Podcasts about William Grant Still

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! Ron Calls in at 35 mins and Celeste joins me at 49 mins  Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

durée : 01:28:44 - En pistes ! du jeudi 12 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Découvrez les mélodies du compositeur afro-américain William Grant Still, star à Los Angeles mais peu connu chez nous.

durée : 00:13:54 - Lieder & Klaviermusik : William Grant Still - Yajie Zhang - William Grant Still (1895-1978), originaire de Little Rock, fut un pionnier à bien des égards. Il a été le premier Afro-Américain à sortir avec succès des régions généralement concédées du jazz et de la pop, à assister à l'exécution d'une œuvre symphonique et d'un opéra.

durée : 01:28:44 - En pistes ! du jeudi 12 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Découvrez les mélodies du compositeur afro-américain William Grant Still, star à Los Angeles mais peu connu chez nous.

durée : 00:13:54 - Lieder & Klaviermusik : William Grant Still - Yajie Zhang - William Grant Still (1895-1978), originaire de Little Rock, fut un pionnier à bien des égards. Il a été le premier Afro-Américain à sortir avec succès des régions généralement concédées du jazz et de la pop, à assister à l'exécution d'une œuvre symphonique et d'un opéra.

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Wajahat Ali is a Daily Beast columnist, public speaker, recovering attorney, and tired dad of three cute kids. Get his book Go Back To Where You Came From: And, Other Helpful Recommendations on Becoming American which will be published in January 2022 by Norton. He believes in sharing stories that are by us, for everyone: universal narratives told through a culturally specific lens to entertain, educate and bridge the global divides. Listen to WAj and DAnielle Moodie on Democracy-ish  He frequently appears on television and podcasts for his brilliant, incisive, and witty political commentary. Born in the Bay Area, California to Pakistani immigrant parents, Ali went to school wearing Husky pants and knowing only three words of English. He graduated from UC Berkeley with an English major and became a licensed attorney. He knows what it feels like to be the token minority in the classroom and the darkest person in a boardroom. Like Spiderman, he's often had the power and responsibility of being the cultural ambassador of an entire group of people, those who are often marginalized, silenced, or reduced to stereotypes. His essays, interviews, and reporting have appeared in The New York Times, The Atlantic, The Washington Post, The Guardian, and New York Review of Books. Ali has spoken at many organizations, from Google to Walmart-Jet to Princeton University to the United Nations to the Chandni Indian-Pakistani Restaurant in Newark, California, and his living room in front of his three kids. Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Subscribe to Rothkopf's new Substack  https://davidrothkopf.substack.com/ Follow Rothkopf Listen to Deep State Radio Read Rothkopf at The Daily Beast Buy his books David Rothkopf is CEO of The Rothkopf Group, a media company that produces podcasts including Deep State Radio, hosted by Rothkopf. TRG also produces custom podcasts for clients including the United Arab Emirates. He is also the author of many books including Running the World: The Inside Story of the National Security Council and the Architects of American Power, Superclass, Power, Inc., National Insecurity, Great Questions of Tomorrow, and Traitor: A History of Betraying America from Benedict Arnold to Donald Trump. Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls My Conversation with Celeste begins at 27 minutes Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art 

Fundraiser link here: https://www.eventbrite.com/e/1026719635067?aff=oddtdtcreator On October 29th, 1931, The Rochester Philharmonic in New York State presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still's First Symphony, subtitled  “Afro American,” was the first time a symphony written by a Black American composer was performed by a leading orchestra. William Grant Still was a man of many firsts, whether he was the first Black American conductor to conduct a major orchestra, the first to have an opera performed by a major company, the first Black American to conduct an orchestra in the South of the United States, and much more. Today we're going to focus in on Grant Still's first symphony, a symphony that Grant Still had long thought about, conceptualized, and dreamed of. It was also a symphony wrapped up in the roiling currents of Black America at the time, with the Harlem Renaissance in full swing and Alain Locke's tract The New Negro sparking discussion and debate all over the country. It was a symphony that attempted to do something no one had ever done before; that is, to marry together the genre of the Blues with that of symphonic music. Until 1950, it was THE most performed symphony written by an American composer. But until 10 or 15 years ago, it had all but disappeared from the stage, but due to the explosion of interest in Black American composers of the past and present, this brilliant symphony is making its way back onto stages all over the world. The way that Grant Still constructed this meeting of two genres of music was ingenious and innovative from start to finish, and so today on the show we'll explore all of the historical context of the symphony, what Grant Still was trying to do with his monumental new endeavor, and of course, all of the music itself. I want to thank John McWhorter for his brilliant contributions to this episode, as well as the Aalborg Symphony for embarking on a fantastic recording of the symphony, which you will hear throughout this episode.  

What do William Grant Still, Joseph Bologne, and Florence B. Price have in common? They're all Black composers who contributed to the canon of classical music. Today's podcast episode spotlights Classic Black, a groundbreaking youth program celebrating Black excellence in classical music.Created by Montreal-born pianist, accordionist, producer, composer, and music director Ric'key Pageot in collaboration with Crewest Studio, Classic Black hosts live performances and educational talks that spotlight the incredible contributions of Black composers and musicians to the world of classical music. Tune into the episode on the player below to learn how Classic Black redefines the narrative surrounding classical music and honors the trailblazing musicians of color who helped shape history.For more information, please visit http://notrealart.com/classic-black

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more I had a great conversation with Celeste Headlee about the Presidential Campaign coverage of he last few weeks, The Rise of Kamala and so much more!  Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

Jazz88's Peter Solomon spoke with Jonathan Taylor Rush, guest conductor with the Minnesota Orchestra, about the second annual Juneteenth program scheduled for Friday, June 14th at 8 PM. He discusses the wide ranging program, which includes compositions by William Grant Still, Margaret Bonds, and more recent works by Omar Thomas, Carlos Simon and hip hop writer/performer Wordsmith. (Attached image by Courtney Perry).

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Pete on Threads Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art

Frieden finden, sich fallen lassen. Klappt am besten mit der richtigen Stimmung auf dem Ohr. Diese Musikstücke hast Du in der Folge gehört: "Let Somebody Go" – Coldplay // "Mother and Child" – William Grant Still // "An Ending (Ascent)" – Brian Eno // "Abends" – Joseph Joachim Raff // "Black Friday" – Tom Odell // Den Podcast "Lisas Paarschitt" von WDR 2 findest du hier: https://www.ardaudiothek.de/sendung/lisas-paarschitt-der-beziehungs-podcast-mit-lisa-ortgies/94669398 Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

During the first season of Countermelody I presented the great African American baritone Lawrence Winters in an episode which paired him with his contemporary Robert McFerrin. Today Winters (born Lawrence Whisonant in South Carolina on 12 November 1915 and died of cancer in Hamburg at age 49 on 24 September 1965) returns center stage to Countermelody in a program which focuses on his prowess in standard operatic repertoire and art song. After vocal study with Todd Duncan at Howard University, Winters toured for several years with the Eva Jessye Choir before enlisting as a member of the Armed Forces. Upon returning to the US, he appeared in Harold Rome's Broadway musical revue Call Me Mister. In 1948 he debuted at New York City Opera, the first Black male singer to perform there; he performed there for seven seasons, returning for a single performance as Porgy in 1962. He made his first trip to Europe in 1949 and in 1950 joined the roster of the Royal Swedish Opera, with whom he sang for two seasons. Thereafter, he joined the ensemble of the Hamburg Opera and later, the Deutsche Oper Berlin. He also performed at the Wiener Staatsoper and the San Francisco Opera. He returned to the Broadway stage in 1960, garnering a Tony nomination for his appearance opposite Joya Sherrill in the play The Long Dream. In the last year of his life he also appeared in Germany in the title role of Eugene O'Neill's The Emperor Jones. He made a large number of recordings for Philips, Deutsche Grammophon and other labels, as well as a slew of radio recordings, many of the latter of which are featured on this episode. A certified star in Germany, Winters was often featured in pop music that appealed to the German public of the time but which, frankly, was not always worthy of his talent. In this episode I present him in repertoire that reveals him as one of the primarily Verdi and verismo baritones of his era, even when he was singing those roles in German translation. We also hear Winters in excerpts from two operas in which the protagonists are specifically Black: Frederick Delius's Koanga and William Grant Still's Troubled Island. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Welcome to Season 03 Episode 15 - the "Snowmower" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Robert Strauss on Live at the Met's La Rondine; Prof. Dan Lendzian on SUNY Fredonia's Department of Theatre and Dance productions of The Crucible and Abigail/1702; and Dr. Eliran Avni and Mr. Rick Davis on the Young Artist Recital Series. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Dr Robert Strauss/Live at the Met La Rondine  02:23 Prof. Dan Lendzian/The Crucible/Abigail 1702  17:26 Arts Calendar  34:12 Dr. Eliran Avni & Mr. Rick Davis/Young Artist Recitals  37:50 Media I'll Remember April", music by Gene DePaul, lyrics by Patricia Johnston and Don Raye, 1941. Performed by Julie London, from her album Calendar Girl, 1956, Liberty Records "Chi il bel sogno di Doretta”, from the opera La Rondine, composed by Giacomo Puccini, libretto by Giuseppe Adami; performed by Angel Blue from the Metropolitan Opera production, March 2024 excerpt from Act I Scene I of the National Theatre (London) production of The Crucible; Lyndsey Turner, director; December 2022. Summerland, William Grant Still, composer (1935); performed by the SIngapore Wind Symphony, August 2017 Sonata for Cello and Piano, I. Allegro maestoso; Henriëtte Bosman, composer (1919); performed by the Ekstasis Duo; Eliran Avni, piano, Natasha Farney, cello; September 2022. "I'll Remember April", music by Gene DePaul, lyrics by Patricia Johnston and Don Raye, 1941. Performed by Charlie Parker, saxophone, from the album Charlie Parker with Strings, July 1950, Verve label Artist Links Dr. Robert Strauss Prof. Dan Lendzian Dr. Eliran Avni Ekstasis Duo Link to SUNY Fredonia School of Music Event Calendar   BECOME AN OPERA HOUSE MEMBER!  

William Grant Still was a 20th century classical music superstar. The African-American composer created nearly 200 works, including five symphonies, four ballets, nine operas, over thirty choral works, plus art songs, chamber music, and works for solo instruments. Still was awarded numerous doctorates because of his accomplishments. He received little attention from mainstream radio in the U.S., but in 1949 the Voice of America conducted an interview with William Grant Still because of international interest in his work. More at http://krobcollection.com

William Grant Still's Highway 1, USA is an opera about family. Listen in as affiliated scholar, Dr. Kristi Brown-Montesano and the grand-daughter of William Grant Still - Celeste Headlee, discuss who Still was at home - and how the powerful women in his life influenced the drama we see unfold on stage.

SynopsisOn today's date in 1943, at the height of World War II, Aaron Copland's Fanfare for the Common Man had its premiere performance in Cincinnati. The Cincinnati Symphony's conductor in those days, British-born Eugene Goosens, had commissioned 18 fanfares for brass and percussion. “It is my idea,” he wrote, “to make these fanfares stirring and significant contributions to the war effort.”Besides Copland, composers commissioned included Henry Cowell, Paul Creston, Morton Gould, Howard Hanson, William Grant Still and Virgil Thomson.Most of the composers dedicated their fanfares to a unit of the U.S. military or one of its wartime allies. But Copland's fanfare stood out, both musically and by virtue of its title.Among the titles Copland considered — and rejected — were Fanfare for the Spirit of Democracy and Fanfare for Four Freedoms, the latter in reference to President Franklin Roosevelt's 1941 State of the Union Address that called for the freedom of speech and religion, and from want and fear. He settled on Fanfare for the Common Man.“It was the common man, after all, who was doing all the dirty work in the war and the army,” Copland recalled. “He deserved a fanfare.”Music Played in Today's ProgramAaron Copland (1900-1990): ‘Fanfare for the Common Man'; San Francisco Symphony; Michael Tilson Thomas, cond. RCA/BMG 63888

Written in 1942 under the title A Southern Interlude, William Grant Still's Highway 1, USA was not performed by a professional opera company until 2021. In this podcast, Dr. Tiffany Kuo explores the work's production history and reception. Tickets to Highway 1, USA are available now at LAOpera.org.

durée : 01:27:20 - En pistes ! du mercredi 28 février 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En pistes vous emmènent faire le tour du globe en commençant par l'Angleterre avec Ethel Smyth, puis l'Amérique avec William Grant Still, continuons en Italie chez Verdi, arrêt en Pologne avec Henryk Górecki, retrouvons Bedřich Smetana en Tchéquie et finissons le voyage en France avec Léo Delibes

In 1921, a man named Harry Pace started the first major Black-owned record company in the United States. He called it Black Swan Records. In an era when few Black musicians were recorded, the company was revolutionary. It launched the careers of Ethel Waters, Fletcher Henderson, William Grant Still, and Alberta Hunter, artists who transformed American music. But Black Swan's success would be short-lived. Just a couple years after Pace founded the company, larger, wealthier, white competitors started to take an interest in the artists whose careers Pace had propelled. Then, Pace's own life took a mysterious turn. This episode was originally published in 2021.

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot and of course the music of Highway 1, USA by William Grant Still. Don't miss this rarely performed one-act opera featured in our upcoming Double Bill, tickets are on sale now at LA Opera.org.

El segundo capítulo dedicado a autores estadounidenses que compusieron al menos una sinfonía tiene el denominador común de la superación y la lucha por la igualdad; y es que 3 de los 4 creadores cuyas obras podéis escuchar aquí tuvieron que vivir y sobrevivir en un país inundado por graves episodios de racismo… y ellos eran negros… Si William Levi Dawson y William Grant Still lo tuvieron complicado por este motivo, imaginad el caso de Florence Beatrice Price, quien además era mujer. Para completar el cuarteto de compositores protagonistas del programa, Carlos ha escogido a Louis Gottschalk, nacido en Nueva Orleans y cuya música estuvo fuertemente influida por las raíces negras y criollas, algo que se plasma de manera evidente en el movimiento de su primera sinfonía que suena en esta nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

A 17-year-old violinist shares how he deals with performance anxiety and plays William Grant Still. A teen guitarist speaks of his family connection with Colombia and the vibrant piece that was written for him to perform. A 12-year-old cellist gives an exuberant performance of Cassadó's Requiebros and shares how she sneaks in some time for bluegrass.

Pianist, music sociologist, and occasional trumpeter, Joshua Thompson, is an active change agent in the classical music world. Learn more about our host's passionate advocacy for diversity and inclusion, his work to promote social justice through music, and his unique perspective on the role of music in society.  Listen in as Angela teases out how Joshua got to where he is today and where he might be going next.Featured Music:"Summerland" - William Grant Still    Joshua Thompson, piano"Just A Lil' Bit" - Kim Kenny, songwriter/vocalsRichard Sleepy Floyd, drumsJared Thompson, saxophoneAmanda Gardnier, fluteJoshua Thompson, trumpetWill Rob, bass/keyboard"Troubled Water" - Margaret Bonds      Joshua Thompson, pianoSupport the show

Music historian, pianist, composer, and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania Dr. Guthrie Ramsey joins Judith Anne Still, daughter of the late composer William Grant Still, to discuss her father's life and music, how his experiences as a Black man informed his compositions, and how, despite his many “firsts,” his music was largely unrecognized until recently. Music from this episode: STILL, Symphony No. 4 (“Autochthonous”), The Philadelphia OrchestraSTILL, Out of the SilenceFirst Philadelphia Orchestra performancesJeffrey Khaner, fluteLinks from this episode:William Grant Still Music - http://www.williamgrantstillmusic.com/ Dr. Guthrie Ramsey on Twitter —  https://twitter.com/DrGuyMusiQologyWilliam Grant Still and the Adventure of Discovery — https://www.philorch.org/about-us/learn-more/Blog/william-grant-still-and-the-adventure-of-discovery/The Philadelphia Orchestra's HearTOGETHER series is generously supported by lead corporate sponsor Accordant Advisors. Additional major support has been provided by the Otto Haas Charitable Trust.

Wenn man einem späteren Interview glauben darf, musste William Grant Still während seiner Zeit bei der Marine nie das Deck schrubben, weil er Geige spielen konnte.

On October 29th, 1931, The Rochester Philharmonic presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still's First Symphony, subtitled  “Afro American,” was the first time a symphony written by a Black American composer was performed by a leading orchestra. William Grant Still was a man of many firsts, whether he was the first Black American conductor to conduct a major orchestra, the first to have an opera performed by a major company, the first Black American to conduct an orchestra in the South of the United States, and much more.  Today we're going to focus in on Grant Still's first symphony, a piece that Grant Still had long thought about, conceptualized, and dreamed of. It was also a symphony wrapped up in the roiling currents of Black America at the time, with the Harlem Renaissance in full swing and Alain Locke's tract The New Negro sparking discussion and debate all over the country. It was a symphony that attempted to do something no one had ever done before, that is, to marry together the genre of the Blues with that of symphonic music. At the time of its premiere and afterwards, it was quite a success, and until 1950, it was THE most performed symphony written by an American composer. After 1950, the symphony practically disappeared from concert stages, but due to the explosion of interest in Black American composers of the past and present, this brilliant symphony is making its way back into the repertoire of orchestras all over the world. The way that Grant Still constructed this meeting of two genres of music was ingenious and innovative from start to finish, and so today on the show we'll explore all of the historical context of the symphony, what Grant Still was trying to do with his monumental new endeavor, and of course, all of the music itself. I'm also joined today by the great writer and linguist John McWhorter, who discusses the 4 Paul Laurence Dunbar poems Grant Still added to each movement as epigraphs, as well as their cultural context. Join us!

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe  

Synopsis In the Guiness Book of Music Facts and Feats, the record for "Most Prolific Composer" goes to Georg Philip Telemann, who died on today's date in 1767 at the age of 86. And longevity gave an edge to productivity: Telemann outlived his prolific contemporary, J.S. Bach, by 21 years, and outlived Handel by 12. But even considering the extra years he lived, Telemann's output is staggering. Of Bach's cantatas, some 200 or so survive, but Telemann's number 1400. He also wrote 125 orchestral suites, 125 concertos, 130 trios, 145 pieces for solo keyboard, and about 50 operas. Most composers (if they are lucky), publish one autobiography; Telemann published three, and commented in one of them, "How is it possible for me to remember everything I wrote for violin and winds?" Sometimes, in addition to composing original music, Telemann was also asked to perform it: "A few days before I play a violin concerto," he wrote, "I always locked myself away, fiddle in hand, shirt-sleeves rolled up, with something strong to calm the nerves, and practice." Fortunately, Telemann seemed to find musical inspiration everywhere, including from the pop and folk music of his day. As he put it, "One would scarcely believe what wonderful ideas pipers and fiddlers have when they improvise while dancers pause for breath. An observer could easily gather enough ideas from them in eight days to last a lifetime!" Music Played in Today's Program Georg Philipp Telemann (1681 - 1767) Violin Concerto in A (The Frog) Pavlo Beznosiuk, violin; New London Consort; Philip Pickett, conductor. London 455 621 On This Day Births 1860 - French composer Gustave Charpentier, in Dieuze, Lorraine; 1935 - Austrian composer Kurt Schwertsik, in Vienna; Deaths 1767 - German composer Georg Philipp Telemann, age 86, in Hamburg; 1822 - German composer, critic and popular Romantic author Ernst Theodor Amadeus ("E.T.A.") Hoffmann, age 46, in Berlin; Premieres 1840 - For the 400th anniversary of the Gutenberg Printing Press, Mendelssohn presents his Symphony No. 2, "Lobegesang" (Song of Praise) at the Thomaskirche in Leipzig; 1850 - R. Schumann: opera "Genoveva," in Leipzig at the Stadttheater; 1910 - Stravinsky: ballet, "The Firebird," at the Paris Opera, with Gabriel Pierné conducting; 1923 - de Falla: one-act opera "El retablo de maese Pedro" (Master Peter's Puppet Show), first staged performance in Paris at the home of the Princesse de Polignac; This opera was premiered in a concert performance in Seville on March 23, 1923; 1940 - William Grant Still: choral ballad "And They Lynched Him on a Tree," at New York's Lewisohn Stadium by the Schola Cantorum and Wen Talbert Negro Choir with the New York Philharmonic, Arthur Rodzinksi conducting; 1954 - Leroy Anderson: "Sandpaper Baller" at a Decca recording session in New York City, with the composer conducting; Three different grades of sandpaper rubbed together were used to make the vaudeville-style "soft shoe" dancing sound effects for this classic recording; 1955 - Grofé: "Hudson Valley" Suite, in Washington, D.C., by the National Symphony conducted by André Kostelanetz; 1991 - James MacMillan: "Tuireadh" (Lament) for clarinet and string quartet, by James Campbell and the Allegri Quartet at St. Magnus Cathedral in Kirkwall (Orkney Islands). Links and Resources On Telemann

Ashley Jackson and the Harlem Chamber Players – Ennanga (Bright Shiny Things) Jump to giveaway form New Classical Tracks - Ashley Jackson by “I started thinking about this album in the summer of 2020. We were still living in Harlem, and the protests were happening just outside of our street,” harpist Ashley Jackson says, “And I really remember sitting and practicing and thinking, ‘What can I put on my music stand that's going to be able to speak to what's happening right now?'” Jackson is an assistant professor of music at Hunter College. She commutes to New York City once a week from her home in Baton Rouge, Louisiana. That gives her time to hang out with the Harlem Chamber Players, who join her on her debut recording, Ennanga. “I started [playing] African American spirituals. For me, they're America's first performing art form. We have so many different genres of music that stem from them.” Jackson says, “I started with two spiritual arrangements by Samuel Coleridge-Taylor, and then I wanted to branch out to other genres. And so that's why I have a mixture. I have a piece by Alice Coltrane called Prima, and, of course, Ennanga, by William Grant Still.  “Ennanga as a piece that takes us on a journey through different American musical styles. And that's really what I was trying to go for in this debut album. Ennanga itself is a type of Ugandan harp, and I really wanted to focus and have listeners think about not only the African American roots of American music, but the West African roots of American music.” The album opens with a recording of a piece by Alice Coltrane. What inspired you to include it? “In the fall of 2018, I had the opportunity to perform an arrangement of Prima with the Urban Playground Orchestra, and it was one of those pieces where I thought, ‘I'm not finished with it, I still have more learning to do.' So fast forward to now and I'm planning the concept of the album. I take out Prima and I'm thinking about the summer of 2020 and moments of healing and justice, and prima means love, pure love for the divine, which completely melts the heart. So, I said, this piece has to be on here.” There is a piece by composer and harpist Brandy Younger called Essence of Ruby in this album. Could you tell more about her and this piece?  “She's one of my harp sisters. Starting in 2020, she started to release solo harp arrangements of her compositions and I was really excited. I thought, yes, finally, something she's composed that I can play, and Essence of Ruby was one of them. And I love the piece. I loved the groove-based rhythm that it has and I love how it draws from not only jazz but R&B, and that's my musical DNA, that's the music I grew up listening to.” There are two African American spirituals on this recording by Samuel Coleridge-Taylor. One is called I'm Troubled in Mind, and it is the last track of the album. Why did you decide to close the recording with this piece?  “It's one of those rare spirituals that uses the first person. ‘I'm troubled in mind' speaks so clearly and plainly to how the enslaved channeled grief and pain on a daily basis. ‘The angels changed my name. I looked at my hands and my hands were new. I looked at my feet and my feet were new,' so I wanted to close the album by asking us to consider how we can move forward towards the future in a way in which we are changed for the better, that we're looking ahead towards a brighter day, a moment of freedom for all of us.” Ennanga: I To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Ashley Jackson New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Ashley Jackson and the Harlem Chamber Players – Ennanga (Amazon) Ashley Jackson and the Harlem Chamber Players – Ennanga (Bright Shiny Things) Ashley Jackson (official site) Harlem Chamber Players (official site)

Kenneth Thompkins was appointed Principal Trombone of the Detroit Symphony Orchestra by Neeme Jarvi. Prior to this appointment he held positions in the Buffalo Philharmonic and The Florida Orchestra and New World Symphony Orchestra.  He has also performed with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra. Thompkins enjoys working with young musicians and has performed masterclasses and recitals at many universities including the Curtis Institute of Music, University of Michigan, and the Eastman School of Music. In 2017 Thompkins recorded Sonatas, Songs and Spirituals featuring the music of Alec Wilder, William Grant Still and Philip Wharton. Sonatas, Songs and Spirituals was the winner of The American Prize in Instrumental Performance for 2018-2019. He has performed as a soloist with the Detroit Symphony Orchestra, Chineke! Orchestra and New World Symphony.  He also premiered “Troubled Water” trombone concerto by Carlos Simon with the Detroit Symphony Orchestra in 2023.  

Harpist Ashley Jackson seeks to shatter the traditionally narrow definition of "classical music," highlight Black history and pay homage to Black composers. Jackson, an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, views the harp as a vehicle for storytelling. In a recent performance at New York City's Lincoln Center called "Take Me To The Water," Jackson explored the role and symbolism of water in Black stories.  Her upcoming album, "Ennanga," explores the intersections between West African folk music, Black American spirituals and contemporary jazz, featuring the works of composers like William Grant Still and Alice Coltrane. It will be released on June 16 by Bright Shiny Things.  

Catalyst Quartet — Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker (Azica Records) Jump to giveaway form New Classical Tracks - Karlos Rodriguez by “At the end of the day, the Catalyst Quartet is important because we're trying to do something that matters to people.” Cellist Karlos Rodriguez is a founding member of the Catalyst Quartet, whose goal is to reimagine and redefine the classical music experience and the string quartet.  One way its members do that is through their multivolume series of recordings called Uncovered.  “We thought the series' inception, which started in 2018, would be one album,” he says. “Then, luckily, we called the thing Uncovered, because more and more music started to be uncovered, and it turned into this multivolume recording project. And in the end, I think it will probably be four volumes.” The third volume of Uncovered features works by George Walker, Coleridge-Taylor Perkinson and William Grant still. Why feature these three composers on the same recording? “Their music is related wonderfully. One of the pieces is called the Lyric Quartet, which is by William Grant still. George Walker's quartet is referred to as the Lyric Quartet. … The middle movement has been published as the Lyric for Strings. [Another example is] William Grant, the dean of all great American music. There is a Jazz Age reference in that. [And] when you say American music, Perkinson has been inspired [and also] crossed the line into jazz-age harmony. Walker's Lyric Quartet was his first major composition. He finished it while he was still a student studying in France. What is it about this work that makes it so significant? “As I spoke of earlier, the middle movement has been published as a standalone work called Lyric for Strings. It's beautiful. And so, many people play it that way, not even knowing that it's a whole string quartet, much like Samuel Barber's Adagio for Strings. “We were in California playing a series of concerts. The Barber Quartet was on the program, and so was George Walker's Lyric for Strings. Now, we knew it was a whole string quartet. It's not that we didn't know that, but programmatically it was a good fit. So, we're driving from concert to concert on tour, and we get alerted to a tweet from George Walker, and he must have been well into his 80s at that point. “And he said, ‘Why does nobody play my whole quartet? Everyone only plays this Lyric for Strings, the slow movement. Are they not up to the challenge of the outer two movements of my string quartet? It's a shame…' — or something like that. And so, we thought, ‘Oh, wow, good for him for getting on Twitter at his age,' but also that he knew that people weren't playing this entire work. And so, I wish that he were still with us. But, finally, this album comes out of us playing his entire string quartet.” When Perkinson finished his String Quartet No. 2 (Calvary) in 1956, he was about the same age that Walker was when he finished his Lyric Quartet. Why is this work important to the ensemble? “For us, the work is important because of our connection to Perkinson himself through one of our early mentors, Sanford Allen. Sanford Allen is the first African American member of the New York Philharmonic. He's a violinist, and Leonard Bernstein hired him. Sanford is directly responsible for commissioning most of the smaller chamber works and solo works for violin, which often came from Perkinson. He used to call him Perky.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Catalyst Quartet — Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker (Amazon Music) Catalyst Quartet — Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker (Presto music) Catalyst Quartet (Official Site)

In this episode, Angela and Joshua welcome Portia Dunkley, founder of the New Canon Chamber Collective. Sharing her all too familiar experience of young Black classical musicians being few and far between in the industry, Dunkley found her passion and motivation to create and cultivate an ensemble that identifies, elevates, and celebrates the contributions of the African diaspora within the genre in Miami, FL. Dunkley features "Symphony No. 5" by William Grant Still and "The Oaks" by Florence Price on the Collective's inaugural concert, affirming the sounds of Blackness and Americana in classical music.For more updates and information, follow New Canon Chamber Collective on Facebook and Instagram.Featured Music:"Symphony No. 5 (Western Hemisphere) Mvt. 4" by William Grant Still, performed by the Fort Smith Symphony"The Oaks" by Florence Price, performed by the Women's Philharmonic OrchestraSupport the show

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 740 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Christian Finnegan  is an American stand-up comedian, writer and actor based in New York City. BUY HIS NEW ALBUM--- "Show Your Work: Live at QED" Check out Christian's new Substack Newsletter! What is New Music for Olds? This newsletter has a very simple premise: You don't have time to discover new music. I do. Here's what I've discovered. Finnegan is perhaps best known as one of the original panelists on VH1's Best Week Ever and as Chad, the only white roommate in the “Mad Real World” sketch on Comedy Central's Chappelle's Show. Additional television appearances as himself or performing stand up have included “Conan”, “The Late Late Show with Craig Ferguson”, "Would You Rather...with Graham Norton", “Good Afternoon America” and multiple times on The Today Show and Countdown with Keith Olbermann, and on History's I Love the 1880s. He hosted TV Land's game show "Game Time". As an actor, Finnegan portrayed the supporting role of "Carl" in the film Eden Court, a ticket agent in "Knight and Day" and several guest roles including a talk show host on "The Good Wife". In October 2006, Finnegan's debut stand up comedy CD titled Two For Flinching was released by Comedy Central Records, with a follow-up national tour of college campuses from January to April 2007. “Au Contraire!” was released by Warner Bros. Records in 2009. His third special "The Fun Part" was filmed at the Wilbur Theatre in Boston on April 4, 2013 and debuted on Netflix on April 15, 2014.   Ophira Eisenberg is a Canadian-born standup comedian and writer. She hosted NPR's nationally syndicated comedy trivia show Ask Me Another (airing on 400+ stations) where she interviewed, joked, and played silly games with some of the biggest and funniest folks in the world.  Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Inside Joke can be found on Amazon and iTunes, along with her two other comedy albums, Bangs!and As Is. She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today. Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling books, including the most recent New York Times Bestseller Occasional Magic: True Stories About Defying the Impossible. Ophira's first book, Screw Everyone: Sleeping My Way to Monogamyi s a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect mate. She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors. Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page  

Synopsis On this day in 1934, an excited crowd of locals and visitors had gathered in Hartford, Connecticut, for the premiere performance of a new opera entitled Four Saints in Three Acts. The fact that the opera featured 16 saints, not 4, and was divided into 4 acts, not 3, was taken by the audience in stride, as the libretto was by the expatriate American writer, Gertrude Stein, notorious for her surreal poetry and prose. The music, performed by players from the Philadelphia Orchestra and sung by an all-black cast, was by the 37-year old American composer, Virgil Thomson, who matched Stein's surreal sentences with witty musical allusions to hymn tunes and parodies of solemn, resolutely tonal music. Among the locals in attendance was the full-time insurance executive and part-time poet, Wallace Stevens, who called the new opera (quote): "An elaborate bit of perversity in every respect: text, settings, choreography, [but] Most agreeable musically… If one excludes aesthetic self-consciousness, the opera immediately becomes a delicate and joyous work all around." The opera was a smashing success, and soon opened on Broadway, where everyone from Toscanini and Gershwin to Dorothy Parker and the Rockefellers paid a whopping $3.30 for the best seats—a lot of money during one of the worst winters of the Great Depression. Music Played in Today's Program Virgil Thomson (1896-1989) Four Saints in Three Acts Orchestra of Our Time; Joel Thome, conductor. Nonesuch 79035 On This Day Births 1741 - Belgian-born French composer André Grétry, in Liège; 1932 - American composer and conductor John Williams, in New York City; Deaths 1709 - Italian composer Giuseppe Torelli, age 50, in Bologna; 1909 - Polish composer Mieczyslaw Karlowicz, age 32, near Zakopane, Tatra Mountains; Premieres 1874 - Mussorgsky: opera “Boris Godunov”, at the Mariinsky Theatre in St. Petersburg, with bass Ivan Melnikov in the title role, and Eduard Napravnik conducting; This was the composer's own revised, nine-scene version of the opera, which originally consisted of just seven scenes (Julian date: Jan.27); 1897 - Kalinnikov: Symphony No. 1 (Gregorian date: Feb. 20); 1904 - Sibelius: Violin Concerto (first version), in Helsinki, by the Helsingsfors Philharmonic conducted by the composer, with Victor Novácek as soloist; The revised and final version of this concerto premiered in Berlin on October 19, 1905, conducted by Richard Strauss and with Karl Halir the soloist; 1907 - Schoenberg: Chamber Symphony No. 1 in Vienna, with the Rosé Quartet and members of the Vienna Philharmonic; 1908 - Rachmaninoff: Symphony No. 2 in St. Petersburg, with the composer conducting (Julian date: Jan. 26); 1909 - Liadov: “Enchanted Lake” (Gregorian date: Feb. 21); 1910 - Webern: Five Movements, Op. 5, for string quartet, in Vienna; 1925 - Cowell: "Ensemble" (original version for strings and 3 "thunder-sticks"), at a concert sponsored by the International Composers' Guild at Aeolian Hall in New York, by an ensemble led by Vladimir Shavitch that featured the composer and two colleagues on "thunder-sticks" (an American Indian instrument also known as the "bull-roarer"); Also on program was the premiere of William Grant Still's "From the Land of Dreams" for three voices and chamber orchestra (his first concert work, now lost, dedicated to his teacher, Edgard Varèse); 1925 - Miaskovsky: Symphonies Nos. 4 and 7, in Moscow; 1934 - Virgil Thomson: opera "Four Saints in Three Acts" (libretto by Gertrude Stein), in Hartford, Conn.; 1942 - Stravinsky: "Danses concertantes," by the Werner Janssen Orchestra of Los Angeles, with the composer conducting; 1946 - Bartók: Piano Concerto No. 3 (completed by Tibor Serly after the composer's death), by the Philadelphia Orchestra, Eugene Ormandy conducting and György Sándor as the soloist; 1959 - Elie Siegmeister: Symphony No. 3, in Oklahoma City; 1963 - Benjamin Lees: Violin Concerto, by the Boston Symphony, with Erich Leinsdorf conducting and Henryk Szeryng the soloist; 1966 - Lou Harrison: "Symphony on G" (revised version), at the Cabrillo Music Festival by the Oakland Symphony, Gerhard Samuel condicting; 1973 - Crumb: "Makrokosmos I" for amplified piano, in New York; 1985 - Earle Brown: "Tracer," for six instruments and four-track tape, in Berlin; 1986 - Daniel Pinkham: Symphony No. 3, by the Plymouth (Mass.) Philharmonic, Rudolf Schlegel conducting; 2001 - Sierra: "Concerto for Orchestra," by the Philadelphia Orchestra, Wolfgang Sawallisch conducting; Others 1875 - American composer Edward MacDowell admitted to the Paris Conservatory; 1877 - German-born (and later American) composer Charles Martin Loeffler admitted to the Paris Conservatory; 1880 - German opera composer Richard Wagner writes a letter to his American dentist, Dr. Newell Still Jenkins, stating "I do no regard it as impossible that I decide to emigrate forever to America with my latest work ["Parsifal"] and my entire family" if the Americans would subsidize him to the tune of one million dollars. Links and Resources On Virgil Thomson More on Thomson

In 1921, a man named Harry Pace started the first major Black-owned record company in the United States. He called it Black Swan Records. In an era when few Black musicians were recorded, the company was revolutionary. It launched the careers of Ethel Waters, Fletcher Henderson, William Grant Still, Alberta Hunter, and other influential artists who transformed American music. But Black Swan's success would be short-lived. Just a couple years after Pace founded the company, larger, wealthier, white competitors started to take an interest in the artists whose careers Pace had propelled. Then, Pace's own life took a mysterious turn. This episode originally aired on NPR's All Things Considered in 2021.

GRAMMY Award-winning Catalyst Quartetreleases UNCOVERED Volume 3: George Walker, Coleridge-Taylor Perkinson, William Grant Stillon Azica Records. The digital-only album is the third issue of a multi-volume anthology highlighting string quartet works by historically important Black composers, which aims to bring greater awareness and programming of their music. Volume 3 profiles three American composers who lived through the various Black artistic, political, and social projects that transformed the 20th century.  George Walker and his String Quartet No. 1 “Lyric” Coleridge-Taylor Perkinson's String Quartet No. 1 “Calvary,” William Grant Still's Lyric Quartet Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Synopsis On today's date in 2019 a new documentary film entitled Toni Morrison: The Pieces I Am debuted at the Sundance Film Festival in Utah examining her powerful works and her career as a Black American artist.Appropriately enough, the musical score for that documentary was crafted by another talented Black American woman, namely Kathryn Bostic, an accomplished composer of film, TV, theatrical, and concert hall scores.Kathryn Bostic is a recipient of many fellowships and awards including several from the Sundance Festival.  Kathryn served the Vice President of the Alliance for Women Film Composers, is a member of the Television Academy of Arts and Sciences, and in 2016 she became the first female African American score composer in the Academy of Motion Picture Arts and Sciences.“My parents loved music and my mother was a classical pianist and teacher,” says Bostic “Listening to the wide range of music while growing up brought me to a phenomenal treasure trove of black composers including William Grant Still, Ulysses Kay, George Walker, Margaret Bonds, Duke Ellington, Quincy Jones, Isaac Hayes … I mean I could go on and on. They are all such extraordinary innovators of rich textures and amazing emotional depth. Definitely big influences for me.” Music Played in Today's Program Kathryn Bostic: Main Title, from "Toni Morrison: The Pieces I Am" Lakeshore Records 35495 (original soundtrack album)

Hello ! thanks for reading the show notes. Today I cover the news and talk with Celeste Headlee about the truth about Elon Musk, how overdone and dangerous it is to compare everyone and everything to Nazi's and a great less in Etiquette. Check out her newsletter "Here's a Thought" Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 740 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Easiest way to find Talkin' Politics & Religion Without Killin' Each Other is by our main site: www.politicsandreligion.us. You can also follow me on all the socials @coreysnathan.   Here's a brief description of the pod: "Politics and Religion with Civility, Respect and even some Fun! Ya think that could work? We do!"   Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page

This season, we're taking an in-depth look at work and the history and future of labor organizing in Brooklyn. To kick off our series, we spoke with Dr. Joshua Freeman, CUNY professor and author of Working-Class New York: Life and Labor Since World War II; Celeste Headlee, NPR journalist and author of Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Melanie Kruvelis, Ashley Sandberg, and Zakiya Gibbons.• LINKSJoshua B. Freeman is Distinguished Professor of History (Emeritus) at Queens College, the Graduate Center of the City University of New York, and the CUNY School of Labor and Urban Affairs. His books include Behemoth: A History of The Factory and the Making of the Modern World (Norton); American Empire, 1945-2000: The Rise of a Global Power; the Democratic Revolution at Home (Viking); and Working-Class New York: Life and Labor since World War II (The New Press). He has written for The New York Times, The Washington Post, The New York Daily News, Newsday, The Nation, Dissent, Jacobin, and other publications. Professor Freeman lives in New York City.Celeste Headlee is an internationally recognized journalist and radio host, professional speaker and author of bestselling book We Need To Talk: How To Have Conversations That Matter and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. Her latest is Speaking of Race: Why Everyone Needs to Talk About Racism and How to Do It. Her TEDx Talk, 10 Ways to Have a Better Conversation, has been viewed over 34 million times. In her 20-year career in public radio, Celeste has been the Executive Producer of On Second Thought at Georgia Public Broadcasting and anchored programs including Tell Me More, Talk of the Nation, Here and Now, All Things Considered, and Weekend Edition. She also served as co-host of the national morning news show, The Takeaway, from PRI and WNYC, and anchored presidential coverage in 2012 for PBS World Channel. Celeste is a regular guest host on NPR and American Public Media. She is the host of Newsweek's “Debate” podcast and “Women Amplified,” a podcast from the Conferences for Women, the largest network of women's conferences in the nation, drawing more than 50,000 people to its annual events. Celeste is also the president and CEO of Headway DEI, a non-profit that works to bring racial justice and equity to journalism and media through targeted training and interventions, and she serves on the board for the National Center of Race Amity. Celeste is the granddaughter of composer William Grant Still, known as the Dean of Black American Composers and she is a trained operatic soprano. She lives in the DC area with rescue dog, Samus.Visit us online at bricartsmedia.org/Brooklyn-USA• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV 

Feeling overworked and overstressed?  According to our guest, Celeste Headlee, it may be time for you to do nothing. As parents, we can definitely overdo it. Statistically, this overworked lifestyle can shorten our lives.  Celeste Headlee shows us how to fight back.  SPONSOR Personal Capital:  Get access to FREE financial tools that help you invest more efficiently and build wealth for your family.  RESOURCES Do Nothing:  How to Break Away from Overworking, Overdoing and Underliving (Book)   Celeste Headlee (Website) GUEST BIO - Celeste Headlee: Celeste Headlee is an internationally recognized journalist and radio host, professional speaker and author of bestselling book We Need To Talk: How To Have Conversations That Matter and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. Her latest is Speaking of Race: Why Everyone Needs to Talk About Racism and How to Do It. Her TEDx Talk, 10 Ways to Have a Better Conversation, has been viewed over 34 million times. In her 20-year career in public radio, Celeste has been the Executive Producer of On Second Thought at Georgia Public Broadcasting and anchored programs including Tell Me More, Talk of the Nation, Here and Now, All Things Considered, and Weekend Edition. She also served as co-host of the national morning news show, The Takeaway, from PRI and WNYC, and anchored presidential coverage in 2012 for PBS World Channel. Celeste is a regular guest host on NPR and American Public Media. She is the host of Newsweek's “Debate” podcast, and hosts a podcast for the National Gallery of Art called “Sound Thoughts on Art.” She is also the host of “Women Amplified,” a podcast from the Conferences for Women, the largest network of women's conferences in the nation, drawing more than 50,000 people to its annual events. Celeste is also the president and CEO of Headway DEI, a non-profit that works to bring racial justice and equity to journalism and media through targeted training and interventions, and she serves on the board for the National Center of Race Amity. Celeste is the granddaughter of composer William Grant Still, known as the Dean of Black American Composers and she is a trained operatic soprano. She lives in the DC area with rescue dog, Samus. OTHER EPISODES YOU MIGHT LIKE Family Wealth and Happiness:  10 Steps to a Better Tomorrow (Today) Coast FIRE: When Have I Achieved It? 50% to 10%:  Why We're Happy Saving Less in FIRE Journey MKM RESOURCES MKM Coaching:  Request a free 15-minute consultation today YouTube:  Subscribe for free to watch videos of these episodes and interviews Instagram:  Follow our IG channel Voicemail:  Leave your question or comments here  Merch Store:  Check out our t-shirts, hoodies, and coffee mugs! SHOW INFORMATION:  Marriage Kids and Money Marriage Kids and Money is dedicated to helping young families build wealth and happiness. This award-winning platform helps couples and parents achieve financial independence and discover the true meaning of wealth.  To achieve these big goals, we answer questions and interview experts who uncover smart net worth building habits and tools that can help everyone find their own version of financial independence. Learn more at https://www.marriagekidsandmoney.com HOST BIO:  Andy Hill Andy Hill is the award-winning family finance coach behind Marriage Kids and Money - a platform dedicated to helping young families build wealth and happiness.  Andy's advice and personal finance experience have been featured in major media outlets like CNBC, Forbes, MarketWatch, Kiplinger's Personal Finance and NBC News. With millions of downloads and views, Andy's message of family financial empowerment has resonated with listeners, readers and viewers across the world.    When he's not "talking money", Andy enjoys watching his kids play soccer, singing karaoke with his wife and watching Marvel movies. DISCLAIMER This show may contain affiliate links or links from our advertisers where we earn a commission, direct payment or products. Opinions are the creators alone. Information shared on this podcast is for entertainment purposes only and should not be considered as professional advice. Marriage Kids and Money (www.marriagekidsandmoney.com) is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com. CREDITS Podcast Artwork: Liz Theresa Editor: Podcast Doctors

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Easiest way to find Talkin' Politics & Religion Without Killin' Each Other is by our main site: www.politicsandreligion.us. You can also follow me on all the socials @coreysnathan.   Here's a brief description of the pod: "Politics and Religion with Civility, Respect and even some Fun! Ya think that could work? We do!" Corey Nathan is the host of "Talkin' Politics & Religion Without Killin' Each Other!"   "Politics and Religion. We're not supposed to talk about that, right? Wrong! We only say that nowadays because the loudest, most extreme voices have taken over the whole conversation. Well, we‘re taking some of that space back! If you're dying for some dialogue instead of all the yelling; if you know it's okay to have differences without having to hate each other; if you believe politics and religion are too important to let ”the screamers” drown out the rest of us and would love some engaging, provocative and fun conversations about this stuff, then ”Talkin‘ Politics & Religion Without Killin‘ Each Other” is for you!"   Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Celeste Headlee is an award-winning journalist, professional speaker and author of We Need To Talk: How To Have Conversations That Matter, and Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving. An expert in conversation, human nature, reclaiming common humanity and finding well-being, Celeste frequently provides insight on what is good for all humans and what is bad for us, focusing the best research in neuro and social science to increase understanding of how we relate with one another and can work together in beneficial ways in our workplaces, neighborhoods, communities and homes. She is a regular guest host on NPR and American Public Media and a highly sought consultant, advising companies around the world on conversations about race, diversity and inclusion. Her TEDx Talk sharing 10 ways to have a better conversation has over 23 million total views, and she serves as an advisory board member for ProCon.org and The Listen First Project. Celeste is recipient of the 2019 Media Changemaker Award. Her new book, Speaking of Race will be released in November, 2021. She is the proud granddaughter of composer William Grant Still, the Dean of African American Composers.  Maura Quint  is a humor writer and activist whose work has been featured in publications such as McSweeneys and The New Yorker. She was named one of Rolling Stone's top 25 funniest twitter accounts of 2016. When not writing comedy, Maura has worked extensively with non-profits in diverse sectors including political action campaigns, international arts collectives and health and human services organizations. She has never been officially paid to protest but did once find fifteen cents on the ground at an immigrants' rights rally and wanted to make sure that had been disclosed. She was the co founder and executive director of TaxMarch.org  And she recently began a new gig at the Americans for Tax Fairness campaign director Listen to Maura co host their new podcast revisiting the YA books we loved in the 80s & 90s "My So Called Book Club" Support Maura and Megan on Patreon!  Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page