Podcasts about nahhh

Edit That out. Nahhh i dont think i will

HOUR 2 - Just How AGGRESSIVE Can We Expect Texans GM Nick Caserio to be @ the 2025 NFL Draft?? AND-Astros Trade Framber, or Nahhh?! full 2379 Wed, 23 Apr 2025 00:53:57 +0000 Payb4ichJabjrgg8tZizh698NxcEBJuD nfl,mlb,nba,nfl draft,deion sanders,steph curry,nba playoffs,nfl news,texans,astros,rockets,warriors,nba news,blue jays,nico harrison,yordan alvarez,altuve,george springer,sports The Drive with Stoerner and Hughley nfl,mlb,nba,nfl draft,deion sanders,steph curry,nba playoffs,nfl news,texans,astros,rockets,warriors,nba news,blue jays,nico harrison,yordan alvarez,altuve,george springer,sports HOUR 2 - Just How AGGRESSIVE Can We Expect Texans GM Nick Caserio to be @ the 2025 NFL Draft?? AND-Astros Trade Framber, or Nahhh?! 2-6PM M-F 2024 © 2021 Audacy, Inc. Sports

Nahhh, pas jaman-jaman atau masa sekolah atau bahkan kuliah itu, pasti kita punya warteg andalan atau tempat nongkrong andalan lo, atau bahkan geng-geng an lo sobat lulus. cerita dong ke kita tempat nongkrong atau warteg andalan lo pas masa sekolah atau kuliah dulu, bahkan saat ini.: https://open.firstory.me/user/clhyojn2g01v001v9hy1da8sp/comments Powered by Firstory Hosting

Haiii haiiii, Selamat Lebaran semua bagi yang merayakan, kami mohon maaf lahir batin ya jika ada salah-salah kata. Nahhh... kita masih bakalan ngebahas Gen Z nih di episode ini, mungkin ini episode terakhir yang sedikit satir ya untuk kita kaum Gen Z jadi langsung aja didengerin ciaaao~

‘Kita Jaga SABAH, Kita Bangkit'!Bersama-Sama Richado dan Kenny, membawa anda menyelami keindahan dan keunikan negeri Sabah dengan mengetengahkan topik-topik yang pelbagai berkisarkan tentang Negeri  Sabah, termasuk budaya, sosio-ekonomi, belia, sukan, dan banyak lagi!! Agak pening kami memerah otak berfikir siapa patut menjadi jemputan pertama KJSKB podkas. Mestilah kami mahukan seorang yang boleh memberikan impak kan? Seorang yang petah berkata-kata, mungkin ‘borderline controversy?'. Terbaca nukilan terkini beliau di medsos tentang isu ‘Mimi Fly lagu berkemban'. Nahhh, tiada yang lain, dia lah patut kita jemput bilang si Kenny! Ayuh, kita dengar luahan, rintihan, perkongsian dan harapan seorang insan yang cukup ‘passionate' tentang negeri kesayangannya! Prof. Madya Datuk Dr. Ramzah Dambul, atau Dr. Rem, ketua pegawai eksekutif Institut for Development Studies Sabah! Check us out!https://linktr.ee/kinabalupodcast Iklankan product kamu dan perkhidmatan kamu bersama dengan podcast no 1 di Sabah hari ini.  Email kami di kinabalupodcast@gmail.com  Dengarkan Podcast No #1 di Sabah di :Spotify: http://bitly.ws/JRURGoogle Podcasts: https://rb.gy/ttt01 Apple Podcasts: https://rb.gy/e0mux #fyp #no1podcastinsabah #podcastno1sabah #no1podcast #viralpodcast #podcastviral #fyp #kinabalupodcast. #kitajagasabahkitabangkit #kitajagasabah #kitabangkit #podcastsabah #kjskb  

ON TODAY'S BEST OF: Opener Tradie V Lady The Diary Loyalty Test Pop Quiz Stay Or Go Blast From The Past Swapped At Birth Is It Necessary? Follow us on @kyleandjackieo for more.See omnystudio.com/listener for privacy information.

Ever thought, “Nahhh, I could never be a runner”? Well, this week on RunPod's Extra Mile Jenni Falconer is here to change that mindset!No matter your fitness level, age, or experience, everyone starts somewhere. Jenni breaks down the first steps to becoming a runner, showing you how to build up gradually and find your rhythm. If you've been struggling to get out the door, this episode is exactly what you need!Lace up, take that first step, and let's go the Extra Mile together!

Don't you hate it when you're DMing a girl and you're like "Giiirl can I come over and rub your back?" And she be like "Nahhh big daddy, I been chatting up some fella lately, I like him. But I think we're in a situationship". I hate that. This is what that pod is about!

Content Warning: Body Horror Description, Xenomorph StuffDid you see that? In the abandoned space colony? Was it a Xenomorph? Nahhh it's just another episode of Moviestruck! I'm joined this week by Alrik Bursell, Indie filmmaker and podcaster over on Making Movies is Hard, and we're kicking off October with scary sequel, Aliens (1986). Grab your Colonial Marine big ole flamerthrower and buckle in for a thrilling, frightening podcast! Where to find Alrik:Making Movies is Hard: https://bleav.com/shows/making-movies-is-hard/https://alrikbursell.com/Twitter: @alrikbContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Adam Bagnall, UwU, Fish_Hemsworth, Zas, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Link Brenton, Nathan Dunlap, DaddySwan. ★ Support this podcast on Patreon ★

When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

pretty in pink. Collection II- 'antithesis.' Track 07. - 'pretty in pink' Prod. By Blū Tha Gürū When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Support The Fesival Project's Artistic Revolution I don't know why that picture lights me up–it just does. –so I keep it; And it's weird that I keep it, But i love it– No face tattoos, Or flashing lights, Or bubbling blondes– It's just me, And the music– Pulling me closer to that thing I love, still dragging one foot left behind, As If i'll ever catch up in a race, I was born To have already lost. Suddenly, it felt as if being in the water was the only way anymore of being connected to nature. One mustn't tamper with the free will of others, as this breaks the intrinsic morale code by which all magicians must adhere to with intent focus, as to not to disrupt the balance of nature, but to coincide with it harmoniously as to manifest all outcomes for the greater good of oneself, and the betterment of others. One must practice in peace and kindness, as to promote with the sense of ritual, the force of wellbeing, respect, gratitude, and kindness — as not with the infliction as to force one another or control others by circumstance or possession, but with reflection within one's own self to guide with spirit, the forces of nature, and the powerful endowment of light and love, to fortify one's sense of ritual invocation of righteousness, humility, intuition, higher knowledge, enlightenment, influence, illumination and wisdom, as to better steengthen the bonds between one another in the material realm, and within the spiritual and cosmic realms, in order to better understand with total compassion and comprehension the origins, date, and destiny of humankind and the extraterrestrial and metaphysical presence of forces of energy, creation, and —the practitioner guide to ritual occultism for medicinal and holistic healing (Well work out a title later) Anyone should well know that the intentional casting of any and all white magic spells or rituals will automatically forage a counter-attack towards any sender of negative energy, misfortune, or ill intent— not as a direct form of attack or harm by the medicinal practitioner itself, but rather, acting as a shield against dark forces, hidden and evil spirits, demonic energies and otherwise unfriendly forces of disruptive and unwelcome nature. Though the medicinal practice of magic begins in understanding that duality and balance within the material realms— light and dark, or sometimes even ‘good' and ‘bad' are part of existence in entirety, encompassing all forms of energy, and that one does not truly or wholly exist without the other—however—- within the clarity of enlightenment, one can assume and expect lower vibrational, differeing frequency, or less conscious energies to become attracted to or try to attach itself, or themselves, to higher forms of light and energy. It it within this medicinal practice of awareness that steps can and should be taken to protect oneself against mischief in the event of unwelcome sources of unwanted energy taking away from, or hindering one's own health, wellness, perception, and gaining of insight and wisdom. There are, here, hidden realms of truth and wisdom; Engagements within the immaterial circumstances which surround our involvement with each other as a species, in which one can interact with thought forms of another kind, create bonds and energetic ties out of the bounds of worldly involvement, link chains within a network of intergalactic travel, time sequencing or manipulation of such perceptions of ‘future,' , past, and presence, and create space within an infinite realm of concousness, inter dimensional mapscaping, movement within the interior and exterior grids of existence (where most things take place) Last night I thought I was ordering my last meal. A double quarter pounder with cheese and extra onions, a large fry and a vanilla shake. My favorite. I had a horrible conversation with my mother, which ended with her screaming at the top of her lungs at me, “ just—die, die, die!” And I wanted to. Then I thought about the prisoners on death row, how they're asked what they want their last meal to be before they're put to death. I thought of my favorite episode from my favorite show, where my favorite character ordered a fried chicken dinner. I thought—“If that were me, I'd probably want McDonald's.” So, I drove to McDonald's, I ordered my favorite meal, and I ate it sadly as I thought about how exactly I would try to go about killing myself. I never thought of a way that wouldn't destroy this place for the next tenant...before I fell asleep, dreamless and tortured by my very own thoughts. I woke up this morning wondering what today would bring—more pity, or hope. Sweet cream and butter/sugar flavored wheat thins lol I would eat that. You'd eat anything. I can be skinny in 48 hours— But you'll always be an asshole. How many you want? How many you got? I hate these back door deals… Stop being such a [censored] [censored] Woah, man! I'm still under contract with NBC. I [censored] guess! I thought you got fired. Why do you still have a censor? He works for my wife. Look, I'm willing to admit, I have an addiction To midsections and midwives And mediocre mistresses. I'm not sure exactly what you're trying to say. YOU BURNT MY CREAMNOF WHEAT. Did you get the— Yeah I got the— Well, there is it? I gots to go offline to listen to— —ahh, don't— shut up It goes offline to listen to Skrillex. It's okay. ITS NOT OKAY. It's okay! ITS NOT OKAY. THAT WAS THE LAST OF IT. It's—it's okay! —it's not okay. ITS NOT OKAY. WE'RE ALL THREE MAD FAMOUS IN THIS DIMENTION. Like, dumb famous. LIKE DUMB FAMOUS. DO YOU WANT TO GO TO THE GROCERY STORE AND GET MORE? —no..no. Nah dat. THATS RIGHT. SO FUCK YOU. It's just cream of wheat. ITSNOTJUSTCREAMOFWHEAT. —it is, technically. Dude, shut up. I'm gonna fucking—- kill you. My lips are buzzing. I smell purple… Seriously, don't—try to kill him— while he's using my body. This is immortality; I'm sure you'll find a way back! I'm not “using” your body, I'm stuck. Don't make it sound gross. —yeah, but this isn't an infinite dimension. You're gross anyway. You smell like beer farts. —well, you smell like corn syrup. —impossiblé. My protein powder has no artificial sweeteners. *flips hair* Ugh. Horrible. Look. Why don't we just order more groceries on line, or something. I saw the movie! What, you saw the movie? I saw the movie. That's crazy. I also saw the movie. Okay. Okay? So it's a budget flick. Hehe. —it's a budget flick? Yep. Alright—I love those! [literally the cheapest shit you ever saw] When the fear falls off, And the others go over your shoulder, But you're the one to tumble In the over, under Over under Hello, I'll be right there Hello, I'm back again (Hello) I can't feel much, But i'm back again I'm sure the full feel Will kick back in Will kick back in soon, so Tune in, Chill out Keel over, But don't let it kill you Is that appealing enough To appeal you Is that hypnotic enough To heal you? Hello. The drummer keeps himself calm, With a couple rolls just to check his pulse Looking up at God, Like what do you want A spot on the show The name of the bassist, A way to get Kurt back without swallowing a Hearthrob She's dressed up like us, But she's not like up She's dressed up, But she's not like us She could be up here, But she won't like it The song was a story The storm had passed, Wanted the studio tour, And I got that I'll be right back, I'll be right there Get it right, God Blow you whole chance Okay, Jimmy Fallon. Ah huh. I can do your job. Uh huh. Lets see if you can do mine. That can happen. Meanwhile, At Rockerfeller Plaza LOOK OUT BELOW. CHRISTSCICLES. WHERE'S THE TREE?? THERE'S NO TREE. THIS IS JULY. Where's the time machine. When are we!? HELLO> NOO. THERE S/HE IS [Rollerskating away as quickie as possible; Attepmpts to jump barrier –fails– Recovers. GET BACK HERE WHERE ARE YOU GOING TO GO? [Running furiously away on roller skates YOu suck at this. What. Bro. I thought Skrillex was the greatest shapeshifter of all time. I am Skrillex, though. Besides. I CAN TELL THAT'S YOU. It's not me. I CAN SEE YOU, JIMMY. I'm SHAPESHIFTER. SHAPE-SHIFTING. Nahhh. Youu– stop doing this. Stop doing what. You know what. I don't know. You're gonna get me in trouble with the Network. I own the network. AHA. Dammit . YOU LOSE. SUCKAH. Shut up. You're drunk. UGH. [Rollerskate chase scene.] (A montage, obviously) GET BACK HERE. YOU'LL NEVER CATCH ME. Where are you gonna go! SOMEWHERE! You can't run up stairs in rollerskates. I CAN. AND I WILL. [Does, but gets to the top of the stairs and fails miserably. ] EVERYBODY Oooh! [Recovers.] I'm okay!. GET HIM/ GET HER GET “THEM” –that's so stupid. GET IT. GET IT. GET IT! CUT TO: [Outside the door.] GET IT, JIMMY! GET IT. CUT TO : [Inside] [Don't worry. they're just playing video games.] Lol that is funny. But i can't write that. just –write it. No way, dawg. Just– Just– No way– Pay me first. Then it really sounds bad. Shut up and eat your ice cream, JImmy Fallon. {Jimmy Fallon is eating his own ice cream.] EW. lol What the fuck flavor is that anyway? Idk. “The Tonight Dough” I learned not to cry, By the time I got to you, and Sometimes I wonder why I just can't write a song these days The words come, But the music's gone It's just motorcycles and Loveless nights Sleeping on top of the covers Something about tennis, I don't remember Should have done something More special than script this I'm just the luckiest bitch alive To live alone I should be thriving I don't want more in the world than a quiet road to calm my inward soul White world: White girls Big perks My curse I got it out of the mud I fished a world out the trash I got roaches on motorcycles Roaches on motorcycles {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

LOOK OUT! It's only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the excellent actor who - for those less familiar - played Pacey in Dawson's Creek, it's JOSHUA JACKSON! Of course, it would be unfair to limit his notoreity to a single character in one show, but for many of us it was a massive TV event in a time when the media landscape and viewing habits were simply very different to what they are now, so pretty much we all saw it! If your knowledge of him were to end there, well, you'll be happy to know he's been entirely busy since and remains a pure ray of light. This episode rules, and Joshua shows up wonderfully. It handles the funny, the serious, and the existential, all with grace and energy, and will leave you wanting to repeat the whole thing when you get to the end. Topics in the hopper include timeframes as a younger person, positive homesickness, Vancouver, the tough and weird experience of being so famous so young, love of the longform series, having kids and five year plans? Nahhh... Awesome stuff. You shall enjoy. I don't wanna wait EITHER! DOCTOR ODYSSEY THE AFFAIR DAWSONS CREEK IMDB ONLINE INSTAGRAM BRETT GOLDSTEIN on TWITTER BRETT GOLDSTEIN on INSTAGRAM TED LASSO SHRINKING SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

El sat? lavar mis tenis? no bailar en los antros? Quizá parece absurdo, pero la realidad es que hay cosas incontables que a muchos (o quizá a pocos) nos cagan e inconscientemente nos hacen miserables

Jillian gets herself in a real pickle, and it ain't pickle ball. Plus, have you ever been described like this? She's difficult, she's a bitch, she's too intense. The amazing documentarian Robin Hauser is on to tackle this one. As well as asking the question: Are you able to take a look at your bias?Finding Robin:https://robinhauser.com/https://www.finishlinefeaturefilms.com/Sizzle Reel “Thaw” https://www.finishlinefeaturefilms.com/thaw/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

PUNK VS AUSTIN...NAHHH! TOP HEYMAN GUYS. OH AND SUNNY GOING TO JAIL. WRESTLING'S WRESTLING!! Championship Ringside Podcast Listen and download full episodes on all podcast networks. Links YouTube (Basketball): https://www.youtube.com/channel/UCtX-mCTR3-oct3zkp7g5YGQ Youtube (Wrestling): https://www.youtube.com/channel/UCxxK00AG5oVxcDMohqJmm0A ITunes: https://podcasts.apple.com/us/podcast/championship-ringside/id1524912994 Spotify: https://open.spotify.com/show/60bVFQbI6WNDwCXdcRMkkJ Anchor: https://anchor.fm/championship-ringside Follow us: @blizzy_blaze @grand_moff_keem @brote1n_shake Facebook: https://www.facebook.com/championship.ringside.3 Twitter: https://www.twitter.com/champringside Instagram: https://www.instagram.com/championship_ringside Donate to the channel, Appreciate any support: Cashapp: $championshipringside #PODCAST #SPORTSPODCAST #PODCASTS #wrestling #wwe #mma #prowrestling #ufc #bjj #aew #boxing #jiujitsu #nxt #smackdown #grappling #raw #kickboxing #muaythai #wrestler #wweraw #fitness #wrestlemania #wwf #judo #martialarts #njpw #wwenetwork #fight #wweuniverse #wwenxt #sport #gym #brazilianjiujitsu #wwesmackdown #romanreigns #roh #wrestlinglife #luchalibre #training #k #wcw #womenswrestling #sethrollins #impactwrestling #karate #fighter #motivation #nogi #professionalwrestling #johncena #mixedmartialarts #sashabanks #workout #bellator #indywrestling #sports #wrestlingmemes #therock #prowrestler #aewdynamite #ecw #bjjlifestyle #champion --- Support this podcast: https://podcasters.spotify.com/pod/show/championship-ringside/support

siapa sih yang gak kenal sama band legendaris The Beatles. Bahkan generasi sekarnag pun masih banyak yang dengerin lagu dari Paul McKartney dan kawan-kawan ini. Nahhh, info terbaru nya sih katanya Om Paul mau bikin lagu tapi pake bantuan teknologi baru yaitu Artificial Intelligence atau AI. Nah gimana nihh kabar ini menurut kalian??? langsung saja dengerin obrolan kita tentang teknologi AI yang lagi marak ini !!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/sebatangbarucabut/message

Nahhh...lagi bicarain kartu kredit nih.. Yuk yang penasaran dengan pov aku..haha..

It's Sounds Like Radio Volume 134 as we find The Great Gildersleeve suddenly wanted as a friend to Bullard. Why would Bullard suddenly want to be Mr. Nice Guy and friends with Gildy? Hmm, something is up and it just may have something to do with Bullard needing a permit for his boat from the Water Commissioner. Could it be? Nahhh. Well, what we have here is a show concerning what's known as fair-weather friends. And I've invited a whole bunch of fine singers to help Gildy out with this situation. On hand are Don Williams, Lee Wiley (featured in our picture with this show), Bing Crosby, Barbara Mandrell, Slim Whitman, Joanie Sommers & Arthur Godfrey is even going to sing a sea-chanty! We're sailing along on the silvery moon today, ALL ABOARD.

BANG! @southernvangard #radio Ep360! First things first - if you missed our SOUND CHECK X SOUTHERN VANGARD crossover show with the homies DJ RHETTMATIC & D-STYLES of the BEAT JUNKIES two weeks ago - you should be ashamed of yourselves. The good news is, the Junkies have it on their YouTube channel for the replay, and if you ask nicely, we might post the audio as an episode in the very near future. It's full of WORLD EXCLUSIVES, world class trash talk and a melding of the minds never seen before! Second - Ep360 finds Doe and Meeks back in the Dirty Blanket for an extension of the world exclusive madness on the crossover show - so we have ANOTHER episode full of NEVER HEARD BEFORE DON'T KNOW WHEN THEY'RE COMING OUT world exclusives. BIG UP every single artist that sent us that heat over the past few weeks. Like Rhettmatic says - THAAAAANK YAAA…and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live April 23, 2023 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "Preem Team" - J57 ** WORLD EXCLUSIVE ** "Kyrie" - Nino Green ** WORLD EXCLUSIVE ** "The Real Dookie" - Dookie Bros. ** WORLD EXCLUSIVE ** "Sick Spitters " - Ugly Tony ft. Edo. G & Shabaam Sahdeeq ** WORLD EXCLUSIVE ** "Overtime" - Dillon & Diamond D ** WORLD EXCLUSIVE ** "What It Is" - Illien Rosewell (prod. Fonkstarr) ** WORLD EXCLUSIVE ** "F Being Humble" - Cy Marshall Law ** WORLD EXCLUSIVE ** "Endless Facts" - Son Of Sam ft. Artifacts ** WORLD EXCLUSIVE ** Talk Break Inst. - "Passport On Pivot" - J57 ** WORLD EXCLUSIVE ** "Nahhh" - Tzarism ** WORLD EXCLUSIVE ** "Timothy Dalton" - Staxx410 ** WORLD EXCLUSIVE ** "Garth Ennis" - Zilla Rocca and Griff ** WORLD EXCLUSIVE ** "Hot Taco" - Son Of Sam ft. Paten Locke ** WORLD EXCLUSIVE ** "Sun Down" - Eddie Kaine (prod. Back Pack Beatz) ** WORLD EXCLUSIVE ** "80" - Eto ** WORLD EXCLUSIVE ** "Mafia" - P.U.R.E. ** WORLD EXCLUSIVE ** J57 - "This Love" - J57 ** WORLD EXCLUSIVE ** Talk Break Inst - "LSD" - Buck Dudley ** WORLD EXCLUSIVE ** Talk Break Inst - "Flavor" - Buck Dudley ** WORLD EXCLUSIVE ** Talk Break Inst - "Nuclear" - Buck Dudley ** WORLD EXCLUSIVE ** "I Don't Care" - Lucid Logic (Illogic x Just Joey) ** WORLD EXCLUSIVE ** "Eastern Bloc Slime" - Vic Spencer (prod. Vanderslice) ** WORLD EXCLUSIVE ** "Game Over" - Supreme Cerebral ft. Eloh Kush & O The Great (prod. Alphabetic) ** WORLD EXCLUSIVE ** "In My Bag" - G4Jag & TF (prod. Buckwild) ** WORLD EXCLUSIVE ** "Ain't Equip for This" - Spoda x Passport Rav (prod. Wavy Da Ghawd) ** WORLD EXCLUSIVE ** "Golden Boot" - Lord Juco ft. Cousin Feo (prod. Jesse Green) ** WORLD EXCLUSIVE ** "Flea The Scene" - Eff Yoo X Rob Viktum ** WORLD EXCLUSIVE ** "Save Ya Coins" - Dark Lo x Styles P (prod. Motif Alumni) ** WORLD EXCLUSIVE ** "Y'all Hear Me" - Sean Links ** WORLD EXCLUSIVE ** "Lord Of War" - Waterr x Machacha ** WORLD EXCLUSIVE ** Talk Break Inst. - "West Coast Malek" - J57 ** WORLD EXCLUSIVE **

So...what do you guys want to talk about? Jake and Zanca are back and one of the guys is entering the Chop Shop yet again! Amongst other things, was there any big news or anything? Nahhh...couldn't be...

Okok --- Send in a voice message: https://anchor.fm/bussin305/message

Sinus rinse danger! John Legend promo'd Pfizer! Caller wants Hake banned! Jon Stewart mocks 2A! Proud of your race? * 0:00:00 Fri, Mar 3, 2023 AD* 0:03:01 Hey, guys! I Love Boomers (Hake tee)* 0:05:18 Sinus rinsing DANGER: No unfiltered tap water for neti pots!* 0:18:50 RON, TX: Planes problems is 5G, not affirmative action (JLP-related)* 0:22:23 JEREMIAH: I feed the poor — not just physically, you hypocrite!* 0:28:25 CJ, TX (Evil Is Real) Saltwater rinse for nasal cavity… (gets hung up on!)* 0:35:26 Supers: Paul contradictions, black obesity* 0:39:18 John Legend Pfizer / Biontech vaxx booster commercial* 0:45:19 Fat people proliferating: Obesity to reach half world pop 2035* 0:50:39 JOE, AZ: Falsely accuses Hake/JLP of lying, denigrating black people* 0:59:30 "Laser Beam" - Low (2001)* 1:04:17 Supers: Race in the Bible; Joe is evil and malicious: should be banned* 1:13:12 PAUL, OH: Affirmative Action! Not 5G conspiracy! Pro-Trump!* 1:19:18 HEATH, LA: Love JLP! Chicken Song! What's your name?* 1:25:50 Unchristian anti-2A propaganda: Jon Stewart vs Nathan Dahm (R-OK)* 1:36:18 Super: AssassinHake! Hour 3 of Hake? Nahhh…* 1:37:09 Jubilee: Proud to be black? White?* 1:43:34 Hassan on racial pride* 1:49:18 black kids make white kids pledge to BLM (Springfield, OH)* 1:52:41 Dems protect kids; Hershey Women's Day ad feat. "trans woman"* 1:53:47 Thanks, all! Call me next week!* 1:54:32 "The island of Doctor Moreau" - Ataraxia (2005, Arcana Eco)BLOG https://www.thehakereport.com/blog/2023/3/3/the-hake-report-fri-3-3-23 PODCAST / SUBSTACKThe Hake Report LIVE M-F 9-11 AM PT (12-2 ET) Call-in 1-888-775-3773 thehakereport.com VIDEO  YouTube  |  Rumble*  |  BitChute  |  Facebook  |  Twitter  |  Odysee*  |  DLive  PODCAST  Apple  |  Spotify  |  Castbox  |  Podcast Addict  |  Pocket Casts  |  Substack  (RSS)  *SUPER CHATS on asterisked platforms, or  Ko-fi  |  BuyMeACoffee  |  Streamlabs  SUPPORT / EXCLUSIVES  Substack  |  SubscribeStar  |  Locals  ||  SHOP  Teespring  SEE ALSO  Hake News on The JLP Show  |  Appearances elsewhere (other shows, etc.) Get full access to HAKE at thehakereport.substack.com/subscribe

Well well well! Look what perverts showed up for round two! Nahhh just kidding. We love ya. I'M REAL LATE WITH THIS ONE and I'm sorry. But we got good stuff here. Round these parts we're sexing up things you wouldn't even THINK of sexing. What does that mean? Tune in and find out, if you dare.

Welcome to season 1!!! In this episode we are talking about the elephant in the room, eating disorders! A very very touchy subject so listen if you can or want to. Love yaaa! Also skip to 12:20 to get to the main episode!!

Ladies, you got sumthin that'll sell when cotton won't...CAP or NAHHH!?!? The love isn't real when the intimacy is given to other women. CAP or NAHHH!?!? Let's discuss these items and more w/Comedian Extraordinaire Mike James.

Smashed monitors and a new RTS for the ZX Sepctrum whilst enjoying breaded peanuts with onions, what a day to talk about Oscar Z on the Amstrad CPC! With a set of pets to rescue and a great running stamina, who can stop us? Aliens? Nahhh. Run Oscar, run!

Are you fake if you're not happy for someone else? Nahhh. --- Support this podcast: https://podcasters.spotify.com/pod/show/inmythoughtpodcast/support

Paul and Donna are hired by Prince Waldo Charming to find his lost love - his only clue?  A shoe. Cast List Donna Bella - Julie Hoverson Paul Bette - Joel Harvey Goldy Taylor - Rhys Torres-Miller Prince Waldo - Morgan Brown Alexander - Will Watt Rumplestiltskin - Philemon Vanderbeck Miss Barbara - Robert Cudmore (YAP Audio) Espadrille - Reynaud LeBoeuf Music by  Somewhere Off Jazz Street      Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson Cover Design:  Julie Hoverson "What kind of a place is it? Why it's a private detective's office in a time sort of like the 1940s, can't you tell?" ******************************************** PUMPS AND SPECTATORS - B&B Investigates, episode 2 Cast: Announcer Donna Bella Paul Bette Goldy Tailor - secretary Prince Waldo Charming Baron Alexander/Cindy Espadrille gruff "stepsister" Barbara, housemother/fairy godmother OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a Detective Agency, can't you tell?  MUSIC Scene 1.    SOUND    PHONE RINGS, PICKS UP GOLDY    B&B Investigations, may I help you?  [beat, then turns belligerent]  Look, it ain't gonna happen.  ... No.  Because the boss don't help no one find tarts.  Nope.  Never. SOUND    HANGS UP DONNA    Another missing good time girl? GOLDY    Nahhh.  Queen of hearts.  Ya know. DONNA    Oh.  Patticakes.  Well, if anything real comes in, I can handle it.  [annoyed] Just 'cause Paul's not back from the enchanted brute convention as early as he was supposed to be doesn't mean the office shuts down.  He may be off doing who knows what with his furred and fanged cronies, but I'm sure he knows he can trust me to take on whatever-- MUSIC FOR VOICEOVER Scene 2.    GOLDY    Man, she had it bad.  A case of sea green envy for what the boss might be getting up to with his old college chums.  So what they were mostly frogs, bears, and the occasional walrus - she'd heard the sort of thing they used to get up to-- DONNA    What are you doing? GOLDY    Filling in.  The boss should be back any minute, and then -- DONNA    Look, I don't need anyone else horning in on my - our voiceovers. GOLDY    I just figured you might not want to be the one pouring your heart out in a narrative conceit.... DONNA    So you thought you'd pour it out for me?  [sarcastic] Thanx. Scene 3.    SOUND    DOOR OPENS, JINGLE OF BELL MUSIC ENDS ALEXANDER    Pardon the interruption, ladies.  May I announce Prince Waldo Charming? SOUND    STRIDES REGALLY IN, FOLLOWED BY AN ENDLESS ENTOURAGE. DONNA     Did you have to bring the whole box of toy soldiers?  The office is only so big. ALEXANDER    [consults with the prince, then]  Atten-hut!  About face!  March. SOUND     ENDLESS FEET LEAVE AGAIN ALEXANDER    The prince apologizes for the intrusion, but he prefers to keep this as informal and ‑ahem- low-profile as possible. DONNA    Sure.  I can see that.  Why don't you step into the office over here? MUSIC FOR VOICEOVER Scene 4.    DONNA    So this was the infamous prince Waldo - the biggest royal catch of the last eight fishing seasons, and far too wily to let himself get hooked.  Every princess, rich society dame, screen siren, and various other lesser gold diggers had set their bait for him, and he swam serenely past them all.  I'm not among the anglers myself, since I already had my own trophy in sight- my own partner, Paul Bette, away now drinking with his cronies and doing whatever they please in the name of "old times". GOLDY    [side of the mouth] You're staring. DONNA    Huh?  GOLDY    [side of the mouth] He's about to get a restraining order. DONNA    Oh, um--  Office, right. MUSIC OUT Scene 5.    SOUND    OFFICE DOOR CLOSES DONNA    Well?  What can I do for you? PRINCE    Coffee? DONNA    Certainly. SOUND    CLICK OF INTERCOM GOLDY     A package just came for you. DONNA    Busy now.  Goldy?  Three coffees, please?  One too hot, and two just right?  Yes. SOUND    INTERCOM OUT DONNA    So, what brings you to a private investigator? PRINCE    I don't think we need to discuss it until he arrives.  DONNA    [barely polite]  What?  [exasperated noise]  He is due back soon, but I can help you just as well.  My name's on the door too.  Well, my initial, anyway. PRINCE    [bland, disinterested] Oh?  Lovely.  I hope you don't mind, but I find this is really a masculine sort of problem. DONNA    There are potions for that, you know. ALEXANDER    [incensed]  Young lady, what are you intimating? DONNA    That maybe he doesn't live up to his name? ALEXANDER    What's wrong with Waldo? DONNA    I meant Charming. PRINCE    I'll have you know-- SOUND    DOOR SLAMS OPEN PAUL    Coffee?  Donna?  Why don't you let me deal with these good gentlemen.  DONNA    What? PAUL    [muttered] Go to voiceover. Scene 6.    MUSIC FOR VOICEOVER DONNA    [spitting words] So I left the boys to it. PAUL    [vo] What Donna didn't know was that I'd been listening on the intercom and knew she'd been about to scratch the eyes out of a very powerful prince-- DONNA    It wasn't his eyes I'd be aiming for-- PAUL    And it wouldn't do us any good to get on his wrong side. DONNA    Does he have a right one? PAUL    So rather than subject her to more of the prince's royaler-than-thou attitude, I decided to step in and let her off the hook. DONNA    [softening] Oh! PAUL    Scoot. DONNA    Leave the intercom on.  [blows him a kiss] VOICEOVER MUSIC FADES Scene 7.    DONNA    I'll just scoot then and go get my nails done or something, shall I? PRINCE    While nothing could possibly enhance your already considerable beauty, I'm certain that's precisely what you need.  [kisses her hand] SOUND    FOOTSTEPS, DOOR Scene 8.    DONNA    Yup.  Definitely need to get my nails sharpened. GOLDY    Come on.  Let's hear what they have to say-- PRINCE    [on intercom]  Bit of a temper, has she, that girl? PAUL    [on intercom, fading to normal voice halfway through]  You don't know the half of it.  She's passionate about everything. PRINCE    Ah.  Well, then.  Let me get down to the problem at hand.  I think you will understand, Mr., um-- PAUL    Bette.  Paul Bette.  Just call me Paul if you like. PRINCE    Paul.  Quite.  And you may call me Prince Charming. PAUL    Charmed.  [waits for a laugh, nothing]  Ah.  Your case? PRINCE    Well, I have a passing acquaintance with an old school chum of yours, Prince Freddie Grenouille, and he says you are top of the line - both for cleverness and for ... ahem... discretion. PAUL    Absolutely.  Anything you say won't leave this room. PRINCE    Good.  I'm sorry to take so long to come to the point here, but this is a very delicate and stressful situation, and I am truly truly desperate. PAUL    Go on. Scene 9.    MUSIC FOR VOICEOVER PAUL    I'd seen it all, from paternity suits to clearing up the occasional "carriage under the influence" charge.  And the royals were often the worst.  They could get away with pretty much anything, as long as they were willing to risk the occasional fairy charm or gypsy curse.  MUSIC CHANGES DONNA    But Charming had never been a "bad boy" - at least not in any way that made it into the scandal rags-- PAUL    Hey, what's with the-- DONNA    My new voiceover music just arrived by special messenger.  I'm trying out a couple of different pieces.  What do you think? PAUL    Um... DONNA    You don't like it.  PAUL    It's a little ... perky. DONNA    Fine.  Go ahead and finish up.  PAUL    Are you ...annoyed? DONNA    [snapping] No.  VOICEOVER MUSIC CHANGES BACK TO NORMAL PAUL    Charming did have a nearly spotless record.  He was an athlete - Greco-roman wrestling, fencing, and polo, a supporter of the arts - even acted in a few charity plays from time to time.  A general bon vivant.  No dark side, or so everyone thought... VOICEOVER MUSIC OUT Scene 10.    PRINCE    [vibrant] So when I danced with her last night, it was like we'd known each other for ever! PAUL    Did you happen to catch her name? PRINCE    Only Cindy.  When I asked her last name, she merely smiled and changed the subject - she was so alluring! PAUL    And you want me to-- PRINCE    [desperate] Find her.  I must see her again.  You can't possibly understand the pressure a thirty-uh-something prince is under to find a bride.  PAUL    I can see that would be awkward. PRINCE    Women are constantly being shoved at me from all sides, and - frankly?  I can't stand most of them.  They're such insipid little birds.  They tell me how fascinating I am, and then proceed to show they know nothing at all about me.  They profess to like all the things I like, then don't even know how to spell jai-alai, let alone play it.  PRINCE    [continued] I've spent years carefully keeping clear of marriage, since it would mean I'd have to spend my entire life with  a silly little twit, and would be obligated to listen to her chirp. PAUL    And this Cindy? PRINCE    [raptured] Completely different.  She dressed marvelously, but didn't feel compelled to give me the names of all her tailors.  She danced like a dream, but didn't demand I take her for one more spin around the floor, or suggest we walk out on the balcony.  And when she said she liked the things I like, she - she actually did! PAUL    Can you give me a description? PRINCE    About my height - in heels - long glossy dark chestnut hair - a few shades darker than your young lady's auburn - rather like Alexander's here - huge luminous eyes, and long artist's fingers on very strong hands. PAUL    Hmm.  Alexander, was it? ALEXANDER    [slightly panicky] Sir? PAUL    Can you add anything? ALEXANDER    I wasn't--  I was with a sick friend last night. PAUL    Ah.  That's awkward.  [to prince] Do you have any other clue to her identity? PRINCE    Oh, yes.  Alexander, the bag. ALEXANDER    Sir. SOUND    BAG PLOPPED ONTO DESK, SOMETHING PULLED OUT PAUL    A... shoe. PRINCE    She ran away at the stroke of midnight, and left it behind. PAUL    Can I keep this? PRINCE    But - she'll need it, when I find her again. PAUL    I mean to go over it for clues.  I'll get it back to you. PRINCE    [sigh of relief] Well, yes, then.  I thought-- nevermind. PAUL    I have my own female troubles - I have no plans to try and horn in on yours. ALEXANDER    You think any woman would throw over [too warm] such a Charming price, for a big brute of a private eye? PAUL    [chastened] No.  [tries to chuckle]  Course not.  But I do have to warn you, sire-- PRINCE    Yes? PAUL    This girl.  If she deliberately made herself such a mystery, there may very well be a good reason. PRINCE    like what? PAUL    She could be anything - a commoner, a ghost, a transformed hedgehog-- ALEXANDER    Nonsense! PAUL    The point is, you need to face reality and understand that there could be something very shady about her. PRINCE    I don't care.  She's the only woman I've ever felt this way about, and I plan to marry her - come what may.  You find her for me.  I shall handle the rest. Scene 11.    MUSIC FOR VOICEOVER PAUL    Chauvinist or not, Charming was determined, in that way that only princes in love can be.  It was that particular brand of love that drives one to climb unclimbable mountains and fight unkillable dragons, and what do they get at the end?  Married. MUSIC CHANGES DONNA    Like Charming said, most princesses were simpering idiots with more hair than brains, and I should know - I may not be one myself, but I went to the same prep school. PAUL    This?  You decided on this? DONNA    Give me a break.  I can't tell how they're gonna sound until I try them out. PAUL    This is awful. DONNA    Fine.  Let me see the shoe, and we'll go on from there. MUSIC OUT Scene 12.    SOUND    SHOE SET ON DESK PAUL    There. DONNA    Nice. SOUND    HE SITS IN CHAIR PAUL    Do you think it's a little... large? DONNA    A bit bigger than mine. PAUL    Really, I guess I never really-- DONNA    Look at my feet? PAUL    [leering a bit] I never make it down that far... SOUND    SHE SITS UP ON DESK DONNA    Really? PAUL    Really.  [slight growl] DONNA    Question.  When I left, did the prince and his friend -uh- make it down that far? PAUL    What do you mean? DONNA    What were they looking at? PAUL    They just watched you leave. DONNA    I didn't hear you growl-- PAUL    Well, of course--  [suddenly worried] Oh-- you actually notice when I do that? DONNA    [dreamy]  Of course I do.  I don't mind when you-- um, get annoyed on my behalf. PAUL    [deep breath]  I think we're getting a bit off track here. DONNA    Right.  Shoe. PAUL    No, left.  Shoe.  Anything? DONNA    It's a Dolce-geppeto.  They're pricey, but not extortionate.  Too bad she didn't mention her dressmaker - that would have been a much better clue.  PAUL    Well, how many places sell these shoes? DONNA    Assuming she's local, maybe six of the big boutiques downtown. PAUL    You wanna take those, then?  Go ask questions? DONNA    Um... No.  PAUL    You don't want to go shopping for shoes?  I mean, [scared] you're going to leave me to hit all these fancy ladies' shoe shops? DONNA    I have some ideas of my own to follow up on, and the shoe isn't going anywhere.  Tell you what, if you don't get a hit on the shoe in 24 hours, I'll take it.  PAUL    But - but how do I even ask? DONNA    Here. SOUND    INTERCOM BEEP DONNA    Goldy, could you come in here? SOUND    DOOR GOLDY    Yeah? DONNA    Take this to Rose & Snow's and ask for the style number.  Then ask them if they have any record of someone buying this shoe in this size in the last two weeks. GOLDY    I don't do legwork.  I ain't as young as I used to be. DONNA    Buy yourself a pair of shoes - on the office - while you're there. GOLDY    Gimme that! SOUND    SNATCH, DOOR SLAMS PAUL    [brightening] So I could just send her round to every store? DONNA    Not at a pair of shoes per trip.  We'd run through our entire commission. PAUL    What? DONNA    I said they weren't cheap.  One pair we can add in as a legitimate expense - past that...  [shrug]  Once you get the style nunmber, you can phone the rest.  Well, I'm heading out. SOUND    JUMPS DOWN OFF DESK DONNA    Need anything? PAUL    [a bit lost, watching her]  Um, no... DONNA    Chow! Scene 13.    MUSIC FOR VOICEOVER PAUL    Wo.  [deep breath]  I thought over the content of our discussion and realized there was something she was keeping back - that secret smile, the strange questions - but while we were talking I couldn't take my eyes off her, sitting on my desk like that, one silk-seamed leg crossed over the other.  [growl]  She doesn't even seem to notice the effect she has on me, and I'm not sure whether that makes it worse or better - if I tell her, she might just stop, and then I won't even get this much of a-- MUSIC CHANGES AGAIN DONNA    What is this, a beer garden?  They sent me the wrong box, I'm sure of it. PAUL    It's not so bad - for a polka. DONNA    Hmph.  You done yet? PAUL    Uh, yeah - I'll talk to a few folks while I'm waiting for Goldy to get back. DONNA    [beat] There are things men just don't see, and which it's probably better they don't.  A picture was painting itself in my head, and while it wasn't a particularly tricky answer to the problem of find the girl, it also wasn't likely to have the happiest of endings.  Why?  I added up a size 11 shoe, a lady who could spell jai alai and a prince who didn't stare at my backside as I left the room, and I got a very queer answer indeed. MUSIC     STARTS TO FADE DONNA    And it was an answer I wasn't sure my wonderful he-man partner would be at all happy about, which is why I went alone to a boarding house we used to rather snottily call Gamma Alpha Ypsilon, back in my own sorority days.  SOUND    FEET ON PORCH, KNOCK ON DOOR Scene 14.    ESPADRILLE    Yes? DONNA    Hi, I'm a P.I. and I'm-- SOUND     DOOR SLAM DONNA    [sigh] SOUND    KNOCK ON DOOR DONNA    I'm not going away.  You can talk to me, or you can talk to my partner, and he ain't gonna understand. SOUND    DOOR FLUNG OPEN BARBARA    What do you want? DONNA    I'm looking for someone, and I think she might be known here. BARBARA    For this you come around annoying my girls?  Scaring poor Espadrille half to death? DONNA    I have no interest in making trouble for anybody.  Please.  I just have some questions and would rather not shout them to the entire world.  Can we talk? BARBARA    [deciding] You tell me what you need, I decide if I'll ask anyone else.  Come on - my parlor's over here. MUSIC FOR VOICEOVER Scene 15.    DONNA    So I outlined the problem, and Miss Barbara was very upset by the whole situation - she said she was sure Cindy wasn't one of her ...boarders, but that she would ask around.  She didn't give me much hope, though. Scene 16.    MUSIC OUT BARBARA    Tell the poor boy it will never work.  Two worlds, all that.  He would have to be willing and able to take her as she is - warts and all, as they say - and the chances of that are - pfft! DONNA    You might be surprised. BARBARA    Honey, I ain't been surprised in years. VOICEOVER MUSIC CUTS IN Scene 17.    PAUL    Were you using the old music again? DONNA    I ...forgot.  Sorry.  But the new stuff is pretty cringe-worthy. PAUL    Keep trying, sweetheart.  You'll find something. DONNA    I hope so.  Did you need the voiceover? PAUL    Only if you're finished.  DONNA    [sigh] Yeah, I guess so.  I need to think. PAUL    So I checked with the photographers from last night's big bash - and found that the mystery just deepened.  This Cindy was a slick sister - seemed to always know where the snappers were and managed to keep her back to them all night.  Only once did they catch half a profile, head and shoulders with just a glimpse of the side of her face - I told him to blow it up and send it over, along with a dozen of the dress, figuring maybe Donna could play name that dressmaker.  Then I decided to catch up with an old friend... MUSIC OUT Scene 18.    SOUND    BANGING ON A DOOR RUMPY    [muffled, hung over] Bugger off! SOUND    CLINKING OF COINS PAUL    One, two, three-- SOUND    DOOR IS FLUNG OPEN RUMPY    If it ain't me old pal, Bette.  Git yourself inside here - that daylight's too damn bright. SOUND    SHUFFLING FEET PAUL    It's dark out. SOUND    A COUPLE OF STEPS RUMPY    Then what am I doing asleep?  SOUND    BONK PAUL    Ow! RUMPY     [amused] Gotta watch them rafters, you old beanstalk you. PAUL    [strained, cause he's bending over]  I need you to find out about someone for me.  A woman. RUMPY    Your sweet partner?  She running around with other ...dicks? PAUL    What?  What do you--? RUMPY    Nothing.  Just wondering maybe she plying her trade - and I do mean detecting, no offense, [sarcastic] my friend - elsewhere. PAUL    Of course she's not.  She wouldn't-- RUMPY     You're probably right.  So who did you want me to check over? SOUND    CORK OUT OF JUG PAUL    [musing] There wouldn't be time, anyway - though she didn't want to take on the shoe-- RUMPY    [gulping, then] Whazzat? PAUL    Nothing.  Um.  Right.  A woman who was spotted at the Prince's June Glam ball last night.  No one seems to know who she was, and she didn't, apparently, have an invite. RUMPY    [way sarcastic] Yeah, one look at me, and you just know I'm up on the society pages.  PAUL    I don't think this dame's "society."  I think she's working an angle on the prince, and I want to know if there's a whisper anywhere.  RUMPY    What's in it for me? PAUL    This, now-- SOUND    CLINK OF TWO COINS PAUL    And twice that if you can deliver. RUMPY    C'mon, Bette, old buddy, old pal - I'm gonna haveta drink around for this, maybe float some people.  Play the game. PAUL    Keep your receipts. SOUND    A COUPLE STEPS, THEN SOUND    BONK! PAUL    Ow! MUSIC FOR VOICEOVER Scene 19.    PAUL    I started the wheels in motion, but nothing would turn up for a couple of days - if ever.  [beat]  Donna?  Are you there?  [beat, then worried]  I figured she just didn't like the case - she certainly didn't seem to take a shine to that prince.  He was handsome, in that tall, cold, blonde princely sort of way, and she always says she hates those guys.  [beat]  Donna? DONNA    Busy now.  I'll fill in my part later. PAUL    Where are you?  Maybe I can come by and help? DONNA    Nope.  Just interviewing the prince's friend.  You go ahead and keep the--  Oops, gotta go! PAUL    The friend?  Dark haired, willowy, handsome, not so tall.  Not a good train of thought to catch, since like any other express, it runs non-stop.  [up]  I'll just go back to the office then, shall I? DONNA    [chuckling breaks off] Hmm?  Oh, sure.  See you in a bit. PAUL    [growls] MUSIC OUT Scene 20.    SOUND    DOOR SLAMS OPEN HARD GOLDY    I see someone's in a bright and shiny mood. PAUL    No calls. SOUND    STOMPING FEET, OFFICE DOOR YANKS OPEN, THEN SLAMS VOICEOVER MUSIC - new tune, not too bad. GOLDY    What did she do? DONNA    What? GOLDY    Oops - I'll get out of-- DONNA    Wait, what did who do? [waits a second]  Goldy?  Chicken.  Fine.  Music hold. SOUND    MUSIC CUTS SUDDENLY SOUND    TELEPHONE RINGS GOLDY    B&B Investigations, how may--  DONNA    [filter] What were you saying? GOLDY    Oh.  Boss is kind of upset is all.  Figured, um... DONNA    [filter, warning] What? GOLDY    Well, when he starts slamming doors, he's usually annoyed... um... with-- you? DONNA    [filter, long breath to get her composure back] I am in the middle of something, but-- Soon as I'm back, we're going to have a-- GOLDY    Oops - call coming in.  buh-Bye! SOUND    PHONE HANGS UP Scene 21.    ALEXANDER    Were you finished with me?  DONNA    Not quite, but I don't think we can talk here.  I need you to come to my suite at the Andersen Arms.  Tonight at 7 p.m.  Alone. ALEXANDER    Really, miss Bella, I don't think-- DONNA    Sweetie, you're not my type.  But we need to talk somewhere a bit more private.  ALEXANDER    [cautious and concerned] Talk? SOUND    SCRIBBLING A NOTE ON PAPER DONNA    It's regarding the welfare of the prince, and you know how people leap on-- SOUND    HANDING PAPER OVER ALEXANDER    Hmm?  [reads, gasps, the a bit frightened] Yes, of course.  I'll-- I'll be there. Scene 22.    NEW MUSIC FOR VOICEOVER - KIND OF ROMANCEY DONNA     Now to figure out how to tell Paul I wanted to handle a denouement on my own.  GOLDY    You want I should tell him? DONNA    Will you stop jumping in on the voiceovers?  We have enough trouble sharing them as it is. GOLDY    Fine.  I was gonna tell you where the boss is.  But since you obviously have everything well in hand-- DONNA    Where is he?  [beat]  Goldy?  Hold. Scene 23.    MUSIC CUTS OUT SOUND    PHONE RINGS DONNA    Come on... PAUL    [on phone] Hello? DONNA    Oh, drat. PAUL    [on phone] What?  Donna? DONNA    Paul, I-- PAUL    [on phone] I've found Cindy. DONNA    You have?  Where? PAUL    [on phone] Well, a good solid lead.  Should have my hands on her by this evening, but she's a tough cookie to nail down.  DONNA    Crumbs! PAUL    [on phone] What? DONNA    If you nailed down a cookie.  Nevermind. PAUL    [on phone] Why are we talking on the phone?  Why don't you just come on into the office? DONNA    I - I've got a terrible headache.  Think I'll go home and lie down.  Be fresh in the morning.  Bye! PAUL    [on phone] Donna?  [normal]  Donna? SOUND    HANGS UP THE PHONE PAUL    Damn.  Headache, my eye. SOUND    PHONE RINGS, keeps ringing PAUL    Goldy?  You wanna get this? GOLDY    [off] Nah - it's probably her again. PAUL    But it's your job to answer the phone... GOLDY    [off] I'm on my break. SOUND    PHONE PICKED UP PAUL    [sighs, then tries to mimic Goldy's voice] B&B Investigations, how can I help you? GOLDY    [off] Oy... RUMPY    [on phone]  You got a cold, Bette?  Or just drinking alum? PAUL    [normal]  Stuff it.  What you got, Rumpy? RUMPY    [on phone]  [chuckles]  What you got for me? PAUL    I'll meet you tomorrow. RUMPY    [on phone]  Nuh-uh.  [sighs]  My expense account musta grown from magic beans - it's just about sky level now. PAUL    We didn't-- RUMPY    [on phone]  Oh, it'll be worth it.  Bring your wallet to the Andersen Arms right away.  I'm in the lobby. SOUND    PHONE HANGS UP Scene 24.    MUSIC FOR VOICEOVER - STILL THE LAST MUSIC DONNA WAS USING, ROMANTIC PAUL    What the--?  This is... Donna's music?  [gulps]  The Andersen Arms was a classic old building on Mermaid street, and Donna had lived there for-- RUMPY    Did you bring the clinkage? PAUL    I'm not there yet.  This is still the voiceover. RUMPY    [chuckles] Nice grooves.  You going soft, pal.  PAUL    It's Donna's new music. RUMPY    So she's going soft? Hmmm... PAUL    Look, I'll be there in a second! RUMPY    No skin off my nose. PAUL    [sigh] Fine.  I arrived.  Done. MUSIC FADES OUT Scene 25.    RUMPY    Took you long enough.  Cross my palm, and I'll tell you all. SOUND    COINS CLINK RUMPY    That's what I'm talking about.  I've got one interesting tidbit-- PAUL    Shh.  Hide! RUMPY    What? PAUL    That fellow, who just skulked in.  I know him. RUMPY    Friend of yours? PAUL    A client.  RUMPY    Hmm.  Is this a consultation? PAUL    Hold that thought.  I'll be back to get my coins' worth. SOUND    STORMS IN THROUGH REVOLVING DOOR RUMPY    [going off] I'll start you an account. ORIGINAL VOICEOVER MUSIC STARTS PAUL    Nope.  [beat]  Go away.  [beat] I'm not saying anything. MUSIC ENDS IN A HUFF Scene 26.    SOUND    ELEVATOR DOORS OPEN SOUND    HEAVY STRIDES, KNOCKING ON A DOOR DONNA    [off]  Huh?  Hello? PAUL    Open up. DONNA    [dramatic gasp] Paul?  SOUND    DOOR OPENS, HE PUSHES IN DONNA    What?  What's wrong with you? PAUL    It's highly unprofessional, you know. DONNA    Well, I should say so! PAUL    To just waltz in here like this-- DONNA    Ye-e-es. PAUL    And--  What? DONNA    Are you apologizing? PAUL    What?  No.  Where is he?  I saw him in the lobby-- DONNA    [gasp]  You came here because--  You thought - [gasp]! PAUL    What am I supposed to think? DONNA    I solved the case, but you're not going to like the answer. PAUL    What makes you think I won't? SOUND    WATER RUNS IN THE BATHROOM PAUL    [growls] DONNA    That's why.  Look, I was about to do the big unveil, but-- PAUL    [plaintive] Without me? DONNA    [softening] You'll understand.  Can you keep quiet? PAUL    Of course I can.  SOUND    BLOWDRYER RUNS PAUL    [growls] DONNA    Hmm? PAUL    [sheepish] O-k. SOUND    KNOCK ON THE DOOR DONNA    That will be the prince. SOUND    FEET, DOOR OPENS Scene 27.    DONNA    Come in, your royal highness. SOUND    HESITANT FOOTSTEPS PAUL    No entourage? DONNA    Ssh.  Thank you for coming alone. PRINCE    [upset] I haven't much choice.  Alexander is nowhere to be found. PAUL    Your pal from the office? PRINCE    We've been chums since childhood.  I feel rather exposed without him along. DONNA    It must have been awkward, then, that he couldn't make it to the ball. PRINCE    It was the first he ever missed.  Too bad,  I think he'll like Cindy. DONNA    They probably have a lot in common. PAUL    [suspicious]  They do...? DONNA    You better have a seat, sire.  This is likely to get a little awkward. PRINCE    But have you found my Cindy? DONNA    Yes. PAUL    [quiet] Yes? PRINCE    Where is she? SOUND    DOOR OPENS, HEAVY FOOTSTEPS BARBARA    Right here.  Come on out, honey. SOUND    SLOW BARE FOOTSTEPS SOUND    CHAIR ALMOST TOPPLES AS PRINCE SPRINGS UP PRINCE    Darling! CINDY    [vexed] Oh, dear!  Why did you bring him here? DONNA    Hold on!  Sorry I didn't warn you, Cindy.  Sit down, your highness. PRINCE    But my darling, don't you want--? I thought we-- we clicked. PAUL    [musing quietly, gets it] Like they'd known each other for years.  [groan, gets it]  Oh. DONNA    Shh.  PRINCE    But you're the only woman I've ever loved. CINDY    And you're about to despise me. PRINCE    That could never happen. CINDY    Yes it can.  [voice lowers to Alexander, then ruefully]  I'm just lucky you're a bit nearsighted, Waldo. PRINCE    What?  Alexander? BARBARA    She prefers Cindy when she's all dolled up. CINDY    [Cindy again] I really do. PRINCE    But... is it a spell? CINDY    No.  It's just-- BARBARA    Go on, hon.  There's no going back now. CINDY    I could probably spin you a grand story about being enchanted, or cursed, but none of it is true.  Unless you count love as some kind of magic. PRINCE    Love? CINDY    I never meant it to be more than one night.  One chance to dance... with you.  But you - you just had to [wistful] go all manly and try and find me!  Barbara convinced me it's better to let you know, rather than leave you searching forever. BARBARA    Trust me, he'd eventually find some clue to who you are.  The higher the hopes, the harder the fall, and all that. CINDY    Don't worry, I've already - I mean Alexander has already - applied for a quest permit, and I plan to absent myself from court for a decade or so. PRINCE    I say - I'm the prince here.  Don't I get any say? CINDY    Yes.  [deep breath, bracing herself]  BARBARA    [comforting] I'm right here. DONNA    Me too. CINDY    Go ahead. PRINCE    I-- I suppose I never thought about you that way, Alexander. CINDY    [wilting] Of course. PRINCE    Until I saw you at the ball. CINDY    [startled, perking up a bit] Oh? PRINCE    Perhaps there is some magic.  To love. CINDY    But you don't want me.  I mean you want this-- the surface-- when underneath, I'm-- PRINCE    My best friend?  What's so wrong?  I've met far too many beautiful girls I can't stand to be near.  You do something to me. CINDY    [gasps ecstatically] [their voices fade for a bit] Scene 28.    DONNA    I wish it could work for them. PAUL    Really?  It seems an odd match.  Really odd. DONNA    What's wrong with an odd match?  Love's all that matters.  Though I do have one concern.  Babs? BARBARA    [sniffling a bit at the romantic moment]  What?  Yes?  Oh, go on - I'm all verklempt. DONNA    I get choked up too.  But, what about when they're supposed to--you know-- have kids? BARBARA    Oh that's a piece of cake.  There's always a baby in a peach pit, or I have this deal with the marsh king.  You'd be surprised how often these kinds of things happen. PRINCE    [fading back in] But how will it ever work? PAUL    [clears throat]  May I? DONNA    What?  Really? PAUL    I'm not one to stand in the way of true love.  You said Alexander applied for a quest permit - no reason he shouldn't go, disappearing from court, about the same time Prince Charming-- PRINCE    Oh, you can call me Waldo. PAUL    Thank you, your highness.  [back to the point] At the same time that Waldo meets Alexander's distant cousin Cindy, who sneaked into town to surprise him and ran into the prince instead.  DONNA    Oh, and, if you can, you should do a little bit of almost being seen together, which will take a little quick change action, but we can help with that, right Barbara? BARBARA    Quick change is practically my middle name. PAUL    Alexander can send a letter now and then, eventually rescue a damsel in distress, and settle down in a kingdom far far away.  PRINCE    There's only one thing left to do! DONNA    Oh? PRINCE    I hope you remembered to bring that shoe.  It will have to do until we can get rings... BARBARA    [choked up] I'll start planning the reception! Scene 29.    OLD VOICEOVER MUSIC PAUL    So, the prince found his true love.  DONNA    Love's funny that way. PAUL    And all Alexander's-- DONNA    --Cindy's-- PAUL    --years of devotion paid off. DONNA    Waldo better appreciate all he's-- she's done. PAUL    There's just not enough pronouns-- DONNA    --Particularly since some of your friends are definitely "it"s. PAUL    Hah. Hah. DONNA    Speaking of those, how was the enchanted beasts reunion? PAUL    [down] Fine.  Every year there's less of us left - too many with their curses broken, or married with better things to do. DONNA    [hopeful]  It's in the air.  Love, I mean. PAUL    [growls, close] Yeah... [backing off] I mean, they make a cute couple... GOLDY    [exasperated] Oh, shut up and kiss her already. PAUL & DONNA    What? GOLDY    You heard me.  Think quick - I'm on double overtime just to be in this voiceover. CLOSING  

¿Querías capitulo porque la semana pasada no tuvisteis? PUES DOS TAZAS! -como diría nuestra queride Marina. Aquí estamos de vuelta con un capítulo ESPECIAL comentando el primer episodio de Drag Race España Season 2, con un invitado super ideal y ¿experto en la materia? No lo sabemos... Pero vive cerca del BELIVE y eso ya hace! NAHHH pues claro que sabe de lo que habla y con mucha elocuencia y veneno de escorpio. Arrancamos motores, que esto ya empieza! Y que gane la mejor Drag Queen! (Ósea se, alguna de Barcelona u Onyx...)

Join us in this journey in learning about the third most dangerous woman in England's criminal history... Nahhh it's not the Queen.     https://www.herefordtimes.com/news/10945987.hereford-stabbings-victims-feared-for-lives-at-hands-of-serial-killer/ https://www.bbc.com/news/uk-england-hereford-worcester-26389244 https://www.the-sun.com/news/57157/who-is-joanna-dennehy/ https://www.theguardian.com/uk-news/2014/feb/28/joanna-dennehy-serial-killer-first-woman-die-in-jail Joanna Dennehy: Brittain's most dangerous women: Youtube- Real Crime

Join us as we go back in time with our buddy Jared Archibald and talk about being single, awkward first dates and stick around for some sneak peaks of some unheard music from JakeTheEngineer (OGSALT) --- Support this podcast: https://anchor.fm/ogsaltandmeatbutter/support

I know a lot of us want to be kind, nice and want to be liked. Nahhh, people seem to take your kindness for weakness! But also, when it's time to turn up, turn tf up. Those same people weren't scared to take your kindness for some type of weakness so now they're gonna feel what comes with it when they start to play those type of games with you. Poke your chest out and let them know you run your own life. Show the podcast some love -Ms Nina --- Support this podcast: https://anchor.fm/ms-nina/support

Okay a slight work delay but no sweat the the resident super villain, Jay Washington is back on track with the 93rd episode of The Mad Titan Podcast This week Jay is joined by longtime friend, nerd, comedian and smooth ass dude, Jay Whittaker Madame Webb will be coming through in whips and chains...possibly, Spider Man No Way Home was told "NAHHH" by the Oscars, james Gunn reminds us the superheroes and supervillains GET IT IN and  much more. Be sure to get your calls in to The Mad Titan Podcast hotline 818-276-6947 along with emails from madtitanpodcast@gmail.com Come get locked in and let this barbershop talk for nerds get into your system and enjoy. BE SURE TO RATE AND REVIEW THE EPISODE Follow Jay on Twitter and Instagram http://www.twitter.com/mrjaywashington http://www.instagram.com/mrjaywashington SUBSCRIBE TO THE YOUTUBE CHANNEL http://www.youtube.com/jaywashington80 JOIN THE SUPER VILLAIN SQUAD on Patreon http://www.patreon.com/mrjaywashington CHECK OUT "BLERDS N THE HOOD" every Tuesday and Thursday 6pm PT/9pm ET http://www.youtube.com/blerdsnthehood Donations CashApp $MrJayWashington Venmo http://www.venmo.com/mrjaywashington GET YOUR OWN "The Mad Titan Podcast" t-shirt here http://www.teepublic.com/user/mrjaywashington

#TRASLAMAGIA E4. Todo lo que nos pasó en nuestra primera vez en el evento de Halloween 2021 de Universal Studios Orlando! Una conversa de reir para no llorar! Nahhh... pero casi!

Welcome back to another episode of the G-Talk podcast!!! I'm joined by special guests Trisha: @luvalwaystrisha_ Anointed : @anointed1_993 Coach : @coachyikes Trending topics : Only fans to block sexually explicit content starting October 1st!!! Thoughts??? Who started this crate challenge? Let's talk about it Music : Kendrick Lamar announced he's working on his last TDE album. Thoughts?? & what we want to hear him talk about on this album??! My. Drake vs Kanye West beef : After Drake named dropped him in a song with Trippie Redd, Kanye addressed Drake in a group chat with Pusha T then dropped Drakes address. Is this all staged for promotion of both their albums? Let's talk about it! Other topics : busta rhymes comments : .Busta Rhymes Rails Against COVID Safety Protocols: ‘F– Your Mask … Stop Trying to Take Our Civil Liberties Away' (Video).9 hours ago When is Bobby sshmurda dropping music Relationship segment: Is having too many male/female friends a problem in a relationship? Should you cut some heads off for the respect of your relationship? Does seeing a women dress overly sexual make men not want to cuff her? Does it make men want just want to have sex instead of taking her serious? Do we need to label “talking stages” when talking to someone? Would you do polygamy? Sports KOBE BRYANT 43rd bday SHACARRI RICHARDSON Follow me on Instagram/Twitter : @RealGHawkins --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

on todays episode we are going to briefly discuss my thoughts on this whole Lil Kim , verzuz Nicki Minaj and how we don't want that for the culture . lol what are y'all thoughts y'all agree or disagree ? Support the show (https://cash.app/$dyonmusiq)

TIMECODES Intro 0:00 Benefits of Zero Drop Shoes 1:32 Orthotics or Nahhh? 6:00 Is Being Flat Footed an Issue? 7:26 Are Flat Feet from Genetics? 9:38 Increase in Achilles Tears from Elevated Heels 12:47 Transition to Barefoot Shoes 14:38 Basketball Shoes vs Zero Drop Shoes 17:38 Waking Up Proprioceptors in Feet 26:06 Recommended Shoes 29:36 Conclusion 32:28 TRAINING PROGRAMS Speed Code: https://www.pjfperformance.net/the-speed-code/  Fat Don't Fly: http://www.pjfperformance.net/fat-dont-fly/  The Vert Code & The Vert Code Elite: http://www.pjfperformance.net/the-vert-code-elite-2/ Edge U: https://theedgeu.com PROTEIN: Upper Echelon Nutrition: https://uenutrition.com  (Use discount code PJFPERFORMANCE to get 20% off)

Episode 20, milestone? Nahhh not really. On today's podcast the guys talk about the NFC/AFC championship games. Mondo has a major screw up. The guys talk a what could have been... and of course talk about stocks. Who you got? AMC? Gamestop? Blackberry? Nokia? or all of the above! As always enjoy. Get in touch with the show @thebullpenpod on instagram, and thebullpenpod@gmail.com

Nahhh episode kali ini sebenernya kelanjutan dari episode 12 - Logika dan Iman. Tapi, ini bagian yang emang beneran penting banget untuk dipikirin, yakni soal gimana kita memakai iman untuk urusan publik juga atau urusan privat doang gitu~ Langsung aja deh sikat, rada panjang tapi seru kokk

Peek-a-boo we see you! Nahhh for real.... We see you!!! Take that mask off

In this episode I discuss final wishes and how impactful your memory is to the ones who love you. I also share the results of a survey that told me how I will be remembered when I die. Take the survey yourself with the link below https://www.quizony.com/how-will-you-be-remembered-after-death/index.html Mug I mention in this episode (Closed Casket Open Bar) https://wal-mort.com/collections/coffee-break/products/closed-casket-open-bar-color-changing-mug

Peace is a place... Nahhh... Peace is a PROMISE. Peace is something that all throughout scripture we are told to exercise throughout our lives. Anxiousness. Depression. Worry. All of these things are the opposite of what God tells us to have; peace. Meditate on the word, not the things of this world. Love y'all! Be blessed and be at peace. Verses: Joshua 1:8; Philippians 4:6-7; John 16:33; Mark 8:35 | Jesus died on the cross for you and rose again 3 days later! You are washed white as snow! Hallelujah! The old has passed away and you are made new in Christ. Amen. John 3:3

On this Week's Episode: - Tua's Injury for Bama - Colin Kaepernick's Workout Reaction - Myles Garrett Brawl Fallout - Melo is BACK in the NBA - Drake is Booed Offstage at a Concert - Go-To Smoke Session Song - Making a Girl Orgasm - Most Toxic Thing We've Ever Done Follow Us on Instagram to Keep up with us and the Latest: Aaquil: @aaquil_annoor China: @finestchina_ Deon: @itsprimetime21 Drae: @drae_linton Joe: @_josecinco Josh: @__joshalston

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