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7 episodes with Gene Tierney
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4 episodes with Gene Tierney
3 episodes with Gene Tierney
3 episodes with Gene Tierney
3 episodes with Gene Tierney
3 episodes with Gene Tierney
2 episodes with Gene Tierney
3 episodes with Gene Tierney
We're kicking off our series on DC Onscreen with a look at the romance of Otto Preminger's 1962 Senate drama Advise & Consent! Join in as we discuss the movie's deployment of star Henry Fonda, the tension between Preminger's liberalism and Allen Drury's Pulitzer-winning novel, and the real-life incidents that inspired the story. Plus: What stunt castings did Preminger want (and get) for the movie? How effective is its then-controversial depiction of gay people? And, most importantly, is Gene Tierney's Dolly Harrison the coolest woman we'll see in this series? Make sure to rate, review, and subscribe! Next week: D.C. Cab (1983) - available here via the Internet Archive!-----------------------------------------------------Key sources and links for this episode:Bosley Crowther's review of Advise & Consent (New York Times)"Hollywood's Biggest Washington Movie Goofs" (Washingtonian Magazine)"Otto Preminger, 1960-1979 (The Old Man is Still Alive, Part 7)" (You Must Remember This)"1961: Starring Martin Luther King, Jr. (And Henry Fonda)" (New York Times)"Just How Gay is the Right?" by Frank Rich (New York Times)"Allen Drury and the Washington Novel" (Hoover Institute)"Uniquely Nasty: The Blockbuster Novel that Haunted Gay Washington" (Yahoo News)"The 1959 Novel that Convinced a Young Barney Frank Not to Come Out" (Washington Post)"Trump Allies Pressure GOP Senators to Back Cabinet Picks - Or Else" (Washington Post)"The Week Trump Finally Broke the Senate" (Politico)"Takeaways from Doug Liman's Secret Brett Kavanaugh Documentary" (Washington Post)
“There's nothing wrong with Ellen. It's just that she loves too much.” We watched “Leave Her to Heaven” with our friend Emily Ollero Jones from the podcast “Female Driven,” and we're still trying to figure out a way to get Gene Tierney that Oscar. This Technicolor psychological thriller really has everything: melodrama, film noir, allusions to Greek mythology, and most importantly… that face! Not a soul can clock. Gene Tierney is really serving it up throughout this movie, and we just have one thing to say - congratulations on that face. Gene's femme fatale portrayal of Ellen sets the standard for Black Widows for years to come. Let's face it - Ellen Berent Harland threw herself down the stairs so Amy Dunne could, well… “Gone Girl” herself. So many “women's pictures” owe a great debt to “Leave Her to Heaven.” Would we have Divine's impeccably decorated Baltimore home in “Polyester” without it? Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram Peterlasagna
"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Paul and Erin review new films from Bong Joon-ho, Steven Soderbergh and Errol Morris, plus a host of older titles featuring the likes of Clint Eastwood, Jeff Bridges, Gene Tierney, and Jackie Chan.
"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter; Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir! SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Another heir, another birthday, 2 fortunes, a special gift, and by chance possibly someone to share it with?September 1933, three new bachelor heirs are fresh on the market, or are they? Alfred “Alfy” Vanderbilt Jr. comes into his fortune but gets an even better gift from his mother. Alfy along with Jakey Astor and Wooly Donahue are more serious and not interested in being the typical playboy heirs, but questions remain as to who is really still on the market.Other people and subjects include: Princess Barbara Hutton Mdivani, Prince Alexis Mdivani, James HR Cromwell aka “Jimmy,” John Jacob Astor VI aka “Jakey,” John Jacob Astor IV aka “Jack,” Vincent Astor, Alice Ava Muriel Astor Obolensky von Hofmannsthal, Caroline Astor, Madeleine Talmage Force Astor Dick, Jessie Woolworth Donahue, Woolworth “Wooly” Donahue, Alfred “Freddy” Vanderbilt Sr, Margaret “Maggie” Emerson McKim Vanderbilt Baker Amory, Captain Isaac “Ike” Emerson, Ellen “Elsie Tuck French Vanderbilt, Ellen “Tucky” Tuck French, Alice Vanderbilt, Alva Vanderbilt Belmont, Gertrude Vanderbilt Whitney, Grace Wilson Vanderbilt, Cornelius Vanderbilt III aka “Neily,” Alfred Gwynne Vanderbilt, Sr. aka “Freddy,” Willaim “Bill” Vanderbilt, Reginald “Reggie” Vanderbilt, George Washington Vanderbilt III, William Henry Vanderbilt III – future Governor of Rhode Island, Dorothy “Dotty” Fell, Dorothy “Dolly” de Milhau, Gladys Munn, Pulitzer family, Dr. Smith Hollins McKim, Charles Minot Armory, Raymond Baker, Gloria Baker, Delphine Dodge Cromwell Baker, Ronald Denyer, Agnes O'Brien Ruiz, Sagamore Stables – Sagamore Farms, Preakness Stakes, Pimlico Racecourse of Baltimore, Belmont Racetrack of New York, racehorses, horsey set, birthday party and dance, bachelors, secret engagements, playboys, childhood friends, best gal, sea victims, iceberg, torpedo, scandal, affair, suicide, spousal abuse, St. Georges school in Newport, St. Paul's school in New Hampshire, Harvard, Yale, private tutors, trusts, ocean liners Europa, Titanic, Lusitania, Mauretania, Paris, Newport, Saratoga, Sands Point, Long Island, Bromo-Seltzer, sodium bicarbonate, pharmacist, antacid, painkiller, sedative, tranquilizer, hangover remedy, Mount Bromo of Java, Alka-Seltzer, Bayer, The Postman Always Rings Twice (1981), The Hudsucker Proxy (1994), tv series, The Simpsons, The Golden Girls, John Steinbeck's The Grapes of Wrath, Rogers and Hart, Broadway musical Guys and Dolls, Spike Jones's spoof remake song “Laura,” Otto Preminger, Laura film, Gene Tierney, Dana Andrews, German U-boat U-20, torpedo, lifeboats, lifejackets, young mother with baby, Cunard, Blue Riband, wounded soldiers, munitions, Germany, Britain, and United States, warship, passenger ship, racehorses, War Admiral, Seabiscuit, screenwriter James Vanderbilt, 2007 Zodiac, 2012 The Amazing Spider-Man, 2016 Independence Day: Resurgence, Scream franchise 2022 & 2023, effects of loss, identity, connection to loved one, heroism, lionization, fast vehicles and cars, animals, nature, nurture, troubles,…--Extra Notes / Call to Action:American Aristocracy websitehttps://americanaristocracy.com/https://americanaristocracy.com/lists/the-four-hundred Share, like, subscribe --Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: From the Top of Your Head by Carroll Gibbons & The Savoy Orpheans, Album The Great British Dance BandsSection 2 Music: Eeny Meeny Miney Mo by Harry Roy, Albums The Great Dance Bands Play Hits of the 30s & Tea Dance 2Section 3 Music: You Hit The Spot by Carroll Gibbons, Album The Age of Style – Hits from the 30sEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands--https://asthemoneyburns.com/X / TW / IG – @asthemoneyburnsX / Twitter – https://twitter.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Facebook – https://www.facebook.com/asthemoneyburns/
durée : 01:25:10 - Les Nuits de France Culture - par : Philippe Garbit - Peu d'actrices, peu de stars ont eu une carrière aussi fulgurante que Gene Tierney. Peu de visages ont à ce point fasciné des cinéastes. Tous se sont demandés ce qui pouvait bien se passer derrière ce regard transparent et cette beauté aussi angoissée que limpide. - réalisation : Mydia Portis-Guérin - invités : Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019); Dominique Rabourdin; Yves Builly
Front Row Classics is taking a look at one of most charming, romantic films of all time. Brandon is joined by Ryan Taylor to discuss 1947's The Ghost and Mrs. Muir. Ryan is a life-long classic film fans and has her own classic film content on Instagram celebrating Theda Bara. Brandon and Ryan praise the simple, but effective storytelling in The Ghost and Mrs Muir. The pitch perfect performances of Gene Tierney and Rex Harrison along with taut direction by Joseph L. Mankiewicz help to create a film that's been a fan-favorite for generations. The hosts also praise the supporting performances from George Sanders, Natalie Wood and Edna Best along with the haunting score by Bernard Hermann.
#Noirvember 23, 2024 Gene Tierney - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles. #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
Welcome to It's A Wonderful Podcast! IT'S NOIRVEMBER 2024 and Morgan and Jeannine have five episodes for the month, covering the vast array of Film Noir, in the way only they can! We love Noir more than anything else on this show! More darkly manipulative romance in notably striking fashion this week as Morgan and Jeannine discuss how Film Noir can work with gorgeous Technicolor visuals in John M. Stahl's LEAVE HER TO HEAVEN (1945) starring Gene Tierney, Cornel Wilde & Jeanne Crain! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
EPISODE 60 - "THELMA RITTER: CLASSIC CINEMA STAR OF THE MONTH" - 11/04/2024 There's a scene in the classic 1950 film All About Eve where Eve Harrington (ANNE BAXTER), a star-struck fan who has infiltrated the life of Broadway star Margo Channing (BETTE DAVIS), is telling the tragic story of her past to Margo and her friends. While Margo and company are drawn into the sad circumstances of Eve's life, Margo's acerbic dresser Birdie, played to perfection by the great THELMA RITTER, is not buying her sob story. After Eve finishes, Birdie mutters, "What a story! Everything but the bloodhounds snappin' at her rear end." This is probably the moment I fell in love with Ritter. With her heavy New York accent, diminutive size, working-class charm, and sarcastic zingers, she made a career of stealing scenes from big stars and making the most of her time on screen. She played characters wiser than most, and her characters certainly didn't suffer fools gladly. She is a cinematic treasure, and we celebrate her as our Star of the Month. SHOW NOTES: Sources: All About Eve: The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made (2001), by Sam Staggs; All About Thelma and Eve: Sidekicks and Third Wheels (2002), by Judith Roof; Actresses of a Certain Character (2007) by Axel Nissen; “Thelma Ritter, Versatile Actress with Raspy Voice Dies at 63,” February 5, 1969, New York Times; “Ten Women that Changed the Face of Film Forever,” March 8, 2019, by Harry Fletcher, The Standard; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: Miracle on 34th Street (1947), starring Maureen O'Hara, Edmund Gwenn, John Payne, and Natalie Wood; Call Northside 777 (1948), starring James Stewart, Richard Conte, and Helen Walker; A Letter To Three Wives (1949), starring Jeanne Crain, Linda Darnell, Ann Sothern, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Connie Gilchrist, and Barbara Lawrence; Father Was a Fullback (1949), starring Fred MacMurray and Maureen O'Hara; All About Eve (1950), starring Bette Davis, Ann Baxter, Gary Merrill, Celeste Holm, Hugh Marlowe, George Sanders, Marilyn Monroe, Gregory Ratoff, and Barbara Bates; The Mating Season (1951), starring John Lund and Gene Tierney; The Model and the Marriage Broker (1951), starring Jean Peters and Scott Brady; With a Song in My Heart (1952), starring Susan Hayward, Rory Calhoun, David Wayne, Robert Wagner, and Helen Westcott; Titanic (1953), starring Barbara Stanwyck, Clifton Webb, Robert Wagner, and Brian Aherne; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, and Richard Kiley; As Young As You Feel (1951), starring Monty Woolley, David Wayne, Jean Peters, Constance Bennett, Marilyn Monroe, Allen Joslyn, and Albert Dekker; Rear Window (1954), starring James Stewart, Grace Kelly, Wendel Corey, and Raymond Burr; Daddy Long Legs (1955), starring Fred Astaire and Leslie Caron; The Proud and Profane (1956), starring William Holden and Deborah Kerr; A Hole In The Head (1959), starring Frank Sinatra, Edward G. Robinson, and Eleanor Parker; Pillow Talk (1959), starring Doris Day and Rock Hudson The Misfits (1961), starring Clark Gable, Marilyn Monroe, Montgomery Clift, and Eli Wallach; Birdman of Alcatraz (1962), starring Burt Lancaster, Karl Malden, Neville Brand, Betty Field, Telly Savalas, Edmond O'Brien, and Hugh Marlowe; How The West Was Won (1962), starring James Stewart, Gregory Peck, John Wayne, Debbie Reynolds, Henry Fonda, Carroll Baker, Lee J. Cobb, Karl Malden, and Richard Widmark; Move Over Darling (1963), starring Doris Day, James Garner, and Polly Bergen; Boeing, Boeing (1965), starring Tony Curtis and Jerry Lewis; What's So Bad About Feeling Good? (1968), starring George Peppard and Mary Tyler Moore; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 402: The Crew's wearing their most buoyant life jackets while watching John Stahl's Leave Her to Heaven. This 40's film noir is in color, which some critics use to point out it isn't a noir. The Crew doesn't solve that debate, but this film is a rarely seen masterpiece. With a terrific chilling performance from Gene Tierney. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com
Si amamos el cine clásico, en gran parte es por sus figuras y porque nos hacían creer que lo que veíamos en la pantalla, era la realidad por unas horas. Y este domingo, aprovechando que se cumplen años del nacimiento del director Oliver Stone y de la gran Carmen Maura - la actriz española con más premios Goya- y el lunes 16, de Lauren Bacall; nuestros maduritos interesantes (José Luis Garci, Andrés Aberasturi y Fernando Guillén Cuervo) aprovechan para ahondar en ellos y lo que han supuesto para la historia del séptimo arte. Mención aparte, merece la actriz estadounidense, Lauren Bacall, considerada, la más guapa de la gran pantalla, con permiso de Gene Tierney, a la que el productor Zanuck bautizó como “la actriz más bella de la historia del cine”, y que formó una pareja de película junto a Humphrey Bogart, una de las más adoradas y legendarias del Hollywood dorado.Escuchar audio
Support Breaking Walls at https://www.patreon.com/thewallbreakers The woman you just heard is Gene Tierney. She was born on November 19th, 1920 in Brooklyn, New York. Raised in Connecticut, she excelled in poetry, took up student acting, and eventually spent two years attending school in Switzerland, where she learned to speak French. On a family trip to the West Coast, she visited Warner Bros. studios, where her cousin Gordon Hollingshead worked as a producer. Director Anatole Litvak, taken by her beauty, convinced Gene to take a screen test. Warner Brothers wanted to sign her, but her father convinced her to stay home, enter society, and become a theater actress. She studied acting in Greenwich Village and soon found herself getting increasing roles on Broadway along with reviews about her acting prowess and natural beauty. Eventually Gene's father set up a company to fund her acting interests. She met Howard Hughes, who became a lifelong friend. In 1940 she starred as Patricia Stanley on Broadway in The Male Animal. Features in Life, Harper's Bazaar, and Vogue soon followed. Darryl Zanuck, head of 20th Century Fox, saw her both acting and later dancing at The Stork Club, and signed her to a contract. She debuted later that year in a supporting role, opposite Henry Fonda, in Fritz Lang's western, The Return of Frank James. By 1944 she'd made eleven films. That Autumn she wrapped up filming of Laura opposite Dana Andrews, Clifton Webb, and Vincent Price. Before its premiere in November she guest-starred on Duffy's Tavern on Friday, September 22nd. The brainchild of star Ed Gardner, Duffy's Tavern debuted as part of CBS's Forecast pilot series in 1940. It was hailed by critics as the most-original comedy of 1941. The fictitious bar was allegedly located in Manhattan on 3rd avenue and 23rd street. It was the “eyesore of the East side” where the “elite meet to eat.” Duffy never made an appearance, but his frequent phone calls were a constant source of anxiety. Gardner's heavily New York-accented Archie has inspired several characters in the years since, like Moe in The Simpsons. Eddie Green was Eddie, Marvin Miller announced, Sandra Gould was Miss Duffy, and Charlie Cantor was Finnegan. In September 1944 the show moved to NBC. This was the season's second episode. It pulled a rating of 11.3. Roughly nine million people tuned in.
EPISODE 52 - "BIG SCREEN TO SMALL SCREEN: CLASSIC CINEMA'S TV REMAKES." (052) - 09/09/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** Sometimes, a classic film is primed for being turned into a successful television series — think “M*A*S*H*,” “Alice,” “In The Heat of the Night,” or “Peyton Place.” But this isn't always the case. There have been many classic films turned into TV shows with less-than-stellar results. Does anyone remember the “Casablanca" TV show on ABC with Starsky & Hutch star DAVID SOUL filling in for HUMPHREY BOGART? Don't worry, nobody else does either! This week, we take a look at a few of the TV series that were based on classic movies that didn't quite hit the mark. SHOW NOTES: Sources: Television Series of the 1950s (2016), by Vincent Terrace; Encyclopedia of TV Shoes: 1925 - 2010 (2011), by Vincent Terrace; The Complete Directory To Prime Time Network TV Shows (1988), by Time Brooks and Earle F. Marsh; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Operation Petticoat (1959), starring Cary Grant, Tony Curtis, Dina Merrill, and Arthur O'Connell; Halloween (1978), starring Jamie Lee Curtis and Donald Pleasence; Topper (1937), starring Cary Grant, Constance Bennett, Roland Young, and Billie Burke; How To Marry A Millionaire (1953), starring Marilyn Monroe and Jane Russell; The Third Man (1949), starring Joseph Cotten, Orson Welles, Trevor Howard, and Alida Valli; My Sister Eileen (1942), starring Rosalind Russell and Janet Blair; My Sister Eileen (1955), starring Janet Leigh, Betty Garrett, and Jack Lemmon; Please Don't Eat The Daisies (1960), starring Doris Day and David Niven; The Ghost and Mrs. Muir (1947), starring Gene Tierney and Rex Harrison; Casablanca (1942), staring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Peter Lorre, and Sydney Greenstreet; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 51 - “Richard Conte (Star of the Month) ” - 09/02/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** In the great film noir classic Thieves Highway, a gripping drama that takes on the dirty underbelly of the trucking industry, the spectacular RICHARD CONTE plays Nick Garcos, a world-weary, jaded, World War II vet who returns home. After finding his family's produce business in shambles and his father crippled, he seeks revenge against the crooked rival produce dealer who caused his father's accident. In his gripping portrayal, Conte shows his strengths as an actor. With his square shoulders, cleft chin, and intense eyes, Conte gives the impression that he means business. Conte was just as comfortable playing mobsters and street hoods as he was playing charming, sympathetic leading men. He always projected manly strength, and you knew he was no one you wanted to mess with. So say hello to our Star of the Month, RICHARD CONTE. SHOW NOTES: Sources: Bad Boys: The Actors of Film Noir (2003), by Karen Burroughs; “Conte In the Sun,” March 3, 1946, by Thomas M Pryor, New York Times; “A Star Comes Home,” March 3, 1950, by Louis Berg, Los Angeles Times Magazine; “The Role I Liked Best…” May 20,1950, by Richard Conte, Saturday Evening Post; “Richard Conte: Official Biography,” June 14, 1951, Universal Pictures; “Conte Forms Indie Pix, TV Company,” January 21, 1960, Variety; “Conte Has His Own Method,” February 14, 1960, by Don Albert, Los Angeles Times; “Actor Conte, Wife Reveal Divorce,” July 12, 1962, by Harrison Carroll. LA Herald Examiner; “Richard Conte Getting Offers He Can't Refuse As Ideal Mafia Type,” March 14. 1973, Variety; “Richard Conte, Cold-Eyed Movie Gangster, Dies at 61;” April 16, 1975, by Jack Jones, Los Angeles Times; “Richard Conte Dies In Hollywood at 65,” April 23 1975, Variety; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Heaven With A Barbed Wire (1939), starring Jean Rogers and Glenn Ford; Guadalcanal Diary (1943), Starring William Bendix, Lloyd Nolan, and Anthony Quinn; The Purple Heart (1944), starring Dana Andrews and Farley Granger; Captain Eddie (1945), starring Fred MacMurray and Lynn Bari; A Bell For Adano (1945), starring Gene Tierney and John Hodiak; A Walk In The Sun (1945), starring Dana Andrews. Lloyd Bridges, and John Ireland; The Spider (1945), starring Faye Marlowe; 13 Rue Madeleine (1947), starring James Cagney; The Other Love (1947), starring Barbara Stanwyck and David Niven; Call Northside 777 (1948), starring James Stewart and Helen Walker; House of Strangers (1949), starring Susan Hayward; Thieves Highway (1949), staring Lee J. Cobb and Valentina Cortese Big Jack (1949), starring Wallace Beery and Marjorie Main; Whirlpool (1950), starring Gene Tierney and Jose Ferrer; The Sleeping City (1950), starring Coleen Gray Under The Gun (1951), starring Audrey Totter; The Blue Gardenia (1953), starring Anne Baxter; Highway Dragnet (1954), starring Joan Bennett; The Big Combo (1955), starring Cornel Wilde; I'll Cry Tomorrow (1955). Starring Susan Hayward; New York Confidential (1955), Starring Broderick Crawford; Full of Life (1956), starring Judy Holiday; The Brothers Rico (1957), starring Dianne Foster; They Came To Cordova (1959), starring Gary Cooper and Rita Hayworth; Ocean's 11 (1960), starring Frank Sinatra; Who's Been Sleeping In My Bed? (1963), starring Dean Martin; Circus World (1964), starring John Wayne and Rita Hayworth; The Greatest Story Ever Told (1965); Tony Rome (1967); The Lady In Cement (1968); Hotel (1967); Operation Eagle Cross (1968); The Godfather (1972); Shoot First, Die Later (1974); Evil Eye (1975); Violent Rome (1975); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 47 - “Laird Cregar (Star of the Month) ” - 08/05/2024 With his sad, dark eyes, hulking frame, and aristocratic speech, actor LAIRD CREGAR often played the complex villain tortured by a sinister past or an unrequited love that turns into an obsession. No one played characters with suppressed anguish, a tortured soul, or darkness lingering beneath the surface better than he did. While he only made 16 films in a period of five years, he is unforgettable. His desire to be thin was his achilles heel that turned tragic. This week join us as we take a deep dive into the short life and career of this amazing actor. SHOW NOTES: Sources: Laird Cregar: A Hollywood Tragedy (2017), by Gregory William Mank; “Atlas With A Grin,” by Fredda Dudley, December 1941, Screenland magazine; “Setbacks To Fame,” by Dorothy B.Haas, June 1942, Silver Screen magazine; “Bold, Bad, (Bluffing) Cregar,” by Barbara Berch, January 1945, Screenland magazine; “Ripping Tales: Laird Cregar: The Forgotten Ripper,” by Kevin G. Shimick, Fall 1991, Scarlett Street; “Queers In History: Laird Cregar,” December 9, 2012, by Elisa Rolle, livejournal.com; “Heavy: The Life and Films of Laird Cregar,” October 7, 2013, by Jennifer Garland, Virtual Virago; IMDBPro.com; Wikipedia.com; Movies Mentioned: I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, and Laird Cregar; The Lodger (1944), starring Merle Oberon and Laird Cregar; Charley's Aunt (1941), starring Jack Benny, Kay Francis, James Ellison, and Laird Cregar; Rings On Her Fingers (1942), starring Gene Tierney, Henry Fonda, Laird Cregar, and Spring Byington; Hudson Bay (1940), starring Gene Tierney, Paul Muni, Vincent Price, and Laird Cregar; Blood and Sand (1940), starring Tyrone Power, Linda Darnell, and Laird Cregar; This Gun For Hire (1942), starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar; Ten Gentlemen From West Point (1942), starring George Montgomery, Maureen O'Hara, and Laird Cregar; The Black Swan (1942), starring Tyrone Power, Maureen O'Hara, and Laird Cregar; Heaven Can Wait (1943), starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main Spring Byington, and Laird Cregar; Hello Frisco, Hello (1943), starring Alice Faye, John Payne, Lynn Bari, and Laird Cregar; Hangover Square (1945), starring Laird Cregar, Linda Darnell, and George Sanders; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this intriguing episode of "The Rewatch Party," hosts Nick and Anthony take a deep dive into the classic 1944 film noir "Laura," directed by Otto Preminger. The episode begins with Nick and Anthony sharing their initial impressions of the film, discussing its timeless appeal and the reasons it remains a significant piece of cinema history. They set the stage for an in-depth analysis of the movie's complex characters, gripping plot, and stylish direction. As they delve into the rewatchability of "Laura," the hosts examine the film's masterful storytelling and its ability to keep viewers engaged with its twists and turns. They highlight the standout performances, particularly by Gene Tierney as the enigmatic Laura and Dana Andrews as the determined detective Mark McPherson. Nick and Anthony also discuss the film's atmospheric cinematography and its use of shadows and light to create a mood that is quintessential to the noir genre. Throughout the episode, the hosts explore the thematic depth of "Laura," including its commentary on obsession, identity, and the elusive nature of truth. They debate how these themes contribute to the film's enduring intrigue and why it continues to captivate audiences with each viewing. Nick and Anthony also touch on the iconic musical score by David Raksin, which enhances the film's mysterious and romantic undertones, adding to its rewatchability. Whether you're a fan of classic film noir or discovering "Laura" for the first time, this episode of "The Rewatch Party" offers a thoughtful and engaging exploration of its lasting impact. Nick and Anthony provide a comprehensive analysis of why "Laura" remains a standout in the genre, celebrating its artistic achievements and its ability to keep viewers coming back for more. Their discussion highlights the film's unique qualities and its place as a must-watch classic in any movie enthusiast's collection. https://www.imdb.com/title/tt0037008/
Actrice d'une beauté rare, Gene Tierney est devenue l'une des grandes stars du Hollywood de l'âge d'or. Mais un drame intime devait tout remettre en cause… et inspirer une certaine Agatha Christie. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
One of the top movies of the film noir genre ever made, about a detective (Dana Andrews) investigating the mysterious murder of an advertising executive (Gene Tierney). Co-starring Clifton Webb and Vincent Price. Directed by Otto Preminger.
Sticking with 20th Century Fox film noir, we fast-forward a few years from Road House (1948) and talk about Where the Sidewalk Ends. Directed by Otto Preminger and starring Dana Andrews and Gene Tierney, this one is a reunion for the same trio that brought us Laura six years before. With these immensely important figures in film noir, along with highly noir story filled with dark settings, characters, and themes, this 1950 film is especially representative of the classic era. Patreon: patreon.com/ShadowsofNoir/Website: shadowsofnoir.comLetterboxd: letterboxd.com/ShadowsofNoir/
In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema. SHOW NOTES: Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024, University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned: The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. In The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University of Mississippi Press, 2019), Sydney Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. The book is part of the Hollywood Legends Series of the University of Mississippi Press. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
In this conversation, John Cornelison and Russell Guest from Retro Movie Roundtable discuss the film noir movie Leave Her to Heaven (1945). They share their initial thoughts on the movie, the director's background, and the unique elements of the film. They explore the genre of film noir and how it can be seen in different genres. They discuss the performances of Gene Tierney, Cornel Wilde, and Vincent Price, as well as the dark and complex character of Ellen. They also touch on the themes of obsession, possessiveness, and the tragic endings of some Hollywood stars. Overall, they recommend the movie but caution that it is a dark and heavy film. **Reviews Mentioned Retro Movie Roundtable** Retro Movie Roundtable - https://podcasts.apple.com/us/podcast/retro-movie-roundtable/id1439985015 Inherit the Wind (1960) - https://www.youtube.com/watch?v=dUNuzRMhqyk&t=232s Laura (1944) - https://www.youtube.com/watch?v=81lsl7b9MbA Treasure of the Sierra Madre (1948) - https://www.youtube.com/watch?v=KgaUrsbAYTQ The Maltese Falcon (1941) - https://www.youtube.com/watch?v=Fvk2AoXUZ0g Double Indemnity (1944) - https://www.youtube.com/watch?v=aWDT7L2P9_I The Asphalt Jungle (1950) -https://www.youtube.com/watch?v=7SW24rggaww The Third Man (1949) - https://www.youtube.com/watch?v=kVMftCxsX6s Breaker Morant - https://www.youtube.com/watch?v=RyPTJjzluGo Strangers on a Train (1951) - https://www.youtube.com/watch?v=NkMlWFdX4ME Leave Her to Heaven (1945) - https://www.youtube.com/watch?v=_ccOhs-Az_0&t=36s **Reviews Mentioned Classic Movie Review** Laura (1944) - https://youtu.be/C9hSo2NTyC8 The Shanghai Gesture (1941) - https://youtu.be/cLUAQC_N4e4 Treasure of the Sierra Madre (1948) - https://youtu.be/N8UDFuzujXk The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Asphalt Jungle (1950) - https://youtu.be/fynIloiiVDY Dark Waters (1944) - https://youtu.be/KEdr_A9FZ9o Angel and the Badman (1947) - https://youtu.be/qTwF_0eN_KA Breaker Morant (1980) - https://youtu.be/9MGaGJnn7F4 **My Links** Social - https://mtr.bio/classicmovierev My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Chapters** 00:00 Introduction and Background 01:25 Initial Thoughts on the Movie 04:19 Film Noir Elements in 'Leave Her to Heaven' 07:15 The Use of Technicolor in a Noir Film 08:39 Gene Tierney's Performance and Tragic Life 12:59 Character Transformation of Cornell Wilde 20:16 The Ultimate Sacrifice and Darker Twists 23:11 Legal Consequences and Ellen's Villainy 25:35 Impact and Recommendation **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
EPISODE 33 - “Zachary Scott: Star of the Month (May)” - 04/29/2024 Suave, debonaire, and effortlessly charming, ZACHARY SCOTT is best known for his role in MICHAEL CURTIZ's film noir classic Mildred Pierce (1945). As the duplicitous, silver-tongued charmer Monte Beragon, he romances Mildred, played by JOAN CRAWFORD (in her Oscar-winning role), and Mildred's daughter, Veda (ANN BLYTH). This became Scott's signature role: the sexy cad who was usually at his best swindling, seducing, or being a general scoundrel. It was always fun watching Scott's dastardly ways unfold. He could rock a tux, looked naked without a martini in his hand, and always had a cigarette close by. He was so magnetic that he could even make film-goers feel sorry for him. While he seldom got to play the good guy, when he did, as in what is perhaps one of his best roles in JEAN RENOIR's The Southerner (1945), you realize the versatility that he seldom had the opportunity to display. With a career that included over 40 films and dozens of television roles, ZACHARY SCOTT is our Star of the Month. SHOW NOTES: Sources: Zachary Scott: Hollywood's Sophisticated Cad (2009), by Ronald L. Davis; “Actor Zachary Scott, Leading Man for 3 Decades, Dies of Brain Tumor,” October 4, 1965, Akron Bacon Journal “Who Was Zachary Scott?” www.zachtheatre.org; “Zachary Scott's Guilded Cage,” Spring 2020, by Farren Smith Nehme, www.filmnoirfoundation.org; IMDBPro.com; Wikipedia.com; Movies Mentioned: Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden, Bruce Bennett, Lee Patrick, and Butterfly McQueen; The Southerner (1945), starring Zachary Scott, Betty Field, Beulah Bondi, Norman Lloyd, J. Carroll Naish, Jay Gilpin, Jean Vanderwilt, Blanche Yurka, and Percy Kilbride; The Mask of Dimitrios (1944), starring Zachary Scott, Faye Emerson, Peter Lorre, and Sydney Greenstreet; Hollywood Canteen (1944), starring Bette Davis, John Garfield, Joan Crawford, Joan Leslie, Dane Clark, Joe E, Brown, Barbara Stanwyck, Id Lupino, Sydney Greenstreet, and Jack Benny; Danger Signal (1945), starring Zachary Scott, Faye Emerson, Mona Freeman, Richard Erdman, Rosemary DeCamp, and Joyce Compton; Her Kind Of Man (1946), starring Zachary Scott, Dane Clark, Janis Page, and Faye Emerson; The Unfaithful (1947), starring Ann Sheridan, Lew Ayres, Zachary Scott, and Eve Arden; Stallion Road (1947), starring Ronald Reagan, Alexis Smith, and Zachary Scott; Cass Timberlane (1947), starring Spencer Tracy, Lana Turner, Zachary Scott, Tom Drake, Mary Astor, Margaret Lindsay, and Albert Dekker; Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, Lucille Bremer, and Martha Vickers; Whiplash (1948), staring Dane Clark, Alexis Smith, Zachary Scott, Eve Arden, S.Z. Sakall, Jefferey Lynn, and Alan Hale Jr; Flamingo Road (1949), starring Joan Crawford, Zachary Scott, Sydney Greenstreet, David Brian, Virginia Huston, Gladys George, and Fred Clark; Shadow On The Wall (1950), starring Ann Sothern, Zachary Scott, John McIntire, Gigi Perreau, Kristine Miller, and Nancy Davis; Born To Be Bad (1950), starring Joan Fontaine, Zachary Scott, Joan Leslie, Robert Ryan, and Mel Ferrer; Stronghold (1951), starring Veronica Lake, Zachary Scott, and Rita Meceda; The Secret of Convict Lake (1951), starring Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Barbara Bates, and Janette Nolan; Dead On Course (1953), starring Zachary Scott and Kay Kendall; Flame of the Islands (1955), staring Yvonne DeCarlo, Howard Duff, and Zachary Scott; Violent Stranger (1957), starring Zachary Scott, and Faith Domergue; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's Fox 1946 Studios Year by Year episode features the strange bedfellows of Henry Hathaway's The Dark Corner, a curiously feminist film noir in which the tormented protagonist is saved by the persistence of a good woman (played by Lucille Ball), and Edmund Goulding's The Razor's Edge, based on a Somerset Maugham novel about spiritual enlightenment and bourgeois ennui, featuring Gene Tierney's best performance, although Anne Baxter won the Oscar. And in Fear and Moviegoing in Toronto, the TIFF Cinematheque Duras retrospective continues with Nathalie Granger, Baxter, Vera Baxter, Le Navire Night, and Les Enfants. We discuss comedy, mysticism, nihilism, recalcitrant children, and happy endings in Duras's films. Time Codes: 0h 00m 35s: THE DARK CORNER [dir. Henry Hathaway] 0h 25m 04s: THE RAZOR'S EDGE [dir. Edmund Goulding] 0h 52m 22s: Fear and Moviegoing in Toronto: Nathalie Granger (1972), Baxter, Vera Baxter (1977), Le Navire Night (1979) and Les Enfants (1984) – all by Marguerite Duras Studio Film Capsules provided by The Films of 20th Century-Fox by Aubrey Solomon & Tony Thomas Additional studio information from: The Hollywood Story by Joe W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Season 2, Episode 3: LAURA We continue our ten-part series where we take a deep dive into a film celebrating a milestone anniversary this year. Today's subject is the 80th anniversary of film noir classic Laura. Directed by Otto Preminger, this twisty mystery stars Gene Tierney, Dana Andrews, Clifton Webb, and Vincent Price. Next week, we will turn our attention to 1954 and discuss the musical Seven Brides for Seven Brothers.
EPISODE 29 - “Jan Sterling: Old Hollywood Star of the Month” - 04/01/2024 Our “Star of the Month” is the fabulous JAN STERLING, who was married to our March “Star of the Month,” PAUL DOUGLAS. Blonde, beautiful, and often deadly on screen, Sterling started in theatre, but made a name for herself portraying tough dames, femme fatales, and sexy seductresses in films such as “Caged,” “Ace In the Hole” and “The High and the Mighty.” However, her upbringing was quite different from these wayward women she played so convincingly; she was actually from a very wealthy and prominent family. She had a stellar career, but many heartbreaks off camera. This week, we discuss the life and career of this most memorable lady. SHOW NOTES: Sources: Jan Sterling: Everything You Need To Know (2014), by Billy Vasquez; The Encyclopedia of Film Actors (2003), by Barry Monush; The Illustrated Who's Who of the Cinema (1983), by Ann Lloyd and Graham Fuller; Quinlan's Illustrated Registry of Film Stars (1986), by David Quinlan; “Jan Sterling, 82, Blonde Actress Who Made Film Noir A Specialty” Obituary, March 29, 2004, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: Tycoon (1947), starring John Wayne, Laaine Day, and Anthony Quinn; Johnny Belinda (1948), starring Jane Wyman, Lew Ayres, and Agnes Moorhead; Caged (1950), starring Eleanor Parker, Agnes Moorhead, and Faye Emerson; Appointment With Danger (1950), starring Robert Walker and Joan Leslie; The Mating Season (1950), starring Gene Tierney, John Lund, and Thelma Ritter; Ace In The Hole (1951), starring Kirk Douglas; Rhubarb (1951), starring Ray Miland; Flesh and Fury (1952), starring Tony Curtis; Sky Full of Moon (1952), starring Split Second (1953), starring Stephen McNally; Pony Express (1953), starring Charlton Heston and Rhonda Fleming; The Vanquished (1953), starring John Payne and Coleen Gray; Alaska Seas (1954), starring Robert Ryan; The High and the Mighty (19543), starring John Wayne, Robert Stack, Claire Trevor, and Laraine Day; Woman's Prison (1955), starring Ida Lupino, Pyllis Thaxter, Audrey Totter, and Howard Duff; Female on the Beach (1955), starring Joan Crawford and Jeff Chandler; The Harder They Fall (1956), starring Humphrey Bogart and Rod Steiger; 1984 (1956), starring Edmond O'Brien and Michael Redgrave; The Female Animal (1958), starring Hedy Lamar, Jane Powell, and George Nader; Kathy O (1958), starring Dan Duryea and Patty McCormick; High School Confidential (1958), starring Russ Tamblyn and Mamie Van Doren; Love In A Goldfish Bowl (1961), staring Fabian, Tommy Sands, and Majel Barrett; The Incident (1967), Starring Martin Sheen, Beau Bridges, and Tony Musante; The Minx (1969), starring Robert Roden and Shirley Parker; First Monday in October (1981), Starring Walter Matthau and Jill Clayburgh; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
For this Lilli Palmer episode of our Acteurist Oeuvre-view series, we watched another West German movie, Devil in Silk (directed by Rolf Hansen), and Life Together (directed by Clément Duhour), a tribute to famed French playwright, screenwriter, and film director Sacha Guitry with an all-star cast. We analyze the surprisingly sophisticated structure of Duhour and Guitry's horned-up middlebrow French comedy (warning: one of the comedy sequences discussed is disturbingly racist), while Devil in Silk answers a question it never occurred to us to ask: what would Leave Her to Heaven be like if Lilli Palmer played the Gene Tierney part? Time Codes: 0h 00m 35s: TEUFEL IN SEIDE (1956) [dir. Rolf Hansen] 0h 44m 04s: LA VIE À DEUX (1958) [dir. Clément Duhour] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Two + hours of ComedyFirst a look at this day in History.Then The Jimmy Durante Show, originally broadcast February 25, 1948, 76 years ago, A Day at the Races. Jimmy is suffering from insomnia and so guest Victor Moore takes him to the race track.Followed by The Aldrich Family, originally broadcast February 25, 1943, 81 years ago, Homers Love Note Goes To Henrys Teacher. Henry's in love with his Latin teacher? But what about Kathleen and Muriel and Homer and Agnes? ..Then The Phil Harris Alice Faye Show, originally broadcast February 25, 1951, 73 years ago, The Golf Game. Phil plays a high-stakes game of golf with his sponsor. Followed by The Great Gildersleeve starring Willard Waterman, originally broadcast February 25, 1953, 71 years ago, Gildys Great Dane Causes Peavey Trouble. Gildersleeve's dog and Peavy's cat aren't getting along...and neither are Gildersleeve and Peavy! Finally The Charlie McCarthy Show, originally broadcast February 25, 1945, 79 years ago, Guest star Gene Tierney. The program originates from a California naval hospital. Joan Merrill sings, "A Little On The Lonely Side." Charlie is now a hero. He's saved an heiress from a runaway horse. Mortimer has seen a seven-foot chicken at the farm of Mr. Ostrich. Guest Gene Tierney joins "Dr. Gazola" in the hospital. Thanks to Doug for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream
Our Fox 1945 episode features two of the greatest and greatest-looking film noirs: Otto Preminger's Fallen Angel and John M. Stahl's Leave Her to Heaven. We unpack the movies' love triangles, in which two strong-willed women exert their influence over a passive man; their treatment of the topics of love and obsession; the unique cinematic qualities of Alice Faye's presence and Gene Tierney's face; how Gene Tierney and Linda Darnell differ from the stereotypical femme fatale - and much more. Time Codes: 0h 00m 35s: FALLEN ANGEL [dir. Otto Preminger] 0h 36m 39s: LEAVE HER TO HEAVEN [dir. John M. Stahl] Studio Film Capsules provided by The Films of 20th Century-Fox by Aubrey Solomon and Tony Thomas Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Ali Khan, prince paradoxal, à la fois héritier d'une dynastie religieuse et play-boy hédoniste, est un personnage fascinant de l'après-guerre. Ses passions pour Rita Hayworth, puis Gene Tierney éclairent sans doute un peu sa flamboyante personnalité. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.
Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.
A special new podcast subset featuring Nate and his father. "My Dad & the Movies" is a monthly series where Nate and his father, George, discuss a movie of his father's choice, maybe a favorite or a formative work that made him the cinephile he is, and father and son can talk about their shared love of the movies. It's the last episode of season two, the finale, and the last movie is 1945's "Leave Her to Heaven," an Academy Award-winning noir mellodrama where Gene Tierney is an obsessive woman who won't stop until she eliminates any other alternative for her husband's attention and affections. Also, this could be the source of the warning about not swimming until 30 minutes after you finish eating. Season three coming next month, folks. Available on Spotify and Apple
For our New Year's treat, here's “The Lux Radio Theater” adaptation of the classic 1947 film “The Ghost and Mrs. Muir.” The film is an unconventional romance of sorts starring Rex Harrison and Gene Tierney as the title characters. She's a vibrant young widow, and he's the ghost of a rollicking sea captain. The captain isn't French, so I'm not sure why they cast Charles Boyer in the role, except that he does have sonorous voice. Madeleine Carroll takes on Tierney's role. Episode The Lux Radio Theater December 1, 1947 “The Ghost and Mrs. Muir” 2:30
EVAN RETURNS!!!!! He fills us in on what he's been doing, and then we get down to biz. First, we talk RUSTIN (3:27), George C. Wolfe's by-the-numbers biopic of gay Black activist Bayard Rustin elevated by Colman Domingo's masterful turn in the title role. Then it's THE MARVELS (26:22), Nia DaCosta's superhero film starring Brie Larson, Teyonah Parris, and Iman Vellani, and we answer that age-old question: Does this new Marvel movie make up for the crud that is Phase Four? We have some mixed opinions (one of us found it fun!), as you may expect. Over on Patreon, we talk about the 1944 noir classic LAURA (it's Noirvember, after all), directed by Otto Preminger and starring Gene Tierney, Dana Andrews, and Clifton Webb. We have lots of patron tiers, and for $5 you get access to voting in monthly polls and our exclusive audio content, which has a bajillion (technical number) bonus episodes available for you right now! Thanks for your patronage, and welcome back, Evan!
Samuel Laird Cregar (1914-1944) was the youngest of six sons of Edward Matthews Cregar, a cricketer and member of a team called the Gentlemen of Philadelphia. They toured internationally in the late 1890s and early 1900s. Laird's mother was the former Elizabeth Smith.Laird Cregar was educated at Winchester College in England, spending his summers as a page boy and bit player with the Stratford-upon-Avon theatrical troupe. Upon completing his schooling, Cregar won a scholarship at California's Pasadena Playhouse, supporting himself as a nightclub bouncer when funds ran out. So broke that at times he had to sleep in his car, Cregar forced Hollywood to pay attention to him by staging his own one-man show, in which he portrayed Oscar Wilde.After a few minor film roles, Cregar was signed to a 20th Century-Fox contract; among his first major roles was the middle-aged Francis Chesney in Charley's Aunt, the first of several showcases for the actor's delightful comic flair. With his sinister portrayal of the psychopathic detective in I Wake Up Screaming, he followed that up with the successful screwball comedy Rings on Her Fingers playing a con artist opposite Gene Tierney. Cregar became one of filmdom's top “heavies” ? both figuratively and literally. Seldom weighing less than 300 pounds throughout his adult life, Cregar became obsessed with his weight.After top billing in The Lodger, who may or may not be Jack the Ripper, the increasingly sensitive Cregar was growing tired of being thought of as merely a hulking villain. ...from: https://walkoffame.com/laird-cregar/(From here the story takes a dramatic and tragic turn)For more information:https://www.imdb.com/name/nm0187284/?ref_=fn_al_nm_1
It's NOIRvember! After FIVE LONG years, we're finally dedicating an entire month to noir and neo noir movies! First up, is one that some consider to be among the best in the genre, and it's Night and the City from Director Jules Dassin starring Richard Widmark, Gene Tierney, and Googie Withers. From IMDB: A small-time grifter and nightclub tout takes advantage of some fortuitous circumstances and tries to become a big-time player as a wrestling promoter. ENJOY! WHILE IT'S TRUE THE WGA STRIKE IS OVER, AND EVEN IF SAG GETS THEIR'S TOGETHER, WORKERS AND THEIR FAMILIES ARE GOING TO BE STRUGGLING FOR A WHILE. THE OVERWHELMING BURDEN OF PUTTING FOOD ON THE TABLE AND A ROOF OVER ONE'S HEAD DOESN'T END THE INSTANT THE DEALS ARE RATIFIED. IT COULD BE MONTHS BEFORE PRODUCTIONS GET UP TO SPEED AGAIN. THAT LEADS RIGHT INTO THE INDUSTRY'S USUAL WINTER/HOLIDAY HIATUS. WILL THAT BE DIFFERENT THIS YEAR? WHO KNOWS. BUT EVEN IF THEY WORK THROUGH THAT USUAL BREAK, MANY FAMILIES ARE GOING TO NEED ASSISTANCE. THIS IS WHERE YOU CAN HELP. IF YOU HAVE A FEW DOLLARS TO SPARE, PLEASE CONSIDER DONATING TO THE ENTERTAINMENT COMMUNITY FUND. THE FUND HELPS ALL WORKERS AFFECTED BY THE STRIKE, NOT JUST ACTORS AND WRITERS. Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages
A friend rotated my brain toward the subject of fame.He aimed my eyes in a new direction when he said, “Do you remember that thing you sent me 10 or 15 years ago?”I gave him the same blank look that you would have given him.He continued, “It was that thing Leonard Pitts wrote about being ‘the Man.'”I recovered it from the Random Quotes database at MondayMorningMemo.com, handed my phone to him and told him to read it out loud. When he was finished, we laughed together like two little boys who heard someone fart in church.Here it is:“I've got nothing against fame. I'm famous myself. Sort of.OK, not Will Smith famous. Or Ellen DeGeneres famous. All right, not even Marilu Henner famous.I'm the kind of famous where you fly into some town to give a speech before that shrinking subset of Americans who still read newspapers and, for that hour, they treat you like a rock star, applauding, crowding around, asking for autographs.Then it's over. You walk through the airport the next day and no one gives a second glance. You are nobody again.Dave Barry told me this story once about Mark Russell, the political satirist. It seems Russell gave this performance where he packed the hall, got a standing O. He was The Man. Later, at the hotel, The Man gets hungry, but the only place to eat is a McDonald's across the road. The front door is locked, but the drive-through is still open. So he stands in it. A car pulls in behind him. The driver honks and yells, “Great show, Mark!”The moral of the story is that a certain level of fame — call it the level of minor celebrity — comes with a built-in reality check. One minute, you're the toast of Milwaukee. The next, you're standing behind a Buick waiting to order a Big Mac.”– Leonard Pitts, January 14, 2008There is something about laughing with a friend that soaks into your heart and redirects your thoughts.I woke up the next morning thinking about fame, and how easily it comes and goes.I thought about Bill Cosby and Jim Bakker and Jimmy Swaggart. And then my computer told me “Joe the Plumber” had died. Remember Joe the Plumber? He became a celebrity in 2008 when he asked Barack Obama a question. We learned later that his name wasn't Joe and he was never a plumber, but his perspective resonated with a lot of Americans.And then it hit me: Andy Warhol was a painter, but what we remember about him was his colorful comment about each person receiving “15 minutes of fame.”I could feel the freight train of curiosity gaining momentum in my mind, so I had to quickly decide whether to grab a handrail, swing aboard and see where it would take me, or spend the rest of the day regretting having missed the chance.I didn't want to live in regret, so I grabbed a handrail and was yanked off my feet into a noisy, rattling railcar.When my eyes had grown accustomed to the dust and the half-light, I found the following 19 statements carved into the wooden walls of that railcar. These statements were signed by Marilyn Monroe, Johnny Depp, Erma Bombeck, Tony Bennett, Emily Dickinson, John Wooden, Gene Tierney, Jack Kerouac, George Michael, Eddie Van Halen, Sinead O'Connor, Fran Lebowitz, Michael Huffington, Lord Byron, Arthur Schopenhauer, Michelle Pfeiffer, Clive James, Robert Louis Stevenson, and Davy Crockett.But not in that order. I'm not going to tell you who said what, because I don't want your reactions to be influenced by your memories of those people.“Wealth is like sea-water; the more we drink, the thirstier we become; and the same is true of fame.”“Fame is the thirst of youth.”“Don't confuse fame with success. Madonna is one; Helen Keller is the other.”“Fame comes and goes. Longevity...
Welcome to the 200th episode of the podcast Watch With Jen. It's a milestone I never anticipated reaching when I launched the show in early 2020. Back then, I wasn't sure if anyone would be interested in listening to me talk about the movies I love. I am so grateful for your listenership & support & hope you'll stay tuned in the future as I continue to celebrate cinema with my knowledgeable, passionate guests. Returning to the podcast this week, we have the impressive critic, in-demand lecturer, & insightful author Mr. Adam Nayman, who longtime listeners will remember hearing last summer around this time as he joined me to discuss the life & career of actress Gene Tierney. A contributor to The Ringer, Criterion, CinemaScope, The New Yorker, & more, additionally, our Toronto-based guest has written thoughtful books on SHOWGIRLS, Ben Wheatley, the Coen brothers, Paul Thomas Anderson, & David Fincher. Analyzing the life, films, & performances of one of classic cinema's greatest actors & activists, in this roughly 65-minute research-filled conversation, Adam & I share observations about both the most landmark films & overlooked turns in the career of Burt Lancaster, & pay close attention to SWEET SMELL OF SUCCESS, THE SWIMMER, ATLANTIC CITY, & other favorites as well. Originally Posted on Patreon (8/27/23) here: https://www.patreon.com/posts/88290110 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Logo: KateGabrielle.com
# 452 The woman I knew and the woman I didn't know.
Actrice d'une beauté rare, Gene Tierney est devenue l'une des grandes stars du Hollywood de l'âge d'or. Mais un drame intime devait tout remettre en cause… et inspirer une certaine Agatha Christie. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.
Book Vs. Movie: LauraThe 1943 Novel Vs. the 1944 Classic FilmThe Margos continue with the 1940s with the film noir genre--Laura starring the gorgeous Gene Tierney and Dana Andrews, Clifton Webb, and Vincent Price. Based on the 1943 novel Ring Twice for Laura by Vera Caspary, the story of the mysterious Laura Hunt, who is found murdered (or was she?), was initially serialized in Collier's magazine in October and November 1942. It became a hit novel and was released as an Armed Services Edition to the troops in World War 2. Narrated in the first person, “Laura” is going murdered at her apartment door with her face left unrecognizable. Detective Mark McPherson tries to find her killer and focuses on her former lover, Waldo Lydecker, and her finance Shelby Carpenter. In the middle of the investigation, Laura shows up, surprised that someone was killed in her place. So who is the real victim and killer? The movie, directed by Otto Preminger, brings Gene Tierney as Laura, and from there, the character of Lydecker changes from an obese restauranter to a lanky writer who works in his tub. Dana Andrews plays the detective who falls in love with Laura (and who can blame him?!) The film's production had intense disagreements between the movie studio, the actors, the directors hired, and even columnist Walter Winchell had a say in the plot. But it is now considered a movie classic. So between the book and movie--which did the Margos like better? In this ep the Margos discuss:The life of writer Vera CasparayThe intriguing plot and why it is considered a mystery/romance pictureThe troubled productionThe cast of the 1944 film: Gene Tierney (Laura Hunt,) Dana Andrews (Mark McPherson,) Vincent Price (Shelby Carpenter,) and Judith Anderson playing Ann Treadwell.Clips used:“Laura” (1944) themeMark McPherson calls Laura a “dame.”Christopher Cross “Laura”Laura (1945 trailer)Mark McPherson meets Waldo LydeckerLaura meets Shelby“The interrogation scene”Music: David Raskin and Johnny MercerBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show!https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
As he investigates the murder of a young advertising executive (Gene Tierney), a police detective (Dana Andrews) begins to fall in love with the murdered woman.Original Radio Broadcast Date: February 5, 1945Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us back here tomorrow for another old time radio detective drama.
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