Podcasts about Daphnis

durée : 01:28:26 - En pistes ! du lundi 05 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble 1684 continue ses enregistrements des œuvres méconnues de Johann Rosenmüller. A découvrir aussi, un Daphnis et Chloé de Ravel par l'orchestre philharmonique de Strasbourg qui enregistre une toute nouvelle version du célèbre ballet, en cette année anniversaire.

durée : 01:28:26 - En pistes ! du lundi 05 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble 1684 continue ses enregistrements des œuvres méconnues de Johann Rosenmüller. A découvrir aussi, un Daphnis et Chloé de Ravel par l'orchestre philharmonique de Strasbourg qui enregistre une toute nouvelle version du célèbre ballet, en cette année anniversaire.

durée : 02:28:40 - France Musique est à vous du samedi 19 avril 2025 - par : Gabrielle Oliveira-Guyon - Cette semaine, nous célébrons le printemps grâce à vos suggestions - et au retour du soleil ! Au programme : une Etude printanière de Cécile Chaminade, Bridge of light de Keith Jarrett, Le printemps de Glazounov, Sur la place de Birds on the wire et Daphnis et Chloé de Ravel. - réalisé par : Delphine Keravec

durée : 02:28:34 - France Musique est à vous du samedi 19 avril 2025 - par : Gabrielle Oliveira-Guyon - Cette semaine, nous célébrons le printemps grâce à vos suggestions - et au retour du soleil ! Au programme : une Etude printanière de Cécile Chaminade, Bridge of light de Keith Jarrett, Le printemps de Glazounov, Sur la place de Birds on the wire et Daphnis et Chloé de Ravel. - réalisé par : Delphine Keravec

Donald Macleod dives into the life and music of Maurice RavelMusic featured: Jeux d'eau Shéhérazade (No 3, L'indifférent) Valses Nobles et Sentimentales Miroirs (No 5, La Vallée des Cloches) Une Barque sur L'océan Alborada del Gracioso Allegretto (incidental music for ‘Antar') Rapsodie Espagnole (No 3, Habanera & No 4, Feria) Gaspard de la Nuit (No 2 Le gibet) Daphnis et Chloé, Part 2 Ma Mère l'Oye Le Tombeau de Couperin (No 1, Prélude) Trois Chansons Le Tombeau de Couperin (excerpt) La Valse Sonata for violin & cello (1st & 2nd mvts) A la manière de Borodine Tzigane Trois chansons madécasses (No 1, Nahandove & No 2, Aoua! Aoua!) Piano Concerto in G major (2nd & 3rd mvts) BoléroPresented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maurice Ravel (1875-1937) https://www.bbc.co.uk/programmes/m00288rx And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Sein „Boléro“ machte ihn weltberühmt, zudem prägte er mit Werken wie „Daphnis et Chloé" und „La Valse“ die Moderne der klassischen Musik: Vor 150 Jahren wurde Maurice Ravel geboren, eine rätselhafte Krankheit beendete in den 30er-Jahren sein Schaffen. Hauspurg, Robert www.deutschlandfunk.de, Kalenderblatt

Hear why Ravel is a classical music master, whether capturing the sensuous allure of Spain in Rapsodie espagnole or summoning “the Greece of [his] dreams” in his ravishing suite from Daphnis and Chloe. Barber's Second Essay reflects the turbulent emotions of wartime. CSO Principal Clarinet Stephen Williamson solos in the world premiere of Indigo Heaven, a work written for him by American composer Christopher Theofanidis. Learn more: cso.org/performances/24-25/cso-classical/ravel-daphnis-and-chloe

RAVEL: Sheherazade (Ouverture de feerie) (15.55). Orq. Fil. de Nueva York. Dir.: P. Boulez. Daphnis et Chloe (Suites 1 y 2) (27.10). Orq. Fil. de Viena. Dir.: L. Morales.Escuchar audio

durée : 00:16:13 - Le Disque classique du jour du lundi 10 février 2025 - Un nouvelle version du ballet intégral de Ravel par Antonio Pappano à la tête du London Symphony Orchestra et des voix du Tenebrae Choir

durée : 01:28:38 - En pistes ! du lundi 10 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme d'En Pistes ! Le nouvel album de Christina Pluhar et de son Arpegiatta, Daphnis et Chloé par le LSO, mais aussi Bach, Haydn ou la musique de Friedrich Theodor Fröhlich

durée : 00:16:13 - Le Disque classique du jour du lundi 10 février 2025 - Un nouvelle version du ballet intégral de Ravel par Antonio Pappano à la tête du London Symphony Orchestra et des voix du Tenebrae Choir

durée : 01:28:38 - En pistes ! du lundi 10 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme d'En Pistes ! Le nouvel album de Christina Pluhar et de son Arpegiatta, Daphnis et Chloé par le LSO, mais aussi Bach, Haydn ou la musique de Friedrich Theodor Fröhlich

RAVEL: Daphnis et Chloe, Sinfonía coreográfica en tres partes (49.34). Coro del Festival de Tanglewood, Orq. Sinf. de Boston. Dir.: S. Ozawa.Escuchar audio

durée : 01:49:53 - Concert Inter - Les Clefs de l'Orchestre de Jean-François Zygel sur France Inter ! Le célèbre pianiste-compositeur explore et révèle secrets, mystères et beautés des grands chefs-d'œuvre du répertoire symphonique.

Fyra essäer om lyriska bilder som kan uppfattas som klichéer men som kan ruva på oupptäckta hemligheter. Latinforskaren Anna Blennow ger sig ut på jakt efter platsen, tillståndet och utopin Arkadien. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Essän sändes ursprungligen i maj 2018. Vi ser – på avstånd – en oljemålning med pastoralt motiv. Några herdar har samlats i skuggan av ett träd, kring ett förvittrande gravmonument. De försöker tyda den latinska inskriften: Et in Arcadia ego. Vad händer här? Vad är det här för plats? Vänta, där kommer någon vi kan fråga. – Ursäkta, var ligger Arkadien? – Det beror på vem du frågar. – Vem är du? – Jag är döden. Jag finns också i Arkadien. Landskapet Arkadien är beläget i det bergiga inlandet av den grekiska halvön Peloponnesos. Denna plats med sin vilda natur ansågs under antiken vara guden Pans hemvist. Den grekiske författaren Polybios, själv född i Arkadien, har påpekat att invånarna där hade särskild talang för musik och sång. Men ändå verkar det inte vara i Grekland som Arkadien ligger. Ty inte bara döden, utan också vitt skilda personligheter som Johann Wolfgang von Goethe och Fritiof Andersson finns i Arkadien. Så fort en lämplig glänta öppnar sig med mjukt gräs, sval skugga och en glittrande bäck, glömmer herdarna sina hjordar, sätter sig och sjunger växelsång med varandra, I Nicolas Poussins 1600-talsmålning – den som vi just nu betraktar – syns de typiska ingredienserna i ett arkadiskt landskap: herdar i antikiserande dräkt med diktens lagerkransar kring pannan. Nymfer, fauner och flockar av får och getter syns visserligen inte på bilden, men väntar runt hörnet. Livet verkar lätt i Arkadien. Det verkar inte finnas ett moln på himlen. Men var är vi? Vissa hävdar att Arkadien uppfanns på trettiotalet före vår tideräkning. Det var då den romerske poeten Vergilius författade sina tio pastorala poem, de så kallade Eklogerna. Redan i den första dikten definieras platsen: Tityrus, du ligger utsträckt i skuggan under ett bokträd, där du spelar skogens sång på ett tunt litet vasstrå – jag har lämnat mitt fädernesland och de ljuvliga fälten jag har flytt mitt land, men Tityrus, där i skuggan, lär du skogen sakta besjunga din Amaryllis. Den som talar är Meliboeus, en fattig romersk herde som förlorat sin mark. Vergilius herdar befinner sig alltså i Italien. Ändå visar det sig att deras hemvist kallas Arkadien. Och herdarnas liv är enkelt, men ändå utsökt. Kärlek och äpplen, skogsgudar och sång. Framför allt sång. Så fort en lämplig glänta öppnar sig med mjukt gräs, sval skugga och en glittrande bäck, glömmer herdarna sina hjordar, sätter sig och sjunger växelsång med varandra, och spelar på en pipa en låt av gryningsluft. Men de mörka hoten mot det enkla livet väntar strax bortom skogsbrynet. Den vackre herden Daphnis, älskad av både kvinnor och män, dör och blir besjungen. Meliboeus har blivit av med sina ägor i det romerska inbördeskrigets efterföljd, medan Tityrus besök i Rom har gett honom friheten åter genom den gudomlige kejsar Augustus. Vergilius egen samtid blandar sig in i versens skogar. Trots sin grekiska födelseattest kom Arkadien nu att få Italien som alltmer permanent adress. Men med tiden ska till och med själva döden komma att stryka på foten. Renässanspoeternas Arkadien blir till kärlekens landskap snarare än diktens. Författare som Torquato Tasso och Jacopo Sannazaro använder de antika pusselbitarna för att planlägga en utopisk, sorglös tillvaro, och den behagliga gläntan i skogen genererar erotik snarare än poesi. Landskapet är en idyllisk kuliss. Fåren har blivit lamm och går i sidenband. Arkadien blir samtidens och verklighetens antites, ett drömspel dit dåtidens bildningsaristokrati kunde ta sin tillflykt. Att vara medborgare i Arkadien innebar inte längre bara att vara diktare och herde, utan snarare att vara i exil från någonting annat. Och Arkadiens ständigt föränderliga geografi kunde nu placeras till och med mitt inne i staden. Den litterära akademin Arcadia instiftades i Rom i slutet av 1600-talet, och hade drottning Christina som sin musa. Valet av beskyddarinna var högst arkadiskt: drottningen var såväl landsflyktig som poetiskt orienterad. Verksamheten kretsade kring diktning och språkets renhet, och de som upptogs i den arkadiska kretsen fick ett eget herde- eller herdinnenamn. Ja: även kvinnor var välkomna i den arkadiska akademin, så länge de kunde dikta. Trots sin grekiska födelseattest kom Arkadien nu att få Italien som alltmer permanent adress. Auch ich in Arkadien! utropade Goethe i sin italienska resedagbok. Också jag får vara i Arkadien! Dödens hotande närvaro ersätts med individens jag, som återföds i närkontakt med den klassiska marken. Och i Italien upplever en rad författare detsamma under det reseintensiva 1800-talet, från Madame de Staël till Lord Byron. Arkadien var inte längre bara verklighetsflykt. Det var inkörsporten till ett återvunnet paradis och ett nytt liv, och dess soldränkta entré, prydd av vinrankor och flankerad av citronträd, fanns strax söder om Alperna. Och återigen måste vi fråga oss: Är Arkadien en plats eller ett tillstånd? Printz-Påhlson pekar på att Arkadien ofta är just förlorat, barndomens och ursprungets landskap: det personliga Arkadien där vi alla en gång var prinsar och prinsessor. Göran Printz-Påhlson skrev en gång att poesin är den enda litterära genre som saknar en geografisk plats. Poesins värld är den inre. Tid och rum finns inte där. Med ett undantag: den pastorala poesin och dess Arkadien. Men platsen är ändå inte plats – den är en utopi, en metafor, en förlorad värld. Printz-Påhlson pekar på att Arkadien ofta är just förlorat, barndomens och ursprungets landskap: det personliga Arkadien där vi alla en gång var prinsar och prinsessor. Dikten och berättelsen om platsen blir hemkomsten. Och ofta smälter generella bildningsideal samman med den individuella, självbiografiska upplevelsen. Författaren Vilhelm Ekelunds alldeles egna Arkadien låg i Skåne. Där var han uppvuxen, i trakten av Stehag. Det skånska landskapet var för honom vägen till tanke och dikt. I essän ”Nordiskt Arkadien” vandrar han vid Kullaberg i nordvästra Skåne, medan havet stormar nedanför i klart solsken, ”samma ljusa storm som strålar och susar i rytmerna af sången som jag läser, i Pindaros' sång”. Den eufori som den grekiska poesin väckte hos honom planterades i landskapets och havets dramatik i ett dubbelt medborgarskap mellan ordlöst ursprung och inlärd bildning. En poet som på samma sätt väver samman plats, minne och bildning är Jesper Svenbro. I sina senaste diktsamlingar har han förankrat sina arkadiska bopålar djupt i den skånska myllan. Och hela det klassiska entouraget har han med sig. Sapfo tar bussen från Landskrona i diktsamlingen ”Ekeby trafikförening”, och i ”Namnet på Sapfos dotter” från 2017 blir Svenbros egen studietid spelplats för en utopisk värld där antikens Grekland flyter samman med skånskt 1960-tal i de ”examensuppgifter” författaren uppmanas genomföra. De idealiserade studierna blir för Svenbro den arkadiska startmotor som skapar dikt och som löser de poetiska problemen. Arkadien börjar få tydligare konturer. Det är en plats och ett tillstånd. Arkadien är den plats där dikten blir till, och där vi blir till. Den magiska glänta där tiden upphör och vi plockar versrader från den blommande marken. En tillflykt, men också en flygplats för minnet och tanken, där vi kan försonas med förlusten. Men såväl frånvaron som den intensiva, behagliga närvaron är bara början på den röda matta som rullas ut framför våra ögon: Välkommen! Detta är vägen till poesin. Anna Blennow, latinforskare och skribent Musik Evert Taube: Fritiof i Arkadien. Inspelad i Milano i oktober 1937. Litteratur Vilhelm Ekelund, Antikt ideal / Båge och Lyra, Liber Förlag 1983. Jonas Ellerström, Vilhelm Ekelund: Landskap och tanke, Bokförlaget h:ström 2017. Göran Printz-Påhlson, När jag var prins utav Arkadien. Essäer och intervjuer om poesi och plats, Bonniers 1995. Stefano Fogelberg Rota, Poesins drottning. Christina av Sverige och de italienska akademierna, Nordic Academic Press 2008. Iacopo Sannazaro, Arcadia, 1504. Jesper Svenbro, Ekeby trafikförening, Albert Bonniers förlag 2015. Jesper Svenbro, Namnet på Sapfos dotter. Enskilt arbete läsåret 2015–2016, Albert Bonniers förlag 2017. Torquato Tasso, Aminta – ett herdedrama [1573], svensk översättning av Ingvar Björkeson, Natur & Kultur 2011. http://www.accademiadellarcadia.it Musik Evert Taube: Fritiof i Arkadien

Maurice Ravel - Daphnis and Chloe Suite No. 2Slovak Radio Symphony OrchestraKenneth Jean, conductorMore info about today's track: Naxos 8.553276Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We're joined by food writer and cookbook author, Ed Smith, to flick through his new cookbook “Good Eggs: Over 100 Cracking Ways to Cook and Elevate Eggs”. Monocle's Hester Underhill meets Evangelia Koutsovoulou whose brand, Daphnis and Chloe, is dedicated to bottling up the best Greek herbs to be shipped to keen cooks around the world. Plus: Petri Burtsoff is in Tallinn to learn more about Michelin-starred chef Kim Mikkola's new venture – chicken burgers.See omnystudio.com/listener for privacy information.

Au milieu du 18ème siècle, la cour vient chaque année à Fontainebleau où des ouvrages des grandes stars lyriques de l'opéra de l'époque sont créés. Mais il en est un qui fait exception, parce qu'il est chanté en langue d'oc. C'est en 1754, le compositeur Mondonville écrit et compose Daphnis et Alcimadure, les aventures de … Continuer la lecture de « Metaclassique #269 – Badiner »

Tekfen Filarmoni, Maurice Ravel'in pek çok sanat dalına ilham veren antik “Daphnis ve Khloe” hikayesini notalara döktüğü bale müziğini sahneye taşıyor! 28 Mart Merve Dizdar ve MAGMA Filarmoni Korosu'yla gerçekleşecek prömiyeri Açık Dergi'de konuşuyoruz.

This episode is primarily meant as a primer for music students.  It gives a very broad overview of music history from the Medieval era through what we might call modern classical music.  This episode is limited to Western civilization and some of the common composers.  This episode also offers David Lane's suggestion that we should rethink how we've classified musical eras since 1900.  Let us know what you think.   Music excerpts occur in this order: O virga ac diadema (Hildegard von Bengen), The Shoemaker's Wife (John Dowland), Canzon 12 (Giovanni Gabrieli), Spem in Alium (Thomas Tallis), Erbarme Dich, mein Gott from “St Matthew's Passion” (Johann Sebastian Bach), String Quartet op. 76, no. 2 mvt III (Franz Joseph Haydn), finale of Act 4 of Swan Lake (Peter Tchaikovsky), Symphony No. 2 (Gustav Mahler), “Nuages” from Nocturnes (Claude Debussy), and Part 2 of Daphnis et Chloe (Maurice Ravel) Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact    You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/.  If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

durée : 01:58:43 - Sergiu Celibidache "sur le vif" (2) - par : Philippe Cassard - Le sorcier des sons est à l'œuvre dans La Mer et Daphnis et Chloé. L'architecte des cathédrales brucknériennes nous hypnotise dans la 7ème Symphonie. - réalisé par : Margot Page

Welcome to the Instant Trivia podcast episode 1123, where we ask the best trivia on the Internet. Round 1. Category: Colors Of The Rainbow 1: This genre of country music is fittingly Kentucky's state music. bluegrass. 2: Sad or gloomy. blue. 3: In the 1996 and 2000 presidential elections, Ralph Nader ran as a member of this party. the Green Party. 4: In a sad mood. blue. 5: IBM is known informally as Big this. Blue. Round 2. Category: She Blinded Me With Science 1: Dorothy Hodgkin's Nobel Prize in Chemistry was for her work on this vitamin, whose deficiency causes pernicious anemia. B12. 2: Alice Ball was 23 and a college instructor in Hawaii in 1915 when she developed the first successful treatment for this, also known as Hansen's disease. leprosy. 3: Pioneering computer programmer Grace Murray Hopper coined this term for a mysterious computer problem. bug. 4: Nobel laureate Gertrude Elion helped develop drugs to treat herpes, gout and this, cancer of the bone marrow. leukemia. 5: In 1963 Maria Goeppert Mayer received a Nobel Prize in Physics for her "shell model" of this part of an atom. Nucleus. Round 3. Category: Guardians 1: U.S. Coast Guard units based in Cleveland, Ohio are known as the "Guardians of" these bodies of water. the Great Lakes. 2: 4-letter term for a person, usually a minor, legally placed in the charge of a guardian. a ward. 3: "Keeping it safe" is the motto of this red-bereted group founded by Curtis Sliwa. the Guardian Angels. 4: The scarlet and gold dress uniforms of these guardians of the Tower of London date back to 1552. the Beefeaters (or Yeoman Warders). 5: In Arthurian legend this wounded monarch is the guardian of the Holy Grail. the Fisher King. Round 4. Category: Unfinished Operas 1: This composer finished just 3 scenes of "Olav Trygvason"; they're sometimes performed as a cantata. Edvard Grieg. 2: Make an exodus from the theatre after seeing Schoenberg's incomplete opera about this man and his brother Aaron. Moses. 3: Biondello hides inside a mechanical goose in Mozart's unfinished opera "The Goose of" this Egyptian city. Cairo. 4: Let's wax philosophical and wonder why Rousseau left only fragments of his opera about Daphnis and her. Chloe. 5: Smetana's "Viola", with just 365 bars of music, is based on this play. Twelfth Night. Round 5. Category: Songs 1: Having this title problem, Barry Manilow sings, "I can't laugh and I can't sing, I'm finding it hard to do anything". "Can't Smile Without You". 2: 1930s song to which the Marcels added the following over 25 years later:"Bom ba ba bom ba bom ba bom bom ba ba bom ba ba bom ba ba dang a dang dang / Ba ba ding a dong ding". "Blue Moon". 3: 2 of the 3 Top 10 Fats Domino songs with "Walk" in the title. "I'm Walkin'", "I Want to Walk You Home", and/or "Walking to New Orleans". 4: "Under the Sea" from this Disney animated feature won the 1989 Oscar for Best Song. The Little Mermaid. 5: He's told to "mind the music and the step, and with the girls be handy". Yankee Doodle Dandy. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

durée : 00:04:58 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch évoque ce matin "Daphnis et Chloé", le ballet de Ravel auquel Jean-François Zygel consacrera ses prochaines "Clés de l'orchestre" aujourd'hui à l'Auditorium de la Maison de la Radio.

PRE-ORDER MY NEW BOOK SWEET INDULGENCE!!! https://www.amazon.com/Chef-AJs-Sweet-Indulgence-Guilt-Free/dp/1570674248 or https://www.barnesandnoble.com/w/book/1144514092?ean=9781570674242 Save Your Receipt! We will be offering bonuses for pre-orders ASAP. GET MY FREE INSTANT POT COOKBOOK: https://www.chefaj.com/instant-pot-download ------------------------------------------------------------------------------------ MY LATEST BESTSELLING BOOK: https://www.amazon.com/dp/1570674086?tag=onamzchefajsh-20&linkCode=ssc&creativeASIN=1570674086&asc_item-id=amzn1.ideas.1GNPDCAG4A86S ----------------------------------------------------------------------------------- Disclaimer: This podcast does not provide medical advice. The content of this podcast is provided for informational or educational purposes only. It is not intended to be a substitute for informed medical advice or care. You should not use this information to diagnose or treat any health issue without consulting your doctor. Always seek medical advice before making any lifestyle changes. Grab your free ticket today to the Plant-Based Beginner's Bootcamp - https://bit.ly/plantbasedbootcamp-register Kim Murphy passionately advocates for simple and healthy eating, focusing on "Progress, Not Perfection" to help busy people discover the incredible benefits of a whole food plant-based lifestyle. As an Amazon Best-Selling author of her book "Plant Powered" and a trusted coach to thousands, Kim's expertise is backed by her Plant-Based Nutrition Certificate from eCornell and the T. Colin Campbell Center for Nutrition Studies, as well as her Health Coaching Certification from the Institute of Integrative Nutrition. Kim founded Simply Plant Based Kitchen and her program Plant Powered Life, where she empowers others to embrace a nourishing plant-based lifestyle for optimal health and well-being. Kim is hosting a FREE 5-day Challenge called the Plant-Based Beginner's Bootcamp starting January 29th. This will be a fun & motivating event to help you begin (or reboot) your plant-based lifestyle. There will be daily live masterclasses & cooking demos, easy & delicious recipes, prize giveaways, and a supportive Facebook group to help you get started right. You'll learn how to eat plant-based to improve your health, prevent or reverse chronic diseases, and even lose weight without hunger or deprivation. Kim lives in Cedar Park, TX, near Austin with her husband, Shawn, and two boys, Mason & Hayden. They have 2 Huskies, Daphnis & Chloe, and two cats, Marshmallow & Cocoa. You can find out more about Kim & Simply Plant Based Kitchen here: Air Fried Vegan Chicken Strips Recipe- https://bit.ly/veganchickenstripsrecipe Vegan Yum Yum Sauce Recipe - https://bit.ly/veganyumyumsaucerecipe Amazon Best-Selling Book, “Plant Powered” by Kim Murphy - https://www.amazon.com/dp/B0C6BXFJVP?linkCode=ssc&tag=onamzchefajsh-20&creativeASIN=B0C6BXFJVP&asc_item-id=amzn1.ideas.1GNPDCAG4A86S&ref_=aip_sf_list_spv_ofs_mixed_d_asin Website - https://simplyplantbasedkitchen.com/ Facebook - https://www.facebook.com/simplyplantbasdkitchen Instagram - http://www.instagram.com/simplyplantbasedkitchen Plant Based Beginner's Bootcamp Registration - https://bit.ly/plantbasedbootcamp-register

SynopsisOn today's date in 1923, the belated premiere of a new ballet score by French composer Gabriel Pierné took place at the Palais Garnier, the home of the Paris Opera Ballet.The ballet was finished in 1915, but due to the turmoil of World War I had to wait seven years to be staged.  Also, its lighthearted, even frivolous subject matter would hardly have seemed appropriate during the trauma of wartime, but it perfectly suited the giddy post-war Paris of the 1920s. The ballet was titled Cydalise et le Chèvre-Pied (literally "Cydalise and the Goat-Foot" or "Cydalise and the Satyr") and, like Ravel's ballet Daphnis et Chloe, featured a cast of nymphs, satyrs and the god Pan. One excerpt of the ballet, known as "The Entry of the Little Fauns," became a popular concert selection on its own, although the complete score, like most of the other music by Pierné, is rarely performed in concert these days. Of late, however, more of Pierné's melodious, well-crafted and oh-so-French scores have found their way to recordings. So anyone curious can sample more of his operas, his choral and symphonic works, and his solo piano and chamber music.Music Played in Today's ProgramGabriel Pierné (1863-1937) – The Entry of the Little Fauns, from Cydalise et le Chèvre-Pied (Orchestre National de Lille; Darrell Ang, cond.) Naxos 8.5736090 

Nous sommes au deuxième siècle de notre ère, en Grèce ancienne. Lucien de Samosate, auteur satirique, met en scène mère et fille dans son « Dialogue des courtisanes » : « Je vais te dire ce que tu dois faire et comment tu dois te comporter avec les hommes, dit Crosbyle à sa fille Corinne. En effet, c'est là notre seul moyen de vivre et tu ne peux pas savoir comment nous avons vécu misérablement depuis la mort de ton père il y a deux ans (…) J'ai calculé que quand tu aurais cet âge que tu as maintenant, il te serait facile de me nourrir et de te procurer richesses, robes de pourpres et servantes. - Que veux-tu dire ? Lui demanda Corinne. - Tu iras voir des jeunes gens, tu boiras avec eux et tu coucheras avec eux contre de l'argent. - Comme Lyra, la fille de Daphnis ? - Oui. - Mais c'est une prostituée ! - Ce n'est pas si terrible ! Tu deviendras riche et tu auras de nombreux amants . Pourquoi pleures-tu ? Les prostituées sont nombreuses et recherchées. Elles gagnent beaucoup d'argent ! J'ai vu la fille de Daphnis couverte de guenilles quand elle était enfant et je la vois maintenant avec ses bijoux, ses robes de couleurs et ses quatre servantes ! » Qui sont les prostituées dans la Grèce antique, dans quelles conditions pratiquent-elles/ils leur activité ? Comment sont-elles/ils considéré.e.s ? C'est la leçon du jour. Invitée : Violaine Vanoyeke, historienne et romancière. « La prostitution dans la Grèce antique » Editions Encre Bleue Editeur. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Igor Strawinsky schwärmte von „Daphnis et Chloé“ als einem der "schönsten Produkte der gesamten französischen Musik". Als choreografische Sinfonie komponierte sie Maurice Ravel für die Ballets Russes und ihren Impresario Sergej Dhiagilew. Am 8. Juni 1912 wurde das Werk in Paris uraufgeführt. Nicht ohne Schwierigkeiten: Denn es ist Ravels größte je geforderte Besetzung, ein riesiger Orchesterapparat. Die komplexe Partitur entfaltet vor allem dann ihre Klangpracht, wenn jede einzelne Stimme durchschimmert, findet unsere Rezensentin Maria Gnann. Sie hat sich die Neuaufnahme der Sinfonia of London unter der Leitung von John Wilson angehört und findet: Sie bringen Ravels Musik zum Leuchten.

1912 vollendet Maurice Ravel sein berühmtes Ballett für Serge Diaghilevs legendäres Tanzensemble. Es ist sein längstes Werk überhaupt, wohl auch sein Bestes - ganz sicher sein Sinnlichstes: Das Schäferstündchen aus dem antiken Griechenland zeigt den Klangvirtuosen in Hochform. Von Murat Kayi.

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

I'm really spoiling you lot this week, with reviews of no fewer than five delicious versions of the famous flute solo from Ravel's Daphnis et Chloé! Following on from last week's episode, we go straight into the deep end and talk about my personal top 5 recordings. We'll analyse them on 3 criteria (The Scale, The MoneyMaker Moment and Unique Points) before you get to hear a wee clip from each to make your own minds up.I also briefly talk about the assault scandals in classical music, and give you a handy way to listen, guilt-free (or at least with less guilt), to recordings by problematic musicians.The full titles of the recordings are below, as well as the chapters so you can skip to your favourite one.And as always, if you enjoyed the episode, hit met up on my socials, I'd love to hear from you;Instagram: @garethhouston_fluteFacebook: @GarethHoustonFluteTikTok: @GarethHoustonFluteSlainte,Gareth xChapters0:00 - What's coming up this week2:20 - Jimmy Galway and Pahud, MIA4:06 - A note on problematic musicians7:54 - 5th place, Paul Edmund-Davies13:58 - Edmund-Davies clip14:33 - 4th place, Stefanie Faust19:38 - Faust clip20:16 - 3rd place, Ulla Miilmann26:13 - Miilmann clip26:47 - 2nd place, Juliette Hurel31:12 - Hurel clip31:46 - 1st place, Magali Mosnier39:33 - Mosnier clip40:08 - Merci's and smoochesRecording Number 5:Flute: Paul Edmund-DaviesLondon Symphony Orchestra conducted by Claudio AbaddoAlbum: Ravel: Daphnis et ChloeYear: 1986Recording Number 4:Flute: Stefanie FaustSinfonieorchester Aachen conducted by Kazem AbdullahAlbum: Ravel; Daphis et ChloéYear: 2017Recording Number 3:Flute: Ulla MiilmanThe Danish National Symphony Orchestra conducted by Matthias PintscherVideo on YouTube on Ulla Miilmans account, titled "Flute solo from Daphis et Chloé"Recording Number 2:Flute: Juliette HurelThe Rotterdam Philharmonic Orchestra conducted by Yannick Nézet-SéguinAlbum: Ravel: Daphis et Chloé et pavane pour une enfante défunteYear: 2015Recording Number 1:Flute: Magali MosnierOrchestre philharmonique de Radio France conducted by Myung-whun ChungAlbum: Ravel: Daphis et ChloéYear: 2005 Hosted on Acast. See acast.com/privacy for more information.

Things are getting HOT in the Inline G studio, as I deep dive into perhaps the sexiest piece (and flute solo) of all time; Daphnis et Chloé by Maurice Ravel.It almost goes without saying, however there is a trigger warning for this episode; I'll be discussing things of a sexual nature and strong sexual themes, and the podcast does include strong language throughout (although that bit is hardly news.)Anyway, this is is your one-stop-shop for all the background knowledge you need on the flute's most famous orchestral solo. The episode includes a quick history lesson, a concise explanation of the story, a short look at Pan (the pervy Greek god), some info on Ravel himself (including his Siamese cat's name) and finally, an analysis into all the things that make this music so God damn sexy.Scroll down here to find a list of chapters if you fancy skipping to a certain bit.Pop back next week when I'll be reviewing my favourite 5 recordings of the flute solo itself (including time stamps and track numbers so you can easily find them on all your streaming services.)Chapters:0:00 - What's coming up this week?5:46 - What is Daphis and Chloe?9:25 - The Story of Daphnis and Chloe13:37 - Wee Pervy Pan (The Greek god)16:19 - Maurice Ravel: A love affair with Mouni25:30 - Why is the music SO SEXY!?35:55 - Did Ravel write Die Hard? (no)37:05 - Ravel and Die Hard - A Comparison38:59 - Is the flute solo sexy?44:03 - Tying it all up and what's coming nextAs always, if you listened to even part of this episode, I would LOVE to hear from you! Find me at all these places below:Instagram: @garethhouston_fluteFacebook: @GarethHoustonFluteTikTok: @GarethHoustonFluteSlainte,Gareth x Hosted on Acast. See acast.com/privacy for more information.

"In this small community, they're going to hear Beethoven's 9th Symphony in their backyard. The festival has the intention to broaden the horizons of this community through music. That's why we do what we do: to learn and grow and teach and support each other." - Shelby Laird"I've always been in love with the choral rehearsal. It is so methodical and engaging. Every step is planned out, but there's always room for flexibility and growth. That kind of stuff that is so streamlined and normal in the choral classroom is something we can really learn from in the instrumental world." - Micah LairdShelby Laird is from Hays, Kansas and has grown up entrenched in the choral world. Throughout her education she has had the privilege to work and learn from some inspiring and brilliant conductions including Dr. Judy Bowers, Dr. Anton Armstrong, Simon Carrington, Helmuth Rilling, Kim Ritzer, and Dr. Edith Copley. She was a Young Artist for the Ad Astra Music Festival in Russell, KS, in 2015 and now serves as their Festival Manager and sings on select projects. Shelby graduated from Northern Arizona University in December 2018 with a degree in choral music education. While at NAU, she performed with Shrine of the Ages Choir, High Altitude, Handbell Choir, and Women's Chorale, and student conducted University Singers. Additionally, Shelby served as NAU's Student Chapter President of ACDA and planned the Student Symposium for the state of Arizona in 2017. She was awarded the Outstanding Future Choral Educator of the Year for the state of Arizona in 2018 and has sung with the Sedona Academy Chamber Singers for numerous exciting projects including recording GRAMMY nominated composer Michael Hoppé's Requiem and singing backup for Josh Groban. Shelby taught choir in the Independence School District at William Chrisman High School for three years outside of Kansas City. Currently, Shelby is pursuing a master's degree in choral conducting at the University of Oregon and working with Dr. Sharon Paul. In her first year, she sang with the UO Chamber Choir and conducted the Repertoire Singers ensemble. Shelby joined the Eugene Symphony Chorus for a performance of Beethoven's Ninth Symphony and then served as Eugene Symphony Chorus Manager for Ravel's Daphnis et Chloe. This summer Shelby is singing with the University of Oregon's Chamber Choir as a part of the renowned Oregon Bach Festival. Micah Laird is a graduate of Northern Arizona University where he obtained a degree in Instrumental Music Education as the Outstanding Senior in the School of Music. During his time at NAU, Micah was an active member of the School of Music, performing with numerous instrumental and vocal ensembles including the Flagstaff Symphony Orchestra. While in college, Micah also toured the country with the World Champion Blue Devils Drum and Bugle Corps in 2015 and 2016. Micah lived and taught in Blue Springs, Missouri, where he was the assistant director of bands at Brittany Hill Middle School and an associate director of bands for the Golden Regiment Marching Band from Blue Springs High School. In addition to his public-school teaching, he was on the instructional staff for the Academy Drum and Bugle Corps and the Blue Devils Drum and Bugle Corps for the 2022 season. Micah is also a part of the administrative staff for the Ad Astra Music Festival based out of Russell, Kansas. This is his first year at the University of Oregon working towards a graduate degree in Wind Conducting, studying under Dr. Dennis Llinás.To get in touch with Shelby and Micah, you can find them on Instagram: @shelbylaird19 and @micahtlaird.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Synopsis On today's date in 1912 Maurice Ravel's ballet Daphnis et Chloé received its first performance at the Théâtre du Châtelet in Paris, staged by Serge Diaghilev's Ballets Russes and choreographed by Michel Fokine. Some three years earlier, Diaghilev had approached Ravel about composing a ballet, and Ravel started working with Fokine on a scenario based on an old Greek pastoral romance about two lovers separated by pirates and reunited by the intervention of the god Pan. Ravel was a meticulous and slow worker, and his score for Daphnis et Chloé ended up taking three years to complete. By the time of its 1912 premiere, internal squabbles in the Diaghilev company and conceptual differences between composer and choreographer had dampened everyone's enthusiasm for the project. Even Diaghilev seemed to lose interest. In his memoirs, Pierre Monteux, the conductor of the first performance, recalled, "At first Diaghilev had been very enthusiastic with Ravel's magnificent score, but for some reason, which I have always thought was due to the weakness of the choreography, his fervor for Ravel and his music diminished to such a low pitch that it became difficult to work as we should have on the premiere." Monteux continued, "But all the musicians in the orchestra, and I might say all the musicians in Paris, knew that this was Maurice Ravel's greatest work." Music Played in Today's Program Maurice Ravel (1875 - 1937) Daphnis et Chloe London Symphony; Pierre Monteux, conductor. London 425 956

This week, Daphnis from our Discord joins us to talk about episodes 3 and 4 of Beast Wars, both of which involve Cheetor being reckless and stupid. He is blown up by the dumbest Predacon alive, gets trapped in Tarantulus' BDSM dungeon, is struck by lightning several times, challenges the sky to a fight, and tries to fistfight an inanimate object. Not a great showing so far, Cheetor! Well anyway, we hope you all like our Beast Era intro music : ). Noise Space | Discord

durée : 01:28:05 - Les Siècles de François-Xavier Roth (4/5) - par : François-Xavier Szymczak - Les Siècles ont vingt ans : le compte est bon, puisque c'est en 2003 que François-Xavier Roth a créé son ensemble Les Siècles, qui nous permet de découvrir ou redécouvrir le répertoire dans une démarche historiquement informée mais surtout musicalement inspirée

"It's really easy for a teacher to work 80, 90, 100 hours a week. What does that do to a person? When I'm exhausted, I'm a less effective communicator. I am less prepared to deal with the emotional challenges of the classroom. I am less likely to give grace when I'm tired. Giving 100% of yourself is not an effective educational strategy. You can't give everything."Benjamin Hawkinson is Director of Choral Activities and Assistant Professor of Music at Millikin University. There he conducts numerous ensembles including the University Choir, the True Blue Chorale (TB) and Millikin's premier vocal jazz ensemble OneVoice. Additional teaching responsibilities include courses in High School Choral Methods and Conducting. Ensembles under his direction have toured across the region with One Voice recently being invited to perform at the 2022 Jazz Educators Network in Dallas, TX, and at the Illinois Music Educators Conference in 2023. Recently Dr. Hawkinson served as guest conductor for the Millikin Decatur Symphony Orchestra in a performance of Bernstein's Chichester Psalms, and served as chorus master for Ravel's Daphnis et Chloe. Dr. Hawkinson is an active clinician, presenter, and researcher. Common presentation topics include vocal improvisation practices of the late Italian Renaissance, interdisciplinary interactions between music and the social sciences, and mitigating burnout through time new perspectives in time management. Dr. Hawkinson holds a Doctorate of Musical Arts in Choral Conducting from Texas Tech University, a Master of Music in Choral Conducting from Westminster Choir College, and a Bachelor of Music in Music Education from Northern Arizona University. To get in touch with Ben, you can email him at bhawkinson@millikin.edu. You can also find him on Instagram (@hawkinsonben) or Facebook (@ben.hawkinson.14).Choir Fam wants to hear from you! Check out the Minisode Intro episode to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from PexelsGet The Fluff Out - Listen, laugh and enjoy GenX Music + Talk Get The Fluff Out! is a fun GenX Music + Talk podcast releasing 4 episodes per monthListen on: Apple Podcasts Spotify Bless Our MessLife gets messy! Which is why we created Bless Our Mess. Join us as we tackle life issues.Listen on: Apple Podcasts Spotify

Here is the bitly link to the guide & recipes - https://bit.ly/mixandmatchbowls Kim Murphy is a certified Plant Based Health Coach and the founder of Simply Plant Based Kitchen, as well as her program, Plant Powered Life. Kim is a former teacher, having taught high school band and colorguard for 17 years, but now she teaches about her other passion, whole food plant based eating. She started Simply Plant Based Kitchen because she wanted to help busy & overwhelmed people learn how to make whole food plant based eating simple, easy, and delicious so they can feel amazing and have their best health. Her first attempts at whole food plant based eating 10 years ago were not successful and only lasted a few months. Even though she lost weight and felt great, she didn't have enough simple & easy recipes that tasted good to make it last. As a busy mom, working 60+ hours a week, she was discouraged when so many recipes would take hours, have ingredients she'd never heard of, and would end up tasting terrible. Not a recipe for success. Slowly the vegan processed foods crept back in, as well as dairy, and then the wheels fell off and she was back to eating the Standard American Diet. And all the weight came back and more. The turning point was when her father passed away from Alzheimer's. He also had high cholesterol, high blood pressure, prostate cancer, & heart disease requiring quadruple bypass. Kim decided she didn't want this to be her future or the future of her kids' and husband. She was already experiencing brain fog, was overweight, had joint pain, and was tired all the time. She went back to all the research that said a whole food plant based diet was the best way to improve health, prevent and even reverse chronic disease, and to lose weight. But even so, she was still hesitant to go back to whole food plant based eating because of her failed attempt several years prior. She knew she would have to do things differently this time and not treat it like a diet, but a lifestyle. She took a “Progress Not Perfection” approach and learned to make simple & fast recipes that tasted great with normal ingredients. It was a lot of trial and error, but she knew she couldn't give up because her life was at stake. After just 3 months, she lost 17 pounds & 20 inches, had more energy, the brain fog lifted, her joints stopped hurting, her mood improved and she felt 10 years younger! This inspired her to share it with everyone she could! So she quit her teaching job and started her business to help people skip the struggle she went through and get right to loving a whole food plant based lifestyle to improve their health, lose weight, and feel AMAZING! She's coached thousands in her program Plant Powered Life and will be coming out with a book in 2023 to inspire even more people to take control of their health with the power of plants! Kim has received her Plant-Based Nutrition Certificate through eCornell and the T. Colin Campbell Center for Nutrition Studies, as well as her Health Coaching Certification from the Institute of Integrative Nutrition. She continues to research and study all the fabulous doctors who are spreading the truth about health and diet like, Dr. Michael Greger, Dr. Joel Fuhrman, Dr. T. Colin Campbell, Dr. Caldwell Esselstyn, Dr. Neil Barnard, Dr. Dean Ornish, and so many others. Kim lives in Cedar Park, TX near Austin with her husband Shawn and 2 boys Mason & Hayden. They have 2 Huskies, Daphnis & Chloe and 2 cats, Marshmallow & Cocoa.

Welcome to another free love story Daphnis and Chloe Free Love Stories by Tale Teller Club Royalty Free Wonderful StoriesLOVE STORIESWelcome to the love zone!search all episodes herewww.tale-teller.clubwww.mobiletv360.comhttps://mills-and-swoon.blogspot.com/#marchioness #marchionessofdorchester #mills_and_swoon #60secondshorts #series #challenge #writers #writerschallenge #writerscommunity #authors #writing #wordsmith #penelopelamaré #romance #romancewriter #romantic, #faith, #love, #lovers, #romance, #lovestories, #attraction, #free, #freestories, #teacupshorts, #relationships, #taletellerclub, #taleteller, #books, #taletellerbookclub, #freepodcasts, #lovepods, #lighthearted, #storiesoflove, #marriage, #books, #taleteller, #tale #teller #club, #readaloud, #talkingbooks, #famousbooks, #classics #ardour, #passion, #jealousy, #attraction, #free, #freestories, #heartbreak, #broken #hearts, #sex, #sexuality, #millsandswoon, #60secondshorts. #sexscenes, #erotica, #literature,#rosecoloured #romance #lovestory #classics #free #freelibrary #freebooks #free_audiobooks #publicdomain #talkingbooks #taletellerclub #lovers #poetry #prose #shortstories #lovers #taleoflove #brokenhearts #findlove #passion #passionate #passionateembrace #steamy #search #bestlovestories#remote_entertainment #jealousy #passion #rosecoloured #romance #lovestory #classics #talkingbook #freeaudiobook #free #freelibrary #freebooks #free_audiobooks #publicdomain #talkingbooks #taletellerclub #spotifylovepods #immersivestories #virtual_library #24hourbooks #taletellerbookclub #loversbooks #servalan #freebooksallday

I read from dangerous to dangle.     I should read some Dante. https://en.wikipedia.org/wiki/Dante_Alighieri     Daphne of Greek Mythology: https://en.wikipedia.org/wiki/Daphne     Daphnis of Greek Mythology: https://en.wikipedia.org/wiki/Daphnis     The word of the episode is "danish pastry".     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Donald Macleod explores Ravel's meteoric rise to fame and early chamber music - including a long-lost violin sonata, and a unique arrangement for four ondes martenots. The music of Maurice Ravel (1875-1937) is much loved for its remarkable orchestral colours and brilliant virtuosity, heard vividly in works like Bolero, Daphnis and Chloe and Gaspard de la Nuit. But his chamber music, intimate, crystalline, and beautiful, is often overlooked. This week Donald Macleod puts that right, as he introduces every one of Ravel's works for small instrumental ensemble; an array of work that spans the composer's colourful life and career. Music Featured: Berceuse sur le nom de Gabriel Fauré Violin Sonata No 1 in A minor Sites Auriculaires (No 2, 'Entre Cloches') Chanson du Rouet Si morne! Shéhérezade (Overture) String Quartet in F major (1st mvt) Noël Des Jouets Deux Epigrammes de Clement Marot String Quartet in F Major (2nd - 4th mvt) Miroirs (No 3, 'Une Barque sur l'Ocean') Introduction and Allegro Deux Melodies Hebraiques (No 1, 'Kaddische') Piano Trio in A Minor (1st mvt) Trois chansons Piano Trio in A Minor (2nd mvt) Le Tombeau de Couperin (Prelude and Rigaudon) Piano Trio in A Minor (3rd and 4th mvts) Deux Melodies Hebraiques (No 2, 'L 'enigme eternelle') Frontispie L'Heure Espagnole (excerpt) La Valse (version for 2 pianos) Sonata for Violin and Cello Sarabande (Pour le Piano) L'Eventail de Jeanne (Fanfare) Tzigane L'Enfant et les Sortilèges (excerpts) Trois Chansons Madécasses Violin Sonata No 2 in G major Presented by Donald Macleod Produced by Steven Rajam For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maurice Ravel (1875-1937) https://www.bbc.co.uk/programmes/m00194q9 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

En este episodio de nuestro cuento musical "Jugando con Tchai" los niños escucharán la historia de cuando Tchai, Toven y Mei deciden construir un volcán durante el recreo. Pero, ¿qué pasa cuando algo inesperado pone un alto a sus juegos? La música que van a escuchar en este episodio es de Maurice Ravel: 00:30  Le Tombeau de Couperin. Interpretado por Paavo Järvi & NDR Elbphilharmonie Orchester. 04:17  Daphnis et Chloé. Interpretado por WDR Sinfonieorchester &  WDR Rundfunkchor. ¿Qué pueden aprender los niños escuchando esta historia? Hay veces que las cosas no suceden como queremos pero siempre son oportunidades para volver a hacer las cosas mejor.  ¡Este es el último episodio de la cuarta temporada y el episodio 100! No se lo pierdan.   Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com    ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos.  ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños.   

Anniversaire du départ des forces armées soviétiques de la Tchécoslovaquie. Beata Panakova : Daphnis et Chloé. Calendrier historique.

durée : 00:25:09 - Daphnis et Chloé de Ravel, un ballet grec habillé à la russe ? - par : Anne-Charlotte Rémond - Dans les années 1910, la mode n'est pas seulement au complet pour ces messieurs et aux perruques de couleurs pour ces dames, mais également à Daphnis et Chloé. Mais, si l'on se souvient de cette fièvre Daphnis et Chloé c'est bien grâce à Ravel... - réalisé par : Philippe Petit

¡Penúltimo episodio de la temporada! Compositor, director y pianista, trás Debussy, Ravel es considerado el segundo compositor francés más importante de todos los tiempos. Su Bolero es una de las piezas de música clásica más escuchadas en todo el mundo, pero en este episodio podrán conocer muchas otras más que también son igual de increíbles. ¡No te lo pierdas!   LO QUE VAN A ESCUCHAR EN ESTE EPISODIO 00:36  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo. 02:57  Tabuhan Djoged. Interpretado por Gamelan Angklung.  04:53  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 06:34  Introduction et Allegro Pour Harpe, Flûte, Clarinette et Quatuor à Cordes. Interpretado por Academy of St. Martin-in-the-Fields Chamber Ensemble. 07:41  Gaspard de la Nuit, M.55, II: Le Gibet. Interpretado por Seong-Jin Cho.  09:59  Piano Concerto for the Left Hand in D Major, M. 82: II. Allegro. Interpretado por Yuja Wang, Tonhalle-Orchester Zürich & Lionel Bringuier.  12:50  Daphnis et Chloe: Part III: Lever du jour. Interpretado por Bordeaux Aquitaine National Orchestra & Laurent Petitgirard. 13:56   Gaspard de la Nuit, M.55, III: Scarbo. Interpretado por Seong-Jin Cho. 15:13  Miroirs, M.43: 3. Une barque sur l'océan. Interpretado por Lilya Zilberstein.  16:14  Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19. Interpretado por London Symphony Orchestra & Arpad Jóo.  17:36  Ma Mère l'Oye. Interpretado al piano por Lucas & Arthur Jussen.  19:13  Boléro, M. 81. Interpretado por London Symphony Orchestra & Arpad Jóo.   Notas del episodio en http://www.allegromagico.com/99 Si te gusta el episodio, califícalo en tu app favorita  o puedes dejar tu review. :)  No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan con nosotras sobre música clásica.   ¿Quieres aprender lo básico sobre música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños y con nuestro cuento podrán conocerla además de aprender muchas cosas interesantes. Ver audiolibro y booklet. ¿Quieres apoyar de otra forma a Allegro Mágico? Tenemos un tarro de propinas para todos aquellos que aman nuestro trabajo y quieren apoyar el proyecto. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Web: allegromagico.com 

durée : 01:58:09 - Quand l'orchestre danse - par : Christian Merlin - Le Sacre du printemps, Daphnis et Chloé, Casse-Noisette : que de chefs-d'œuvre orchestraux destinés au ballet ! Sans parler des mouvements de symphonies dotés de noms de danses. Quand l'orchestre devient ballerine. - réalisé par : Claire Lagarde

Hear how Greek and Roman mythology have captivated composers with tales of betrayal, love and heroism. In Daphnis and Chloe, Ravel uses ravishing orchestral colors and a wordless chorus to depict this pastoral romance. Salonen finds inspiration in the epic struggles of the twin half-brothers Castor and Pollux, depicted in his two-piece orchestral composition, Gemini. Opening the program is Caroline Shaw's Entr'acte, a refreshing blend of traditional harmony and contrasting dissonance inspired by Haydn's String Quartet Op. 77, No. 2. Ticket holders are invited to a free preconcert conversation featuring Derek Matson in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Learn more: cso.org/performances/21-22/cso-classical/salonen-conducts-daphnis-chloe

Hi there Classical Gabfest Listeners, this is Will, and I'm afraid we don't have a regular episode for you this week. Longtime listeners to the show will know that Tiffany and Kensho and I all met at the Pierre Monteux School, which is a summer music institute focused on orchestral conducting and playing. Unfortunately, earlier this week, the school's director, Michael Jinbo, died suddenly, and as Michael was a beloved teacher, mentor, and friend to all three of us, we decided not to produce an episode this week.As a brief tribute, I wanted to say a few words about our teacher:Maestro Jinbo was only the third-ever music director of the Monteux School in its 79-year history, succeeding his own teacher, Charles Bruck, and before him, Pierre Monteux himself, whom some of you may know was the conductor of the world premieres of The Rite of Spring and Daphnis and Chloé, and who performed Brahms' string quartets for Brahms himself, among many other accomplishments.Maestro Jinbo was proud of the school's tradition, but he was very much his own musician and a great musician at that. Maestro Jinbo was not a famous conductor, but he was famous among conductors. We marveled at his crystal-clear technique and his deeply felt, uncomplicated musicality, and I know for a fact that videos of his conducting (which he would never allow to be released) circulated privately among his admirers. In rehearsal, he was totally unfussy and to-the-point. He always preferred to show and rather than to tell, but whenever he did say something about the music, it was invariably insightful, witty, and inspiring.Of course, my co-hosts and I, and many, many others of his students will remember Michael for his abilities as a teacher. He combined uncompromising honesty with a deep care for each of his students as a human being, and he taught to each student individually. He didn't waste time and he went immediately for your weaknesses, not to demean you, but to strengthen you.Above all, Michael Jinbo taught us to be our true selves, both on and off the podium. He never tried to mold us in his own image, rather he helped us to strip away our excess baggage and taught us to honor the essential core that remained. And that's just about the greatest gift that any teacher can give you.It's hard to find recordings of Michael's work, but I did find a beautiful one on YouTube, in which Michael is leading the Nittany Valley Symphony of Pennsylvania, of which he was also music director for several decades. This is a recording of the “Meditation” from Jules Massenet's opera Thaïs, featuring violinist Max Zorin, which I offer as this week's mixtape suggestion. Rest in Peace, Michael.CLASSICAL MIXTAPEMassenet, Thaïs: “Meditation”Nittany Valley Symphony OrchestraMax Zorin, violinMichael Jinbo, conductor

Composer/flutist/pianist Louis Moyse's Pastorale was written in 1925 when he was just 14 years old.  Louis was the son of the great French flutist Marcel Moyse, and he grew up steeped in Parisian culture and with the sound of the flute in his ears and his heart. That influence shows in this evocative, oh-so-French piece that sounds like a marriage between Impressionism and springtime in the French countryside.   Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra  Louis Moyse, Pastorale, performed by Karen Kevra  John Lunn, Downton Abbey Theme, The City of Prague Philharmonic Orchestra  J.S. Bach, Gavotte, performed by Karen Kevra  Cecile Chaminade, Concertino, performed by Karen Kevra  Sakura, traditional Japanese folktune, performed by Karen KevraWolfgang Amadeus Mozart, Flute Concerto No. 2 in D major, Allegro aperto, performed by Marcel Moyse  Igor Stravinsky, Petrouchka, Wiener Philharmonic  Cab Calloway, Jumpin' Jive  Duke Ellington Orchestra, Jubilee Stomp  Maurice Ravel, Daphnis et Chloé Suite No. 2, Berlin PhilharmonicSupport the show (https://www.patreon.com/user?u=42335511)

Building a Library: Jeremy Sams recommends his favourite recording of Ravel's Daphnis and Chloe (complete ballet). Maurice Ravel described his ballet, Daphnis and Chloe as a choreographic symphony. The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. Ravel began work in 1909 after a commission from Sergei Diaghilev and it was premiered in Paris by his Ballets Russes in 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloé. With rich harmonies and lush orchestrations it is one of Ravel's most popular works.

This week, we start out with a rousing round of Viola Hero and then we move on to our three topics:SIR SIMON RATTLE TO THE BRSOSimon Rattle to Leave the London Symphony for MunichSimon Rattle Decries Brexit as He Applies for German Citizenship (Guardian)MOVIE CLUB: OZAWA (1985)On YouTubeTHE STATUS OF EAST ASIANS IN CLASSICAL MUSICKate Wagner, “The Meritocratic Failures of Classical Music” CLASSICAL MIXTAPEThe full playlist WillRyuichi Sakamoto, M.A.Y. in the BackyardKenshoFrancis Poulenc Sinfonietta pour OrchestreTiffanyRavel, Daphnis & Chloé Suite No. 2THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” GET A COPY OF JOHN BORSTLAP'S “THE CLASSICAL REVOLUTION” FOR OUR BOOK CLUBhttps://www.amazon.com/dp/B073BKG4J9You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram