Podcasts about avignon festival

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 42-points this morning from yesterday's close, at 21,346 on turnover of $6.6 -billion N-T. NT$10 million worth of contraband cigarettes seized by Taiwan's coast guard The Coast Guard Administration says patrols have seized a cache of contraband cigarettes worth nearly $10-million NT. Officials say the 164-thousand packs were found in a hidden compartment (隔層) on a fishing vessel during an inspection Wednesday evening. The compartment was detected after officers noted a machine placed in an unusual position, and used a handheld x-ray machine and a detection dog to uncover the stored contraband. The 66-year-old captain and five Vietnamese crew members were referred to the Keelung District Prosecutors Office for investigation. Taiwan to serve as 1st guest of honor country at Festival Off Avignon The Ministry of Culture says Taiwan will be the first-ever guest of honor country at the renowned Festival Off Avignon. The festival aims to promote contemporary performing arts, enhance awareness of international emerging (發展初期的) dance and theater troupes, and facilitate international co-productions and touring opportunities. The Avignon Festival & Compagnies and the Taiwan Cultural Center in Paris announced at a press conference held on Wednesday local time, that 1,316 teams will participate in the festival in Avignon between July 3rd and July 21st. The co-president of the Avignon festival, said given Taiwan's long-standing close collaboration with the festival and the nation's unique and diverse contemporary art and culture, it was invited to be the guest of honor country -- the first-ever in the festival's history. And the Taiwan Cultural Center said that the selection of Taiwan symbolizes the deep friendship between Taiwan and the Avignon festival. NKorea Kim Sister Denies Weapons Exports to Russia The influential sister of North Korean leader Kim Jong Un has again denied that her country has exported weapons to Russia. Kim Yo Jong labeled outside speculation on North Korea-Russian arms dealings as “the most absurd paradox.” The U.S., South Korea and others have accused North Korea of supplying artillery, missiles and other conventional (傳統的) weapons to Russia for its war in Ukraine in return for advanced military technologies and economic aid. Kim Yo Jong said in a statement today that North Korea had no intention of exporting its military technical capabilities to any country or opening them to the public. Russia also has dismissed that accusation. China Jails Professor for Espionage The family of a Chinese national being held on espionage (間諜行為) charges says he received a jail sentenced from a court in Jilin province. Yuan Keqin was detained in 2019 when he returned to China while holding a post at Japan's University of Education in Hokkaido. Chris Gilbert reports UN Reports Improved Economic Prospects The United Nations is reporting improved economic prospects since its January forecast for the global economy. According to its mid-2024 report, the world economy is now projected to grow by 2.7% this year. That's up from 2.4% the U.N. forecast in its somber (暗淡的) January report, and 2.8% in 2025. The report notes a better outlook in the United States and several large emerging economies including Brazil, India and Russia. That was the I.C.R.T. news, Check in again tomorrow for our simplified version of the news, uploaded every day in the afternoon. Enjoy the rest of your day, I'm _____. －－－－以下訊息由 SoundOn 動態廣告贊助商提供－－－－ 城揚建設新推出的「陽明第一廳」 緊鄰三民區的明星學府-陽明國中 46~52坪，每層四戶兩部電梯 最適合有換屋與置產需求的你 讓生活中充滿書香、運動風，滿足食衣住行的消費需求 城揚建設 陽明第一廳 07-384-2888 https://bit.ly/3y7SoFB

The Bride and the Good Night Cinderella is the first part of the Cadela Força trilogy by Brazilian artist Carolina Bianchi and her artist collective. This first part, presented at the Avignon Festival and revived at the Festival de la Batie in Geneva, did not go unnoticed. It's never easy to tackle the subject of sexual violence against women on stage, but Carolina Bianchi does it with rare brilliance. She doesn't give ready-made answers, she asks new questions and engages the spectator in an active reception. Performance art makes this possible. The present of the performance cancels out the 4th wall, and the fiction of what we might call "a safe space". We have to face up to the reality of what has been reconstituted. Violence is not where we think it is. It's also question of gaze and receiving. This piece is a strategy for observing the consequences of sexual violence up close. But the piece won't erase or heal traumatic wounds. In this sense, "fuck catharsis" is Carolina Bianchi's credo! I'm so happy and moved to have been able to talk to Carolina Bianchi about this much-needed play, which is so important to publicize and disseminate! Carolina Bianchi is my guest on the 55th episode of Le Beau Bizarre, despite the distance and recording conditions. Thanks to Carolina Mendonça for her invaluable contribution! With works by Joel Curtz and Tania Bruguera. The Bride and the Good Night Cinderella plays September 21 & 22 at the KVS in Brussels, January 31 to February 2 at Le Maillon in Strasbourg; and I have high hopes of seeing this play in Paris and other French cities next season ! Le Beau Bizarre is a podcast from the independent studio AudioSauti, available on listening platforms. If you like this work, it's now possible to support it. You'll find the Tipee link in the bio. Thanks for your support, and thanks for listening ! Suivez nous sur les réseaux, abonnez vous sur les plateformes d'écoute ! Facebook Linkedin Instagram

Deux frères c'est l'histoire de Renaud et André, deux enfants qui ont grandi sous le même toit, dans la même famille, au même moment, mais n'ont pas eu la même histoire. Renaud, l'aîné, a dû grandir en subissant les coups de son père. Pourquoi lui et pas André ? Comment se construire, grandir, et prendre son indépendance pour débuter sa vie d'adulte autrement quand la violence a fait partie du quotidien, de la normalité ? Renaud et André sont aujourd'hui grands et ils viennent nous raconter leur histoire, la fraternité qui les lie malgré cette différence de traitement dans la famille, la culpabilité d'André plus tard qui se demande s'il aurait pu faire quelque chose pour éviter ça à son frère. Chacun raconte une partie de cette histoire. Chacun relate des moments forts, parfois violents. Ils reconstruisent avec nous le puzzle de ce qui les a fait grandir et les a marqué à vif pour toujours. Pour leur première à Avignon les Deux frères réussissent ce pari de nous parler d'un sujet très dur, de même nous le montrer mais sans choquer, jamais grâce à une belle mise en scène. A peine entrés dans la salle de spectacle, ils échangent avec nous pour très vite briser le quatrième mur et nous donner l'impression que c'est à un vrai moment de confidence que nous allons participer.  Une pièce, malgré son sujet,  pleine de joies et de légèreté apportée par la musique jouée au piano par Renaud.   Une pièce qui va bien au-delà du spectacle et de l'envie d'ouvrir la parole sur les violences familiales. C'est un projet soutenu par plusieurs associations de protection à l'enfance, et on le sent sur scène les acteurs ne sont pas juste là pour jouer, mais porte une parole avec leurs tripes et  leurs émotions. 

« Les adultes, faudrait les secouer pour faire tomber l'enfant qui est en eux. » Une phrase parfaite pour vous donner une idée de l'état d'esprit de Courgette.  C'est l'histoire d'Icare mais il préfère qu'on l'appelle Courgette. À la suite d'un drame familial, il est placé dans un foyer pour enfants.  Ce spectacle, c'est l'adaptation pour le théâtre du roman de Gilles Paris, Autobiographie d'une Courgette. Il avait été adapté il y a quelques années en dessin animé et j'avais adoré. J'ai encore plus aimé cette version théâtrale.   La pièce traite de la résilience, des rencontres qui peuvent nous sauver. Un texte qui nous donne envie de retrouver notre bande de potes quand nous étions enfant et avec qui tout était simple et possible. Il donne envie de croire aussi qu'il y a du bon dans l'humanité et que l'on peut se reconstruire malgré les épreuves.  Ils sont 5 sur scène, et en plus de jouer la comédie, ils chantent et jouent de la musique. J'aime assez ces pièces de théâtre qui intègrent de la musique. Ce ne sont pas des comédies musicales mais la musique apporte un petit plus, elle accentue les émotions et donne le rythme du spectacle.  L'interprétation est superbe, avec un véritable coup de cœur pour Vanessa Cailhol. C'est un spectacle lumineux et plein de fraîcheur et en cette période de canicule à Avignon ça fait franchement du bien. On passe un excellent moment et on repart avec le sourire. Parce que, sans vous spoiler, l'histoire de Courgette finit bien. 

Aujourd'hui, je vous propose de vivre une expérience, mi spectacle de danse, mi sieste sonore. Elle est proposée par Les Hivernales et son artiste associé Massimo Fusco accompagné de Fabien Almakiewicz.  Une expérience qui vous reconnectera à votre corps, au monde qui vous entoure. Une bulle hors du temps où vous écouterez des pastilles qui parlent d'autres corps et la nature qui vous parlera aussi à sa manière.  Un moment méditatif, allongé sur des galets très confortables. Un temps unique à la recherche de nos perceptions, de nos ressentis où je me suis rendue compte par exemple que quand on écoute la pluie tombée, on ressent une certaine fraîcheur même si l'air ambiant autour de nous n'a pas changé de température. Une expérience immersive où on est bercé, massé, emporté par les mots et les sons de la nature. Un temps hors de la frénésie du monde. Une performance qui se termine par un échange avec les deux artistes pour mieux comprendre leur intention et tout le travail derrière cette expérience. Cette envie de la partager avec nous aujourd'hui, mais qui peut également être proposée partout auprès des enfants ou encore de personnes âgées dans des Ehpad. Une envie profonde de donner à chacun et chacune l'occasion de prendre le temps de connaître son corps, ses sensations et lui donner un petit peu de répit, juste pendant 1 heure pour repartir de plus belle.

From discussions on Tiger Balms to South Asian Theatre, this was a funny and educational episode. The Double Bill that is THE SC SAGA. We need a night of that please Theatres!  With the incredibly talented peeps Dr. Sharmila Chauhan and Satinder Chohan.  In the episode we discuss:  Safeguarding yourself from topics when researching or diving into the world of your play/script as a writer Who do you share the vulnerability of you as a creative with? What outlet do you use to de zone or connect? The idea of success and progression as a creative Thoughts on South Asian Theatre- it's past, present and future.  South Asian Theatre companies such as Tara, Kali, Tamasha and Rifco and new organisations such as Hungama, Diet Paratha and Daytimers Digital Footprint and brand building. The Authenticity and representation of your play to be reflected in the cast and the creative team  POC Dramaturgy and support for writers 3 things this industry could do with and without What do you feel like you lack or can work on in your storytelling and what is your Beacon of light. Something you know you do extremely well and no one ever will come close to that.  If you know what you know now about the industry would you have entered it or worked the way you did up until now.  What was your biggest expectation from your career. That you have accomplished  and also let go of A bit about Sharmila: Sharmila is a screenwriter, playwright and prose writer: Her work is often a transgressive meditation on love, sex and an exploration of the diasporic experience. She is particularly interested in the intersection of sex, power and gender. She has had two short films produced and written two features: Most recently, her short film Oysters – an exploration of desire in the face of grief – was commissioned by Film London (2016) and her feature Mother Land – is currently being developed by Cinestan International and has been long-listed for the Sundance Writers' Lab. Her plays include: The Husbands (an exploration of polyandry and matriarchy in India) which toured nationally and completed its run at London's Soho theatre (Kali and Pentabus Theatre), Born Again/Purnajanam (Southwark Playhouse (exploring class, religion and female power), Kali Theatre, Jan 2012) and well as 10 Women (body image and women with Bethan Dear, Avignon Festival, France, 2014)). Shortlisted for the Asian New Writer award (2009 and 2012), Sharmila's short stories have been published widely in print and online. She is also currently working on her novel Seven Mirrors. Sharmila also has a degree in pharmacy and a PhD in clinical pharmacology from University College London. She lives in London with her husband, children and cat Tashi. A bit about Satinder: Satinder is a journalist turned playwright who grew up in Southall and graduated with an MA in English from Yale University. Her plays have been produced across the UK including UK tours of ZAMEEN with Kalí Theatre and KABADDI-KABADDI-KABADDI with Pursued By A Bear. She won the 2013 Adopt A Playwright Award to develop her play MADE IN INDIA, which completed a UK tour in 2017 with Tamasha and Belgrade Theatre in association with Pilot Theatre, directed by Katie Posner. The tour received great acclaim including an OffWestEnd award nomination and the Best Production Award at the Eastern Eye Awards. Tamasha also commissioned HALF OF ME, a large cast youth theatre piece, to tour in concert with MADE IN INDIA, which premiered at the Lyric Hammersmith in July 2016. In 2018 she co-adapted GULLIVER'S TRAVELS for the Bolton Octagon with Mike Kenny and the following year she wrote an adaptation of the novel GIRL OF INK AND STARS for Spark Arts which toured libraries and continues to be utilised in school's content. Satinder has previously had work presented by The Finborough and Paines Plough for the Vibrant Festival and Come To Where I'm From respectively and she has completed the Emerging Writer's Residency at the Traverse Theatre, won the Kalí Futures Writer Award, took part in the Kudos-Court scheme 2016 and was on attachment at the Hampstead Theatre. Satinder is one of 15 writers chosen to take part in Sphinx 30, a landmark programme for female playwrights launched to mark Sphinx's 30th anniversary, in partnership with Kalí. She is developing further plays, audio content and working on her first novel. Social: Myself: https://www.instagram.com/chaiwithrai_/  Guest: https://twitter.com/sharmilawrites  Links: Myself: https://linktr.ee/chaiwithrai_  Guest: https://sharmilathewriter.com & https://www.berlinassociates.com/clients/satinder-chohan/  Hope you all enjoyed it and Thank you for tuning in. To Subscribe, share, follow my work and everything else is listed above.  

Learn an Indian classical dance lesson from Kathak Guru Prerana Shrimali. She is answering all frequently asked questions in Kathak, Indian Classical Dance. Prerana Shrimali is a senior dancer of Jaipur Gharana of Kathak. Born in 1959 at Banswara in Rajasthan, Shrimati Prerana Shrimali was initiated in Kathak dance by Shri Gauri Shanker. Later, she was groomed in the art at Kathak Kendra, New Delhi, under Shri Kundan Lal Gangani of the Jaipur gharana. She also learnt to play the Pakhawaj and studied vocal music. Shrimati Prerana Shrimali is among the leading Kathak dancers of her generation. A versatile dancer, she has evolved an individual style in her presentation and gained wide popularity as a soloist. She has also choreographed several productions including Doosro Na Koi – Verses of Meera, Aavartan, Vistaar, Vivriti and Aaratis. She has participated in several international dance seminars and conferences and has presented Kathak in the Festival of India in the U.K., the Asian Performing Arts Festival in Japan, the Avignon Festival in France, and the Dance Festival in Switzerland. In the U.S., she has performed at Carnegie Hall, New York, and presented a series of performances in Jordan, Syria and Muscat. She has also imparted training to young dancers at well-known institutions such as Gandharva Mahavidyalaya and the Shriram Bharatiya Kala Kendra. She has served as Repertory Chief of the Kathak Kendra, Delhi. Shrimati Prerna Shrimali has been bestowed the Rajasthan Sangeet Natak Akademi Award and the Rashtriya Ekta Award of the Rajiv Gandhi Foundation. Her dance has been featured in the film The Far Pavilions produced by BBC. She has herself directed a film, Pathrai Ankhon ke Sapne, for Doordarshan. Shrimati Prerana Shrimali was awarded Sangeet Natak Akademi Award for the year 2009 for her contribution to Kathak dance. --- Send in a voice message: https://anchor.fm/raag-giri/message

durée : 00:15:10 - Journal de 22h - Les lieux culturels retrouveront en partie leur public ce mercredi 19 mai. Mais la CGT spectacle continue à soutenir l'occupation d'une centaine de théâtres, et le mouvement devrait se prolonger plusieurs jours encore. Le syndicat réclame le retrait de la réforme de l'assurance-chômage. - invités : Sébastien Benedetto Directeur du Théâtre des Carmes à Avignon et président de l'association Avignon Festival & Compagnies

durée : 00:15:10 - Journal de 22h - Les lieux culturels retrouveront en partie leur public ce mercredi 19 mai. Mais la CGT spectacle continue à soutenir l'occupation d'une centaine de théâtres, et le mouvement devrait se prolonger plusieurs jours encore. Le syndicat réclame le retrait de la réforme de l'assurance-chômage. - invités : Sébastien Benedetto Directeur du Théâtre des Carmes à Avignon et président de l'association Avignon Festival & Compagnies

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

ARTIST TALK WITH THOMAS OSTERMEIER 2019 September 13 Organizer: The Academy of Music and Drama in Gothenburg. Thomas Ostermeier, theatre director and artistic director for the Schaubühne theatre in Berlin, has been appointed as honorary doctor at the Faculty of Fine, Applied and Performing Arts, the University of Gothenburg. Thomas Ostermeier who has been a member of the artistic direction for the Schaubühne theatre in Berlin since the year 1999, is considered one of Europe’s most prominent directors. He has been called “The face of modern German theatre”, and has had great significance for the development of performing art in Germany and internationally. Ostermeier has also been one of the artistic directors for the Avignon Festival, and is professor in directing at Hochschule für Schauspielkunst "Ernst Busch", Berlin. He has published a number of books, the most recent of which is The Theatre of Thomas Ostermeier – where he writes about his method when staging dramatic texts. A conversation between Thomas Ostermeier, Rebecca Ringstrand, acting student Catharina Bergil, head of the performing arts programs, PRODUCED FOR K-PLAY BY KULTURAKADEMIN IN COLLABORATION WITH THE ACADEMY OF MUSIC AND DRAMA IN GOTHENBURG.

Festival d´Avignon je podle slov jeho ředitele Oliviera Py živoucí utopií, zkrátka jednou z největších, nejstarších a nejprestižnějších mezinárodních divadelních přehlídek na světě. Po sedmnácti letech se na avignonskou scénu vrátili i Češi.

Esperluette Podcast "En mode Festival" #28   Rencontre avec Damien Saugeon, interprète de Certains regardent les étoiles. Au milieu des années 30, Gabrielle, 12 ans, sourde et muette de naissance, fugue à Paris pour retrouver sa mère, une célèbre actrice du cinéma muet. Dans les années 80, Victor, 12 ans, s’aventure sur les traces de son père qu’il ne connaît pas après avoir découvert une carte de visite du Muséum d’histoire naturelle de Paris oubliée dans un vieux livre. Séparées par 50 ans, leurs quêtes se croisent par hasard. Cette rencontre permet à chacun de se réconcilier avec son passé et plus largement avec le monde qui l’entoure afin d’y trouver sa place. Dans un dispositif circulaire où le théâtre joue avec le cinéma, ces deux récits initiatiques, racontés l’un en mots et l’autre en images, sont portés par un comédien seul en scène. Télérama TTT : "Un spectacle où chaque pièce du puzzle trouve sa place, où derrière une belle leçon scientifique se cache un conte d’initiation, où l’on trouve avec l’étoile polaire le fil de sa vie".  -------- Retrouvez  toutes les interviews d'Esperluette sur : www.esperluette-podcast.fr  - Instagram -  Facebook et sur toutes les applis de podcast  Esperluette est un podcast natif produit par Marie-Cécile Drécourt sous licence Creative Commons BY-NC-ND 3.0 FR 

 Esperluette Podcast "En mode Festival" #13    Rencontre avec Emmanuel Van Cappel, qui interprète Elle ... émoi   Une alchimie délicate d’humour, de talent et d’humanité ! Assis dans son fauteuil, un musicien remonte le fil de sa carrière dans la fosse d’orchestre de l’Opéra de Paris. Dans une mise en scène aussi esthétique que poétique, jouant subtilement sur la confusion entre ELLE (sa trompette) et ELLE (la vie, l’être aimé...), pratiquant l’art de la métaphore et des digressions musicales , le personnage nous entraîne dans une introspection tout en pudeur et délicatesse. La musique rythme le spectacle et participe pleinement à l’émotion, à la joie et même à l’euphorie. Un vrai moment de grâce et d’intelligence... Un spectacle dont on ressort « ré-initialisé », plein d’énergie et de joie de vivre !  Vous pouvez suivre Emmanuel Van Cappel sur sa page Facebook      -------- Retrouvez  toutes les interviews d'Esperluette sur : www.esperluette-podcast.fr  - Instagram -  Facebook et sur toutes les applis de podcast  Esperluette est un podcast natif produit par Marie-Cécile Drécourt sous licence Creative Commons BY-NC-ND 3.0 FR 

Esperluette Podcast "En mode Festival" #06 Rencontre avec Laura Elko qui interprète "Enfin Vieille ! "  Laura a tout ce qu'il faut pour être heureuse : un bon métier, un futur époux parfait... mais sa petite conscience, marionnette greffée au bout de sa main, vient la titiller. A-t-elle vraiment choisi cette vie ? Où est passée son âme d'enfant ? ​Seule en scène, mais polymorphe, Laura raconte, ventriloque, chante avec une virtuosité joyeuse qui lui permet finalement d'échapper au carcan dans lequel elle s'était enfermée. Suivez Laura Elko sur Facebook et son site internet    -------- Retrouvez  toutes les interviews d'Esperluette sur : www.esperluette-podcast.fr  - Instagram -  Facebook et sur toutes les applis de podcast  Esperluette est un podcast natif produit par Marie-Cécile Drécourt sous licence Creative Commons BY-NC-ND 3.0 FR 

The Avignon Festival is one of the biggest collective annual theatre events in Europe. The programme will see the whole spectrum of performing arts take place in and around the south-eastern French region. In this week's Culture in France, RFI's Rosslyn Hyams talks to festival director Olivier Py and some of the artists whose work has marked the first of the three week-long international showing.

The Avignon Festival is one of the biggest collective annual theatre events in Europe. The programme will see the whole spectrum of performing arts take place in and around the south-eastern French region. In this week's Culture in France, RFI's Rosslyn Hyams talks to festival director Olivier Py and some of the artists whose work has marked the first of the three week-long international showing.