Podcast appearances and mentions of annie b parson

Olivia Daniels is a Canadian performer, director and producer. She holds a BFA in Drama from New York University's Tisch School of the Arts, where they studied at Playwrights Horizons Theatre School and The New Studio on Broadway. Olivia also holds a minor in Philosophy. At the beginning of the COVID-19 pandemic, they co-founded Artists in Residence, a theatrical platform supporting artists' mental health by providing opportunities for connection and social engagement.  Driven by a love of collaboration and community building, they worked to create spaces where artists feel supported, seen, and respected for their individuality. With every new project, striving to embody a spirit of openness, discovery, and joy!  Ilana Khanin is a director of experimental new plays and musicals. Her work has been developed and presented at Ars Nova ANT Fest, Prelude, HERE Arts Center, New Ohio, Judson, Governors Island, The Tank, The Brick, Primary Stages, Theaterlab, Dixon Place, Samuel French Festival, and the Center at West Park. Artist-in-residence at Montclair State University New Works Initiative (2019-2020), and the Baryshnikov Arts Center (2023). She has worked as an associate director for Lila Neugebauer, Annie-B Parson, and Lee Sunday Evans at venues including Playwrights Horizons, Playmakers Rep, Abrons Arts Centre, and Carolina Performing Arts. Associate Artist with Big Dance Theater (BAM, London's Old Vic, Berlin's Deutsches Theater, among other venues). Her work has been supported by the Canada Council for the Arts, the Toronto Arts Council, and the Puffin Foundation. BFA and MA: NYU. PhD candidate: University of Toronto. I Was Unbecoming Then In a high school music room in North Vancouver, twelve teenage girls assemble to practice and perfect their parts, desperate to please Bruce, the choir director.As with any group of girls -As with any choir -They are constantly listening to each otherTuning and re-tuningAdjusting to each other's movements, sounds, and rhythmsFinding dissonance and harmony.I Was Unbecoming Then is an intimate new musical mixing hormones and harmonies.

Episode No. 670 features artist Arlene Shechet.  Storm King Art Center in New Windsor, NY is showing "Arlene Shechet: Girl Group" through November 10. The exhibition joins Shechet's recent work exhibited in a typical gallery setting to six new monumental sculptures Shechet  created for installation at Storm King. The exhibition was co-curated by Nora Lawrence and Eric Booker, with Adela Goldsmith.  On September 27 and 28, a group of six women will gather to dance at dusk in the midst of Shechet's outdoor sculptures. The performances are choreographed by Annie-B Parson in collaboration with the dancers: Cecily Campbell, Elizabeth DeMent, Natalie Green, Kashia Kancey, Brooke Ashley Rucker, and Jin Ju Song-Begin. Costumes for the performances were designed by Shechet. Tickets are available through Storm King's events page.  Shechet's work is also on view at many art museums around the United States, including at deCordova Sculpture Park and Museum, Lincoln, Mass., in "Disrupt the View: Arlene Shechet at the Harvard Art Museums," and more. Shechet is one of the nation's greatest living sculptors. Among the institutions that have presented solo exhibitions of her work are The Phillips Collection, Washington, DC; The Frick Collection, New York; and the Joslyn Art Museum, Omaha. In 2015 the Institute of Contemporary Art, Boston presented a mid-career survey. (On the occasion of that exhibition, Shechet was a guest on Episode No. 194 of The MAN Podcast.)  Instagram: Arlene Shechet, Tyler Green.

The new Broadway dance-pop opera "Here Lies Love" explores the figure of Filipino First Lady Imelda Marcos and her place in relation to the corruption and human rights abuses of her husband Ferdinand Marcos's presidency. We're joined by Jose Llana, the actor who plays Ferdinand, as well as Annie-B Parson, who was responsible for choreographing the immersive show, which features a shifting stage and encourages audience members to move and dance as part of the production. This segment is guest-hosted by Arun Venugopal. 

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with three award-winning New York City based choreographers: Tendayi Kuumba, Annie-B Parson, and Donna Uchizono who were in Akron collaborating on a new work.Tendayi Kuumba: whostendayi.comDonna Uchizono: donnauchizono.orgAnnie-B Parson: bigdancetheater.org

In her book "The Choreography of Everyday Life," world-renowned choreographer Annie-B Parson translates the components of dance into text. Dance, it turns out, is everything and everywhere.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/zJHAPpL3yL4 Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it's the same with that type of artistic activity as with all others: We are merely born with the capability to do it. The skill to mold the material into what we want must be learned and attentively cultivated. —Johann Wolfgang Von Goethe Renowned choreographer Annie B. Parson explores the dance of everyday life and reveals that art-making is as natural as walking down the street In this sparkling, innovative, fully-illustrated work, world-renowned choreographer Parson translates the components of dance - time, proximity, space, motion and tone - into text. As we follow Parson through her days - at home, reading, and on her walks down the street - and in and out of conversations on everything from Homer's Odyssey to feminist art to social protest, she helps us see how everyday movement creates the wider world. Dance, it turns out, is everything and everywhere. With the insight and verve of a soloist, Parson shows us how art-making is a part of our everyday lives and our political life as we move, together and apart, through space

Annie-B Parson discusses her work , her career and her new book, The Choreography of Everyday Life

In her book "The Choreography of Everyday Life," world-renowned choreographer Annie-B Parson translates the components of dance into text. Dance, it turns out, is everything and everywhere.

To Annie-B Parson, choreography isn't confined to the studio and the stage; rather, practically everything around us abounds with movement that's worth paying attention to. In her new, aptly titled book, The Choreography of Everyday Life, an inventive, observant, and witty ode to her relationship with dance and movement over the course of her lifetime, she delves into exactly that belief. Across the past 30-plus years with Big Dance Theater, which she co-founded in 1991, her work has amounted to more than 20 choreographed and co-created works. As a whole, her inventive oeuvre extends in seemingly infinite directions: opera, pop music, television, movies, ballet, marching bands, symphonies. A frequent and close collaborator with the legendary David Byrne, Parson has choreographed two of his world tours, and most recently, his highly acclaimed broadway hit American Utopia. The eclecticness of Parson's body of work is rivaled only by that of her choreographic style, which finds inspiration in everything from traditional ballet, to Russian folk dances, to pedestrians on the sidewalk. A meticulous attentiveness and a whimsical ingenuity are the hallmarks of everything she does.On this episode, Parson speaks with Andrew about how the pandemic has altered our understanding of the ways our bodies relate to one another, why she considers TikTok a new kind of folk dance, and choreography as a means of controlling and testing time.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Annie-B Parson[05:19] The Choreography of Everyday Life[36:15] Big Dance Theater Company[29:27] Paul Lazar[09:30] Previous books[49:37] The Mood Room[55:15] American Utopia[55:20] Here Lies Love[55:51] Everything That Happens Will Happen Today

We are excited to bring you this podcast series, Choreographers in Conversation. This series will allow choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Sam Pinkleton interviews Annie-B Parson. The two discuss the experience of choreographing for musicians and opera, being a choreographer not a dancer, and how one collaborates or doesn't with dancers and musicians. Sam asks Annie-B about how she prepares for a project, who she makes dance pieces for, and how she thinks teaching influences her work. Additionally, the two talk about Annie-B Parson's new book called The Choreography of Everyday Life that was published on October 11th, 2022. They also reiterate that choreographers are for more than carrying a couch across the stage.  Annie-B Parson: Annie-B Parson is a choreographer. She has made choreography for rock shows, marching bands, movies, museums, objects, television, augmented reality, opera, ballet, theater, symphony orchestras, string quartets, and a chorus of 1,000 amateur singers. She has made dance and stagings for the work of David Byrne, David Bowie, Lorde, St. Vincent, Mikhail Baryshnikov, Wendy Whelan, Laurie Anderson, Suzan Lori Parks, Spike Lee, Jonathan Demme, Salt ‘n Pepa, Esperanza Spalding, David Lang, Anne Carson, and the Martha Graham Dance Co. Annie-B is the artistic director of Big Dance Theater. Annie-B just published a new book on October 11, 2022 called The Choreography of Everyday Life. https://www.bigdancetheater.org/founders-directors/ Sam Pinkleton:  Sam Pinkleton is a Tony Award-nominated theater and dance maker. His work on Broadway includes Natasha, Pierre, and the Great Comet of 1812, Machinal, Heisenberg, Significant Other, Amélie, and Macbeth. His recent work includes Jeanine Tesori and David Henry Hwang's Soft Power, the youth-led civic spectacular Runaways in Central Park and collaborations with the Dutch National Opera, Carnegie Hall, BAM, Virgin Voyages, The Civilians, Swing Left, and Cirque du Soleil. He is currently directing the world premiere of Noah Diaz' You Will Get Sick for Roundabout Theater Company. He does not own any dance shoes. sampinkleton.com Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What's a woman to do? | Why Don't You Love Me (Philippines Benefit Concert - sung by Ruthie Ann Miles, Melody Butiu, Jose Llana, Maria-Christina Oliveras, and the cast of the Public Theater's production of David Byrne and Fatboy Slim's Here Lies Love, directed by Alex Timbers and choreographed by Annie-B Parson)

This week, host Isaac Butler talks about movement, music, and space with choreographer Annie-B Parson. In the interview, Annie-B discusses her long-time collaborative relationship with musician David Byrne and her work on his live show American Utopia, which was filmed and can now be streamed on HBO Max. Annie-B also talks about Big Dance Theater, a company she founded, which combines multiple disciplines to produce innovative stage performances. After the interview, Isaac and co-host Rumaan Alam discuss Annie-B’s openness to inspiration and the way she looks closely at the world around her.  In the exclusive Slate Plus segment, Annie-B tells the story of how she met her husband and frequent collaborator Paul Lazar. She also previews her upcoming book.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks about movement, music, and space with choreographer Annie-B Parson. In the interview, Annie-B discusses her long-time collaborative relationship with musician David Byrne and her work on his live show American Utopia, which was filmed and can now be streamed on HBO Max. Annie-B also talks about Big Dance Theater, a company she founded, which combines multiple disciplines to produce innovative stage performances. After the interview, Isaac and co-host Rumaan Alam discuss Annie-B’s openness to inspiration and the way she looks closely at the world around her.  In the exclusive Slate Plus segment, Annie-B tells the story of how she met her husband and frequent collaborator Paul Lazar. She also previews her upcoming book.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks about movement, music, and space with choreographer Annie-B Parson. In the interview, Annie-B discusses her long-time collaborative relationship with musician David Byrne and her work on his live show American Utopia, which was filmed and can now be streamed on HBO Max. Annie-B also talks about Big Dance Theater, a company she founded, which combines multiple disciplines to produce innovative stage performances. After the interview, Isaac and co-host Rumaan Alam discuss Annie-B’s openness to inspiration and the way she looks closely at the world around her.  In the exclusive Slate Plus segment, Annie-B tells the story of how she met her husband and frequent collaborator Paul Lazar. She also previews her upcoming book.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. Sign up now to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s choreographed for everyone from Mikhail Baryshnikov to David Byrne. So where does she get her ideas? “I always loved this quote by Rousseau; he said, ‘My mind only works with my legs.’ Me too! When I am a stuck, I just take a walk, and something unlatches.” Movement creates thought; thought creates movement.

Drawing the Surface of Dance: A Biography in Charts (Wesleyan UP, 2019) collects thirty years of “charts” by renowned choreographer and co-founder of Big Dance Theater Annie-B Parson. These charts serve as an archive of the ephemeral work of choreography. They include charts of favorite verbs, charts of props, a “chart of things rectangular, ” and a recreation of deck of cards for composition modeled after Mexican lottery cards. The drawings included in this book are like Parson’s dances themselves: idiosyncratic, funny, loving, vibrant, and detailed. They manifest what Parson calls her “magpie” approach to composition, drawing from paintings, films, gravestones, and classical ballet to create an aesthetic all her own. This is a book that will be of interest to students and practitioners of theatre and dance, but also to people who like beautiful drawings of strange things. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

We hear from choreographer, dancer and director Annie-B Parson about her new show ‘17c’ – part of London’s Dance Umbrella festival. Plus, we welcome back artist Martin Creed and curator Fatos Ustek to discuss their latest project for the David Roberts Art Foundation, and Monocle’s Sheena Rossiter discusses her new documentary ‘3 Siblings’.

If you couldn't tell from the name of the show, host Lior Phillips is a dedicated, lifelong Talking Heads fanatic—and this week she's joined by none other than David Byrne! Lior catches up with the former Talking Heads frontman and choreographer Annie-B Parson backstage before a recent show to chat about the brilliance of the duo's production on Byrne's American Utopia tour and much more. This episode was brought to you by our friends at Vivid Seats. For information regarding your data privacy, visit acast.com/privacy

Friday Reading Series Sarah Rodigari creates performances that address economies of exchange pertaining to socio-political engagement, shared authorship and new institutional critique. Her projects take the form of lecture, text, video and collaborations. She recently published a chapter on performance art, and sympathetic magic for the publication Travel and Transformation and co-edited the book Going Down, an anthology of contemporary Sydney performance. Rodigari has presented work at the Museum of Contemporary Art, Melbourne International Arts Festival (Australia), South Project (Indonesia), PACT Zollverein (Germany), Centre for Contemporary Art Glasgow, The National Review of Live Art (UK), Anti-Contemporary Arts Festival (Finland), and SOMA (Mexico). She is currently a PhD candidate in Creative Art at the University of Wollongong and a founding member of the collective Field Theory. In an ongoing fascination with form, choreographer Annie-B Parson decided to “choreograph” the language of the naturalistic film script: Terms of Endearment. To do this she studied poetic forms, and then attacked the screenplay with such weaponry as trochees, spondees, tetrameters and pantouns. This became the stylistic hub of the text for Big Dance Theater's 2014 piece, Alan Smithee Directed This Play: Triple Feature. On May 1, Parson will attempt to reconstruct the poetics she applied to the text, and read some of the results. Parson is the co-artistic director of Big Dance. She also makes dance for pop music (David Byrne; St. Vincent); opera (Nico Muhly), film and theater. She has a work in the repertory of The Martha Graham Co., and is creating a solo for ballerina Wendy Whelan. Her awards include: Olivier nomination, Guggenheim Fellowship, Doris Duke Artist Award; USA Artist Award/Ford Fellow; Foundation for Contemporary Art Award; The Jacob's Pillow Award; Lucille Lortel nominations; Bessie Award; OBIE Award.

By David Dower, Annie-B Parson, Paul Lazar. My guests are Annie-B Parson and Paul Lazar, the team behind Big Dance Theater, New York.

Annie-B Parson--co-founder and choreographer of the Bessie Award-winning Big Dance Theater--joins forces with the exciting post-classical string quartet ETHEL and dancer Elizabeth DeMent for a site-specific production in the Winter Garden at World Financial Center. "Wait for Green"--ETHEL's third Winter Solstice concert at WFC--premieres on Friday, December 19, in two free performances--12:30pm and 7pm. "Wait for Green" has been commissioned by arts>World Financial Center for its 20th Anniversary celebration. Program notes: http://infinitebody.blogspot.com Guest and venue information: http://www.bigdancetheater.org; http://www.ETHELcentral.com; http://www.ArtsWorldFinancialCenter.com (c)2008,Eva Yaa Asantewaa