Podcasts about executive artistic director

This week on the podcast is part two  of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  ​The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/

This week on Pod Have Mercy, we welcome Jayme McGhan and Andy Pederson from A.D. Players at the George Theatre for a powerful conversation on art, faith, and moral courage.Jayme, the Executive Artistic Director and an accomplished playwright and educator, and Andy, the Education & Theater for Young Audiences Director, join us to discuss their new stage production: How to Die: The Life of Dietrich Bonhoeffer. This original play explores the life of the German pastor and theologian who boldly stood against the Nazi regime—even when it cost him everything.We dig deep into questions like:

This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media!  https://www.ragamaladance.org/

I don't really produce plays. There are many other organizations that are wonderful at producing plays, and I'm not interested in someone coming in that's completely done and all they're really looking for is financial support. I don't work like that. What most excites me is when I meet with an artist who would love to do a site-specific piece, and in whatever form it might take whether it be outdoors or indoors, in a car, in an elevator, on a roof or wherever it could be. They see a necessity for why En Garde and no one else. Anne Hamburger (she/her) Founded En Garde Arts in 1985. As its Executive Artistic Director, she is responsible for pioneering site-specific theatre in New York, using its streets and historic landmarks as her stage.

Playwright Brigid Amos sits down with Timothy Scholl, the Executive Artistic Director of Angels Theatre Company, to discuss what is dramaturgy, how did it start and what role does it play in live theater.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:Timothy W. Scholl is a director, dramaturg, and scholar by avocation and an academic administrator by vocation.  As a theatre artist he specializes in new play development, dramaturgy, directing, German theatre history, and dense 18th Century German playwrights. He serves as the Executive Artistic Director for Angels Theatre Company in Lincoln where he also manages the Salon Reading Series.  Selected Directing credits include I Carry Your Heart With Me, Predictor, This Mortal Life Also, Losing the Ring in the River, Killing Crazy, Two Suits, Trailing Colors, and Rosencrantz and Guildenstern Are Dead, for which he received a Santa Barbara Independent Award.  Timothy specializes in German Theatre and Drama with a particular emphasis on the production of the German Classics (Deutches Klassiker) in Berlin after 1945.   He currently works as an academic administrator at Purdue University Global.  He was trained at the University of Evansville, the University of Nebraska-Lincoln, and the University of California Santa Barbara.Angels Theatre Companyhttps://angelscompany.org/Gotthold Ephraim Lessinghttps://en.wikipedia.org/wiki/Gotthold_Ephraim_LessingHamburg Dramaturgyhttps://en.wikipedia.org/wiki/Hamburg_DramaturgyCome From Awayhttps://en.wikipedia.org/wiki/Come_from_AwayHedda Gablerhttps://en.wikipedia.org/wiki/Hedda_GablerDianne Weisthttps://en.wikipedia.org/wiki/Dianne_WiestYale Repertoryhttps://en.wikipedia.org/wiki/Yale_Repertory_TheatreHenrik Ibsenhttps://en.wikipedia.org/wiki/Henrik_IbsenThe Wild Duckhttps://en.wikipedia.org/wiki/The_Wild_DuckBackwards and Forwards by David Ballhttps://www.amazon.com/Backwards-Forwards-Technical-Manual-Reading/dp/0809311100Arthur Millerhttps://en.wikipedia.org/wiki/Arthur_MillerAll My Sonshttps://en.wikipedia.org/wiki/All_My_SonsTom Stoppardhttps://en.wikipedia.org/wiki/Tom_StoppardSarah Ruhlhttps://en.wikipedia.org/wiki/Sarah_RuhlNaomi Wallacehttps://en.wikipedia.org/wiki/Naomi_WallaceJennifer Blackmerhttps://www.jenniferblackmer.com/

Shonica Gooden (Hamilton Broadway's Woman 4) first joined Hamilton in December of 2015, just in time for the full on Hamilton madness with the original cast, including that legendary trip to the White House. Shonica reflects on over ten years of Hamilton, explaining how her life experiences (being a mother, experiencing a pandemic, the rise of the Black Lives Matter movement) have changed her approach to the show. But guess what? She still looooooves it. She loves and respects all the time it took to really get it right and as Shonica says, "they didn't microwave it." Shonica also talks about being a founding member and the Executive Artistic Director of the Black Artists Dance Collective, an alliance of Black dance professionals who vow to uplift, support, inspire, and empower Atlanta's Black dance community.  Shonica on Instagram The Black Artists Dance Collective Mutha Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

The Moneywise Radio Show and Podcast Wednesday, March 5th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management instagram: MoneywiseWealthManagement Guest: Erica Ueberroth, Executive Artistic Director at the Civic Dance Center Civic_Dance_Center Facebook Bakersfield_City_Ballet  Instagram

Ron Wilbur, ACTivate Music Director, the professional performing arts training program for high school and middle school aged children that is part of the broader organization Voices Amplified, a collective dedicated to empowering artists and creating equitable spaces in arts education and theater performance, is proud to present Make Them Hear You, a musical theater cabaret series that celebrates the extraordinary contributions of African American artists through powerful performances of songs and spoken word.  "Make Them Hear You is a vibrant tapestry of artistry and resilience,” says director, Ron Wilbur. “Through every note sung and every word spoken, we illuminate the boundless beauty and depth of Black artistic expression, inviting our community into a shared celebration of unity, empowerment, and the transformative power of storytelling."Ron is a native of Atlanta Georgia, and he studied at University of Kentucky, focusing on vocal music education.While studying there, he broadened his knowledge, diversely, in many areas of music, ranging from classroom management to effective stylings of vocal jazz. Mr. Wilbur has had the opportunity to perform several titular characters such as: Sweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd), Ragtime (Colehouse Walker, Jr.) and The Wiz (Lion). Ron was also a featured vocalist on NBC's hit television series, “The Sing-Off” (Season 4) with the University of Kentucky “acoUstiKats.”​Vanessa Becker Weig is Co-Founder and Executive Artistic Director of Voices Amplified (formerly known as The Girl Project) and is on the Part-Time Music and Theatre Faculty at Eastern Kentucky University. She trained at the professional actor B.F.A. training program at Wright State University in Dayton, Ohio and most recently trained with Anne Bogart and the SITI Company at their summer institute through Skidmore College.  She has over 100 directing, choreography, and performance credits. Since moving to Lexington 15 years ago, she has directed or choreographed numerous productions for Voices Amplified, Woodford Theatre,  Leeds Center for the Arts. the School for the Creative and Performing Arts,, and many more including several award-winning productions for the Itheatrics Junior Theatre Festival in Atlanta. She was the Education Director for Woodford Theatre from 2015-2019 founding the Woodofrd Theatre Young Artist Program, and served as Artistic Director for the theatre in 2019 and 2020. Prior to moving to Lexington, Vanessa served for ten years as the Education Director and Resident Director/Actor for the Phoenix Theatre (now CATCO). At the Phoenix, she directed, choreographed, and appeared in more than fifty productions and designed and implemented classes, camps, workshops, and in-school residencies. Vanessa specializes in movement theatre and theatre styles such as Kabuki, Commedia Del ‘Arte, Laban, Puppets and Masks, and Musical Theatre.  She was in the regional tour of the musical The Secret Garden, which incorporated both deaf and hearing actors and won several Central Ohio artistic excellence awards. Vanessa is a proud recipient of a Bluegrass Alliance for Women Impact Award and the prestigious Freddie G Fellowship from Music Theatre International. When she has a spare moment, Mrs. Weig appears on stage. Some of her favorite local roles include Gynecia in Head Over Heels with Voices Amplified, Morticia in The Addams Family with Leeds Theatre,  Paulette in Legally Blonde with KCT Summerfest, Madame De La Grande Bouche in Beauty and the Beast and The Warden in Holes with Lexington Children's Theatre.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Lance Gardner,  Artistic Director of Marin Theatre since October, 2023, in conversation with host Richard Wolinsky. A long-tme Bay Area actor, Lance Gardner came to Marin Theatre after a stint as a live event producer at KQED, and as Chair of the Board of Aurora Theatre. In this interview, he discusses the theatre's fiscal health, how he hopes to increase the audience, along with details of the various upcoming shows. Lance Gardner has earned dozens of theatre credits over the last 20 years, including six mainstage shows and a school tour at Marin Theatre Company. He has also performed in multiple shows at Berkeley Repertory Theatre, California Shakespeare Theater, Magic Theatre, TheatreWorks, and more. The post Lance Gardner, Executive Artistic Director of Marin Theatre appeared first on KPFA.

In this College Deep Dive Rick Walters, the Executive Artistic Director for Viterbo University and Charlie Murphy, MTCA Director discuss:

Coeur d'Alene Summer Theatre joins us in the studio for the first time since 2019! Executive Artistic Director, Chuck Ethridge, and Director of Education, Shoshana Rubli, catch us up on the company, its mission, and its future goals. Listen to our conversation about what it takes to operate a summer theatre year-round, their ambitious Musical Theatre Training Institute, and how they pick their seasons.

Send your questions or provocations to Adam or Budi here!Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky's transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton's I Am Delivered't (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford's Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company's production of Vivian Barnes, Jonathan Norton and Gab Reisman's Are You There? Robert's original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin's Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH). Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle's Sovereignty, John Strand's The Originalist, Katori Hall's Blood Quilt, Karen Zacarías' Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.  Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Katie checks in with founder, and Executive Artistic Director, of the Jewish Plays Project, David Winitsky.

Welcome to award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique areas of Texas. This week Tom welcomes Mark Haufler, Chairman of the Board of Directors of the Hill Country Youth Orchestras and Patricia Lee, Executive Artistic Director.   The Hill Country Youth Orchestras been serving young musicians in the Hill Country area since 1987. Initially starting as a small organization in one town with just 50-60 students, it has grown to include three locations and ten orchestra levels, serving 150-220 students, in a tuition-free each year. The program, praised for fostering discipline and teamwork through music, has helped students flourish locally and internationally. Lee discusses her journey from conductor to director, to Executive Artistic Director. Haufler, shared his non-musical but passionate journey in supporting the organization. The conversation also highlights the orchestra's breadth across different locations like Kerrville, Boerne, and Fredericksburg, each offering unique opportunities for student musicians. They discussed the upcoming annual High Tea fundraiser at the Museum of Western Art on October 19. This unique event, famous in Kerr County, combines Western and English culture, featuring activities like bingo and showcasing student performances. Both Patricia and Mark highlight their enthusiasm for the event and encourage participation. The episode serves as both an insight into the cultural and educational impacts of the Hill Country Youth Orchestras and as a call to support their mission through the High Tea event. Key Highlights ·      History and Growth of Hill Country Youth Orchestras ·      Roles and Contributions of Key Members ·      Impact on Students and Community ·      Expansion to Other Locations ·      Annual High Tea Fundraiser Resources Hill Country Youth Orchestra High Tea Tickets Other Hill Country Focused Podcasts Hill Country Authors Podcast Hill Country Artists Podcast

Discover the power of theater to transform communities with our special guest, Mino Lora, the Executive Artistic Director of the People's Theater Project (PTP). Listen in as Mino shares the riveting story of how PTP was born from a master's thesis in peace studies and conflict transformation into a beacon of artistic expression for New York City's immigrant community. Learn about the diverse initiatives that PTP spearheads, from professional productions featuring immigrant artists to community-based shows that highlight local talent, and a robust playwrights unit fostering new works.Get an inside look at the journey from volunteer-based beginnings to establishing the largest performing arts nonprofit in upper Manhattan. Mino discusses the vital role of comprehensive education programs aimed at empowering young immigrants through theater, and the strategic partnerships with schools and community centers that amplify their impact. We explore the multifaceted roles involved in running PTP, from fundraising and staff management to government relations and production, giving you a glimpse into the dynamic nature of nonprofit arts administration.Celebrate the incredible impact PTP has had over the past 15 years as Mino reflects on the transformative power of theater and advocacy. Hear heartfelt stories of young participants who have grown into staff members, illustrating the deep roots and community bonds PTP has nurtured. Mino also opens up about the challenges of balancing professional responsibilities with personal life, particularly as a mother, and the importance of advocating for fair wages and equitable compensation in the nonprofit sector. This episode is a testament to the passion and dedication driving PTP's mission to uplift and support the immigrant community through the arts.For more #CareerCheatCode, visit linktr.ee/careercheatcode & make sure you subscribe and follow us across all platforms. Let's make an impact, one episode at a time! Host - Radhy Miranda LinkedIn Instagram Producer - Gary Batista LinkedIn Instagram To watch on YouTube Follow us on our YouTube Clips ChannelFollow us on Instagram Follow us on TikTok Follow us on LinkedIn

Ever wondered how a childhood passion for theater can transform into a cornerstone of a community's cultural life? Or how a converted chicken coop and Jazzercise headquarters can pave the way for a thriving arts center? Join us for episode 127 of "Carlsbad: People, Purpose and Impact," where we sit down with the inspiring Kristianne Kurner, Founder and Executive Artistic Director of New Village Arts.In this episode, Kristianne takes us on a journey from her nomadic upbringing as a Marine Corps kid to her professional theater training at William and Mary and the Actor's Studio Drama School. Discover how her relentless passion led to the founding of New Village Arts in 2001 and the incredible evolution of the arts center over the years.We'll delve into the challenges and triumphs of establishing New Village Arts, including securing a permanent home in downtown Carlsbad and the recent renovation that transformed it into the Dea Hurston New Village Arts Center. Get a sneak peek into the diverse and exciting productions lined up for the current season, from the 1970s jukebox musical "8-Track" to the transformative "La Havana Madrid."Kristianne also opens up about the financial hurdles faced by nonprofit theaters, especially in today's climate, and the crucial role of community support. Find out how you can make a difference by attending performances, donating, or even joining the board.Tune in and get inspired by Kristianne Kurner's incredible journey and unwavering dedication to the arts!Kristianne Kurner's Bio:Kristianne founded New Village Arts in 2001, and she has grown the organization from a starting budget of $2,500 with two employees to a current budget of $1.6 million with over 20 employees. Trained as an actor and director, she has worked on every NVA theatrical production. Her directing credits include Awake & Sing! The Weir, The Trip to Bountiful, True West, Sailorʼs Song, The Waverly Gallery, A Lie of the Mind, and the premiere outside of Broadway and London of Jez Butterworthʼs The Ferryman. Her work has received numerous awards, including San Diego Theatre Critics Circle and KPBS Awards for Theatre Excellence. She is the recipient of the Clare Rose Sabbatical Award from Fieldstone Leadership Network and serves on the Board of the Carlsbad Chamber of Commerce. Education: BFA Theatre, College of William & Mary; MFA Acting, the Actors Studio/New SchoolFor more information and to support New Village Arts, visit newvillagearts.orgStay connected with us on Instagram and Facebook and LinkedIn at New Village Arts. Did this episode have a special impact on you? Share how it impacted youCarlsbad Podcast Social Links:LinkedInInstagramFacebookXYouTubeSponsor: This show is sponsored and produced by DifMix Productions. To learn more about starting your own podcast, visit www.DifMix.com/podcastingDon't forget to check out Caring Transitions at www.CaringTransitions.com!

We had the opportunity to interview Tyson Kaup, the Executive Artistic Director of Walla Walla Summer Theater, a non-profit theater company in its second season. Tyson, an accomplished actor, director, and producer, grew up in the Walla Walla area and moved to New York at the age of 20. After many years of success in the city and starting a family, he decided to return to his roots. Tyson's goal is to establish a world-class, professional summer theater organization and training program. Ali, Kristin, and I were thrilled to attend their impressive production of Beauty and the Beast, featuring our very own Elaina Dejong from Coeur d'Alene. The show was presented as a fundraiser for the restoration and ongoing support of the Fort Walla Walla Amphitheater, a 1500-seat outdoor venue that will serve as the future home of Walla Walla Summer Theater. Stay tuned to hear more from Tyson about the essential qualities he believes are important for success in the theater industry. For more information visit wallawallasummertheater.org or @wallawallasummertheater

It's Directors Roundtable in Lincoln! We talk with Timothy W. Scholl, Executive Artistic Director of Angels Theatre Company, Morrie Enders with the Lincoln Community Playhouse, and Jamie Bullins, who is a longtime Director, Associate Professor of Theatre at the Johnny Carson School of Theatre and Film at UNL, and also part of the Staff of the Angels Theatre Company's Playwriting Collective.  We love the chemistry and commodorie of these three Directors.  They all come from different perspectives, and the theatres in which they work offer our arts community different types of plays each year. Join us for this fun conversation as we enjoy the conversation of Directing Theatre!  HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.    

In this episode of St. Louis in Tune, hosts Arnold Stricker and Mark Langston delve into the inspiring work of Circus Harmony and its 'Peace Through Pyramids' initiative. The episode, featuring Jessica Hentoff, Executive Artistic Director and Founder of Circus Harmony, explores how circus arts are uniting youth from diverse backgrounds to promote trust and social change. From partnerships in Israel, Puerto Rico, and Germany, to local community impact and upcoming performances, this episode highlights the transformative power of circus arts. Tune in to discover heartwarming stories, historical insights, and the exciting upcoming events from Circus Harmony.[00:00] Introduction to St. Louis in Tune[01:05] Meet Jessica Hentkoff of Circus Harmony[03:29] The Concept of Peace Through Pyramids[05:05] Circus Harmony's Global Partnerships[15:48] Circus Harmony's Impact and Achievements[19:15] Upcoming Events and Collaborations[25:29] Support and Acknowledgements[32:32] Connecting People[32:56] Circus Science in Schools[33:29] Mechanical Engineering Meets Circus[33:52] Fundraising for the Circus[34:47] Legendary Circus Performers Trivia[37:57] The Art of Human Cannonball[43:44] Hair Hanging and Other Circus Feats[47:29] Upcoming Circus Events and ClassesSISTER CITY CIRCUS CHILDREN TO SOAR IN ST. LOUISWHO: Circus Harmony and Circus Circuli's Sister City CircusWHAT: A Peace Through Pyramids Partnership between youth circuses from St. Louis and StuttgartWHEN: July 26 - August 9, 2024WHERE: City Museum and TBD“Architecture & Acrobats” screening at the 24th Annual St. Louis Filmmakers ShowcaseWHEN: July 26, 2024 7:30 pmWHERE: Hi-Pointe Theatre, 1005 McCausland Ave., St. Louis, MO, 631117[49:21] Humorous Anecdotes and Closing RemarksSign up for classes - Circus HarmonyEvents - Circus HarmonySister City Circus: Celebration of the 60th Anniversary of St Louis & Stuttgart Being Sister CitiesStartseite - Circus CirculiHome - Circus HarmonyThis is Season 7! For more episodes, go to stlintune.com#circus #stlouiscircus #circuscirculi #circusarts #humancannonball #circustrivia #peacethroughpyramids

In this episode of St. Louis In Tune, we have a conversation about the Tennessee Williams Festival-St. Louis with guests Carrie Houk, the festival's Executive Artistic Director, and Tom Mitchell, Scholar in Residence and Associate Professor Emeritus from the University of Illinois. The festival, founded in 2015 and recognized with 13 awards from the St. Louis Theater Circle, offers a rich array of events. Highlights include a discussion about Williams's works, his influence, and the upcoming festival events, including performances of 'Cat on a Hot Tin Roof' and 'Lie Upon the Wicked Stage.' The episode also touches on how Williams's life and experiences shaped his writing, and the significance of maintaining live theater.[00:00] Introduction to the Tennessee Williams Festival[00:35] Meet the Hosts and Guests[01:13] Carrie and Tom's Journey with Tennessee Williams[03:22] Tom's Early Interest in Tennessee Williams[08:17] Exploring the Festival's Productions and EventsCAT ON A HOT TIN ROOF - Directed by Michael Wilson. August 8-18, 2024; Grandel Theatre; 7:00 pm Thursday-Saturday, 3:00 pm Sunday.LIE UPON THE WICKED STAGE-ONE ACTS BY TW - Directed by Brian Hohlfield. August 10-18, 2024; Curtain Call Lounge, Grand Center, 1:00pm and 3:00pm Saturday and Sunday[10:12] The Scholars Panels and Walking TourSCHOLARS PANELS - Presented by resident scholar Tom Mitchell August 10, 2024; Beginning at 9:00amWalking Tour of the Grand Avenue Theatre District Sunday, August 11 at 10:00am; Meeting place: Front of Grandel TheatreTennessee Williams Festival OPEN MIC Sunday, August 11 at 7:00pm; Curtain Call Lounge, Grand Center[13:59] Parking and Venue Details[17:49] Carrie's Reflections on the Festival's Success[23:37] Tom's Background and Connection to Tennessee Williams[26:22] Exploring Tennessee Williams' Language[26:59] Revisions and Rewrites: Williams' Process[29:34] Impact of Performers on Williams' Work[30:47] Upcoming Events and Festival Highlights[33:50] Fun Facts and Observances[40:58] Closing Thoughts and FarewellTWStL Facebook PageTennessee Williams Biography from TWStLTennessee Williams FestivalThis is Season 7! For more episodes, go to stlintune.com#twstl #tennesseewilliams #playwrights #stlouistheatre #theatre #catonahottinroof #oneactplay #tennesseewilliamsfestival

About Carrie: Carrie Houk has spent her professional life as an actor, casting director, producer and teaching artist. Educated at HB Studio in NYC and the Conservatory of Theatre Arts at Webster University, she began her acting career at the Repertory Theatre of St. Louis and from there worked in NYC, LA and Chicago. The Tennessee Williams Festival of St. Louis has a mission  to enrich the cultural life of St. Louis by producing an annual theater festival and other artistic and educational events that celebrate the art and influence of Tennessee Williams. The 2024 festival runs August 8th-18th.    

Please join us in this special conversation with José Eduardo González y Salazar, Executive Artistic Director of Milagro Theater (as known as Miracle Theatre Group).  José speaks about his personal and professional journey to founding Milagro in 1985 with his wife, Dañel Malán-González.  He speaks about the importance of art that serves as a mirror, showing us who we are and what and who is around us.  He talks about the artist in all of us and the healing power of art.Support the Show.

Rivka and Frank are joined by theater educator, author, and Executive Artistic Director of Celebration Barn, David Bruin, to discuss the 2011 finance drama Margin Call. The film, which takes place at a fictional investment firm at the start of the 2008 financial crisis, is a fascinating look into the toxic work of finance. They talk about the ins-and-outs of the subprime mortgage crisis, the twisted pathology of finance bros, and how when the ultrarich play games the only losers are the people not playing. CeasefireToday.com Celebration Barn For next week's movie, we'll be watching the 2014 jazz drama Whiplash. 

Send us a Text Message.Thanks for joining us. In this episode we speak with:Abby Bland, Kansas City Poet & Performer. https://www.abbyblandpoetry.com/Sidonie Garrett, Executive Artistic Director, Heart of America Shakespeare Festival. Julius Caesar, Southmoreland Park, June 11-30, 2024. https://kcshakes.org/juliuscaesar/ Our MUST SEE KC picks are:Heartland Men's Chorus Presents 'RISE UP' at The Folly Theater. June 15-16, 2024. More info at https://hmckc.org/summer/Donny Osmond Presented by Kauffman Center for the Performing Arts. June 11, 2024. Get tickets at https://tickets.kauffmancenter.org/osmond.KC Fringe Festival. July 12-28, 2024. Tickets & Info at https://kcfringe.org/This show is hosted and produced by Tess Koppelman and Jamie Campbell. Our Executive Producer is Nathan Gwartney. Our Audio Engineer is Paul Vedros. Episodes are mixed and edited by Thomas Newby who also composed our theme music.If you have something you would like featured on our show reach out to us through our social media.Follow Us On:InstagramFacebookYouTubeWebsite

Join us as we explore Butler University's Department of Dance, with Larry Attaway, who serves as Chair and Executive Artistic Director. Consistently ranked as one of the top five collegiate ballet programs in the U.S., Mr. Attaway fills us in on its diverse study options—including a dedicated teaching track—as well as the exciting performance opportunities that shape aspiring dancers into professionals. We also discussed the audition process, reviewing what prospective students need to do for consideration for the program, as well as the diverse career paths pursued by Butler's graduates, offering a comprehensive look at potential opportunities awaiting aspiring dancers.  Links: Butler University School of Dance Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Phoenix, Arizona-based artist and activist Ruby Morales. Morales describes her work as that of a ‘dance artivist,' where she investigates culturally informed teaching methods, circular leadership models, and her relationship with movement as a bgirl and in Mexican style cumbia. She is the recipient of many awards and fellowships, most recently, she was honored by the Association of Performing Arts Professionals with the Spark of Change Award.

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Chicago Illinois-based, The Era Footwork Crew members Sterling “Steelo” Lofton and Brandon “Chief Manny” Calhoun. The Era Footwork Crew are pioneers of the battle dance known as Chicago footwork. They have performed from Japan to Peru, performing and choreographing alongside leading artists such as Chance the Rapper, DJ Rashad, DJ Spinn, and Theaster Gates. The Eras work has been in short documentaries by VICE, the Canadian Broadcast Company, and the Chicago Tribune.

Send us a Text Message.In this session, host, Brandon Morgan is joined by the Executive Artistic Director of the Main Street Theater, Rebecca Udden. Becky sits down to discuss the history of MST, the world premiere of the Thomas Meloncon play Stagolee and the Funeral of a Dangerous Word and MST's involvement in the 2025 Fade To Black Arts Festival.Join us for this captivating conversion with a Houston trailblazer.Catch the video premiere of new episodes on Wednesdays at 7PM here: https://youtube.com/@thefadepod25?si=yCQQJTM_6MaEhOfrVisit fadetoblackfest.com for more information of the 2025 Fade To Black Arts Fest.

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you. Even though, Black History Month is over on the calendar - we should live a life where we strive to learn more and more about our history and the heroes of our communities today.    "GO WHERE YOU ARE ADORED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 83

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you.    "GO WHERE YOU ARE LOVED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 82 Jonathan McCrory's Website National Black Theatre SUBMIT A QUESTION FOR “STRAIGHT FACTS”! PRACTICE LOVING KINDNESS MEDITATION FIND A THERAPIST.   _______   EVERYTHING YOU NEED IS HERE! ⬅️ click that Rate + Review on Apple Podcasts. ⬅️ click that     And as always, "Thank you for your support…"  (said exactly like the 80s Bartles and Jaymes commercials)   xoxo MeMe *****************See omnystudio.com/listener for privacy information.

Marcie (Turstlick) Bramucci remembers the initial impact Summer Stage had on her life as she experienced a 1987 performance of Joseph and the Amazing Technicolor Dreamcoat. She joined the program when she was age-eligible, participating in the Apprentice Program, Children's Theater, and Mainstage. Her academic career took her to Point Park College before earning Master's Degrees from Villanova University and Columbia University. Marcie worked in media on both coasts before settling back in Delaware County. She is currently the Executive Artistic Director of Hedgerow Theatre Company in Rose Valley where she produces, directs, and performs. I hope you enjoy our conversation, so come along and have some fun. . .Hedgerow Theatre Company https://www.hedgerowtheatre.org/Marcie's professional website https://www.marciebramucci.com/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Christy Bolingbroke, Executive / Artistic Director of the National Center for Choreography - Akron, hosts this episode focused on the the relationships of choreographic practice and various technologies. Referenced in this episode are works by David Parsons, David Rousseve, Compagnie Kafig, Rennie Harris/Puremovement American Street Dance Theater, and Ragamala Dance Company.Jacob's Pillow Dance InteractiveDavid Parsons CaughtDavid Rousseve/REALITY Stardust

In this episode, Focus On Your Audience, we sit down with Sidonie Garrett, Executive Artistic Director at Heart of America Shakespeare Festival.  Sidonie dives into how preparation and presence go hand-in-hand, highlighting how she finds success in honing her story when captivating an audience. Be inspired by her mission, vision, and hard work in helping the performing arts flourish in Kansas City.  Jen Vellenga and Jennifer Rettele-Thomas are the co-founders of Voice First World®, a communication and leadership coaching company.  They train executives and leaders on the Presence Paradigm™, a communication technique created from Jen V's decades of training actors to perform authentically with stage presence. If you want to learn more about how to speak confidently, book a discovery call at www.voicefirstworld.com/chat. Theatre Alliance KC  ArtsKC GO

Founder and Executive Artistic Director of Just the Place, Inc. Cultural and Creative Arts Dance Studio, Sharon Simmons-Wright, and dance instructor  Symone Lassic are this episode's guests on the Energy Stoners (tm) Cafe podcast.  They discuss with Toni Quest the benefits of dance for children and teens. They also talk about the wide variety of dance programs offered  by ‘Just the Place'. Guest: just the place.org Host: toniquesttv@gmail.com Energy Stoners (tm) Cafe podcast is the intellectual property of Toni Quest and James H. Brooks, producers

Nathan Kessler-Jeffrey  is Executive Artistic Director of the San Juan Community Theatre and has been teaching, directing, and acting in theatres, colleges, and high schools for over two decades. He holds an MFA in Directing from Rutgers University, and his teaching specialties include directing, acting, stage combat, and rehearsal techniques. He is the former Education and Outreach Director for Taproot Theatre Company in Seattle, and has been a guest instructor at high schools, colleges, and universities.Nathan's directing work includes productions for San Juan Community Theatre, Taproot Theatre Company, Driftwood Players, A Contemporary Theatre, American Globe Theatre, Abilene Shakespeare Festival, Transparent Storytellers Theatre, and the Seattle Play Series. In January of 2018, he joined San Juan Community Theatre as Executive Artistic Director and now divides his time between directing, acting, teaching, and leading SJCT's team of staff and volunteers. 

On today's episode, host J.P. Der Boghossian talks with New York Times Modern Love contributor Suzette Mullen about her upcoming book The Only Way Through Is Out. Then, a conversation with Minnesota author Gary Eldon Peter about his novel The Complicated Calculus and Cows of Carl Paulsen. After which, J.P. speaks with the new Executive Artistic Director at Park Square Theater Stephen DiMenna about his role and vision for Park Square. Plus. Plus, ring in the new year with the Minnesota Orchestra and their new LGTBQ Conductor: Thomas Sondergard!Support the show

Afternoon Teatime December 18th 3 Pm EST, the last one of 2023. Joining to share a T-E-A with you all is Diane Namm, bringing you her latest book on family feast holiday culture and traditions along with all the incredible stories and work she does in many fields of work in the entertainment industry.LIVE STREAMING TO MULTIPLE PLATFORMS AND PODCAST STATIONS AND APPS. LIVE SHOW ON MISS LIZ'S YOUTUBE CHANNEL BELOW. Please give it a quick subscribe and be notified when teatimes are live.https://youtube.com/@misslizsteatimes?si=VhVODhNkY__evnOtDiane Namm is the talented author of over 65 published books, including children', YA, and adult non-fiction books. She is also an award-winning screenwriter, director and producer for film and television; and a successful playwright, director, and producer for stage.Children's newest book, Latkes & Lefse, is about children's different cultures within one's family.A donated literacy advocate of the state's nonprofit, Namm is the founder and Executive Artistic Director of West of Broadway www.westofbroadway.com, formerly a 501 (c) (3) nonprofit organization and a grant recipient of the LA County Performing Arts Council. Namethe and West of Broadway promote literacy and social and civic responsibility through stage. Past productions have included original adaptations by Namm: Mrs. Scrooge the Musical; Huck; Bunny Tales Episode IV: The Bunny Wars; Red Chief,, Monster and classic productions of Twelve Angry Jurors and Judgment at Nuremberg.Namm's production company, Lady of the Canyon ALL MEDIA, LLC has developed several projects (ladyofthecanyon.com). Film/TV projects include FINDING HOPE, THE SACRIFICE, TELEMAFIA, GREAT AMERICAN PIGEON RACE WE'LLhonoured ALWAWE'LLNamm'sVE DINGLE and SASA.Namm was honored by Reading Is Fundamental of Southern California in 2008 for producing and directing their PSA. She had the original series of PSAs for VoteRiders.org, an organization dedicated to informing each state's citizenry state'soting ID requirements.Namm has served as a writing mentor for CREATE NOW, developing writing workshops for at-risk youth in juvenile detention centers, rehab centers and group homes.She was formerly on the Advisory Boards of the University of Michigan/English Department, HART-US and the Edgemar Center for the Arts; she is a past Artist-in-Residence at the Pasadena Playhouse and is currently a member of the Women in Film, Authors Guild and Dramatists Guild.She resides in Los Angeles, California. Please see www.dianenamm.com for more information.#teatimewithmissliz#misslizteatime#makingadifference#tradition#cultures#screenwriting#bestsellingauthor#director#producer#childrenbooks#films#nonprofit#playwright#livestreaming#podcastshow#likefollowshare#subscribe#youtubechannel ,3 pm

The Sacramento County jail isn't meeting people's constitutional rights. Here's what is being done about it. UC Davis professor's book “American Purgatory: Prison Imperialism and the Rise of Mass Incarceration.” The fall edition of the Sacramento French Film Festival returns.   Sacramento County Jail Conditions Sacramento County Jail has been under a legal agreement to improve health conditions since 2020. But progress has been so slow for those incarcerated, that the jail is at risk of a rare federal takeover and essentially losing control of its operations. CapRadio's Healthcare Reporter Kate Wolffe explains how it got to this point, including a proposal for a possible $1 billion annex that has been questioned by lawyers and advocates.   Book on the Rise of Mass Incarceration A UC Davis professor whose focus is on systemic racism and inequality is taking a hard look at our country's mass incarceration system, and a history that he says is inextricably linked to the expansion of American power around the globe. Dr. Benjamin Weber joins us about his new book “American Purgatory: Prison Imperialism and the Rise of Mass Incarceration.” Sacramento French Film Festival Oh là là! The fall edition of the Sacramento French Film Festival is underway and there are several films for everyone to enjoy.  Joining us with a preview of three new films is Cecile Downs, Executive & Artistic Director of the Sacramento French Film Festival. We'll learn how you can watch the movies from the comfort of your own home, as well as interact with one of the movie directors.

Our guest for this episode is MOXIE Theatre's Executive Artistic Director, Desireé Clarke Miller who shares her coming into this role and following the company's mission while in her new tenor aiming to continue presenting diverse and honest images of women+ onstage. She also shares how she broke the stigmas in theatre for what women can and cannot do. What is coming next for MOXIE, turning 20 next year, and how theatre can be a therapeutic tool for catharsis.  David and Alejandra hash out the theatre etiquette per usual and go into theatre appreciation. They talk about the shows closing in San Diego this weekend along with their impressions and the shows that are opening.  Thank you for tuning in and coming up to us with your takes on the episodes! Let us know if there are any specific topics you would like us to talk about in the show. Like David said, "We are here to listen and discuss". If you feel inclined, please rate and review this podcast as it helps to populate the charts. Thank you for joining us and if you do not follow us on social media already, please do so on Facebook and Instagram for more Circle content! We will see you at the theatre!  

In this episode of RadicalxChange(s), host Matt Prewitt engages in a deep and thoughtful conversation with Barry Threw, Executive & Artistic Director of Gray Area. They explore Barry's diverse career integrating art, technology, and humanities for economic, social, and ecological regeneration, and examine the cultural shifts in the San Francisco Bay Area. Barry and Matt saunter through anecdotes from Burning Man to Joan Didion to the technocratic molding of the Silicon Valley phenomenon — an exciting pathway of cultural importance to walk along.References:Throwing Rocks at the Google Bus by Douglas RushkoffSlouching Towards Bethlehem by Joan Didion - WikipediaBurning Man - WikipediaEffective altruism - WikipediaSilicon Valley's brand of philanthropyBios:Barry Threw is the Executive and Artistic Director of Gray Area, a San Francisco nonprofit cultural incubator applying art and technology toward social good. He drifts fluidly between roles, collaborating as an executive, curator, technologist, cultural producer, and strategist to cultivate forward-looking, boundary-blurring projects integrating culture and technology. His previous leadership positions have generated innovative & influential platforms, products, teams, and businesses spanning art, music, internet, built environment, and experiential & immersive media: as Software Director with Keith McMillen Instruments, developing advanced technology to bridge traditional string instruments with computers to spark a Western new classical music movement based on the technologies and aesthetics of the 21st century; as Technical Director with Recombinant Media Labs, presenting surround cinema at installations and festivals around the world; as a founding Partner at Fabricatorz, a distributed technology studio for cultural projects with nodes in Hong Kong, St. Louis, San Francisco, and Lisbon; and as Director of Software with Obscura Digital, a San Francisco-based creative technology studio specializing in the design and execution of immersive and interactive experiences worldwide, and the first company to do architectural projection mapping. He organizes the #NEWPALMYRA project, an online community platform focused on the virtual reconstruction and creative reuse of cultural heritage. He played a key role in developing and operating the Vatican Arts and Technology Council, a nondenominational external advisory body for the Vatican, which advanced goals of environmental stewardship, humanitarian compassion, and spreading experiences of spirituality worldwide through an experimental art and technology lab.Barry's Social Links:Barry Threw | Website@barrythrew | XBarry Threw | InstagramConnect with Gray Area:Gray Area | Website@GrayAreaorg | XGray Area | InstagramGray Area | YouTubeGray Area | FacebookMatt Prewitt (he/him) is a lawyer, technologist, and writer. He is President of the RadicalxChange Foundation.Matt's Social Links:@m_t_prewitt | XMatt's Substack: Matt's WritingsConnect with RadicalxChange Foundation:@RadxChange | TwitterRadicalxChange WebsiteRxC | YouTubeRxC | InstagramRxC | LinkedInJoin the conversation on Discord.Credits:Produced by G. Angela Corpus.Co-Produced, Edited, and Audio Engineered by Aaron Benavides.Executive Produced by G. Angela Corpus and Matt Prewitt.Intro/Outro music by MagnusMoone, “Wind in the Willows,” is licensed under an Attribution-NonCommercial-ShareAlike 3.0 International License (CC BY-NC-SA 3.0)This is a RadicalxChange Production.

‘City Lights Theater Company' – Silicon Valley's Outreach for Assistance: City Lights Theater Company has inspired and stimulated audiences since its establishment in 1982. Located in the heart of downtown San Jose, this vibrant theater space draws in a diverse community of artists, educators, students, and theater enthusiasts. Explore the links below to discover what makes this venue buzz with creativity and find opportunities to become a part of it. America's Theater and Live Shows Problems: Decline in ticket sales: Ticket sales for the latest season were down 27% from the pre-pandemic levels. This represents a loss of over $1 billion in revenue Regional Theatres Closing: Last year, 20% of regional theaters had closed. This represents a loss of over 100 theaters. Lack of Diversity: In the past year, 22% of Black Americans and 28% of Hispanic Americans went to a live performance, whereas 48% of White Americans did the same * Data cited from internet sources and may not be 100% updated City Lights Theater Company's Mission: City Lights Theater Company creates provocative live productions that engage, inspire, and challenge audiences and artists through innovative concepts, intimate staging, and uncompromising storytelling. About the Guest: Lisa Mallette has worked as an actor, director, and manager for countless theater companies throughout the Western United States. She became Managing Director of City Lights Theater Company of San José in 2001 and Executive Artistic Director in 2004. She has since led City Lights through over a decade of unprecedented artistic and administrative growth, winning widespread public and industry acclaim and closing 16 consecutive years in the black, a run ended only by the COVID-19 pandemic. Lisa is a Pacific Conservatory of Performing Arts graduate in Santa Maria, California, the Neighborhood Playhouse in New York City, and a proud Actors' Equity Association and SAG/AFTRA member. In this Episode: In this episode, you can anticipate an insightful conversation with Lisa Mallette, the dedicated leader of City Lights Theater Company. Lisa shares her journey, experiences, and the organization's remarkable history since its founding in 1982. Discover how City Lights has continually inspired and challenged audiences through various plays and musicals, including fresh, new works. We dive into the dynamic atmosphere of their downtown San Jose theater, which is a magnet for artists, educators, students, and avid theatergoers. And we learn more about the captivating world of theater and how you can actively participate in this thriving creative community. “Thinking strategically is one vital lesson. And the other one is to be kind.” – Lisa Mallette Show Notes: The history of City Lights Theater Company how it was established by a group of passionate artists in San Jose, and how it has evolved over the years How City Lights has become a hub for innovative and thought-provoking productions, including a wide array of fresh new works Insights into Lisa Mallette's journey and her role as a dedicated leader in steering City Lights to success How City Lights aims to create a holistic theater experience, fostering connections between artists and audiences Why building meaningful relationships is key to City Lights' success and how it influences their approach to theater The challenges faced by City Lights and the broader theater industry, especially during the COVID-19 pandemic Reconnecting with Live Theater: Understand the efforts to rekindle the audience's love for live theater in an era dominated by streaming and digital entertainment Advice on what it takes to succeed as an artist, emphasizing kindness and collaboration How the theater industry is changing, evolving, and adapting to the challenges of our times An Invitation to Get Involved: Discover opportunities for engagement with City Lights Theater Company, whether you're an artist, patron, or enthusiast Links Mentioned: Susan G. Komen Breast Cancer Foundation Silicon Valley Pride Teatro Visión Connect with City Lights Theater Company: Facebook | Instagram | LinkedIn | YouTube If you are interested in joining ‘City Lights Theater Company', contact: Address: 529 S 2nd St. San Jose, California, 95112 Website: https://cltc.org/Email: citylights@cltc.org

Halfway to Anywhere with Logan Stacer, Executive Artistic Director of Heartland Arts KC and a Youth Pastor at Awaken Church KC. In this episode, Logan shares where he finds confidence and joy. You'll learn how he advocates for multiple social justice challenges in Kansas City and you'll hear the story of a kitchen accident that led to his epiphany about being kind. "If you can make it in New York, you can make it anywhere. If you can't make it in Chicago, you can't make it anywhere.  If you make it in Kansas City, you are Halfway to Anywhere." Heartland Arts KC trains performing artists to become advocates of social justice. They aim to position Kansas City as a hub for arts advocacy, making public policy accessible for all. Jen Vellenga and Jennifer Rettele-Thomas are the co-founders of Voice First World®, a communication and executive coaching company.  They train executives and leaders on the Presence Paradigm™, a communication technique created from Jen V's decades of training actors to perform authentically, with presence, on stages, on audio, and video.  If you want to learn more about how to speak confidently, book a discovery call at www.voicefirstworld.com/chat.

This special edition of Inside The Dancer's Studio podcast features content from the Creative Administration Research (CAR) Summit Convening and was recorded at the Akron Art Museum. CAR is made possible through a multi-year grant from the Mellon Foundation. We join Christy Bolingbroke, our Executive / Artistic Director, in dialogue with Chicago, IL-based multidisciplinary, Kenyan-Indian, Canadian-American artist Brendan Fernandes and Akron Art Museum Curator Dr. Jeff Katzin. The trio foreground their conversation titled, “Against All Odds: Moving In Museums,” with visual artist, Keith Haring's work, which was on exhibit at the time. Using this common ground, they explore how visual artists and choreographers are dancing in and around museum spaces today. http://www.brendanfernandes.ca/https://akronartmuseum.org/https://akronartmuseum.org/media/exhibition/keith-haring-against-all-odds/https://www.nccakron.org/creativeadminresearch

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Brooklyn, New York-based interdisciplinary artist and the artistic director of Renegade Performance Group, André M. Zachery. Zachery is a 2016 New York Foundation for the Arts Gregory Millard Fellow in Choreography and a 2019 Jerome Hill Foundation Fellow in Choreography. As a scholar, he speaks and writes on many topics including Afrofuturism, African Diaspora practices and philosophies, Black cultural aesthetics, technology in art and performance, and expanding the boundaries of art making within the community.http://renegadepg.com

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with two members of the Saint Paul Minnesota-based company BRKFST Dance Company. Lisa “MonaLisa” Berman is the founder and Artistic Director of BRKFST and Joseph "MN Joe" Tran is a founding member of BRKFST and a member of Knuckleheads Cali breaking crew. BRKFST's egalitarian and virtuosic choreographic collaboration is deeply rooted in the Hip Hop adage, "Each One Teach One": regardless of class, race, experience, age or gender, everyone remains both teacher and student. http://brkfstdance.com

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Cleveland, OH-based artist Errin Weaver. Weaver is a choreographer and the Executive Artistic Director of Mojuba! Dance Collective and has created the Emerging Black Choreographers Incubator. Mojuba! Dance Collective (MDC) is an African contemporary dance company and platform dedicated to exploring spiritual and cultural dance traditions of the African Diaspora to restore community wellness, share and validate the Black narrative experience, and reestablish cultural connection. 

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Pittsburgh, PA-based artists, taylor knight & anna thompson who are co-founding artistic directors of slowdanger. Through the process of making each piece, they work with a heightened understanding of energy, synergy, action, gender, time, and storytelling. slowdanger's work has been presented in the US and Canada by venues including the John F. Kennedy Center for the Arts, Springboard Danse Montreal, Carnegie Museum of Art, and Place Des Arts, among others. http://slowdangerslowdanger.com

The Catskill Mountain Foundation's unique production of “A Midsummer Night's Dream” - conceived by former Metropolitan Opera ballerina Victoria Rinaldi, transports the audience to an enchanted wood to witness what hilarity unfolds, when fairies meddle with the love lives of mortals.We are joined by Victoria Rinaldi and Executive Artistic Director of Aquila Theater, Desiree Sanchez.

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with with Philadelphia-based dancer, choreographer, musician, photographer, and writer, Raphael Xavier. Xavier's extensive research in Hip Hop forms and culture, specifically Breaking, has led to the creation of Ground-Core, a Somatic dance technique. Originally from Wilmington, Delaware, Xavier is a 2013 Pew Fellowship Grantee and 2016 Guggenheim Fellow, and Princeton University professor.https://www.raphaelxavier.org/

U Guys, this is a very special episode, as I am joined by Tamela Aldridge, the Executive Artistic Director of the amazing organization, Only Make Believe! Of course I update you on all the latest Bway info in my segment, The BroadwayWorld Recap, brought to you by my wonderful partners at BroadwayWorld.com! Then, we hear from Tamela about the incredible work that her organization does, bringing theater to children in hospitals and care facilities all over the country. Tamela has an extensive background as an actor prior to taking over the leadership position of OMB, and she speaks to her experience of wanting to give back but not knowing how, until she auditioned and was cast in OMB shows. We talk about how integral the arts can be in healing the bodies and minds of young people, and how working with children can be a completely transformative experience as an actor. Visit onlymakebelieve.org to find out more information on ways you can contribute to this beautiful and important work! Learn more about your ad choices. Visit megaphone.fm/adchoices