Podcast appearances and mentions of Janine Antoni

Stephen Petronio is a choreographer, dancer, and the artistic director of the Stephen Petronio Company. Stephen has created over 35 works for his company and has been commissioned by some of the world's most prestigious modern and ballet companies, including William Forsythe's Ballet Frankfurt (1987), Deutsche Opera Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013). Over his career, Petronio has collaborated with a wide range of artists in many disciplines. Collaborators include some of the most talented and provocative artists in the world: composers Valgeir Sigurðsson, Nico Muhly, Rufus Wainwright, Lou Reed, Laurie Anderson, and Peter Gordon; visual artists Robert Longo, Cindy Sherman, Anish Kapoor, Donald Baechler, and Janine Antoni; fashion designers Narciso Rodriguez, John Bartlett, Benjamin Cho, and Leigh Bowery.Stephen Petronio's  training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton's Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012 to 2014. He has been entangled with visual artist Janine Antoni in a number of discipline-blurring projects, including the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson, and most recently Ally, in collaboration with Anna Halprin and Adrian Heathfield, which premiered at The Fabric Workshop and Museum in Philadelphia in summer of 2016. Petronio and Antoni were the 2017 McCormack Artists in Residence at Skidmore college, where they showed their series of installations, Entangle. Most recently, he was commissioned by The Juilliard School to set a work, #PrayerForNow, on their fourth year students for the New Dances Edition 2019. Petronio's memoir, Confessions of a Motion Addict, is available at Amazon.com.  Movement Without Borders Festival - October 2, 2021 - Ernesto Breton performing Rudy Perez's Coverage Revisited. Fall For Dance - October 15 & 16, 2021 - New York City Center - SPC performing American Landscapes (2019). Petronio Punk Picks and Other Delights - November 18-21 - La MaMa - SPC revives a series of solos and duets from Stephen's formative days coming up in the East Village and invites Bloodlines(future) artist Johnnie Cruise Mercer to the stage. Alex Waters:Alex Waters is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own music, as well as writing and recording for dependent artists such as The Living. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

In this episode, we'll explore Janine Antoni's sculpture Gnaw.For more information visit, http://www.janineantoni.net/gnaw

Jemila MacEwan is an interdisciplinary artist living and working in New York. She was born in Scotland to Sufi parents, and immigrated to Australia as a child, where her upbringing intertwined scientific, mythological and spiritual ways of learning from the land. Her work seeks out an empathetic approach to humanities destructive impulses. MacEwan received a Master of Contemporary Art at the University of Melbourne, Australia. She has exhibited extensively within Australia and the USA and is a consistent collaborator with members of the New York Dance community. Significant exhibitions include The Australian Consulate-General (NYC), Pioneer Works (NYC), Victori +MO (NYC), The Elizabeth Foundation for the Arts (NYC), Governor's Island Art Fair (NYC), BRIC Bienniel III, Spring Break Art Fair, The Melbourne International Arts Festival (Australia), Gertrude Street Projection Festival (Australia), and Arquetopia (Mexico), and Castlemaine State Festival in 2019 (Australia). MacEwan received a two-year mentorship under internationally renown artist Janine Antoni and was selected as a NYFA immigrant mentee of Jamaican performance artist Jodie Lynn-Kee-Chow. MacEwan was a 2018 BRIC media arts fellow. She is the founder of the performance process residency Land-Falls and has participated in many residencies including NARS Foundation (NYC), Ox-Bow (MI), Salem Art Works (NY), Arquetopia (Mexico), and Skaftfell Center for Visual Art (Iceland). She has been invited to host and participate in panel discussions on themes of intercultural practice, mental health, and environmental accountability. She has been the recipient of multiple awards including the Alchera Award, Acacia Award, Alliance Francaise Award, George Hicks Award. She has been generously supported by the Australia Council for the Arts, the Dame Joan Sutherland Fund, the Ian Potter Cultural Council and the Graduate Women of Victoria. All images courtesy of the artist 00:00 - Introduction 00:39 - Jemila MacEwan 02:43 - Daily Driver - Black Marble 06:34 - Human Meteorite 28:12 - Acoustic Earth Works 38:10 - Dead Gods 50:33 - Ali Barter - This Girl 54:23 - Outro 54:42 - Finish

Introduction by Amy Rosenblum Martín, Independent Curator and Educator, Guggenheim DIS (est. 2010) is a New York-based collective composed of Lauren Boyle, Solomon Chase, Marco Roso, and David Toro. Its cultural interventions are manifest across a range of media and platforms, from site-specific museum and gallery exhibitions to ongoing online projects. In 2018 the collective transitioned platforms from an online magazine, dismagazine.com, to a video streaming edutainment platform, dis.art, narrowing in on the future of education and entertainment. DIS Magazine (2010-2017); DISimages (2013), DISown (2014), Curators of the 9th Berlin Biennale for Contemporary Art, The Present in Drag (2016); DIS.art (2018–); Exhibited and organized shows at the de Young Museum, San Francisco; La Casa Encendida, Madrid; Plug In Institute of Contemporary Art, Winnipeg; Baltimore Museum of Art; and Project Native Informant, London. DIS has also been included in group exhibitions at MoMA PS1, Museum of Modern Art, and the New Museum all in New York; and Musée d’Art Moderne de la Ville de Paris; ICA Boston; Museum of Contemporary Art Chicago; and Kunsthal Charlottenborg, Copenhagen, among others. The material presented by DIS today is the result of a change in attitude towards the present and aims to meet the demands of contemporary social, political, and economic complexity at eye level. Introducer Amy Rosenblum Martín is a bilingual (English/Spanish) curator of contemporary art, committed to equity and community engagement. Formerly a staff curator at the Pérez Art Museum Miami (when it was MAM) and The Bronx Museum, she has also organized exhibitions, written and/or lectured independently for la Colección Patricia Phelps de Cisneros, MoMA, The Metropolitan, MACBA in Barcelona, the Reina Sofía, and Kunsthaus Bregenz as well as the Sugar Hill Children’s Museum. Her 20 years of interdepartmental museum work include 10 years at the Guggenheim. Rosenblum Martín’s expertise is in Latin America, focusing on transhistorical connections among Buenos Aires, Montevideo, Rio de Janeiro, São Paulo, Caracas, Havana, Miami, and New York. She has worked with Janine Antoni, Lothar Baumgarten, Guy Ben-Ner, Janet Cardiff, Eloísa Cartonera, Consuelo Castañeda, Lygia Clark, Willie Cole, Jeannette Ehlers, Teresita Fernández, Naomi Fisher, Marlon Griffith, Lucio Fontana, Dara Friedman, Luis Gispert, Felix Gonzalez-Torres, Adler Guerrier, Ann Hamilton, Quisqueya Henríquez, Leslie Hewitt, Nadia Huggins, Deborah Jack, Seydou Keita, Gyula Kosice, Matthieu Laurette, Miguel Luciano, Gordon Matta-Clark, Ana Mendieta, Antoni Miralda, Marisa Morán Jahn, Glexis Novoa, Hélio Oiticica, Dennis Oppenheim, Nam June Paik, Manuel Piña, Miguel Angel Ríos, Bert Rodriguez, Marco Roso, Nancy Rubins, George Sánchez-Calderón, Beatriz Santiago Muñoz, Tomás Saraceno, Karin Schneider, Regina Silveira, Lorna Simpson, Valeska Soares, Javier Tellez, Joaquín Torres García, and Fred Wilson, among many other remarkable artists.

杭州工艺美术博物馆新展「女神的装备」近日开幕。婉莹分别采访了策展人之一许潇笑和两位一同观展的朋友，三人讲诉各有不同。感谢 btr 和米罗帮助完成本期特别片尾曲。 如果您喜欢《博物志》，请考虑成为《博物志》的会员支持我们。 微店：博物志 淘宝店：小黄鱼水产 Youtube 频道：muséelogue Bilibili 频道：博物志 婉莹瞎唱的电报频道 相关链接 杭州工艺美术博物馆微信公众号 本次展览的另一名策展人宋振熙的微博 艺术家童垚 冯琳的《绝望的主妇》 裴丽《艺术家应该漂亮》：削骨、隆鼻、隆胸，手术台上的痛苦转瞬即逝 Janine Antoni, Tender Buttons 程然《幻狸录》 吴俊勇《美杜莎的房间》 btr 的公众号《意思意思》 米罗的网易云音乐主页 Support 博物志

杭州工艺美术博物馆新展「女神的装备」近日开幕。婉莹分别采访了策展人之一许潇笑和两位一同观展的朋友，三人讲诉各有不同。感谢 btr 和米罗帮助完成本期特别片尾曲。 如果您喜欢《博物志》，请考虑成为《博物志》的会员支持我们。 微店：博物志 淘宝店：小黄鱼水产 Youtube 频道：muséelogue Bilibili 频道：博物志 婉莹瞎唱的电报频道 相关链接 杭州工艺美术博物馆微信公众号 本次展览的另一名策展人宋振熙的微博 艺术家童垚 冯琳的《绝望的主妇》 裴丽《艺术家应该漂亮》：削骨、隆鼻、隆胸，手术台上的痛苦转瞬即逝 Janine Antoni, Tender Buttons 程然《幻狸录》 吴俊勇《美杜莎的房间》 btr 的公众号《意思意思》 米罗的网易云音乐主页 Support 博物志

Art is material. This episode explores art in relation to the body. Hear artists reflect on gender and performance, transform themselves into cockroaches, and sculpt self-portraits from chocolate and soap. Photo: Xandra Ibarra, Nude Laughing, performance at The Broad, Los Angeles, 2016. Photo by John Tain. Artists featured in this episode: Xandra Ibarra, Cassils, and Janine Antoni.

16. März 2017, die 75. Folge. Heute ein paar Notizen zu Veranstaltungen des lokalen Denkens... vielleicht wurde mir heute ein kleiner Einblick möglich, was dieses lokale Denken heissen kann, oder zumindest: auch heissen kann. Auf einem Workshop zur politischen Lage der Opposition heute, sowie zu einer Podiumsdiskussion mit Slavoj Žižek, Janine Antoni, und Sister Helen Prejean in der St. John the Divine Cathedral in Manhattan. Beeindruckte Notizen in der Hoffnung auf Morgen und ein wenig mehr Klarheit.

Holy SHIT! Janine Antoni! shamelessly lifted from Art 21... Janine Antoni was born in Freeport, Bahamas, in 1964. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Antoni’s work blurs the distinction between performance art and sculpture. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. In the video, "Touch," Antoni appears to perform the impossible act of walking on the surface of water. She accomplished this magician’s trick, however, not through divine intervention, but only after months of training to balance on a tightrope that she then strung at the exact height of the horizon line. Balance is a key component in the related piece, "Moor," where the artist taught herself how to make a rope out of unusual and often personal materials donated by friends and relatives. By learning to twist the materials together so that they formed a rope that was neither too loose nor too tight, Antoni created an enduring life-line that united a disparate group of people into a unified whole. Antoni has had major exhibitions of her work at the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; S.I.T.E. Santa Fe; and Irish Museum of Modern Art, Dublin. The recipient of several prestigious awards, including a John D. and Catherine T. MacArthur Fellowship in 1998 and the Larry Aldrich Foundation Award in 1999, Janine Antoni currently resides in New York.

Moore is pleased to announce that Judith Tannenbaum will be this year’s Commencement speaker and will be receiving an Honorary Doctorate of Fine Arts from the College. Tannenbaum was named The Rhode Island School of Design (RISD) Museum’s first curator of contemporary art in 2000. In 2002, she became the Richard Brown Baker Curator of Contemporary Art, the Museum’s first endowed position, which she held until 2013. She recently relocated to Philadelphia but continues her connection to RISD as Adjunct Curator. Moore’s 165th Commencement will be held on Sunday, May 18 at 11 am in Aviator Park, across from the College. Tannenbaum has organized numerous exhibitions focusing on painting, sculpture, video, and interdisciplinary work--with a particular interest in connections between visual art and performance and relationships among fine art, craft, and design. Exhibitions and publications for RISD include Arlene Shechet: Meissen Recast (2014), Painting Air: Spencer Finch (2012); Lynda Benglis (2010); Styrofoam (2008); Beth Lipman: After You’re Gone (2008); Wunderground: Providence, 1995 to the present (2006); Betty Woodman: Il Giardino dipinto (2005); Island Nations: New Art from Cuba, the Dominican Republic, Puerto Rico, and the Diaspora (2004); On the Wall: Wallpaper by Contemporary Artists (2003); and Jim Isermann: Logic Rules (2000). From 1986 to 2000, Tannenbaum served variously as curator, associate director, and interim director at the Institute of Contemporary Art (ICA), University of Pennsylvania, in Philadelphia. As interim director of ICA in 1989-90, she became the spokesperson for the defense of public funding for the arts and artistic freedom in relation to the Robert Mapplethorpe exhibition originated by ICA. Among the shows she curated for ICA are: Glenn Ligon:Unbecoming (1998), PerForms (1995) featuring the work of Janine Antoni, Charles Ray, and Jana Sterbak; Vija Celmins (1992), a retrospective exhibition that toured nationally; and Interactions (1991), a large group shows about collaborations between the visual and performing arts. In January, 2014, Tannenbaum was honored by the Frick Center for the History of Collecting for her contribution to the book Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art (Yale University Art Gallery/Yale University Press, 2011). The book won the Sotheby’s Book Prize for a Distinguished Publication on the History of Collecting in America.

Janine Antoni, John Chamberlain, Wim Delvoye, Tom Friedman, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Denise Grünstein, Sol LeWitt, Agnes Martin, James Turrell, Lawrence Weiner, Rémy Zaugg The curator of the exhibition Tessa Praun presents Something Turned Into a Thing and talks about how the works found their way into the Magasin 3 collection. The audioguide is produced by Tomas Rajnai in collaboration with Magasin 3. Language: Swedish.

Janine Antoni, John Chamberlain, Wim Delvoye, Tom Friedman, Dominique Gonzalez-Foerster, Felix Gonzalez-Torres, Denise Grünstein, Sol LeWitt, Agnes Martin, James Turrell, Lawrence Weiner, Rémy Zaugg The curator of the exhibition Tessa Praun presents Something Turned Into a Thing and talks about how the works found their way into the Magasin 3 collection. The audioguide is produced by Tomas Rajnai in collaboration with Magasin 3. Language: Swedish.

March 28, 2012 Janine Antoni gives a brief overview of her work, and demonstrates the movement meditation practice, called the 5Rhythms.