Podcasts about executive artistic director

Sean Boyd, the Founder and Executive Artistic Director of the Trinity Theater Company, is joined by Connor Boyd, Regional Manager for Trinity Carlsbad, and teen leader Audrey Boull't, to shout out arts education, economic impact and building future leaders. Discover how Trinity's expansion, school partnerships and advocacy for arts funding strengthen local talent pipelines and community engagement. Listen Where You Live!About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" full 637 Wed, 10 Jun 2026 23:57:27 +0000 m3q8VlmfXIChd0Yw1qyKQCEZtxFP9FC6 business CEO Spotlight business Jenni Stewart, Executive & Artistic Director, Shakespeare "More Than Shakespeare in the Park" David Johnson CEO Spotlight 2024 © 2021 Audacy, Inc. Business

Imagine a place that dares to speak truths many are afraid to say. A place that celebrates communities too often forgotten and tells the stories rarely heard.  Dr. Laura Scherck Wittcoff sits down with Raymond O. Caldwell, Artistic Director, and Johannah Maynard Edwards, Managing Director, of The Fountain Theatre — a nonprofit performing arts organization in Hollywood, California, that has been producing bold, socially conscious theater for 35 years. Raymond and Johannah share how they found each other through what Johannah calls a "cosmic poof," how they're navigating the transition from the theater's founding leadership into a new generation, and why they believe cultural institutions must serve as places to practice humanity in a post-pandemic world. From the Living Ticket model that removes price barriers to community dramaturgy that develops new plays inside faith communities and neighborhoods across Los Angeles, this conversation is a masterclass in mission-driven, human-centered arts leadership. Founded in 1990 by Deborah Culver and Stephen Sachs, The Fountain Theatre was created as a creative home for artists from diverse cultural backgrounds. Its mission is to develop and present bold new plays and unique interpretations of established works that reflect the cultural richness and social issues of contemporary Los Angeles and the nation. The Fountain Theatre has built a reputation over more than three decades for producing thought-provoking performances and supporting voices that may not always be heard on traditional stages. The organization is also known for presenting flamenco performances and running educational outreach programs that connect young people and communities to the arts. Johannah Maynard Edwards, Managing Director Prior to joining The Fountain, Johannah served as Executive Artistic Director of the National Women's Theater Festival in Raleigh, North Carolina, where she produced, directed, and championed hundreds of productions by artists of underrepresented genders. A nationally recognized leader in arts accessibility, Johannah received the Kennedy Center's LEAD Award for Emerging Leaders and is Chief Ambassador for PAAL, the Parent Artist Advocacy League. She is passionate about developing new sociopolitical work and fostering equitable, inclusive spaces for artists and audiences alike. Raymond O. Caldwell, Artistic Director Prior to The Fountain, Raymond was the Artistic Director at Washington DC's Theater Alliance for six seasons, where he directed, developed, and produced socially conscious, thought-provoking programming that transformed the region and had a global impact. Under his leadership, Theater Alliance was chosen to lead an American Arts Envoy with the U.S. Department of State. He devised and directed new work with 23 artists and activists from Bangladesh, Nepal, India, and the United States exploring what inclusion, diversity, equity, and accessibility mean on the global stage. Raymond was a faculty member and resident director at Harvard University's Department of Theater Arts, holds an MFA in Acting and New Play Development from Ohio State University, and a BFA in Acting from the University of Florida. Dr. Laura Scherck Wittcoff is the host of Small and Gutsy, a podcast spotlighting nonprofits and social enterprises with budgets under $10 million. Small and Gutsy has been ranked number 8 on Feedspot's Top 30 Social Impact Podcasts and number 3 and number 9 by Million Podcasts for the Top 30 Volunteer Podcasts and Youth Empowerment episodes, respectively. - The founding mission of The Fountain Theatre and its 35-year history of producing socially conscious work - How Raymond and Johannah found each other and transitioned into leadership from the theater's founders - Raymond's personal journey from Germany to the U.S., from actor to artistic director, and the mentor who told him "Don't wait for someone to give you a story — go make your own" - Johannah founded her first nonprofit at age 19 at NYU and her philosophy of not waiting for gatekeepers to open the gate - The creation of "Poetry for the People," a play about poet and activist June Jordan, developed over three years and three iterations with playwright Adrienne Torf - How The Fountain Theatre responds to the cultural moment with every production — from the LA fires to ICE enforcement to the situation in Iran - The pandemic of loneliness and the role of cultural institutions as places to practice humanity - Audience cultivation and the challenge of building new, multigenerational audiences in a distracted digital age - Community dramaturgy — developing new plays inside faith communities and neighborhoods across Los Angeles - The Living Ticket model — transparent pricing that trusts audiences to name what they can pay - The Fountain Voices summer education program connects young people with volunteerism, civic engagement, and playwriting - The expansion into flamenco and classical Indian dance programming - Storytelling as a tool for community building - Emergent strategy and the philosophy of critical connection over critical mass - Moving at the pace of humanity as a leadership philosophy - The reveal that The Fountain Theatre operates with a staff of five HOW TO FIND THE FOUNTAIN THEATRE Website: FountainTheatre.com Follow The Fountain Theatre on social media for upcoming productions, events, and community programming. HOW TO CONNECT WITH SMALL & GUTSY Website: SmallandGutsy.org Email: Laura@SmallandGutsy.org Know a nonprofit or social enterprise doing incredible work? Send them our way.

Today for KPFA Radio's Women's Magazine, we  celebrate Pride month by talking about some of the films I recommend that are showing  at the   the San Francisco International LGBTQ+ Film Festival, hosted by Frameline.  Frameline  was founded in 1977 and is the longest-running, largest, and most widely recognized queer film exhibition in the world so this year marks 50 years of Frameline films.  The films run from June 17th thru June 27th and are shown in both SF and the East Bay. We talk to Allegra Madsen,  the director of SF Frameline.    And then Lisa Dettmer  talks to Cheri Gaulke about her new documentary “Acting Like Women” which looks at the Art, activism, and female-powered performance burst onto the scene in 1970s Los Angeles, forming a tight-knit and transformative creative community. Centered around the early days of the Woman's Building, these artists explored the body, gender, and identity — challenging the entrenched sexism of the art world while forging groundbreaking new modes of expression that would influence generations to come. We also  talk to Sasha Water, director of the new documentary Mary Oliver: Saved by the Beauty of the World which  weaves Oliver's own words through rare archival materials and candid reflections from those who knew and admired her, including John Waters, Stephen Colbert, and Oprah Winfrey. From her formative years marked by hardship to her quiet life in Provincetown with her longtime partner, the film traces the journey of a poet who found salvation in attention — to nature, to language, and to love. Tender, contemplative, and deeply human, this documentary invites us not only to understand Mary Oliver's life, but to reflect on our own. Then we talk to two of the women behind the Queer Women of Color Film Festival,  managing director Kebo Drew and founding Executive/Artistic Director of QWOCMAP, Madeleine Lim. The QWOCFF features 49 films across seven curated screenings at San Francisco's historic Presidio Theatre. It includes  Filmmaker Q&As and  community celebrations among other events. Every screening is  fully accessible with open captions, audio description, and ASL interpretation. For 22 years, QWOCFF has been where LBTQIA+ BIPOC filmmakers bring their work showing  films  from across continents and generations. The in person festival is June 12-14 at the Presidio Theatre, 99 Moraga Avenue, San Francisco.   And lastly Judith Masur  will remember lesbian feminist disability justice activist Jill Lessing who died last month at 83.    The post SF Frameline, QWOCMAP and remembering Jill Lessing appeared first on KPFA.

Vanessa Becker Weig, co-founder and Executive Artistic Director of Voices Amplified, and Rylie Sudduth, rising senior at the University of Evansville and Associate Producer, discuss the ambitious first Voices Heard Women's Theatre Festival in Lexington, themed “Reclamation.” Vanessa explains the festival's origins, its mission to reclaim and amplify women's stories, and provides an in-depth look at events including the comedic musical Disenchanted, the multicultural TikTok Short Play Festival, and the workshopping of Borden, a new musical centered on Lizzie and Emma Borden. She details community partnerships, the festival's inclusive approach, and the importance of local engagement to the festival's sustainability. Rylie  shares her own journey from Girl Project participant to assistant director, reflecting on the empowering impact of combining theater with activism and the challenges and rewards of collaborative, non-profit theater making. Both guests highlight the vital role of the arts as agents of change, and the unique energy, connection, and joy sparked by this bold new festival.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Jeremiah Miller, Executive Artistic Director of Lancaster Shakespeare Theatre, returns to discuss the company's upcoming production of Henry IV, Part 1, opening on the 22nd. Following last fall's Vietnam-era drama Streamers, the theatre shifts back to Shakespeare with an exciting and unconventional take. Featuring direction by Shakespeare scholar Dr. Justin Hopkins and starring acclaimed local actress Elizabeth Pattey as Falstaff—a role traditionally played by men—this bold casting choice brings fresh perspective to one of Shakespeare's most iconic characters. This conversation explores the creative vision behind the production and what audiences can expect from this innovative staging.Sydney Ernst, Museum Director at the Cumberland County Historical Society, shares details about the upcoming exhibition Freedom to Be: LGBTQ+ Journeys in the American Story. Opening May 1, 2026, at the History On High Museum in Carlisle, the exhibit highlights LGBTQ+ experiences within the broader American narrative. On view through June 20, these timely and impactful installation invites visitors to explore stories of identity, resilience, and history.

Running an arts organization is hard, but tackling a $1 million deficit is a different level of challenge. In this episode, Aubrey Bergauer sits down with Vanessa Morosco, Executive Artistic Director of the American Shakespeare Center (ASC), to discuss how they orchestrated a massive financial turnaround. Learn the tactical steps taken to integrate marketing and development departments, the nuances of managing board expectations during a crisis, and the importance of viewing transactions as human behavior. Whether you work for a theater, a symphony, or a museum, this case study offers a roadmap for moving from financial scarcity to a balanced, sustainable future.Subscribe for more case studies and arts management insights.Reserve your free seat for this Audience Growth Masterclass right now by going to www.aubreybergauer.com/masterclass.Sponsors:Bolero: https://hellobolero.com/changingthenarrativeEvolvArts: https://evolvarts.com/Morreale Digital: https://morreale.ca/podcast

In many homes, neurodivergence isn't just an individual trait — it's a family affair. It's a genetic thread weaving through the fabric of generations, from grandchildren to grandparents. For some parents, those differences are familiar. For others, a child's diagnosis becomes a mirror — revealing traits they've carried all along. Like son, like father.When all or most of the household reads from the neurodivergent playbook, traditional “how-to” guides for family life often get shelved. But families can find strength in shared experience — whether it's “been there, done that” parenting or a grandparent guiding a child through terrain they know well.On this episode, we visit Georgia to meet the Carlton family, where neurodivergence is a shared landscape navigated across three generations. Our panel of national experts explores strategies for harmonizing life in a neuro-inclusive home. And we meet our latest Difference Maker, Aubrie Therrien, Executive Artistic Director of EPIC Players, who is creating professional stages where neurodivergent talent shines.

Get your dancing shoes ready - Bill Horan talks with Nicole Loizides Albruzzese, the Executive Artistic Director of New York Dance Theatre and the affiliated Ohman School of Ballet. She is also the Executive Producer of the Gold Coast Dance Festival.

When Randy Kramer left New York City to return to his home town, he couldn't possibly have known that he would some day be the Executive Artistic Director of a theatrical company in residence at one of the most treasured venues in Buffalo: Shea's 710 Theatre. Although his performance interests began with studying to be a professional pianist, he developed a love for musical theater and a skill set that resulted in marked successes composing, directing, and producing quality shows for the devoted and growing audiences at MusicalFare, his highly respected company. In this fascinating interview, he looks back at his first year downtown, and he looks ahead at what might still be!

Join us for a conversation with Executive Artistic Director, Lara Marsh and Board President, Nic Jansen!  We attended the Omaha Fringe Fest Lottery Drawing event, "Coffee and Connections" on March 14th at Blackstone Theater and spoke to some of the winners, alternates and sat down with both Lara and Nic.  Now that the line-up is chosen, the Omaha Fringe Button Contest has begun, as well as applications for technical positions (Stage manager, Lighting Designer/Board Operator, Box Office manager and Sound Board Operators.  Applications for both the Button Contest and Technical positions will close on April 18th.  Omaha Fringe Festival is always looking for volunteers too, so check out their website to sign up! The theme for this years' festival was also announced and is "Proud to be US" We also spoke with these Fringe Fest Lottery Winners and Alternate Winners!   Patrick Kilcoyne, "Fill The Glass" Addison Franklin with $1.25 Productions, "I Plead the August 5th" Timothy Mantil, "The Friend I Grew Old With" Julian Adair, Ever After Productions "A Suite for Small Spaces Part 3" There's so much exciting art being made for the 2026 Omaha Fringe Festival!  Get your tickets now! Tickets and Website: https://omahafringe.org Fringe Festival Dates: August 6-9, 2026 at UNO, Blackstone and Shelterbelt Theatre HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or our website:  https://platteriverbard.com or anywhere you get your podcasts. Also find annual events, theatre resources and news on our website https://platteriverbard.com. Send your Press Releases to be added to our news site. No annoying ads or popups! We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Please share, follow us on social media and subscribe!

In this episode, Mark talks with Mara Lieberman about Bated Breath Theatre Company's newest immersive production, Dirty Books, and the evolving world of immersive theatre. Lieberman has served as the company's Executive Artistic Director since 2012, directing and co-writing all of its productions, including Voyeur: The Windows of Toulouse-Lautrec, Chasing Andy Warhol, Unmaking Toulouse-Lautrec, Beneath the Gavel, Freedom: In 3 Acts, The Pride of Christopher Street, and Wild Things. Their conversation explores the creative process behind Dirty Books, an immersive experience inspired by the true stories of 1960s erotic fiction writers who worked under the shadow of America's anti-obscenity laws, inviting audiences into a world of secret bookstores, banned novels, and underground desire where the audience helps craft the story itself. Learn more at maralieberman.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this deep, wide-ranging conversation, host Tom Alverez sits down with acclaimed Indianapolis actor and arts leader Ryan Artzberger to explore a life shaped by theater, family, and community impact.From the Midwest to Juilliard (and Back Again)Ryan shares his journey from growing up in Cleveland to studying at Juilliard, encouraged by a tough-love professor who saw his raw talent. After graduating in the mid-90s, he chased work in New York—waiting tables, walking miles to jobs, soaking up the city's creative energy—before finding long-term artistic roots in Indianapolis.A Pillar of Indiana Repertory TheatreRyan reflects on nearly three decades with the Indiana Repertory Theatre, including 63 productions and 23 performances of A Christmas Carol. He talks about standout roles (especially John Proctor in The Crucible), working with renowned directors, and how IRT became his artistic home.Acting Philosophy: Truth Over TricksRather than forcing emotions, Ryan believes in surrendering to the moment—embracing the unexpected, letting chaos create authenticity, and trusting impulse. Whether on stage or on camera, his approach centers on honesty, listening, and humanity.New York vs. IndianapolisThough he once thought he'd “die in Brooklyn,” Ryan explains how Indianapolis became the home he never knew he wanted—offering balance, family life, and a vibrant (often underrated) talent pool.Indy Shakes & Shakespeare for EveryoneNow Executive Artistic Director of Indy Shakes, Ryan discusses free Shakespeare in the Park at the Taggart Memorial Amphitheater in Riverside Park. He breaks down the $9M restoration project, the picnic-friendly, come-as-you-are vibe, and why Shakespeare was never meant to be elitist.Equity, Access & Community EngagementA major focus of the conversation is inclusion—expanding opportunities for artists of color, building partnerships with Latino and Riverside neighborhoods, creating internships and apprenticeships, and rethinking who theater is for. Ryan is passionate about making Shakespeare reflect the full community.What's Next: “ADO” at the Phoenix TheatreRyan previews “ADO” (Feb 12–March 1), a new commissioned play by Lavina Giovanni that reclaims Much Ado About Nothing—giving Hero voice, agency, and a story beyond her public shaming. Tickets start at $17.Family, Fulfillment & LegacyRyan opens up about his wife Marina, their two grown children, and choosing meaningful work over chasing fame. His definition of success? Great work, strong community, and stories that matter.Final NoteThis episode is a thoughtful, passionate look at how theater can be a refuge, a mirror, and a bridge—and how one artist is helping make Indianapolis a more inclusive, world-class arts city.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Jenni Werner joins us for Conversations Between the Coasts. Jenni is Executive Artistic Director of The New Harmony Project, an arts organization that has been fostering new works for stage and screen in Indiana for nearly 40 years. In May of this year, the organization had a $40,000 grant terminated by the National Endowment for the Arts. We'll talk with Jenni about what the Project does, what a dramaturg is, and how their organization is moving forward.Also in this episode: Diane Huston—owner of Gallery 112 in Farmland—tells us about their upcoming juried show "Dumpster Visions: the art of discard."

Send us a textInlet Dance Theatre is a modern dance company in Cleveland, founded in 2001 by our guest, Bill Wade, a renowned dancer and choreographer who uses the power of dance to further people and explore human, societal, and environmental issues through movement. Located within the Pivot Center for Art, Dance and Expression on West 25th Street in Cleveland, Inlet's Dance Studio is called The Estuary, reflecting the company's nature-based and sustainability themes. Inlet's mission aligns with the United Nations' Sustainable Development Goals, which promote health and well-being, quality education, equality, and sustainable cities. Deeply rooted in Cleveland, Inlet is helping nurture and grow the next generation of artists by offering free dance classes in public schools and other community programs. Bill explains that talent is everywhere, but access to developing that talent is not. He started Inlet to expose urban youth to the power of the arts and provide opportunities, mentorship, and creative expression to individuals who might otherwise lack access. The connection between dance and sustainability may seem unexpected, but the arts are universally relatable and offer a unique opportunity to promote environmental awareness. "Don't put on stage what is. Put on stage what could be," Wade says, capturing how art contributes to sustainability by envisioning possibilities rather than dwelling on problems. In a world facing climate change and social inequities, Inlet Dance Theater reminds us that sustainability isn't just technical solutions – it requires creative spaces where we can collectively imagine and embody more hopeful futures.Enjoy this episode of Eco Speaks CLE as Bill describes his work, his creative process, some of the pieces in his repertoire, his love of Cleveland and its youth, and upcoming appearances for his company. Guest: Bill Wade, Founder and Executive/Artistic Director of Inlet Dance Theatre Resources:About Inlet Dance Theatre and Upcoming PerformancesEducation and Community Programs Cain Park Annual Performance and Calendar of EventsAim2Flourish and The Lavender ProjectFollow us: https://www.facebook.com/ecospeaksclehttps://www.instagram.com/ecospeakscleContact us:hello@ecospeakscle.com

This week on the podcast is part two  of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  ​The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/

This week on Pod Have Mercy, we welcome Jayme McGhan and Andy Pederson from A.D. Players at the George Theatre for a powerful conversation on art, faith, and moral courage.Jayme, the Executive Artistic Director and an accomplished playwright and educator, and Andy, the Education & Theater for Young Audiences Director, join us to discuss their new stage production: How to Die: The Life of Dietrich Bonhoeffer. This original play explores the life of the German pastor and theologian who boldly stood against the Nazi regime—even when it cost him everything.We dig deep into questions like:

This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director.  The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow.  Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships.  This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media!  https://www.ragamaladance.org/

I don't really produce plays. There are many other organizations that are wonderful at producing plays, and I'm not interested in someone coming in that's completely done and all they're really looking for is financial support. I don't work like that. What most excites me is when I meet with an artist who would love to do a site-specific piece, and in whatever form it might take whether it be outdoors or indoors, in a car, in an elevator, on a roof or wherever it could be. They see a necessity for why En Garde and no one else. Anne Hamburger (she/her) Founded En Garde Arts in 1985. As its Executive Artistic Director, she is responsible for pioneering site-specific theatre in New York, using its streets and historic landmarks as her stage.

Playwright Brigid Amos sits down with Timothy Scholl, the Executive Artistic Director of Angels Theatre Company, to discuss what is dramaturgy, how did it start and what role does it play in live theater.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:Timothy W. Scholl is a director, dramaturg, and scholar by avocation and an academic administrator by vocation.  As a theatre artist he specializes in new play development, dramaturgy, directing, German theatre history, and dense 18th Century German playwrights. He serves as the Executive Artistic Director for Angels Theatre Company in Lincoln where he also manages the Salon Reading Series.  Selected Directing credits include I Carry Your Heart With Me, Predictor, This Mortal Life Also, Losing the Ring in the River, Killing Crazy, Two Suits, Trailing Colors, and Rosencrantz and Guildenstern Are Dead, for which he received a Santa Barbara Independent Award.  Timothy specializes in German Theatre and Drama with a particular emphasis on the production of the German Classics (Deutches Klassiker) in Berlin after 1945.   He currently works as an academic administrator at Purdue University Global.  He was trained at the University of Evansville, the University of Nebraska-Lincoln, and the University of California Santa Barbara.Angels Theatre Companyhttps://angelscompany.org/Gotthold Ephraim Lessinghttps://en.wikipedia.org/wiki/Gotthold_Ephraim_LessingHamburg Dramaturgyhttps://en.wikipedia.org/wiki/Hamburg_DramaturgyCome From Awayhttps://en.wikipedia.org/wiki/Come_from_AwayHedda Gablerhttps://en.wikipedia.org/wiki/Hedda_GablerDianne Weisthttps://en.wikipedia.org/wiki/Dianne_WiestYale Repertoryhttps://en.wikipedia.org/wiki/Yale_Repertory_TheatreHenrik Ibsenhttps://en.wikipedia.org/wiki/Henrik_IbsenThe Wild Duckhttps://en.wikipedia.org/wiki/The_Wild_DuckBackwards and Forwards by David Ballhttps://www.amazon.com/Backwards-Forwards-Technical-Manual-Reading/dp/0809311100Arthur Millerhttps://en.wikipedia.org/wiki/Arthur_MillerAll My Sonshttps://en.wikipedia.org/wiki/All_My_SonsTom Stoppardhttps://en.wikipedia.org/wiki/Tom_StoppardSarah Ruhlhttps://en.wikipedia.org/wiki/Sarah_RuhlNaomi Wallacehttps://en.wikipedia.org/wiki/Naomi_WallaceJennifer Blackmerhttps://www.jenniferblackmer.com/

Shonica Gooden (Hamilton Broadway's Woman 4) first joined Hamilton in December of 2015, just in time for the full on Hamilton madness with the original cast, including that legendary trip to the White House. Shonica reflects on over ten years of Hamilton, explaining how her life experiences (being a mother, experiencing a pandemic, the rise of the Black Lives Matter movement) have changed her approach to the show. But guess what? She still looooooves it. She loves and respects all the time it took to really get it right and as Shonica says, "they didn't microwave it." Shonica also talks about being a founding member and the Executive Artistic Director of the Black Artists Dance Collective, an alliance of Black dance professionals who vow to uplift, support, inspire, and empower Atlanta's Black dance community.  Shonica on Instagram The Black Artists Dance Collective Mutha Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

The Moneywise Radio Show and Podcast Wednesday, March 5th BE MONEYWISE. Moneywise Wealth Management I "The Moneywise Guys" podcast call: 661-847-1000 text in anytime: 661-396-1000 website: www.MoneywiseGuys.com facebook: Moneywise_Wealth_Management instagram: MoneywiseWealthManagement Guest: Erica Ueberroth, Executive Artistic Director at the Civic Dance Center Civic_Dance_Center Facebook Bakersfield_City_Ballet  Instagram

Ron Wilbur, ACTivate Music Director, the professional performing arts training program for high school and middle school aged children that is part of the broader organization Voices Amplified, a collective dedicated to empowering artists and creating equitable spaces in arts education and theater performance, is proud to present Make Them Hear You, a musical theater cabaret series that celebrates the extraordinary contributions of African American artists through powerful performances of songs and spoken word.  "Make Them Hear You is a vibrant tapestry of artistry and resilience,” says director, Ron Wilbur. “Through every note sung and every word spoken, we illuminate the boundless beauty and depth of Black artistic expression, inviting our community into a shared celebration of unity, empowerment, and the transformative power of storytelling."Ron is a native of Atlanta Georgia, and he studied at University of Kentucky, focusing on vocal music education.While studying there, he broadened his knowledge, diversely, in many areas of music, ranging from classroom management to effective stylings of vocal jazz. Mr. Wilbur has had the opportunity to perform several titular characters such as: Sweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd), Ragtime (Colehouse Walker, Jr.) and The Wiz (Lion). Ron was also a featured vocalist on NBC's hit television series, “The Sing-Off” (Season 4) with the University of Kentucky “acoUstiKats.”​Vanessa Becker Weig is Co-Founder and Executive Artistic Director of Voices Amplified (formerly known as The Girl Project) and is on the Part-Time Music and Theatre Faculty at Eastern Kentucky University. She trained at the professional actor B.F.A. training program at Wright State University in Dayton, Ohio and most recently trained with Anne Bogart and the SITI Company at their summer institute through Skidmore College.  She has over 100 directing, choreography, and performance credits. Since moving to Lexington 15 years ago, she has directed or choreographed numerous productions for Voices Amplified, Woodford Theatre,  Leeds Center for the Arts. the School for the Creative and Performing Arts,, and many more including several award-winning productions for the Itheatrics Junior Theatre Festival in Atlanta. She was the Education Director for Woodford Theatre from 2015-2019 founding the Woodofrd Theatre Young Artist Program, and served as Artistic Director for the theatre in 2019 and 2020. Prior to moving to Lexington, Vanessa served for ten years as the Education Director and Resident Director/Actor for the Phoenix Theatre (now CATCO). At the Phoenix, she directed, choreographed, and appeared in more than fifty productions and designed and implemented classes, camps, workshops, and in-school residencies. Vanessa specializes in movement theatre and theatre styles such as Kabuki, Commedia Del ‘Arte, Laban, Puppets and Masks, and Musical Theatre.  She was in the regional tour of the musical The Secret Garden, which incorporated both deaf and hearing actors and won several Central Ohio artistic excellence awards. Vanessa is a proud recipient of a Bluegrass Alliance for Women Impact Award and the prestigious Freddie G Fellowship from Music Theatre International. When she has a spare moment, Mrs. Weig appears on stage. Some of her favorite local roles include Gynecia in Head Over Heels with Voices Amplified, Morticia in The Addams Family with Leeds Theatre,  Paulette in Legally Blonde with KCT Summerfest, Madame De La Grande Bouche in Beauty and the Beast and The Warden in Holes with Lexington Children's Theatre.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

Lance Gardner,  Artistic Director of Marin Theatre since October, 2023, in conversation with host Richard Wolinsky. A long-tme Bay Area actor, Lance Gardner came to Marin Theatre after a stint as a live event producer at KQED, and as Chair of the Board of Aurora Theatre. In this interview, he discusses the theatre's fiscal health, how he hopes to increase the audience, along with details of the various upcoming shows. Lance Gardner has earned dozens of theatre credits over the last 20 years, including six mainstage shows and a school tour at Marin Theatre Company. He has also performed in multiple shows at Berkeley Repertory Theatre, California Shakespeare Theater, Magic Theatre, TheatreWorks, and more. The post Lance Gardner, Executive Artistic Director of Marin Theatre appeared first on KPFA.

In this College Deep Dive Rick Walters, the Executive Artistic Director for Viterbo University and Charlie Murphy, MTCA Director discuss:

Coeur d'Alene Summer Theatre joins us in the studio for the first time since 2019! Executive Artistic Director, Chuck Ethridge, and Director of Education, Shoshana Rubli, catch us up on the company, its mission, and its future goals. Listen to our conversation about what it takes to operate a summer theatre year-round, their ambitious Musical Theatre Training Institute, and how they pick their seasons.

Send your questions or provocations to Adam or Budi here!Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky's transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton's I Am Delivered't (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford's Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company's production of Vivian Barnes, Jonathan Norton and Gab Reisman's Are You There? Robert's original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin's Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH). Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle's Sovereignty, John Strand's The Originalist, Katori Hall's Blood Quilt, Karen Zacarías' Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.  Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Katie checks in with founder, and Executive Artistic Director, of the Jewish Plays Project, David Winitsky.

Welcome to award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique areas of Texas. This week Tom welcomes Mark Haufler, Chairman of the Board of Directors of the Hill Country Youth Orchestras and Patricia Lee, Executive Artistic Director.   The Hill Country Youth Orchestras been serving young musicians in the Hill Country area since 1987. Initially starting as a small organization in one town with just 50-60 students, it has grown to include three locations and ten orchestra levels, serving 150-220 students, in a tuition-free each year. The program, praised for fostering discipline and teamwork through music, has helped students flourish locally and internationally. Lee discusses her journey from conductor to director, to Executive Artistic Director. Haufler, shared his non-musical but passionate journey in supporting the organization. The conversation also highlights the orchestra's breadth across different locations like Kerrville, Boerne, and Fredericksburg, each offering unique opportunities for student musicians. They discussed the upcoming annual High Tea fundraiser at the Museum of Western Art on October 19. This unique event, famous in Kerr County, combines Western and English culture, featuring activities like bingo and showcasing student performances. Both Patricia and Mark highlight their enthusiasm for the event and encourage participation. The episode serves as both an insight into the cultural and educational impacts of the Hill Country Youth Orchestras and as a call to support their mission through the High Tea event. Key Highlights ·      History and Growth of Hill Country Youth Orchestras ·      Roles and Contributions of Key Members ·      Impact on Students and Community ·      Expansion to Other Locations ·      Annual High Tea Fundraiser Resources Hill Country Youth Orchestra High Tea Tickets Other Hill Country Focused Podcasts Hill Country Authors Podcast Hill Country Artists Podcast

Discover the power of theater to transform communities with our special guest, Mino Lora, the Executive Artistic Director of the People's Theater Project (PTP). Listen in as Mino shares the riveting story of how PTP was born from a master's thesis in peace studies and conflict transformation into a beacon of artistic expression for New York City's immigrant community. Learn about the diverse initiatives that PTP spearheads, from professional productions featuring immigrant artists to community-based shows that highlight local talent, and a robust playwrights unit fostering new works.Get an inside look at the journey from volunteer-based beginnings to establishing the largest performing arts nonprofit in upper Manhattan. Mino discusses the vital role of comprehensive education programs aimed at empowering young immigrants through theater, and the strategic partnerships with schools and community centers that amplify their impact. We explore the multifaceted roles involved in running PTP, from fundraising and staff management to government relations and production, giving you a glimpse into the dynamic nature of nonprofit arts administration.Celebrate the incredible impact PTP has had over the past 15 years as Mino reflects on the transformative power of theater and advocacy. Hear heartfelt stories of young participants who have grown into staff members, illustrating the deep roots and community bonds PTP has nurtured. Mino also opens up about the challenges of balancing professional responsibilities with personal life, particularly as a mother, and the importance of advocating for fair wages and equitable compensation in the nonprofit sector. This episode is a testament to the passion and dedication driving PTP's mission to uplift and support the immigrant community through the arts.For more #CareerCheatCode, visit linktr.ee/careercheatcode & make sure you subscribe and follow us across all platforms. Let's make an impact, one episode at a time! Host - Radhy Miranda LinkedIn Instagram Producer - Gary Batista LinkedIn Instagram To watch on YouTube Follow us on our YouTube Clips ChannelFollow us on Instagram Follow us on TikTok Follow us on LinkedIn

Ever wondered how a childhood passion for theater can transform into a cornerstone of a community's cultural life? Or how a converted chicken coop and Jazzercise headquarters can pave the way for a thriving arts center? Join us for episode 127 of "Carlsbad: People, Purpose and Impact," where we sit down with the inspiring Kristianne Kurner, Founder and Executive Artistic Director of New Village Arts.In this episode, Kristianne takes us on a journey from her nomadic upbringing as a Marine Corps kid to her professional theater training at William and Mary and the Actor's Studio Drama School. Discover how her relentless passion led to the founding of New Village Arts in 2001 and the incredible evolution of the arts center over the years.We'll delve into the challenges and triumphs of establishing New Village Arts, including securing a permanent home in downtown Carlsbad and the recent renovation that transformed it into the Dea Hurston New Village Arts Center. Get a sneak peek into the diverse and exciting productions lined up for the current season, from the 1970s jukebox musical "8-Track" to the transformative "La Havana Madrid."Kristianne also opens up about the financial hurdles faced by nonprofit theaters, especially in today's climate, and the crucial role of community support. Find out how you can make a difference by attending performances, donating, or even joining the board.Tune in and get inspired by Kristianne Kurner's incredible journey and unwavering dedication to the arts!Kristianne Kurner's Bio:Kristianne founded New Village Arts in 2001, and she has grown the organization from a starting budget of $2,500 with two employees to a current budget of $1.6 million with over 20 employees. Trained as an actor and director, she has worked on every NVA theatrical production. Her directing credits include Awake & Sing! The Weir, The Trip to Bountiful, True West, Sailorʼs Song, The Waverly Gallery, A Lie of the Mind, and the premiere outside of Broadway and London of Jez Butterworthʼs The Ferryman. Her work has received numerous awards, including San Diego Theatre Critics Circle and KPBS Awards for Theatre Excellence. She is the recipient of the Clare Rose Sabbatical Award from Fieldstone Leadership Network and serves on the Board of the Carlsbad Chamber of Commerce. Education: BFA Theatre, College of William & Mary; MFA Acting, the Actors Studio/New SchoolFor more information and to support New Village Arts, visit newvillagearts.orgStay connected with us on Instagram and Facebook and LinkedIn at New Village Arts. Did this episode have a special impact on you? Share how it impacted youCarlsbad Podcast Social Links:LinkedInInstagramFacebookXYouTubeSponsor: This show is sponsored and produced by DifMix Productions. To learn more about starting your own podcast, visit www.DifMix.com/podcastingDon't forget to check out Caring Transitions at www.CaringTransitions.com!

We had the opportunity to interview Tyson Kaup, the Executive Artistic Director of Walla Walla Summer Theater, a non-profit theater company in its second season. Tyson, an accomplished actor, director, and producer, grew up in the Walla Walla area and moved to New York at the age of 20. After many years of success in the city and starting a family, he decided to return to his roots. Tyson's goal is to establish a world-class, professional summer theater organization and training program. Ali, Kristin, and I were thrilled to attend their impressive production of Beauty and the Beast, featuring our very own Elaina Dejong from Coeur d'Alene. The show was presented as a fundraiser for the restoration and ongoing support of the Fort Walla Walla Amphitheater, a 1500-seat outdoor venue that will serve as the future home of Walla Walla Summer Theater. Stay tuned to hear more from Tyson about the essential qualities he believes are important for success in the theater industry. For more information visit wallawallasummertheater.org or @wallawallasummertheater

It's Directors Roundtable in Lincoln! We talk with Timothy W. Scholl, Executive Artistic Director of Angels Theatre Company, Morrie Enders with the Lincoln Community Playhouse, and Jamie Bullins, who is a longtime Director, Associate Professor of Theatre at the Johnny Carson School of Theatre and Film at UNL, and also part of the Staff of the Angels Theatre Company's Playwriting Collective.  We love the chemistry and commodorie of these three Directors.  They all come from different perspectives, and the theatres in which they work offer our arts community different types of plays each year. Join us for this fun conversation as we enjoy the conversation of Directing Theatre!  HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.    

Please join us in this special conversation with José Eduardo González y Salazar, Executive Artistic Director of Milagro Theater (as known as Miracle Theatre Group).  José speaks about his personal and professional journey to founding Milagro in 1985 with his wife, Dañel Malán-González.  He speaks about the importance of art that serves as a mirror, showing us who we are and what and who is around us.  He talks about the artist in all of us and the healing power of art.Support the Show.

Rivka and Frank are joined by theater educator, author, and Executive Artistic Director of Celebration Barn, David Bruin, to discuss the 2011 finance drama Margin Call. The film, which takes place at a fictional investment firm at the start of the 2008 financial crisis, is a fascinating look into the toxic work of finance. They talk about the ins-and-outs of the subprime mortgage crisis, the twisted pathology of finance bros, and how when the ultrarich play games the only losers are the people not playing. CeasefireToday.com Celebration Barn For next week's movie, we'll be watching the 2014 jazz drama Whiplash. 

Send us a Text Message.Thanks for joining us. In this episode we speak with:Abby Bland, Kansas City Poet & Performer. https://www.abbyblandpoetry.com/Sidonie Garrett, Executive Artistic Director, Heart of America Shakespeare Festival. Julius Caesar, Southmoreland Park, June 11-30, 2024. https://kcshakes.org/juliuscaesar/ Our MUST SEE KC picks are:Heartland Men's Chorus Presents 'RISE UP' at The Folly Theater. June 15-16, 2024. More info at https://hmckc.org/summer/Donny Osmond Presented by Kauffman Center for the Performing Arts. June 11, 2024. Get tickets at https://tickets.kauffmancenter.org/osmond.KC Fringe Festival. July 12-28, 2024. Tickets & Info at https://kcfringe.org/This show is hosted and produced by Tess Koppelman and Jamie Campbell. Our Executive Producer is Nathan Gwartney. Our Audio Engineer is Paul Vedros. Episodes are mixed and edited by Thomas Newby who also composed our theme music.If you have something you would like featured on our show reach out to us through our social media.Follow Us On:InstagramFacebookYouTubeWebsite

Join us as we explore Butler University's Department of Dance, with Larry Attaway, who serves as Chair and Executive Artistic Director. Consistently ranked as one of the top five collegiate ballet programs in the U.S., Mr. Attaway fills us in on its diverse study options—including a dedicated teaching track—as well as the exciting performance opportunities that shape aspiring dancers into professionals. We also discussed the audition process, reviewing what prospective students need to do for consideration for the program, as well as the diverse career paths pursued by Butler's graduates, offering a comprehensive look at potential opportunities awaiting aspiring dancers.  Links: Butler University School of Dance Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Phoenix, Arizona-based artist and activist Ruby Morales. Morales describes her work as that of a ‘dance artivist,' where she investigates culturally informed teaching methods, circular leadership models, and her relationship with movement as a bgirl and in Mexican style cumbia. She is the recipient of many awards and fellowships, most recently, she was honored by the Association of Performing Arts Professionals with the Spark of Change Award.

In this episode, NCCAkron's Executive/Artistic Director, Christy Bolingbroke enters the 'studio' with Chicago Illinois-based, The Era Footwork Crew members Sterling “Steelo” Lofton and Brandon “Chief Manny” Calhoun. The Era Footwork Crew are pioneers of the battle dance known as Chicago footwork. They have performed from Japan to Peru, performing and choreographing alongside leading artists such as Chance the Rapper, DJ Rashad, DJ Spinn, and Theaster Gates. The Eras work has been in short documentaries by VICE, the Canadian Broadcast Company, and the Chicago Tribune.

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you. Even though, Black History Month is over on the calendar - we should live a life where we strive to learn more and more about our history and the heroes of our communities today.    "GO WHERE YOU ARE ADORED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 83

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you.    "GO WHERE YOU ARE LOVED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 82 Jonathan McCrory's Website National Black Theatre SUBMIT A QUESTION FOR “STRAIGHT FACTS”! PRACTICE LOVING KINDNESS MEDITATION FIND A THERAPIST.   _______   EVERYTHING YOU NEED IS HERE! ⬅️ click that Rate + Review on Apple Podcasts. ⬅️ click that     And as always, "Thank you for your support…"  (said exactly like the 80s Bartles and Jaymes commercials)   xoxo MeMe *****************See omnystudio.com/listener for privacy information.

Marcie (Turstlick) Bramucci remembers the initial impact Summer Stage had on her life as she experienced a 1987 performance of Joseph and the Amazing Technicolor Dreamcoat. She joined the program when she was age-eligible, participating in the Apprentice Program, Children's Theater, and Mainstage. Her academic career took her to Point Park College before earning Master's Degrees from Villanova University and Columbia University. Marcie worked in media on both coasts before settling back in Delaware County. She is currently the Executive Artistic Director of Hedgerow Theatre Company in Rose Valley where she produces, directs, and performs. I hope you enjoy our conversation, so come along and have some fun. . .Hedgerow Theatre Company https://www.hedgerowtheatre.org/Marcie's professional website https://www.marciebramucci.com/We all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein. Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releasesPlease follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com.You must have a desktop or laptop computer running the latest version of the Google Chrome browser. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, BlueTooth ones are not 100% reliable, so see if you can borrow wired ones. Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Harry Dietzler is the Executive Director of the UDAEF. If you are able to support Summer Stage financially, please visit udsummerstage.org to find out more.

Christy Bolingbroke, Executive / Artistic Director of the National Center for Choreography - Akron, hosts this episode focused on the the relationships of choreographic practice and various technologies. Referenced in this episode are works by David Parsons, David Rousseve, Compagnie Kafig, Rennie Harris/Puremovement American Street Dance Theater, and Ragamala Dance Company.Jacob's Pillow Dance InteractiveDavid Parsons CaughtDavid Rousseve/REALITY Stardust

In this episode, Focus On Your Audience, we sit down with Sidonie Garrett, Executive Artistic Director at Heart of America Shakespeare Festival.  Sidonie dives into how preparation and presence go hand-in-hand, highlighting how she finds success in honing her story when captivating an audience. Be inspired by her mission, vision, and hard work in helping the performing arts flourish in Kansas City.  Jen Vellenga and Jennifer Rettele-Thomas are the co-founders of Voice First World®, a communication and leadership coaching company.  They train executives and leaders on the Presence Paradigm™, a communication technique created from Jen V's decades of training actors to perform authentically with stage presence. If you want to learn more about how to speak confidently, book a discovery call at www.voicefirstworld.com/chat. Theatre Alliance KC  ArtsKC GO

Nathan Kessler-Jeffrey  is Executive Artistic Director of the San Juan Community Theatre and has been teaching, directing, and acting in theatres, colleges, and high schools for over two decades. He holds an MFA in Directing from Rutgers University, and his teaching specialties include directing, acting, stage combat, and rehearsal techniques. He is the former Education and Outreach Director for Taproot Theatre Company in Seattle, and has been a guest instructor at high schools, colleges, and universities.Nathan's directing work includes productions for San Juan Community Theatre, Taproot Theatre Company, Driftwood Players, A Contemporary Theatre, American Globe Theatre, Abilene Shakespeare Festival, Transparent Storytellers Theatre, and the Seattle Play Series. In January of 2018, he joined San Juan Community Theatre as Executive Artistic Director and now divides his time between directing, acting, teaching, and leading SJCT's team of staff and volunteers. 

On today's episode, host J.P. Der Boghossian talks with New York Times Modern Love contributor Suzette Mullen about her upcoming book The Only Way Through Is Out. Then, a conversation with Minnesota author Gary Eldon Peter about his novel The Complicated Calculus and Cows of Carl Paulsen. After which, J.P. speaks with the new Executive Artistic Director at Park Square Theater Stephen DiMenna about his role and vision for Park Square. Plus. Plus, ring in the new year with the Minnesota Orchestra and their new LGTBQ Conductor: Thomas Sondergard!Support the show

Our guest for this episode is MOXIE Theatre's Executive Artistic Director, Desireé Clarke Miller who shares her coming into this role and following the company's mission while in her new tenor aiming to continue presenting diverse and honest images of women+ onstage. She also shares how she broke the stigmas in theatre for what women can and cannot do. What is coming next for MOXIE, turning 20 next year, and how theatre can be a therapeutic tool for catharsis.  David and Alejandra hash out the theatre etiquette per usual and go into theatre appreciation. They talk about the shows closing in San Diego this weekend along with their impressions and the shows that are opening.  Thank you for tuning in and coming up to us with your takes on the episodes! Let us know if there are any specific topics you would like us to talk about in the show. Like David said, "We are here to listen and discuss". If you feel inclined, please rate and review this podcast as it helps to populate the charts. Thank you for joining us and if you do not follow us on social media already, please do so on Facebook and Instagram for more Circle content! We will see you at the theatre!  

Halfway to Anywhere with Logan Stacer, Executive Artistic Director of Heartland Arts KC and a Youth Pastor at Awaken Church KC. In this episode, Logan shares where he finds confidence and joy. You'll learn how he advocates for multiple social justice challenges in Kansas City and you'll hear the story of a kitchen accident that led to his epiphany about being kind. "If you can make it in New York, you can make it anywhere. If you can't make it in Chicago, you can't make it anywhere.  If you make it in Kansas City, you are Halfway to Anywhere." Heartland Arts KC trains performing artists to become advocates of social justice. They aim to position Kansas City as a hub for arts advocacy, making public policy accessible for all. Jen Vellenga and Jennifer Rettele-Thomas are the co-founders of Voice First World®, a communication and executive coaching company.  They train executives and leaders on the Presence Paradigm™, a communication technique created from Jen V's decades of training actors to perform authentically, with presence, on stages, on audio, and video.  If you want to learn more about how to speak confidently, book a discovery call at www.voicefirstworld.com/chat.

The Catskill Mountain Foundation's unique production of “A Midsummer Night's Dream” - conceived by former Metropolitan Opera ballerina Victoria Rinaldi, transports the audience to an enchanted wood to witness what hilarity unfolds, when fairies meddle with the love lives of mortals.We are joined by Victoria Rinaldi and Executive Artistic Director of Aquila Theater, Desiree Sanchez.

U Guys, this is a very special episode, as I am joined by Tamela Aldridge, the Executive Artistic Director of the amazing organization, Only Make Believe! Of course I update you on all the latest Bway info in my segment, The BroadwayWorld Recap, brought to you by my wonderful partners at BroadwayWorld.com! Then, we hear from Tamela about the incredible work that her organization does, bringing theater to children in hospitals and care facilities all over the country. Tamela has an extensive background as an actor prior to taking over the leadership position of OMB, and she speaks to her experience of wanting to give back but not knowing how, until she auditioned and was cast in OMB shows. We talk about how integral the arts can be in healing the bodies and minds of young people, and how working with children can be a completely transformative experience as an actor. Visit onlymakebelieve.org to find out more information on ways you can contribute to this beautiful and important work! Learn more about your ad choices. Visit megaphone.fm/adchoices