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Gabriel Pierné (1863 – 1937) - Sonate en une partie, Op.46 1. Lent2. Animez très peu – Calme3. Tempo (Mouvet. de début)4. Animé Carol Ou, violoncelloMana Tokuno, pianoforte
No episódio de hoje, vamos mergulhar em um universo mágico, mitológico e absolutamente encantador da música francesa do início do século XX. Prepare-se para conhecer – ou redescobrir – as duas suítes extraídas do balé Cydalise et le Chèvre-pied, compostas por Gabriel Pierné.Com uma escrita orquestral rica e colorida, essas obras nos transportam para uma paisagem habitada por ninfas, sátiros e deuses da natureza, misturando lirismo, humor e uma leveza quase encantatória. Vamos analisar cada suíte como um todo, explorando os gestos musicais, a atmosfera impressionista e os detalhes tímbricos que fazem dessa obra uma joia rara do repertório sinfônico francês. Fique com a gente e descubra como Pierné transforma mitologia em música com graça e sofisticação..Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: https://apoia.se/conversadecamara RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.
durée : 02:28:30 - France Musique est à vous du samedi 03 mai 2025 - par : Gabrielle Oliveira-Guyon - Keith Jarrett, Richard Strauss, Myriam Makeba, Rita Streich, Gabriel Pierné : retrouvez tous vos coups de cœurs musicaux dans une seule émission ! - réalisé par : Delphine Keravec
durée : 02:28:41 - France Musique est à vous du samedi 11 janvier 2025 - par : Gabrielle Oliveira-Guyon - Un Oratorio d'Alfred Schnittke, un Nocturne pour cor et orchestre d'Aymé Kunc, trois pièces op. 29 de Gabriel Pierné et le Requiem de Guy Ropartz : voici les surprises musicales du jour ! - réalisé par : Emmanuel Benito
durée : 01:27:31 - En pistes ! du mercredi 14 février 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe mettent à l'honneur ce matin les œuvres de Jean-Sébastien Bach, Ludwig van Beethoven, Richard Strauss, mais également celles d'Igor Stravinsky, Sergueï Prokofiev, sans oublier les compositeurs français Jules Semler-Collery et Gabriel Pierné. En pistes !
SynopsisOn today's date in 1923, the belated premiere of a new ballet score by French composer Gabriel Pierné took place at the Palais Garnier, the home of the Paris Opera Ballet.The ballet was finished in 1915, but due to the turmoil of World War I had to wait seven years to be staged. Also, its lighthearted, even frivolous subject matter would hardly have seemed appropriate during the trauma of wartime, but it perfectly suited the giddy post-war Paris of the 1920s. The ballet was titled Cydalise et le Chèvre-Pied (literally "Cydalise and the Goat-Foot" or "Cydalise and the Satyr") and, like Ravel's ballet Daphnis et Chloe, featured a cast of nymphs, satyrs and the god Pan. One excerpt of the ballet, known as "The Entry of the Little Fauns," became a popular concert selection on its own, although the complete score, like most of the other music by Pierné, is rarely performed in concert these days. Of late, however, more of Pierné's melodious, well-crafted and oh-so-French scores have found their way to recordings. So anyone curious can sample more of his operas, his choral and symphonic works, and his solo piano and chamber music.Music Played in Today's ProgramGabriel Pierné (1863-1937) – The Entry of the Little Fauns, from Cydalise et le Chèvre-Pied (Orchestre National de Lille; Darrell Ang, cond.) Naxos 8.5736090
Synopsis In the Guiness Book of Music Facts and Feats, the record for "Most Prolific Composer" goes to Georg Philip Telemann, who died on today's date in 1767 at the age of 86. And longevity gave an edge to productivity: Telemann outlived his prolific contemporary, J.S. Bach, by 21 years, and outlived Handel by 12. But even considering the extra years he lived, Telemann's output is staggering. Of Bach's cantatas, some 200 or so survive, but Telemann's number 1400. He also wrote 125 orchestral suites, 125 concertos, 130 trios, 145 pieces for solo keyboard, and about 50 operas. Most composers (if they are lucky), publish one autobiography; Telemann published three, and commented in one of them, "How is it possible for me to remember everything I wrote for violin and winds?" Sometimes, in addition to composing original music, Telemann was also asked to perform it: "A few days before I play a violin concerto," he wrote, "I always locked myself away, fiddle in hand, shirt-sleeves rolled up, with something strong to calm the nerves, and practice." Fortunately, Telemann seemed to find musical inspiration everywhere, including from the pop and folk music of his day. As he put it, "One would scarcely believe what wonderful ideas pipers and fiddlers have when they improvise while dancers pause for breath. An observer could easily gather enough ideas from them in eight days to last a lifetime!" Music Played in Today's Program Georg Philipp Telemann (1681 - 1767) Violin Concerto in A (The Frog) Pavlo Beznosiuk, violin; New London Consort; Philip Pickett, conductor. London 455 621 On This Day Births 1860 - French composer Gustave Charpentier, in Dieuze, Lorraine; 1935 - Austrian composer Kurt Schwertsik, in Vienna; Deaths 1767 - German composer Georg Philipp Telemann, age 86, in Hamburg; 1822 - German composer, critic and popular Romantic author Ernst Theodor Amadeus ("E.T.A.") Hoffmann, age 46, in Berlin; Premieres 1840 - For the 400th anniversary of the Gutenberg Printing Press, Mendelssohn presents his Symphony No. 2, "Lobegesang" (Song of Praise) at the Thomaskirche in Leipzig; 1850 - R. Schumann: opera "Genoveva," in Leipzig at the Stadttheater; 1910 - Stravinsky: ballet, "The Firebird," at the Paris Opera, with Gabriel Pierné conducting; 1923 - de Falla: one-act opera "El retablo de maese Pedro" (Master Peter's Puppet Show), first staged performance in Paris at the home of the Princesse de Polignac; This opera was premiered in a concert performance in Seville on March 23, 1923; 1940 - William Grant Still: choral ballad "And They Lynched Him on a Tree," at New York's Lewisohn Stadium by the Schola Cantorum and Wen Talbert Negro Choir with the New York Philharmonic, Arthur Rodzinksi conducting; 1954 - Leroy Anderson: "Sandpaper Baller" at a Decca recording session in New York City, with the composer conducting; Three different grades of sandpaper rubbed together were used to make the vaudeville-style "soft shoe" dancing sound effects for this classic recording; 1955 - Grofé: "Hudson Valley" Suite, in Washington, D.C., by the National Symphony conducted by André Kostelanetz; 1991 - James MacMillan: "Tuireadh" (Lament) for clarinet and string quartet, by James Campbell and the Allegri Quartet at St. Magnus Cathedral in Kirkwall (Orkney Islands). Links and Resources On Telemann
DescriptionThe Carnival of the Animals (Le Carnaval des animaux) is a humorous musical suite of fourteen movements by Camille Saint-Saëns. Take a minute to get the scoop!Fun FactThe first public performance of The Carnival of the Animals was given on 25 February 1922 by the Concerts Colonne, conducted by Gabriel Pierné. It was rapturously received. Le Figaro reported: “We cannot describe the cries of admiring joy let loose by an enthusiastic public. In the immense oeuvre of Camille Saint-Saëns, The Carnival of the Animals is certainly one of his magnificent masterpieces…”__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘De zomer van 1900' Soms kan muziek een stroom herinneringen oproepen. Op zoek naar de verloren tijd. De wereld van Marcel Proust en de belle epoque klinken in deze verfijnde muziek van Gabriel Pierné. Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/52c2d0aa-69cb-4ea5-9064-db3b940d5bae/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-17-24-t-m-28-april) Gabriel Pierné Vioolsonate op.36; II. Allegretto tranquillo Maria Milstein, viool Nathalia Milstein, piano (album: La sonate de Vinteuil) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.
durée : 01:28:39 - Les Concerts Colonne ont 150 ans ! (1/3) : Edouard Colonne, Gabriel Pierné et Paul Paray - par : François-Xavier Szymczak - Il y a cent cinquante ans, en 1873, venait au monde un orchestre fondé par Edouard Colonne, et qui porte encore son nom aujourd'hui. En trois émissions, nous revenons sur quelques grands enregistrements des « concerts Colonne » - réalisé par : Davy Travailleur
durée : 01:28:39 - Anne Queffélec et la musique française (3/3) - par : François-Xavier Szymczak - Si elle s'est imposée comme une remarquable interprète de Satie, Ravel, Debussy, Fauré ou Dutilleux, Anne Queffélec a su également nous faire (re)découvrir Guy Ropartz, Gabriel Pierné ou Florent Schmitt - réalisé par : Davy Travailleur
durée : 01:28:17 - Anne Queffélec et la musique française (2/3) - par : François-Xavier Szymczak - Si elle s'est imposée comme une remarquable interprète de Satie, Ravel, Debussy, Fauré ou Dutilleux, Anne Queffélec a su également nous faire (re)découvrir Guy Ropartz, Gabriel Pierné ou Florent Schmitt
durée : 01:27:38 - Anne Queffélec et la musique française (1/3) - par : François-Xavier Szymczak - Si elle s'est imposée comme une remarquable interprète de Satie, Ravel, Debussy, Fauré ou Dutilleux, Anne Queffélec a su également nous faire (re)découvrir Guy Ropartz, Gabriel Pierné ou Florent Schmitt
durée : 00:25:15 - Claude Debussy, Iberia - par : Anne-Charlotte Rémond - Iberia est probablement la plus connue des "Images" pour orchestre de Claude Debussy. L'oeuvre est créée en 1910 dans le cadre des Concerts Colonne, sous la direction de Gabriel Pierné. - réalisé par : Philippe Petit
durée : 00:24:59 - Gabriel Pierné, Cydalise et le chèvrepied - par : Anne-Charlotte Rémond - A sa création, à l'Opéra de Paris le 15 janvier 1923, le ballet "Cydalise et le Chèvre-pied", sur la musique de Gabriel Pierné, est célébré par la presse comme un joyau national! - réalisé par : Claire Lagarde
durée : 00:25:15 - Claude Debussy, Iberia - par : Anne-Charlotte Rémond - Iberia est probablement la plus connue des "Images" pour orchestre de Claude Debussy. L'oeuvre est créée en 1910 dans le cadre des Concerts Colonne, sous la direction de Gabriel Pierné. - réalisé par : Philippe Petit
I programmet diskuteras bl. a. Sjostakovitjs 5e, 8e och 9e symfonier med Bostons symfoniorkester och Andris Nelsons samt ett album med filmmusik av Gershwin. I Johans val hör vi Oxalys-ensemblen. I panelen: Alexander Freudenthal, Aurélie Ferriere och Magnus Lindman som tillsammans med programledaren Johan Korssell betygsätter följande skivor: DMITRI SJOSTAKOVITJ Under Stalins Shadow Symfonier nr 9, 5 och 8 samt Svit ur Hamlet Bostons symfoniorkester Andris Nelsons, dirigent DG 479 5201 (2 CD)GEORG PHILIPP TELEMANN 12 Fantasier för viola da gamba Thomas Fritzsch, viola da gamba Coviello Classics COV 91601 GERSHWIN IN HOLLYWOOD Live at the Royal Albert Hall The John Wilson Orchestra John Wilson, dirigent Warner Classics 0825646493739 EINOJUHANI RAUTAVAARA Rubáiyát, Into the heart of Light, Balada, Fyra sånger ur operan Rasputin Gerald Finley, baryton Helsingfors filharmoniker John Storgårds, dirigent Ondine ODE 1274-2 Johans val Johan Korssell spelar valda avsnitt ur ett återutgivet album: Voyage au pays du tendre et de leffroi, på skivmärket Passacaille med Oxalys-ensemblen hemmahörande i Bryssel, vilket innehåller musik för harpa, flöjt och stråkar komponerad av Claude Debussy, André Caplét, Gabriel Pierné, Joseph Jongen och Frank Martin. Skivan gavs ut första gången år 2004 på Fuga Libera. Andra i programmet nämnda eller rekommenderade inspelningar: Valda Sjostakovitj-symfonier med Leningrad-filharmonin ledd av Jevgenij Mravinskij på märket Melodija. Sjostakovitjs alla 15 symfonier med Liverpools filharmoniker ledd av Vasilij Petrenko på Naxos. Sjostakovitjs åttonde symfoni med Moskva-filharmonins orkester under Kirill Kondrasjins ledning på Melodija; Concertgebouw-orkestern dirigerad av Bernard Haitink på Decca samt DVD:n med Concertgebouw-orkestern ledd av Andris Nelsons på C Major. Inget svep denna vecka
Our week-of-Valentine's Day show contains some of the most romantic selections from the Cedille catalog (full playlist below) ALFRED BACHELET (1864–1944) Chere Nuit (4:13) GABRIEL FAURÉ (1845–1924) Chanson d’Amour, Op. 27, No. 1 (2:04) GABRIEL PIERNÉ (1863–1937) Serenade, Op. 7 (2:21) From Songs of the Romantic Age Cedille Records CDR 90000 019 (Tracks 4–6) Patrice Michaels, soprano Deborah Sobol, piano ERIK SATIE (1866–1925) / EASLEY BLACKWOOD (b. 1933) Je te veux (5:00) From La vie est une parade Cedille Records CDR 90000 070 (Track 2) Patrice Michaels, soprano The Chicago Chamber Musicians FRIEDRICH HOLLANDER (1896–1976) Ich bin von Kopf bis Fuß auf Liebe eingestellt [From Head to Toe I Am Prepared for Love] (3:50) From Dancing on the Edge of a Volcano Cedille Records CDR 90000 065 (Disc 1 Track 11) Julia Bentley, mezzo-soprano New Budapest Orpheum Society MANUEL M. PONCE (1882–1948) Canciones Mexicanas "Estrellita...." (2:36) From Mexican Piano Music by Manuel M. Ponce Cedille Records CDR 90000 086 (Track 1) Jorge Federico Osorio, piano FELIPE VILLANUEVA (1862–1893) Amor: Vals de Salón (3:12) From Salón Mexicano Cedille Records CDR 90000 132 (Track 12) Jorge Federico Osorio, piano MATTHEW HARRIS (b. 1956) From Shakespeare Songs It Was a Lover and his Lass (3:09) JOHN RUTTER (b. 1945) It Was a Lover and his Lass (2:28) From Shall I Compare Thee? Cedille Records CDR 90000 085 (Tracks 7 & 11) Chicago a cappella SERGEI PROKOFIEV (1891–1953) Adagio from Ten Pieces from Cinderella, Op. 97b (3:51) From Russian Music for Cello & Piano Cedille Records CDR 90000 120 (Track 6) Wendy Warner, cello Irina Nuzova, piano AMY BEACH (1867–1944) Romance for Violin and Piano, Op. 23 (1893) (7:31) From American Virtuosa: Tribute to Maud Powell Cedille Records CDR 90000 097 (Track 1) Rachel Barton Pine, violin Matthew Hagle, piano LEONARD BERNSTEIN (1918–1990) / RANDALL CRAIG FLEISCHER (b. 1958) West Side Story Concerto for String Quartet and Orchestra Maria (2:32) Tonight (3:17) From Delights & Dances Cedille Records CDR 90000 141 (Track 8–9) Harlem Quartet Chicago Sinfonietta Mei-Ann Chen, conductor