Podcasts about i can see you

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

pretty in pink. Collection II- 'antithesis.' Track 07. - 'pretty in pink' Prod. By Blū Tha Gürū When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Joey King talks about her new Holocaust survival drama series “We Were the Lucky Ones,” being directed by Taylor Swift in her “I Can See You” music video and working with her childhood “High School Musical” crush Zac Efron. Learn more about your ad choices. Visit megaphone.fm/adchoices

In honor of Taylor Lautner's birthday, we decided to cover two songs that have to do with him: Back to December and I Can See You. We love an unproblematic ex! Check out Finer Finds here: https://www.shopfinerfinds.com/ Cat's shirt: https://www.shopfinerfinds.com/products/the-repuslaytion-t-shirt?_pos=2&_psq=repuslay&_ss=e&_v=1.0 Abby's shirt: https://www.shopfinerfinds.com/products/the-dream-girl-t-shirt?_pos=1&_psq=dream&_ss=e&_v=1.0 The poster: https://www.shopfinerfinds.com/products/the-people-pleaser-poster?_pos=2&_psq=peop&_ss=e&_v=1.0

This week, Karli and Jess are walking you through the Easter Egg filled I Can See You music video. The hidden messages, callbacks to the original Speak Now Era, and so many 1989 and Reputation references make this video so much fun. Find out the special meaning behind this music video and learn why Swifties have so much fun finding and deciphering the many Easter Eggs Taylor hides.Taylor Swift || 1989 Taylor's Version || Eras Tour || Taylor LautnerFollow along to hear a new Taylor Swift related episode every single Tuesday.Follow Us On Social Media:Typical Tuesday Night Podcast @typicaltuesdaynight.podcastKarli @everyday_ellisJess @jess.tait

Remember when music videos were on cable tv? We don't either! Join us in this podcast where we watch music videos that we haven't seen before and talk ALL about them! Get our reactions and our thoughts and find out if we will stream these songs in the future! Got a video for us to react to? Send it to us on our instagram page @videovirginspod ! This week we are coming to you LIVE from - The old HP Building! FOLLOW us @johnbeforedawn and @joeistherealest  !!! Follow our special guest @ LAVQUIN and go to feat. Video Virgins | lavquin.com to find ALL of our links THERE! This episode's music videos are: Game Over by Alexa Vega, I'm The One by Bellastar, Summer Really Hurt Us by ALMA, Feast by bludnymph, BROKE by Angel J. Nelson, I Can See You by Taylor Swift, Chicken Little by Spencer Sutherland & Meghan Trainor, Until I Found You by Stephen Sanchez, Boy's A Liar by Jay Dub. First Carmen from Spy Kids humiliates herself. Then Bellastar wears them set shorts. Then ALMA looks like that because of the bleach in her hair. Then Bludnymph knows a Taco Bell worker. Then Angel is our new fav artist! Then Taylor Swift got Gypsy Rose off a perc!? Then Meghan has a skinny bitmoji. Then Stephen Sanchez has a guy Marilyn Monroe. Lastly we lust after Jay Dub. Dont forget to Like and leave a review!  Subscribe to our YOUTUBE - VIDEO VIRGINS and follow our Instagram @VIDEOVIRGINSPOD and our personal instagrams @JOEISTHEREALEST and @JOHNBEFOREDAWN https://youtu.be/y0PEs5PzDMs?si=MEVJ9lRDBSTy27qd https://youtu.be/Ot4DsVWw9rs?si=M60cE7YO3aoUAruQ https://youtu.be/X-58JhHUWQ4?si=5dtzfcYqB4DQiLUt https://youtu.be/PrVlFrSv5oA?si=n2fD7hMm74-P1O9b https://youtu.be/oxJpiB49Y3s?si=_CLfsFptVplhD5gF https://youtu.be/lVkKLf4DCn8?si=cRPZWcM3YWt4ibBq https://youtu.be/vvjeX8mM-Os?si=S1PVpP93-OYAUSiR https://youtu.be/GxldQ9eX2wo?si=mw-J0GkQtaprQFTq https://youtu.be/vyMHcMCGzb4?si=jmWmu6geXDx6AJZZ

In this episode we chat about "I Can See You" from "Speak Now (Taylor's Version) (From The Vault)." We talk about what we think about the song and how we could totally relate to when we were in high school. We chat about the amazing music video, and Gossip Gab goes into who this song might be about!Hosts: Devin and GabSound Design: Devin Johnson-Nieporent and Peter Leigh-NilsenTheme Song: Devin Johnson-Nieporent, Peter Leigh-Nilsen, and Eric JohnsonThank you to our Patrons!Ashley Shawn, Jessica Hutter, Cally I, Emily Carter, Hilary Davies, Brittany Perlmuter, Alan Bass, Jessi Sanders, Blue Magnetic Night, Valentina Paredes, Jessica Parham, Dana Meyerson, Ashley Moore, Kendra Roberson, Michael Gage, Suzanne Swierc, Brianne Jones, Jimmy Atwell, Katie Oxman, Franzi Notz, Trystn Daley, Philip Kim, Sierra Fox, Natalie Waller, Grace Stinson, Jacqueline Sandoval, Katie Brown, Brooke Redmond, Michelle Hau, Holly Hosie, Andrew Bauman, Nadine Biersack, Bong Bong, Melissa Paar, Alice Wheeler, Katherine Wheeler, Kailey Kolb, DianaSupport the show

Track Listing for I Can See You:   1. Call On Me (DJ Fabrizio Club Mix) – Bebe Rexha  2. Oops (Extended Mix) – Oliver Heldens feat. Karen Harding  3. Joy (Bimbo Jones Remix) – Staxx  4. My Heart Will Go On (Ghostbusterz 2023 Mixshow) – Celine Dion  5. Turbulence (Liam Pfeifer Remix) – Pink  6. Alone (Block & Crown 2023 Mix) – Heart  7. Tattoo (Ray Isaac Extended Mix) – Loreen  8. I Can See You (Taylor's Version) (Dirty Disco Mainroom Remix Edit) – Taylor Swift  9. Forever Is Over (Buzz Junkies Remix) – The Saturdays  10. Summer Night (Extended Mix) – Annuki  11. Stay The Night (Extended Mix) – Sigala & Talia Mar  12. Drinkin' (Extended Mix) – MK, Rita Ora, & Joel Corry  13. Padam Padam (Dirty Disco Pillow Biters Mixshow Edit) – Kylie Minogue  14. Desire (Craig Welsh Remix) – Calvin Harris feat. Sam Smith  15. Giving Me (Tom Hall Extended Edit) – Jazzy  16. By My Side (Dirty Disco & Matt Consola Remix) – Kristine W  17. Sitting On Top Of The World (7th Heaven Club Mix) – Delta Goodrem  18. The Story Never Ends (Extended Remix) – Block & Crown 

We have reached the end of Season 2! Over the past seven months, Olivia & Dani have delivered over thirty episodes, including Extra Credits and two-part episodes! In today's season finale, your hosts go through the music video for "I Can See You" - frame by frame - and hunt for Easter Eggs. Come and see what they find! And don't fret- your hosts will be back this October for Season 3! In the meantime, keep your eyes on this space and on our social media...just in case. *Explicit: Language --- Support this podcast: https://podcasters.spotify.com/pod/show/taylearning-podcast/support

In this episode we break down the most prominent Easter Eggs and details present in the only current music video from the Speak Now (Taylor's Version) era, the star-studded I Can See You. Directed by Taylor Swift and featuring Presley Cash, Joey King and Taylor Lautner, all major players in the original Speak Now era, it follows the group as they break Taylor out of the vault, metaphorically allowing her to reclaim her music. Not only is the video full of fun references it also points us directly to what's next in terms of the Taylor's Version rerecording project. Throughout the episode we discuss the ramifications of this music video and who it features in relation to 1989 (Taylor's Version), including our hopes and dreams for promotion, collabs, and possible timeline of events. We also speak about other current events such as The Eras Tour, a possible Cruel Summer music video, and August!

We finally reveal all of our thoughts about Speak Now (Taylor's Version) including what we really thought about Taylor's third recreated album, our opinions on the Better Than Revenge lyric change, and the infamous Last Kiss shaky breath. We go over which songs have grown on us and which may have been completely changed throughout the rerecording process. Then we breakdown and discuss the From The Vault tracks, the pop-rock sensibilities present in the Fall Out Boy collab track Electric Touch, the storytelling of When Emma Falls In Love, the bittersweet memories of Foolish One, the unexpectedly sultry lyrics of I Can See You, the devastating Hayley Williams feature on Castles Crumbling, and the poetic closer that is Timeless. Join us as we dissect why we believe these songs were not included in the original album and the insight into Taylor's life, worries, and outlook at the time. 

A little over a week after the release of 'Speak Now (Taylor's Version),' Nora and Nathan open up the mailbag to answer some questions and to continue processing their feelings about the album. They talk about why it seems like there has been less hype around the 'Speak Now' rerecord compared to previous ones (1:00), whether "I Can See You" undermined "Cruel Summer" as the song of the summer (31:59), and if we'll get a live version of this album (42:06). Hosts: Nora Princiotti and Nathan Hubbard Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

En este episodio nos adentramos a las lyrics de Speak Now (Taylor's Version) y hablamos de lo que opinamos de las nuevas Vault Tracks: Electric Touch, When Emma Falls In Love, I Can See You, Castles Crumbling, Foolish One, Timeless. También te decimos lo que sentimos con el cambio en lyrics que hubo en Better Than Revenge. Y al final ahora sí te damos nuestro Top 5 de este album. En serio nos encanta Speak Now.

From Taylor Swift's "I Can See You," where love is a precious secret waiting to be discovered, to EXO's "Cream Soda," a refreshing blend of joyful brass and pulsating rhythms that intoxicate our senses, to Harrdy Sandhu's "Psycho," Jordan Sandhu's soothing "Free Flow," and the warm and beautiful Sunshine by Minshul each song leaves an indelible mark, weaving metaphors that speak volumes beyond words. Additionally, we speak with Minshul understanding the reasons behind her furry friend who acted as a muse for this song and this week's trivia throws the spotlight on Dave Mustaine, who was part of another thrash metal band before forming Megadeth!

WE'RE FINALLY BACK! thank you so much for being so patient. In this episode we discuss: - Speak Now (Taylor's Version) where we discuss our faves, our least faves, the best lyrics from the vault songs, so on and so forth. - the I Can See You music video that features Joey King and Taylor Lautner - last weekend's surprise songs being Never Grow Up, When Emma Falls In Love, Last Kiss & Dorothea? - some spicy drama.. we delve into the TikTok beef that shan seems to find herself in every day with this other girl - Shan will also talk about her experience going to the Renaissance Tour and settle the Eras vs Renaissance debate once and for all As always thank you so much for listening, make sure you follow us on tiktok & instagram @fulltimefangirlspod BYE

Episode 51 - The direct episode to this title's question: no. I'm still looking for the summer jam that I will blast out my window. But I listen to Kesha's Gag Order, Taylor Swift's Re-release of Speak Now, and Padam Padam. Links to Resources That I mentioned in the podcastUpdates on the Kesha/Dr. Luke Case - https://www.billboard.com/music/music-news/kesha-thanks-fans-dr-luke-lawsuit-settlement-1235363178/Taylor Swift's Music Video for I Can See You - https://youtu.be/lVkKLf4DCn8Kylie's Song - Padam Padam - https://youtu.be/p6Cnazi_Fi0Our Sponsors - FatcoThanks so much to my sponsor Fatco, which provides wonderful beauty products for everyone. Imagine rubbing beef fat all over your face, okay well, it's better than that. Tallow from grass-fed cows has a ton of natural, nourishing benefits. It contains heavy concentrations of vitamins A, D, E, and K, which are all vital for skin health! Tallow is packed with good-for-you ingredients — making it the foundation for many of FATCO's products. It's their flagship ingredient and the reason they truly believe that fat is your friend! Click here and use Promotion code PAZ to save 15% on your first purchase.Fiverr - Get NFTs Designed Especially for you!Wanna be on my podcast or just have any questions? Email me at howtogaypodcast (at) gmail.com. Read more of my thoughts and extended insight of the How to Gay Podcast by reading the blog! https://howtogaypodcast.blogspot.com/You can also follow my social media:Podcast Instagram:  https://www.instagram.com/howtogaypodcast/Personal Instagram: https://www.instagram.com/this_is_paz/ Twitter: https://twitter.com/This_Is_PazFacebook: https://www.facebook.com/ThisIsPaz/MyAnimeList (MAL) - https://myanimelist.net/profile/ThisIsPazWould you like to support me, but don't have extra money? No problem! Please listen to my music on Spotify. Each listen helps both get my music out and I'm sure it gives me like 2 cents. Click here or follow this link https://open.spotify.com/artist/4P0chxFGYL3kf4FpPWy5UY?si=ALsVH5A1TeKurqDnHomD3Q  or if you're an Apple person, here's the purchase page:  Apple/Itunes 

Nora and Nathan break down the most recent release in Taylor Swift's rerecording project: ‘Speak Now.' They talk about the songs where her voice has most obviously changed and how it is different (25:26), their favorite vault songs from this rerelease and where they might be pulling inspiration from (41:13), and an Easter egg from the “I Can See You” music video that hints that ‘1989 (Taylor's Version)' might be coming next (1:16:22). Hosts: Nora Princiotti and Nathan Hubbard Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about Swift's latest re-recorded album 'Speak Now (Taylor's Version),' as well as “I Can See You,” its buzziest “From the Vault” track.

This week, The Swift Talk dives into the Speak Now re-record. From the Vault Songs, to the Eras Tour set list change, to the surprise music video. They dive into it all. Then they jump into I Can See You from Taylor's Vault. They listen to the song and then watch the video. Tune in to hear their thoughts. Tell us what you think @theswifttalk

Welcome back to HSF&A! Are you Threading or Freading?! Giving you all our thoughts on Instagram's carbon copy but fun-time NEW social media app, Threads! It's cute & funny & a good scroll now but how long will it last before the Finstas start their own Threads account & troll for days? Hoping things don't move in that direction buuuuut most apps do unfortunately. The Taylors are back together again but not in the Back to December kinda way. Ali loves Speak Now TV & especially loved the SharkBoy cameo in the “I Can See You” music video. When he came out onstage during Ms. Swift's concert, Mr. Lautner did a little impromptu flippy & thankfully he didn't flop. We realized this week that frozen pizzas are the adult version of Lunchables but somehow even lazier. We finished The Bear which is very sad because we loved it but we started a new show called The Other Two & sad news there too, it's only 3 seasons in & it got cancelled. Sad & sad but that's okay because we're Happily Stuck Forever & Always & we hope you enjoyed this week's episode!

Get ready for an incredible episode of JIMBO'S PARADISE featuring the multi-talented filmmaker, composer, writer, and sound editor - GRAHAM REZNICK!  Peek behind the red (but they were supposed to be blue) curtains and learn more about his mesmerizing experimental film I CAN SEE YOU, his hit Shudder series DEADWAX, and his collaborations with renowned filmmaker TI WEST on chilling masterpieces such as THE HOUSE OF THE DEVIl and THE INNKEEPERS. But that's not all—brace yourself for a thrilling exploration of Reznick's immersive video game narratives, including his incredible contributions to UNTIL DAWN, THE DARK PICTURES ANTHOLOGY: MAN OF MEDAN, THE QUARRY, and more.  Plus we discuss his enthralling work with the horror audio play series, TALES FROM BEYOND THE PALE, and explore his incredible musical releases as well (https://grahamreznick.bandcamp.com/).  Don't miss out on this episode of JIMBO'S PARADISE, it just might kill you. [There were some audio issues during the recording of this episode, which is totally Zoom's fault and not Jimbo's]

Fear, condemnation, and shame for sin will keep us from God. It creates a barrier and prevents us from achieving intimacy with God. The work of the cross removed that barrier. Now we can fully see Him and be transformed into His image. When we focus on sin that barrier returns. Instead of seeing Jesus and flowing freely in His love and grace, we become yet again bound by the death that the law brings. Kingdomrock.org

Fear, condemnation, and shame for sin will keep us from God. It creates a barrier and prevents us from achieving intimacy with God. The work of the cross removed that barrier. Now we can fully see Him and be transformed into His image. When we focus on sin that barrier returns. Instead of seeing Jesus and flowing freely in His love and grace, we become yet again bound by the death that the law brings. Kingdomrock.org

Fear, condemnation, and shame for sin will keep us from God. It creates a barrier and prevents us from achieving intimacy with God. The work of the cross removed that barrier. Now we can fully see Him and be transformed into His image. When we focus on sin that barrier returns. Instead of seeing Jesus and flowing freely in His love and grace, we become yet again bound by the death that the law brings. Kingdomrock.org

Scary stories "A Strange Request", "The Tapping", and "I Can See You" by Edwin Covarrubias (@edwincov)Have ideas for stories? Email me at hello@scarystorypodcast.com or find us on our website https://ScaryStoryPodcast.com

A dive into the song I Can See You by Uriah Heep   Choices and the Every Day Rocks! boxed sets can be ordered here and you should do it soon as quantities are limited.  Made available now by Uriah Heep and BMG Records!  Check out my Every Day Rocks! unboxing video here!   Show website (http://www.scotthaskin.com/uriah_heep_podcast/)   Facebook: https://www.facebook.com/UriahHeepPodcast   Twitter: @HeepPodcast   Instagram: @UriahHeepPodcast   Email: UriahHeepPodcast@gmail.com   Episode: 22-2 Song: I Can See You Air date: 1-17-2022   Performers: Lead Vocals: Bernie Shaw Guitars, Vocals: Mick Box Bass Guitar, Vocals: Trevor Boulder Drums, Vocals: Russell Gilbrook Keyboard, Vocals: Phil Lanzon   Lyrics: She's the candle that lights my room Better look out ‘cos she's coming here soon Ooh, you're in my mind forever I hear every word you say Ooh, you come to me wherever And turn my darkness into day   You taught me how to live a life that's full I never realised what it is to be cool Ooh, you pushed me off the high board And I took it like a man Ooh, and now I hit the high score Hear me Momma if you can   I can hear you, I can touch you I can see you in my head I can touch you, I can hear you I can see you in my head   Hold on tight to the driving wheel You gave me strength and nerves of steel Ooh, sometimes I do get lonely I roll the dice and say a prayer Ooh, I think about you only I feel the power when you're there   I can hear you, I can touch you I can see you in my head I can touch you, I can hear you I can see you in my head   She's the candle that lights my room Better look out ‘cos she's coming here soon Ooh, if we can stay together There'd be nothing in our way Ooh, if this could be forever Here me Momma when I say   I can hear you, I can touch you I can see you in my head I can touch you, I can hear you I can see you in my head I can hear you, I can touch you I can see you in my head I can touch you, I can hear you I can see you in my head     Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner!   My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055)   Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell   Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg)   #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

In this episode, Beauty Gonzalez shares her experience working with Kapuso Primetime King Dingdong Dantes for the series "I Can See You presents AlterNate." She also talked about how proud she is to be a Bisaya and her dream of portraying an overseas Filipino in a movie.