Podcast appearances and mentions of David Lang

„Was haben wir alle gemeinsam, obwohl wir alle unterschiedlich sind?“ Mit dieser Frage befasst sich die Komposition "The Public Domain" von David Lang, die von 1.000 Personen aus Hannover und der Region am 14. Juni aufgeführt werden soll.

When David Lang vanished in front of five witnesses he was never seen again – but the mystery only deepened when his voice came back from nowhere.Download The FREE PDF For This Episode's WORD SEARCH Puzzle: https://weirddarkness.com/DavidLangDarkness Syndicate members get the ad-free version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: What if your thoughts, your self, your very awareness… weren't inside your brain at all, but woven into the universe itself? (What If Consciousness Is Everything?) *** Across centuries and continents, there are eerie tales of tiny, otherworldly creatures captured by humans — only for terror, curses, or vanishing acts to follow. (Bagged, Bottled, and Bewitched: True Tales of Captured Fairies) *** On a deserted Scottish road in 1992, two men's terrifying close encounter with a hovering UFO led to missing time, haunting nightmares, and disturbing memories of alien beings. (The A70 Abduction Case) *** When Jake Bird was sentenced to die, he warned the court they'd perish before him — then one by one, they did. (The Hex of Jake Bird) *** One bright afternoon in 1880, David Lang took a step across his field — and vanished forever in front of witnesses who saw it happen. (Portal In The Pasture: The Strange Disappearance of David Lang)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:28.802 = Show Open00:03:13.646 = Portal In The Pasture: The Strange Disappearance of David Lang00:18:03.052 = Bagged, Bottled and Bewitched: True Tales of Captured Fairies00:29:37.827 = The Hex of Jake Bird00:38:41.973 = The A70 Abduction Case00:52:45.925 = What If Consciousness Is Everything?01:04:34.996 = Show Close01:05:50.150 = BloopersSOURCES AND RESOURCES FROM THE EPISODE…“The A70 Abduction Case”: https://www.thenightskyii.org/a70.html“The Hex of Jake Bird”: http://www.executedtoday.com/2012/07/14/1949-jake-bird/, https://www.ranker.com/list/jake-bird-hex-facts/jessika-gilbert, https://www.historylink.org/File/7971, https://www.historylink.org/File/7973“Bagged, Bottled, and Bewitched: True Tales of Captured Fairies”: https://mysteriousuniverse.org/2024/08/Strange-Tales-of-Captured-Fairies-Gnomes-and-Other-Mysterious-Little-People/,“Portal In The Pasture: The Strange Disappearance of David Lang”: https://ckc4me.wordpress.com/2012/10/24/the-difficulty-of-crossing-a-field-an-unsolved-mystery/, https://www.youtube.com/watch?v=0kVnBM9roWI,https://www.facebook.com/groups/EmbracetheDarkParanormal/posts/2949512888536517/,https://www.youtube.com/watch?v=drVAv7w-w4A,https://freepages.rootsweb.com/~we3sumneritesjblcsf/genealogy/langlore.htm, https://vocal.media/history/the-man-who-disappeared-david-lang-1880, https://hoaxes.org/archive/permalink/the_disappearance_of_david_lang/,https://www.historicmysteries.com/history/the-story-of-david-lang/3163/“What If Consciousness Is Everything?”: amzn.to/4jBA0Ya, https://amihart.medium.com/metaphysical-realism-an-overwhelmingly-dominant-philosophy-that-makes-no-sense-at-all-44343a1d8453, medium.com/@scottlape/enjoyed-this-very-much-d772f0523bbd=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: May 07, 2025EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/DavidLangTAGS: David Lang, Lang disappearance, Gallatin Tennessee mystery, farmer vanishing, David Lang urban legend, Ambrose Bierce, Difficulty in Crossing a Field, paranormal disappearances, mysterious vanishings, space-time rift, wormhole theory, supernatural phenomena, Lang family, Stuart Palmer, Joe Mulhattan, Ambrose Bierce disappearance, 1880 vanishing, historical mysteries, unexplained events, alien abduction theories, paranormal folklore, American folklore, time portal mystery, field disappearance, Judge August Peck, crop circle mystery, spiritualist message, Fate Magazine, Lang legend, vanishing man story, sinkhole theory, true crime folklore, unsolved mysteries, Tennessee folklore, Bierce vanishing, Pancho Villa connection, paranormal literature

States are cracking down on online porn—but is it working? The researcher Zeve Sanderson explains how age-verification laws backfire, why teens outsmart them, and what that means for the future of internet regulation.  Further reading:  “Do Age-Verification Bills Change Search Behavior? A Pre-Registered Synthetic Control Multiverse,” by David Lang, Zeve Sanderson, et al.  “The Online Porn Free-for-All Is Coming to an End,” by Marc Novicoff  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Subscribe today at TheAtlantic.com/podsub. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ghost Furnace - Episode 114 "Confluence"   On this episode of the Ghost Furnace we look at two seemingly paranormal disappearances, one of Charles Ashmore and David Lang. These stories have all the hallmarks, tropes and clues that lead to conjecture of everything from aliens to other dimensions. As per usual, the thread of truth and clarity that runs through these stories isn't what we expected, but maybe should have.    If you have a story you'd like to share, you can find us on Instagram, YouTube and TheGhostFurnacePodcast@gmail.com

Greetings! I treated this episode of PTE as if I were filling in required words needed to complete a Mad Libs, a word game that might be categorized as a phrasal template game. In order to create today's playlist, the compositions required the inclusion of an acoustic instrument & a non-instrument such as electronics, tape, digital delay, computer, etc.  Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Blue Sky: https://bsky.app/profile/envpusher1.bsky.social      2-8-25 PTE Playlist: - Mad Libs: acoustic instrument & non-instrument    Kagemusha: for pipa and electronics - Ningxin Zhang - Musicworks #148 - Musicworks (2024) https://www.musicworks.ca/winners-2023-musicworks-electronic-music-composition    Dialogue I for voice and live electronics (2021) - improvisation by Kate Soper & Sam Pluta - The Understanding of All Things - New Focus Recordings (2022) https://newfocusrecordings.bandcamp.com/album/the-understanding-of-all-things   Toccata for percussion and tape - percussion: Beverley Johnston / composer: Gary Kulesha - Alternate Currents - Centredisques (1992) https://beverleyjohnston.com/    Talkback IV for piano and computer - piano: Kathleen Suppove / composer-electronics: Guy Barash - Eye To Ivory - Starkland (2019) https://starkland.org/catalog/st233/    Coeur d'Orr for clarinet and two-channel tape, sculptor  Eric Orr - clarinet: Daniel Goode / tape - composer: Harold Budd - Frog Peak Music (2002) https://frogpeak.org/fpartists/fpgoode.html    Lonesome Dove - a true story, micro-opera for tenor saxophonist, watcher & portable darkness - tenor saxophone: Geoff Landman / watcher: Umber Qureshi / composer: Richard Cameron-Wolfe - Passionate Geometries - New Focus Recordings (2024) https://newfocusrecordings.bandcamp.com/album/passionate-geometries    Another Shore for celesta and digital delay - celesta and digital delay: Philip Schroeder - Cold Blue Two (an original anthology) - Cold Blue Music (2012) https://coldbluemusic.bandcamp.com/album/cold-blue-two-an-original-anthology    Heroin arranged by David Lang for cello, voice & electronics - cello: Maya Beiser / composer: Lou Reed - tranceclassical - Innova (2016) https://www.innova.mu/albums/maya-beiser/tranceclassical    Violin Phase (1967) for violin and pre-recorded tape - violin: Shem Guibbory / composer: Steve Reich - From The Kitchen Archives No. 2: Steve Reich & Musicians, Live 1977 - Orange Mountain Music (2005) https://stevereich.com/composition/violin-phase/    Music for Player Piano (and computer) - James Tenney - Selected Works 1961-1969 - New World Records (2003) https://www.newworldrecords.org/collections/james-tenney/products/james-tenney-selected-works-1961-1969    Lowland Side (excerpt) - M.C. Schmidt - Batu Malablab Suite for Prepared Piano, Flute and Electronics - digital release (2014) https://matmos.bandcamp.com/album/batu-malablab-suite-for-prepared-piano-flute-and-electronics 

In this Best Possible Taste episode, we meet Dave Lang from the from the Irish Craft Butchers Association. Dave is a meat expert and butcher with over 40 years experience in meat preparation, butchery training & judging. During the conversation with Sharon Noonan, lots of butcher-related topics are covered, including the World Butchers Challenge in Paris that takes place in March 2025. The last time it took place was in 2018 in Belfast and the Irish team were the winners. BEST POSSIBLE TASTE IS IRELAND'S LONGEST-RUNNING FOOD & DRINK PODCAST. VISIT WWW.SHARONNOONAN.COM FOR MORE DETAILS.

El caso de David Lang sigue siendo un misterio que fascina y desconcierta. Nos recuerda cuán poco conocemos realmente sobre nuestro mundo y las leyes que lo rigen. ¿Fue una tragedia natural mal documentada, un fenómeno paranormal o simplemente el fruto de la imaginación colectiva?

Whether or not religion is a part of your holiday season, there's great meaning to be gleaned from the secular traditions surrounding the winter solstice. Author and podcaster Sasha Sagan (daughter of the late science communicator Carl Sagan), shares her thoughts on having holiday spirit without a spiritual ideology. Pulitzer-winning composer David Lang also joins to discuss his hymn-inspired choral piece "poor hymnal," which has its New York premiere at Lincoln Center on Saturday.*This segment is guest-hosted by Kate Hinds

The extraterrestrial comedy podcast where we probe the David Lang disappearance of 1880 Tennessee. Th 23rd of September 1880 had been a hard morning on David Lang's farm. It would get even harder for the rest of the family after Judge August Peck visited with his brother in law Mr Wade because no sooner had the gentlemen arrived than David Lang quite literally vanished in to thin air. Yes, David Lang basically blipped out of existence. He was there then he wasn't. Was David a Victorian era magician? Was this an alien abduction? Did David slip in to some kind of pit or cavern? Did David step on a fairy and live to regret it? Or was this all an elaborate plan to escape family life on the farm? There's also the possibility that this never happened at all, sure, but we have evidence. Limited evidence. Including an alleged statement of truth from one of the witnesses… Alongside the case we ponder… Can horses sense disturbances in the cow force? How does time travel freaking work, exactly? All that and more on this week's file.     Patreon: https://www.patreon.com/butitwasaliens   Store: https://butitwasaliens.co.uk/shop/     Probe us: Email: butitwasaliens@gmail.com Instagram/Threads @ ButItWasAliens Twitter @ ButItWasAliens Facebook: @ ButItWasAliens - join Extraterrestrial Towers     Music:  Music created via Garageband. Additional music via: https://freepd.com - thank you most kindly good people. We closed out the episode with the 'Staff Roll' aka credits theme from Nintendo's 1990-1992 Super Mario World from the Super Nintendo Entertainment System, composed by Hero of Sound Kōji Kondō.    Sources:  Anomaly: http://anomalyinfo.com/Stories/1880-september-23-mystery-david-lang   Hoaxes org archive: http://hoaxes.org/archive/permalink/the_disappearance_of_david_lang/#google_vignette   Rick Robinson's NOW article on dimensions in the universe: https://now.northropgrumman.com/how-many-dimensions-are-there-in-the-universe#

David Lang e as palavras do amorProdução, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg

Ever wondered how a commercial airline pilot could pull off a million-dollar Amazon business success? Join us as David Lang, the Lufthansa pilot turned e-commerce entrepreneur, shares his incredible journey from the cockpit to conquering the Amazon marketplace. Learn the secrets behind his dual career, and discover how the meticulous systems and numbers-driven strategies in aviation perfectly translated to his booming online business.   Peel back the curtain on aviation myths and misconceptions with David, who demystifies common fears like turbulence and clarifies the dynamic roles of captains and co-pilots. His unique story of balancing a demanding airline career with academic pursuits and a project management role at Lufthansa sets the stage for his leap into the world of e-commerce. From reverse-engineering a product failure to a game-changing success, David reveals the strategic planning and keyword wizardry that skyrocketed his sales to $1.2 million in just five days.   As we wrap up, David takes us through the exhilarating process of selling his business and achieving financial freedom. Is life after a successful Amazon FBA business exit all it's cracked up to be? Hear about the ongoing thrill of e-commerce, the benefits of strategic business networks, and future plans like his appearance at the Billion Dollar Seller Summit in Iceland. Don't miss this inspiring episode brimming with actionable advice and captivating stories from David's dual careers. In episode 415 of the AM/PM Podcast, Kevin and David discuss: 00:00 - From Commercial Pilot to E-Commerce Success 04:49 - Commercial Pilot License Requirements and Opportunities 09:53 - Pay Discrepancies in the Airline Industry 11:52 - Misconceptions About The Aviation Industry 14:24 - Perceptions of Pilot Profession  16:53 - Entrepreneurship While In The Airline Industry 22:18 - Achieving Success Through Reverse Engineering 25:26 - Calculated Risk Pays Off Big  26:59 - Amazon Keyword Manipulation for Brand Success 31:03 - Working With 8Fig for Business Funding 38:36 - Life After a Successful Business Exit 43:40 - Distressed Amazon Seller Turnaround Plan 44:45 - Business and Aviation  50:11 - Kevin King's Words Of Wisdom

Pulitzer Prize winner David Lang joins the show to talk about earning his first Oscar nomination, and the process behind writing the nominated song "Simple Song #3" for the movie Youth. Lang details the journey he and director Paolo Sorrentino took to deliver the song, and how a Google search helped him find the lyrics he needed to tell the song's story. You'll also hear the other nominated songs, written and performed by superstar pop singers Sam Smith, Lady Gaga, and The Weeknd, as well as a message song about dying marine wildlife by the first transgender person to receive an Original Song Oscar nomination.

Don't forget to delight your coffee-loving tastebuds with our first coffee brand "Little Ground Top". Grab a bag next time you're in town at Bantam Roasters (82 Steinwehr Ave) or have some sent to your home or office by ordering at www.addressinggettysburg.com/cafe   Also, I almost died making these in a week and a half, but our studio computer's hard drive actually did die in the process. RIP. So, become a Patron! www.patreon.com/addressinggettysburg   As Dawn approached on July 3, Robert E. Lee considered his options. The attacks of the day before had achieved limited success, with the capture of ground, the wrecking of the Federal Third Corps and the bloodying of two others. Yet, the Confederates had not accomplished their objective of driving the Union soldiers off of Cemetery Hill. It had been touch-and-go many times, but every breakthrough had been met with Union reinforcements. But, in war, even limited success could be considered something to build on to achieve victory.   According to his after-battle report, Lee wrote that the plan had remained unchanged from the day before. Reinforcing their gains on Culp's Hill from the night before and renewing the attack on the Union Right would be Richard Ewell's Corps.   During the growing darkness of the night before, the Confederates had captured some vacant Union fortifications. A renewal of the attacks on the Union position could threaten the Army of the Potomac and their avenue of resupply along the Baltimore Pike. At the same time, reinforced with a fresh division of Virginians under George Pickett, James Longstreet was to renew his attack from the day before on the southern end of the battlefield on the Union Left. While such a plan was indicated in his report after the battle, Longstreet would contend that he did not receive orders to that effect the night before when he had visited with Lee. It was a confusion of orders that would ultimately lead to inaction on the southern end of the battlefield on the morning of July 3.   The same could not be said about what occurred on the Union Right.   The Union forces would initiate an attack for the first time since the battle began. Union 12th Corps soldiers returning from being sent to reinforce the southern end of the battlefield would find in the darkness of the morning that the fortifications they had built were now occupied by some squatters with unfriendly dispositions.   When informed of this, Union 12th Corps commander Henry Slocum declared that the men of the 12th Corps would drive them out in the morning. At around 4 in the morning, the Union artillery opened fire. A Union artillerist would later write, "We poured shot and shell into them." These missiles of death and destruction would splinter trees and send branches careening to the earth and on top of Rebel soldiers.   This morning, the fighting on Culp's Hill foreshadowed what the war would become. It was not the pageantry of bayonets gleaming in the sunlight, banners fluttering in the air, or officers leading their men with their hats on the tips of their swords across open fields. Instead, wave upon wave of Rebel soldiers, including the vaunted Stonewall Brigade, would throw themselves into the hellfire sent their way by the enemy in relative safety behind breastworks or in trenches.   Some Union soldiers reported that they fired as many as 200 rounds.   Still, the Confederates came on as reinforcements arrived. Every attack was futile and found limited or no success.   But the futile attacks were not restricted to the Confederates that morning.   The 2nd Massachusetts and the 27th Indiana were ordered to charge across Spangler's Meadow toward Confederates behind a stone wall. Lt. Colonel Mudge, upon receiving the order, stated, "It is murder, but it is the order." Then, to his men, he yelled, "Up, men, over the works! Forward, double quick !" Both regiments would attack and were bloodily repulsed. Mudge, who had been a sparring partner of Robert E. Lee's son at Harvard before the war, would be killed in the attempt.     By late morning, the last Confederate attacks from Maryland and Virginia units were repulsed, and the fighting died down. No ground was gained, and the Union forces still held the critical high ground covering the Baltimore Pike.   There had been no attack on the southern end of the battlefield. Still, Lee had one final option: the division under George Pickett.   Lee, now, turned his attention to the Union Center. Lee had often asked his men to do the unthinkable before the Battle of Gettysburg. Almost every time, they had delivered him victory. So long as there was a chance for victory with these men, Lee would take it.   The plan was a simple one. It called for the massing of just under 150 cannons to bombard the Union Center, softening its defenses to provide an infantry assault with a better chance of success. Collecting this many cannons to bombard a position during a land battle had not been attempted before during the war and, on paper, was enough to accomplish the task. Once the position was adequately softened, the Confederate infantry was to step off and cross the field. George Pickett and his division would be reinforced by the division under James J. Pettigrew and by two brigades under Isaac Trimble. The brigades of Cadmus Wilcox and David Lang were added late in the planning. In all, 12,500 men. The evening before, Wright's Brigade of Georgians had managed to pierce the Union Center along the same ground as this proposed attack. With adequate preparation, three divisions would have a better chance of success.   The Confederates got into position. Some even inched forward to get a peek at the situation. More than a few compared it to the battle of Malvern Hill. Veteran soldiers knew what was in store for them.   The Union soldiers were not wholly unaware of what was going on. Some of the regiments in the center had collected muskets from the night before, providing men with multiple muskets near them, loaded and ready to fire. After the Council of War had disbanded the night before, Meade would turn to John Gibbon, the Union commander in this area, and say to Gibbon that the fighting would be along his front. Gibbon would soon find out how correct Meade was.   According to Lt. Colonel E.P. Alexander, around 1:00 in the afternoon, the Confederate artillery opened fire.   A Union colonel on the receiving end of the barrage would write in his diary that day that "The air was filled with shot and shell and the earth groaned and trembled under the terrible concussions."   The Union artillery would open fire in response.   It was such a cacophony of noise with such cataclysmic suddenness that soldiers miles away would stop what they were doing to glance in the direction of the sudden eruption.   If the Confederate infantry were to have any chance in their assault, Confederate artillery would have to silence the Union artillery in preparation. As minutes turned into an hour, the smoke from the deadly exchange would fill the area.   Understanding what this artillery barrage meant, Union artillery commander Henry Hunt ordered his batteries to stop their fire to conserve ammunition. Winfield Scott Hancock, the man who had been crucial to the Union effort so far in the battle, disagreed with this decision, arguing that having the Union artillery fire back would give a morale boost to his men. Hunt was not moved. As a result, only Hancock's cannons of the Second Corps Artillery Brigade continued to fire.   On the Confederate side, interactions between infantry commanders and artillery commanders would also dictate the course of events. James Longstreet, in charge of the assault, had charged Confederate artillery commander E.P. Alexander with sending the order for the infantry to commence the assault when Alexander determined that the Confederate artillery had made enough of an impact. It was a strange situation as, typically, an assault order did not come from an artillery commander. When Hunt ordered his guns to be silent on the Union side, the fire slackened; when Alexander could see through the smoke, he saw that a Union battery was being withdrawn. It was at this time that Alexander sent the message to commence the attack. With the area filled with smoke, the only way to determine whether the fire from the Confederate side had any effect would be in the return fire from the Union side. With a reduction in the return fire, and based on what he saw and could hear, Alexander advised that if the Confederate infantry assault were to occur, it had to happen then. James Longstreet could only nod his consent.   The Confederate artillery slackened its fire.   Union artillerists manning cannons on Cemetery Hill in the Evergreen Cemetery among damaged headstones would start exclaiming, "Here comes the infantry!' as they serviced their pieces.   The Confederate infantry now rose to their feet, with many sinking right back down to the ground or not rising at all, having laid in the hot July sun all afternoon under artillery bombardment. As if on parade, the remaining mass of men and metal lurched forward to cross what would become the most famous mile in American History.   A gentle wind typical of Pennsylvania summers blew in and lifted the smoke like a curtain was being raised. The Union defenders could now see a nearly mile-wide, almost irresistible, wave of men in butternut and gray, their red flags fluttering in the breeze advanced toward them.   Then, the Union artillery opened fire.   Cannons from Little Round Top to Cemetery Hill found the range, tearing gaping voids in the Confederate lines.   With every step, new gaps formed and would be closed by the Confederate foot soldiers as orders were given to close up by their file closers. The intense artillery fire and a flanking maneuver by an Ohio regiment caused Brockenbrough's brigade of Virginians to break and run back to the safety of their lines. Despite that setback, the Confederates pushed on. With every yard, casualties mounted, causing the lines to condense and start funneling towards an angle in the stone wall along the Union lines. The major obstacle to the advance was the Emmitsburg Road, which ran across the Rebel's path. In some places, a post and rail fence prevented a smooth advance, hindering the cohesion of the attack. Even so, thousands of men still found their way across the road but found themselves under short-range artillery fire and musket fire. One Union artillery battery commander ordered his battery to fire double canister at 10 yards as the Confederate infantry neared the stone wall.  Brigadier General Lewis Armistead, at the head of his brigade, started to lead who was left of the Confederate attack over the wall. They made it a short way into the lines before Armistead was mortally wounded. Union soldiers rushed to the breakthrough to close up the gap.  12,500 men started the attack; by the time the advance reached the ridge, maybe a couple thousand had made it to the wall; some estimated that perhaps only a few hundred men had crossed the wall. This handful that made it over were either killed, wounded, or captured. Armistead would be taken to a Union field hospital at the George Spangler Farm, where he would pass away from his wounds.   Union Second Corps Commander Winfield Scott Hancock would also be wounded. As he was starting to organize the advance of a brigade of men from Vermont, a bullet ripped through the pummel in his saddle and lodged itself in his groin. It was a wound, even with the bullet being taken out, that would plague him for the rest of his life.   With the plugging of the breakthrough at the Angle and the repulse of the assault, the last card that Robert E. Lee had to play was spent. It had been a calamity for his army. Casualty figures are difficult to estimate with absolute accuracy. Pettigrew's and Trimble's men had seen action on July 1, and battle casualties that are tallied factor in both days for those commands. Moreover, Robert E. Lee had a habit of underreporting his casualties. Even so, from what we do know, it was devastating. Pickett's Division of Virginians suffered over 2,600 casualties in the assault, just about half of that command at Gettysburg. In the field between the Stone Wall and the Emmittsburg Road, 522 dead Confederates were buried in a mass grave.    The casualties among the officer corps were also appalling. Three Brigade commanders, Armistead, Garnett, and Marshall, would be killed or mortally wounded; generals James Kemper and Isaac Trimble would be wounded and captured. Pettigrew's Brigade, which had started the battle under the command of Pettigrew, would end the charge on July 3 under the command of Major John Jones, who had been the third in command of his regiment when the battle started.  The Union defenders did not have a bloodless experience either. Historians James Hessler and Wayne Motts estimate that between the divisions of Hays and Gibbon, the Union defenders suffered just over 1,900 casualties repelling the assault. The Second Corps Artillery Brigade was all but wrecked, with two battery commanders, Alonzo Cushing and George Woodruff, losing their lives in defense of the position. General Hancock was severely wounded but survived.   The great Confederate charge was a failure, something the Southern boys were unaccustomed to. But for the Union defenders, it was a victory that felt like a victory. Not a triumph declared to the men by a flowery circular from headquarters, but as witnessed by the wreckage of the enemy force, lying lifeless in the fields before them, writhing in pain with ghastly wounds or missing limbs or streaming to their rear, hundreds of Johnny-Reb prisoners. There was no ambiguity in the outcome of the Pickett's Charge.   The charge was not the only fighting that occurred that afternoon. There was fighting elsewhere on the field that day; the skirmishing that was going on in the southern portions of the town continued to simmer, a sharp cavalry fight to the east near the Low Dutch Road and Hanover Road intersection, where a young Brigadier General George Armstrong Custer blunted a Confederate cavalry charge exhorting his men with "Come on you Wolverines!' and a hopeless Union cavalry charge on the southern end of the field meant to capitalize on the failure of the Confederate infantry assault, only resulted in more death including that of Brigadier General Elon Farnsworth who led the charge. Even the Pennsylvania Reserves would drive out Georgia forces from the Devil's Den area during the evening hours. Despite all these actions, Meade, the commander of the Union forces, ordered no great counterattack.   Following the failure, all Lee could do was gather the pieces of his bloodied army and prepare for a counterattack that never happened. He made preparations to coalesce his army to prepare for a retreat.   Both armies were tired. Both armies were bloody, and then it started to rain.   The great hell-on-Earth that was the Battle of Gettysburg ended in a torrential downpour as the heavens opened up on the night of July 3, cleansing the earth of the gallons of blood spilled in order to save a nation.                                                                                                                                                                                                                                                                                                                                                                                                         

Hey Rainmaker fam, it's Stephen, and we've got an episode that'll knock your entrepreneurial socks off. Imagine this: hitting a million dollars in a single week on Amazon. While some aim for a million in a year, our guest David Lang shattered those benchmarks in just seven days.  Starting his Amazon journey in 2020, David's path to success is nothing short of extraordinary, catapulting from ground zero to a million-dollar week!  In today's chat, David pulls back the curtain on the strategies, trials, and pivotal moments that propelled his business to staggering heights. This isn't just about the numbers; it's a deep dive into the mindset, the missteps turned lessons, and the relentless pursuit of growth that defines a true entrepreneur's journey.   If you're knee-deep in the e-commerce world, contemplating the leap into Amazon, or already on your way and looking for that next big breakthrough, David's insights are your golden ticket. From navigating the initial uncertainties of a new business to mastering the art of scaling and profitability, his story is a masterclass in turning ambition into achievement. Prepare to be inspired, enlightened, and maybe a little bit envious (in the best way possible).    David's journey from pilot to Amazon powerhouse is a testament to what's possible with the right mix of grit, smarts, and a bit of entrepreneurial magic. So, get comfortable, grab your notepad, and let's welcome David Lang to the Rainmaker family. This episode is a treasure trove of wisdom for anyone ready to take their e-commerce game to astronomical levels. Let's dive in!   Links for this episode: https://davanstrategic.com https://www.facebook.com/groups/davangroup   Connect with us: ► Rainmaker Instagram: @therainmakerfamily   ► Chelsey Instagram: @chels_diaz   ► Stephen Instagram: @steezdiaz    ► TikTok: @therainmakerfamily   ► Facebook: @diazfamilylegacy   ► Website: @https://therainmakerfamily.com   Join Our Next Rainmaker Challenge - How To Make Passive Income From Home https://therainmakerchallenge.com Save On Our Favorite Things: https://rainmakerfamily.com/deals Watch The Million Dolar Mama Case Study: https://www.makeitrainmomma.com/cases...   Episode: minute-by-minute  0:00 Introduction to David Lang's million-dollar week on Amazon. 2:01 David's transition from piloting to Amazon entrepreneurship. 3:17 The pivotal moment David decided to start his Amazon journey. 6:00 Overcoming the initial failures and deciding to double down. 8:22 Strategies that led to scaling and achieving a million-dollar week. 10:48 The importance of structure, organization, and planning in scaling up. 13:29 Handling the pressures of rapid growth and competition on Amazon. 15:55 The journey towards selling the Amazon business. 18:40 David's advice for aspiring entrepreneurs and e-commerce sellers.  

Today we discuss media production with founder of Four/Ten Media, Evan Chapman.   Based in Philadelphia, Evan Chapman is a percussionist, composer, and filmmaker who has built a prolific and unique career by seamlessly blending multimedia and contemporary music. Chapman is a founding member of contemporary-classical percussion trio/rock band Square Peg Round Hole, whose original compositions have been dubbed a “creative adventure” by Bob Boilen (NPR) and have received further acclaim from Modern Drummer Magazine, Paste Magazine, and Mental Floss, among others.   FOUR/TEN MEDIA is a production company born from the partnership between filmmakers/percussionists Kevin Eikenberg and Evan Chapman. Kevin and Evan's unique background as classically trained percussionists has allowed the duo to create fresh and musically authentic visual representations of works in the contemporary classical and pop worlds. Four/Ten's client list includes internationally-acclaimed artists such as the New York Philharmonic, Steve Reich, Caroline Shaw, the Bang on a Can All-Stars, Sō Percussion, David Lang, Son Lux, Alarm Will Sound, The Crossing Choir, Third Coast Percussion, and many more. Their work has been featured by major press outlets including The New York Times, Alternative Press, NPR, Mental Floss, Paste Magazine, Q2 Music, and I Care if You Listen, among others.   Evan is sponsored by Zildjian Cymbals, Vic Firth Drumsticks, Evans Drumheads, and SJC Custom Drums.   https://fourtenmedia.net/ https://www.evanmchapman.com/ https://www.instagram.com/evanmchapman/?hl=en https://youtube.com/evanmchapman Four/Ten Media (2024 Reel) Music for Wood and Strings  

Imagine one of your loved ones disappeared into thin air. Not like they jumped state but they literally physically ceased to exist. What would you do? This is exactly what happened to the family of David Lang in Sumner county in the 1800s. Thankfully, for this monster investigation Kit and Rory have a mighty third paranormal investigator joining them - Jack Wagner from the hit podcast Otherworld.Follow us on Twitter, Instagram, and YouTubeJoin our Secret Society Facebook CommunitySupport us on Patreon.com/ThisParanormalLife to get access to weekly bonus episodes!Buy Official TPL Merch! - thisparanormallife.com/storeIntro music by www.purple-planet.comEdited by Philip Shacklady Hosted on Acast. See acast.com/privacy for more information.

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Sibyl Kempson is interviewed and produced by Julia Duffy (SLC'25) Kempson's plays have been presented in the United States, Germany, and Norway. As a performer she toured internationally from 2000-2011 with Nature Theater of Oklahoma, New York City Players, and Elevator Repair Service. Her own work has received support from the Jerome Foundation, the Greenwall Foundation, National Endowment for the Arts, and Dixon Place. She was given four Mondo Cane! commissions from 2002-2011 for The Wytche of Problymm Plantation, Crime or Emergency, Potatoes of August, and The Secret Death of Puppets). She received an MAP Fund grant for her collaboration with Elevator Repair Service (Fondly, Collette Richland) at New York Theatre Workshop (NYTW), a 2018 PEN/Laura Pels International Foundation for Theater Award for American Playwright at Mid-Career (specifically honoring “her fine craft, intertextual approach, and her body of work, including Crime or Emergency and Let Us Now Praise Susan Sontag”), and a 2014 USA Artists Rockefeller fellowship with NYTW and director Sarah Benson. She received a 2013 Virginia B. Toulmin Foundation commission for Kyckling and Screaming (a translation/adaptation of Ibsen's The Wild Duck), a 2013-14 McKnight National residency and commission for a new play (The Securely Conferred, Vouchsafed Keepsakes of Maery S.), a New Dramatists/Full Stage USA commission for a devised piece (From the Pig Pile: The Requisite Gesture(s) of Narrow Approach), and a National Presenters Network Creation Fund Award for the same project. Her second collaboration with David Neumann/Advanced Beginner Group, I Understand Everything Better, received a Bessie Award for Outstanding Production in 2015; the first was Restless Eye at New York Live Arts in 2012. Current and upcoming projects include a new opera with David Lang for the Isabella Stewart Gardner Museum in Boston for 2018, Sasquatch Rituals at The Kitchen in April 2018, and The Securely Conferred, Vouchsafed Keepsakes of Maery S. Kempson is a MacDowell Colony fellow; a member of New Dramatists; a USA Artists Rockefeller fellow; an artist-in-residence at the Abrons Arts Center; a 2014 nominee for the Doris Duke Impact Award, the Laurents Hatcher Award, and the Herb Alpert Award; and a New York Theatre Workshop Usual Suspect. Her plays are published by 53rd State Press, PLAY: Journal of Plays, and Performance & Art Journal (PAJ). Kempson launched the 7 Daughters of Eve Theater & Performance Co. in April 2015 at the Martin E. Segal Center at the City University of New York. The company's inaugural production, Let Us Now Praise Susan Sontag, premiered at Abrons Arts Center in New York City. A new piece, Public People's Enemy, was presented in October 2018 at the Ibsen Awards and Conference in Ibsen's hometown of Skien, Norway. 12 Shouts to the Ten Forgotten Heavens, a three-year cycle of rituals for the Whitney Museum of American Art in the Meatpacking District of New York City, began on the vernal equinox in March 2016 to recur on each solstice and equinox through December 2018

David is a 62-year-old retired Teamster that has been married for 37 years.  He has three children and one grandson.  David was a baby scoop era adoptee, born in 1961 and placed with his adopted parents when he was one month old.  Talking about his adoption was totally off limits, and this created a lot of confusion about his roots.  He began searching when he was 34 years old.  It turned out his biological parents did get married and were still together.  They seemed less than thrilled that David contacted them because David had been kept a secret from everyone in his biological family. It wasn't until his biological father died in 2017 that the secret was finally revealed, and he was able to have a relationship with his full biological siblings and extended family. If you or someone you know would like to tell their adoption story on the podcast (anyone in the adoptee constellation), please send an email to mindyourownkarma@gmail.com, and your story will be considered for the podcast. _________ Due to the LONG-LASTING EMOTIONAL FALLOUT that can be part of adoption, I highly support the GENTLE HEALING SUPPORT of SMGI: Somatic Mindful Guided Imagery. For more information on this groundbreaking and highly successful method, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.somatichealingjourneys.com⁠⁠⁠⁠⁠⁠⁠⁠ Please seek professional help if you find yourself struggling with some of the realizations that you may experience during this episode. This podcast's mission is on adoption education. If you have an expertise that you think would be beneficial to anyone touched by adoption and would like to be on the podcast, get in touch with me. I love to help fellow adoptees by helping to promote your latest project or expertise. It's time WE educate the world!! Check out the MYOK website for resources, ALL episodes of the podcast, and more about me! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.mindyourownkarma.com⁠⁠⁠⁠⁠⁠⁠⁠ Follow me on Socials! MYOK on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mind_your_own_karma⁠⁠⁠⁠⁠⁠⁠⁠ MYOK on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/mindyourownkarma⁠⁠⁠⁠⁠⁠⁠ MYOK on YouTube: ⁠⁠⁠⁠⁠https://www.youtube.com/@MindYourOwnKarma⁠⁠ #adopt #adoption #adoptee #adopteevoices #adopteesspeak #adoptionpodcast #adopteepodcast #mindyourownkarma #PrimalWound #adopted #adoptionjourney #thefog #adoptionfog #adoptiveparents #birthmother #firstmother #mindyourownkarma #constellationconversation #firesideadoptees #adoptivefamily #adoptionawareness #birthfamily #biologicalfamily #biologicalmom #biologicaldad #biologicalsister #biologicalbrother #birthmom #biologicalparents #biologicalsiblings #birthfather #biomom #biodad #biofamily #biosister #biobrother #adoptionsecrets #adoptiontrauma #emotionaltrauma #emotionalhealing #findmyfamily #smgi --- Support this podcast: https://podcasters.spotify.com/pod/show/melissa-ann-brunetti/support

Karrina and David, a young Romanian - German family living together with their two beautiful children, Ninuk and Jonah, in the Apuseni mountains in Romania (judetul Bihor, comuna Bratca) in a gorgeous village called Tarcea, are the guests of this episode. They are convinced that the only thing missing for Tarcea to be complete is to have other people and families since they truly believe that it is the perfect place to create a small familiar community. Some of their current and future projects are to learn and try to be self-sustainable while applying permaculture principles, have animals, do unschooling, produce seminars/retreats where people could go and reconnect to themselves and nature again, and so much more! https://www.instagram.com/karrina.lp/ https://www.instagram.com/tarcea.ro/ Contact: d.l.lang@protonmail.com

SynopsisAt Carnegie Hall on today's date in 2002, the American Composers Orchestra presented new works inspired by the Hebrew Psalms. The program included the premiere of a new work by the American composer David Lang entitled How to Pray.In his program note, Lang wrote: “[The] Psalms are so central to religious experience [because] they are a comprehensive catalogue of how to talk to the Almighty... Of course, it's like reading one side of a correspondence... I am not a religious person. I don't know how to pray. I do, however, know some of the times and places and formulas that are supposed to help make prayer possible. Sometimes I find myself sending those messages out. And then I wait, secretly hoping that I will recognize the response.”The minimalist-style, patterned repetition in Lang's How to Pray, reminded some listeners of a “mandala”—those intricate graphic patterns intended to be an aid to meditation for Hindu or Buddhist believers.Stravinsky fans with sharp ears might also recognize the running piano line from the beginning of Stravinsky's Symphony of Psalms, which Lang borrows and weaves into the pattern of How to Pray as both a tribute and inspiration.Music Played in Today's ProgramDavid Lang (b. 1957) How to Pray; Real Quiet ensemble; Gil Rose, cond. Naxos 8.559615

In this episode, Gary and guest, Jenn David-Lang of The Main Idea discuss the book Built to Move: The Ten Essential Habits to Help You Move Freely and Live Fully. Jenn discusses a few key ideas from this reading and how teachers, and all professionals, can adapt these concepts into their daily lives and get moving.   Resources: The Main Idea Book recommendation: Built to Move: The Ten Essential Habits to Help You Move Freely and Live Fully, Kelly Starrett and Juliet Starrett

Recorded Oct 4th, 2023 Guest: David Laing (Dublin, IR CF Pivot) Host: Tony Hansmann Call to action: David is currently looking for collaborators who own production systems to participate in WellMaintained.io. Interested parties can join through their website. --- In today's episode, David Lang to discuss his new organization, WellMaintained.io. The episode focuses on the problem of creating efficient and humane operational teams for running software in production environments. Key Takeaways: Genesis of WellMaintained.io: David explains that the organization aims to extend the efficient software development practices proven at Pivotal to software operations. The goal is not just efficient operation but also a humane and energizing experience for practitioners. Pain Points in Operations: Tony and David discuss the myriad issues in typical software operations, from expired certificates to unpredicted medium-term problems, dubbed as "meso problems". Learning from Pivotal: Both speakers highlight the success of the Pivotal model in software development and ponder its application in operations. They stress the importance of team organization, iterating on practices, and sharing context to keep a team alive indefinitely. The Concept of 'Meso Problems': Operations have medium-term challenges that often go unnoticed. By tracking these 'meso problems,' teams can preempt issues before they become crises. Solution: Shorten the Loops: David recommends frequent rotations and check-ins to get good at solving recurring problems. For example, instead of a certificate that expires every five years, have it expire every month, practice renewing it, and make the process efficient. Future Plans: David wants to hold a series of conversations to identify common pain points in operations. He is also open to community events, though none are scheduled yet. For anyone interested in a new operational model inspired by Pivotal's success, visit Well-Maintained.org or connect on the Pivotal alumni Slack. This episode provides a deep dive into how proven software development methodologies can be adapted to solve the pervasive issues plaguing software operations today.

Jonathan Parker writes, directs and produces films which blend together the aspects of art he gravitates toward, including architecture, music, storytelling and intricate attention to detail. The Northern California native grew up in an artistic family, and studied English at Stanford. It was when he joined a New Wave band, and directed their first music video that he discovered film's nature of acting as a matrix for his artistic interests. After directing several short films, Jonathan wrote and directed his first feature film — Bartleby —an adaptation of Herman Melville's short story: Bartleby, the Scrivener: A Story of Wall Street. The film marked the first of several feature film collaborations with Catherine DiNapoli, with whom he co-wrote the screenplay. He included a satirical bent relevant to his time and place (just as Melville did in the 1850s) in his adaptation, which starred David Paymer, Glenne Headly, and Crispin Glover playing the eponymous character. He continued this philosophy as he embarked on his next film — The Californians — an adaptation of Henry James's The Bostonians. The film, which starred Noah Wyle, Ileana Douglas, Kate Mara and Keith Carradine, premiered on Showtime and surveyed the conflicted love-triangle between an idealistic real estate developer (Wyle); his environmentalist sister (Douglas); and the protest folk singer who comes into their lives (Mara). Jonathan's own experience as a real estate developer informed the film's scenic undertone, the characters' diverse perspectives and their motivations. This theme of incorporating personal experience into narrative film carried into his next project — (Untitled) — which starred Adam Goldberg, and followed an experimental musician's plight into the New York City art scene; and in The Architect, starring Parker Posey, Eric McCormack and James Frain, which explores the confluence of a couple who's vision of “the perfect home” is in diametric opposition and an eager, theoretically-motivated architect as he attempts to construct their dream home. The former was scored by David Lang, who won the 2008 Pulitzer Prize for Music. His latest work is the documentary film Carol Doda Topless at the Condor, which premiered at the Telluride Film Festival in 2023 and navigates the rise to fame of an influential San Franciscan topless dancer in 1964. Jonathan co-directed the film with Marlo McKenzie, while Lars Ulrich serves as a producer. The film analyzes Doda's impact on the sociocultural narrative of feminism, free speech, fashion and politics in the United States. In our conversation, we discussed Jonathan's journey into music and film; imbuing each of his projects with his own personal experiences; and the unique story of Carol Doda's plight in San Francisco.Opening Credits: 1st Contact - Cavemen I Attribution 4.0 International (CC BY 4.0); The New Mystikal Troubadours - A Cinematic Influence I Attribution-NonCommercial-ShareAlike 3.0 United States (CC BY-NC-SA 3.0 US). Closing Credits: The Agrarians - Hey, Augusta I Attribution-NonCommercial-ShareAlike 3.0 United States (CC BY-NC-SA 3.0 US).

Medical training is often the most over looked and possibly the most important training you can receive.  In this episode Luke talks with David Lang of Unicorn Tactics about his experience in the medical field, what he and everyone should be carrying on them every day and how even the simplest "Stop the Bleed" class can save a life.Intro/Outro Music:Resistance by GalaxyTones https://soundcloud.com/galaxytonesCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/45q0DYVMusic promoted by Audio Library    • Resistance – GalaxyTones (No Copyrigh...  Special thanks goes out to;Sons of Liberty Gun WorksVertxBlue Force GearSpotter UpF3 TacticalTenicor Tenicor The official holster of the Green Ops PodcastPlease like, subscribe and share to help us grow the podcast.Check out our YouTube:https://www.youtube.com/c/GreenOpsInc Follow us on Instagram:Green Ops Podcast - Green_ops_podcastGreen Ops - greenopsincLuke - Wreck_it_LukeDex - Redleg_dexLove you Mom!

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/david_lang_my_underwater_robot ■Post on this topic (You can get FREE learning materials!) https://englist.me/44-academic-words-reference-from-david-lang-my-underwater-robot-ted-talk/ ■Youtube Video https://youtu.be/3qwsP-eGlPA (All Words) https://youtu.be/JC3F6tuTx_w (Advanced Words) https://youtu.be/HDveXHi1KgU (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

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It's all about beauty on this episode of Columbo as he goes head first into the world of makeup. Apparently this ain't all grease paint. We talk about: Zelda, In The Line Of Duty, Justified, DBZ Check In, Weirdo Opening, David Lang, The Tingler, Catwoman, Maid Restaurant, Tired Kin, Fake Hand, $10 Raise, Anne Ramsey, 70s Feminism, Poison Ivy,

LBG Lewis Trott is joined by LBG Kevin Bryant in this episode, which is Kevin's first one on Addressing Gettysburg.  One brigade that doesn't get much attention when discussing the Battle of Gettysburg is that of Brigadier General Edward Perry. Perry wasn't here, however. He was sick with typhoid fever. Colonel Lang commanded the briagde in Perry's absence. Lang was a graduate of the Georgia Military Institute. Perry's (Lang's) small brigade was comprised of all the Florida regiments which served with the Army of Northern Virginia at the time. It took part in the assauts of both July 2nd and 3rd advancing from the woods on Seminary Ridge and past Emmitsburg Road. Both times they were turned back by Union forces.  Support the Show by:  Becoming a Patron- https://www.patreon.com/addressinggettysburg  Grabbing some merch- https://www.addressinggettysburg.com/shop  Getting a book- https://www.addressinggettysburg.com/books  Joining our book club. Email addressinggettysburgbookclub@gmail.com     Supporting Our Sponsors:     Mike Scott Voice- https://www.mikescottvoice.com  The Association of Licensed Battlefield Guides- https://gettysburgtourguides.org/  Seminary Ridge Museum- https://www.seminaryridgemuseum.org/  For the Historian- Mention us for 20% off retail sales (in store) plus free shipping (online)- https://www.forthehistorian.com  The Badgemaker- https://www.civilwarcorpsbadges.com  Civil War Trails- https://www.civilwartrails.com  Bantam Roasters Use "HANCOCK" for 10% off your order https://www.raggededgerc.com/  Buy Billy Webster's Music- Billy Webster arranged and performed the rendition of "Garryowen" that you hear at the end of the show. https://billysongs.com     Music possibly by:  "Garryowen" by Billy Webster  Camp Chase Fifes & Drums and our website is https://www.campchasefifesanddrums.org  California Consolidated Drum Band check them out here: https://www.facebook.com/CCDrumBand Kevin MacLeod www.incompetech.com   

As Christ's followers, we might have gone to church many times, and would have listened to sermons thousands of times. Did you follow what was taught in every sermon? Did it just end up as head knowledge? Take a listen to David Lang, as he opens up the scriptures for us and teaches us how God's word can bring life and fruitfulness in our lives.

Tom Service delves into David Lang's secular take on the Christian Passion: The Little Match Girl Passion. Winning the Pulitzer Prize in 2008, the work, scored for chorus and percussion, and lasting barely more than half an hour, takes inspiration from both Bach's St Matthew Passion and Hans Christian Andersen's famous children's story, The Little Match Girl.

Join Scott as he talks with David Lang and Ryan Sherrard as they discuss how Amazon is known for being a powerful platform for both small and large businesses alike. From Amazon merchants to Amazon Marketplace sellers, it's an important hub of activity and stream of revenue for many entrepreneurs. David Lang, and Ryan Sherrard - three Amazon professionals - recently connected with Scott to discuss the benefits of running your Amazon business from spreadsheets. Their informative conversation touched on topics ranging from data analysis and inventory management to product optimization and understanding customer behavior. With their expertise in Amazon business growth strategies and knowledge sharing, this discussion provides Amazon sellers with invaluable insight on how to leverage spreadsheets and position themselves for success on Amazon.Here's the coupon code for 50% off!SAS50

Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for The Crossing, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, many community choirs, as well as yMusic, Brooklyn Rider, violist Nadia Sirota, Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra and the BBC Concert Orchestra, among others.In 2019, she composed for over 600 community musicians and the Cincinnati Symphony in celebration of their 125th season, a piece entitled "Look Around," with director Mark DeChiazza. Her baroque chamber p'opera “You Us We All” premiered in the US in October 2015 at BAM Next Wave Festival. With co-composer and performer Helga Davis, Nova created a four-screen film entitled “Ocean Body,” along with director Mark DeChiazza, which premiered at The Momentary in August 2021, shortly followed by the premiere of “Infinite Movement,” her baroque masque for 100 musicians, set to text by artist Matthew Ritchie, which premiered at The University of North Texas in November 2021.Ms. Nova is the featured singer on “The Blue Hour” with the string orchestra A Far Cry and co-composers Rachel Grimes, Angélica Negrón, Sarah Kirkland Snider and Caroline Shaw on Nonesuch Records (Sept ‘22). A collection of songs by Nico Muhly with Detroit's acclaimed wind ensemble Akropolis Quintet also features Ms. Nova's voice entitled Hymns for Private Use (Oct ‘22). A number of music composers, including Sarah Kirkland Snider, Bryce and Aaron Dessner, Steve Mackey and David Lang have created works specifically for her voice. She has collaborated with Matthew Barney, The Decemberists, The Blind Boys of Alabama, Sufjan Stevens, David Byrne, Laurie Anderson, and many others.Shara has a couple different branches to her life:Singer and Composer Branch: https://shara-nova.com/Pop Music Branch: https://www.mybrightestdiamond.com/Instagram: @mybrightestdiamondTwitter: @MyBrightestDmndWriting on Substack: https://substack.com/profile/91251132-shara-nova

“A gathering is a moment of time that has the potential to alter many other moments of time.” - Priya Parker, The Art of Gathering Jenn David-Lang returns to the podcast, and we're discussing how to maximize the power and significance of meetings. When most of us plan staff agendas or lessons, we tend to focus more on the logistics (PPTs, refreshments, Post-Its, etc.), rather than the people, because those are the items we can control. What if we think about how we want gatherings to make people feel? We can build connection and a sense of belonging in our schools and teams right now. By taking lessons from Priya Parker's The Art of Gathering, she shares four tips for educators that help us rethink the way we gather to make our gatherings unforgettable, meaningful, and centered around people. 1. Find a specific purpose for the meeting. 2. Be an active facilitator. 3. Give it some spice. 4. Get beyond a “culture of nice.” Resources: www.themainidea.net The Art of Gathering: How We Meet and Why It Matters

The transcript for this episode is available here. About Molly Joyce Composer and performer Molly Joyce has been deemed one of the "most versatile, prolific and intriguing composers working under the vast new-music dome" by The Washington Post. Her music has additionally been described as "serene power" (New York Times), written to "superb effect" (The Wire), and "unwavering" and "enveloping" (Vulture). Her work is concerned with disability as a creative source. She has an impaired left hand from a previous car accident. The primary vehicle in her pursuit is her electric vintage toy organ, an instrument she bought on eBay that suits her body and engages her disability on a compositional and performative level. Her debut full-length album, Breaking and Entering, featuring toy organ, voice, and electronic sampling of both sources was released in June 2020 on New Amsterdam Records, and has been praised by New Sounds as "a powerful response to something (namely, physical disability of any kind) that is still too often stigmatized, but that Joyce has used as a creative prompt." Molly is a graduate of The Juilliard School (graduating with scholastic distinction), Royal Conservatory in The Hague (recipient of the Frank Huntington Beebe Fund Grant), and Yale School of Music. She holds an Advanced Certificate in Disability Studies from CUNY School of Professional Studies and is an alumnus of the National YoungArts Foundation. She has studied with Samuel Adler, Martin Bresnick, Guus Janssen, David Lang, Missy Mazzoli, Martijn Padding, Christopher Theofanidis, and has served on the composition faculty of New York University, Wagner College, and Berklee Online, teaching subjects including Disability and the Arts, Music Technology, Music Theory, and Orchestration. She is currently a Dean's Doctoral Fellow at the University of Virginia, focusing on Composition and Computer Technologies. Related Links: Molly's Website "Perspective" Album on Bandcamp Molly Joyce on Spotify Molly Joyce on Apple Music RAMPD: Recording Artists and Music Professionals with Disabilities This episode's Ask Judy question came from @otto_types on Instagram. If you'd like to submit a question for Ask Judy, send it to media@judithheumann.com or DM Judy on Instagram or Twitter. Check out the video version of this episode on Judy's YouTube channel.  Intro music by Lachi. Outro music by Gaelynn Lea.

We are excited to bring you this podcast series, Choreographers in Conversation. This series will allow choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Sam Pinkleton interviews Annie-B Parson. The two discuss the experience of choreographing for musicians and opera, being a choreographer not a dancer, and how one collaborates or doesn't with dancers and musicians. Sam asks Annie-B about how she prepares for a project, who she makes dance pieces for, and how she thinks teaching influences her work. Additionally, the two talk about Annie-B Parson's new book called The Choreography of Everyday Life that was published on October 11th, 2022. They also reiterate that choreographers are for more than carrying a couch across the stage.  Annie-B Parson: Annie-B Parson is a choreographer. She has made choreography for rock shows, marching bands, movies, museums, objects, television, augmented reality, opera, ballet, theater, symphony orchestras, string quartets, and a chorus of 1,000 amateur singers. She has made dance and stagings for the work of David Byrne, David Bowie, Lorde, St. Vincent, Mikhail Baryshnikov, Wendy Whelan, Laurie Anderson, Suzan Lori Parks, Spike Lee, Jonathan Demme, Salt ‘n Pepa, Esperanza Spalding, David Lang, Anne Carson, and the Martha Graham Dance Co. Annie-B is the artistic director of Big Dance Theater. Annie-B just published a new book on October 11, 2022 called The Choreography of Everyday Life. https://www.bigdancetheater.org/founders-directors/ Sam Pinkleton:  Sam Pinkleton is a Tony Award-nominated theater and dance maker. His work on Broadway includes Natasha, Pierre, and the Great Comet of 1812, Machinal, Heisenberg, Significant Other, Amélie, and Macbeth. His recent work includes Jeanine Tesori and David Henry Hwang's Soft Power, the youth-led civic spectacular Runaways in Central Park and collaborations with the Dutch National Opera, Carnegie Hall, BAM, Virgin Voyages, The Civilians, Swing Left, and Cirque du Soleil. He is currently directing the world premiere of Noah Diaz' You Will Get Sick for Roundabout Theater Company. He does not own any dance shoes. sampinkleton.com Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

Please join me as I speak with David Lang, an adoptee from the state of Connecticut. We talk about pursuing identity prior to the changes in Connecticut law in July of 2021, family surprises, and transporting cremains across an international border.  David can be found on Twitter at: @Revintheair Mentioned on the episode: Connecticut Adoption law: Adoptions and Foreign Births (ct.gov) Catholic Charities: The Catholic church has been very active in facilitating adoption. If you were adopted through a Catholic agency, you can contact that agency or the Catholic Charities/Services where you were adopted and request non-identifying information and any documents they may have maintained. Access is dependent on the laws in your state or province. Unfortunately, the majority of records are closed. It never hurts to ask, though!  Mental Health hotline information USA: NIMH » Suicide Prevention (nih.gov) Canada: Mental health support: get help - Canada.ca Australia: Crisis support - Australian Institute of Health and Welfare (aihw.gov.au) New Zealand: Helplines | Mental Health Foundation UK: United Kingdom Suicide Hotlines - Suicide.org! United Kingdom Suicide Hotlines, United Kingdom Suicide Hotlines, United Kingdom Suicide Hotlines, United Kingdom Suicide Hotlines! The opinions expressed on the podcast are just that, opinions.  Thank you for listening! 

Bard SummerScape returns this year with eight weeks of live music, opera, dance, and theater. Highlights include the 32nd Bard Music Festival “Rachmaninoff and His World;” a new production of Strauss's The Silent Woman, directed by Christian Räth; a World Premiere commission from Pam Tanowitz and David Lang; a new adaptation of Molière's Dom Juan, directed by Ashley Tata; and more. Gideon Lester is Artistic Director of the Fisher Center at Bard and Senior Curator at the Open Society University Network's Center for the Arts and Human Rights. A festival director, creative producer, and dramaturg, he has collaborated with and commissioned a broad range of American and international artists across disciplines.

TW: This episodes contains topics around mental health that may include topics involving depression, anxiety, suicide ideation, and self harm. Please listen at your own discretion. May is Mental Health Awareness Month and our friends from the SASE Mental Health Initiative, Meghna Kuppuraju and David Lang join us at The Adult Table to discuss their personal journey on mental health, how they developed their support system, and navigating conversations with family. Be sure to check out the group discussions that the SASE Mental Health Initiative hosts with more information on their instagram @sasementalhealth Here at The Adult Table, we heavily advise that if you are suffering with your mental health to please seek a medical professional for help. For more resources that we talked about during this episode, please visit: https://tinyurl.com/SASEMHI

Join Gianmarco Meli with David Lang and Ryan Sherrard as they discuss a proven method to accurately predict sales spikes and offer a solution to deal with them. David is a pilot while Ryan is a scientist, and they joined forces to create DAVAN Group, an e-commerce coaching business. They provide a powerful spreadsheet, so running out of stocks after an unexpected bump in sales due to holidays or unforeseen events is just a thing of the past. Here's a breakdown of what to expect in this episode:1. Major peak dates to be aware of, so inventory prediction cannot be off-tracked2. Impacts of stocking up during peak dates3. Compare with the competition and increase product percentage on similar ones4. David and Ryan's experience with their tracker as a case study for others5. Check inventory reports and where the inventory is kept6. And so much more!Download the “Peak.performance tracker” and start taking your inventory management game to the next level!https://pxlfy.me/pKZbrf----------------------------------------------About DAVAN group:David Lang and Ryan Sherrard are two Canadians living in Munich running a US business together. David is an airline pilot flying the Airbus A350 across the globe for Europe's largest airline. Ryan has a Ph.D. and is a research scientist working on groundbreaking mRNA technology. They joined forces two and half years ago and have, in a short time, turned their e-commerce journey into a 7-figure business.Join DAVAN Facebook group: https://www.facebook.com/groups/408796260396269Tools & Useful Resources- Download the ultimate guide for Amazon sellers to Capturing Systems & Creating SOPs to learn how to systemize your business and accomplish more with less: https://www.thesellerprocess.com/systemsebook/- Helium 10 - Essential tool to perform most of the operations related to your product research before deciding where to source itGet 10% off a month for a lifetime with code“THESELLERPROCESS10”: https://bit.ly/3ATFyHvNote: these are affiliate links that will give you a discount if you decide to subscribe to the tool, and will give me a small commission to help to support the generation of free content like this episode. I personally use these tools in my own private label brand therefore I recommend sellers to take advantage of them to simplify and automate their operations.eir operations.

Pianist Lisa Kaplan of eighth blackbird joins us to chat about the many evolutions of their organization, from the original ensemble to their many teaching endeavors. We chat about the Chicago Artists Workshop and Blackbird Creative Lab, two of the ways in which they continue to “move music forward” beyond their primarily performance-based projects. Kaplan shares about how the ensemble conceptualizes and puts projects—such as This is my Home—into action. We speak about how the organization integrates interns into their administrative process. And, we ask, "why 'eighth blackbird'?" Born in Motown, Lisa Kaplan is a pianist specializing in the performance of new work by living composers. Kaplan is the founding pianist and Executive Director of the four-time Grammy Award-winning sextet Eighth Blackbird. Kaplan has won numerous awards, performed all over the country and has premiered new pieces by hundreds of composers, including Andy Akiho, Jennifer Higdon, Amy Beth Kirsten, David Lang, Missy Mazzoli, Nico Muhly, George Perle, and Pamela Z. She has had the great pleasure to collaborate and make music with an eclectic array of incredibly talented people - Laurie Anderson, Jeremy Denk, Bryce Dessner, Philip Glass, Bon Iver, J. Ivy, Glenn Kotche, Shara Nova, Will Oldham, Natalie Portman, Gustavo Santaolalla, Robert Spano, Tarrey Torae, Dawn Upshaw and Michael Ward-Bergeman to name a few. As a proud, single-mama-by-choice, Kaplan has been having an incredible time raising and learning from her happy-go-lucky 4 year old, Frida. Musically as of late, she has also greatly enjoyed and appreciated the opportunity to do both composing and arranging for Eighth Blackbird as well as some producing. In 2019, Kaplan co-produced her first record, When We Are Inhuman with Bryce Dessner. Kaplan is a true foodie, gourmet cook, avid reader, crossword and Scrabble addict, enjoys baking ridiculously complicated pastry and loves outdoor adventures. She has summited Mt. Kilimanjaro, braved the Australian outback, stared an enormous elephant in the face in Tanzania's Ngorongoro Crater and survived close encounters with grizzly bears in the Brooks Range of Alaska. The transcript for this episode can be found here. For more information about eighth blackbird, please visit their website, Facebook, Twitter, Instagram, YouTube, and Spotify.

On today's episode,  we're chatting with https://www.loreleiensemble.com/willer (Beth Willer) and https://www.loreleiensemble.com/riesenfeld (Anne Riesenfeld) of https://www.loreleiensemble.com/ (Lorelei Ensemble). Lorelei is an organization that creates and champions bold artistic work that points toward a new normal for women in music. Through commissioning, performance, and education, Lorelei is carving out a boundless new space for women to be among, and become, our most powerful and important creators. http://www.inunisonpodcast.com/episodes/s05e05#transcript (Episode transcript) Edited by https://www.inunisonpodcast.com/fausto (Fausto Daos) Music excerpts “MVT I & MVT II” from https://jessicameyermusic.com/i-long-and-seek-after/ (I long and seek after), by https://jessicameyermusic.com/ (Jessica Meyer), performed live by Lorelei Ensemble “https://music.apple.com/us/album/reconstruction-1-crowns-mercy-seat/1173009955?i=1173010195 (Crowns)” from Reconstruction, by Joshua Bornfield from the 2016 album Reconstructed “https://music.apple.com/us/album/kaze-no-uma-vocalise-no-1/1435212369?i=1435212793 (Vocalise 1)” from Kaze no uma (Wind Horse), by Toru Takemitsu from the 2018 album Impermanence “https://music.apple.com/us/album/love-fail-version-for-womens-chorus-vi-you-will-love-me/1515765648?i=1515765656 (You Will Love Me)” from Love Fail by David Lang from the 2020 album love fail Episode references Lorelei Ensemble https://www.loreleiensemble.com/ (Website) | https://www.instagram.com/loreleiensemble/ (Instagram) | https://www.facebook.com/LoreleiEnsemble/ (Facebook) | https://www.youtube.com/channel/UCbb0ex8oFF9qCSMDg76cqcg (Youtube) Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on:  Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Hosts: Karli Viña, Ksenija Komljenović, Caleb Pickering, and Ben Charles Producer: Ben Charles Guest: Jason Treuting https://jasontreuting.com https://sopercussion.com Watch here  Listen below 0:00 Introduction and welcome 1:51 Today in history: Simon and Garfunkel record The Sounds of Silence, Bad Bunny's birthday, David Friedman's birthday 10:25 Welcome Jason Treuting! 11:06 The founding of Sō Percussion, David Lang's The So Called Laws of Nature 15:17 Sō Percussion's thoughts on carrying the torch from Percussion Group Cincinnati, Nexus, and Amadinda; the evolution of Sō Percussion 18:18 The moment when Sō Percussion “made it” 22:26 How Sō Percussion's artistic vision has changed over the years 25:13 Jason's journey as a composer and his piece, Extremes 34:58 Improvisation vs. composition 35:34 Jason's influences, studies with Keiko Abe and Steve Gadd 46:52 Nexus and introducing ragtime to their concerts 48:00 Sensibility to composers' work 48:37 Early Japanese marimba works—Tanaka Two Movements and Miyoshi Conversation Suite 50:22 Sō Percussion collaborations 55:26 Raising the bar rather than doing the minimum requirements 1:01:14 Sō Percussion Summer Institute

Do you have habits that you have wanted to start, or drop? Maybe you've had success initially, only to return to your old routines. From the Main Idea, Jenn David-Lang is back on the podcast to discuss the key takeaways of the New York Times bestseller Atomic Habits by James Clear. With Clear's four simple laws of human behavior and concrete strategies, we walk through how to make the tiny changes that will ultimately lead to remarkable changes. Learn how to build better habits in life and work.Resources:www.themainidea.netAtomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones, James Clear

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Continuing to celebrate the AAPI Heritage Month, joining me today for a new episode of Tuesday Conversation with Friends is violinist, Cory (Corin) Lee, not your regular violinist. Juilliard trained, founder of The Liberated Performer (an organization to work with performers to overcome performance and audition anxiety), and a member of the string quartet ETHEL which is acclaimed as “unfailingly vital” (The New York Times), “brilliant,” “downtown's reigning string quartet” (The New Yorker), and “one of the most exciting quartets around” (Strad Magazine). In this interview we will start with an incredible work of ETHEL: CIRCUS WANDERING CITY, Cory's beginning (you won't want to miss this story!), managing performance anxiety, shifting from a skill centric conservatory mindset to be audience-focused. You get to watch him perform a humorous edition of Paganini's Caprice No. 5 and finish with his arrangement of Steve Reich's Violin Phase. Featured Guest Cory (Corin) Lee: Corin's collaborations include performances with Grammy Award-winning artists such as Native American flute player Robert Mirabal, jazz pianist Laurence Hobgood, Latin jazz pianist Pablo Ziegler, Pulitzer Prize-winner David Lang, MacArthur Genius composer Julia Wolfe, and DJ Mako. Corin has performed on, FOX, NBC, From The Top, TED, TEDx, SiriusXM, and The Late Show with Stephen Colbert. In addition to concert work, he is the founder of Liberated Performer®, a program that guides and trains musicians to defeat performance anxiety, prepare for auditions and concerts, and achieve peak performance. He has taught at National YoungArts Foundation (New York and Miami), directs the audition preparation programs at the New York Youth Symphony, and has given lectures at conservatories like The Juilliard School and San Francisco Conservatory. Corin studied with Ani Kavafian, Hyo Kang, Naoko Tanaka, Wei He, Camilla Wicks, Robert Mealy, and Cathryn Lee. He received degrees from Juilliard (BM), Yale (MM), and an honorary doctorate from Denison University. Your Hostess: Shirley Wang, Operatic Soprano, Pianist, Educator, International Best Selling Author, and Content Creator. Additional ways to stay updated with Tuesday Conversation with Friends: Facebook: www.Facebook.com/SimpleGiftsMusicStudio Instagram: @Simple.Gifts.Music.Studio YouTube: https://tinyurl.com/TuesdayConversationWithFriends Twitter:@SG_MusicStudio Clubhouse: @MsShirleyWang To watch this episode on YouTube: https://youtu.be/ENg4TNP9Ark To stay in touch with the featured guest: Ethel: www.EthelCentral.org "A Wondrous Space" by Dorothy Lawson (ETHEL's Circus: Wandering City): https://www.youtube.com/watch?v=SCuBK68DTZA Mini Paganini Caprice No. 5 by Corin Lee: https://www.youtube.com/watch?v=F_BIGkX_azQ Violin Phase by Steve Reich, Arr. by Corin Lee for Electronic Violin, Cello & Bass: https://youtu.be/Pxg1tuQiBF8 --- Send in a voice message: https://podcasters.spotify.com/pod/show/shirley-wang6/message Support this podcast: https://podcasters.spotify.com/pod/show/shirley-wang6/support

A singer and composer of eclectic tastes and prodigious gifts, Grammy-nominated Theo Bleckmann makes music that is accessibly sophisticated, unsentimentally emotional, and seriously playful. Theo spent 15 years as a member of Meredith Monk's ensemble and appeared on 2002's Mercy and 2008's Impermanence. He has also worked with Philip Glass, John Zorn, Kenny Wheeler, and David Lang, to name a few. Theo has released a series of irreverent albums on Winter & Winter, including recordings of Las Vegas standards, of Weimar art songs, and of popular “bar songs” (all with pianist Fumio Yasuda).Theo shares how his curiosity for sound began at a young age. We chat about how his music is based in jazz, how he maintains his instrument, and his “messy” practice routine. Theo shares about his move from Germany to New York City. We discuss his time working with Laurie Anderson and Meredith Monk, his favorite vocalists, and even indulge in some coffee talk. 

Dr. David Lang, chairman of the Cleveland Clinic Department for Allergy and Immunology, updates us on methods allergists may use to challenge self-reported penicillin allergy, desensitize patients who have a documented aspirin allergy and current testing for vaccine allergies.

Welcome to The B-Side, from The Film Stage. Here we talk about filmmakers! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today, Dan and Conor have a brief, lovely chat with filmmaker Bill Morrison, who blew many cinephiles away with Dawson City: Frozen Time a few years back. We were lucky enough to speak with him then about the film and its inception. This time around, Morrison has a short film called let me come in, which is having its world broadcast premiere as part of the TCM Classic Film Festival on May 7th. let me come in re-purposes footage from the lost 1928 silent film Pawns of Passion with the entrancing touch that only Morrison can employ, accompanied by a new song by composer David Lang and performed by soprano Angel Blue. We discuss the new film with Morrison, the negative review Pawns of Passion actually got from The New York Times back in 1929 (!), and his upcoming film The Village Detective: A Song Cycle, which just recently premiered at the Moscow International Film Festival. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

You don't have to be a scientist to help protect the world's oceans, says underwater drone expert and TED Fellow David Lang -- in fact, ordinary citizens have pulled together to save the planet's natural treasures many times in history. Lang asks us to take a lesson from the story of the US National Parks Service, offering a three-point plan for conserving underwater wonders. Hosted on Acast. See acast.com/privacy for more information.