fixing the computers.  You lose sight of the real mission, which is to satisfy the customer and to leave them happy and with a good experience.  And it's easy to not notice, because you're still fixing computers even though you've lost the real mission.  In the corporate world they have a term for that: employee misalignment.  Or when it happens to a whole department or company, it's “mission drift”.  And it can absolutely destroy a business. Brothers and Sisters, the same thing can and does happen in the church.  We lose sight of our mission.  We misidentify the enemy.  And we fail as stewards of the gospel and of God's kingdom.  If a church does that long enough, if it gets entrenched in the wrong mission, if it misrepresents Jesus and the gospel and the kingdom and refuses to get back on track, Jesus warns that he will take away our lampstand.  Remember his letters to the seven churches in Revelation.  He'll let a church dwindle and die.  Because a bad witness is worse than no witness at all. We're back to St. Paul's letter to the churches in Ephesus this morning—Chapter 4.  [Page 1161 in the pew Bibles.]  And Paul gets at something very much like this idea of “mission drift”.  First, a little bit of recap: Before Passiontide we made our way through Ephesians 1-3.  In the first half of the letter Paul made his way back and forth between prayer and praise to walk us through the story of God and his creation—through the story of Israel and how Israel's story led everything to the story of Jesus, Israel's Messiah, and how Jesus has created a new Israel, a new people of God who have been filled and given new life through the Holy Spirit God had promised to his people so long before.  In Ephesians 1:10 Paul spelled out God's plan and promise: to sum up the whole cosmos in the Messiah, everything in heaven and on earth in him.  It's a promise of a new temple.  Heaven and earth brought together and at the centre of it, at its heart is the image of God.  That image was supposed to be us—humanity.  God created us to be the stewards of his creation and the priests of his temple.  But we rejected that vocation and tried to become gods ourselves.  And so Jesus has come to restore that image—to represent it faithfully and perfectly himself and to wash us clean with his blood and to fill us with his Spirit in order to restore us to that lost vocation.  So Paul is clear: this promise has been fulfilled already in Jesus.  It is currently being fulfilled in the creation of a renewed humanity.  For Paul, the great witness of this new humanity is the church—where Jews and gentiles were being brought together into a single, united people, filled with God's Spirit and living as his temple.  And the promise, finally, will be fulfilled in the end when, as he puts it, God will do far more abundantly than we can ask or imagine. So Jesus and the church—this new people, this renewed humanity—are the evidence that God truly is at work to set his broken creation to rights.  Through this people, God will reveal his manifold, his multifaceted, his Technicolor wisdom to the world and one day, because of Jesus and the faithful stewardship of his people, the whole earth will be filled with the knowledge of the glory of God.  Brothers and Sisters, this is why the church's witness is so important.  This is why mission drift is so dangerous.  This is why, if a church goes astray from the mission and repeatedly and repeatedly refuses God's correction, he will let us wither and die.  Because the church is meant to witness his glory to the world and that can't and won't happen unless we are faithful stewards of his gospel and his Spirit, unless we're truly heaven on earth people. So Paul now begins Chapter 4 writing, “Therefore…”  All of that (Chapters 1-3) is what the “therefore” is there for.  So knowing God's plan and his promise, knowing that he is setting creation to rights through Jesus and the faithful witness of his church, he says “Therefore, I appeal to you—yes, it's me, the prisoner in the Lord—I appeal to you to walk worthy of the calling to which you've been called.  Bear with one another in love; be humble, meek, and patient in every way with one another.  Make every effort to guard the unity that the Spirit gives, with your lives bound together in peace.” Paul's going to make three points in verses 1-10 and this is the first.  He's got something important coming in 11-16, but first he's got to lay a foundation for it.  Think of it in terms of him building a sturdy three-legged stool to support it.  So, first, here in verses 1-3 he stresses the need for humility.  He starts out stressing that it's essential for the church to live in a way that matches the gospel—the good news about Jesus.  “Walk worthy of the calling to which you've been called.”  Into the middle of this Paul interjects a reminder of his imprisonment.  They already knew he was in prison.  That's why he's writing them a letter instead of talking to them in person.  But Paul reminds them again at this point because he saw his imprisonment as an example of what it means to walk worthy of our gospel calling.  Brothers and Sisters, the ways of God's kingdom are the inverse of the ways of the world.  To the pagans in Ephesus, for Paul to be in prison was a sign that either he was out of favour with his God or that his God was powerless to help him.  But for Paul, who had made the cross and the humility of Jesus the lens through which he looked at everything, to be in prison for the sake of the gospel was a sign of faithfulness.  In the same way, the gospel virtues that he says should characterise the life of the church—the ones he lists in verse 2: loving each other, being humble, meek, and patient—those weren't virtues at all in the world of the Greeks and Romans.  To the pagans, they were signs of weakness. So Paul stresses that they've been called.  Usually Paul uses this word, this idea of “calling” to emphasise God's initiative in our coming to faith, but here he kind of wrapping everything to do with—call it “conversion”—he's rolling it all into this idea of calling: We've heard the gospel, we've received and taken to heart the gospel, we're repented, and in faith we've obeyed the gospel.  Now he reminds us just what it was we responded to when God called us.  This is the part I think we sometimes forget, but Paul wants us to remember that the gospel—the good news about Jesus and the message that once captivated us—is about God's amazing kindness and generosity and grace.  And Paul's point is that if that's the gospel that called us, then our gospel life ought to be equally characterised by kindness, generosity, and grace. When I hear that I think, “Oh yeah!  Duh.  How could I lose sight of that?”  But we do.  I don't think we ever forget it; it's more that it sort of slips into the background.  But when we let that happen—think of our Philippians 2 Epistle from Palm Sunday—when we let this slip into the background, we lose the mind of the Messiah that Paul is so insistent we should share.  We stop acting with humility and we start acting and living according to the values of the world around us.  Instead of living for others, we start using and abusing others for ourselves.  Instead of putting others before ourselves, we act out of pride and selfishness.  Instead of being gracious, we can become jerks.  To people out there.  But to our brothers and sisters in the church, too.  And when we do that, we stop working and living as the body of Jesus, our unity starts to break down, and our light grows dim.  We undermine our witness to God's new creation.  So Paul reminds us: bear with each other in love, with humility, meekness, and patience—because this is the way of the cross! The Greek word Paul uses for “patience,” it literally means “great-heartedness”.  Brothers and Sisters, consider the great-heartedness of Jesus who died for his enemies.  We ought to have that kind of great-heartedness for each other.  It doesn't happen naturally, but this is why God has plunged us into his Spirit—or maybe I should say, he's plunged his Spirit into us: to fill our hearts with love for him and for each other.  We come to the church from different backgrounds, we all have our likes and our dislikes and our preferences, we have our different personalities, we all have our hurts and traumas, and it's really easy to get bent out of shape or bend others out of shape when things don't go right.  It's really easy to want to force our desires on others.  It's really easy to use others to accomplish our own goals.  It's really easy to become divided.  Paul knew that as well as anyone and so he tells us, “No!  That's not your calling.  Your calling is be a loving, generous, and gracious gospel people who share the mind of the Messiah and overflow with the love and life of God's Spirit. And, like I said, things like humility, meekness, and patience were not virtues in their world.  This is why Israel stood out from the peoples around them.  The scriptures taught them over and over the importance of humility and love, meekness and patience.  The pagans didn't think that way and even Israel struggled and often failed to be this kind of people.  And this is why it's so important for the church—for us—to remember our calling: because our renewal through Jesus and the Spirit to this kind of life is the fulfilment of the scriptures—of God's promises.  Our gospel life is a witness to God's glory and one that confronts this broken world with what true humanity is supposed to be.  This is how the church announces the coming of God's new creation.  This is what it means to be the people who pray “on earth as in heaven” and not just the people who hope for it and pray for it, but most importantly the people who do it. Instead, we're too often like James and John (remember that scene in Mark's Gospel) conniving a way to sit at the right hand of Jesus.  And Jesus reminds us: That's how the pagans do things.  They push and shove and boss and bully their way through life, always trying to get to the top, but the son of man came to give his life as a ransom for many.  Brothers and Sisters, keep the generous humility of Jesus always in your sight.  That's the kind of people, the kind of community the church should be.  In fact, Paul writes in verse 3: the Spirit has given us unity and made us one and we need to guard that unity with our lives.  That means, first, that each of us ought to live for the sake of our brothers and sisters and not for ourselves.  If we would do that, we'd have no reason to be offended by each other and to divide.  But, too, to live for the sake of each other is to be willing and quick to forgive instead of taking offense when things do happen.  And, again, this runs totally against the grain of our culture.  Our culture says to look out for ourselves; it says to get even; or it says, at least, to cut those problem people from our lives.  The church is meant to witness a better way of being human—one that shows the world (again) the love, generosity, and patience of the cross. So that's the first leg of our stool.  Now look at verses 4-6: “There is one body and one Spirit; you were, after all, called to one hope which goes with your call.  There is one Lord, one faith, one baptism; one God and Father of all, who is over all, through all, and in all.” I can't help but think that Paul has the shema in mind.  Deuteronomy 6:4: “Hear O Israel, the Lord our God, the Lord is one.”  That was sort of Israel's fundamental creed.  It's why God could not be represented by idols and it's why there was only to be one temple in Israel.  And now Paul extrapolates that out in light of Jesus and the new covenant.  One body, one Spirit, one hope; one Lord, one faith, one baptism; and above all, there's one God.  We're so distant from the polytheistic world of Paul and the Ephesians that we might not realise what Paul's doing here, but this is him again highlighting how the church confronts the world with the reality of God and his new creation.  Hear, O Church, the Lord our God, the Lord is one…and that oneness works its way through who we are and what we do.  And it not only makes the church stand out in a world chock full of gods as in Paul's day, but it also makes the church stand out in a world that is divided by philosophies and religions and all the “isms” we can think of.  And that includes all the “isms” that divide the church: Anglicanism, Lutheranism, Catholicism, Presbyterianism, Methodism, Pentecostalism and on and on.  You and I won't fix all those divisions, but we ought to do all we can in our life as the church to live out the reality that we share one faith in the one Lord, that we've all been baptised into the one triune God, filled with the one Spirit, and live with the one hope of a world set to rights, and that we are one body despite what the signs outside our churches might imply. When it becomes more about our “brand” than it does about our one God, our one Lord, our one faith, our one baptism, and our one hope; when we start thinking of Brothers and Sisters in the Lord as enemies—we've lost the plot.  Ecclesiastical employee misalignment.  Ecclesiastical mission drift.  We need to recentre ourselves on Jesus.  We probably really need to remember his humility, because we've probably become more than little ecclesiastically or theologically snobbish.  And we need to remember that God intends to make his glory known to the world through his church regardless of our “isms” and those things won't matter when the mission is accomplished and he is above all, through all, and in all—that glorious image of a temple filled with his presence. And then then the third leg.  Look at verses 7-10: “But grace was given to each one of us, according to the measure the Messiah used when he was distributing gifts.  That's why it says [and here Paul quotes Psalm 68:18], ‘When he went up on high, he led bondage itself into bondage, and he gave gifts to men.'  When it says that ‘he went up,' what this means is that he also came down into the lower places, that is, to earth.  The one who came down is the one who also ‘went up', yes, above all the heavens, so that he might fill all things.” What Paul's working towards is an explanation of God's gifts to the church—all of us having a vast diversity of gifts to be used together for the common good.  We'll get to that next Sunday.  But before he can get to the diversity of gifts, Paul wants to stress the fact that the gift of the gifts themselves is yet another thing that stresses our unity.  Because those gifts, if we run with them on our own can turn into a source of division.  So Paul quotes from Psalm 68, which is about God's enthronement on Mt. Zion, but it's also got echoes of Moses going up Mt. Sinai.  The gist of it is God enthroned on high and lavishing gifts on this people—whether that's his abundance on the nation Israel or sending down Moses with his law carved on stone tablets.  Paul knew this Psalm well, but after he met the risen Jesus, it took on another layer: It's now the Messiah who ascended to his throne and in doing that he has led bondage itself into bondage.  The long captivity of humanity to sin and death is over.  Jesus has triumphed and been exalted.  It follows Paul's prayer in Chapter 1 where he praises God for putting all things in subjection under his feet.  So Jesus' enthronement after defeating our enemies has inaugurated a new age.  And that prompts Paul to tweak the words of the Psalm.  Instead of humans bringing gifts to God as they did under the old covenant, God now pours out his gifts of grace and redeemed humans receive them.  Through that grace and through those gifts, God is setting his people to rights so that they—so that we, his people, his church—can begin to live his new creation here and now.  So, first, the gospel not only restores us to our God-given vocation, it also gives each of us a new sub-vocation to help the church fulfil that task. Second, Paul, I think, stresses that this is part of the gift of God's Spirit.  Jesus has ascended and in doing so the Spirit has “come down”.  This is again about God's new temple.  Jesus washes us clean and makes a fit dwelling place for God, and God then sends down his Spirit to indwell us—as Paul put it in 3:19 when he talked about the church being filled with all God's fullness.  And in this Paul reminds us of the mission: Again, God's purpose is to set creation to rights by filling it with the knowledge of his glory as the waters cover the sea.  The church is his means of doing that.  We're not only the people entrusted with the good new of Jesus, crucified and risen; we're not only a people entrusted to proclaim the goodness and faithfulness, the lovingkindess and generosity of God; we're also a people filled with his presence and made stewards of his new creation, enabled to live it out—even if imperfectly—in the midst of the old.  A people called both to proclaim the good news that Jesus is Lord and that he has died and risen to deliver us from sin and death, but also a people called, gifted, equipped, indwelt by God himself, in order to make known his love, generosity, and patience and to display as a community the very renewal, the very filling of all things that is our hope and towards which his plan and his promise are moving. And this—I'll just say in closing—this is why the Bible's image of the temple is so important.  It not only reminds us who we are; it reminds us of the mission.  The temple is the place of God's presence.  It's the place where people go to find, to meet, to know, to experience the God of creation.  And too often we think of it as something out there, but Brothers and Sisters, the temple is us.  Washed clean by the blood of Jesus and filled with God's Spirit, we are the temple.  And that means that the world ought to see the God of the incarnation, the God of the cross, the God who humbles and gives himself for the sake of his enemies, the world ought to meet that God in us.  We can become consumed by so many other good things, so many other things that, yes, as the church we should be doing.  But we lose sight of the real mission, of our real calling to be God's temple, to make his glory known to the ends of the earth.  Brothers and Sisters, the world ought to be drawn to God, to this temple, as it sees in us a better way to be human, as it sees the beginning of God's new creation in our life together: humanity's divisions and strifes healed here.  Humanity's tears wiped away, here.  As it finds hope here.  The grace and love, the meekness and the patience of Jesus the Messiah on display here.  As it sees the glory of God in the work of redemption taking place in us. Let's pray: Almighty Father, you gave your only Son to die for our sins and to rise again for our justifiction: Grant that we may put away the leaven of the old age, and put on the life of the new that we might make your glory known in all the earth; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever.  Amen.

« Je peux être intelligente quand c'est important, mais la plupart des hommes n'aiment pas ça. » La célèbre réplique des hommes préfèrent les blondes de Howard Hawks (1953) pourrait, dans un sens, bien résumer les choses : Marilyn Monroe affronte l'impitoyable système des studios pendant sa courte carrière d'actrice à Hollywood (1946-1962) et reste aujourd'hui autant déconsidérée, comme interprète, qu'adulée en tant que star. Du fait de ses possibilités scénographiques, l'exposition est particulièrement appropriée à l'opulence visuelle que Monroe cristallise dans les années 50. Sa trajectoire à l'heure du Technicolor et de l'écran large s'illustre par le matériel publicitaire glamour, la garde-robe sexy, les portraits d'artistes de renom (Eve Arnold, Richard Avedon, Andy Warhol...) mais aussi les actualités analysant chaque décision de la célébrité. Ou commentant sa disparition qui ouvre, à l'âge de 36 ans, le spectaculaire chapitre de « sa vie » post mortem. Cet héritage est célébré dans une installation inspirée de la culture ballroom que Madonna – incarnation de la pop culture dans sa capacité à s'approprier les tendances pour les faire rayonner – popularise bien avant Drag Race. Avec nous pour en parler : - Florence Tissot, commissaire de l'exposition « Marilyn Monroe » - Ginette Vincendeau, historienne du cinéma.

Episode 187 is here and we're wrapping up Technicolor Life by Ko Ko Mo! This album has riffs, groove, swagger, and enough rock energy to power a small city. Somewhere between blues, garage rock, and “how are there only two people making this much noise?” The wheel brought it… and we cranked it. Tune in as we finish up this technicolor ride.

Episode 194 - Go To Blazes (1962) "So many firms nowadays prefer conflagration to liquidation." If you are looking for a cracking way to spend eighty minutes, Go to Blazes is a proper hidden gem of British cinema. It has that pitch-perfect 1962 atmosphere—stylish, colourful, and just a touch rebellious. The plot is an absolute hoot: three ambitious but slightly dim-witted crooks decide the ultimate way to beat the London traffic after a smash-and-grab is to nick a literal fire engine. It is one of those "so barmy it just might work" ideas that keeps you smiling as you watch them navigate the sheer absurdity of their own scheme. What really makes the film stand out is its visual flair. The vibrant red of the fire engine against the backdrop of vintage London looks smashing in Technicolor, and the whole thing has a snappy, rhythmic energy. Dave King is top-notch as the group's leader, Bernard; he plays the part with a smooth, confident charm that makes you genuinely root for the lads to pull it off, even when things start going pear-shaped. Alongside Norman Rossington and Daniel Massey, the trio shares a natural, effortless chemistry that feels like a group of real mates getting in way over their heads. The humour is exactly what you want from a classic British comedy—sharp and dry, but never slow or stuffy. It is a breezy, lighthearted caper that does not try to be a heavy drama, and it is all the better for it. Between the jazzy soundtrack and the escalating chaos of the fire engine ruse, the film is just pure, unadulterated entertainment. It captures a sense of mischief and fun that feels completely timeless. It is a stylish, cheeky joyride that proves you do not need a massive budget to make a comedy that really hits the mark.

In Episode 534, Patrick, Jeffrey and Craig indulge and quite a bit of banter, and then discuss five mostly baseball topics.   1. I've always liked it slow, I've never liked it fast: How worried are we about some slow starts?2. Air Jordon: Jo Adell beats the Mariners single...glovedly3. Around the Horn: The Trop is fixed, but a lot of players are hurt.4. What to Watch: Patrick is a real sicko5. A good and competitive game this time,Five and Dive is listener-supported, you can join our Patreon at patreon.com/fiveanddive. If you want to get in contact with the show, the e-mail address is fiveanddive@baseballprospectus.com.                                           Our theme tune is by Andy Matthews, who you can follow on Bluesky @andymatthewsmusic. You can listen to him on Spotify and Apple Music. It was produced by Barrie Maguire and Tim Ferguson.

Send us Fan MailApril 1 in the Great Plains isn't just a punchline. We start with the kind of frontier humor that could make or break you: trail-boss tricks like sending a newcomer for a bucket of steam, and Dodge City stunts so convincing they leave bystanders sure they've witnessed a killing. Those pranks weren't random cruelty. They were a social code, a way to build community fast, measure grit, and survive a life defined by hard work, uncertainty, and long stretches of dust and wind.Then the story takes a sharp turn from saloons to searchlights. We head to April 1, 1939, when Dodge City transforms overnight into the center of the cinematic universe for the world premiere of Warner Brothers' Technicolor epic “Dodge City.” Special Hollywood trains roll into town carrying major stars like Errol Flynn and Olivia de Havilland, alongside Ann Sheridan, Humphrey Bogart, and Alan Hale. The population swells toward 50,000, the streets fill ten deep with hats and boots, and an army of reporters documents a prairie town watching a movie about itself.What makes this night unforgettable isn't only the celebrity or the parade. It's the moment Ford County history collides with American mythmaking. We talk about how Hollywood shapes the Old West legend, why locals don't seem to mind the facts getting bent, and what it feels like when your hometown stops being a place and becomes a story on the silver screen. If you care about Dodge City history, Old West culture, or how movies rewrite memory, hit play, subscribe, and share the show, then leave us a review and tell us: does a film keep history alive or blur it beyond repair?Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included. 

Jackie and Greg don their leotards for Michael Powell and Emeric Pressburger's THE RED SHOES from 1948. Topics of discussion include the film's sumptuous use of Technicolor, what it has to say about living an artistic life, a detailed breakdown of Anton Walbrook's character, and why it remains one of the most beloved films ever made.#67 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.com

The wheel just jumped a few decades… and we're not mad about it. Episode 187 is locked in and the pick is Technicolor Life by Ko Ko Mo. Fuzzy riffs, huge grooves, and the kind of modern rock energy that makes you double-check the speakers. Two people. One massive sound. And now the Rock Roulette treatment—track by track, opinions flying, zero safety net. Spin the wheel, crank the volume, and let's see what this one's made of..

Billy Wilder's last film was a classy, black-and-white romance that paid homage to his mentor, Ernst Lubitsch. In The Seven Year Itch, Wilder goes widescreen and Technicolor to squeeze out plenty of boob jokes. Like what we do here on the Filmographers? Then please consider joining our Patreon! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Ken Wilber, the grand architect of Integral Theory, enters the Decoding chamber (wearing a striking but slightly unconvincing wig) as we explore a worldview that confidently absorbs every religion, philosophy, and half-remembered psychology paper into one majestic, Borg-like synthesis. Resistance, as it turns out, is not just futile... it is probably “first-tier thinking".This is a world of elaborate, baroque cosmologies. Layers within layers, quadrants within stages, spirals within states, with each offering a map of reality that grows more intricate the closer it gets to its own centre. Traditions are not debated so much as absorbed, their distinctiveness dissolved into a higher synthesis that always leads to the ultimate insight: integral theory.Get ready to experience high-level political analysis where Kamala Harris becomes a “fractured green" and Donald Trump the embodiment of a "rational orange". You will also learn how Ken is working with AI companies to help them incorporate integral thinking into their algorithms. The implications this has for human evolution are hard to fathom.Finally, in true Columbo fashion, we circle back to Matt's core philosophical system … panpsychism. Just a small detail, and also take some time to conduct a brief spiritual inquisition into Matt's alleged Christian upbringing. Fortunately, nothing is rejected. Everything is integrated, including all possible critiques.SourcesSuma Gowda: Ken Wilber on Future of Consciousness, AI, Trump's Election: A Deep Dive into Spiral DynamicsThe Rise and Fall of Ken Wilber – Mark MansonRebel Wisdom: Interview with Ken Wilber- What Happened to Jordan PetersonDS Wilson finds wisdom in Ken's approachKen Wilber's website

A video game villain. A tribute to a sci-fi author. A Technicolor hero. A big boy. A WWII cyborg. Which are hot, which are not? The Girls of the Hot Squad continue their evaluation of Who's Who #5's entries based on sheer datability. Featuring permanent panelists Elyse, Isabel, Josée, Nathalie, Shotgun, and Amelie. Listen to Episode 27 below (the usual mature language warnings apply), or subscribe to the feed on Apple Podcasts or Spotify! Relevant images and further credits at: Who's Hot and Who's Not ep.27 Supplemental This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST NETWORK. And thanks for leaving a comment.

A video game villain. A tribute to a sci-fi author. A Technicolor hero. A big boy. A WWII cyborg. Which are hot, which are not? The Girls of the Hot Squad continue their evaluation of Who's Who #5's entries based on sheer datability. Featuring permanent panelists Elyse, Isabel, Josée, Nathalie, Shotgun, and Amelie. Listen to Episode 27 below (the usual mature language warnings apply), or subscribe to the feed on Apple Podcasts or Spotify! Relevant images and further credits at: Who's Hot and Who's Not ep.27 Supplemental This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST NETWORK. And thanks for leaving a comment.

Big hair. Bright neon. One legendary dreamcoat.In this episode, we talk about St. Francis de Sales Musical Theatre's upcoming production of Joseph and the Amazing Technicolor Dreamcoat—running April 30–May 3, 2026 at the Franciscan Theatre at Lourdes University.This high-energy Andrew Lloyd Webber classic gets a totally rad twist as the production reimagines the story in the colorful world of the 1980s. Expect bold costumes, retro choreography, and a Technicolor coat that might just steal the show.It's fast, fun, and packed with unforgettable songs—from “Any Dream Will Do” to “Go Go Go Joseph.”If you love musical theatre and a little 80s nostalgia, this is one show you won't want to miss.

If you want to live an abundant life you are going to need to learn to recognize the voice of God. Welcome to the 167!Connect with usWebsite: https://www.newlifegardner.comFacebook:  https://www.facebook.com/NewLifeGardner/Instagram:  https://www.instagram.com/newlifegardner

"No, I'm a star! Please, I'm a star!" After years of resisting the spell Mia Goth has cast on all of us, we're covering Pearl! Shot back-to-back with X during the dark days of the pandemic, Ti West's mélange of horror and 50's melodrama captivated audiences. We talk about how the movie feels outside the studio system and how it lends itself to its odd Technicolor fever dream tone. Who we'd take out of the 2023 Best Actress Race to fit in with Mia Goth's incredible performance, and the delightfully camp moments Pearl gives us.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

Hi, friends! Happy Wednesday! You've seen The Wizard of Oz... the ruby slippers, the Yellow Brick Road, the flying monkeys… But you've also heard rumblings of some dark rumors, haven't you? Well, behind all that glitter and Technicolor magic was a nightmare of toxic makeup, real fires, starvation diets, terror in Munchkinland and a studio system that nearly killed a teenage Judy Garland. In today's episode of Dark History, let's follow the (bloodsoaked?) yellow brick road backstage to uncover the shocking truth behind one of Hollywood's most iconic movies. From the Tin Man's near-death experience to the Witch catching fire on set (literally), to asbestos snow and all sorts of horrible abuse — this is the wicked story of The Wizard of Oz that MGM never wanted you to hear. ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Goodreads: http://bit.ly/3IVnO7N Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ This podcast is Executive Produced by: Bailey Sarian and Joey Scavuzzo Head Writer: Allyson Philobos Senior Writer: Katie Burris Research provided by: Xander Elmore Director: Brian Jaggers Additional Editing: Julien Perez and Maria Norris  Hair: Angel Gonzalez Makeup: Nikki la Rose ________ Get started today at StitchFix.com/darkhistory to get $20 off your first order—and they'll waive your styling fee. That's StitchFix.com/darkhistory The best way to cook just got better. Go to HelloFresh.com/DARKHISTORY10FM now to Get 10 Free Meals + a Free breakfast for Life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. That's HelloFresh.com/DARKHISTORY10FM to Get 10 Free Meals + free breakfast for Life. Shop my favorite pajamas at SKIMS.com. After you place your order, be sure to let them know we sent you! Select "podcast" in the survey and be sure to select our show in the dropdown menu that follows And if you're looking for the perfect gifts for everyone on your list - the SKIMS Holiday Shop is now open at SKIMS.com. Check out squarespace.com/DARKHISTORY for a free trial, and when you're ready to launch, use OFFER CODE: DARKHISTORY to save 10% off your first purchase of a website or domain.