Podcasts about Technicolor

Pete and Hannah take a nostalgic trip to postwar Paris as they review An American in Paris, the dazzling MGM classic that blends romance, art, and unforgettable music. From Gene Kelly's electrifying dance sequences to Gershwin's sweeping score, they explore what makes this Technicolor masterpiece endure—and whether its charm still captivates modern audiences.

A Isabel le ha dado un ‘sthendalazo' multicolor en toda la cara y nos va a hablar de eso precisamente de películas en las que para ella el color es fundamental. Desde El Mago de Oz, hasta LA LA LAND. Pasando por las Vírgenes Suicidas de Sofía Coppola. Un recorrido por el cine que verás después de escuchar este podcast con otras gafas. Y no las de sol. Lucía vuelve a los 70's y a la Factory de Andy Warhol y nos retrata hoy a NICO, la mujer que todos tenemos en la mente en blanco y negro. Con una infancia de posguerra y precariedad, mucha precariedad, nos cuenta como se posiciona como modelo, cantante y actriz (pero de verdad, ¿eh?) en los 60 y como trabaja para comer.  Una vida compleja y como nos dice Lucía, atraída hacia lo degradado. “Enloquecer, colocarse y bajar a los infiernos”, nos cuenta. Precursora del punk y el underground. Historión de otra mujer más que mucha gente verá siempre detrás de un hombre. O de varios. _____________________________________________ Este programa y todo lo demás es posible gracias a personas como tú. Accede a todos los programas íntegros y a contenido extra en nuestro Patreon: https://patreon.com/deformesemanal Y ven a vernos a los teatros: https://linktr.ee/deformesemanalidealtotal Gracias. Learn more about your ad choices. Visit megaphone.fm/adchoices

"No, I'm a star! Please, I'm a star!" After years of resisting the spell Mia Goth has cast on all of us, we're covering Pearl! Shot back-to-back with X during the dark days of the pandemic, Ti West's mélange of horror and 50's melodrama captivated audiences. We talk about how the movie feels outside the studio system and how it lends itself to its odd Technicolor fever dream tone. Who we'd take out of the 2023 Best Actress Race to fit in with Mia Goth's incredible performance, and the delightfully camp moments Pearl gives us.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

We open this episode by talking about how seeing ourselves on camera during COVID changed the way many of us think about how we look. We discuss how lighting, color, and cohesion play a bigger role than we realize, and how that realization often becomes the entry point into color analysis. From there, we introduce House of Colour and Dee Pineaut, who joins us to explain what color analysis actually is and where it comes from.We walk through the history of color analysis, starting with early 20th-century art theory and the Bauhaus movement, and then moving into the film industry with the rise of Technicolor. Filmmakers learned that certain colors could make actors look healthier, younger, brighter, or more sinister, and those same principles apply to everyday people. We talk about how color can either harmonize with someone's natural undertones or fight against them, affecting how vibrant or washed out they appear.We then break down what a typical House of Colour appointment looks like. Natural daylight and an in-person experience are essential, and precision-dyed drapes are used to determine whether someone has warm or cool undertones. From there, we outline the four seasonal palettes—spring, summer, autumn, and winter—and what those seasons mean in practical terms. We discuss how finding the right colors simplifies getting dressed, helps wardrobes become more cohesive, and reduces decision fatigue in the morning.We move beyond color into style analysis, where we talk about body shape, clothing cuts, and personality. We emphasize that this process is not about changing someone's body, but about honoring it and choosing shapes, fabrics, and details that work best for each individual. We highlight how style evolves over a lifetime and how these tools help people adapt through career changes, retirement, weight changes, and life transitions.We also cover the additional services House of Colour offers, including cosmetics, wardrobe edits, personal shopping, and online shopping resources. Dee shares her own journey into this work, explaining how her personal transformation led her to open a House of Colour studio in Royal Oak. We close by talking about client success stories, community involvement through the Royal Oak Chamber, and how listeners can get started on their own color and style journey.More:Dee's House of Colour Website: https://www.houseofcolour.com/stylists/dee-pineau-royal-oak-michigan(00:00) – Intro(01:25) – What Color Analysis Is and Where It Comes From(02:48) – Film, Technicolor, and the Psychology of Color(03:32) – What House of Colour Does(04:51) – What a Color Analysis Appointment Looks Like(06:34) – Favorite Colors vs. Best Colors(08:06) – Why In-Person Analysis Matters(09:13) – Style Analysis and Body Shapes(11:06) – Additional Services: Makeup, Wardrobes, Shopping(13:10) – Dee's Personal Journey to House of Colour(14:27) – Client Transformations and Success Stories(15:22) – Royal Oak Chamber and Community Involvement(16:26) – How to Get Started with House of Colour Learn more about the Royal Oak Chamber of Commerce: https://www.royaloakchamber.com/Connect with our hosts:Jon Gay from JAG in Detroit Podcasts - http://www.jagindetroit.com/Lisa Bibbee from Century 21 Northland - http://soldbylisab.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What is it to "die to your flesh" and "walk in the Spirit" in our lives? What does death have to do with discipleship? Welcome to the 167!

Nathan and Ryan step into the Technicolor fantasy worlds of The Secret Life of Walter Mitty (1947), the Danny Kaye–starring comedy that turns escapist daydreaming into full-blown cinematic spectacle. Loosely inspired by the James Thurber story, the film follows a meek photo editor whose vivid imagination repeatedly whisks him away from mundane reality into swashbuckling adventures, musical numbers, and heroic alter egos. The hosts discuss Kaye's rapid-fire performance style, the film's playful visual inventiveness, and how Hollywood transformed a short, subtle story into a maximalist studio showcase. Is it a classic of Golden Age comedy or a fascinating case of adaptation excess? Tune in to find out.

Stop being saved and stuck. Live life in technicolor. Welcome to the 167!Connect with usWebsite: https://www.newlifegardner.comFacebook:  https://www.facebook.com/NewLifeGardner/Instagram:  https://www.instagram.com/newlifegardner

As we continue revisiting past Oscar winners, this week we're spotlighting a former Best Cinematography winner with Michael Powell and Emeric Pressburger's Black Narcissus.A masterclass in color, atmosphere, and visual storytelling, Black Narcissus remains one of the most stunning films ever put to screen. Shot almost entirely on soundstages yet feeling vast and untamed, the film's cinematography transformed painted backdrops and controlled lighting into something mythic and haunting.We break down how the visuals shape the psychological tension, why its use of Technicolor still feels revolutionary, and whether modern audiences fully appreciate just how groundbreaking this film was.Lush, hypnotic, and visually unforgettable — this is Oscar-winning craftsmanship at its finest.#WatchTowerFilmPodcast #OscarSeason #BlackNarcissus #BestCinematography #PowellAndPressburger #ClassicCinema #Technicolor #FilmPodcast #AcademyAwards #Cinematography

S6E06: Making MovieLabs MagicIn 2019, MovieLabs published their 2030 Vision for the film and TV industry. What is their progress on delivering on that vision that stands to drive greater efficiencies, standards, and collaboration in the industry?In the latest episode of Making the Media, we delve into the world of MovieLabs and discover the work which has been done with Avid to help realize the ambitious vision for the future that is not too far away.Our Guests This Episode Jim Helman, CTO, MovieLabsJim Helman is an experienced technologist who brings toMovieLabs an extensive background in building entertainment-related products and a passion for innovation. At MovieLabs, Jim has led cross-industry initiatives including driving worldwide standards for high dynamic range (HDR)video and building the Entertainment Identifier Registry (EIDR), for which he received an Engineering, Science & Technology Emmy® Award. His work on security includes the development of the MovieLabs Enhanced Content Protection Specification (ECP), which established a hardware level of robustness for 4Kconsumer devices.Mark Turner, Program Director, Production Technology MovieLabsMark coordinates the Production Technology program for MovieLabs that created the 2030 Vision for the future of content creation. In Mark's 25 years in the global media industry, he has always been at the intersection of technology and business models. Mark has held roles from product management to sales, strategy, business development, and partnerships for start-ups, to multi-billion-dollar corporates including Ryff Inc., Technicolor, Levels Beyond, RStor, Dolby Laboratories, Microsoft, BT Media & Broadcast, andEutelsat. Shailendra Mathur, VP of Architecture, AvidShailendra is a seasoned technology executive and industry leader specializing in managing large engineering organizations. With over 30 years of innovation experience, he has a proven track record of combining business acumen, technology thought leadership, and collaborative teamwork to define business transformation strategies for media enterprises. His work has consistently created competitive differentiations and business efficiencies. More ResourcesFor more on this topic, check outAvid Content Core – Discover more about Avid's coming content data platform for media productionVideo Post-Production – Get the latest updates on Media Composer and AI-powered workflowsMovieLabs – Find out about the mission of the organization and its ongoing work to deliver on its 2030 Vision Contact UsQuestions? Comments? Cool ideas? Get in touch: makingthemedia@avid.com. Follow Avid at @avid.CreditsHosts:Craig Wilson and Ray ThompsonProduction team: Matt Diggs, Owen Lynch and Wim Van den BroeckThemeMusic: Greg “Stryke” Chin

A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.Becca didn't even need a piss jar to make me fall in love with hercontent warning at 05:23spoilers begin at 07:53ghostbeast.comcheck our Youtube and TikTok for video contentmusic provided by The F-usesupport us at ghostbeast.bigcartel.com and merchyeah.com/ghostbeastcontact us at podcast@ghostbeast.com

Ambition, Technicolor, fairy tales, how to be an artist in an unforgiving society, and terrible, terrible men. Let's talk about Powell and Pressburger's The Red Shoes.

En 1966, en la ciudad de São Paulo, los hermanos Dias Batista, Arnaldo y Sergio, se unieron a Rita Lee para formar el grupo Os Mutantes. En 1999, con la publicación del recopilatorio 'The best of Mutantes. Everything is possible', por el sello Luaka Bop de David Byrne, el mundo anglosajón (Beck, Kurt Cobain...) descubrió con asombro (y con retraso) la creatividad de aquellos brasileños psicodélicos. Les recordamos con grabaciones de los años sesenta y setenta de 'Ando meio desligado', 'Ave, Lucifer', 'Panis et circenses', 'Baby', 'Fuga nº II', 'A minha menina', 'Bat macumba', 'Technicolor', 'Le premier bonheur du jour', 'I feel a little spaced out', 'Vida de cachorro' y 'Balada do louco'. Y en el concierto que los volvió a reunir, hace veinte años, en el Barbican de Londres, pero sin Rita Lee -cantó con los hermanos Zelia Duncan- en 'Balada do louco', 'Fuga nº II' y 'Le premier bonheur du jour'. Escuchar audio

Nathan and Ryan dig into Alfred Hitchcock's most charmingly morbid film, The Trouble with Harry (1955), a dark comedy where a dead body keeps inconveniently turning up in the middle of a picturesque Vermont town. The hosts discuss Hitchcock's playful tone, the film's autumnal Technicolor beauty, and how its gentle humor stands in stark contrast to the director's more suspense-driven classics. Featuring an early performance from Shirley MacLaine and a score by Bernard Herrmann, this episode explores why The Trouble with Harry is one of Hitchcock's most underrated—and oddly comforting—films.

Joshua Noel and TJ Blackwell dive into the cosmic depths of "Absolute Martian Manhunter", Volume 1, where they explore the riveting narrative crafted by Deniz Camp and illustrated by Javier Rodríguez. Right off the bat, they tackle the heavy question of whether folks fear the Martian Manhunter more for his alien origins or because he mirrors humanity's own flaws. As they dissect the storyline, they highlight how this comic transcends typical superhero fare, delving into themes of identity, loneliness, and emotional chaos—especially in our hyper-connected world. With a casual vibe peppered with witty banter, the duo emphasizes the significance of reading in today's society, advocating for literacy and local libraries through their All Reading Counts initiative. Listeners can expect a blend of insightful commentary and light-hearted humor as they break down the artistic brilliance and profound implications of this unique take on the iconic character.The podcast dives deep into the psychological intricacies of the Martian Manhunter, a character often overshadowed in the broader DC Universe. Joshua and TJ kick things off with a thought-provoking question: are people really afraid of him because he's an alien, or does he mirror humanity's darker aspects? It's a profound inquiry that sets the stage for a rich discussion on the themes of alienation, identity, and the human condition, reflecting on how the Martian Manhunter's existence challenges our perceptions of what it means to be 'other.' As they unravel the narrative of "Absolute Martian Manhunter", penned by Denise Camp and illustrated by Javier Rodriguez, the duo highlights its unique take on the character, making it feel less like a superhero comic and more like a psychological thriller. They explore how the art style and color choices enhance the storytelling, emphasizing the emotional weight of the narrative. The episode is peppered with witty banter and personal anecdotes, especially as they reflect on their own experiences with reading and how literature shapes our understanding of complex themes. Overall, listeners are treated to a blend of humor and depth, making the discussion both entertaining and enlightening.The conversation shifts gears as Joshua and TJ discuss the importance of reading in today's world, particularly in combating the brain fog that comes with information overload. TJ highlights the benefits of reading for critical thinking, vocabulary enhancement, and overall mental clarity, while Joshua emphasizes its role in fostering deeper conversations and understanding among people. They both agree that comics, especially "Absolute Martian Manhunter", serve as an excellent medium for exploring complex themes like identity and alienation. The duo's chemistry shines as they joke about their reading habits and preferences, contrasting the struggle of keeping up with comic releases against the backdrop of contemporary societal issues. They touch upon how the emotional turmoil of the Martian Manhunter resonates with the current socio-political climate, where feelings of loneliness and isolation are rampant despite the connectivity of social media. It's a layered discussion that resonates with anyone grappling with the chaos of modern life.In the latter half of the episode, the focus narrows down to the character of Jon Jones and his transformation into the Martian Manhunter. The duo intricately discusses how the narrative portrays his struggles with identity and the overwhelming emotions he experiences. They analyze the psychological dimensions of the character, drawing parallels between Jon's journey and the broader experience of humanity in today's chaotic world. The White Martian serves as a compelling antagonist, embodying nihilism and the fear of being overwhelmed by emotions and societal expectations. As they dissect the themes of loneliness versus connection, Joshua and TJ cleverly intertwine humor with poignant observations about

Hallo und herzlich willkommen hier zu einer neuen Folge von Ridgley. Deine magischen Podcast oder wie soll ich jetzt sagen Ridgleys magischer Podcast? Genau. Heute geht es wieder um die Auferstehung. Oder sagen wir mal so nach der langen Pause von meiner Person. Ja, es hat sich viel verändert und ja, es wird auch einiges ändern. Aber hey, das Leben bringt immer wieder neue Erweiterungen und auch neue Änderungen mit sich. Nicht immer. Alles ist relativ schlecht, wenn es nicht mehr da ist oder wenn es da ist. Dementsprechend wollte ich auch jetzt wieder herzlich willkommen sagen und ich freue mich, wieder da zu sein. Ja, natürlich bist du bestimmt neugierig und möchtest wissen Was ist alles passiert bei dir? Ridgeley Nun, das ist eigentlich relativ einfach, so alles ein bisschen zu erklären. Ich mache es kurz und knapp, weil es will jetzt auch nicht allzu viel darüber reden. Angefangen hat es ja vor einem guten halben Jahr, wo ich im wahrsten Sinne des Wortes gebrochen war. Also es gab einiges an Problemen. Eine dritte Person ist dazugekommen und ja, das hat relativ viel Energie, viel Nerven und vor allem auch ganz stark die Psyche beeinträchtigt. Ähm, sagen wir mal so, nur dieser Panzer Bruch war auch wichtig. Wieso? Nun, das ist relativ einfach zu erklären. Und zwar habe ich hier einfach diesen Punkt gebraucht. Auch die Schattenseiten kennenzulernen. Sprich ich habe hier immer versucht den Guten zu sein, immer brav, immer lieb und habe immer beschwichtigt, wo es nur ging. Ja, in der Psychologie nennt man das halt eben Mustern. Und in diesem Sinne habe ich dann halt immer wieder geguckt, dass ich der Gute bin. Das ist im ersten Moment ja vielleicht eine gut gemeinte Sache, aber gut gemacht ist es aber nicht. Bedeutet im Umkehrschluss, dass ich halt einfach hier nicht mehr auf mich geachtet habe und habe mich verloren. Ja, so ist es dann auch passiert. Ich habe mich im wahrsten Sinne des Wortes ja auch verloren und es ging dann im Endeffekt nichts mehr. Ja, lange Rede, kurzer Sinn Nach einigen Psychotherapiestunden und auch einiges an Geld habe ich dann halt einfach hier dann noch mal zu mir gefunden. Und das heißt aber nicht, dass das alleine reicht. Weil in der Gesundheit gibt es ja immer so schöne drei Säulen und zwar einmal die körperliche Gesundheit. Also Bein gebrochen usw kennt man ja, dann macht man wieder fix die psychische Gesundheit, das heißt, wenn man Depressionen hat oder ähnliches, dann kommt man auch wieder auf die Beine und das dauert halt aber auch lange und ist nicht einfach so wegzuwischen. Je nachdem, was man auch erlebt hat. Da will ich aber jetzt auch nicht unbedingt genau ins Detail gehen, weil das würde hier den Rahmen absolut sprengen. Dann hat man aber auch und die Säule habe ich echt unterschätzt und zwar die soziale Säule, Das heißt ohne meine Freunde, ohne meine Liebsten und ohne Menschen, die mir wirklich auch Mut zugesprochen haben, hätte ich einiges nicht ändern können. Das bedeutet ja im Moment für die, die es noch nicht wirklich mitbekommen haben. Ich wohne jetzt alleine und stemme jetzt mein Leben sozusagen alleine. Das ist ungewohnt für mich. Gerade mit einem, mit einer Beeinträchtigung ist das nicht immer so einfach, gerade hier. Einfach mal alles alleine zu machen. Und da bekomme ich aber auch zum Glück Unterstützung von vielen Seiten. Also ich bin im Großen und Ganzen gut aufgestellt, bin nicht alleine und das funktioniert auf jeden Fall. Also das ist schon mal der Punkt, den ich so viel verraten kann. Nun, wieso, weshalb, warum? Da will ich jetzt ehrlich gesagt nicht eingehen. Nicht weil ich dich nicht mag oder weil ich halt einfach ähm, ja, wie soll ich sagen? Weil ich darüber ein Problem hätte zu reden, sondern ich sehe das mittlerweile als Selbstschutz für beide Seiten, weil wir kennen ja das Problem und das Prinzip der stillen Post. Das, was du hörst, ist eine ganz andere Wahrnehmung, wie das, was ich erzähle. Und meine Absichten sind immer eine gute und dementsprechend. Bevor da ein Strick gedreht wird, sage ich einfach gar nichts und lasse es gut sein. Aber das ist jetzt mal der Punkt, wo man jetzt mal kurz über mich gesprochen haben, sprich eine kleine Namensänderung, sprich ein bisschen Änderungen im Leben. Und was er aber jetzt dennoch kommt, ist Mein Blog ist wieder da. Das heißt es wird wieder Artikel geben, es wird wieder Videos geben, es wird auch wieder neue Sachen geben, wo ich teste ja auch Essen. Ihr kennt es doch nur zu gut und ich weiß, du vermisst es einfach ungemein. Und natürlich auch meine Storys. Da freue ich mich natürlich am aller, aller, aller allermeisten darauf. Und ja, dass ich einfach wieder frei Schnauze mit dir reden kann, das ist auf jeden Fall das, was ich hier so einfach mal gerade so ein bisschen wahrnehme. Und ja, das, was ich auf jeden Fall auch wieder bringen will. Ja, es gibt aber natürlich auch noch ein anderes Projekt und das kennst du ja auf jeden Fall auch schon in meinen Podcasts. Und zwar meinen süßen Eduard. Der erzählt ja immer so gerne Geschichten für sehr schwer kranke Kinder von May If you make a wish. Und da sind wir auf jeden Fall auch dran. Es kommt eine neue Geschichte, das heißt, da dürfen auch unsere kleinsten Fans gespannt sein. Also es ist auf jeden Fall ganz viel im Umbruch und ich freue mich umso mehr, jetzt sehr viel für dich bieten zu können. Ja, was kommt denn eigentlich noch so? Nun, also jetzt gerade im Moment, wo ich jetzt eben aufnehme, sind es noch ungefähr dreißig Minuten. Dann geht es auch schon los. Wieder ins alte Gefilde oder sagen wir ins neue Gefilde. Und zwar Disneyland Paris kommt auch wieder ins Programm rein. Das heißt, ich bin auch wieder, sage ich jetzt mal, nicht geheilt, das kann man jetzt sagen. Aber ich habe so richtig Bock und Laune wieder so richtig schön die Charakter, den Charakter, das Leben zur Hölle zu machen, aber auch den Spaß, wenn man eine schöne süße Überraschung zu schenken. Wenn es auch nur ein Lächeln ist. Weil das sind die Dinge, worauf ich mich sehr freue und freue mich auf jeden Fall auch auf die Leute wieder alle zu sehen. Das heißt auch für dich, wenn du mich siehst, stupst mich an, sag Hey, Rigle. Schön, dass du wieder da bist, oder? Kacke, dass du wieder da bist. Egal, wie du es meinst. Ich freue mich auf jeden Fall, jeden Einzelnen begrüßen zu dürfen. Ja, und das ist auf jeden Fall schon mal was Schönes. Ja, was ist denn jetzt eigentlich so auch in den nächsten Wochen los? Das würde ich auch schon mal gerne erzählen. Und zwar ganz interessant ist, dass sich in den nächsten Tagen entschieden wird, wer kommt am fünfzehnte März bzw eher vierzehnte März zu dem Insiders Event nach Arendelle? Das heißt man darf Charakterfotos machen, man darf sich auch amüsieren und zwar mit Frozen ever after. Und zu guter Letzt auch die Promenade, wo man zum Ende hinkommt und zum Abschluss natürlich auch die Top Neue. Ähm. Eins, zwei, drei. Jetzt haben wir den Namen vergessen. Super Richy, die unsere supertolle neue Abendshow. Und ja, da ich den Namen vergessen habe und das ist auch wieder typisch Ich ist dann auf jeden Fall auch dabei, ob ich erzogen worden bin oder nicht. Das wird sich in den nächsten Tagen auf jeden Fall kristallisieren. Wenn nicht, dann ist es halt so, dann bin ich halt am fünfzehnte März dran. Dann ist es eben im Leben eben eben so. So, das ist jetzt mal so, auf jeden Fall das nächste, was kommt. Ja, und dann hoffe ich auch schon, dass schon sehr bald auch wieder der Europapark öffnet, weil ja ich vermisse dass so ein ganz bisschen. Das ist auf jeden Fall etwas, was ich auch bräuchte. So ein bisschen Schütteln, ein bisschen Gas, ein bisschen Adrenalin. Und auf jeden Fall noch ganz viel Liebe von euch. Das auf jeden Fall. Das darf nicht fehlen. Es wäre ja aber nicht richle. Ein magischer Podcast Schrägstrich magischer Podcast, wenn es nicht eigentlich auch noch mal über Disney geht. Ich habe jetzt auch noch mal jetzt eben auch noch mal einen Artikel veröffentlicht. Da geht es um die Legacy, also um das Vermächtnis von Disney und eben auch um die, wie soll ich sagen, um die gesamte Werte, die ich da halt einfach jetzt auch so ein bisschen mitbekommen habe. Also der Artikel ist auch übrigens aufzurufen auf meiner Homepage und da steht dann Slash Disney ist mein. Also auch wieder ein Minus. Dazwischen Minus zu Hause. Und dann reden wir noch ein bisschen einfach darüber, wie es mit einer kleinen Hommage an Walter Elias Disney auch gehört, was es eben alles mit meinen Werten zu tun hat und wie ich auch eben zu Disney kam. Also ich war, bevor ich fünf Jahre alt war, ein Junge, der niemals sprach, also wirklich nicht. Und wenn ich gesprochen habe, dann sehr schlecht. Also immer nur so Sachen wie Damm Damm für Banane oder äh ja, dann hatte ich auch noch T. Für meine Schwester Stephanie und ja, dann kam irgendwann mit vier Jahren dann Cinderella. Das hat meine Schwester zu ihrem zu Weihnachten geschenkt bekommen. Man muss eigentlich auch noch Funfact mäßig dazu sagen. Weihnachten wurde nie gefeiert, weil meine Mutter eine andere Religion hat oder sagen wir mal zu einer Sekte gehört. Und ähm ja und als in den jungen Jahren war ich halt eben schnell überfordert. Oft zu laut, manchmal zu still, aber auch vor allem eins auffällig in einer Welt, in der sowieso alles zu viel war oder ich es halt einfach nicht Verstand haben. Also sprich, ich habe da nicht immer wirklich viel mir drum gemacht und tja, dann kriegt man irgendwann das Gefühl ja, du bist nicht richtig hier. Durch Cinderella habe ich zum Ersten Mal eine Figur gesehen, die nur tu Gutes getan hat und trotzdem schlecht behandelt wurde. Man weiß ja die drei Bitches, also sprich Lady Anne und ihre Geschwister Anastasia und Trissela So und ja, sie hat aber trotzdem nie den Glauben an die Liebe und ihre Träume verloren. Sie ist freundlich geblieben, geduldig und sie schenkte auch denen Freundschaft, die eben auch Gutes getan haben. Und es war ihr auch ehrlich gesagt scheißegal, wer es ist, ob das eine Maus ist, ein Pferd, ein Hund oder sonst irgendwer. Das war schon auf jeden Fall ein relativ ja, sag ich mal, eine kleine Geste. Aber für mich, also den kleinen Richy, hat es auf jeden Fall eine große Wirkung gehabt. Und auch diese Werte spiegeln sich ja auch bis heute in mir wieder. Wer zum Beispiel mit mir ehrlich, respektvoll, freundlich jetzt wirklich einfach so begegnet, kriegt auch meine Freundschaft und mein Herz. Also das ist relativ einfach. Und mir ist es egal, wer du bist oder was du bist. Natürlich sprechen auch manche Sachen dagegen. Also wenn du jetzt diverse Hasstriaden um auf den an den Tag legst, dann ist das relativ schwierig für mich. Also das ist schon klar. Da kannst du mich auch so gernhaben, wie du möchtest. Ähm, ja, dann habe ich halt mit Sex eben angefangen zu sprechen. Und trotz meiner Auffälligkeiten habe ich immer wieder mich durchgekämpft. Also gerade so, doch tief in mir drin sitzt halt bis heute noch immer eine alte Wunde. Das Gefühl, einfach nicht zu passen. Auch jetzt, auch jetzt, wo ich jetzt mittlerweile alt bin. Also das hat sich nicht wirklich geändert und doch halte ich an meinen Werten fest und umso mehr denn je. Also Zusammenhalt, Nächstenliebe, Kreativität, Qualität und Emotionen. Ich glaube an die Magie. Liebe, Freundschaft und auch Akzeptanz. Ja und ja. Irgendwann, wenn man dann so ein Sechsjähriger ist, wird man auch mal älter. Und mit vierzehn, fünfzehn war das dann halt auch so ungefähr. In meiner Jugend habe ich dann immer in meiner größten Not wieder einen Halt gesucht und es habe ich auch tatsächlich in dem Disney Klassiker gefunden. Nicht nur einem, sondern zwei. Eine Heldin, die sich nichts daraus macht, dass sie Bücher liest und anders ist. Sie wusste und merkte auch, dass sie hier nicht reinpasst. Und hier rede ich von Bella aus dem Film Die Schöne und das Biest begleitet. In den neunziger und auch Anfang zwei tausend gab es noch eine Heldin, denn sie wusste, wenn sie sich so gibt, wie sie ist, bricht sie allen das Herz. Sie passte genauso wenig rein, macht ihr eigenes Ding, riskierte ihr eigenes Leben und schützte auch ihren Vater. Und was war am Ende? Sie wurde als Heldin Chinas gefeiert. Es geht hier um nichts Geringeres als um Mulan. Allein der Kultstatus mit Otto Stimme als Muschu war einfach legendär. Kann man nicht anders sagen. Das war einfach genial. Ja, Also Schande über deine Kuh und deine Familie. Natürlich. Das Lied Reflection ist auch tatsächlich ein Spiegel meiner selbst. Also sprich, ich wusste, hier passe ich nirgendwo rein. Und hier ging es um meine Zeit, in der ich selber auch merkte, ich passe nicht rein. Ich bin nicht wie die anderen und dementsprechend, das ich auch nicht in die Fußstapfen meiner Familie trete. Gerade in religiöser Hinsicht und doch auch heute merke ich, dass es halt eben so ist. Ich denke anders. Ich rede zu viel, vor allem zu ungefiltert. Das habe ich auch noch vor ein paar Tagen ja tatsächlich zu hören bekommen. Und da werde ich oft schief angeschaut. Falsch verstanden. Und oft gibt es einem das Gefühl, ich hätte schlechte Absichten. Doch das ist nicht der Fall. Und doch im Endeffekt habe ich gelernt, mir treu zu bleiben, weil sonst verliere ich mich schon wieder. Und das ist das Letzte, was passieren darf. Nur was hat das denn jetzt eigentlich jetzt mit Disney zu tun? Ja, mit Walt Disney verbinde ich einiges, die man auch auf die eigene Kappe eben so schreiben kann. Es war nicht nur der Erfinder von Parks und Figuren, sondern auch von Visionen, Werten und vielem mehr. Hier möchte ich einfach jetzt mal gerade auf die wichtigsten Sachen eingehen, indem ich eben bis heute noch prägen. Der erste Punkt wäre die Inklusion und Gemeinschaft. Disney glaubte daran, Orte zu schaffen, an denen sich je wirklich jeder willkommen heißt bzw fühlt. Sein Ziel war es, Erlebnisse zu bieten, die Menschen aller Altersgruppen und Hintergründe gemeinsam genießen können. Das ist für mich halt auch einfach Inklusion. Auch jetzt in der neumodischen Zeit ist es halt eben tatsächlich gelebt worden, bevor überhaupt Inklusion ein Begriff wurde. Innovation und Kreativität als zweiter Punkt. Komm, wir müssen schon sagen, der ist halt einfach Pionier und suchte ständig nach neuen Wegen, Geschichten zu erzählen. Sei es durch Technicolor, durch bahnbrechende Animationen oder auch die Animatronics, die waren einfach legendär. Er hat übrigens auch die Soundeffekte halt einfach in die in die Minifilme reingebracht mit Mickey und Minnie und co. Also das muss man auch einfach sagen. Für ihn bedeutete halt eben Kreativität auch Grenzen verschieben und nicht nur Inhalte schaffen. Da war ja auch ein neuer Rahmen geschaffen worden. Der dritte Punkt ist halt einfach die Empathie und die Menschlichkeit. Er wollte ja nicht nur unterhalten, sondern auch mit seinen mit seinem, sag ich mal, Zeichentrickfilmen auch berühren. Seine Geschichten sollten Hoffnung geben, Das Gute im Menschen zeigen und eine Verbindung schaffen. So von Herz zu Herz. Er hat schon gewusst, wie er mit Menschen emotional verkoppeln kann. Die Detailverliebtheit und auch die Qualität ist der Punkt. Vier Er war dafür bekannt, kein Detail dem Zufall zu überlassen. Ob im Film, in den Parks, es ist alles bis ins kleinste Detail durchdacht. Also da war halt Qualität halt eben kein Extra, sondern eine Haltung, das muss man schon sagen. Sein fünfter Punkt und damit kommen wir auch am besten zum Schluss, damit es nicht einfach zu viel wird. Und zwar fertig für ihn war ein Fremdwort. Also sprich, er hat immer ständiges Streben nach Verbesserung gehabt. Nach jedem Erfolg hat er sich auch gefragt Was kommt als nächstes? Was können wir verbessern? Neue Figuren, neue Konzepte, neue Erlebnisse. Immer weiter mit neuem Mut und vor allem mit Neugierde. Das hat mich auch immer sehr, sehr stark Ihm imponiert, wie man so schön sagt. Ja, was hat er denn, wie gesagt, jetzt auch mit den Werten zu tun? Ja, meine Werte sind tatsächlich auch die gleichen. Nichts war in derselben Dimension und auch sicher nicht fehlerfrei. Aber wer ist das denn schon? Und das soll auch nicht sein, Denn gerade die nicht Perfektion, eine Art perfektionistischer Art, ist ja das, was uns Menschen ausmacht. Menschlich und vor allem emotional. Und bis heute glaube ich daran, dass wir Menschen mit Haltung brauchen und nicht mit Perfektion. Selbst ich kann nicht stillstehen und erfinde mich stets neu. Nicht nur der Podcast oder die Videos, sondern auch das Bloggen und die Social Medias gehen mittlerweile neue Wege. Nur das Ding ist Die kennt keiner. Eduard ist zum Beispiel auch zu einer eigenständigen Figur geworden. Das ist dann halt eben auch eine Richtung, die auch nicht jeder kennt und auch nicht jeder gutheißt. Gerade im Fandom ist es halt eben so ein Ding, aber das Thema würde ich jetzt hier nicht aufmachen, weil dann haben wir die Büchse der Pandora aufgemacht. Und ja, so wie Disney hat, der hat ja auch seine Schattenseite. Nur er lernte dazu. Er glaubt an das Gute und er wollte, dass seine Menschen alle, dass seine Werke alle Menschen verbinden. Ach Mensch, Richle! Familien. Kinder, Großeltern. Dann Träumer, Denker. Egal woher sie kamen oder wie sie waren. Er ist und bleibt ein Visionär. Eines und viele weitere nicht gezählte Gründe sind das jetzt halt eben auch für mich. Nicht nur Unterhaltung, sondern auch ein Stück Zuhause für Menschen wie mich. Ich bin mir sicher, du hast auch schon solche Erfahrungen gemacht. Erzähl du doch mal auch einfach mal auf Facebook oder auf Instagram, was du so erlebt hast. Oder sprich mich einfach persönlich an! Würde mich mal interessieren, wo du deine Schlüsse ziehst. Weil auch gerade tätowierte Menschen haben ja auch ihre schönen Motive. Da habe ich ja zum Beispiel König der Löwen im Kopf oder auch Stitch. Das ist ja auch zum Beispiel ein Alien, Das ist ja sozusagen nie wirklich willkommen. Entschuldigung, jetzt habe ich einen Schluckauf. Ähm, ja, der eigentlich auch nicht willkommen war, bis Lilo kam. Sie hat ihn so genommen, wie er ist und hat geguckt, Wo können wir was verbessern? Und das ist menschlich. Wir können Menschen nur bis zum Kopf gucken, wenn wir versuchen zu verstehen Und wenn wir versuchen, andere Menschen einfach mit einem Herz zu begegnen, werden wir das auch so zurückkommen bekommen. Denn das, was man sät, bekommt man zurück. Und egal ob man jetzt auch mal Fehler macht, egal ob man jetzt auch mal Fauxpas macht, es gilt halt auch immer mal wieder auch den Menschen zu sagen, wo er dran ist, damit er auch die Chance kriegt, es sich einfach nochmal zu überlegen und zu verändern. Dann verändern kannst nur du dich selber und wenn du das möchtest, dann machst du das. Und ob es für dich auch diesen Wert hat, dann ist das gut. Wenn nicht, dann weißt du oder die andere Person, wo du dran bist und dann musst du überlegen kannst du damit oder kannst du damit nicht? Und damit wünsche ich dir auf jeden Fall ein super tolles Wochenende, falls du das schon am Wochenende hörst. Wenn nicht, dann einen guten Start in die neue Woche und wenn auch nicht, dann einfach ein super dolligen, wunderschönen Tag und ich hoffe es heißt sehr bald für dich Bienvenue a Disneyland Paris dein Ridgley. Freue mich auf jeden Fall wieder da zu sein. Hm, Hm hm.

In this episode of Houselights, we swing into the vibrant world of Michael Curtiz's 1938 classic, "The Adventures of Robin Hood." We explore how this film set the template for medieval adventures with its swashbuckling action and Technicolor brilliance. From Errol Flynn's iconic portrayal to the film's influence on future cinema, this discussion is a nostalgic journey through cinematic history. Join us as we unravel the layers of this timeless tale and its impact on the genre.

Aquesta setmana al Males Vibracions tenim a 2 màquines de les vibracions, Òscar Garcia i Rubén Pesudo, junt al de les males, l'Andreu amb el format habitual. El que s'estrena aquest 2026 és Joe Grey-Haired, per tant tens la secció "Somnis en Technicolor". Bona gent, ono, i bona música, això segur. Llistat: Marvin Scondo - If live was a boxer; The Stripp - If you want me; The Molotovs - Today's Gonna Be Our Day; The Boojums - Wings of fire; Stone Sober - Liquid power; Falso Nueve - Eterno Febrero; Lee Fields - Wihs you where here; The Len Price 3 -Bad Vibe Machine; Free - Over The Green Hills Pt. I - Worry - Wild Indian Woman - The Hunter - I'm A Mover - Moonshine - Over The Green Hills Pt. II.

As the British Film Institute National Archive marks its 90th year, join Heidi Shakespeare, CEO of Memnon in conversation with Kieron Webb, head of conservation at the BFI, to explore how the organisation is safeguarding the nation's screen heritage while preparing for the future of film and television.This short discussion charts the BFI National Archive's journey from its pioneering preservation work to today's world of digital access and streaming, including how contemporary works are being archived for generations to come.Highlights include this year's Film on Film Festival, featuring screenings of the original 1977 Technicolor print of Star Wars, alongside recent BFI projects such as the restoration of one of the earliest Silent screen adaptations of Sherlock Holmes and the addition of the surviving Victorian 68mm Biograph films to UNESCO's International Memory of the World Register preserved in the collections of Eye Filmmuseum (Amsterdam), BFI National Archive, MoMA, Museum of Modern Art (New York) and the CNC, Centre national du cinéma et de l'image animée (Paris).This podcast was recorded live at the Broadcast Tech Fest Archive & Restoration Forum, held at Everyman Kings Cross on 2 October 2025. Hosted on Acast. See acast.com/privacy for more information.

This episode is the all about the hallucinatory Technicolor, Japanese ghost story anthology film Kwaidan. We discuss the film's theatrical style, the enduring power of folklore and why you probably shouldn't marry strange women you meet in snowy woods.

In this episode we revisit three Technicolor melodramas made by British cinema's great auteur duo Michael Powell and Emeric Pressburger, bursting with vibrant emotions and sensuality that exercise a dangerous allure over their protagonists: Clive Candy, the upper-class colonialist twerp played by Roger Livesey in The Life and Death of Colonel Blimp (1943) who discovers the poetry in his soul thanks to the influence of three in-Kerr-nations of Deborah Kerr and the friendship of Anton Walbrook; Sister Clodagh (Kerr again) in Black Narcissus (1947), futilely pitting the Protestant work ethic against the infinite; and Victoria Page (Moira Shearer) in The Red Shoes (1948), torn between the demands of art and mere humanity. And in Fear and Moviegoing in Toronto, more Naruse: Flowing (1956), a study of a declining geisha house through the perspective of Kinuyo Tanaka's kindly but powerless servant, and The Stranger Within a Woman (1966), a film noir about being consumed by guilt while the world just wants you to move on.  Time Codes: 0h 00m 25s:    Brief Intro - Powell and Pressburger 0h 07m 11s:    THE LIFE AND DEATH OF COLONEL BLIMP (1943) [dir. Michael Powell & Emeric Pressburger] 0h 29m 14s:    BLACK NARCISSSUS (1947) [dir. Michael Powell & Emeric Pressburger] 0h 46m 41s:    THE RED SHOES (1948) [dir. Michael Powell & Emeric Pressburger] 1h 06m 35s:    Fear and Moviegoing in Toronto – Mikio Naruse's Flowing (1956) and The Stranger Within a Woman (1966) at TIFF Lightbox +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This week, we discuss Billy Wilder's 1948 Technicolor musical comedy set in the picturesque mountains of turn of the century Austria, The Emperor Waltz.SPOILER ALERT We will be talking about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Pictures production. Released on June 17, 1948. Directed by Billy Wilder. Written by Charles Brackett and Wilder. Starring Bing Crosby and Joan Fontaine. Cinematography by George Barnes. Edited by Doane Harrison. Score by Victor Young.

Send us a textGeorge Feltenstein joins the podcast to announce four February releases from the Warner Archive and explain why each restoration matters, from pre-code thrills and early Technicolor to the first film noir. We also unveil another Hanna-Barbera release and outline three new Film collections, with a look ahead to a packed 2026. Warner Archive Store on AmazonSupport the podcast by shopping with our Amazon Affiliate linkDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

We continue our mini Zhang Yimou film festival with the tragic romance Ju Dou (菊豆). We chat about the characters and their place as archetypes and metaphors, the striking visuals, the claustrophobic setting, uncle/fathers, creepy kids, and patriarchy, man. Patriarchy.   I Love This You Should Too is hosted by Samantha and Indy Randhawa   Ju Dou is a 1990 romantic-drama film directed by Zhang Yimou and Yang Fengliang, starring Gong Li as the title character. The film, based on the novel Fuxi, Fuxi (伏羲伏羲) by Liu Heng, is a tragedy that revolves around Ju Dou, a beautiful young woman sold as a wife to Jinshan, an elderly cloth dyer. The film was produced using the vivid Technicolor process, long after it had been abandoned in the United States. It became the first Chinese film to be nominated for an Academy Award for Best Foreign Language Film. Upon its release, Ju Dou faced a ban in China, which was eventually lifted in July 1992.

⭐My Top 10 Color Film Noirs⭐

Der findes mange måder at forklare udlændinge, hvad Danmark er for et land. Man kan nævne velfærdsstaten, hygge og cykler. Eller man kan gøre det rigtige og afspille denne episode for dem, hvor dansk kultur kolliderer frontalt med Hollywood og efterlader et krater fyldt med Technicolor-eventyr, rumskrot og folkekomedie. Sonny leverer den officielle, statsautoriserede eksportvare med 'Hans Christian Andersen' (1952): en amerikansk musical, hvor Danny Kaye spiller en fiktiv, A.D.H.D.H.C. Andersen i et plastik-pænt "Kopenhaagen". Bliv ikke bange, hvis du oplever hyletoner eller hvinen i tænderne undervejs. Det er helt normalt. Ask tager den diametralt modsatte vej og finder Danmark nede i bunden af VHS-gitteret på Esso-tanken med 'Critters 4' (1992). Anders Hove dukker op i et træt rumlaboratorium, hvor små pelsede dræberkugler igen terroriserer et cast, der spiller som om deres agent har ghostet dem. Det er straight-to-video-space-spas på laveste blus, og et godt bud på "Danmark i Hollywood". Niels sørger for en delle-lun og sikker afslutning med den hjemlige Hollywood-rejse i 'Walter og Carlo i Amerika' (1989): Tynd spionsuppe, O.G. far-jokes og Tony Curtis på autopilot. Du får hele pakken og kan med ro i maven slumre hen i en lidt sløv, dansk 80'er-fis. Godnat. Samlet er denne aften en tour de VHS i dansk storhedsvanvid og mindreværd på én gang: Hollywoods høflige misforståelser af os og vores egne misforståelser af Hollywood. Det er rodet, nostalgisk, pinligt, virkelig sjovt… og på en eller anden måde også lidt rørende, fordi Danmark åbenbart altid insisterer på at være med i legen, selv når vi kommer for sent og har taget de forkerte sko på. I øvrigt, vil du støtte vores fortsatte, uansvarlige kulturformidling (og finansiere VHS-rens, chips og mental selvopretholdelse), så kig forbi Klub Moviebox på Patreon: https://www.patreon.com/moviebox. Og hvis du allerede støtter, så er du en af dem, der sørger for, at Danmark fortsat får den filmpodcast, det fortjener... Rigtig god fornøjelse og HUSK: Pas, penge og spol altid episoden tilbage, når du har lyttet færdigt! Med venlig hilsen,Ask, Sonny, Niels & Casper  

Happy holidays, costume nerds! For the Season Five finale of The Art of Costume Podcast, Spencer and Elizabeth wrap things up in classic Technicolor style with White Christmas (1954), featuring the legendary costumes of Edith Head.In this festive finale, our hosts dive into the cozy glamour of the film, celebrating the iconic duo of Bob and Phil, the sisters' show-stopping musical numbers, Bing Crosby's striking blue eyes, and the impeccable holiday style that defines this timeless classic. From shimmering gowns to military uniforms to what might be the best Santa costumes ever put on screen, this episode is a love letter to movie-musical magic.

Happy holidays, costume nerds! For the Season Five finale of The Art of Costume Podcast, Spencer and Elizabeth wrap things up in classic Technicolor style with White Christmas (1954), featuring the legendary costumes of Edith Head.In this festive finale, our hosts dive into the cozy glamour of the film, celebrating the iconic duo of Bob and Phil, the sisters' show-stopping musical numbers, Bing Crosby's striking blue eyes, and the impeccable holiday style that defines this timeless classic. From shimmering gowns to military uniforms to what might be the best Santa costumes ever put on screen, this episode is a love letter to movie-musical magic.

Episode 186 - Campbell's Kingdom (1957) "Rugged Wildcatters...Fighting The Treacherous Might Of The Canadian Rockies" Grab your parka and get ready for a trip to the Canadian Rockies, because 1957's Campbell's Kingdom is a gloriously old-school adventure that absolutely bursts with high-stakes drama and breathtaking scenery. If you're in the mood for a classic "ripping yarn," this is the film for you. It's a story of grit, oil, and one man's incredible race against time, all set against one of the most stunning backdrops ever captured on film. At the heart of the story is the wonderfully charismatic Dirk Bogarde as Bruce Campbell. Given a grim health diagnosis, Bruce inherits a patch of land in Alberta known as "Campbell's Kingdom." He's told it's worthless, but his grandfather died believing there was oil under that rocky soil. With nothing left to lose, Bruce sinks his last penny and every ounce of his failing strength into proving him right. This is where the fun really starts. The film is a fantastic story of the underdog. Bruce is a man with a dream, facing down a world of naysayers. This includes the slick, menacing villain Owen (played with wonderful steel by Stanley Baker) and a looming deadline from a hydro-electric company threatening to flood the entire valley. But Campbell's Kingdom isn't just a character drama; it's a grand spectacle! Director Ralph Thomas makes the Canadian Rockies a character in their own right. The Vistavision and Technicolor cinematography is simply spectacular, with sweeping vistas of snow-capped mountains, turquoise lakes, and rugged forests that will have you longing for the great outdoors. The action builds to a truly thrilling climax. As Bruce and his small, loyal crew drill desperately for their "black gold," the tension mounts. Will they strike it rich before the dam floods them out? Will Owen's schemes succeed? The final sequences are pure, high-adventure magic, delivering a payoff that is both exciting and deeply satisfying. Sure, it's a film of its time, with earnest heroes and clear-cut villains, but that's precisely its charm. Campbell's Kingdom is a wonderfully made, optimistic, and thrilling piece of classic British cinema. It's a feel-good movie about betting it all on a dream, and it leaves you with a real sense of exhilaration. This and previous episodes can be found everywhere you download your podcasts   Bonus content available at: patreon.com/ReelBritanniaPodcast   Follow us on Twitter @rbritanniapod    Thanks for listening Scott and Steven  

Boomer & Brandon discuss Powell & Pressburger's Technicolor opera The Tales of Hoffmann (1951) https://swampflix.com/ 00:00 Welcome 01:15 The Suspect (1944) 06:18 The King of Comedy (1982) 15:38 Marty Supreme (2025) 22:31 For Your Consideration (2006) 29:00 Abigail (2024) 37:12 Rabbit Trap (2025) 44:00 The Headless Woman (2008) 48:36 The Asphalt Jungle (1950) 52:24 America - Everything You've Ever Dreamed Of (1973) 56:51 Black Narcissus (1947) 59:50 The Tales of Hoffmann (1951)

Send us a textIn this episode Adam and Charlotte discuss the later years of Technicolor with their special guest, author Bob Hoffman. Bob wrote a book that focuses on the post-1950s era of Technicolor, after they had abandoned their film cameras and embraced film print manufacture. Bob's book Alchemy In Technicolor also examines Technicolor's forays into other countries and the downfall of physical prints. And of course, you cannot discuss Technicolor without discussing Natalie Kalmus, along with several other heroes of the company that aren't as well known.This is the third part to our larger Technicolor narrative, which includes episodes THE UNTOLD STORY OF TECHNICOLOR and NATALIE KALMUS: THE WOMAN THAT ALMOSST RUINED TECHNICOLOR.You can buy Alchemy In Technicolor here: https://moviealchemy.com/Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

Send us a textThe Warner Archive kicks off 2026 with a diverse lineup of 6 classic films, including a Clark Gable and Jean Harlow erotic pre-Code, a hard-hitting Robinson/Raft/Dietrich drama, a suspenseful Greenstreet-Lorre team up,  a highly anticipated noir with Charles Mcgraw, a Technicolor musical, another Mario Lanza classic, and more Hanna Barbera. PLUS two more film collections! George Feltenstein of the Warner Archive provides all the details behind the restoration and the included extras.Pre-order links:RED DUST (1932) Blu-rayTHE NARROW MARGIN (1952) Blu-rayTHE VERDICT (1946) Blu-rayMANPOWER (1941) Blu-rayBY THE LIGHT OF THE SILVERY MOON (1953) Blu-rayFOR THE FIRST TIME (1959) Blu-rayTHE NEW FRED AND BARNEY SHOW (1979)-The Complete Series Blu-rayJames Stewart 4 Film Collection Blu-rayRobert Taylor 4 Film Collection Blu-ray The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

In this episode of The Art of Costume Podcast, our hosts follow the yellow brick road straight into the magical world of The Wizard of Oz. From the iconic ruby slippers to Adrian's remarkable legacy as a costume designer, they explore the artistry that brought this Technicolor wonder to life. Along the way, they unpack some surprising on-set costume drama and revisit Margaret Hamilton's unforgettable guest appearance on Mister Rogers' Neighborhood. There's no place like this episode for a deep dive into one of cinema's most beloved costume achievements.

In this episode of The Art of Costume Podcast, our hosts follow the yellow brick road straight into the magical world of The Wizard of Oz. From the iconic ruby slippers to Adrian's remarkable legacy as a costume designer, they explore the artistry that brought this Technicolor wonder to life. Along the way, they unpack some surprising on-set costume drama and revisit Margaret Hamilton's unforgettable guest appearance on Mister Rogers' Neighborhood. There's no place like this episode for a deep dive into one of cinema's most beloved costume achievements.

Ep. 362: Bruce Bennett on Charley Varrick, The American Revolution, Technicolor Weekend at Chicago Film Society, The Shootist Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm happy to welcome back series regular Bruce Bennett for our latest debrief. Among the films he brings to the show are longtime favorite Charley Varrick (directed by Don Siegel, subject of a retrospective most recently at Metrograph); The American Revolution (directed by Ken Burns, Sarah Botstein, and David Schmidt); and The Shootist (Siegel again, starring John Wayne in swan song mode). Bennett also talks about the wondrous annual Technicolor Weekend at Chicago Film Society. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode, The 24 Frames Cast dives deep into one of cinema's most fascinating and overlooked revolutions: the rise of the 70mm blow-up. Beginning with Otto Preminger's The Cardinal in 1963—an ordinary 35mm film that stunned audiences when projected in 70mm—the episode explores how Panavision, Eastman Kodak, and Technicolor worked together to create a process so convincing that even seasoned projectionists mistook it for true 65mm photography.From the widescreen arms race of the 1950s to the golden era of roadshow presentations, we trace how exhibitors' demand for spectacle drove the development of blow-up technology. The episode examines the birth of Dolby 70mm six-track magnetic sound, the introduction of the famous “baby boom” bass channels, and how these innovations laid the foundation for the 5.1 and 7.1 systems we use in home cinemas today.The Movie Collector You Tube Channel:https://www.youtube.com/watch?v=KBss6hGjKeMIn 70mm Website:https://www.in70mm.comMusic: https://www.musicbed.com

"In the Process, I came to realize ... how nature in my own life had been such a healing force." - James Bonilla We wrap up season 11 with New York-born Puerto Rican writer and retired professor emeritus, James Bonilla. James's story is filled with transformation, healing, and wisdom. Born with congenital cataracts, at the age of nine, his right eye was injured in school by a fellow student's actions. For over ten years, James was blind. At the age of 19, doctors removed the cataracts (although the childhood injury remained). On his way home from the hospital, he remembers seeing the world in Technicolor through his own eyes. As a writer, James was comfortable writing about his identities as a Puerto Rican and a person with impaired sight. But it wasn't until he did the Process that he could accept his family's struggle with mental illness. He released patterns of shame that stemmed from his experiences of abandonment as a young child. In accepting his own mental illness, James found deeper healing of those issues through the power of nature. He realized that nature had been a constant source of healing throughout his life. Upon graduating, James felt called to share his experience healing mental illness with others. Because of his work at the Process, James emerged emboldened to share this experience in his new memoir, An Eye for An I. We hope you enjoy this inspiring conversation with James and Drew. We'll be back in early 2026 with season 12 of the Hoffman Podcast. Content Warning: This episode mentions suicide and includes intense emotional content and targeted racism. Please use your discretion. If you or someone you know is suicidal, reach out to The National Suicide Prevention Lifeline at 800-273-TALK (8255), or message the Crisis Text Line at 741741. More about James Bonilla James Francisco Bonilla is a New York-born Puerto Rican writer and retired professor emeritus of cultural competence and leadership at Hamline University in St. Paul, MN. James was born with congenital cataracts and has never had sight in his left eye. Following a racially-motivated assault at age nine, he lost much of his remaining sight in the right eye. Ten years later, a medical breakthrough restored sight to his right eye. Seeking relief and inspiration, he found unexpected solace in the natural world. This discovery led him toward both personal healing and advocacy work. Due to his experiences, James was drawn into the early disability rights movement and community organizing. This helped shape his work as a nationally recognized social justice educator and environmentalist. James received his doctoral degree from the University of Massachusetts, Amherst, School of Education in Organizational Leadership. He is a former Chair of the Faculty Advisory Committee to the National Conference on Racial & Ethnic Diversity in American Higher Education. He has made hundreds of presentations to universities, conferences, and human service organizations in the area of diversity, including outdoor education and environmental programs. His memoir, An Eye for An I: Growing Up With Blindness, Bigotry, and Family Mental Illness, was just released by the University of Minnesota Press. In it, he invites readers to empathize and consider their own potential to be of service in a broken, yet beautiful world. Read more about James' memoir on Hamline University's site. Follow James on Facebook and LinkedIn. Learn more about James here. Listen on Apple Podcasts As mentioned in this episode: Nuyorican: "The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians, and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans." Read more... Congenital Cataracts New York Association for the Blind Lisa Wenger, Hoffman teacher and coach •   Listen to Lisa on the Hoffman Podcast - The Sparkle in Her ...

En esta sesión hablamos más de visión multidisciplinar y generalismo con Guillermo de Haro. Guillermo es Vicedecano de Programas de Posgrado en IE University. Escuela de Ciencia y Tecnología, pero también tiene una exitosa carrera empresarial y de gestión. Es socio de la revista cultural JotDown; Autor de varios libros que abarcan desde el estoicismo a las lecciones empresariales de la familia Corleone, ha trabajado en la industria del entretenimiento a través de Technicolor; ha sido emprendedor; y es padre. https://www.ie.edu/es/universidad/acerca-de/claustro/guillermo-de-haro/ Libros y publicaciones: Corleone Business School https://www.amazon.es/Corleone-Business-School-Guillermo-Haro/dp/8494093908?tag=masdivi-21 El pequeño libro de la filosofía estoica - con Javier Recuenco https://www.amazon.es/El-peque%C3%B1o-libro-filosof%C3%ADa-estoica/dp/8413441684?tag=masdivi-21 Ligonomics "Cervezas, macarrones y otros secretos económicos del amor" https://www.jotdown.es/store/#!/Ligonomics-%C2%ABCervezas-macarrones-y-otros-secretos-econ%C3%B3micos-del-amor%C2%BB/p/65753421/category=2470184 El espectador económico - con Laura Blanco https://www.amazon.es/EL-ESPECTADOR-ECON%C3%93MICO-GUILLERMO-HARO/dp/8416881987?tag=masdivi-21 El poder de las redes sociales para pymes y startups - con Loreto Gómez https://www.amazon.es/Poder-Redes-Sociales-Pymes-Startups/dp/8418261943?tag=masdivi-21 Millennials, la generación emprendedora https://publiadmin.fundaciontelefonica.com/media/publicaciones/588/Millennials_lageneracionemprendedora.pdf Recursos: Vídeos: Sketch saturday night live - Washington´s Dream https://www.youtube.com/watch?v=JYqfVE-fykk Juego de tronos sobre el poder https://www.youtube.com/watch?v=PxWq1iuCmng Informes: Draghi https://equipoeuropa.org/informe-draghi-ue-competitiva/ Letta https://www.bde.es/wbe/es/publicaciones/ver-mas/ultimas-publicaciones/el-informe-letta-un-conjunto-de-recetas-para-dinamizar-la-economia-europea.html Artículos: ¿Es posible mejorar nuestra memoria con el tiempo? https://www.xataka.com/medicina-y-salud/es-posible-mejorar-nuestra-memoria-con-el-tiempo ¿Cuánta información puede llegar a almacenar nuestro cerebro? https://www.xataka.com/medicina-y-salud/cuanta-informacion-puede-llegar-a-almacenar-nuestro-cerebro-1 JotDown - Trecet https://www.jotdown.es/2011/10/ramon-trecet-un-periodista-vale-hoy-su-numero-de-followers/ JotDown - God Terms https://www.jotdown.es/2019/11/god-terms/ Libros: Amplitud - David Epstein https://www.amazon.es/Amplitud-Range-generalistas-triunfan-especializado/dp/8418308168?tag=masdivi-21 El gen deportivo - David Epstein https://www.amazon.es/El-gen-deportivo-Indicios-ficci%C3%B3n/dp/841573204X?tag=masdivi-21 Outliers - Malcolm Gladwell https://www.amazon.es/Fuera-serie-personas-tienen-%C3%A9xito/dp/8466342435?tag=masdivi-21 Código Fuente - Bill Gates https://www.amazon.es/C%C3%B3digo-fuente-inicios-Obras-diversas/dp/8401036062?tag=masdivi-21 Toni nadal https://www.amazon.es/Todo-puede-entrenar-COLECCION-ALIENTA/dp/8416253080?tag=masdivi-21 Vacas, cerdos, guerras y brujas - Marvin Harris https://www.amazon.es/Vacas-cerdos-guerras-brujas-Bibliotecas/dp/8420674397?tag=masdivi-21 La empresa sensual - Jesús Vega de la Falla https://www.amazon.es/Empresa-Sensual-colaboradores-resultados-extraordinarios/dp/8416928118?tag=masdivi-21 Así funciona la justicia – Natalia Velilla https://www.amazon.es/As%C3%AD-funciona-Justicia-Verdades-mentiras?tag=masdivi-21 El mundo de Sofía - Jostein Gaarder https://www.amazon.es/El-mundo-Sof%C3%ADa-filosof%C3%ADa-S%C3%B3crates/dp/8419419184?tag=masdivi-21 https://www.amazon.es/mundo-Sof%C3%ADa-Volumen-filosof%C3%ADa-Descartes/dp/8419744492?tag=masdivi-21 Cuentos completos - Isaac Asimov https://www.amazon.es/Cuentos-completos-Colecci%C3%B3n/dp/8466348395?tag=masdivi-21 https://www.amazon.es/Cuentos-completos-II-Colecci%C3%B3n/dp/8466348409?tag=masdivi-21 (Se mencionan "Profesión" y "La última pregunta") No-cosas - Byung-Chul Han https://www.amazon.es/No-cosas-Quiebras-del-mundo-Pensamiento/dp/8430624341?tag=masdivi-21 La sociedad del cansancio - Byung-Chul Han https://www.amazon.es/Sociedad-del-cansancio-Pensamiento-Herder/dp/8425438543?tag=masdivi-21 Otros autores mencionados: Guy Delisle (Juez) Manuel Marchena Javier Recuenco

After a blistering noir and a searing portrait of alcoholism, Billy Wilder's next film was . . . a Technicolor musical comedy starring Bing Crosby! Why did he make “The Emperor Waltz”? We're just as puzzled as you are. We're upping our Patreon in a major way for Season 2, so be sure to join today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

To celebrate the release of Wicked: For Good, we're off to see the wizard, the 200th episode of this podcast.The Wizard of Oz is still as relevant, vibrant and perfect as ever. It was a beloved children's book, that manifested into a cultural cinematic icon. And despite the colours, the textures, the joyous wonder of the wonderful world of Oz, there's such a darkness to the story. The state-of-the-art, beautiful Technicolor world belies the pain, abuse, injuries and illnesses on set. Whoever said "art is pain" did might have been talking about the making of one of Hollywood's outstanding masterpieces. While memories may have been tarnished over the years, and accounts vastly differ of the experience and treatment, that didn't stop many from believing the set of The Wizard of Oz was cursed.MGM took a huge risk making The Wizard of Oz. It would take 20 years to make a profit, but it would become one of the first 25 films to be included in the National Film Registry. It became a yearly family tradition through the advent of TV, then VHS, DVD and Blu-ray to become the most seen and most influential movie of all time.The Wizard of Oz remains a timeless classic, with one of the most fascinating histories and legacies to ever be included on Verbal Diorama.For more on the theft and eventual recovery of the ruby slippers, listen to the No Place Like Home PodcastThis episode was originally published on: 16th March 2023Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Join host Tami Goveia and guest Melodie Aikels on Some Like It Classic as we journey down the Yellow Brick Road with The Wizard of Oz. In this episode, we explore the timeless magic, timeless themes of friendship, family, and community, and how Oz's characters still resonate today. Perfect for longtime fans and anyone curious about why this 1939 classic continues to captivate audiences.What we cover:* Cinematic wonder: production magic, Technicolor brilliance, and iconic performances* The film's enduring themes: friendship, courage, home, and belonging* Why Oz remains relevant: community, family ties, and the power of optimism* Behind-the-scenes trivia and memorable quotables you can't forgetWhether you've watched Oz a hundred times or this is your first viewing, this conversation celebrates classic cinema and why it remains a cornerstone of film history. Don't forget to like, subscribe, and share with fellow Oz fans!#TheWizardofOz #Ozanalysis #classiccinema #MelodieAikels #SomeLikeItClassic #cinemhistory #1939film #Technicolor #moviepodcast #jljmedia #tamigoveia #oldhollywood #judygarland #somewhereovertherainbow 

Most of us learned the Lord's Prayer before we understood what it was doing. It became a ritual, something recited rather than lived.  But when Jesus' words are returned to their original world - the Jewish people under Roman rule, the long ache for redemption, the hope of a coming kingdom - the prayer opens up in ways most modern readers have never seen. It becomes less a mantra and more a mission. In this conversation with Brad Gray and Brad Nelson of Walking the Text, we explore why context is not a luxury but a lifeline.  Jesus wasn't offering a poetic devotional. He was giving His disciples a framework for partnering with God, joining the story that began in the Exodus, and learning to embody the kingdom He announced.  Every line reaches back to Israel's history and forward to God's future, shaping a people who would carry His reign into the world. From the clash of kingdoms under Rome, to the Jewish practice of communal prayer, to the way the early disciples finally recognized the kingdom at Shavuot, this episode invites us to see the prayer not as ancient words but as a daily blueprint.  This is what it means to bring heaven here - to live as a people formed by the Father, trusting His provision, forgiving like He forgives, and resisting the powers that distort His world. Key Takeaways Context is not extra; it's everything. Jesus assumed His listeners knew the Jewish, historical, and literary world behind His words. The Lord's Prayer sits at the “center of the center” of the Sermon on the Mount - Matthew's way of spotlighting Jesus' mission. Every phrase echoes the Exodus story and frames Jesus as the new Moses leading a new Exodus. “Daily bread” held layers: Israel's wilderness manna, Rome's grain system, and the hope of Messiah's provision. Ancient Jewish prayer was communal, formational, and participatory - not merely expressive. Jesus' kingdom message is not about escaping earth but joining God's work of renewing it. Salvation isn't the finish line; it's the starting point for disciples who bring God's reign into the world. Chapter Markers  00:00 — Why Context Changes Everything  01:20 — What the Biblical Writers Assumed We Knew  04:20 — Discovering the Bible in “Technicolor”  06:15 — When the Lord's Prayer Becomes Personal  09:00 — The Prayer's Literary Center and the New Exodus  10:20 — Rome, Herod, and the Clash of Kingdoms  14:45 — Why the Disciples Needed to Be Taught to Pray  18:40 — What Jesus Is Really Forming Through This Prayer  21:00 — Kingdom, Salvation, and the Mission of Disciples  26:30 — The Phrase That Transformed Everything  29:00 — Why “For Thine Is the Kingdom…” Isn't Original  31:50 — The Film, the Book, and the Global Project  38:00 — The Vision Behind Bringing Heaven Here Explore more resources, teachings, and Israel study opportunities at https://thejewishroad.com. To connect with Brad Gray and Brad Nelson, and to find the film The Lord's Prayer and the book Bringing Heaven Here, visit https://thelordsprayer.com - your one-stop hub for the film, book, and upcoming series.

Calendars are for quitters. HORTOBERFEST continues with a trip down the aisles of your local defunct video store. The one where The Good Guys watch ⁠⁠⁠V/H/S '94.-The Good Guys:  Regan, Rob, and Ryan -Producer:  Eric 'e0n' Chung  -Engineers:  Regan & Eric  -Social Media Strategist:  E  -Background Music and FX courtesy of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Karl Casey @ White Bat Audio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  - -Good Soup -Be Kind -Rewind -⁠ -⁠⁠ -Featured background music playlist:  Ad Infinitum, Data, Mantra, Symbolic, Vintage, and Arcadia  by  White Bat Audio  -Background music for POP Quiz and Trailer is Technicolor by  White Bat Audio  - Theme music is Battle (Boss) by BoxCat Games and is licensed under CC BY 3.0  - Additional music is Against the Wall by BoxCat Games and is licensed under CC BY 3.0  -

On today's episode, Pete and Jacob limp out of the international break with bruised mouths, bruised lineups, and bruised optimism ahead of a monster North London Derby. We get into:

Visual effects veteran Dennis Berardi joins the podcast to discuss the resurrection of his legendary studio, Mr. X, and his latest collaboration with Guillermo del Toro on Frankenstein. Dennis shares the technical and artistic challenges behind the film, detailing how his team blended massive physical builds with digital artistry to create the film's "invisible" effects. From creating expansive Arctic icescapes in a Toronto parking lot to blowing up 20-foot "bigature" miniatures for the climactic tower sequence, Dennis explains how they achieved an operatic scale while maintaining the emotional intimacy of Del Toro's father-son narrative. The conversation also navigates the complex business of visual effects, as Dennis recounts the dramatic story of selling Mr. X to Technicolor and his subsequent fight to reclaim the brand and IP after the parent company's collapse. He outlines his philosophy for rebuilding Mr. X as a boutique, filmmaker-focused studio that values artistry over volume. Finally, Dennis, Chris, and Daniel speculate on the future of the industry, discussing the impact of AI, the fracturing of the VFX market, and why relationship-driven, smaller shops may be the key to sustainable high-end filmmaking. Mr. X Website > Dennis Berardi bio > Dennis Berardi on IMDB > Frankenstein on Netflix > The Empty Man Trailer >   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

Hi, friends! Happy Wednesday! You've seen The Wizard of Oz... the ruby slippers, the Yellow Brick Road, the flying monkeys… But you've also heard rumblings of some dark rumors, haven't you? Well, behind all that glitter and Technicolor magic was a nightmare of toxic makeup, real fires, starvation diets, terror in Munchkinland and a studio system that nearly killed a teenage Judy Garland. In today's episode of Dark History, let's follow the (bloodsoaked?) yellow brick road backstage to uncover the shocking truth behind one of Hollywood's most iconic movies. From the Tin Man's near-death experience to the Witch catching fire on set (literally), to asbestos snow and all sorts of horrible abuse — this is the wicked story of The Wizard of Oz that MGM never wanted you to hear. ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Goodreads: http://bit.ly/3IVnO7N Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ This podcast is Executive Produced by: Bailey Sarian and Joey Scavuzzo Head Writer: Allyson Philobos Senior Writer: Katie Burris Research provided by: Xander Elmore Director: Brian Jaggers Additional Editing: Julien Perez and Maria Norris  Hair: Angel Gonzalez Makeup: Nikki la Rose ________ Get started today at StitchFix.com/darkhistory to get $20 off your first order—and they'll waive your styling fee. That's StitchFix.com/darkhistory The best way to cook just got better. Go to HelloFresh.com/DARKHISTORY10FM now to Get 10 Free Meals + a Free breakfast for Life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. That's HelloFresh.com/DARKHISTORY10FM to Get 10 Free Meals + free breakfast for Life. Shop my favorite pajamas at SKIMS.com. After you place your order, be sure to let them know we sent you! Select "podcast" in the survey and be sure to select our show in the dropdown menu that follows And if you're looking for the perfect gifts for everyone on your list - the SKIMS Holiday Shop is now open at SKIMS.com. Check out squarespace.com/DARKHISTORY for a free trial, and when you're ready to launch, use OFFER CODE: DARKHISTORY to save 10% off your first purchase of a website or domain.

Would that it twere so simple to lasso that lazy ol' moon! This week, we're chatting about all the studio shenanigans in Hail, Caesar! with our pal Shirley Li. Speaking of Shirley, we all knew she was skilled at getting David “The Dog” Sims off the leash, but did you know that she also attended researcher JJ's wedding?! Lore drop! Join us as we unpack the careers of Channing Tatum and Alden Ehrenreich, gush over the gorgeous near-Technicolor cinematography, and celebrate the love of da moviesh that comes through so clearly in this film. Read Shirley's work Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Class One of The Art of Influence opens with The Wizard of Oz—how Production Designer Cedric Gibbons and Set Decorator Edwin B. Willis built Oz from the ground up. I unpack the sepia-to-color switch, Munchkinland's circular plan, the Yellow Brick Road as a story spine, Emerald City's Art Deco vocabulary, the Wizard's forced-perspective corridor, and why the sets still feel alive today. This episode is free; the full masterclass—covering MGM's greatest builds and their ripple effect on modern film and TV—is available on my site.Keywords: Wizard of Oz, production design, set decoration, Cedric Gibbons, Edwin B. Willis, MGM, Technicolor, Emerald City, Yellow Brick Road, Munchkinland, classic Hollywood, film design, set decorator, art direction, film history, visual storytelling.

Send us a textI just got back from my hometown, and I have so much to tell you! Let's take a walk down memory lane, talk about living our lives in color, and what is this beautiful journey called life all about anyway?"Where there is love there if life."~Mahatama GhandiSHOW NOTES:Join Life and Wellness Coach, Kira Mesi as she navigates the ups and downs of life through personal experience, storytelling, and interviews. Learn to lean into your best self with the mindful practice of gratitude living, honoring your soul's purpose, and the joy of Finding Rainbows on an ordinary day.  (and she's a singer, too....so get ready to spontaneously break out in song, sometimes :)"Dive into the ordinary looking for the extraordinary because life is hard, but if you look close enough, you will find the Rainbows." ~KGRAB A RAINBOWS MUG AND SUPPORT THE PODCAST:Finding Rainbows The Podcast (finding-rainbows-the-podcast.myshopify.com)FOLLOW ME FOR MORE INSPIRATION:@FindingRainbows | LinktreeSupport the show

Send us a textSeven new Blu-rays land for November with new 4K restorations that fix past audio issues, honor original aspect ratios, and bring back theatrical context with shorts and radio plays. We also unveil three film collections for Gene Kelly, Doris Day, and James Cagney.• Marx Bros At the Circus with era-accurate shorts and trailer• Powell and Loy's I Love You Again with a Lux Radio Theater adaptation• Bette Davis's underrated comedy It's Love I'm After in a fresh 4K scan• Errol Flynn's Silver River with corrected sound and matched cartoons• Davis and Cagney's The Bride Came C.O.D. plus Warner Night at the Movies• Technicolor showcase The Iron Mistress and Alan Ladd's studio shift• The Miracle restored Technirama from a 6K scan • Why film collections exist and how to use them to start or gift librariesPre-order links are only available for the film collections: JAMES CAGNEY COLLECTION BLU-RAYGENE KELLY COLLECTION BLU-RAYDORIS DAY COLLECTION BLU-RAY The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Alex praises the recent Sierra Nevada Pils releases in 8.4 oz cans! But does he really believe what he says or is this another #nostrilgate? Then Alex and Stephen try some NA beverages and a new contender challenges St. Agrestis for the throne. They try their first NA wine and revisit a NA beer favorite then throw all four drinks through the Power Rankings treatment.  To get involved with the  "Life" International Barleywine Collab, click the link for info about the recipe, BSG discount, and links to help raise awareness of colon cancer.  If you'd like to make a direct donation to help support Alex, head over to his GoFundMe.  For more info about colon cancer and to help support the fight against it check out the Colon Cancer Foundation.  Head to our Patreon for weekly exclusive content. Get the Malt Couture Officially Licensed T-shirt. Follow DontDrinkBeer on Instagram and Twitter.