POPULARITY
4 episodes with Comden
2 episodes with Comden
2 episodes with Comden
2 episodes with Comden
2 episodes with Comden
2 episodes with Comden
This week's episode of Broadway Nation is the second half of my conversation with author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements. Among the outstanding Broadway performers and creatives who are at the center Ron's fascinating stories include Abe Burrows, Bernadette Peters, Chita Rivera, Comden & Green, Cynthia Erivo, Fantasia, Frank Loesser, Gower Champion, Harold Prince, Howard Keel, Iva Withers, Jane Russell, Jeff Conaway, Jerry Orbach, Jerry Zaks, Jo Swerling, John Cullum, John Kander & Fred Ebb, John Travolta, LaChanze, Leonard Bernstein, Leroy Anderson, Lewis J. Stadlin, Michael Bennett, Michelle Lee, Robert Preston, Rosalind Russell, Shelly Winters, Sheila Smith and Yvonne De Carlo. And the musicals referenced include 1776, Carousel, Company, Follies, Grease, Guys And Dolls, How To Succeed in Business, Kiss of the Spider Woman, Mack & Mabel, Minnie's Boys, Oklahoma!, The Color Purple, Wonderful Town and more! Ron Fassler is a historian, theater critic, and former actor whose previous book is, Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about. The episode title is a callback. It’s what we do! Shelly Brisbin with Nathan Alderman, David Almeida, David J. Loehr and Micheline Maynard.
Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about. The episode title is a callback. It’s what we do! Shelly Brisbin with Nathan Alderman, David Almeida, David J. Loehr and Micheline Maynard.
Malin Lundmark, transformerande healer, medium och konstnär i Hägersten/Stockholm, är tillbaka i Andliga Klubben. Förra gången, i avsnitt 57 berättade Malin om sitt kraftfulla andliga uppvaknande. Nu har Malin bjudit oss i klubben, och våra lyssnare, på en kanaliserad meditation för några dagar sedan och vi samlas för att prata om upplevelsen. Meditationen, som vi bjuder på utan reklam, kan du välja att lyssna på först om du vill. Gå då tillbaka till avsnitt 133. Alternativt kan du här höra oss prata om upplevelsen och känna in om detta är något för dig. Meditationen kan du med fördel lyssna på flera gånger. Malin ser sig själv som en energi-ingenjör eller som en energiläkare där hon genom gudomlig alkemi och helig geometri skapar möjligheter och rum för klienten att läka, balansera, öppna upp och uppgradera sin existens. Allt för det högsta bästa och för att klienten ska nå sitt inre ljus och kraft. Genom den kanaliserade meditationen strömmar energier och koder, som går in i kroppen och arbetar för läkning och ett högre medvetande. Vi ska hämta hem vår kraft, allt som är vi, så att var och en kan vandra sin sanning, vandra sin egen unika väg. Förutom gedigen utbildning inom det konstnärliga området är Malin utbildad inom klangterapi, högre kunskap/medialitet och Atlantisk healing. Den viktigaste skolan har dock varit den egna resan genom kropp och medvetande, en resa som utformat unika metoder för läkning och stor transformation. Kroppen är vårt instrument och nyckeln till högre medvetande. Vi hade alla olika upplevelser under och efter den kraftfulla meditationen med Malin. Katri berättar om healing-kraften som började strömma genom hennes händer, Maria kände stark koppling till Moder Jord och Anders blev knockad av kraften i energierna. Malin berättar också om Automatic - Cosmic -Transmission, en ny session som Malin erbjuder där hon kombinerar konstnärliga färdigheter med healingkunskaper i en och samma behandling. Transformerande healing varvas med kanaliserade budskap samtidigt som hon skapar en teckning knuten till klientens själ och väg. Bildens frekvenser hjälper till att balansera, läka och öppna upp vägar för nya energier. Malin driver företaget MY COSMIC UNIVERSE. För mer information om Malin och hennes verksamhet se mer på www.my-cosmic-universe.comDen 9/2 erbjuder hon en spännande ceremoni/meditation där vi får ta emot gudomliga koder från Indiens gudar och heliga skrifter. På plats eller via distans. Läs mer om eventet: https://my-cosmic-universe.com/Event-2025-02-09_-The-Golden-Lotus-The-Eyes-behind-Bhagavad-GitaDu kan också träffa Malin på HarmoniExpo i Solna den 29-30 mars. Malin kommer göra en kostnadsfri meditation "Dimensionell healing av Moder Jord" på scenen kl.16.15 - 16.45, lördag den 29/3. Medverkande: Maria Dupal, Katri Kingstedt, Anders Ahlin och Malin Lundmark Hosted on Acast. See acast.com/privacy for more information.
Ny minisolopod med filmfestival-korrespondent Anders. Han har nemlig sett åpningsfilmen på Oslo Pix 2024. Renate Reinsve fortsetter oppturen på det store lerretet i «Armand». Verter i denne episoden: Anders HasselKontakt oss:Instagram: @sksd_podcastE-post: sksd.podcast@gmail.comDen store SKSD-lista: sksdpodcast.substack.comMusikk og jingler: Iver Tandsether og Anders Hassel
Daniel, Arne og Frederik snakker om andre sesong av House of the Dragon, og her er det mye å ta tak i. Hvor kom gjørmebrytinga fra? Hvor enkelt er det å komme seg til Dragonstone? Og kan man forvirres av navn som Frederik, Eryk og Aryk? Ja. Verter i denne episoden: Daniel Stølan, Arne Digernes og Frederik Lien Schei Kontakt oss:Instagram: @sksd_podcastE-post: sksd.podcast@gmail.comDen store SKSD-lista: sksdpodcast.substack.com Musikk og jingler: Iver Tandsether og Anders Hassel
Husk du i juli måned får to nye ENHED episoder inde i Klub ENHED via www.noellelise.comDen her samtale her - den eksploderede i mig & har påvirket mit liv & mit parforhold så fuldstændig fantastisk & det er en af de ENHED samtaler jeg sent vil glemme!Ønsker du et langt & lykkeligt parforhold?Med plads, rummelighed & forståelse? Så vil du gerne lytte til den her samtale!Vi har en fuldstændig urimeligt, urealistisk & en total misforstået tilgang til lyst & til dét at elske - & hvis vi ikke bliver gjort opmærksom på dette; Jamen så er det klart skilsmisse raten er så høj!Min gæst i den her samtale er Amanda lagoni som er er sexolog, parterapeut & forfatter. Samtalen udkom første gang i episode #23.Amanda & jeg dykker ned i så mange vigtige facetter som simpelthen er fundamentalt vigtige er til stede, før du overhovedet kan bringe dig selv ind i et parforhold, som ikke bare er fint nok, men som gør dig glad, tilpas, lykkelig & tilfreds.Jeg genlyttede den selv forleden & det var faktisk tiltrængt da det næsten er 2,5 år siden den udkom.I episode #83 har jeg igen Amanda på besøg til en snak om seksuelle fantasier - den kan du eventuelt tænde op for bagefter den her.Tak fordi du lytter med! Og del endelig samtalen med en ven, hvis du mener de også vil få værdi af at lytte med.Tak fordi du er her.Stort kram, NoellSupport this show http://supporter.acast.com/enhed-med-noell-elise. Hosted on Acast. See acast.com/privacy for more information.
Michael Lavine is a Broadway Performance Coach and Sheet Music Expert. He has also worked as a musical director, pianist, vocal coach and singer all over the world. He is very much; a Music Man!Michael gives master classes on auditioning in New York, Los Angeles, Australia and Martha's Vineyard. He has worked several times at the Shanghai Theatre Academy. Accompanying many artists, he has worked regularly with Heather MacRae on her show about her father, Gordon and has accompanied Broadway and television star Bryan Batt in New Orleans, at 54 Below, Feinstein's and the Metropolitan Room. He musically directed Bryan's show Batt on a Hot Tin Roof at the Adelaide Cabaret Festival in Australia, touring subsequently to Melbourne and Sydney. Michael regularly plays for the Outer Critics Circle Awards and musically directed the Broadway Cares Teddy Bear Auction for its entire 15-year run. Michael has conducted orchestras in Wichita, Kansas, Traverse City, Michigan, and Beverly, Mass., among other cities. He co-produced and musically directed the American premiere recording of HONK! at the York Theatre. Michael served as musical director for the Comden & Green musical Billion Dollar Baby starring Kristin Chenoweth, Marc Kudisch and Debbie Gravitte and the Burton Lane/Alan Jay Lerner musical Carmelina. He has shared the stage with Mimi Hines and Peter Howard (his mentor) at the Kennedy Center in a Rodgers & Hart revue, This Funny World. Michael is known for owning one of the largest privately held sheet music collections in the world, and is frequently called upon for his extensive knowledge, and is celebrated for preserving and archiving the musical theatre and American songbook.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au
To frame the new biopic of Leonard Bernstein (courtesy of Bradley Cooper), we look at all of the Maestro's Broadway music used in the film, plus additional performances by Comden and Green, Audra McDonald, Boris Karloff, Nell Carter and more.
On the morning of November 14th, 1943, Leonard Bernstein, the talented 25-year-old assistant conductor of the New York Philharmonic, got a phone call saying he would at last be leading the respected orchestral group — in six hours, that afternoon, with no time to rehearse.The sudden thrust into the spotlight transformed Bernstein into a national celebrity. For almost five decades, the wunderkind would be at the forefront of American music, as a conductor, composer, virtuoso performer, writer, television personality and teacher.He would also help create the most important Broadway musicals of the mid-20th century — On The Town, Wonderful Town and West Side Story. These shows would not only spotlight the talents of its young creator. They would also spotlight the romance and rhythm of New York City.Bernstein is one of New York's most influential cultural figures. He spent most of his life in the city, and that's the focus of today's story – Leonard Bernstein's New York.The new film Maestro, starring Bradley Cooper and Carey Mulligan, focuses on Bernstein's personal story and intimate life. That specific angle is not our objective today – for the most part. We're looking at the relationship between the creator and his urban inspiration. Where did Bernstein make his name in New York City and how did his work change the city?FEATURING The Village Vanguard, City Center, Carnegie Hall, the old Metropolitan Opera and the Dakota ApartmentsAnd co-starring Jerome Robbins, Aaron Copland, Stephen Sondheim, Comden and Green, Lauren Bacall, Tom Wolfe of course Felicia MontealegreVisit the website for more information and images Music snippet information“On The Town: Act I: Opening: New York, New York” (Studio Cast Recording 1961)CBS Broadcast, Manfred Overture, Op 115 (New York Philharmonic)“Joan Crawford Fan Club” The RevuersSymphony No. 1 Jeremiah (New York Philharmonic)CBS Broadcast, Don Quixote, Fantastic Variations on a Theme of Knightly Character, op. 35 (New York Philharmonic)Fancy Free Ballet_ VII. FinaleI Get Carried Away, On The TownChristopher Street (From Wonderful Town Original Cast Recording 1953)On the Waterfront Main Title (Revised)Candide, Act II - No. 31, Make Our Garden Grow (Finale)West Side Story_ Act II_ SomewhereSymphonic Dances from West Side StorySamuel Barber, Adagio for Strings, Op. 11 (New York Philharmonic)Leonard Bernstein - Young People's Concerts - What Does Music Mean? (1958) Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy) I. Invocation - Kaddish 1The Ladies Who Lunch / Company Original Broadway CastMass - Hymn and Psalm_ A Simple Song Dybbuk Suite No. 2 - Leah (New York Philharmonic)Leonard Bernstein and Shirley Verrett at GMHC Circus Benefit, Madison Square GardenMahler - Symphony No.5 (New York Philharmonic)
Live from New Orleans and “the jazz side of life”, Rickie Lee Jones joins the MOJO Record Club – not just to discuss Van Morrison's Veedon Fleece, but to sing us a fair portion of it! Plus Andrew Male and Jenny Bulley on the latest new releases from Bill Orcutt and Jana Horn. Let's improvise! Tracklisting: 1. Just in Time, by Comden & Green, performed by Rickie Lee Jones and released on BMG, Modern Recordings 2. Weasel, written and performed by Rickie Lee Jones Live from her Living Room (YouTube) 3. Linden Arden Stole the Highlights, written by Van Morrison and released on Warner Bros Records 4. The Life Of Jesus, written by Bill Orcutt and released on Palilalia Records 5. Leaving Him, written by Jana Horn and taken from The Window Is The Dream on No Quarter Records
This is the second half of my conversation with Thomas Hischak whose new book is titled The Abbott Touch — Pal Joey, Damn Yankees and the Theatre of George Abbott. If you missed part one, you may want to catch up with the previous episode before listening to this one. George Abbott was a major force in the American Theater for more than 80 years. As an actor, director, playwright, and producer — and often several of those at the same time — he played a significant role in the creation of well over 100 Broadway plays and musicals including Jumbo, The Boys From Syracuse, On The Town, Where's Charlie, Call Me Madam, The Pajama Game, Once Upon A Mattress and Fiorello to name only a few. Thomas Hischak is the author of more than 30 books about Broadway, Hollywood and popular music including Musical Misfires — three decades of Broadway Musical heartbreak, The Mikado to Matilda — British Musicals on the New York Stage, and the Tin Pan Alley Encyclopedia. At the end of our previous episode Thomas Hischak and I were just beginning a discussion of the remarkable list of Broadway greatest writers, directors and choreographers who were all in essence trained and mentored by Mr. Abbott including Rodgers & Hart, Comden, Green & Bernstein, Adler & Ross, Bock & Harnick, Kander & Ebb, Jerome Robbins and most especially, Harold Prince. We also explore his reputation as a "show doctor." We will never now how many shows he advised and "fixed" on their way to Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Patron Club members Kelly Allen, Roger Klorese, and Neil Hoyt. If you too would like to support the work of Broadway Nation I will have information at the end of this podcast about how you too can join the club. If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 00:58:11 - "Just in Time" (Jules Styne / Betty Comden) (1956) - par : Laurent Valero - "Cette chanson est tirée d'une célèbre comédie musicale donnée à Broadway en 1956 "Bells Are Ringing" raconte l'histoire assez amusante d'une standardiste new-yorkaise, qui ne se contente pas de transférer les appels des abonnés, mais s'immisce dans leur vie en devenant confidente..." Laurent Valero - réalisé par : Antoine Courtin
durée : 00:58:11 - "Just in Time" (Jules Styne / Betty Comden) (1956) - par : Laurent Valero - "Cette chanson est tirée d'une célèbre comédie musicale donnée à Broadway en 1956 "Bells Are Ringing" raconte l'histoire assez amusante d'une standardiste new-yorkaise, qui ne se contente pas de transférer les appels des abonnés, mais s'immisce dans leur vie en devenant confidente..." Laurent Valero - réalisé par : Antoine Courtin
This is Garrison Hardie with your CrossPolitic Daily News Brief for Friday, October 21st, 2022. Happy Friday everyone… Since it’s Friday, I thought we’d go ahead and kick things off with a “On this day in history!” On this day in history, October 21st: 1918 In order to secure a WWI armistice, Germany agrees to further concessions 1921 Germany and Allies comes to an agreements over reparation payments in a meeting at Wiensbaden 1924 1st Negro League World Series: KC Monarchs shuts out Hilldales, 5-0 1930 Adventures of Sherlock Holmes, premieres on NBC radio 1934 MLB All-Star team led by Connie Mack and including Babe Ruth, Jimmie Foxx and Lou Gehrig sails to Japan for 18-game series against Big-Six University League 1944 US forces under General Douglas MacArthur return to the Philippines with the landing of the US 6th army on Leyte (There’s even a statue of MacArthur and his troops commemorating MacArthur keeping that promise of a u.s. return.) 1954 Leigh, Charlap, Styne, Comden and Green's musical "Peter Pan", starring Mary Martin and Cyril Ritchard, opens at Winter Garden Theater NYC; runs for 152 performances 1955 A historic Publication of "The Return of the King", the 3rd and final volume of "The Lord of the Rings" by J. R. R. Tolkien by George Allen and Unwin in London 1963 Jim Brown sets NFL single-season rushing record, 1,863 yds 1973 Queen Elizabeth II opens the Sydney Opera House 2019 1st New York to Sydney non-stop test flight by a commercial airline achieved by a Qantas Boeing 787 Dreamliner, takes 19 hours 42 minutes And that, was on this day in history for October 21st… Accountable2You Is your smartphone a tool in the service of Christ, or a minefield of distractions and temptations? With soul-killing seductions just a few taps away, our families and churches must embrace biblical accountability on our digital devices. Accountable2You makes transparency easy on all your family's devices, by sharing app usage and detailed browsing history—including "Incognito" mode—with your spouse, parent, or chosen accountability partner. Accountable2You helps your family to proactively guard against temptation, so you can live with integrity for God's glory! Learn more and try it for free at Accountable2You.com/FLF https://www.dailywire.com/news/hunter-bidens-laptop-documents-at-least-459-legal-violations-watchdog-group-says Hunter Biden’s Laptop Documents At Least 459 Legal Violations, Watchdog Group Says A year-long exploration of Hunter Biden’s laptop has yielded a 630-page report that its authors say document 459 violations of state and federal laws and regulations by President Joe Biden’s son and his business partners. Marco Polo, a nonprofit formed by a one-time aide to former President Trump to enable a team to take a deep dive into the laptop that the crack-addled Biden left at a Delaware repair store, claims the report is a road map for local, state, or federal prosecutors to pursue charges. The group also sent its report to each member of Congress. The timing of the report’s release, coming two weeks before the midterm elections, has a certain symmetry to the laptop’s initial introduction to the public. In 2020, days before the election, the New York Post published news of the laptop’s existence, as well as bombshells from it, but social media suppressed the story after the FBI had warned companies of so-called misinformation. This time around, the timing is similar, but other factors are reversed. Legacy outlets have acknowledged that the laptop’s files are authentic, Twitter founder Jack Dorsey admitted that censoring the laptop was a mistake, and the social media platform is being sold to free-speech advocate Elon Musk. The report, which reviewed the laptop’s emails, videos, calendar items, photographs, phone records, financial documents and more, but also provided context and explanation, serves as a “Rosetta Stone of white- and blue-collar crime under the patina of ‘the Delaware Way,’” the report says. “We were able to illuminate previously convoluted network webs of the people leading the charge for global governance,” cutting through shell companies and middlemen.” Crimes Hunter Biden allegedly committed include serving as an agent for foreign entities without disclosing it, tax fraud, and falsifying business documents. The alleged crimes also include prostitution, non-consensual pornography, and distribution of narcotics. https://www.washingtonexaminer.com/news/washington-secrets/voters-agree-gop-to-take-house-senate Voters agree: GOP to take House and Senate Weeks of reporting that the Republicans are poised to take control of the House, and maybe the Senate, have sunk with voters who now mostly agree that the November elections should show Democrats the door. In the latest Rasmussen Reports survey, just shared with Secrets, likely voters expect the Republicans to win control of the House. And it’s not even close, with 67% agreeing to 17% who don’t. Even 56% of Democrats expect their party to lose control of the House. As for the Senate, it's closer, with 58% of likely voters believing it’s likely the Republicans will edge out the Democrats. Just 25% don’t agree. Among Democrats, the split is even, 42% agree and 42% don’t. Much of the media have recently raised expectations that the House will turn red by 10-40 seats. There has been some reporting of tightening Senate races that could give the Republicans a 1-2 seat edge after the elections are over on Nov. 8. The survey also quizzed likely voters on if they plan to cast ballots early or on Election Day. Most, by a 53%-44% margin, chose Election Day, though that was mostly a GOP preference as with past elections. https://pjmedia.com/news-and-politics/matt-margolis/2022/10/20/former-fbi-official-will-testify-about-white-house-pressure-to-inflate-domestic-extremism-numbers-n1638595 Former FBI Official Will Testify About White House Pressure to Inflate Domestic Extremism Numbers Republicans on the House Judiciary Committee announced on Thursday that they would be calling a former top FBI official to testify before Congress to address claims that the Biden administration pressured agents to label cases as domestic extremism or a white supremacist threat even if they did not meet that criteria in order to match Joe Biden’s rhetoric. Last month, current and former FBI agents came forward claiming the Biden administration has been deliberately exaggerating the danger posed by white supremacists. According to the whistleblowers, high-ranking FBI officials were pressuring field agents to fabricate domestic terrorism cases and label people as white supremacists in order to “meet internal metrics.” “The demand for white supremacy” coming from FBI brass “vastly outstrips the supply of white supremacy,” one agent told the Washington Times. “We have more people assigned to investigate white supremacists than we can actually find.” On December 2, members of the House Judiciary Committee will interview Jill Sanborn, a former assistant director of the FBI Counterterrorism Division and executive assistant director of its National Security Branch, who has been accused of pressuring agents to reclassify cases per the White House’s requests. The FBI claims it only investigates those “who commit or intend to commit violence and criminal activity that constitutes a federal crime or poses a threat to national security” and that it does not target individuals or organizations based on their political beliefs. Last year, the administration previously came under fire for using the resources of the Department of Justice to target angry parents at school board meetings and treat them like domestic terrorists. Merrick Garland authorized the FBI to investigate parents who protested school board meetings alleging a “disturbing trend” of teachers being threatened or harassed. However, PJ Media’s Megan Fox looked into those allegations and concluded that they’re mostly bunk. https://thepoliticalinsider.com/arizona-refuses-to-comply-with-biden-demand-to-remove-makeshift-border-wall/ Arizona Refuses to Comply With Biden Demand to Remove Makeshift Border Wall Arizona’s Department of Emergency and Military Affairs is refusing a demand by the Biden administration to remove the shipping containers they are using to close gaps in the wall at the southern border. A letter written to the U.S. Bureau of Reclamation and signed by Allen Clark, Director of Arizona’s DEMA, states “the containers will remain in place until specific details regarding construction are provided.” Clark goes on to argue that the residents of Arizona “cannot rely on the federal government to ensure its security.” “The myriad of federal agencies that claim jurisdiction on the southern border but do nothing to prevent the public nuisance caused by illegal immigration and criminal activity that exploits the open border is quite frustrating to those that live, work and recreate on that border and in our state,” he added. The letter comes in response to a demand by the Biden administration to remove the shipping containers that are predominantly being used to seal up gaps in the border wall near Yuma. The U.S. Bureau of Reclamation penned its own letter last week claiming Arizona’s shipping containers are trespassing on its lands and those of the Cocopah Indian Tribe’s West Reservation. The Bureau indicates contracts have been awarded to close the gaps in question and they ‘anticipate’ awarding more. As such, they insisted the containers be removed so the project can continue “without unnecessary delay.” Arizona Republican Governor Doug Ducey issued an executive order to seal up gaps in the border wall in August. Meaning the White House had no less than 18 months to get those contracts awarded and pushed out to start construction. The shipping containers stand 22 feet high, are welded together, and feature an additional four feet of razor wiring added to the top. Ducey’s reasoning behind installing the containers includes the Biden administration’s “lack of urgency on border security,” which he labeled a “dereliction of duty.” Armored Republic The Mission of Armored Republic is to Honor Christ by equipping Free Men with Tools of Liberty necessary to preserve God-given rights. In the Armored Republic there is no King but Christ. We are Free Craftsmen. Body Armor is a Tool of Liberty. We create Tools of Liberty. Free men must remain ever vigilant against tyranny wherever it appears. God has given us the tools of liberty needed to defend the rights He bestowed to us. Armored Republic is honored to offer you those Tools. Visit them, at ar500armor.com Now it’s time for my favorite topic… sports! https://www.boundingintosports.com/2022/10/nascar-suspends-bubba-wallace-after-intentionally-wrecking-kyle-larson/ NASCAR Suspends Bubba Wallace After Intentionally Wrecking Kyle Larson NASCAR announced they suspended Bubba Wallace one race for his actions at Las Vegas Motor Speedway where he deliberately retaliated against Kyle Larson on the track. During the South Point 400, Larson had a strong run going into turn 3 and he dove to the inside of both Kevin Harvick and Bubba Wallace. Harvick got out of the gas and let Larson and Wallace race for the position. As they continued into turn four, Larson got loose and began to chase his car up the track inching ever close to Wallace. However, he never made contact with Wallace. Coming off the turn, Wallace slammed into the outside wall hard, bounced off it and down into Larson. Larson dove to the inside of the track to avoid Wallace. Wallace believing Larson had wronged him by chasing his car up the track chased him down the track and ran into his right rear quarter panel sending both cars spinning up the track. Larson would make contact with Christopher Bell before making contact with the wall. Wallace would smash nose first into the outside wall. NASCAR.com reports Wallace violated “Sections 4.3A and 4.4 C & E of the NASCAR Member Code of Conduct laid out in the NASCAR Rule Book. Rule 4.4.C lists “intentionally wrecking or spinning another vehicle, whether or not that vehicle is removed from Competition as a result’ as one of five member actions that could result in a penalty.” As noted above, NASCAR chose to suspend Wallace one race. NASCAR’s Chief Operating Officer Steve O’Donnell appeared on SiriusXM NASCAR Radio to explain the decision. https://twitter.com/i/status/1582488669625077762 - Play Video - 0:00-1:38 https://www.boundingintosports.com/2022/10/nhl-embraces-anti-white-racism-says-they-have-too-many-white-employees-aims-to-change-that/ NHL Embraces Anti-White Racism, Says They Have Too Many White Employees, Aims To Change That The National Hockey League (NHL) released a workforce demographic study as part of a report on “Accelerating Diversity & Inclusion” that claims the organization’s teams are too white and the league plans to make changes to reduce the percentage of white people that work for them. Introducing the report, NHL Commissioner Gary Bettman made clear the organization’s goals saying, “Our belief is stronger than ever that hockey has a powerful platform to build character, teach life skills, and support our society and our communities.” As part of one of their initiatives to promote diversity and inclusion, the report notes, “The NHL developed a new, best-in-class Workforce Demographic Study to understand the diversity of full-time League and Club employees and accelerate inclusive hiring.” This Workforce Demographic Study was also highlighted as one of the NHL’s 7 Dimensions, specifically under their Employment section. This section specifically notes the NHL is engaging in racist activities, “Data from the survey will help guide future decision-making about our workforce. In late 2021, the NHL hired a full-time Director of Recruiting who is focused on attracting diverse talent to the organization. Additionally, the League engaged Jopwell with the intent of creating a more diverse and inclusive workplace by expanding our talent pool through Jopwell’s network of Black, Latinx, and Native American professionals.” The report further notes they will be excluding white people from a mentorship program, “Clubs are also taking action: 22 Clubs have launched or are about to launch a mentorship/fellowship/hiring program to develop BIPOC and female talent to work in the organization’s Hockey Operations or front office roles.”
This is Garrison Hardie with your CrossPolitic Daily News Brief for Friday, October 21st, 2022. Happy Friday everyone… Since it’s Friday, I thought we’d go ahead and kick things off with a “On this day in history!” On this day in history, October 21st: 1918 In order to secure a WWI armistice, Germany agrees to further concessions 1921 Germany and Allies comes to an agreements over reparation payments in a meeting at Wiensbaden 1924 1st Negro League World Series: KC Monarchs shuts out Hilldales, 5-0 1930 Adventures of Sherlock Holmes, premieres on NBC radio 1934 MLB All-Star team led by Connie Mack and including Babe Ruth, Jimmie Foxx and Lou Gehrig sails to Japan for 18-game series against Big-Six University League 1944 US forces under General Douglas MacArthur return to the Philippines with the landing of the US 6th army on Leyte (There’s even a statue of MacArthur and his troops commemorating MacArthur keeping that promise of a u.s. return.) 1954 Leigh, Charlap, Styne, Comden and Green's musical "Peter Pan", starring Mary Martin and Cyril Ritchard, opens at Winter Garden Theater NYC; runs for 152 performances 1955 A historic Publication of "The Return of the King", the 3rd and final volume of "The Lord of the Rings" by J. R. R. Tolkien by George Allen and Unwin in London 1963 Jim Brown sets NFL single-season rushing record, 1,863 yds 1973 Queen Elizabeth II opens the Sydney Opera House 2019 1st New York to Sydney non-stop test flight by a commercial airline achieved by a Qantas Boeing 787 Dreamliner, takes 19 hours 42 minutes And that, was on this day in history for October 21st… Accountable2You Is your smartphone a tool in the service of Christ, or a minefield of distractions and temptations? With soul-killing seductions just a few taps away, our families and churches must embrace biblical accountability on our digital devices. Accountable2You makes transparency easy on all your family's devices, by sharing app usage and detailed browsing history—including "Incognito" mode—with your spouse, parent, or chosen accountability partner. Accountable2You helps your family to proactively guard against temptation, so you can live with integrity for God's glory! Learn more and try it for free at Accountable2You.com/FLF https://www.dailywire.com/news/hunter-bidens-laptop-documents-at-least-459-legal-violations-watchdog-group-says Hunter Biden’s Laptop Documents At Least 459 Legal Violations, Watchdog Group Says A year-long exploration of Hunter Biden’s laptop has yielded a 630-page report that its authors say document 459 violations of state and federal laws and regulations by President Joe Biden’s son and his business partners. Marco Polo, a nonprofit formed by a one-time aide to former President Trump to enable a team to take a deep dive into the laptop that the crack-addled Biden left at a Delaware repair store, claims the report is a road map for local, state, or federal prosecutors to pursue charges. The group also sent its report to each member of Congress. The timing of the report’s release, coming two weeks before the midterm elections, has a certain symmetry to the laptop’s initial introduction to the public. In 2020, days before the election, the New York Post published news of the laptop’s existence, as well as bombshells from it, but social media suppressed the story after the FBI had warned companies of so-called misinformation. This time around, the timing is similar, but other factors are reversed. Legacy outlets have acknowledged that the laptop’s files are authentic, Twitter founder Jack Dorsey admitted that censoring the laptop was a mistake, and the social media platform is being sold to free-speech advocate Elon Musk. The report, which reviewed the laptop’s emails, videos, calendar items, photographs, phone records, financial documents and more, but also provided context and explanation, serves as a “Rosetta Stone of white- and blue-collar crime under the patina of ‘the Delaware Way,’” the report says. “We were able to illuminate previously convoluted network webs of the people leading the charge for global governance,” cutting through shell companies and middlemen.” Crimes Hunter Biden allegedly committed include serving as an agent for foreign entities without disclosing it, tax fraud, and falsifying business documents. The alleged crimes also include prostitution, non-consensual pornography, and distribution of narcotics. https://www.washingtonexaminer.com/news/washington-secrets/voters-agree-gop-to-take-house-senate Voters agree: GOP to take House and Senate Weeks of reporting that the Republicans are poised to take control of the House, and maybe the Senate, have sunk with voters who now mostly agree that the November elections should show Democrats the door. In the latest Rasmussen Reports survey, just shared with Secrets, likely voters expect the Republicans to win control of the House. And it’s not even close, with 67% agreeing to 17% who don’t. Even 56% of Democrats expect their party to lose control of the House. As for the Senate, it's closer, with 58% of likely voters believing it’s likely the Republicans will edge out the Democrats. Just 25% don’t agree. Among Democrats, the split is even, 42% agree and 42% don’t. Much of the media have recently raised expectations that the House will turn red by 10-40 seats. There has been some reporting of tightening Senate races that could give the Republicans a 1-2 seat edge after the elections are over on Nov. 8. The survey also quizzed likely voters on if they plan to cast ballots early or on Election Day. Most, by a 53%-44% margin, chose Election Day, though that was mostly a GOP preference as with past elections. https://pjmedia.com/news-and-politics/matt-margolis/2022/10/20/former-fbi-official-will-testify-about-white-house-pressure-to-inflate-domestic-extremism-numbers-n1638595 Former FBI Official Will Testify About White House Pressure to Inflate Domestic Extremism Numbers Republicans on the House Judiciary Committee announced on Thursday that they would be calling a former top FBI official to testify before Congress to address claims that the Biden administration pressured agents to label cases as domestic extremism or a white supremacist threat even if they did not meet that criteria in order to match Joe Biden’s rhetoric. Last month, current and former FBI agents came forward claiming the Biden administration has been deliberately exaggerating the danger posed by white supremacists. According to the whistleblowers, high-ranking FBI officials were pressuring field agents to fabricate domestic terrorism cases and label people as white supremacists in order to “meet internal metrics.” “The demand for white supremacy” coming from FBI brass “vastly outstrips the supply of white supremacy,” one agent told the Washington Times. “We have more people assigned to investigate white supremacists than we can actually find.” On December 2, members of the House Judiciary Committee will interview Jill Sanborn, a former assistant director of the FBI Counterterrorism Division and executive assistant director of its National Security Branch, who has been accused of pressuring agents to reclassify cases per the White House’s requests. The FBI claims it only investigates those “who commit or intend to commit violence and criminal activity that constitutes a federal crime or poses a threat to national security” and that it does not target individuals or organizations based on their political beliefs. Last year, the administration previously came under fire for using the resources of the Department of Justice to target angry parents at school board meetings and treat them like domestic terrorists. Merrick Garland authorized the FBI to investigate parents who protested school board meetings alleging a “disturbing trend” of teachers being threatened or harassed. However, PJ Media’s Megan Fox looked into those allegations and concluded that they’re mostly bunk. https://thepoliticalinsider.com/arizona-refuses-to-comply-with-biden-demand-to-remove-makeshift-border-wall/ Arizona Refuses to Comply With Biden Demand to Remove Makeshift Border Wall Arizona’s Department of Emergency and Military Affairs is refusing a demand by the Biden administration to remove the shipping containers they are using to close gaps in the wall at the southern border. A letter written to the U.S. Bureau of Reclamation and signed by Allen Clark, Director of Arizona’s DEMA, states “the containers will remain in place until specific details regarding construction are provided.” Clark goes on to argue that the residents of Arizona “cannot rely on the federal government to ensure its security.” “The myriad of federal agencies that claim jurisdiction on the southern border but do nothing to prevent the public nuisance caused by illegal immigration and criminal activity that exploits the open border is quite frustrating to those that live, work and recreate on that border and in our state,” he added. The letter comes in response to a demand by the Biden administration to remove the shipping containers that are predominantly being used to seal up gaps in the border wall near Yuma. The U.S. Bureau of Reclamation penned its own letter last week claiming Arizona’s shipping containers are trespassing on its lands and those of the Cocopah Indian Tribe’s West Reservation. The Bureau indicates contracts have been awarded to close the gaps in question and they ‘anticipate’ awarding more. As such, they insisted the containers be removed so the project can continue “without unnecessary delay.” Arizona Republican Governor Doug Ducey issued an executive order to seal up gaps in the border wall in August. Meaning the White House had no less than 18 months to get those contracts awarded and pushed out to start construction. The shipping containers stand 22 feet high, are welded together, and feature an additional four feet of razor wiring added to the top. Ducey’s reasoning behind installing the containers includes the Biden administration’s “lack of urgency on border security,” which he labeled a “dereliction of duty.” Armored Republic The Mission of Armored Republic is to Honor Christ by equipping Free Men with Tools of Liberty necessary to preserve God-given rights. In the Armored Republic there is no King but Christ. We are Free Craftsmen. Body Armor is a Tool of Liberty. We create Tools of Liberty. Free men must remain ever vigilant against tyranny wherever it appears. God has given us the tools of liberty needed to defend the rights He bestowed to us. Armored Republic is honored to offer you those Tools. Visit them, at ar500armor.com Now it’s time for my favorite topic… sports! https://www.boundingintosports.com/2022/10/nascar-suspends-bubba-wallace-after-intentionally-wrecking-kyle-larson/ NASCAR Suspends Bubba Wallace After Intentionally Wrecking Kyle Larson NASCAR announced they suspended Bubba Wallace one race for his actions at Las Vegas Motor Speedway where he deliberately retaliated against Kyle Larson on the track. During the South Point 400, Larson had a strong run going into turn 3 and he dove to the inside of both Kevin Harvick and Bubba Wallace. Harvick got out of the gas and let Larson and Wallace race for the position. As they continued into turn four, Larson got loose and began to chase his car up the track inching ever close to Wallace. However, he never made contact with Wallace. Coming off the turn, Wallace slammed into the outside wall hard, bounced off it and down into Larson. Larson dove to the inside of the track to avoid Wallace. Wallace believing Larson had wronged him by chasing his car up the track chased him down the track and ran into his right rear quarter panel sending both cars spinning up the track. Larson would make contact with Christopher Bell before making contact with the wall. Wallace would smash nose first into the outside wall. NASCAR.com reports Wallace violated “Sections 4.3A and 4.4 C & E of the NASCAR Member Code of Conduct laid out in the NASCAR Rule Book. Rule 4.4.C lists “intentionally wrecking or spinning another vehicle, whether or not that vehicle is removed from Competition as a result’ as one of five member actions that could result in a penalty.” As noted above, NASCAR chose to suspend Wallace one race. NASCAR’s Chief Operating Officer Steve O’Donnell appeared on SiriusXM NASCAR Radio to explain the decision. https://twitter.com/i/status/1582488669625077762 - Play Video - 0:00-1:38 https://www.boundingintosports.com/2022/10/nhl-embraces-anti-white-racism-says-they-have-too-many-white-employees-aims-to-change-that/ NHL Embraces Anti-White Racism, Says They Have Too Many White Employees, Aims To Change That The National Hockey League (NHL) released a workforce demographic study as part of a report on “Accelerating Diversity & Inclusion” that claims the organization’s teams are too white and the league plans to make changes to reduce the percentage of white people that work for them. Introducing the report, NHL Commissioner Gary Bettman made clear the organization’s goals saying, “Our belief is stronger than ever that hockey has a powerful platform to build character, teach life skills, and support our society and our communities.” As part of one of their initiatives to promote diversity and inclusion, the report notes, “The NHL developed a new, best-in-class Workforce Demographic Study to understand the diversity of full-time League and Club employees and accelerate inclusive hiring.” This Workforce Demographic Study was also highlighted as one of the NHL’s 7 Dimensions, specifically under their Employment section. This section specifically notes the NHL is engaging in racist activities, “Data from the survey will help guide future decision-making about our workforce. In late 2021, the NHL hired a full-time Director of Recruiting who is focused on attracting diverse talent to the organization. Additionally, the League engaged Jopwell with the intent of creating a more diverse and inclusive workplace by expanding our talent pool through Jopwell’s network of Black, Latinx, and Native American professionals.” The report further notes they will be excluding white people from a mentorship program, “Clubs are also taking action: 22 Clubs have launched or are about to launch a mentorship/fellowship/hiring program to develop BIPOC and female talent to work in the organization’s Hockey Operations or front office roles.”
This is Garrison Hardie with your CrossPolitic Daily News Brief for Friday, October 21st, 2022. Happy Friday everyone… Since it’s Friday, I thought we’d go ahead and kick things off with a “On this day in history!” On this day in history, October 21st: 1918 In order to secure a WWI armistice, Germany agrees to further concessions 1921 Germany and Allies comes to an agreements over reparation payments in a meeting at Wiensbaden 1924 1st Negro League World Series: KC Monarchs shuts out Hilldales, 5-0 1930 Adventures of Sherlock Holmes, premieres on NBC radio 1934 MLB All-Star team led by Connie Mack and including Babe Ruth, Jimmie Foxx and Lou Gehrig sails to Japan for 18-game series against Big-Six University League 1944 US forces under General Douglas MacArthur return to the Philippines with the landing of the US 6th army on Leyte (There’s even a statue of MacArthur and his troops commemorating MacArthur keeping that promise of a u.s. return.) 1954 Leigh, Charlap, Styne, Comden and Green's musical "Peter Pan", starring Mary Martin and Cyril Ritchard, opens at Winter Garden Theater NYC; runs for 152 performances 1955 A historic Publication of "The Return of the King", the 3rd and final volume of "The Lord of the Rings" by J. R. R. Tolkien by George Allen and Unwin in London 1963 Jim Brown sets NFL single-season rushing record, 1,863 yds 1973 Queen Elizabeth II opens the Sydney Opera House 2019 1st New York to Sydney non-stop test flight by a commercial airline achieved by a Qantas Boeing 787 Dreamliner, takes 19 hours 42 minutes And that, was on this day in history for October 21st… Accountable2You Is your smartphone a tool in the service of Christ, or a minefield of distractions and temptations? With soul-killing seductions just a few taps away, our families and churches must embrace biblical accountability on our digital devices. Accountable2You makes transparency easy on all your family's devices, by sharing app usage and detailed browsing history—including "Incognito" mode—with your spouse, parent, or chosen accountability partner. Accountable2You helps your family to proactively guard against temptation, so you can live with integrity for God's glory! Learn more and try it for free at Accountable2You.com/FLF https://www.dailywire.com/news/hunter-bidens-laptop-documents-at-least-459-legal-violations-watchdog-group-says Hunter Biden’s Laptop Documents At Least 459 Legal Violations, Watchdog Group Says A year-long exploration of Hunter Biden’s laptop has yielded a 630-page report that its authors say document 459 violations of state and federal laws and regulations by President Joe Biden’s son and his business partners. Marco Polo, a nonprofit formed by a one-time aide to former President Trump to enable a team to take a deep dive into the laptop that the crack-addled Biden left at a Delaware repair store, claims the report is a road map for local, state, or federal prosecutors to pursue charges. The group also sent its report to each member of Congress. The timing of the report’s release, coming two weeks before the midterm elections, has a certain symmetry to the laptop’s initial introduction to the public. In 2020, days before the election, the New York Post published news of the laptop’s existence, as well as bombshells from it, but social media suppressed the story after the FBI had warned companies of so-called misinformation. This time around, the timing is similar, but other factors are reversed. Legacy outlets have acknowledged that the laptop’s files are authentic, Twitter founder Jack Dorsey admitted that censoring the laptop was a mistake, and the social media platform is being sold to free-speech advocate Elon Musk. The report, which reviewed the laptop’s emails, videos, calendar items, photographs, phone records, financial documents and more, but also provided context and explanation, serves as a “Rosetta Stone of white- and blue-collar crime under the patina of ‘the Delaware Way,’” the report says. “We were able to illuminate previously convoluted network webs of the people leading the charge for global governance,” cutting through shell companies and middlemen.” Crimes Hunter Biden allegedly committed include serving as an agent for foreign entities without disclosing it, tax fraud, and falsifying business documents. The alleged crimes also include prostitution, non-consensual pornography, and distribution of narcotics. https://www.washingtonexaminer.com/news/washington-secrets/voters-agree-gop-to-take-house-senate Voters agree: GOP to take House and Senate Weeks of reporting that the Republicans are poised to take control of the House, and maybe the Senate, have sunk with voters who now mostly agree that the November elections should show Democrats the door. In the latest Rasmussen Reports survey, just shared with Secrets, likely voters expect the Republicans to win control of the House. And it’s not even close, with 67% agreeing to 17% who don’t. Even 56% of Democrats expect their party to lose control of the House. As for the Senate, it's closer, with 58% of likely voters believing it’s likely the Republicans will edge out the Democrats. Just 25% don’t agree. Among Democrats, the split is even, 42% agree and 42% don’t. Much of the media have recently raised expectations that the House will turn red by 10-40 seats. There has been some reporting of tightening Senate races that could give the Republicans a 1-2 seat edge after the elections are over on Nov. 8. The survey also quizzed likely voters on if they plan to cast ballots early or on Election Day. Most, by a 53%-44% margin, chose Election Day, though that was mostly a GOP preference as with past elections. https://pjmedia.com/news-and-politics/matt-margolis/2022/10/20/former-fbi-official-will-testify-about-white-house-pressure-to-inflate-domestic-extremism-numbers-n1638595 Former FBI Official Will Testify About White House Pressure to Inflate Domestic Extremism Numbers Republicans on the House Judiciary Committee announced on Thursday that they would be calling a former top FBI official to testify before Congress to address claims that the Biden administration pressured agents to label cases as domestic extremism or a white supremacist threat even if they did not meet that criteria in order to match Joe Biden’s rhetoric. Last month, current and former FBI agents came forward claiming the Biden administration has been deliberately exaggerating the danger posed by white supremacists. According to the whistleblowers, high-ranking FBI officials were pressuring field agents to fabricate domestic terrorism cases and label people as white supremacists in order to “meet internal metrics.” “The demand for white supremacy” coming from FBI brass “vastly outstrips the supply of white supremacy,” one agent told the Washington Times. “We have more people assigned to investigate white supremacists than we can actually find.” On December 2, members of the House Judiciary Committee will interview Jill Sanborn, a former assistant director of the FBI Counterterrorism Division and executive assistant director of its National Security Branch, who has been accused of pressuring agents to reclassify cases per the White House’s requests. The FBI claims it only investigates those “who commit or intend to commit violence and criminal activity that constitutes a federal crime or poses a threat to national security” and that it does not target individuals or organizations based on their political beliefs. Last year, the administration previously came under fire for using the resources of the Department of Justice to target angry parents at school board meetings and treat them like domestic terrorists. Merrick Garland authorized the FBI to investigate parents who protested school board meetings alleging a “disturbing trend” of teachers being threatened or harassed. However, PJ Media’s Megan Fox looked into those allegations and concluded that they’re mostly bunk. https://thepoliticalinsider.com/arizona-refuses-to-comply-with-biden-demand-to-remove-makeshift-border-wall/ Arizona Refuses to Comply With Biden Demand to Remove Makeshift Border Wall Arizona’s Department of Emergency and Military Affairs is refusing a demand by the Biden administration to remove the shipping containers they are using to close gaps in the wall at the southern border. A letter written to the U.S. Bureau of Reclamation and signed by Allen Clark, Director of Arizona’s DEMA, states “the containers will remain in place until specific details regarding construction are provided.” Clark goes on to argue that the residents of Arizona “cannot rely on the federal government to ensure its security.” “The myriad of federal agencies that claim jurisdiction on the southern border but do nothing to prevent the public nuisance caused by illegal immigration and criminal activity that exploits the open border is quite frustrating to those that live, work and recreate on that border and in our state,” he added. The letter comes in response to a demand by the Biden administration to remove the shipping containers that are predominantly being used to seal up gaps in the border wall near Yuma. The U.S. Bureau of Reclamation penned its own letter last week claiming Arizona’s shipping containers are trespassing on its lands and those of the Cocopah Indian Tribe’s West Reservation. The Bureau indicates contracts have been awarded to close the gaps in question and they ‘anticipate’ awarding more. As such, they insisted the containers be removed so the project can continue “without unnecessary delay.” Arizona Republican Governor Doug Ducey issued an executive order to seal up gaps in the border wall in August. Meaning the White House had no less than 18 months to get those contracts awarded and pushed out to start construction. The shipping containers stand 22 feet high, are welded together, and feature an additional four feet of razor wiring added to the top. Ducey’s reasoning behind installing the containers includes the Biden administration’s “lack of urgency on border security,” which he labeled a “dereliction of duty.” Armored Republic The Mission of Armored Republic is to Honor Christ by equipping Free Men with Tools of Liberty necessary to preserve God-given rights. In the Armored Republic there is no King but Christ. We are Free Craftsmen. Body Armor is a Tool of Liberty. We create Tools of Liberty. Free men must remain ever vigilant against tyranny wherever it appears. God has given us the tools of liberty needed to defend the rights He bestowed to us. Armored Republic is honored to offer you those Tools. Visit them, at ar500armor.com Now it’s time for my favorite topic… sports! https://www.boundingintosports.com/2022/10/nascar-suspends-bubba-wallace-after-intentionally-wrecking-kyle-larson/ NASCAR Suspends Bubba Wallace After Intentionally Wrecking Kyle Larson NASCAR announced they suspended Bubba Wallace one race for his actions at Las Vegas Motor Speedway where he deliberately retaliated against Kyle Larson on the track. During the South Point 400, Larson had a strong run going into turn 3 and he dove to the inside of both Kevin Harvick and Bubba Wallace. Harvick got out of the gas and let Larson and Wallace race for the position. As they continued into turn four, Larson got loose and began to chase his car up the track inching ever close to Wallace. However, he never made contact with Wallace. Coming off the turn, Wallace slammed into the outside wall hard, bounced off it and down into Larson. Larson dove to the inside of the track to avoid Wallace. Wallace believing Larson had wronged him by chasing his car up the track chased him down the track and ran into his right rear quarter panel sending both cars spinning up the track. Larson would make contact with Christopher Bell before making contact with the wall. Wallace would smash nose first into the outside wall. NASCAR.com reports Wallace violated “Sections 4.3A and 4.4 C & E of the NASCAR Member Code of Conduct laid out in the NASCAR Rule Book. Rule 4.4.C lists “intentionally wrecking or spinning another vehicle, whether or not that vehicle is removed from Competition as a result’ as one of five member actions that could result in a penalty.” As noted above, NASCAR chose to suspend Wallace one race. NASCAR’s Chief Operating Officer Steve O’Donnell appeared on SiriusXM NASCAR Radio to explain the decision. https://twitter.com/i/status/1582488669625077762 - Play Video - 0:00-1:38 https://www.boundingintosports.com/2022/10/nhl-embraces-anti-white-racism-says-they-have-too-many-white-employees-aims-to-change-that/ NHL Embraces Anti-White Racism, Says They Have Too Many White Employees, Aims To Change That The National Hockey League (NHL) released a workforce demographic study as part of a report on “Accelerating Diversity & Inclusion” that claims the organization’s teams are too white and the league plans to make changes to reduce the percentage of white people that work for them. Introducing the report, NHL Commissioner Gary Bettman made clear the organization’s goals saying, “Our belief is stronger than ever that hockey has a powerful platform to build character, teach life skills, and support our society and our communities.” As part of one of their initiatives to promote diversity and inclusion, the report notes, “The NHL developed a new, best-in-class Workforce Demographic Study to understand the diversity of full-time League and Club employees and accelerate inclusive hiring.” This Workforce Demographic Study was also highlighted as one of the NHL’s 7 Dimensions, specifically under their Employment section. This section specifically notes the NHL is engaging in racist activities, “Data from the survey will help guide future decision-making about our workforce. In late 2021, the NHL hired a full-time Director of Recruiting who is focused on attracting diverse talent to the organization. Additionally, the League engaged Jopwell with the intent of creating a more diverse and inclusive workplace by expanding our talent pool through Jopwell’s network of Black, Latinx, and Native American professionals.” The report further notes they will be excluding white people from a mentorship program, “Clubs are also taking action: 22 Clubs have launched or are about to launch a mentorship/fellowship/hiring program to develop BIPOC and female talent to work in the organization’s Hockey Operations or front office roles.”
Today, I am so excited to announce my interview with four-time Tony winner Tovah Feldshuh, who is currently starring opposite Lea Michele as Rosie Brice in Funny Girl on Broadway. Tune in to hear some of the stories of her legendary career, including what her research process was like for her current role, the classic sitcom that she turned down, the time she was compared to Elizabeth Taylor, why Lea Michele is perfect for “the most extraordinary female role in musical theater history,” the advice she got from Sam Levene, the irony of Rodgers & Hart, the great actress who officiated her wedding, the song that Comden and Green wrote for her, the George Bernard Shaw play she'd like to star in, and what the process was like of penning her successful memoir Lilyville. Plus, she shares her Tallulah Bankhead impression! You won't want to miss this fascinating and fun conversation with one of Broadway's brightest lights.
Today I begin Forgotten Broadway, a new miniseries within my summer series “Musical Life in New York City 1950-1975.” This wildly eclectic (some might say chaotic) program, the first of three, concerns itself with several different aspects of “forgotten” Broadway: forgotten songs, forgotten shows, and forgotten performers; as well as all imaginable combinations of the above. For instance, many might not remember the show Drat! the Cat! but will remember quite well the song “He [originally She] Touched Me.” Everyone remembers Ethel Merman and Angela Lansbury, but I would bet that fewer remember their less successful shows Happy Hunting and Dear World. This episode includes songs by Richard Rodgers, Jule Styne, Bob Merrill, Wright and Forrest, and Comden and Green, as well as lesser known composers and lyricists such as Claibe Richardson, Bill and Patti Jacob, and Ervin Drake, sung by such stalwarts as Leslie Uggams, Barbara Cook, Alfred Drake, and Barbra Streisand, as well as such blazing (but less remembered figures) such as Alice Playten, Dolores Gray, Mimi Hines, and June Carroll. Such recently departed figures as Micki Grant, Kenward Elmslie, Sally Ann Howes, and Donald Pippin also receive airplay. Part II will be published in two weeks, and Part III will soon be available as a bonus episode for my Patreon subscribers. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
At Countermelody, this April Fool's Day begins with a dirty musical joke, and a great one! The episode continues with nearly a century's worth of performances of risqué songs, most but not all of them from musicals. Among the composers and lyricists, the great Cole Porter, Rodgers and Hart, Brecht and Weill, Comden and Green, Carolyn Leigh, Alec Wilder, Stephen Sondheim, Bolcom and Weinstein, Fred Barton, the late Francesca Blumenthal, my friends Richard Pearson Thomas and Lawrence Rush, and the mysterious Durwood Douché. Among the performers, who really let their raunchy side out, Pearl Bailey, Eddie Cantor, Judy Holliday, Mabel Mercer, Gertrude Lawrence, Ann Miller, Vivienne Segal, Marlene Dietrich, Elisabeth Welch, Martha Wright, Raul Julia, Gertrude Niesen, Chita Rivera, Nina Hagen, Mary Martin, Julie Wilson, and Lea DeLaria, among many others. Fasten your seat belts: this is a long episode, but a beautifully down and dirty one! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
Dino's Broadway canon is selective but swinging, pally. The King of Cool staggers through classic songs by Lerner and Loewe, Jule Styne, Comden and Green, Rodgers and Hart, and more.
This is the second part of my conversation with Broadway actor, singer, dancer, director and choreographer Lee Roy Reams whose nine Broadway musicals span from Sweet Charity in 1966 to The Producers in 1996, and as you will hear – he is still going strong! If you missed Part 1 you may want to listen to that episode first. We left off there with Lee Roy leaving his job as a dancer on the Carol Burnett Show in Hollywood and heading back to NYC because he was determined to move out of the chorus and start playing principal roles. The many shows, stars and Broadway creators that we discuss include Richard Rodgers, Agnes DeMille, Gemze De Lappe and the 1969 Lincoln Center revival of Oklahoma!; Lauren Bacall, Penny Fuller, Bonnie Franklin, Ron Field and the Tony Award winning Best Musical Applause; as well as Carol Channing, Comden & Green, Joe Layton, Ernie Flatt, Peter Gennaro, and the musical Lorelie. And more! Learn more about your ad choices. Visit megaphone.fm/adchoices
Aujourd'hui, on se penche sur un de nos films préférés, Un jour à New York (On The Town), qui sera projeté lors de la première séance de notre cinema club le dimanche 3 octobre 2021 (plus d'info sur nos réseaux sociaux) ! Dans la première partie de l'épisode, on évoque la pièce de 1944 dont le film est adapté. Bernstein, Comden & Green, Kelly & Donen, Arthur Freed et la MGM, Frank Sinatra, Ann Miller, Betty Garrett… la crème de la crème de la comédie musicale est au rendez-vous dans cet épisode ! Plus d'info : https://allthatjazzpodcast.wordpress.com/2021/09/28/cinema-club-un-jour-a-new-york-on-the-town/
This episode features Sara Comden, the Head of Marketing at Earth Baby. Earth Baby aims to eliminate disposable diapers and wipes from Bay Area landfills. They provide a diaper service that delivers compostable diapers and picks up the dirty ones each week to be composted into topsoil.Michelle and Sara discuss why compostable diapers are better for your baby, the wastefulness of traditional disposable diapers and why you need a composting service to handle your compostable diapers safely.Relevant Links:https://earth-baby.com/Support the show (https://www.buymeacoffee.com/toastedearth)
Excerpts from an interview with Jule Styne, famed composer of FUNNY GIRL, BELLS ARE RINGING, GENTLEMEN PREFER BLONDES, PETER PAN and Broadway classic GYPSY. Styne discusses his life and career and performs one of the first songs he ever wrote. The interview took place in 1979 on the occasion of the release of Styne's biography simply entitled, Jule. The legendary composer recalls his early days in London as a Harry Lauder imitator, and growing up in Chicago, playing in jazz bands with Benny Goodman, Glenn Miller and Jack Teagarden, meeting Al Capone, his Hollywood career with Frank Loesser and Sammy Cahn, evenings in Los Angeles with Frank Sinatra and Jerome Kern, and of course, his Broadway shows with Busby Berkeley, Jerome Robbins, George Abbott, Comden & Green, Bob Merrill, Arthur Laurents and Stephen Sondheim. Featured songs performed by Styne at the piano: “The Guy With The Polka-Dotted Tie,” and “Never Never Land.“ Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices
Betty Comden and Adolph Green walk us through BELLS ARE RINGING, SUBWAYS ARE FOR SLEEPING, FADE OUT – FADE IN, HALLELUJAH, BABY!, ON THE TWENTIETH CENTURY, and A DOLL’S LIFE. They describe their experiences working with composers Cy Coleman and Jule Styne and star performers like Carol Burnett, Judy Holliday, Leslie Uggams, John Cullum and Madeline Kahn. The conclusion of a two-part retrospective on their legendary careers. Featured songs: “Bells Are Ringing,” “Just in Time,” “The Party’s Over,” “Subways are for Sleeping,” “You Mustn’t be Discouraged,” “My Own Morning,” “Saddle up the Horses,” “Life is like a Train,” and “Learn to be Lonely.” Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway’s Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode our hosts practice some free flowing “Stream of Pensciousness” podcasting!! Blondihacks - https://www.youtube.com/blondihacks https://www.instagram.com/blondihacksHardy Penwrights - https://www.hardypens.comTShadow Tools - https://www.tshadow.comF3 Pens - https://www.F3pens.comDen’s Pens - https://www.denspens.shopWabi Sabi Stationers - https://www.instagram.com/wabisabistationersSpoke Design - https://www.spokedesign.com
Betty Comden and Adolph Green, famed musical theatre writing team discuss their careers. Authors of arguably the best film musical ever, SINGIN’ IN THE RAIN, and countless Broadway musicals including PETER PAN, TWO ON THE AISLE, and WONDERFUL TOWN recall how their career began with THE REVUERS singing satirical songs at the Village Vanguard, and their notable collaborations with legendary composers Jule Styne, Morton Gould and Leonard Bernstein. The lyricist, book writers offer an inside look at the process behind some of their biggest hits and perform some of their own songs from BILLION DOLLAR BABY and ON THE TOWN. They also recall working with Broadway stars like Bert Lahr, Lena Horne, Dolores Gray, Judy Holliday and working with venerable director George Abbott. Part one of a two-part retrospective on their storied career. Featured songs: “The Reader’s Digest,” “New York, New York,” “Some Other Time,” “Broadway Blossom,” “If You Hadn’t But You Did,” “Christopher Street,” “Ohio,” “Captain Hook’s Waltz,” and “Never Neverland.” Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway’s Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices
To view the video version, click here and subscribe: https://youtu.be/1fqamwzLdIM Sara Louise Lazarus, director, recently received the “Best Show” award from BroadwayWorld for Carried Away: Jeff Harnar sings Comden and Green at Birdland. She also has a MAC Award as Best Director and two Bistro Awards, the most recent in 2018 for her direction of the original musical revue It Helps To Sing About It: The Songs of Ben Schaechter and Dan Kael. Sara has taught workshops for Yale, Harvard, the University of New Hampshire and Penn State, as well as Master Classes in Los Angeles produced by ASCAP. She is currently Chair of Musical Theatre at Circle in the Square Theatre School, where she created a BFA in partnership with Eckerd College in St. Petersburg, Florida. At the Sara Lazarus Studio in NY she teaches professional musical audition and cabaret classes. https://www.facebook.com/sara.l.lazarus https://www.linkedin.com/in/sara-louise-lazarus-63ba177 https://www.broadwayworld.com/people/Sara-Louise-Lazarus https://circleofinequity.com/updates/faculty-statement-sara-louise-lazarus https://twitter.com/sllstudio http://cabaretscenes.org/tag/sara-louise-lazarus http://saralouiselazarus.blogspot.com
Take a trip backstage with Broadway’s best – exclusive interviews with the leading creators of musical theatre. Based on the popular 1980s radio series produced and hosted by award-winning director and producer, Paul Lazarus, ANYTHING GOES is a celebration of storytelling through song, past, present and future. Now available in 30-minute segments. Hundreds of episodes featuring show-stopping interviews with composers, lyricists, book writers, directors and performing legends from the Broadway stage. A treasure trove of rare and famous songs performed by the original singers as well as the writers themselves. The series showcases interviews with living composers and lyricists like Stephen Sondheim, Gretchen Cryer and Stephen Schwartz, tributes to past greats like the Gershwins, Cole Porter, Comden & Green, Dorothy Parker and Ethel Merman as well as early encounters with now famous tunesmiths like Alan Menken, William Finn and Craig Carnelia. Anything Goes is everything Musical Theatre. Join Paul Lazarus as he explores the dazzling history of the musical stage. Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway’s Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jay begins with some festive music: specifically, the “Festive Overture” of Shostakovich. He has a showtune: “Some Other Time.” He has an Aretha Franklin hit, about zoomin'. He has a spiritual: “Ain't Got Time to Die.” Some French organ music. And more. He ends with Karel Ančerl, the great Czech conductor who endured horror and produced much beauty and brilliance. Tracks played: Shostakovich, “Festive Overture” Bernstein and Comden & Green, “Some Other Time,” from “On the Town” Aretha Franklin et al., “Who's Zoomin' Who?” Trad., “Ain't Got Time to Die” Guilmant, March on a Theme by Handel Tchaikovsky, “Garland Waltz” from “Sleeping Beauty” Mahler, Symphony No. 9, final movement
On this episode of Baring It All with Call Me Adam, on the Broadway Podcast Network, I am recording at The Houdini Museum in NYC with Director Carl Andress, whose long time collaboration with Tony nominee Charles Busch is continuing at the Cherry Lane Theatre with Charles' hilarious new show The Confession of Lily Dare, running through March 5. The Confession of Lily Dare is part of Primary Stages 35th Anniversary Season. The Confession of Lily Dare tells the story of one woman’s tumultuous passage from convent girl to glittering cabaret chanteuse to infamous madame of a string of brothels—all while hiding her undying devotion to the child she was forced to abandon. This comic melodrama celebrates the gauzy “confession film” tearjerkers of early 1930s pre-code cinema, such as The Sin of Madelon Claudet, Frisco Jenny, and Madame X. The Confession of Lily Dare will play at The Cherry Lane Theatre (38 Commerce Street) through March 5. Click here for tickets! The Houdini Museum is located at 213 West 35th Street, 4th floor, in Midtown Manhattan. Like what you hear? Then become a member of my Patreon Page for exclusive behind-the-scene perks! For more "Call Me Adam" interviews visit: https://callmeadam.com Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) More on Carl: Carl Andress is an American theater director whose credits include the world premieres of Charles Busch’s critically acclaimed comedies, such as: The Confession of Lily Dare (Theater for the New City, Cherry Lane Theatre with Primary Stages in 2020); The Tribute Artist (Primary Stages); The Divine Sister (Soho Playhouse, Theater for the New City, Bucks County Playhouse, LA TheaterWorks); The Third Story starring Kathleen Turner (MCC Theater, La Jolla Playhouse); Charles Busch's Cleopatra and Judith of Bethulia (Theater for the New City, GPR Records); Die! Mommie Die! (New World Stages, LA TheaterWorks); Queen Amarantha (WPA Theater); Bunnicula (DR2 Theater, TheaterWorks USA); and Shanghai Moon (Drama Dept., Bay Street Theater, Theater for the New City). Carl is the director of such plays as FAKE by Carmen Pelaez (Colony Theater, Miami New Drama), Still at Risk by Tim Pinckney (Theater for the City), Matthew Lombardo's Who's Holiday! starring Lesli Margherita (Westside Theater); Joe Godfrey's Romance Language (Ars Nova); Crush the Infamous Thing - the Adventures of the Hollywood Four (Coconut Grove Playhouse); My Fair Lady (Tent Theater); Paul Rudnick's I Hate Hamlet (Dorset Theater Festival); Carmen Pelaez's Rum & Coke (FringeNYC, Abingdon Theater); and Douglas Carter Beane’s The Cartells (Drama Dept.). Other credits include the New York concert premieres of Kander, Ebb and McNally's musical, The Visit, starring Chita Rivera and John Cullum (Ambassador Theater); Sheldon Harnick and Joe Raposo’s A Wonderful Life (Shubert Theater); Charles Busch & Julie Halston Together on Broadway (Music Box Theater); Mr. Magoo's Christmas Carol (Actors Fund); The Tale of the Allergist’s Wife (Paper Mill Playhouse; Coconut Grove Playhouse; Royal Poinciana Playhouse); the annual Times Square Angel (Theater for the New City); It's Not My Fault, It Was On Fire When I Got There (FringeNYC, Theater for the New City); Tenderloin, Harold & Maude, I Love My Wife and The Mad Show (all for “Musicals in Mufti” – York Theater Co.); Here's to the Girls! and Being Comden & Green (Lyrics & Lyricists – 92nd Street Y); numerous galas and special events, including the annual Broadway on the Boardwalk concert series in Atlantic City, Valley of the Dolls and A Party for Comden & Green for The Actor’s Fund. Carl is also the co-writer and costar of the independent feature, A Very Serious Person (Tribeca Film Festival, available on DVD).
McKinley, Jesse. [“It Can't Win All The Tonys (Can It?).”](www.nytimes.com/2001/06/01/movies/it-can-t-win-all-the-tonys-can-it.html?searchResultPosition=207) The New York Times, 1 June 2001.Gates, Anita. [“A Few Free Peeks at Those Dancing Feet.”](www.nytimes.com/2001/06/03/tv/cover-story-a-few-free-peeks-at-those-dancing-feet.html?searchResultPosition=14) The New York Times, 3 June 2001.Pogrebin, Robin. [“'Producers' Shatters Tony Award Record With 12 Prizes; 'Proof' Takes Best Play And 2 Other Awards.”](www.nytimes.com/2001/06/04/theater/producers-shatters-tony-award-record-with-12-prizes-proof-takes-best-play-2.html?searchResultPosition=126) The New York Times, 4 June 2001.Gardner, Amanda. [“Tony Awards' New Jersey Ties.”](www.nytimes.com/2001/06/03/nyregion/theater-tony-awards-new-jersey-ties.html?searchResultPosition=2) The New York Times, 3 June 2001.Mandell, Jonathan. [“It's Broadway's TV Moment, but Who's Watching?”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-it-s-broadway-s-tv-moment-but-who-s-watching.html?searchResultPosition=8) The New York Times, 20 May 2001.[“Springtime for Show Biz.”](www.nytimes.com/2001/05/09/opinion/springtime-for-show-biz.html?searchResultPosition=28) The New York Times, 9 May 2001.McKinley, Jesse. [“New Referee For the Tonys.”](www.nytimes.com/2000/10/27/movies/on-stage-and-off-new-referee-for-the-tonys.html?searchResultPosition=32) The New York Times, 27 Oct. 2000.Tommasini, Anthony. [“They Do Write 'Em Like They Used To.”](www.nytimes.com/2001/05/20/arts/they-do-write-em-like-they-used-to.html?searchResultPosition=59) The New York Times, 20 May 2001.Kisselgoff, Anna. [“Where Everything Clicks.”](www.nytimes.com/2001/06/29/movies/critic-s-notebook-where-everything-clicks.html?searchResultPosition=14) The New York Times, 29 June 2001.Pogrebin, Robin. [“Elevating the Broadway Pit; A Legendary Conductor Shapes Musicals With His Baton.”](www.nytimes.com/2000/04/19/theater/elevating-the-broadway-pit-a-legendary-conductor-shapes-musicals-with-his-baton.html?searchResultPosition=24) The New York Times, 19 Apr. 2000.Brantley, Ben. [“How Karaoke Conquered Broadway.”](www.nytimes.com/2001/02/25/theater/spring-theater-how-karaoke-conquered-broadway.html) The New York Times, 25 Feb. 2001.Singer, Barry. [“A Crash Course in the World of Mel.”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-a-crash-course-in-the-world-of-mel.html?searchResultPosition=9) The New York Times, 20 May 2001.Brantley, Ben. [“A Scam That'll Knock 'Em Dead.”](www.nytimes.com/2001/04/20/movies/theater-review-a-scam-that-ll-knock-em-dead.html?searchResultPosition=21) The New York Times, 20 Apr. 2001.McKinley, Jesse. [“It's Springtime for Producers Of Broadway's 'Producers'.”](www.nytimes.com/2001/04/25/theater/it-s-springtime-for-producers-of-broadway-s-producers.html?searchResultPosition=1) The New York Times, 25 Apr. 2001.[“Real Producers Are Nothing Like Bialystock. Right?”](www.nytimes.com/2001/06/03/theater/theater-real-producers-are-nothing-like-bialystock-right.html?searchResultPosition=74) The New York Times, 3 June 2001.Pogrebin, Robin. [“The Brothers Viertel, a Theatrical Tag Team.”](www.nytimes.com/2001/02/11/theater/theater-the-brothers-viertel-a-theatrical-tag-team.html?searchResultPosition=22) The New York Times, 11 Feb. 2001.Pogrebin, Robin. [“'Producers' Sets Tony Nomination Record.”](www.nytimes.com/2001/05/08/theater/producers-sets-tony-nomination-record.html?searchResultPosition=90) The New York Times, 8 May 2001.[“'The Producers' Dominates Drama Desk Awards, Taking Record 11.”](www.nytimes.com/2001/05/21/nyregion/the-producers-dominates-drama-desk-awards-taking-record-11.html?searchResultPosition=41) The New York Times, 21 May 2001.Brantley, Ben. [“Reproducing 'The Producers': Replacements in Star Roles Feel Their Way.”](www.nytimes.com/2002/05/03/movies/theater-review-reproducing-producers-replacements-star-roles-feel-their-way.html?searchResultPosition=99) The New York Times, 3 May 2002.Purnick, Joyce. [“Metro Matters; Dissecting The Mania On 44th Street.”](www.nytimes.com/2001/04/23/nyregion/metro-matters-dissecting-the-mania-on-44th-street.html?searchResultPosition=130) The New York Times, 23 Apr. 2001.Robertson, Campbell. [“Springtime for Hit's End: 'The Producers' to Close.”](www.nytimes.com/2007/02/23/theater/23prod.html?searchResultPosition=32) The New York Times, 23 Feb. 2007.Sternbergh, Adam. [“The History of The Producers: Part III - Nymag.”](nymag.com/nymetro/movies/features/15251/) New York Magazine, 2 Dec. 2005.Simon, John. [“Blazing Twaddle - Nymag.”](nymag.com/nymetro/arts/theater/reviews/4618/) New York Magazine, 30 Apr. 2001.[“GOLD RUSH.”](www.newyorker.com/magazine/2001/05/07/gold-rush. ) The New Yorker, 19 June 2017.Rosen, Marjorie. [“Dressing Ulla And the Rest: Isn't It Iconic?”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-dressing-ulla-and-the-rest-isn-t-it-iconic.html?searchResultPosition=11) The New York Times, 20 May 2001.Stracher, Cameron. [“The Way We Live Now: 5-27-01: How To Get Into 'The Producers'; That's the Ticket.”](www.nytimes.com/2001/05/27/magazine/the-way-we-live-now-5-27-01-how-to-get-into-the-producers-that-s-the-ticket.html?searchResultPosition=147) The New York Times, 27 May 2001.Brantley, Ben. [“How Karaoke Conquered Broadway.”](www.nytimes.com/2001/02/25/theater/spring-theater-how-karaoke-conquered-broadway.html) The New York Times, The New York Times, 25 Feb. 2001.Pogrebin, Robin. [“Ticket Sales for 'Producers' Break Broadway Record.”](www.nytimes.com/2001/04/21/theater/ticket-sales-for-producers-break-broadway-record.html?searchResultPosition=3) The New York Times, 21 Apr. 2001.Tierney, John. [“The Big City; Scalping Law May Be Ready For Execution.”](www.nytimes.com/2001/05/18/nyregion/the-big-city-scalping-law-may-be-ready-for-execution.html?searchResultPosition=180) The New York Times, 18 May 2001.McKinley, Jesse. [“Exit the Stars Of a Broadway Phenomenon.”](www.nytimes.com/2002/03/17/theater/exit-the-stars-of-a-broadway-phenomenon.html?searchResultPosition=84) The New York Times, 17 Mar. 2002.Newman, Andy. [“O.K., They're Actors, Not the Producers.”](www.nytimes.com/2002/03/18/nyregion/ok-they-re-actors-not-the-producers.html?searchResultPosition=142) The New York Times, 18 Mar. 2002.McKinley, Jesse. [“Nathan Lane's Successor in 'The Producers' Is Fired.”](www.nytimes.com/2002/04/15/arts/nathan-lanes-successor-in-the-producers-is-fired.html?searchResultPosition=27) The New York Times, 15 Apr. 2002.McKinley, Jesse. [“How an Actor Landed On Top in 'Producers'.”](www.nytimes.com/2002/04/16/theater/how-an-actor-landed-on-top-in-producers.html?searchResultPosition=39) The New York Times, 16 Apr. 2002.Pogrebin, Robin. [“'Producers' Stars' Encore?”](www.nytimes.com/2003/08/06/theater/producers-stars-encore.html?searchResultPosition=23) The New York Times, 6 Aug. 2003.[“'The Producers' Notches a $1.6 Million Week.”](www.nytimes.com/2004/01/06/theater/the-producers-notches-a-1.6-million-week.html?searchResultPosition=76) The New York Times, 6 Jan. 2004.Simon, John. [“The (Re)Producers - Nymag.”](nymag.com/nymetro/arts/theater/reviews/6014/) New York Magazine, 20 May 2002.Marks, Peter. [“Enjoying the View From Over the Top.”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-enjoying-the-view-from-over-the-top.html?searchResultPosition=10) The New York Times, 20 May 2001.Witchel, Alex. [“'This Is It -- As Happy AsI Get, Baby' Nathan Lane.”](www.nytimes.com/2001/09/02/magazine/this-is-it-as-happy-as-i-get-baby-nathan-lane.html) The New York Times, 2 Sept. 2001.Scott, A. O. [“'The Producers'.”](www.nytimes.com/video/movies/1194817102554/the-producers.html?searchResultPosition=4) The New York Times, 15 Dec. 2005.Hoberman, J. [“When The Nazis Became Nudniks.”](www.nytimes.com/2001/04/15/movies/film-when-the-nazis-became-nudniks.html?searchResultPosition=29) The New York Times, 15 Apr. 2001.Ellis, Lindsay. [Mel Brooks, The Producers and the Ethics of Satire about N@zis](www.youtube.com/watch?v=62cPPSyoQkE&t=2s) YouTube, Jun 2, 2017.Brantley, Ben. [“You've Got to Come Back a . . . You Know.”](www.nytimes.com/2001/05/03/theater/theater-review-you-ve-got-to-come-back-a-you-know.html?searchResultPosition=33) The New York Times, 3 May 2001.Gates, Anita. [“A Broadway Fable Frames A Real-Life Comeback.”](www.nytimes.com/2001/08/21/theater/a-broadway-fable-frames-a-real-life-comeback.html?searchResultPosition=1) The New York Times, 21 Aug. 2001.McKinley, Jesse. [“The Checks Are Bouncing At 'Bells Are Ringing'.”](www.nytimes.com/2001/06/13/theater/the-checks-are-bouncing-at-bells-are-ringing.html?searchResultPosition=1) The New York Times, 13 June 2001.McKinley, Jesse. [“ON STAGE AND OFF.”](www.nytimes.com/2001/06/08/movies/on-stage-and-off.html?searchResultPosition=4)The New York Times, 8 June 2001.Pogrebin, Robin. [“The Party's Hardly Over for Faith Prince.”](www.nytimes.com/2001/05/01/theater/the-party-s-hardly-over-for-faith-prince.html?searchResultPosition=9) The New York Times, 1 May 2001.McKinley, Jesse. [“Comden and Green's Office. They're on Broadway. Any Message?”](www.nytimes.com/2001/04/12/theater/comden-and-green-s-office-they-re-on-broadway-any-message.html?searchResultPosition=10) The New York Times, 12 Apr. 2001.Wadler, Joyce with Jesse McKinley. [“BOLDFACE NAMES.”](www.nytimes.com/2001/05/30/nyregion/boldface-names-552313.html?searchResultPosition=4) The New York Times, 30 May 2001.Pogrebin, Robin.[ “'Rocky Horror Show' Is to Rock Again.”](www.nytimes.com/2001/10/17/theater/rocky-horror-show-is-to-rock-again.html?searchResultPosition=1) The New York Times, 17 Oct. 2001.Brantley, Ben. [“That Sweet Transvestite Doing the Time Warp Again.”](www.nytimes.com/2000/11/16/theater/theater-review-that-sweet-transvestite-doing-the-time-warp-again.html?searchResultPosition=6) The New York Times, 16 Nov. 2000.O'Brien, Richard. [“THEATER; The Job He Found Was Writing a Hit.”](www.nytimes.com/2000/11/05/arts/theater-the-job-he-found-was-writing-a-hit.html?searchResultPosition=7) The New York Times, 5 Nov. 2000.Strauss, Neil. [“Chasing Hard After Luck.”](www.nytimes.com/2001/05/16/arts/the-pop-life-chasing-hard-after-luck.html?searchResultPosition=12) The New York Times, 16 May 2001.Finn, Robin. [“A Determined Rocker Takes On Broadway.”](www.nytimes.com/2000/12/07/nyregion/public-lives-a-determined-rocker-takes-on-broadway.html?searchResultPosition=9) The New York Times, 7 Dec. 2000.Lemon, Brendan.[“THEATER; Audiences Today Are Getting in on the Act.”](www.nytimes.com/2000/10/08/arts/theater-audiences-today-are-getting-in-on-the-act.html?searchResultPosition=11) The New York Times, 8 Oct. 2000.Rakoff, David. [“The Way We Live Now: 10-29-00: Questions for Dick Cavett; Time Warp.”](www.nytimes.com/2000/10/29/magazine/the-way-we-live-now-10-29-00-questions-for-dick-cavett-time-warp.html?searchResultPosition=15) The New York Times, 29 Oct. 2000.Veer, Greg Vander. [“Keep Dancing.”] (vimeo.com/153283760)Feingold, Michael. [“Into the Past.”](www.villagevoice.com/2001/04/10/into-the-past/) The Village Voice, 10 Apr. 2001.Holland, Bernard. [“Why Opera Isn't the Word For Sondheim.”](www.nytimes.com/2001/07/29/theater/music-why-opera-isn-t-the-word-for-sondheim.html?searchResultPosition=2) The New York Times, 29 July 2001.Singer, Barry. [“'Follies' Shows It, Too, Is Still Here.”](www.nytimes.com/2001/03/25/theater/theater-follies-shows-it-too-is-still-here.html?searchResultPosition=4) The New York Times, 25 Mar. 2001.Ostlere, Hilary.[“An Octogenarian With All the Moves.”](www.nytimes.com/2001/03/25/theater/dance-an-octogenarian-with-all-the-moves.html?searchResultPosition=27) The New York Times, 25 Mar. 2001.Pogrebin, Robin. [“Backstage Pins And Needles.”](www.nytimes.com/2001/03/16/movies/backstage-pins-and-needles.html?searchResultPosition=21) The New York Times, 16 Mar. 2001.Delatiner, Barbara. [“A Broadway Return After 50 Years.”](www.nytimes.com/2001/03/04/nyregion/a-broadway-return-after-50-years.html?searchResultPosition=20) The New York Times, 4 Mar. 2001.Gavin, James. [“Polly Bergen's Life-Tested Role.”](www.nytimes.com/2001/03/25/arts/polly-bergens-lifetested-role.html?searchResultPosition=18) The New York Times, 25 Mar. 2001.Brantley, Ben. [“A Gritty Vision Of Faded Gold.”](www.nytimes.com/2001/04/06/movies/theater-review-a-gritty-vision-of-faded-gold.html?searchResultPosition=13) The New York Times, 6 Apr. 2001.Wolf, Matt. [“A Miniaturist Fitting a Gem Into a Smaller New Setting.”](www.nytimes.com/2001/03/25/theater/theater-a-miniaturist-fitting-a-gem-into-a-smaller-new-setting.html?searchResultPosition=10) The New York Times, 25 Mar. 2001.Holden, Stephen. [“Passion Throbs in Sondheim's Bitter Valentine.”](www.nytimes.com/2001/05/30/theater/critic-s-notebook-passion-throbs-in-sondheim-s-bitter-valentine.html?searchResultPosition=2) The New York Times, 30 May 2001.Mordden, Ethan. [“An Elegy for an Era, 'Follies' Itself Goes On.”](www.nytimes.com/2001/03/25/theater/an-elegy-for-an-era-follies-itself-goes-on.html?searchResultPosition=8) The New York Times, 25 Mar. 2001.Franklin, Nancy. [“Out of the Past.”](www.newyorker.com/magazine/2001/04/23/out-of-the-past-9 ) The New Yorker, 23 Apr. 2001.Filichia, Peter. *Broadway Musicals: The Biggest Hit & the Biggest Flop of the Season 1959 to 2009.* Applause Books, 2010.Brooks, Mel, and Tom Meehan. The Producers: the Book, Lyrics and Story behind the Biggest Hit in Broadway History - How We Did It. Miramax, 2002.*Recording "The Producers" - A Musical Romp with Mel Brooks* Produced by Masterworks Broadway, 2001.
In this episode, Ben and Daniel talk to Tony-winning Broadway star Faith Prince about Liza Minnelli's 1972 live album Liza with a Z. They also discuss Tina Landau, Fanny Brice, Funny Girl, Jule Styne, Judy Holliday, Mary Rodgers, Gwen Verdon, Fosse/Verdon, Scott Frankel, Comden and Green, and Marilyn Maye. Faith tells stories of how she landed lead roles in shows like Guys and Dolls, Bells Are Ringing, and The First Wives Club, and shares valuable advice on how to set yourself apart at auditions by bringing your intelligence into the room and onto the stage. She also talks about what it means to be your authentic self and the value of being present as a performer and in life. Faith's fabulous live albums Leap of Faith and Total Faith are available on iTunes, Amazon, and Spotify.
In this episode, Ben and Daniel talk to three-time Tony nominee Carolee Carmello about the soundtrack to the 1973 film adaptation of Godspell. They also discuss Julie Andrews, The Sound of Music, Lesley Ann Warren, Marni Nixon, West Side Story, Evita, Mary Testa, Oliver, Gypsy, Barbra Streisand, Barbara Cook, Comden and Green, Falsettos, Kiss Me Kate, Marin Mazzie, and Parade. They talk about Carolee's secret, closeted soprano past and the fact that she has never taken a voice lesson. Carolee is currently starring as America's coast-to-coast Dolly Levi in the national tour of Hello, Dolly!
Episode #18 Take Me Out to the BallgameHello movie lovers! - the latest episode of the States & Kingdoms Podcast! Home of the classic-est movies ever !!!This week we would be pleased as punch for you to join us in our discussion of the perfect-as-it-is-not-perfect-as-it-is musical Take Me Out to the Ballgame!Take Me Out to the BallgameDirected by Busby Berkeley Starring Frank Sinatra, Esther Williams, Gene Kelly, Betty Garret and Edward ArnoldStory by Gene Kelly and Stanley DonenMusic by Comden and Green, Roger Edens, Schwartz and JeromeStudio: MGM*****States & Kingdoms theme music by Sean Newton Be sure to check out our nascent Instagram presence and follow us there- @statesandkingdomsPlease subscribe! Then leave us a 5 star review if you liked what you heard & share with your film-loving friends! Thanks for listening! Keep it classic movie people… xxSean & Jenna
Tony Comden from West Michigan Miracle League joins to talk about how to register and play for the West Michigan Miracle League, and what it means for the community.
I talk with author Andy Propst about his book They Made Us Happy: Betty Comden & Adolph Green's Musicals & Movies, about the legendary writing team that brought us Singin' in the Rain, On the Town, Wonderful Town, Bells Are Ringing, On the 20th Century, The Will Rogers Follies, and many more shows and films.
In this episode, director and Royal Family Productions artistic associate Mark Falconer discusses the musicals of Tom Jones and Harvey Schmidt, from The Fantasticks to Philemon and Grover's Corners. We also talk about the song "I Said It, and I'm Glad" from Comden and Green and Styne's 1961 musical Subways are for Sleeping.
Like Fancy Free, On the Town tells the story of three sailors during World War II and their amorous adventures on a 24-hour shore leave in New York City. The framework of a full-length musical piece, however, permitted the development of complete characters, comic situations, and a distinct theatrical personality. This personality, a rare combination of lighthearted and passionate, derived from the dramatic demands of time juxtaposed against the ominous background of the war. Surely, the personalities of its authors also influenced the show's singular identity. Furthermore, Comden and Green insured that the spirit of their writing would come to life by playing Claire and Ozzie themselves. Variety Magazine announced the show on June 7, 1944 saying, "...a group of youngsters have gotten together to stage a musical production. On the Town, scheduled for Broadway this fall will be written, produced and staged by 23 to 25 year-olds headed by Leonard Bernstein, who recently has forged to the front of the ranks of young symphonic composers and conductors.
Betsy Borns interviews multiple Tony Award winning singer/actress Penny Fuller. Penny has starred on Broadway in plays and musicals from Wendy Wasserstein's “An American Daughter” to Comden and Green's “Applause.” Their discussion covers everything from Penny's thoughts on theater to Penny singing simultaneously as Jerry Lewis and Dean Martin in a song from her brilliant one woman show “13 Things About Ed Carpolotti.” Trust me... this is one you won't want to miss! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Betty Comden was one-half of the musical-comedy duo Comden and Green, who provided lyrics, libretti, and screenplays to some of the most beloved and successful Hollywood musicals and Broadway shows of the mid-20th century, from "Singinâ?? In the Rain" to "On The Town," which was recently revived on Broadway. Judy interviewed the late Betty Comden in 2000 but the show was never broadcast. Weâ??re happy to bring it to you now!
We welcome Tommy Tune, winner of 10 Tony Awards including the 2015 Special TONY Award for Lifetime Achievement in the Theatre. Tune recalls his early days in Texas and then Broadway where he worked with Jule Styne, Michael Bennett and Comden and Green.
Our 43rd Top 100 podcast is an almost perfect musical and it’s Singin’ In The Rain! Even hard-hearted musical-haters have got to surrender to this one. Gene Kelly, Debbie Reynolds, Donald O’Connor and friends certainly wowed us. You too? Come on...you too!
Lyricist/writer Adolph Green, one half of the musical-comedy team Comden and Green, talks about their current revue "A Party with Betty Comden and Adolph Green" at the Morosco Theatre which includes songs from "Bells Are Ringing", "On The Town", "Applause", and more; working with Cy Coleman on an upcoming musical based on the play "Twentieth Century", about glamour and romance on the Twentieth Century Limited train from Chicago to New York, and the possibility of Madeline Kahn starring with Hal Prince directing.
Lyricist/writer Adolph Green, one half of the musical-comedy team Comden and Green, talks about their current revue "A Party with Betty Comden and Adolph Green" at the Morosco Theatre which includes songs from "Bells Are Ringing", "On The Town", "Applause", and more; working with Cy Coleman on an upcoming musical based on the play "Twentieth Century", about glamour and romance on the Twentieth Century Limited train from Chicago to New York, and the possibility of Madeline Kahn starring with Hal Prince directing.
This lesser known recording was the last documentation of one of the great editions of Art Blakey's Jazz Messengers. Drummer/leader, Blakey led many editions of this band over the years some of lesser importance than others. This band was one of his greatest and it was together from the Fall of 1961 until the Spring of 1964. This recording was done for Riverside Records towards the end of that label's life and it kind of got lost in the shuffle. The band is inspired and everyone is playing at their peak. Freddie Hubbard is on trumpet, Wayne Shorter is on tenor saxophone and is also musical director, Curtis Fuller on trombone, Cedar Walton on piano, Reginald (Reggie) Workman is on bass and Blakey. The five tunes are interesting, one by Fuller and the title track by Hubbard and Shorter's arrangement of Sadao Watanabe's tune called "Nihon Bash" and a moody ballad by Comden and Green arranged by Fuller called "Never Never Land" balances the set. One last tune is a rarity, a vocal by Art Blakey's cousin, Wellington Blakey, called "Wellington's Blues" nicely wraps up this fine record.
Join Thos as he talks to international cabaret stars Jeff Harnar and Tony DeSare about their careers, the works of Comden and Green, Johnny Mercer and the art of cabaret and the amazing American Songbook in London series at Pizza on the Park.
Includes Tara Brach quote.This week’s episode is all about energy work, specifically acupuncture! We’re so excited to have Cara Jolly, Acupuncturist and Herbalist with us on DENtalks Podcast! She is the owner of GenerateShen Wellness, a boutique holistic healing center right around the corner from our DEN Meditation La Brea location! Cara began her journey in science, conducting research at UIC and NYU alongside prominent psychologists - however she realized the limited set of beliefs many scientists had and set off on a holistic path of healing. Having discovered acupuncture at a young age, Cara shares with us her story from science to eventually opening up her own Holistic Health center in Los Angeles. We dive into everything about acupuncture, from our energy bodies, what a meridian point is, how the acupuncture needles puncture fascia, some of her favorite miracle stories, and so much more! Cara even shares great tips on how to beat a cold the holistic way. Don’t miss her Personal Practice at the end of the episode where she shares her favorite Tara Brach quote.Show notes: www.DENtalksPodcast.comDEN website: www.DENmeditation.com*LA listeners - Mention you listened to this episode and receive 10% off your first appointment. Valid for new cash patients only. https://www.generateshen.com/ for appointments!Support this podcast at — https://redcircle.com/dentalks-powered-by-den-meditation7294/donations
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