Podcasts about national symphony

Karen LeFrak is a celebrated Composer, Pianist and Children's Book Author. She has composed a number of moving music scores, including “Sleepover At The Museum, which have been presented around the world by the NY Philharmonic, National Symphony, American Ballet Theater and the Mariinsky Ballet. Her newest work is called “Miami Concerto for Guitar and Orchestra” and features World Class guitarist Sharon Isbin. As an author Karen has written several acclaimed children's books including “Jake the Philharmonic Dog” and “Best In Show”.My featured song is called “Cousins” from the album Trippin by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Ranked in the Top 1% of all podcasts with listeners worldwide on every continent in 200 countries!Click here for All EpisodesClick here to SubscribeClick here to receive our podcast emailsClick here to rate and review the podcast—----------------------------------------Connect with Karen:www.karenlefrak.com—----------------------------------------ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single. It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called "Fun, Upbeat, Exciting!"CLICK HERE FOR ALL LINKS____________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Peter Wilson shares some "behind the scenes" stories from the Obama White House as he joins the podcast. Peter served as concertmaster for "The President's Own" Marine Band during his illustrious service as a military musician. Peter  is a multifaceted violinist, conductor, arranger, and composer Peter currently serves as ⁠Music Director⁠ of the ⁠Richmond Philharmonic⁠ and ⁠The American Prize⁠-winning ⁠Waynesboro Symphony Orchestra⁠ in Virginia as well as Artistic Director and Conductor of the ⁠American Festival Pops Orchestra⁠ in the National Capital Region. He began his career as Concertmaster of the Walt Disney World Orchestra, has conducted the National Symphony and the National Gallery of Art Orchestras, and holds degrees from Northwestern and Catholic University, where he earned a Doctor of Musical Arts.Don't miss Peter and his great storytelling on this week's show.

Peter Wilson joins the podcast! Join Rick and Ron as they have talk about Peter's career as an artist entrepreneur.Peter Wilson is an engaging and multifaceted violinist, conductor, arranger, and composer whose artistry has been noted as “first-class” by The Washington Post. He is the former senior enlisted music advisor to The White House, where he led countless ensembles and performed as a Marine violinist for 30 years in direct support of five Presidents. Upon retiring as String Section Commander of the Marine Band, he was awarded the Legion of Merit. Peter currently serves as Music Director of the Richmond Philharmonic and The American Prize-winning Waynesboro Symphony Orchestra in Virginia as well as Artistic Director and Conductor of the American Festival Pops Orchestra in the National Capital Region. He began his career as Concertmaster of the Walt Disney World Orchestra, has conducted the National Symphony and the National Gallery of Art Orchestras, and holds degrees from Northwestern and Catholic University, where he earned a Doctor of Musical Arts.

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whilst not technically a St Patrick's Day Special, this week's episode was recorded in Dublin, at the Royal Irish Academy of Music, on St Paddy's Weekend, with Irish flute royalty.Professor William Dowdall, former principal flute of the National Symphony Orhcestra of Ireland, joins me to chat about vibrato, flutter tongue, The Cleveland Orchestra, blending, orchestral excerpts and Guinness. Sláinte lads, Éirinn go Brách xInline G Merch

Daron Hagen is a renowned composer of Operas, Operafilms, Symphonies, Concertos, Chamber Works and Artsongs. He's worked with numerous orchestras including the New York, Philadelphia and Buffalo Philharmonic. He's a Guggenheim Fellow. He's been awarded the Kennedy Center Friedman Prize among others. And he's written a memoir.My featured song is “The Winner” from the album Made In New York by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Daron:www.daronhagen.com—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some genuinely remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works, along with a few surprises along the way. Stay tuned, because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this second episode of Broadway Drumming 101, I had the pleasure of talking with Damien Bassman. Damien is currently the drummer for Death Becomes Her on Broadway. Originally from Fairfax, Virginia, Damien holds a BM from the Cleveland Institute of Music, an MM and Performer's Residency Certificate from Carnegie Mellon University, and an Advanced Performer's Certificate from The Juilliard School.Damien's résumé is nothing short of impressive. Currently the drummer for the musical Death Becomes Her, he was a featured drum set soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with them on Leonard Bernstein's Mass. He's performed as a soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, and the Columbus Symphony. Damien also created, arranged, and performed the hybrid percussion/drum set book for the hit musical Next to Normal. He designed the drum/percussion book for Hi-Fidelity and brought African and multi-percussion elements to The Color Purple. He's also worked on Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Fiddler on the Roof, and Caroline or Change, to name a few.Damien also collaborated with Green Day on the Broadway adaptation of American Idiot and worked with Andrew Lippa, Nathan Lane, and Bebe Neuwirth on The Addams Family. More recently, he's been the drummer for How to Dance in Ohio, Jagged Little Pill, Almost Famous, and SpongeBob SquarePants: The Broadway Musical.Damien's versatility extends beyond Broadway. He's served as the drummer for some of Broadway's biggest stars, including Adam Pascal (Rent, School of Rock), Kristin Chenoweth (My Love Letter to Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys).This episode is packed with great stories and insights, and I can't wait for you to hear it!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Michael and David speak of many things ... part of the reason they always seem to have so much fun. Among other things Michael speaks of how he manages to invite "the muses" and keeps his art both open and discreet at the same time.  He also speaks of his work as musical composer for the brand new Disney series, Star Wars: The Acolyte.  I always have speaking with Michael: our times always feel rich and multi-dimensional.2023 Pulitzer Prize-winning and Emmy- and Grammy-nominated composer Michael Abels is best known for his genre-defying scores for the Jordan Peele films GET OUT, US and NOPE.  The score for US won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, multiple critics awards, and was named “Score of the Decade” by The Wrap.  Both US and NOPE were shortlisted for the Oscar for Best Original Score.  In 2022, Abels' music was honored by the Vancouver International Film Festival, the Middleburg Film Festival, and the Museum of the Moving Image.  NOPE was awarded Best Score for a Studio Film by the Society of Composers & Lyricists.  Other recent projects include the films BAD EDUCATION, NIGHTBOOKS, and the docu-series ALLEN v. FARROW.  Current releases include CHEVALIER (Toronto Intl Film Festival) and LANDSCAPE WITH INVISIBLE HAND (Sundance 2022), his second collaboration with director Cory Finley.  Upcoming projects include THE BURIAL (Amazon), and a series for Disney Plus.Abels' creative output also includes many concert works, including the choral song cycle AT WAR WITH OURSELVES for the Kronos Quartet, the Grammy-nominated ISOLATION VARIATION for Hilary Hahn, and OMAR, an opera co-composed with Grammy-winning recording artist Rhiannon Giddens.  The New York Times named OMAR one of the 10 Best Classical Performances of 2022 and said, “What Giddens and Abels created is an ideal of American sound, an inheritor of the Gershwins' “Porgy and Bess” but more honest to its subject matter, conjuring folk music, spirituals, Islamic prayer and more, woven together with a compelling true story that transcends documentary.”Abels other concert works have been performed by the New York Philharmonic, the Chicago Symphony, the Los Angeles Master Chorale and many others.  Some of these pieces are available on the Cedille label, including DELIGHTS & DANCES, GLOBAL WARMING and WINGED CREATURES.  Recent commissions include EMERGE for the National Symphony and Detroit Symphony, and a guitar concerto BORDERS for Grammy-nominated artist Mak Grgic.Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.https://michaelabels.com/

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with renowned composer Pierre Jalbert to explore Jalbert's musical journey, creative process, and the spiritual influences that shape his work. Jalbert shares intimate stories about his childhood in Vermont, his collaborations with world-class musicians, and the importance of resonance and reverberation in his compositions. He also pays tribute to his mentor, the late Larry Rachleff, and discusses his genre-bending project with the Apollo Chamber Players. Throughout the interview, Jalbert offers insights into the challenges and rewards of writing for both chamber groups and large ensembles and reveals how he strives to create music that serves the audience. Join us for a fascinating glimpse into the mind of one of today's best composers. Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert's music has been described as “immediately captures one's attention with its strong gesture and vitality” by the American Academy of Arts and Letters.  Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Fromm Foundation commission.   Jalbert's music has been performed worldwide in such venues as Carnegie Hall, Wigmore Hall, Lincoln Center, the Kennedy Center, and the Barbican.  Recent orchestral performances include those by the Boston Symphony, the National Symphony, the Houston Symphony, the Cabrillo Festival Orchestra, and the Cincinnati Symphony Orchestra.    He has served as Composer-in-Residence with the Los Angeles Chamber Orchestra, the California Symphony, and Music in the Loft in Chicago. Select chamber music commissions and performances include those of the Ying, Borromeo, Maia, Enso, Chiara, Escher, Del Sol, and Emerson String Quartets, as well as violinist Midori.  Three new CDs of his music have been recently released:  Violin Concerto, Piano Quintet and Secret Alchemy, and Piano Trio No. 2.   Jalbert is Professor of Music at Rice University's Shepherd School of Music in Houston, and he is a co-founder of Musiqa, a Houston-based new music collective.  His music is published by Schott Helicon Music Corporation, New York.   Thank you for joining us on One Symphony. Thanks to Pierre Jalbert for sharing her music and stories. You can find more info at https://www.pierrejalbert.com.   Pierre Jalbert composed all music featured in this episode, with one exception.   String Theory was performed live by the Kaleidoscope Chamber Orchestra.   Mystical and With Great Energy, from Secret Alchemy, from the album Music From Copland House performed by Curtis Macomber, Danielle Farina, Alexis Pia Gerlach and Michael Boriskin.   The first movement from From Dusk to Starry Night “The Night in Silence” on a text by Walt Whitman features Sasha Cooke and the River Oaks Chamber Orchestra.   Violin Concerto, featuring Steven Copes on violin. Performed by The Saint Paul Chamber Orchestra with Thomas Zehetmair as the conductor.    “Fiddle Dance” from L'espirit du nord. Performed by the Apollo Chamber Players.    Mozart Piano Concerto K488 in A major, first movement improvised cadenza performed by Robert Levin with the Cluj-Nacopa Philharmonic in Romania with Nicole Moldovenau as the conductor.    “Chanson de Lisette” from Le'spirit du nord. Performed by the Apollo Chamber Players.   “Music of air and fire” performed by the Houston Youth Symphony conducted by Michael Isadore.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!  

Some people find their perfect path early and truly excel in their profession. That perfectly describes my guest today, the Artistic & Executive Director of OPAS, Doug LaBrecque. Before being “lured to the lake”, Doug has thrilled audiences with performances in The Phantom, The Phantom of the Opera, Les Miserables, Chorus Line, Man of LaMancha, West Side Story, and so many more. Additionally, he has performed concerts with The National Symphony, The Israeli Philharmonic Orchestra, The Cleveland Orchestra, The San Francisco Symphony, as well as a tribute to Leonard Berstein in Italy and he has numerous recordings with orchestras all over the world! You will hear about his early years, when he discovered his passion, and talent, for performing, and some of the highlights of his career. And you will hear his dedication to performing arts and providing opportunities to the next generations to follow. We'll talk about OPAS, the Oconee Performing Arts Society, where it came from and most importantly about where it's going! Guest - Doug LaBrecque https://www.opas.org/ 706-467-6000 info@opas.org Sponsors - Lake Oconee Bistro; Tim Broyles State Farm; Farmers & Merchants Bank; Simplify AI Academy https://www.lakeoconeebistro.com/ https://mydowntownagency.com/ https://ibankfmb.com/ http://simplifyAI.academy

Conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. In January 2023, he received a Lifetime Achievement Award from the National Opera Association, the association's highest award. During his three decades as the Madison Symphony Orchestra music director, John has consistently raised the quality of the orchestra by introducing blind auditions and continuously expanding the repertoire to encompass ever more challenging and virtuosic works. His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle, St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico's Orquesta Sinfónica Nacional. In 2019, he conducted the world premiere of Tazewell Thompson's Blue at the Glimmerglass Festival to critical acclaim.  He “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb,” said The New York Times.

For our last Posthoc salon of 2023 we invited economist Hilda Ochoa-Brillembourg into our living room for an evening of conversation and music.  Hilda is an entrepreneur, investor, author and philanthropist. She is the founder and chairman of Strategic Investment Group, an independent investment management firm. For a dozen years, Hilda was the Chief Investment Officer (Pensions) at The World Bank. She's served on the board of numerous public companies  (US Airways, McGraw-Hill, Harvard Management, General Mills etc) and nonprofits (National Opera, National Symphony). She is the founder of Orchestra of the Americas  which finds diverse musical talent in underserved communities and gives musicians a platform to develop their talents and launch a career playing music professionally in orchestras around the world. Under the umbrella of OA is the Global Leaders Institute, which offers students an opportunity to study for an MBA for the Arts, a degree supporting artistic innovation and social impact. And so we had the most sublime folk music from half a dozen artists throughout the evening from the OA program which you'll hear throughout the conversation. This salon fell under the Economics & Human Flourishing priority at Templeton World Charity Foundation and it was supported by a grant POSTHOC received from the Foundation. TWCF funds grants that investigate individual freedom, free market theories, entrepreneurialism and how they relate to human flourishing globally.

SynopsisOn today's date in 2002, at the Kennedy Center in Washington, D.C., Leonard Slatkin conducted the National Symphony in the premiere of a new symphony by American composer Cindy McTee.McTee subtitled her Symphony No. 1, Ballet for Orchestra, saying: “Music is said to have come from dance — [and] the impulse to compose often begins as a rhythmical stirring and leads to a physical response — tensing muscles, gesturing with hands and arms, or quite literally, dancing. … There is also much pleasure to be gained from observing the gestures of a conductor, or from seeing the coordinated bowing of the string sections within an orchestra. My Ballet for Orchestra emerged out of a similar kinesthetic/emotional awareness and a renewed interest in dance music.”McTee's symphony makes passing allusions to earlier works by Stravinsky, Ravel, Barber and even Penderecki, tossing in some jazz and folk fiddling allusions for good measure. But Allan Kozinn, reviewing the new symphony for the New York Times, wrote: “Ms. McTee's sense of organization kept the work from becoming a pastiche: As diverse as its ideas were, they seemed to unfold naturally within an orchestral fabric that used the ensemble's full coloristic range.”Music Played in Today's ProgramCindy McTee (b. 1953) Symphony No. 1 (Ballet for Orchestra) - Detroit Symphony; Leonard Slatkin, cond. Naxos 8.559765

Composer Steven Mackey has come a long way since his teenage years studying physics at the University of California, Davis, and learning blues-rock riffs on his guitar. Today Mackey stands as a celebrated composer and electric guitarist whose work is regularly performed by orchestras around the world — including the Los Angeles Philharmonic, the National Symphony, and the Boston Symphony. He's taught composition at Princeton University for nearly 40 years and has served as a composer in residence at the Curtis Institute of Music, Tanglewood, and the Aspen Music Festival. On his latest album, Beautiful Passing, Mackey brings together two works inspired by personal experiences that deeply informed his views on memory, life, and death: Mnemosyne's Pool, which Musical America called "the first great American symphony of the 21st century"; and Beautiful Passing, a violin concerto Mackey composed after watching his mother pass away from cancer. Despite the presence of death woven throughout both works, Mackey made sure to find moments for levity and humor in his music. "Part of death is a farewell to this joyous life and the energetic people my parents were," Mackey says on the latest episode of the Classical Post podcast. "There's a depth of emotion that music is really uniquely suited for. Where words are a struggle to come by, music bypasses those language centers and gives you a direct emotional response." In this episode, we talk more about the new album, and Mackey shares the profoundly moving story of his mother's death and how it influenced Beautiful Passing's title. Plus, he discusses the parallels he sees between filmmaking, cooking, and composition, and his go-to spot for Italian food on Manhattan's Upper West Side. Listen to Beautiful Passing on Spotify, Apple Music, Idagio, or wherever you stream and download music. — ⁠Classical Post⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠Gold Sound Media⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

SynopsisBy a coincidence, the last two symphonies of Soviet composer Sergei Prokofiev premiered on today's date: His Sixth Symphony premiered in Leningrad in 1947, and his final, Seventh Symphony, in Moscow, in 1952.The Sixth Symphony is tragic in tone, and Prokofiev confided that it was about the physical and emotional wounds suffered by his countrymen during World War II. The Sixth was premiered at the opening concert of the Leningrad Philharmonic's 1947 season and was applauded warmly by both audiences and the official Soviet critics. But early in 1948, Prokofiev somehow ran afoul of the Central Committee of the Communist Party, and his Sixth was quickly withdrawn from further performances.Prokofiev's Seventh was intended to be a symphony for children, a kind of symphonic Peter and the Wolf, written in a deliberately populist style and with a wary eye on the dictates of the Central Committee. It's an airy, almost transparently melodic score. Originally, it had a wistful, somewhat melancholic ending, with the music trailing off into silence. During the final dress rehearsals, however, Prokofiev wrote an alternative, perhaps more “politically correct” finale, decidedly chipper and upbeat in tone.Music Played in Today's ProgramSergei Prokofiev (1891 – 1953) Symphony No. 6 - National Symphony; Leonard Slatkin, cond. RCA/BMG 68801Symphony No. 7 - French National Orchestra; Mstislav Rostropovich, cond. Erato 75322

SynopsisOn today's date in 1951, the classic sci-fi film The Day the Earth Stood Still was playing in theaters across America. The film's opening sequence depicted a UFO hovering over Washington, D.C. Back then, flying saucer sightings were increasingly common, perhaps a result of mass hysteria spawned by cold war tensions and the existential threat posed by the atomic bomb. Or maybe we WERE being visited by other planets?In any case, the movie made a big impression at the time, and countless kids—and probably a few adults as well—memorized the magic words “Gort: Klaatu barada nikto” which, in the film, prevented Washington DC's destruction by a death-ray robot.Fast forward some 50 years to 1999, when Washington DC's National Symphony premiered a new concerto for percussion and orchestra, specially composed for virtuoso percussionist Evelyn Glennie by the American composer Michael Daugherty.Inspired by the outer-space look of Glennie's percussion gear, Daugherty titled his piece UFO and asked that the soloist arrive unexpectedly and dressed as a space alien! In performance, Glennie moves through the audience and around the stage while performing sleight-of-hand improvisations on a variety of flying saucer-like percussive instruments.Music Played in Today's ProgramBernard Herrmann (1911 - 1975) The Day the Earth Stood Still filmscore National Philharmonic; Bernard Herrmann, cond. London 443 899Michael Daugherty (b. 1954) UFO Evelyn Glennie, percussion; North Texas Wind Symphony; Eugene Migliaro Corporon, cond. Klavier 11121

Welcome to "Give a Heck"! In today's captivating episode, join Dwight as he delves into the inspiring world of Tina Davidson, the acclaimed American composer who dares you to create yourself anew in her memoir, "Let Your Heart Be Broken." Discover how Tina's real music, blending structure, mood, novelty, and harmonic sophistication with haunting melodies rooted in complex rhythms, captivates listeners. Explore her remarkable journey as an artist and mother as she shares profound insights. Brace yourself for an extraordinary episode filled with music, emotion, and the transformative power of self-expression. In this episode, you'll learn about… The Power of Secrets: Tina's Adoption Journey and Emotional Honesty The Healing Power of Music: Tina's Personal Experience and Collaborative Expression Navigating Secrets and Discovering Truth: Tina's Journey of Self-Discovery Embracing Creativity and Helping Others: Tina's Role as a Composer and Advocate Hands to Work, Hearts to God: Finding Purpose and Kindness in Everything We Do And so much more! About Tina Davidson: Tina Davidson creates music that stands out for its emotional depth and lyricism. She has been acclaimed for her authentic voice, her “vivid ear for harmony and colors” (New York Times) and her works of “transfigured beauty” (OperaNews). Winner of the prestigious PEW Fellowship, Davidson has been commissioned and performed performers and ensembles such as Hilary Hahn, Kronos Quartet, Cassatt Quartet, VocalEssence, The Philadelphia Orchestra and National Symphony. Connect with Tina Davidson on… Website: https://www.tinadavidson.com/ Facebook: https://www.facebook.com/tina.davidson.5205/ Instagram: https://www.instagram.com/tinadavidson.music/ LinkedIn: https://www.linkedin.com/in/tina-davidson-6040971b/ Connect with Dwight Heck! Website: https://giveaheck.com (Free Book Offer) Instagram: https://www.instagram.com/give.a.heck Facebook: https://www.facebook.com/dwight.heck Facebook Group: https://www.facebook.com/groups/Giveaheck YouTube: https://www.youtube.com/channel/UCF0i LinkedIn: https://www.linkedin.com/in/dwight-raymond-heck-65a90150/

Synopsis It was Mozart who wrote the first great piano concertos, with Beethoven, Brahms and others following suit in the 19th century. Closer to our own time, the tradition continues, with new contributions appearing each year. On today's date in 1986, it was the turn of American composer, Ellen Taaffe Zwilich, when her new piano concerto received its premiere by the Detroit Symphony with Marc-Andre Hamelin the soloist. “My piano concerto does not cast the pianist as the prototypical 19th-century hero battling the orchestral forces and triumphing through overwhelming virtuosity,” said Zwilich at the time. “My concerto calls for a blending of forces – a joint exploration of the piano soloist and orchestra. The pianist is even asked to merge with various sections of the rather large orchestra at times.” “To me,” continued Zwilich, “a part of the nobility of the piano is that it can change its color, chameleon-like without losing its special identity … One composer treats the piano as a percussion instrument, another as a singer… Certainly the vast and wonderful piano repertoire explores this remarkable range. And the world of composer-pianists is large enough to embrace Serge Rachmaninoff and Art Tatum.” Music Played in Today's Program Ellen Taaffe Zwilich (b. 1939) Piano Concerto Joseph Kalichstein, piano; Florida State Orchestra; Michael Stern, Koch 7537 On This Day Births 1747 - Bohemian composer Leopold Kozeluh, (Kotzeluch) in Welwearn; He was the cousin of Johann (Jan) Antonín Kozeluh, who was also a composer; 1928 - American composer Jacob Druckman, in Philadelphia; Premieres 1870 - Wagner: opera "Die Walküre" (The Valkyrie), in Munich at the Hoftheater, with Franz Wüllner conducting; The opera was performed at the Bavarian King Ludwig II's request, but against the composer's wishes; 1912 - Mahler: Symphony No. 9, by Vienna Philharmonic, Bruno Walter conducting; 1986 - Zwilich: Piano Concerto, by the Detroit Symphony with Günther Herbig conducting and soloist Marc-André Hamelin; 2000 - Robert Kapilow: "DC Monuments," by the National Symphony; Others 1788 - Mozart finishes his Symphony No. 39 in E-flat, K.543 in Vienna. Links and Resources More on Zwilich

Synopsis In the Guiness Book of Music Facts and Feats, the record for "Most Prolific Composer" goes to Georg Philip Telemann, who died on today's date in 1767 at the age of 86. And longevity gave an edge to productivity: Telemann outlived his prolific contemporary, J.S. Bach, by 21 years, and outlived Handel by 12. But even considering the extra years he lived, Telemann's output is staggering. Of Bach's cantatas, some 200 or so survive, but Telemann's number 1400. He also wrote 125 orchestral suites, 125 concertos, 130 trios, 145 pieces for solo keyboard, and about 50 operas. Most composers (if they are lucky), publish one autobiography; Telemann published three, and commented in one of them, "How is it possible for me to remember everything I wrote for violin and winds?" Sometimes, in addition to composing original music, Telemann was also asked to perform it: "A few days before I play a violin concerto," he wrote, "I always locked myself away, fiddle in hand, shirt-sleeves rolled up, with something strong to calm the nerves, and practice." Fortunately, Telemann seemed to find musical inspiration everywhere, including from the pop and folk music of his day. As he put it, "One would scarcely believe what wonderful ideas pipers and fiddlers have when they improvise while dancers pause for breath. An observer could easily gather enough ideas from them in eight days to last a lifetime!" Music Played in Today's Program Georg Philipp Telemann (1681 - 1767) Violin Concerto in A (The Frog) Pavlo Beznosiuk, violin; New London Consort; Philip Pickett, conductor. London 455 621 On This Day Births 1860 - French composer Gustave Charpentier, in Dieuze, Lorraine; 1935 - Austrian composer Kurt Schwertsik, in Vienna; Deaths 1767 - German composer Georg Philipp Telemann, age 86, in Hamburg; 1822 - German composer, critic and popular Romantic author Ernst Theodor Amadeus ("E.T.A.") Hoffmann, age 46, in Berlin; Premieres 1840 - For the 400th anniversary of the Gutenberg Printing Press, Mendelssohn presents his Symphony No. 2, "Lobegesang" (Song of Praise) at the Thomaskirche in Leipzig; 1850 - R. Schumann: opera "Genoveva," in Leipzig at the Stadttheater; 1910 - Stravinsky: ballet, "The Firebird," at the Paris Opera, with Gabriel Pierné conducting; 1923 - de Falla: one-act opera "El retablo de maese Pedro" (Master Peter's Puppet Show), first staged performance in Paris at the home of the Princesse de Polignac; This opera was premiered in a concert performance in Seville on March 23, 1923; 1940 - William Grant Still: choral ballad "And They Lynched Him on a Tree," at New York's Lewisohn Stadium by the Schola Cantorum and Wen Talbert Negro Choir with the New York Philharmonic, Arthur Rodzinksi conducting; 1954 - Leroy Anderson: "Sandpaper Baller" at a Decca recording session in New York City, with the composer conducting; Three different grades of sandpaper rubbed together were used to make the vaudeville-style "soft shoe" dancing sound effects for this classic recording; 1955 - Grofé: "Hudson Valley" Suite, in Washington, D.C., by the National Symphony conducted by André Kostelanetz; 1991 - James MacMillan: "Tuireadh" (Lament) for clarinet and string quartet, by James Campbell and the Allegri Quartet at St. Magnus Cathedral in Kirkwall (Orkney Islands). Links and Resources On Telemann

Phil Snedecor is the author of Making Rain and Other Adventures on the Trumpet, a highly personable and oftentimes entertaining glimpse into the career of a musician who's "done it right". Of course, there have been some pitfalls and mistakes along the way, and Phil doesn't pull any punches about those. But at the end of the day, the short book delivers a ton of value and sage advice for anyone who is looking to "make rain", be it as a musician or in any field.I've featured Phil several times on my Trumpet Dynamics podcast, and now I'm thrilled to be able to share this brand new interview with you!In this interview with Phil Snedecor, you'll discover:-What is a "rainmaker" pertaining to musicians?...03:35-How Phil cut his teeth as a rainmaker by founding the Washington Symphonic Brass...06:10-You won't have a great connection with your audience unless you have a connection among the personnel...11:00-Phil explains the mantra, "The only gig you own, is the gig you own"...16:20-"Mental choreography" and tips on succeeding in high-stress performance situations...21:10-Finish what you start, even when everyone around you thinks you're nuts to do so!...25:30-And much more!Resources mentioned:Hart School Trumpet StudioPhil's websiteWashington Symphonic BrassAll-American Moving CompanyMaking RainHard copyApple BooksAbout the guest:Phil Snedecor attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia, and has appeared as guest principal trumpet with the St. Petersburg (Russia) “Tschaikowski” Orchestra, joining them on their 2012 US Tour. Recently Mr. Snedecor has been in demand as a guest principal with the Pittsburgh Ballet Orchestra and the Louisville Orchestra, and as guest trumpeter for the Boston Pops and Boston Symphony, both at Symphony Hall in Boston and at Tanglewood in Lenox, MA.As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the Beast, Peter Pan, Evita and West Side Story. He has recorded under the RCA, CBS, Gothic, Koss, and Summit labels. Phil's solo CDs, The Lyrical Trumpet I and II are also available on the Summit Label.In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co- founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew's Cathedral, the Basilica at the Shrine of the...

David Ludwig is an American composer, teacher, and Dean of Music at The Juilliard School. His work has been commissioned and performed by artists and ensembles including the Philadelphia Orchestra, Pittsburgh Symphony, Minnesota Orchestra, National Symphony, Chamber Music Society of Lincoln Center, and Carnegie Hall. He is a committed advocate for diversity and inclusion in new music and programming, and serves on the national program committee of New Music USA and is a member of the distinguished mentors council of Composers Now.  Grab your favorite instrument and the first chair…let's talk about life, MUSIC, and learning.  Please leave a review and visit us at www.teacherpeprally.com  Join the Facebook community to collaborate and celebrate with us and fellow educators. If you are enjoying the podcast, we would greatly appreciate it if you rate the show and then leave a review on Apple Podcasts. Reviews helps other educators to find the Teacher's Pep Rally.  ARE YOU LOOKING FOR INSPIRATION AND TO BUILD A NETWORK OF FUN AND INNOVATIVE TEACHERS?  Join us at the most MAGICAL PLACE for a 4-DAY PROFESSIONAL DEVELOPMENT.  EdMagineering Education Conference in Orlando, FL  

I've always been amazed by the fact that there are genius levels of human intelligence that are far beyond the ordinary. Some people seem to be born with remarkable talents and capabilities that the rest of us clearly don't have. That's not to say that these people don't need to work and practice to perfect their skills. They clearly do. Still, they possess brilliant talents that are far above those of the average person.           Take music for example. My mother was a real lover of classical music. She attended concerts regularly and had a great collection of records that she would play in our house all the time. And without question, I knew that her fondest hope for me was that I would become a concert pianist, not that I had ever shown any talent or the slightest bit of interest in it.           Still, she made sure that I took piano lessons every week for about six years, until the painfully obvious became painfully obvious, and she finally let me quit.  On some level though, I've always been kind of sorry about it and I've tried to pick it up every now and then. I've even taken a few lessons here and there but still, all I can do is play a few basic scales and bang out a couple of elementary songs, and that's it. As a result of all this, to say that I have the keyboard finesse of an aging chimpanzee would be more kind than accurate.            So, it always makes me wonder - what's the story with these geniuses, who are able to play as if the music is pouring out of their very soul. They perform these outrageously difficult compositions by heart, without reading any music at all. In a state of pure inspiration, they don't even open their eyes half of the time and yet, these magnificent melodies flow out of them in perfect timing and sequence, seemingly with no effort at all. It just boggles the mind. If you want to see a truly amazing example of this, watch Leonard Bernstein conduct the New York Philharmonic Orchestra at Lincoln Center in 1976, performing Rhapsody in Blue. The multi-talented maestro conducts the fifty-piece orchestra while he performs as the piano soloist at the same time. I've probably watched it over twenty times and I still can hardly believe my eyes and ears. But this astounding manifestation of genius intelligence also has two other forms of it that are just as hard for me to grasp. They are child prodigies and polymaths. We've had child prodigies among us for many centuries. For some inexplicable reason, certain young children manifest extremely advanced talent and abilities at a very early age, and no one has been able to figure out why this happens. Probably the most famous prodigy in musical history was Wolfgang Amadeus Mozart.           By age five, he was already extremely competent on the violin and piano and he began composing music. At six, he embarked on a three-year career, playing before the crowned heads of Europe. Can you imagine that? Think about what you were like at that age.  By six I had memorized the theme song to the Mickey Mouse Club and my parents probably thought I was a genius because of it.             Anyway, there have been child prodigies in dozens of different fields including math, science and the visual arts, but it's still pretty rare. The current thinking is that it's only a one-in-ten-million phenomenon. And staying within the realm of music, even though it's quite a stretch from Mozart, Stevie Wonder was clearly one of them, as well.    Born six weeks premature, he went blind from having too much oxygen in his incubator. Still, in his early childhood he taught himself how to play the piano, harmonica and drums and along with his powerful singing voice, signed his first recording contract in 1961 at age eleven. Since then, he has won far too many awards to list here, including, twenty-five Grammies, eight Honorary Doctorates, an Academy Award and the Presidential Medal of Freedom. And in all this time, he hasn't slowed down a bit.             Now, let's go on to the polymath, which is another manifestation of intelligence that I just can't fathom.  Simply put, these are people who are able to excel in several different fields, which are often completely unrelated.  Some of the most famous ones have been Leonardo da Vinci, Benjamin Franklin and Thomas Jefferson. But there have been other, quite surprising ones as well.  I was pretty amazed when I found out that Danny Kaye, the famous performer from the golden age of movies and TV, was one of them. He was an extraordinarily gifted actor, singer, and dancer. But it turns out that his genius as an entertainer was just the tip of the iceberg. He was also an expert jet pilot who flew his own plane. He owned a Lear Jet and flew it to sixty-five different countries, mainly on UNICEF tours for the United Nations. In addition, he spoke eleven different languages and although he couldn't read a note of music, he was a talented conductor of symphony orchestras and spent fifteen years giving benefit performances with the finest orchestras in the world including the National Symphony, the Boston Symphony and the New York Philharmonic.   He was also a bit of a sports nut. He was a single digit golfer who grew up a die-hard Brooklyn Dodgers fan. And as a lifelong lover of baseball, as well as a savvy businessman, he was one of the founders of the Seattle Mariners.           But that's not all. He was also a master chef, particularly in Chinese and French cuisine and he is still the only non-professional chef to ever be awarded France's highest culinary award, which is bestowed by the Sorbonne.            And finally, and probably the most unexpected, he was an honorary member of the American College of Surgeons as well as the American Academy of Pediatrics. He had always wanted to be a doctor, but his family couldn't afford  higher education, so he went into show business instead. Still, he always maintained his serious interest on medicine.           But it went a little further than that. He was close friends with the heart surgeon who performed history's first coronary bypass. He would observe operations, which they would later discuss in great detail. “Danny has had no medical training, but he knows his way around an operating room” the doctor said. “He's so intelligent he picks up immediately what he has observed.”           This was all absolutely remarkable to me because I had been aware of Danny Kaye as an entertainer for many years, but had never heard about all of his other abilities.           When it comes to observing this kind of extraordinary talent, I had a similar experience when I ran across someone who was a child prodigy, but was also a budding polymath as well. It happened when I was beginning to explore the world of personal growth, which was really just a by-product of having been a die-hard Beatles fan for over a decade.   Capturing global attention, the Fab Four had gotten into meditation in 1968 and had been studying under a teacher named the Maharishi, who was a classical Indian guru, with flowing white robes and a long, grey beard.   Like the millions of other Beatles devotees throughout the world, I basically mirrored whatever they did, so I started practicing the same form of meditation. But I wasn't very sincere about it and after a couple of months, I stopped. Then, a few years later, a friend told me that he had started practicing a deeper form of meditation that was doing him a lot of good. A little while later, he told me that the teacher of that meditation, who was supposed to be a major authority on inner growth, was coming to Philadelphia to give a talk about it. It sounded interesting until he told me that the teacher was only fourteen years old. I don't remember what my exact reaction was, but I'm pretty sure I burst out laughing because it seemed ridiculous on the face of it. I mean the Beatles' guy looked like he was in his mid-eighties and this kid was barely a teenager. What could he know about the evolution of higher consciousness? Out of deference to my friend, I decided to do a little research and I learned to my surprise that in the East, this kind of thing does happen from time to time. There were child prodigies who were renowned spiritual teachers.   There was Sri Ramakrishna, a globally respected teacher during the mid-1800s, who had been recognized as a spiritual master at the age of nine. His successor, Swami Vivekananda, was recognized in the same way at age of nineteen. And the current Dalai Lama assumed the full authority of his role when he was fifteen years old.  As an aside, in our culture, Dr. Martin Luther King Jr. became a fully ordained minister at nineteen.           Anyway, this fourteen-year-old teacher was named Prem Rawat, and when I went to hear him speak at the Irvine Auditorium of the University of Pennsylvania, I found him to be surprisingly impressive. There was a calm, but extremely powerful presence about him, and he seemed to really know what he was talking about. I observed him rather carefully from the time he entered the prestigious auditorium until he left, and perceived nothing about him that had anything to do with his age whatsoever. Rather than seeming like a young teenager, he had the presence of a secure adult about him. In fact, he seemed to be the most centered individual I had ever seen. But there was also a subtle, yet clearly present joyfulness about him that seemed foundational to his being. Again, it was quite impressive. By the way, as far as being a child prodigy is concerned, he had been in this teaching mode for quite some time.  He had begun his work at the age of four and started meditating at six. At the age of nine, he became the recognized teaching authority to several hundred thousand Indian meditators. But there's also a profound element about being a teacher of inner growth that I found to be most intriguing. It's different from being a genius in art, music or science because in those realms, you can tell if someone is truly a master of their craft just by observing their work. You look at the art, listen to the music or watch the dance, and you can quickly get a sense of how good they are.           But with a teacher of inner growth, it's quite different, because the purpose of the teaching isn't just to entertain and inspire you, it's to actually help you expand and grow your own consciousness. And the only way you can tell if the teacher is truly a master of the craft is by the actual experiences you start having within your own awareness. And this is not just in the short-term. It pertains to the long-term as well.  Are you continually growing beyond where you were? Are you becoming kinder and more compassionate?  Are you feeling more connected to the larger and higher consciousness? You have to determine all this for yourself. It doesn't matter what anyone says, what matters is what's going on inside of you. Along these lines, that night at Penn, Prem made a statement that I still remember. He said if you find his information to be helpful, then enjoy it. If not, then immediately leave it and move on.            So, as a child prodigy, I found him to be most impressive, but surprisingly, he was also blossoming into becoming a polymath as well. Over the years that followed, while his primary focus was always on teaching meditation and inner growth, his considerable other talents spread out into seemingly unrelated fields.   For instance, in the aviation world alone, his accomplishments are truly noteworthy. He is a fully licensed jet pilot, with tens of thousands of hours of flight time, and was one the youngest pilot in aviation history to be certified to fly a certain sophisticated jet aircraft. He is also a helicopter pilot and a veteran helicopter instructor as well. More down to earth, he is also a master car mechanic and one of his hobbies is the total restoration of antique automobiles, of which he has completed several. In addition, he is also a prolific photographer on a professional level, and several of his photographs are hung in galleries around the world. On top of all this, as an author, his recent book on personal growth is a New York Times best seller. And on the lighter side, he is a tremendous chef and has been approached a few times to host a cooking show. And get this last one - he writes his own computer code and is a master programmer. For some reason, to me that one really takes the cake. After using a computer for over forty years, I still have absolutely no idea how they work. Well, so much for geniuses, prodigies and polymaths. In essence, as impressive as they are, this episode isn't really about just listing their incredible accomplishments. It's really about the fact that they exist at all and what that says about human intelligence, and our possible potential.    For starters, it puts things into perspective. If they're only one in ten million, then the nine million, nine hundred thousand, nine hundred and nine of the rest of us have an opened door to feeling truly humble. We've all heard the phrase - a jack of all trades but a master of none. Well as far as I'm concerned, I'm not even one of the jacks. Still, to close, here are a couple of quick, rather optimistic things to consider.    First, neuroscience believes that within the next hundred years, we will find methods that will enhance our intelligence exponentially, taking us into levels of existence that are inconceivable to us now. According to them, we all have genius potential within us and as the brain sciences evolve, we will find ways to bring it into the forefront. And they also say that we all possessed genius intelligence through the age of five, so in one way or another, we were all child prodigies. And finally, the essence of our intelligence shows that we are all inherently positive beings, biased to the highest. And that is revealed by the simple fact that we have a finite capacity for suffering and pain, while we each have an infinite capacity for happiness and joy. I don't know about you, but all of this inspires a great deal of hope in me. So that will be the end of this episode. As always, keep your eyes mind and heart opened, and let's get together in the next one.

Synopsis Today's date in 1904 marks the birthday of Richard Addinsell, a versatile British musician who became one of the most famous film score composers of his generation. Addinsell was born in London, studied music at the Royal College of Music, and pursued additional studies in Berlin and Vienna before heading off to America in 1933 for some practical education at Hollywood film studios. He put both his theoretical and practical learning to good use when he returned to England, where he began composing for a series of successful British movies, like the Oscar-winning 1939 film “Goodbye, Mr. Chips.” Addinsell also became a popular songwriter and accompanist for British comediennes and cabaret singers of the day. But Addinsell is best known as the composer of the Warsaw Concerto, a piano concerto consciously modeled on the big Romantic scores of Rachmaninoff. This music originally appeared in the 1941 British adventure film “Dangerous Moonlight,” retitled “Suicide Squadron” when it was released in the States in 1942. After that mega-hit, Addinsell's fluent and versatile writing continued to grace a goodly number of Post-War British films and TV dramatizations, ranging from historical epics to psychological thrillers, gritty “slice-of-life” dramas, and whimsical, light-hearted comedies. Addinsell died in London at the age of 73 in 1977. Music Played in Today's Program Richard Addinsell (1904 –1977) Goodbye Mr. Chips BBC Concert Orchestra; Kenneth Alwyn, conductor. Marco Polo 8.223732 Richard Addinsell (1904 –1977) Warsaw Concerto Cristina Ortiz, piano; Royal Philharmonic; Moseh Atzmon, conductor. London 414 348 On This Day Births 1690 - German composer Gottfried Heinrich Stölzel, in Grünstadtl; 1866 - Russian composer Vassili Sergeievitch Kalinnikov, in Voin (Julian date: Jan 1.); 1904 - British composer Richard Addinsell, in London; Deaths 1864 - American composer Stephen Foster, age 37, in Bellevue Hospital, New York; 1980 - Russian-born American conductor and arranger André Kostelanetz, age 78, in Port-au-Prince, Haiti; Premieres 1726 - Bach: Sacred Cantata No. 32 ("Liebster Jesu, mein Verlangen") performed on the 1st Sunday after Epiphany as part of Bach's third annual Sacred Cantata cycle in Leipzig (1725/27); 1775 - Mozart: opera "La finta giardiniera" (The Feigned Gardener), in Munich at the Opernhaus St. Salvator; 1873 - Rimsky-Korsakov: opera "The Maid of Pskov" (first version) in St. Petersburg, Napravnik conducting; This was Rimsky-Korsakov's first opera (Julian date: Jan.1); 1904 - Bartók: tone-poem “Kossuth,” in Budapest; Bartók's parody of the German national hymn in this work caused an uproar at the work's premiere; 1944 - Stravinsky: "Circus Polka" (concert version) and "Four Norwegian Moods," in Cambridge at the Garden Theatre, with the Boston Symphony conducted by the composer; 1945 - Prokofiev: Symphony No. 5, by the Moscow State Philharmonic, with the composer conducting; 2000 - Danielpour: "Voices of Remembrance" for string quartet and orchestra, in Washington, D.C. with the Guarneri String Quartet and the National Symphony, Leonard Slatkin conducting. Others 1910 - Lee De Forest relays experimental Met Opera performances via a radio transmitter (see also Jan. 12). Links and Resources On Richard Addinsell Richard Addinsell filmography

Synopsis It's strange to read the doubts Tchaikovsky expressed in letters about many of his greatest musical works, which he first would dismiss as failures, only to change his mind completely a few weeks later. Take, for example, his ballet The Nutcracker, which had its premiere performance on this day in 1892 at the Mariinsky Theater in St. Petersburg. Tchaikovsky described working on the ballet as a "dread-inspiring, feverish nightmare, so abominable that I don't think I have the strength to put it into words." At the time, Tchaikovsky was MUCH more optimistic about an opera he was writing titled Yolanta—only to abruptly changed his mind, writing "Now I think that the ballet is good and the opera nothing special." This time, Tchaikovsky got it right—although initially the opera DID prove more popular than the ballet. Another—and deliberately nightmarish—Russian composition had its first performance on this same day 70 years later. This was the Symphony No. 13 by Dmitri Shostakovich, subtitled Babi Yar, based on poems of Yevgeny Yevtushenko. This choral symphony was first heard on today's date in 1962 at the Moscow Conservatory, but was quickly banned by the Soviet authorities. Its title poem, Babi Yar, called attention to Soviet indifference to the Holocaust and persistent anti-Semitism in Soviet society. Yevtushenko later softened these lines so the symphony could be performed in the U.S.S.R. Music Played in Today's Program Peter Tchaikovsky (1840-1893) The Nutcracker Ballet, Op. 71 Kirov Orchestra; Valery Gergiev, cond. Philips 462 114 Dmitri Shostakovich (1906-1975) Symphony No. 13, Op. 113 (Babi Yar) Nicola Ghiuselev, bass; Choral Arts Society of Washington; National Symphony; Mstislav Rostropovich, cond. Erato 85529

American composer Missy Mazzoli joins us from her home in New York for this latest episode of Composing Myself. It's a customarily broad-ranging chat with Wise Music CEO Dave Holley and Creative Director Gill Graham. Topics on today's conversational menu include Missy's childhood obsession with Beethoven and learning to play on a piano bought in a flea market, how writing made her feel like she was “putting the world in order”, getting stuck in to the Pennsylvania Riot Grrrl scene as a teenager, her long-standing collaboration with librettist Royce Vavrek, and how the COVID-19 pandemic impacted the creation of her most recent opera The Listeners.https://missymazzoli.com/Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (NY Times) and “Brooklyn's post-millennial Mozart” (Time Out NY), Missy Mazzoli has had her music performed by the New York Philharmonic, Atlanta Symphony, the Philadelphia Orchestra, the BBC Symphony, the Cincinnati Orchestra, the National Symphony, LA Opera, Scottish Opera, eighth blackbird, Kronos Quartet and many others. In 2018 she became one of the first two women, along with Jeanine Tesori, to receive a main stage commission from the Metropolitan Opera, and was nominated for a Grammy award in the category of Best Classical Composition. From 2018-2021 She was Composer-in-Residence at the Chicago Symphony Orchestra, and from 2012-2015 was Composer-in-Residence with Opera Philadelphia. Upcoming commissions include works for Opera Philadelphia, Chicago Lyric Opera, Norwegian National Opera and Third Coast Percussion. In 2016, along with composer Ellen Reid, she founded Luna Composition Lab, a mentorship program for young female, nonbinary and gender nonconforming composers. Her works are published by G. Schirmer. Hosted on Acast. See acast.com/privacy for more information.

"I like the two people on my left and my right...what else is there to life?" Says my guest on today's episode, Scott Moore.Although he has firmly ensconced himself in the lore of greatness with the horse whinny in Sleigh Ride, Mr. Moore, long time principal trumpet with the Memphis Symphony Orchestra, has been in the trenches long enough to know that the grass aint always greener with the "elite" orchestras of America. Indeed, happiness as a musician is oftentimes found in the overlooked parts of the world, away from the busyness of fame and prestige.In this interview, Scott takes us through his journey as a trumpeter, from the small towns of Mississippi, to the New England Conservatory (where he found true mentorship in unlikely places) to his position in Memphis and beyond.Here's what you'll hear in this episode:-How a challenge from a peer in school was motivation to perfect the horse whinny...02:00-Scott's founding origins on trumpet...06:15-A "dirty jobs" type opportunity leads to invaluable on the job orchestral training...12:30-What's wrong with the typical audition process for orchestras?...19:45-What to do when the conductor says "You're too loud!"...23:00-Forays into competitive trumpeting...25:45-Scott's real mentors at the New England Conservatory...31:35-What Scott would tell his twenty something year old self...33:30-Scott's "dream gig" described...35:15-Plus whatever your discerning ears deem worthy of your time and interest...Resources mentioned:Memphis Symphony OrchestraScott's horse whinny tutorial on YouTubeAbout the guest:Scott Moore is Principal Trumpet in the Memphis Symphony Orchestra and the leader of the MSO Big Band. He has also performed with the Chicago Symphony, the St. Louis Symphony, the Baltimore Symphony, the National Symphony, and as guest principal with the symphony orchestras of Atlanta, Toronto, and Jacksonville. He has recorded and performed with the Nashville Chamber Orchestra, and with I Fiamminghi, the Orchestra of Flanders. Mr. Moore is also the Assistant Principal Trumpet in the Arizona MusicFest Orchestra.As a soloist, Mr. Moore has appeared with the San Antonio Symphony, the Nashville Chamber Orchestra, the Tennessee Summer Symphony, the Chattanooga Symphony, and on numerous occasions with the Memphis Symphony. He has also been a featured Guest Artist at the International Trumpet Guild Conference. Scott Moore has a Master of Music degree from the New England Conservatory of Music, and a Bachelor of Arts degree from McNeese State University. His teachers have included Charles Schlueter, Robert Nagel, Arnold Jacobs, and Michael Ewald.Mentioned in this episode:Robinson's Lip RepairPainful chops because of pesky cold sores are a thing of the past with Robinson's Remedies Lip Repair!Robinson's RemediesTrumpet Lessons with Adolph Herseth?Have you heard of a gentleman by the name of Bud Herseth? You have? Great! Well, Right now you can get a 57 minute audio titled Trumpet Lessons with Adolph Herseth for free. Just go to lessonswithbud.com to learn more!JNS MediaNeed a boost in your online presence? What about a podcast? Go to whataboutapodcast.com and see if it's the right call for your business. You know you need a website, but just don't have the time to maintain it. Or maybe you want a customized logo, or a bio that doesn't read like the instructions to a washing machine to set yourself apart from the rest of the pack. Visit jns.media and check out the suite of...

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally.  Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally.  Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

Super excited to announce new guest, Christopher Shih, to The Story!Physician and pianist Christopher Shih has a remarkable dual career as both full-time practicing physician and actively concertizing pianist. Hailed by the New York Times as "an intelligent and thoughtful musician," with "effortless performances" and "consummate control," he has performed in major venues worldwide and has soloed with numerous orchestras, including repeated engagements with the National Symphony Orchestra at the Kennedy Center Concert Hall in Washington DC. His performance with the National Symphony on the Capitol Lawn for an audience of 50,000 prompted the Washington Post to declare, "If Shih is as gifted in medicine as he is in music, he has some serious career decisions to make. His performance was fluent, gracious, miraculously light, and a joy to the ear." Other orchestral engagements include the Georgetown, Ann Arbor, University of Michigan, New England Conservatory, Harvard-Radcliffe, Newton, Lancaster, and Paris Garde Republicaine symphony orchestras.Christopher is the winner of the sixth Van Cliburn International Piano Competition for Outstanding Amateurs in Fort Worth, Texas. He was also a press and audience favorite at the professional tenth Van Cliburn International Piano Competition. The Fort Worth Star-Telegram raved, "He demonstrated a magical touch in voicing and a fine Chopinesque rubato...a total sense of style across three centuries. For Shih, technical control supports impeccable musicianship." Christopher is also the grand prize winner of the amateur competitions in Paris, Boston, and Washington DC. His playing and interviews have been featured in television and radio programs worldwide, including NPR's All Things Considered, APM's Performance Today, WGBH's Inner Voice, WQXR, WETA, WGMS, WBJC, Radio France, Radio Classique, Canadian CBC, Taiwan CTV, and Pianist Magazine.Christopher is currently a board-certified gastroenterologist with U.S. Digestive Health in Lancaster, PA. He received his B.A. cum laude from Harvard University and his M.D. from The Johns Hopkins School of Medicine. He did his internal medicine residency training at the University of Pennsylvania and his gastroenterology fellowship training at Johns Hopkins. He is also active in community and charitable services, formerly sat on the GI board exam committee of the American Board of Internal Medicine, and is a Fellow of the American College of Gastroenterology. An avid chamber musician, he regularly performs with world-class artists, ensembles, and principals of major orchestras across the nation. In recent seasons he has appeared with violinists Nurit Bar-Josef, Alexander Kerr, David Kim, Elizabeth Pitcairn, Michael Shih, and Scott Yoo; cellists Narek Hakhnazaryan and Amit Peled; clarinetist Anthony McGill; pianist Jon Kimura Parker; the American, Daedalus, Dover, Escher, Miró, Pacifica, and Ying Quartets; and the string quintet Sybarite5. He also serves on the Board of Directors for Chamber Music America.Be sure to check out Christopher and his projects here:https://www.christophershih.com/Support this podcast at — https://redcircle.com/the-story/donations

Synopsis On today's date in 1942, Bruno Walter conducted the New York Philharmonic in the premiere of the Second Symphony of the American composer John Alden Carpenter. Like Charles Ives, Carpenter led a double life as a composer and successful businessman. He was born into a wealthy family, and from 1906 until his retirement in 1936, served as Vice President of George B. Carpenter & Co., his father's railroad and shipping supply company. Carpenter studied music at home and abroad, and even took composition lessons from Sir Edward Elgar. In 1914, Carpenter scored a national success with his first big orchestral work, a whimsical symphonic suite titled Adventures in a Perambulator, and in 1921 wrote a very popular jazz-inspired ballet titled Krazy Kat, based on a wildly popular newspaper comic strip of the day. By the 1940s, Carpenter's works were being performed by America's leading orchestras and famous maestros like Bruno Walter and Fritz Reiner. To celebrate his 75th birthday, the newly-formed National Arts Foundation promoted performances of his music in the U.S, Europe, and Australia. But in the decades following his death in 1951, much of Carpenter's work has been forgotten. Naxos of America released this first-ever recording of his Symphony No. in 2001 — 59 years after the work's 1942 premiere. Music Played in Today's Program John Alden Carpenter (1876-1951) Symphony No. 2 National Symphony of Ukraine; John McLaughlin Williams, conductor. Naxos 8.559065

Synopsis On today's date in 1928, the Danish composer Carl Nielsen conducted the first public performance of his new Clarinet Concerto in Copenhagen. “The clarinet,” said Nielsen, “can, at one and the same time seem utterly hysterical, gentle as balsam, or as screechy as a streetcar on badly greased rails.” Nielsen set himself the task of covering that whole range of the instrument's conflicting emotions and colors. He wrote it for a Danish clarinetist he admired named Aage Oxenvad, who played both the public premiere on today's date and a private reading a few weeks earlier. After the private performance Oxenvad is supposed to have muttered: “Nielsen must be able to play the clarinet himself — otherwise he would hardly have been able to find all the instrument's WORST notes.” The concerto's wild mood-swings puzzled audiences in 1928, but today it's regarded as one of Nielsen's most original works. In October of 1996, another Clarinet Concerto received its premiere when American composer John Adams conducted the first performance of his work Gnarly Buttons with soloist Michael Collins. This concerto contains a bittersweet tribute to Adams' father, a clarinetist who fell victim to Alzheimer's disease. In Adams' concerto, the swing tunes slide into dementia, but the concerto ends with a kind of benediction. Music Played in Today's Program Carl Nielsen (1865-1931) Clarinet Concerto, Op. 57 Kjell-Inge Stevennson, clarinet; Danish Radio Symphony; Herbert Blomstedt, cond. EMI 69758 John Adams (b. 1947) Gnarly Buttons Michael Collins, clarinet; London Sinfonietta; John Adams, cond. Nonesuch 79453 On This Day Births 1882 - Canadian-born American composer R. Nathaniel Dett, in Drummondsville, Ontario; Deaths 1896 - Austrian composer Anton Bruckner, age 72, in Vienna; Premieres 1727 - Handel: "Coronation Anthems," in London at Westminster Abbey during the coronation of King George II and Queen Caroline (Gregorian date: Oct. 22); 1830 - Chopin: Piano Concerto No. 1 in E minor, in Warsaw, composer as soloist; 1928 - Nielsen: Clarient Concerto, at a public concert in Copenhagen, with the composer conducting and Aage Ozenvad the soloist; This concert had been given a private performance in Humlebaek on September 14, 1928); 1947 - Prokofiev: Symphony No. 6, by Leningrad Philharmonic, Yevgeny Mravinsky conducting; 1952 - Prokofiev: Symphony No. 7, by Moscow Philharmonic, Samuil Samosud conducting; 1953 - Messiaen: "Réveil des oiseaux," in Donaueschingen, Germany; 1955 - B.A. Zimmermann: "Nobody Knows de Trouble I See" for Trumpet and Orchestra, in Hamburg, by the North German Radio Orchestra conducted by Ernest Bour, with Adolf Scherbaum the soloist; 1962 - Carlisle Floyd: opera "The Passion on Jonathan Wader," by the New York City Opera; 1977 - Bernstein: "Songfest," "Three Mediations from 'Mass,'" and "Slava!" by the National Symphony, conducted by the composer ("Songfest" and "Meditations"‚ and Mstislav Rostropovich ("Slava!"); Rostropovich was also the cello soloist in the "'Meditations"; 1980 - Bernstein: "A Musical Toast ( A Fanfare in Memory of André Kostelanetz)" by the New York Philharmonic conducted by Zubin Mehta; 1980 - Zemlinksy: opera "Der Traumgörge" (Goerge the Dreamer), posthumously, in Nuremberg at the Opernhaus (This opera was written in 1906); 1985 - John Harbison: String Quartet No. 1, at the Corcoran Gallery in Washington, D.C., by the Cleveland Quartet. 1985 - Michael Torke: “Vanada” for brass, keyboards and percussion, at the Concertgebouw Chamber Hall in Amsterdam, by the Asko Ensemble, Lukas Vis conducting. Links and Resources On Carl Nielsen On John Adams

Yo-Yo Ma plays the John Williams Cello Concerto with John Devlin conducting the opening night celebration of the Wheeling Symphony Orchestra at the Capitol Theater Thursday September 29th at 7:30pm. John Devlin discuses the program of American Stories with Caroline Shaw and a world premiere of Migrations in Rhythm: A Concerto for Beatbox and Rhyme by Evan Meier with Christylez Bacon and a new arrangement of the Star Spangled Banner by Enrico Lopez Yanez. It's a return for Yo-Yo Ma - he first played Wheeling at age 17. There is a reception afterward.  John also discusses the season to come with Jim Cunningham and relays a few highlights from his work with Gianandrea Noseda and Christoph Eschenbach at the National Symphony before arriving in Wheeling.

The Two Mikes were extremely fortunate to have the opportunity to speak with Mr. Allan Parker this morning. Mr. Parker is an attorney, and can argue cases before the Supreme Court. He and his law firm have provided pro bono assistance to women who are against abortion and/or those who have been mentally or physically damaged by having an abortion. He represented the two women whose cases provided the groundwork for the 1973 Supreme Court's finding a "right" to abortion, after both women reversed their minds and began to work with those seeking to rid the republic of the Rove-vs. Wade decision and the scourge of abortion. (The second is the Dobbs case, the decision in which re-affirmed the Court's pro-abortion position). Mr. Parker said that the overturning of Roe-vs-Wade was a "Great Day" for America, and will go a long way toward re-establishing the womb as the “safest place in America'', replacing its current status as the most dangerous place. All told, the Court's decision announced last Friday gives those who thought America may have gone too far down the road toward Sodom and Gomorrah, and so had caused God to turn his back on the republic, a bit of hope and faith that God has thrown us a lifeline that must be the basis on which we rebuild faith, constitutionalism, and republicanism in this country --Bio and websites for Mr. Allen Parker: Allan Parker is President of The Justice Foundation and is a former Professor of Law at St. Mary's University in San Antonio, Texas, where he taught Education Law and Civil Procedure. Allan was also legal counsel to the late Norma McCorvey (the original Jane Roe of the Roe vs Wade decision). He received his J.D. degree with high honors from the University of Texas School of Law in 1979. Allan Parker as President of The Justice Foundation, filed not one but TWO Amicus Curiae Briefs in the Dobbs case before the US Supreme Court. The Justice Foundation's website is www.thejusticefoundation.org Allan is also asking people to sign the MORAL OUTCRY petition at www.themoraloutcry.com Opening music credits: Corrado Carosio, Pierangelo Fornaro and The National Symphony of RAI Please go on the www.Twomikes.us Contact page to send your 3rd anniversary shout out Sponsors Our Gold Guy: https://www.ourgoldguy.com EMP Shield: https://www.empshield.com/?coupon=twomikes www.TwoMikes.us

My Cousin, Claire Bryant!  A sought-after and distinctive performer, Claire has collaborated with such master artists as Emanuel Ax, Sir Simon Rattle and Dawn Upshaw, and worked closely with luminary composers from Meredith Monk to Steve Reich to Herbie Hancock. Over the past 25 years, she has enjoyed a prominent solo career, appearing with major orchestras around the world including the Spartanburg Symphony Orchestra, Finland's Kuopio Symphony Orchestra and The National Symphony of Honduras.  --- Send in a voice message: https://anchor.fm/john-brunty/message

The Two Mikes were extremely fortunate to have the opportunity to speak with Mr. Allan Parker this morning.  Mr. Parker is an attorney, and can argue cases before the Supreme Court. He and his law firm have provided pro bono assistance to women who are against abortion and/or those who have been mentally or physically damaged by having an abortion. He represented the two women whose cases provided the groundwork for the 1973 Supreme Court's finding a "right" to abortion, after both women reversed their minds and began to work with those seeking to rid the republic of the Rove-vs. Wade decision and the scourge of abortion. (The second is the Dobbs case, the decision in which re-affirmed the Court's pro-abortion position). Mr. Parker said that the overturning of Roe-vs-Wade was a "Great Day" for America, and will go a long way toward re-establishing the womb as the “safest place in America'', replacing its current status as the most dangerous place. All told, the Court's decision announced last Friday gives those who thought America may have gone too far down the road toward Sodom and Gomorrah, and so had caused God to turn his back on the republic, a bit of hope and faith that God has thrown us a lifeline that must be the basis on which we rebuild faith, constitutionalism, and republicanism in this country --Bio and websites for Mr. Allen Parker:  Allan Parker is President of The Justice Foundation and is a former Professor of Law at St. Mary's University in San Antonio, Texas, where he taught Education Law and Civil Procedure.  Allan was also legal counsel to the late Norma McCorvey (the original Jane Roe of the Roe vs Wade decision). He received his J.D. degree with high honors from the University of Texas School of Law in 1979. Allan Parker as President of The Justice Foundation, filed not one but TWO Amicus Curiae Briefs in the Dobbs case before the US Supreme Court. The Justice Foundation's website is www.thejusticefoundation.orgAllan is also asking people to sign the MORAL OUTCRY petition at www.themoraloutcry.comOpening music credits: Corrado Carosio, Pierangelo Fornaro and The National Symphony of RAIPlease go on the www.Twomikes.com Contact page to send your 3rd anniversary shout out“Listening to Two Mikes will make you smarter!”- Gov Robert L. Ehrlich, JrSponsors

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Devin Patrick Hughes sits down with pianist and new music pioneer Michael Mizrahi. Praised as "intrepid" (Philadelphia Inquirer), "engaging" (Houston Chronicle), and "endlessly fascinating" (WQXR New York), pianist Michael Mizrahi has won acclaim for his compelling performances of a wide-ranging repertoire and his ability to connect with audiences of all ages. He's appeared as concerto soloist, recitalist, chamber musician, and teaching artist across the United States and abroad.   Michael Mizrahi has performed in the world's leading concert halls including Carnegie Hall, the Kimmel Center in Philadelphia, and the Kennedy Center in Washington, DC, and has soloed with orchestras such as the Houston Symphony and the National Symphony. He has won first prize at competitions such as the Ima Hogg International Competition and the Bartok-Kabalevsky Competition.    Michael Mizrahi is a founding member of NOW Ensemble and also a member of Decoda, ensembles on the forefront of premiering and championing new classical music, has recorded extensively for New Amsterdam Records, including Currents which was featured as one of NPR's best albums of the year and album of the week on WQXR. Michael is on faculty at the Lawrence University Conservatory, where he trains a new generation of musical Jedi.    Thank you for joining us on One Symphony, My apologies for the hiatus, I had a bad case of COVID in May, but am happy to be back in action!  Thanks to Michael Mizrahi for sharing his music and wealth of knowledge. Thank you to NOW Ensemble and New Amsterdam records for making this episode possible!  Computer Wave by William Brittelle and 4 Pieces for Solo Piano by Ryan Brown can be found on the album, The Bright Motion. Dreamfall by Mark Dancigers and Cradle from Before and After by Sean Friar were performed by NOW ensemble.    You can check out the music of Michael Mizrahi and NOW Ensemble wherever you listen to your music, and online at michaelmizrahipiano.com and nowensemble.com. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Thank you to new supporters Robin and James for making this show possible! Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Thank you for reading Broadway Drumming 101. This post is public, so feel free to share it.Born in Manhattan and raised in Hastings-on-Hudson, NY, Clint de Ganon was six years old when he started drum lessons. Clint studied drumset with many great teachers in high school, including the great Sonny Igo and Gary Chester.After moving to NYC, Clint met bassist Gordon Edwards at a jam session at Mikell's. Gordon introduced Clint to Cornell Dupree. This meeting led to many opportunities to perform and record with an incredible list of artists; Cissy Houston, Brooke Benton, Jon Tropea, The Manhattan Transfer, The Fab Faux, Lloyd Price, Bob James, Chuck Loeb, Michael Franks, Will Lee, Hiram Bullock, Blood, Sweat, & Tears, Stuff, Tom Scott, Liza Minnelli, Phoebe Snow, Tony Conniff, Christopher Cross, The Blues Brothers, Take 6, Renée Fleming, Paula Cole, Donovan, Elvis Costello, Dionne Warwick, Jimmy Buffet and the great Billy Preston.Clint enjoys guesting every season with the New York Pops at Carnegie Hall and occasionally with the Houston Symphony. He has performed with dozens of orchestras over the years, including the Boston Pops, the National Symphony, the LA Phil, the Baltimore Symphony, the Colorado Symphony, and many others.For several seasons now, Clint has played drums for the Marvelous Mrs. Maisel. He was recently cast to be on-camera, where he can be seen in several episodes of the show's fifth & final season. Other TV and movie appearances include Halston, Letterman, The View, Good Morning America, My Crazy Ex-GF, & Saturday Night Live.Clint was recently honored to be the drummer on the new Stephen Spielberg remake of “West Side Story and made a brief appearance in the movie too!Clint held the drum chair for 13 Broadway musicals; “Beautiful,” “Hairspray,” “Catch Me If You Can,” “Bonnie & Clyde,” “Footloose,” “Jesus Christ Superstar,” “Rocky Horror Live,” and many others. He originated the drum books for 9 of these shows and played drums on the movie “Hairspray” and the tv show “Hairspray Live.”Clint proudly endorses Yamaha Drums, Zildjian Cymbals, Promark Drumsticks, & Attack drum heads.To continue producing the high-quality podcasts you're listening to, publishing engaging newsletter content, and posting YouTube videos, and we would appreciate any financial contributions you can make. At this time, we have no advertisers, and we'd like to keep it that way. Our staff is small but growing. We can only produce this show with listener contributions from people like you!There are a couple of ways you can do that:You can sign up to be a monthly or annual subscriber here:Contribute through PayPal at PayPal.Me/broadwaydrumming101Donate with Venmo: @broadwaydrumming101Or help keep us caffeinated by buying us a cup of coffee (or a week's worth) at buymeacoffee.com/BD101We appreciate any support you can give!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Born in Manhattan and raised in Hastings-on-Hudson, NY, Clint de Ganon was six years old when he started drum lessons. Clint studied drumset with many great teachers in high school, including the great Sonny Igo and Gary Chester. After moving to NYC, Clint met bassist Gordon Edwards at a jam session at Mikell's. Gordon introduced Clint to Cornell Dupree. This meeting led to many opportunities to perform and record with an incredible list of artists; Cissy Houston, Brooke Benton, Jon Tropea, The Manhattan Transfer, The Fab Faux, Lloyd Price, Bob James, Chuck Loeb, Michael Franks, Will Lee, Hiram Bullock, Blood, Sweat, & Tears, Stuff, Tom Scott, Liza Minnelli, Phoebe Snow, Tony Conniff, Christopher Cross, The Blues Brothers, Take 6, Renée Fleming, Paula Cole, Donovan, Elvis Costello, Dionne Warwick, Jimmy Buffet and the great Billy Preston. Clint enjoys guesting every season with the New York Pops at Carnegie Hall and occasionally with the Houston Symphony. He has performed with dozens of orchestras over the years, including the Boston Pops, the National Symphony, the LA Phil, the Baltimore Symphony, the Colorado Symphony, and many others.For several seasons now, Clint has played drums for the Marvelous Mrs. Maisel. He was recently cast to be on-camera, where he can be seen in several episodes of the show's fifth & final season. Other TV and movie appearances include Halston, Letterman, The View, Good Morning America, My Crazy Ex-GF, & Saturday Night Live.Clint was recently honored to be the drummer on the new Stephen Spielberg remake of “West Side Story and made a brief appearance in the actual movie too! Clint held the drum chair for 13 Broadway musicals; “Beautiful,” “Hairspray,” “Catch Me If You Can,” “Bonnie & Clyde,” “Footloose,” “Jesus Christ Superstar,” “Rocky Horror Live,” and many others. He originated the drum books for 9 of these shows and played drums on the movie “Hairspray” and the tv show “Hairspray Live.”Clint proudly endorses Yamaha Drums, Zildjian Cymbals, Promark Drumsticks, & Attack drum heads.To continue the high-quality content flowing into your email inbox, we would appreciate any financial contributions you can make. If you'd like to become a voluntarily paid subscriber, click this red button and sign up to be a monthly or annual subscriber – or, if you are feeling super generous, be a Founding Member:You can also contribute ANY amount you wish by using these methods.* Buy me a cup of coffee (or a week's worth) by clicking here.* Check: send a simple email to broadwaydrumming101@substack.com and ask where you can send that glorious piece of paper.• PayPal. PayPal.Me/broadwaydrumming101• Venmo: @broadwaydrumming101I appreciate your support!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

About the guestAn artistic force in the broadest and most creative sense of the word, Darin Atwater's career has encompassed the roles of composer, conductor, pianist, record producer, artist, arranger, film composer, vocalist, entrepreneur, educator, and arts advocate. As a master inventor of musical hybrids, he has blended American pop, soul, Hip Hop, jazz, classical, and gospel music into many dazzling fusions, traversing virtually every medium, including records, live performance, radio, and television--literally reinventing the symphony orchestra in America.Born in Washington, D.C., Atwater made his orchestral debut as both composer and pianist in May 1995 with the National Symphony Orchestra performing his own Piano Concerto. The following year the National Symphony and the National Cathedral Choral Arts Society premiered his Proclamations. In 1997 he accompanied Kathleen Battle and the NSO for the re-opening of the Kennedy Center Concert Hall along with a performance that summer with Jennifer Holiday and the NSO for the PBS national broadcast of A Capitol Fourth. engagements with major orchestras, In Performance at The White House, European tour, and world premieres of his numerous compositions followed. As a guest conductor he has appeared with the Baltimore Symphony, the Dallas Symphony, M phis Brass, and the Columbus Symphony. Atwater appears regularly with the Jazz at Lincoln Center Orchestra with Wynton Marsalis as both guest conductor and composer. From 20042007 Atwater served as Composer-in-Residence with the Baltimore Symphony. This collaboration produced many evening length works that have become staples in the repertoire. Among th are Song in a Strange Land, Evolution of a People, Paint Factory, Southern Folk Sketches, God's Trombones, and a ballet, Ghetto Safari. As solo artist, Atwater presented annually for the Steinway Series presented by the Smithsonian Museum of American Art. He was vocalist, pianist, and arranger with the U.S. Air Force Band for America's Veterans; A Musical Salute on PBS. Most recently, Atwater performed a solo piano recital for the grand opening of the Smithsonian National Museum of African American History and Culture, the first artist to perform in the Oprah Winfrey Theatre.In 2000, Atwater founded Soulful Symphony, an 85 member orchestra with vocals made up of mostly African American and Latino musicians. After 10 wildly successful seasons of sell-outemperformances in a joint venture with the Baltimore Symphony, Soulful Symphony entered into a historic partnership with Broadway Across America. Soulful Symphony delivered another three seasons of sold outemperformances at the Hippodrome Theatre before a triumphant return to the Joseph Meyerhoff Symphony Hall to celebrate 15 yearstaking an entire culture and setting it to music. The 2009 my Award(r)winning Soulful Symphony with Darin Atwater is one of the longest running pledge specials, airing currently nationwide on PBS/APT.Atwater r ains a strong advocate for Arts, Culture, and Music Education. He served on the board of Maryland Citizens for the Arts, testifying before the House and Senate for state and national funding. Through his work with Soulful Symphony, Atwater has lectured and spoken to countless schools along with hosting open rehearsals that has accompanied every concert since the inception of the organization.The critics' praise has been unanimous: The New York Times described him as composer with a muscular imagination. The Baltimore Sun wrote, Atwater has an uncommon ear for instrumental coloring and the urban beat. The Philadelphia Inquirer writes, Atwater has created a musical antidote for the malaise gripping classical music and is a unifying vessel for a dozen or so genres of music in the commercial and art realms The Washington Post adds, From the first few chords, his music sets itself apart, otional and riveting. Among his many honors and recognitions, NBC named him in The Grio 100: History Makers in the Making. Ebony magazine dubbed him one of the 30 Leaders of the Future, and the Baltimore Business Journal placed him on their exclusive 40 under 40 list. Atwater received The Prestige Award by the State of Maryland foremindividuals who bring prominence to the region along with Legends and Pioneers Award by The Afro American Newspaper and The Vision Award from Maryland Public Television. He was profiled on an ABC special for Entertainment Studios We are the Dream following President Obama, Oprah Winfrey, and the late Ted Kennedy.Along withemexpanding the cultural footprint of Soulful Symphony, He is scoring two feature films along with recording his debut album with a label releaseemscheduled for the summer of 2017. 2016-2017 seasonThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.Mentioned in this episodeDarin Atwater - Kennedy CenterTo find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode★ Support this podcast ★

Today on Boston Public Radio: We begin the show by talking with listeners about parental burnout. Interim DA Kevin Hayden discusses his new plan on handling arrests at Mass & Cass. He also shares his thoughts on Mayor Michelle Wu's statement on providing support for the children allegedly responsible for multiple attacks around Boston Common. Hayden is the interim District Attorney for Suffolk County, and he's running for election for a full term as DA this fall. Callie Crossley reflects on a post-Roe America, and the story of Jessica Watkins, the first Black woman on the International Space Station (ISS) crew. Crossley hosts GBH's Under the Radar and Basic Black. Sy Montgomery talks about her encounters with birds of prey while learning falconry. Montgomery is a journalist, naturalist and a BPR contributor. Her latest book is "The Hawk's Way: Encounters with Fierce Beauty.” Justice Margaret Marshall discusses the unprecedented leak of a Supreme Court draft opinion that could overrule Roe v. Wade. Justice Marshall is the former Massachusetts Supreme Court Chief Justice. Lisa Graham, Gabrielle Goodman, and the Metropolitan Chorale of Brookline perform live at the Boston Public Library ahead of their upcoming May 15 performance of Duke Ellington's “Sacred Concert.” Graham is the music director of the Metropolitan Chorale, Conductor of Choral Program at Wellesley. Goodman is a soloist and a professor of music at the Berklee College of Music in the Voice Department. Goodman has performed in both classical and jazz idioms with the Syracuse Symphony, the Baltimore Symphony, the Baltimore Opera, and the National Symphony. The Metropolitan Chorale is a 100-voice audition chorus.

Our guest today is composer Angélica Negrón. Her works range from traditional orchestral and chamber pieces to compositions for accordion, toys, and electronics, and have been performed by such prestigious ensembles as the Dallas Symphony, the National Symphony, and the Kronos Quartet, among many others. She was an artist in residence at National Sawdust in Brooklyn and is currently a teaching artist for the New York Philharmonic's Very Young Composers program. Originally from Puerto Rico, she grew up playing piano and violin before coming to New York City for studies at New York University and the CUNY Graduate Center. Orchestrating Change is available wherever you get your podcasts. We also have a new website! Go to www.orchestratingchange.com to sign-up for email reminders, view past episodes, and see the various channels where you can view our content. For more information about everything else we are offering at this time, please visit www.cantonsymphony.org.

Dawn Wolski has served as the General and Artistic Director of Inland Northwest Opera (INO) since 2017, leading the organization during its rebranding from Opera Coeur d'Alene to Inland Northwest Opera, broadening its reach of professional opera across Eastern Washington and Northern Idaho. Dawn joined INO on the heels of a successful international singing career, performing two dozen opera roles, multiple concert works and appeared on television programs in Europe, China, and the U.S. Dawn served two enlistments in U.S. Army where she performed with the London Symphony, Boston Symphony, National Symphony, and the Cincinnati Symphony. She has shared the stage with a variety of performers such as Julie Andrews, Wayne Brady, Wynonna Judd, Pam Tillis, Chris Isaak, as well as several U.S. presidents. For more information about what is next for Inland NW Opera, visit inlandnwopera.com For more information about Dawn visit dawnwolski.com

I was going to wait a couple of weeks to publish this episode with Phil Snedecor, but I thought I just played his episode from five years ago last week on the feed, why not just put it up this week? So here we go. In this episode, we dove deep into a lot of really interesting topics, including a continuation on what it means to be nervous versus confident, and how the two intersect in an ideal world. We also talked about how to teach students how to teach themselves to be the best player that they can be, how to know when is enough air to say what we want to communicate with our horn, how to make the difficult things effortless, and much more. We were also treated to my wife Sana being on the call with Phil and myself, and she asked some very poignant questions as well. So enjoy it! In this conversation with Phil Snedecor, you will hear: -Phil gets us up to speed on his whereabouts trumpet wise... -What does it mean when we get nervous?... -When to teach, and when to teach how to teach... -Arnold Jacobs and "singing air"... -More vibration, not more air... -How to make the difficult things easy... -What personalities are naturally attracted to trumpet?... -What it was like to record the Carnaval album with Wynton Marsalis... -And much more! Resources mentioned: Video: https://youtu.be/zxHo1CLtiDo ("Gone but Not Forgotten") https://www.pasmusic.com/PAS_Music/New_Releases.html (New releases on PAS Press) https://youtube.com/playlist?list=PLJ_xOYrmXUOxGBqGBWcd3TwK9sGr6pKwa (Phil's YouTube playlist) Here are the pics Phil mentioned of the recording session w/ Wynton: http://www.jns.media/wp-content/uploads/2022/03/Attachments-Snedecor-links.zip (Attachments-Snedecor links) About the guest: Phil Snedecor is Associate Professor of Trumpet at the http://www.hartford.edu/hartt/ (Hartt School) (of the University of Hartford) in Hartford, CT, and a former faculty member at The Peabody Conservatory, George Mason University and at Towson University. He has written a series of brass etude books that are required repertoire at many colleges and conservatories. His arrangements and compositions have been performed throughout the United States, Europe, Asia and Australia. Phil attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. He is Principal Trumpet in the Harrisburg (PA) Symphony Orchestra and former Co-Principal Trumpet in the Concert Artists of Baltimore. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia. In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co-founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew's Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papal visit of 2008 in Washington DC and are heard regularly in their own concert series in DC, Maryland and Virginia. Their critically acclaimed CDs are available on the Summit and Warner Classics labels. Phil's innovative programming and arranging for the WSB has led to several guest conductor appearances, most recently with the River City Brass Band (Pittsburgh) and the Breckenridge (CO) Brass. As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the...

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City. She received her Bachelors of Music in Percussion at Rutgers University.Mariana Ramirez broke historic ground in 2018, becoming the first female Mexican percussionist to perform on a Broadway show while subbing on Once On This Island. It led to sub on two more Broadway shows:  Head Over Heels and Ain't Too Proud, The Life and Times of the Temptations. Currently, she is one of just two female Mexican drummer/percussionists performing on Broadway. Off-Broadway shows include subbing Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others.With that solid foundation, Mariana went on tour with the drums/percussion chair of Once on This Island Broadway National Tour.​In addition to Broadway, she has performed in Europe, Asia, and Mexico, playing with Mexican Traditional Music bands, Symphonic Ensembles, Chamber Orchestras, and Pop Bands. ​​Mariana has also performed on TV shows, including the Steven Colbert Late Night Show, and TV series such as Mozart in the Jungle NBC Universal Upfronts at Radio City Music Hall.​Mariana also founded Percussion Quartet Excelsis, praised as “one of the most innovative and exciting percussion ensembles to emerge in the golden age of chamber music that we are presently in” by Jonathan Hass head of the New York University Percussion Department.   Excelsis has performed twice at NPR Radio in From the Top show, the Percussive Arts Society New York Weekend Of Percussion in 2014 and 2015, Brooklyn Bound with So Percussion, Zeltsman's Marimba Festival, Tippet Rise Music Festival in Montana, and most recently presented a Master Class at Salem University in Massachusetts. Sabian Cymbals endorse Excelsis. ​As a symphonic percussionist, Mariana has performed with orchestras in Mexico and the United States, including the National Symphony of Mexico, Orquesta de Minería, Dartmouth Symphony, South Florida Symphony, the first all-Women Orchestra of Mexico, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for Choir and Orchestra at Alice Tully Hall. For more: https://www.marianapercussion.comBroadway Drumming 101 is your one-stop shop for everything you'll need to know about playing drums for broadway musicals. When you subscribe to The Broadway 101 Newsletter, you'll learn about what it takes to be a successful pit musician with content delivered directly to your email inbox two to three times a week.As a paying subscriber, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway. For $5 a month, or $50 a year, you'll have a backstage pass to the world of a broadway drummer playing on a hit show. You'll also be able to read every post (not just the occasional free ones), you'll get access to all newsletter issues in the archives, and have the ability to participate in subscriber-only comments and events.The Broadway Drumming 101 Podcast is on Apple Podcasts, Spotify, or wherever you get your podcasts.The podcast features conversations with my colleagues who currently hold drums chairs, showcases talks with broadway drumming legends and highlights up-and-coming drummers breaking into the scene.There is a lot to learn. Subscribe now, so you don't miss out on the latest posts and podcasts!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HEREThank you for reading Broadway Drumming 101. This post is public, so feel free to share it.​ Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Capítulo 018: On this episode of Ocu-Pasión we are joined by Broadway veteran, university instructor, theatre facilitator, and director Michelle Rios. Listen in as we discuss Theatre within social activism, collective creation, and the art of storytelling. Michelle's  credits include the Tony Award nominated Broadway productions of Paul Simon and Derek Walcott's The Capeman, The Sound of Music (starringRichard Chamberlain), and Man of La Mancha (starring Tony Award winner Brian Stokes Mitchell).  She also performed the coveted role of “Abuela Claudia” opposite Tony, Grammy, and Emmy Award winner Lin Manuel Miranda in In the Heights and originated the role of  “Maria Elena” in the opera Missionaries written and directed by the late Elizabeth Swados, which premiered at both La MaMa, ETC. and New York Stage and Film.   A classically trained vocalist, Ms. Rios was also a Metropolitan Opera Mid Atlantic Semi-finalist, and has collaborated with artists on theatrical, classical, and contemporary new works.  She was a guest artist in Spoleto Music Festivals in both Italy and Charleston, SC, where she performed the world premiere of Magic & Transformation, a chamber orchestral piece with lyrics by the late Lou Reed and music by contemporary composer Peter Gordon.  Other guest artist concert appearances include: The Washington Opera, The National Symphony, The Greenville Symphony, The Arlington Symphony, The Pan American Symphony Orchestra, The Core Ensemble, Opera Maxlrain (Germany), The “In” Series, etc.  Ms. Rios has performed and collaborated with such luminaries as Paul Simon, Lin Manuel Miranda, Marc Anthony, Ruben Blades, Uzo Aduba, Lila Downs, and Academy Award nominees Ed Harris, Mare Winningham, and Mary Elizabeth Mastrantonio, to name a few.  She performed the role of "Signora Nacarelli" in the World Premiere of the first chamber production of The Light in the Piazza by Tony Award winning composer Adam Guettel.   She also originated the role of “Lupe” in the World Premiere of Tony Award nominees Michael John LaChiusa and Sybille Pearson's Giant directed by award winning Broadway and West End director and choreographer Jonathan Butterell ("Everybody's Talking About Jamie").  She performed alongside Grammy Award winning recording artist Lila Downs as “Mama Elena” in the Sundance Theatre Lab workshop presentation of Like Water for Chocolate with music and lyrics by Lila Downs and a book by Pulitzer Prize Award winning playwright Quiara Alegria Hudes.  Ms. Rios received a 2018 Helen Hayes Award nomination for her performance as "Abuela Claudia" in the U.S. Spanish premiere of In the Heights  directed and choreographed by Luis Salgado with original Spanish lyrics by Lin Manuel Miranda.  You may catch Ms. Rios as “Flora” opposite Academy Award nominee Ed Harris in the feature film Frontera (on Netflix).  She appears as "Mrs. Lopez" in the first season of Schmigadoon! a musical comedy series starring SNL's Cecily Strong and  directed by Barry Sonnenfeld (Addams Family, Men in Black, etc.).  Schmigadoon! is currently streaming on Apple TV+ .   Ms. Rios received an MFA in Theatre Practice from the University of Alberta (Canada).Follow Michelle :  Website: www.mmrios.comDelsy Sandoval is the Executive Producer of Ocu-Pasión. If you want to support the podcast, please rate and review the show here. You can also get in touch with Delsy at www.ocupasionpodcast.comFollow Ocu-Pasión on Instagram: @ocupasionpodcast www.instagram.com/ocupasionpodcastJoin the Ocu-Pasión Facebook Group: facebook.com/groups/5160180850660613/

Part 2 of 2.Welcome to Season 2 of The Piano Pod! To celebrate the start of the new season, we interviewed Jeffrey Biegel, the renowned concert pianist, Steinway artist, recording artist, composer, and arranger. Mr. Biegel has performed with many major orchestras throughout the world, such as the London Symphony, the BBC Philharmonic, the Philadelphia Orchestra, and the National Symphony, among many others; and he is a professor of piano at the Conservatory of Music at Brooklyn College. He is both a traditional virtuoso, and a dedicated champion of new music, having created more than a dozen commissioning projects. His recording of one of them, Kenneth Fuchs's Piano Concerto 'Spiritualist'; won the 2019 Grammy Award for Best Classical Compendium. His own composition, "Three Reflections," will have its premiere with the Dallas Symphony Orchestra on October 7, 2021. He also has multiple new recordings coming out in the next few months, including the 1924 version of Rhapsody in Blue with the original orchestration, Islamey on the Steinway Label, and "A Planet's Odyssey" by Daniel Perttu. BONUS OPPORTUNITY FOR TPP FANS!Mr. Biegel played so many excerpts during the interview, we couldn't keep up! If you hear a melody you recognize, write the title of the piece in the comments on YouTube!Everyone who correctly identifies an excerpt will get a mention in the credits of a future episode!

Part 1 of 2.Welcome to Season 2 of The Piano Pod! To celebrate the start of the new season, we interviewed Jeffrey Biegel, the renowned concert pianist, Steinway artist, recording artist, composer, and arranger. Mr. Biegel has performed with many major orchestras throughout the world, such as the London Symphony, the BBC Philharmonic, the Philadelphia Orchestra, and the National Symphony, among many others; and he is a professor of piano at the Conservatory of Music at Brooklyn College. He is both a traditional virtuoso, and a dedicated champion of new music, having created more than a dozen commissioning projects. His recording of one of them, Kenneth Fuchs's Piano Concerto 'Spiritualist'; won the 2019 Grammy Award for Best Classical Compendium. His own composition, "Three Reflections," will have its premiere with the Dallas Symphony Orchestra on October 7, 2021. He also has multiple new recordings coming out in the next few months, including the 1924 version of Rhapsody in Blue with the original orchestration, Islamey on the Steinway Label, and "A Planet's Odyssey" by Daniel Perttu.BONUS OPPORTUNITY FOR TPP FANS!Mr. Biegel played so many excerpts during the interview, we couldn't keep up! If you hear a melody you recognize, write the title of the piece in the comments on YouTube!Everyone who correctly identifies an excerpt will get a mention in the credits of a future episode!

Drummer/percussionist Damien Bassman is currently the drummer for the Broadway musical Jagged Little Pill. Originally from Fairfax, Virginia, he received his BM from the Cleveland Institute of Music and a MM and Performer's Residency Certificate from Carnegie Mellon University. He also earned an Advanced Performer's Certificate from The Juilliard School.  He was a featured drumset soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with the orchestra playing drumset and hand drums on Leonard Bernstein's Mass. Damien has performed as both soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, the Columbus Symphony and wrote, arranged, and performed the hybrid multi-percussion/drumset book for the hit musical Next To Normal. He also created the drum/percussion book for Hi-Fidelity, created and performed the African/multi-percussion book for The Color Purple. He played drums for Mario Cantone's Laugh W***e and has worked on shows such as Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Never Gonna Dance, Fiddler On The Roof, Caroline Or Change, The Wedding Singer, Xanadu, Glory Days, Baby, BatBoy, Radiant Baby, and Making Tracks.He collaborated with the band Green Day on the Broadway adaptation of their CD American Idiot and with composer Andrew Lippa, Nathan Lane, & Bebe Neuwirth on the Broadway musical The Addams Family. Before Jagged Little Pill, he was the drummer for Spongebob The Musical.Damien also serves as drummer/percussionist in the bands of many of Broadway's biggest stars, including Adam Paschal (Rent, School of Rock), Kristin Chenoweth (My Love Letter To Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys). Clayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He earned a Bachelor of Business Administration from Howard University's School of Business and is a 28 year veteran of the fast-paced New York City music scene. He has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.Follow him on Instagram, Twitter or read more on his website: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week, Kiff is joined by Dr. Don Greene, a peak performance psychologist. Dr. Greene has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. You can study with Don or find out more about his approach and classes at www.winningonstage.com