Podcast appearances and mentions of Sol LeWitt

This episode chews the ides of Sol LeWitt and his lais sez faire take on artwork. How if an artwork was originally established on the infrastructure of an institution could i be replicated somewhere else or is it forever to be seen there. Could it be even replicated authentically when instructions are attached. We talk philosophy, forgery, authentication, and the mind blowing process of Sol LeWitt

In this thought-provoking episode of Lines of Thought, Danna, Mohamed, and Ian dive into the mind of Sol LeWitt, one of the most influential conceptual artists of the 20th century. Together, they explore how a simple set of instructions can become a powerful, evolving work of art—and what that means for originality, ownership, and the definition of art itself. Through meaningful discussion, personal insights, and engaging questions, the group unpacks the deeper themes behind LeWitt's famous wall drawings and reflects on how conceptual art challenges traditional ideas of authorship and creativity. Tune in to hear how this artist's legacy continues to shape the way we see—and think about—art today.

In this short podcast episode, we explore the fascinating world of conceptual art through the lens of Sol LeWitt's wall drawings and the ongoing debate about authenticity, authorship, and originality. Using the case study of a major LeWitt piece owned by the Carnegie Institute in Pittsburgh, we unpack what it means to “move” a work of art that exists primarily as an idea. Can a redrawn wall drawing still be considered the same artwork? What happens when someone follows LeWitt's instructions without his approval? Join us as we question everything—from the role of artistic intent to the value of replication in conceptual art.

In this episode, we explore Sol Lewitts's innovative approach to art, where the idea behind the work matters more than its execution. We dive into his famous wall drawings, created through detailed instructions, and discuss how this challenges traditional views of authenticity and artistic value.  Focusing on the works at the Carnegie Museum of Art, we look at how moving and recreating these pieces raises questions about ownership and meaning in art. Join us to learn how conceptual art reshapes how we think about creation and interpretation.

In this episode your host Violet, and guests Ian and Nikole , discuss the difficulties that the Carnegie Institute face with their plans to “move” a Wall Drawing by Sol LeWitt. Is it the same piece of art? Or would it be considered a forgery? Find out what we think, and more, in this episode of the Exploring Art Podcast.

In this episode of the Exploring Art PodcastMari and Lucca dive into Sol LeWitt's Walldrawings and the repercussions of re-drawingsaid pieces of art following the originalinstructions. Mari and Lucca will also diveonto the definition of conceptual art and whatpertains to the art regarding Sol LeWitts wallpaintings. This topic all stems from thesituation in the Carnegie Institute in Pittsburg,where they wish to “move” the wall drawing byLeWitt, and claim that the wall drawing is thesame as the original. Through some criticalquestions Mari and Lucca are able todetermine if the painting would be the same orif the total of original can only belong to thefirst painting that followed the originalinstructions.

In this episode, we dive into the world ofconceptual art and minimalism with theiconic artist Sol LeWitt. From hisgroundbreaking wall drawings to histheory that the idea behind the artwork ismore important than the final product, weexplore how LeWitt forever changed theart world. Discover the fascinating wayshe used geometric shapes, systematicpatterns, and collaborative processes tochallenge conventional notions of art-making. Whether you're a seasoned artlover or new to the world of conceptualart, this episode offers a freshperspective on how one artist'srevolutionary ideas continue to inspireand influence the creative landscapetoday. Tune in for a journey into the mindof Sol LeWitt!

In a podcast that delves deeply into Sol LeWitt's ground-breaking wall drawings, discover his innovative mindset, where the idea comes before the actual execution.  Learn how he revolutionized authorship and uniqueness in the art industry by emphasizing teamwork and following directions.  Take part in stimulating conversations around ownership, authenticity, and the audience's role in understanding conceptual art.  Come explore the many facets of LeWitt's art and its enduring influence on conceptual and contemporary art.

Here we discuss Sol LeWitt's impact on art, possible influences, and how his work influenced American art.

Joana P. R. Neves é uma escritora e curadora independente sediada em Londres. Entre 1994 e 1998 obteve a licenciatura em Filosofia em França. Concluiu o mestrado em estudos curatoriais na Universidade de Belas Artes de Lisboa em 2002. Nesse mesmo anos foi nomeada curadora de vídeo no C.A.V. (Coimbra, Portugal), onde trabalhou com Julião Sarmento, Maria Lusitano e Gabriel Orozco, entre outros.Entre 2003 e 2014 trabalhou como diretora das galerias comerciais Chantal Crousel, scleicher+lange (Paris, França), e ajudou a lançar a Marlborough Contemporary, (Londres, Reino Unido). Entre 2015 e 2020, fez o seu doutoramento em História da Arte na Kingston University intitulado: “Seguindo a Linha Indexical, Etienne-Jules Marey, Douglas Huebler, Sol LeWitt.” enquanto desenvolvia um trabalho de pesquisa paralelo sobre a obra da artista alemã sediada em Milão, Irma Blank. Esta investigação deu origem à co-curadoria, entre 2019 e 2023, da exposição itinerante BLANK, (Culturgest Lisboa, MAMCO Genève, CAPC Bordeaux, CCA Tel Aviv, ICA Milano, Museu Villa dei Cedri, Bellinzona, Bombas Gens Valencia) e para a qual co-editou o catálogo homónimo (Koenig Books). Como curadora independente, trabalha para museus e galerias; a sua mais recente exposição colectiva, “Our Ancestors Bloom” Overground, teve lugar na galeria Patrick Heide (Londres).É Diretora Artística da Feira de Arte DRAWING NOW desde 2018, e co-lançou o projeto de residências e exposições Worlding em Elephant and Castle, Londres, em dezembro de 2020. Tem colaborado regularmente em publicações e catálogos de arte contemporânea.As suas publicações recentes incluem “As One takes one's pulse”, “The Technology of Asemantic Writing”, Centre d'art de Genève (2019); “Unskilled Beauty or Ugly Truth?” (Drawing, Research, Theory Practice, 2020), entre outros.Joana P. R. Neves está atualmente a trabalhar no seu primeiro livro, The Female Drawing Machines”, sobre o desenho como tecnologia a partir de uma perspetiva feminista (2026, Bloomsbury). Lançou o podcast Exhibitionistas em janeiro de 2024, onde falam sobre exposições individuais como forma de explorar o corpo de trabalho de um artista. Links: https://exhibitionistaspodcast.com/https://worldingproject.com/ https://maat.pt/en/news/ten-exhibitions-see-maat-2025 https://www.fondation-pernod-ricard.com/en/person/joana-neves https://www.cnap.fr/la-m%C3%A9thode-graphique-et-autres-lignes https://mrac.laregion.fr/IMG/mrac_documents/5/dossier_presse/DP-Plateforme-Roven.pdf http://offshore-revue.fr/site/drawing-room-016-salon-du-dessin-contemporain-la-panacee-montpellier/ https://www.culturgest.pt/pt/informacoes/livraria/irma-blank-blank/ https://www.drawingnowparis.com/le-salon/le-comite-de-selection/ https://www.drawingnowparis.com/ https://www.drawinglabparis.com/en/expositions/drawing-power-children-of-compost/ https://www.drawingnowparis.com/evenements/ https://www.drawinglabparis.com/le-prisme-du-feminin-machine-ovocytes-fils-potions/ https://www.beauxarts.com/expos/drawing-now-art-fair-celebre-le-dessin-contemporain-au-carreau-du-temple/ Episódio gravado a 07.02.2025 Créditos introdução: David Maranha - Flauta e percussão Créditos música final: Water · Johnny Flynn and Laura Marling · Letra Johnny Flynn · Produção Ryan Hadlock http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

Marleen Sleeuwits is multidisciplinair kunstenaar. In haar werk, waarin ze gebruik maakt van fotografie, objecten en installaties, speelt Sleeuwits met de perceptie van ruimte en schaal. Ze ontving verschillende nominaties en won onder meer de Meijburg Kunstcommissie. Het werk van de Haagse Sleeuwits is nu te zien in de tentoonstelling ‘Enter the Cube' in Fotomuseum Den Haag. In ‘Enter the Cube' gaat Sleeuwits in dialoog met het werk van de Amerikaanse kunstenaar Sol LeWitt en onderzoekt ze de grenzen van perspectief en beleving van een ruimte. Femke van der Laan gaat met Marleen Sleeuwits in gesprek.

¿Cómo ser un artista? En el episodio de hoy sacamos aprendizajes de la práctica artística basados en las carreras de Keith Haring, Georgia O'Keeffe, Eva Hesse, Basquiat y Sol Lewitt. Ojalá que alguna de las lecciones (o todas) te caiga en el momento correcto. La información salió del formato de "How to be an artist" del medio Artsy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we delve into the pioneering work of conceptual artist Sol LeWitt, exploring his theories concerning ownership and art reproduction. LeWitt's process put into question many more orthodox ways of thinking about art-making, emphasizing the idea behind the work rather than the product itself. We talk about the powers of LeWitt's thesis, Paragraphs on Conceptual Art, in bringing about a collaborative notion of making, viewing, and understanding art that is still resonant in today's art scene. Join us for a stimulating analysis of the convergence of art, ideas, and the changing notion of authorship.

In this episode 973, "The Canon of Conceptual Art" we explore the life and works of an influential figure in the world of contemporary art. Dive into the conceptual genius of Sol LeWitt, as we uncover the stories behind his iconic wall drawings and analyze his philosophy on art and instructions. Whether you're an art enthusiast, a student of art history, or simply curious about the mind of a creative genius, this episode offers a deep and engaging exploration of Sol LeWitt's enduring legacy. Tune in and discover the art that reshaped the world.

In this episode, we delve into the fascinating world of Sol LeWitt's wall drawings. We will explore questions of ownership, and authenticity. The Carnegie Institute in Pittsburgh owns one of these monumental works, but if they move and "recreate" the piece in another location, Is it the same work of art? We will also consider the authenticity if we were to recreate the piece ourselves. Join us on our discussion as we further explore what makes original art. 

In our podcast episode, The Identity and Legacy of Sol Lewitt's Wall Drawings, we dive deep into the significant cultural impact of Sol Lewitt and his wall drawings. We discuss ethics and communicate our varying opinions over what makes an art piece authentic when it's an imitation or reproduction of an original work. Both Amanda and Caleb discuss the significance of Sol Lewitt's instructions on displaying his work, and the multifaceted views that surround it.

Kunstenaar Rinus Van de Velde vertelt in deze aflevering van Bar Miroir hoe het komt dat hij zichzelf herkent in het nummer 'What's he building in there?' van Tom Waits, waarom de boodschap ‘DO' in de brief van kunstenaar Sol LeWitt aan Eva Hesse een reminder is om gewoon te ‘doen', en wat hij zo bijzonder vindt aan het beeldmateriaal van een schilderende Claude Monet in zijn tuin in Giverny. See omnystudio.com/listener for privacy information.

Kunstenaar Rinus Van de Velde vertelt in deze aflevering van Bar Miroir hoe het komt dat hij zichzelf herkent in het nummer 'What's he building in there?' van Tom Waits, waarom de boodschap ‘DO' in de brief van kunstenaar Sol LeWitt aan Eva Hesse een reminder is om gewoon te ‘doen', en wat hij zo bijzonder vindt aan het beeldmateriaal van een schilderende Claude Monet in zijn tuin in Giverny. See omnystudio.com/listener for privacy information.

Pour ce 769eme épisode, nous avons tout d'abord reçu Polygon1993 qui est venu nous parler de son travail et nous présenter sa collection de cartes à jouer Phantasm TCG. Gabrielle Debeuret, fondatrice de Galerie DATA et l'artiste Florian Zumbrunn nous ont rejoint pour évoquer l'exposition Disrupt qui se déroule jusqu'au 26 octobre.1. Phantasm TCG par Polygon1993* Polygon1993 présente un jeu de cartes à collectionner (Trading Card Game), inspiré de son travail d'art numérique glitch analogique. Les cartes présentent des œuvres d'art rétro, rappelant l'esthétique des jeux comme Pokémon et Magic.* Basé sur une mécanique de type Pierre-Papier-Ciseaux, avec des niveaux de rareté des cartes et des éditions spéciales, y compris des God Packs.* Le projet associe à la fois l'art et la collection en mélangeant numérique et physique. Il s'inscrit dans une volonté de démocratiser l'accès à son art, tout en offrant une expérience de jeu ludique et immersive.* Les cartes sont disponibles à l'achat sur Phantasm.world, avec une série limitée encore disponible.2. Exposition “Disrupt” à la Galerie DATA* La Galerie DATA est située située au 26 boulevard Jules Ferry, 75011 Paris.* Gabrielle Debeuret fondatrice de la galerie DATA, expose les œuvres de Florian Zumbrun et Alexandra Jovanić.* L'exposition explore le thème de la perturbation dans les systèmes génératifs et les codes. Alexandra Jovanić s'inspire du travail minimaliste de Sol LeWitt pour déconstruire des systèmes géométriques, tandis que Florian Zumbrun présente une série physique et digitale basée sur des algorithmes, avec un travail sur l'aquarelle.* Les œuvres de Florian Zumbrun et d'Alexandra Jovanić sont également disponibles sur la plateforme FXhash.Ces deux projets reflètent l'innovation à la croisée de l'art traditionnel et digital, apportant de nouvelles expériences immersives pour les amateurs d'art et de technologie.Pour aller plus loin:* Linktr.ee de Polygon1993* Site officiel de Florian Zumbrunn* Site officiel de la Galerie DATA* Profil LinkedIn de Gabrielle DebeuretReplay de l'épisode en vidéo: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

In s3e63 of Platemark, podcast host Ann Shafer talks with collaborative printer Peter Pettengill. Peter founded Wingate Studio in 1985 on his family's dairy farm in Hinsdale, NH. Originally trained at Crown Point Press, Peter specializes in multi-plate color etchings. Now semi-retired, Peter's son James has taken over the operating of the shop, though Peter lends a hand when requested. They talk about Peter's early experiences at Crown Point Press, his work with celebrated artists such as John Cage, Sol LeWitt, and Walton Ford, and the technical and creative complexities of creating fine art prints. Peter reflects on his transition to semi-retirement, the passing of his studio to his son James, and the historical and artistic significance of their family farm turned artist residency. This episode offers listeners an insightful look into the dedication required in printmaking, the balance between creativity and technical skill, and the supportive community that underpins the art world. Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   Robert Mapplethorpe (American, 1946–1989). Plate from the portfolio A Season in Hell, 1986. Photogravure printed with relief roll. Published by Limited Editions Club, photogravures by Jon Goodman and printed by Wingate Studio, text printed by Wild Carrot Press. Sol LeWitt (American, 1928–2007). Crown Point, 1980. Bound volume with photoetchings. Plate (each) 2 ½ x 2 ½ in.; sheet (each) 11 x 11 in. Published by Crown Point Press, printed by Kevin Parker. Joan Jonas (American, born 1936). Double Wheel, 1982. Color aquatint. Plate and sheet: 24 x 36 in. Published by Crown Point Press, printed by Peter Pettengill. Sol LeWitt (American, 1928–2007). Complex Forms, 1990. Hard ground etching. Sheet: 36 x 36 in.; plate: 30 x 30 in. Printed by Wingate Studio. John Cage (American, 1912–1992). Ryoku No. 4, 1985. Color drypoint. Plate: 18 x 24 in.; sheet: 18 x 24 in. Published by Crown Point Press, printed by Marcia Bartholme. John Cage (American, 1912–1992). EninKa, 1986. One of 50 smoked paper monotypes with branding on gampi paper chine collé. Sheet: 18 ½ x 24 ½ in. Published by Crown Point Press, printed by Marcia Bartholme. Walton Ford (American, born 1960). Swadeshi-cide, 1998–99. Six-plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift. Plate: 36 x 24 in.; sheet: 44 x 31 in. Published by Blue Heron Press, printed by Wingate Studio. Walton Ford (American, born 1960). Baba–B.G., 1997. Mixed media. 105 x 74 cm. Paul Kasmin Gallery. Walton Ford (American, born 1960). Bangalore, 2004. Six-plate aquatint etching with dry point, hard ground, soft ground, spit bite and sugar lift. Plate: 12 x 9 in.; sheet: 21 1/2 x 16 in. Published by Kasmin Gallery, printed by Wingate Studio. Ambreen Butt (American, born Pakistan, 1969). Plate from Daughter of the East, 2008. Six-plate aquatint etching with chine collé, dry point and spit bite. Plate: 13 x 18 in. ; sheet: 25 x 19 in. Printed and published by Wingate Studio. Ambreen Butt (American, born Pakistan, 1969). Plate from Daughter of the East, 2008. Six-plate aquatint etching with chine collé, dry point and spit bite. Plate: 13 x 18 in. ; sheet: 25 x 19 in. Printed and published by Wingate Studio. Ambreen Butt (American, born Pakistan, 1969). Plate from Daughter of the East, 2008. Six-plate aquatint etching with chine collé, dry point and spit bite. Plate: 13 x 18 in. ; sheet: 25 x 19 in. Printed and published by Wingate Studio. Xylor Jane (American, born 1963). Plate from Cat Hearts, 2023. Four-plate aquatint etching with sugar lift. Plate: 23 3/4 x 27 1/4 in.; sheet: 28 5/8 x 32 1/4 in. Printed and published by Wingate Studio. Xylor Jane (American, born 1963). Third Order Magic Square for Deep Sleep, 2014. Three-plate aquatint etching. Plate: 17 3/4 x 15 1/2 in.; sheet: 24 1/2 x 21 3/4 in. Published by Wingate Studio. Walton Ford (American, born 1960). Nantes, 2009. Two-plate aquatint etching with dry point, hard ground, and spit bite. Plate: 40 x 30 in.; sheet: 48 x 37 in. Published by Kasmin Gallery, printed by Wingate Studio. Daniel Rios Rodriguez (American, born 1978). South Parish, 2017. Single-plate aquatint etching with burnishing, dry point, electric engraving, hard ground and soft ground. Plate: 20 x 17 in. (oval); sheet: 22 x 30 1/2 in. Published by Wingate Studio. Gideon Bok (American, born 1966). Wingate Studio with Aldo's Press, Threnody for R.L. Burnside, 2005. Three-plate aquatint etching with burnishing, dry point, hard ground, sugar lift and white ground. Plate: 12 x 36 in.; sheet: 20 x 44 in. Printed and published by Wingate Studio. Photo: Stephen Petegorsky. Gideon Bok (American, born 1966). Wingate Studio with Aldo's Press, No Sleep 'Til Hinsdale, 2008. Five-plate aquatint etching with burnishing, dry point, hard ground, sugar lift and white ground. Plate: 12 x 36 in.; sheet: 20 x 44 in. Printed and published by Wingate Studio. Photo: Stephen Petegorsky. Louise Bourgeois (American, born France, 1911–2010). Les Fleurs, 2007. Soft ground etching, with selective wiping. Plate (in 2 vertical parts) (overall): 59 5/8 × 35 ¼ in.; sheet: 59 5/8 x 36 1/8. Published by Osiris, New York, printed by Wingate Studio. Louise Bourgeois working on I See You!!!. Louise Bourgeois (American, born France, 1911–2010). I See You!!!, 2007. Soft ground etching, with selective wiping. Plate: 55 1/2 x 21 5/8 in.; sheet: 59 1/8 x 24 1/8 in. Published by Osiris, New York, printed by Wingate Studio. Sebastian Black (American, born 1985). Composition with Registration Marks and Other Marks, 2017. Five-plate aquatint etching with burnishing, soap ground and spit bite. Plate: 24 x 18 in.; sheet: 31 ¾ x 24 1/2 in. Published and printed by Wingate Studio. L–R: Paul Singdahlsen, Peter Pettengill, Nanacy Anello, Kathan Brown, and Vito Acconci at Crown Point Press. L–R: Peter Pettengill, Ed Ruscha, Marcia Bartholme at Crown Point Press. Peter Pettengill (left) and James Pettengill working on a Sebastian Black print at Wingate Studio. Peter Pettengill working at Wingate Studio. Peter Pettengill (left) and Walton Ford working at Wingate Studio.   Wingate's website: https://wingatestudio.com/ Wingate's FB page: https://www.facebook.com/search/top?q=wingate%20studio Instagram: @wingatestudio

After several decades of creating music in a manner that was beginning to feel routine, guitarist Miles Okazaki was searching for a fresh way to make music. He examined the processes of artists Ed Ruscha, Sol Lewitt, and Ken Price as templates for creating. In possession of these new ideas gleaned from these artists, he went into the studio with a group of musicians that were given prompts which were recorded and formed into what Miles refers to as musical “slabs.” These “slabs” were then sanded, polished, and sculpted, and the result is Miniture America, which Okazaki describes as a sonic treasure hunt, a collection of 22 vignettes exploring the wonder of chance encounters and “found” compositions.

She's an artist whose medium is fashion. Dutch designer Iris van Herpen is an innovator, remaking high fashion to be wearable art - fabric is almost plastic in her hands, moulding and shaping it so that it becomes a sculptural form. The first designer to ever 3D print a dress, her atelier in Amsterdam is more like a problem-solving incubator. She trained with Alexander McQueen, and like him there's a sense in her designs of female empowerment, even if it accords with socially acceptable femininity.Australian artist and curator, Irene Barberis was mentored by the great American artist Sol LeWitt and got to work in his studio long after his death. She's also the driving force behind a project to assess his far-reaching influence in contemporary art across the globe.

‘The Waste Land' is de nieuwe documentaire van filmmaker Chris Teerink. In de documentaire vertaalt de filmmaker T.S. Eliots gelijknamige gedicht over de teloorgang van de beschaving. Hij wil met foto's en stills het wereldberoemde gedicht naar het heden vertalen. Teerink is bekend van films als ‘Songs Along a Stony Road', ‘Sol LeWitt' en ‘The Polish Bride'. Presentatie: Andrew Makkinga

This podcast features alumnus author David Grosz, class of 1993. David is editorial director and chief digital officer at Cahiers d'Art Institute, a publisher of catalogues raisonnés of leading twentieth and twenty-first century artists and architects, including Frank Gehry, Sam Gilliam, Robert Irwin, Ellsworth Kelly, Sol LeWitt, Agnes Martin, and Niki de Saint Phalle. David is a graduate of Yale University and received an MFA in creative writing from Brooklyn College. His debut novel is “Providence.”

In this episode Maryann and Jessica talk about how their moods influence them and what they do when they are avoiding painting. They talk about sleep, snacks, and exercise. They have tips for how to get unstuck if you're in an avoidant mood. They also go on side tangents, as usual. One long tangent is about instagram where they tease a future episode! You can find an episode summary and images on the following website:https://www.artbyjpl.com/projects/mood-%26-avoiding-paintingHere's a link to the YouTube video that Maryann talks about: Andrew Scott reads “DO” by Sol LeWitt  https://www.youtube.com/watch?v=dTGvbhqWoFIFind us on instagram! @artistsinconversationpodMaryann Garlick - @maryanngarlickartJessica Lomeli - @artbyjplIf you want to send feedback, ask follow up questions, or give topic ideas, send an email to artistsinconversationpodcast@gmail.com - Thanks for listening!

Weet jij hoelang een kilometer is? 1000 meter denk je vast. Maar beseffen we eigenlijk wel hoe groot die afstand echt is? In een tijd van GPS en stappentellers, zijn maateenheden vanzelfsprekend geworden. Maar niet als het aan Stanley Brouwn ligt. In zijn werk ‘One step on one kilometer', maakt hij een abstract begrip zoals de kilometer weer zichtbaar. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Ludo van Halem.Normaal kun je naar www.rijksmuseum.nl/podcast gaan voor een afbeelding van het kunstwerk waarover gepraat wordt. Maar in dit geval is daar geen foto te zien, want dat wilde de kunstenaar niet.In het Rijksmuseum is powered by ING.

As Feral File launches its new exhibition, +GRAPH, Aleksandra Jovanić and Julien Gachadoat discuss the art of generative drawing with Alex Estorick. 

El periodista Pablo Ortiz de Zárate nos ayudará cada miércoles, pasadas las once de la mañana, a curar nuestras obsesiones, angustias y todo tipo de malestares generales, mirando con detenimiento a algunos de los cuadros y obras más destacadas de la historia del arte.

A towering figure in postmodern dance, Lucinda Childs has injected an elegant spirit of collaboration, artistry, and whimsy to the artform. On this episode, Dan speaks with the legendary choreographer on her days learning from the likes of Tanaquil Le Clercq and Merce Cunningham, creating her groundbreaking performances with Philip Glass and Sol LeWitt, and the time a severe injury almost ended her incredible career. Hosted on Acast. See acast.com/privacy for more information.

As Lynne Maphies, former Curatorial Assistant at the Blanton Museum of Art, knows firsthand — for many artists, “day jobs” do more than pay the rent. In this fascinating behind-the-scenes conversation, Lynne shares the 10 year process that Veronica Roberts, former Blanton Curator of Modern and Contemporary Art, directed to create the standout exhibit “Day Jobs.” A dialogue with conceptual artist Sol LeWitt prompted Roberts to explore the different ways that artists establish relationships or get material inspiration from the jobs that sustain them. After receiving hundreds of recommendations from colleagues, scholars, gallerists, and artists in the field, Maphies and the Blanton team selected 100 works by 38 artists whose “day jobs” had a significant impact on their work, grouping works by categories of “other” work the artist performed: Service Industry; Industrial Design; Media & Advertising; Fashion & Design; Caregivers; Finance, Tech & Law; and Art World. Lynne also shares her own “day job” impact, one that redirected her onto her curatorial path.Find Lynne: Linkedin:  Lynne Maphies Mentioned:“Day Jobs” Exhibit, Blanton Museum of Art, Austin TX  (explore)Veronica Roberts, Director of Cantor Arts Center (learn)Cantor Arts Center, Stanford University, Stanford CA (explore) Anne Carson, Canadian poet, essayist (1950- ) (read) Robert Smithson, American land artist (1938-1973) (learn) Walter de Maria, American artist (1935-2013) (learn) “Savage Dreams,” by Rebecca Solnit (read)Sol LeWitt , American artist (1928-2007) (learn)Louis “Studs” Terkel, American writer, broadcaster (1912-2008) (learn); “Working” by Studs Terkel (1974) (read)Robert Mangold, American minimalist artist (1937 -) (learn) "The Artist as Culture Producer: Living and Sustaining a Creative Life," by Sharon Louden (read)Marsha Cottrell, American landscape painter (1964- ) (learn) Ricardo Valverde (1946 - 1998), American photographer (learn)Sarah Bennett, American photographer (learn)Vivian Maeir, American photographer  (1926-2009) (learn)Lenka Clayton, British-American artist (1977- )(learn)Hope Ginsburg, AmeSupport the show

Following the success of PROOF Curated's recent exhibition, Evolving Pixels, a group of participating artists explains the true power of algorithms.

We invite you on this quest dear listeners to save Fantasia from the Nothing...or we will make you an egg and orange juice smoothie! Either way, we know you will enjoy this episode with artist Miranda Brandon as we explore the philosophical, psychological, historical aspects of this movie, along with the inherit creepiness of Falkor. This nostalgic inducing film provided us with many interpretations, allowing us to conquer our own fears as we reflect on themes of trauma and escape as we scream into the sky MOONCHILD!!!! Tangents: Titanic, Scientology, Nihilism, John Oliver, Art & Fear, AI art, Sol LeWitt and Yoko Ono, Benin Bronzes, Imposter Syndrome, Xanax, "usefulness" Here is the website for the Greyhound Pets of America For more information about Tabatha's studio practice, check out her website www.mirandabrandon.com and Instagram @ordinarylastname Follow us on Instagram @artists.talk.movies Help support the podcast by purchasing t-shirts, totes, mugs, hats, etc!!!! --- Support this podcast: https://anchor.fm/erin-stafford/support

Season 14 continues with VERY special episode with one of our all-time ART WORLD ICONS!!!! We meet the legendary gallerist MAUREEN PALEY. Inspiration to many of today's international contemporary galleries, Maureen was in fact the reason our co-host Robert Diament became inspired to change careers to work full-time in a gallery!We discover how she began her gallery programme in 1984 in a Victorian terraced house in London's East End. Initially named Interim Art, the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in Bethnal Green, and in September 2020 relocated to Three Colts Lane. In July 2017 Maureen Paley opened a second space in Hove called Morena di Luna. In October 2020 a third space was opened in Shoreditch, London called Studio M. From its inception, the gallery's aim has remained consistent: to promote great and innovative artists in all media.-Maureen Paley was one of the first to present contemporary art in London's East End and has been a pioneer of the current scene, promoting and showing a diverse range of international artists. Gallery artists include Turner Prize winners Lawrence Abu Hamdan, 2019; Wolfgang Tillmans, 2000 and Gillian Wearing, 1997 as well as Turner Prize nominees Rebecca Warren, 2006; Liam Gillick, 2002; Jane and Louise Wilson, 1999 and Hannah Collins, 1993. Represented artists also include AA Bronson, Felipe Baeza, Tom Burr, Michaela Eichwald, Morgan Fisher, General Idea, Anne Hardy, Peter Hujar, Michael Krebber, Paulo Nimer Pjota, Olivia Plender, Stephen Prina, Maaike Schoorel, Hannah Starkey, Chioma Ebinama, Oscar Tuazon, and James Welling.Maureen Paley, the gallery's founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–80.Together with running the gallery, Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the Arts Council GB National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.Follow @MaureenPaley on Instagram. Visit the gallery's official website at https://www.maureenpaley.com/Maureen Paley are exhibiting at Frieze London art fair next week in Regent's Park, Stand C9, 12th-16th October 2022. See works from her booth at Frieze's website: https://viewingroom.frieze.com/viewing-room/1750 Hosted on Acast. See acast.com/privacy for more information.

On today's episode of Acting Notes - I wanted to share a letter from Sol LeWitt to Eva Hesse. It is an inspiring message for artists to allow themselves the creative leeway to really explore. There is some explicit language in this episode as I did not want to dilute the letter from Sol. If you are enjoying the podcast - please feel free to share, rate and leave a comment. It would really help the podcast grow and I would appreciate it greatly! Also, if you'd like to leave a question I would be more than happy to answer on a future episode. --- Support this podcast: https://podcasters.spotify.com/pod/show/theactingnotes/support

Ben Luke talks to Adam Pendleton about his influences—from the worlds of literature, music and, of course, art—and the cultural experiences that have shaped his life and work. Pendleton, born in 1984 in Richmond, Virginia, makes paintings, drawings, performances, films and other works exploring the relationship between Blackness, abstraction and histories of the avant-garde. He is perhaps best known for an ongoing body of work he calls Black Dada. He discusses the influences behind Black Dada, from the poetry of Amiri Baraka to the sculpture of Sol LeWitt, reflects on the drawings of Jean Dubuffet and the drafts and revisions of Joan Jonas's work, and enthuses about the power of Nina Simone's voice and Julius Eastman's compositions. Plus, he gives insight into his studio life and answers the ultimate question: what is art for?Adam Pendleton: In Abstraction, Pace Gallery, Geneva, 7 September-5 October; Adam Pendleton: Toy Soldier, Galerie Eva Presenhuber, Zurich, 10 September-26 November. Whitney Biennial: Quiet as It's Kept, Whitney Museum of American Art, until 5 September. Adam Pendleton, Mumok, Vienna, 31 March-10 September 2023. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

The artist speaks to Benjamin Kandler about blockchain art, smart contracts, and the legacy of Harold Cohen.

Veronica Roberts - the new Executive Director of the Cantor Arts Center at Stanford!Veronica has had an incredible curatorial career. She was working the Blanton in Austin since 2013 as the curator of modern and contemporary art. At the Blanton, she put on a number of notable exhibitions: national touring displays of “Nina Katchadourian: Curiouser” and “Converging Lines: Eva Hesse and Sol LeWitt”; work uplifting Texan artists like Vincent Valdez and Donald Moffett; and a collaboration with the UT Austin's Black Studies program to bring Charles White's work on campus. Roberts also worked with Ellsworth Kelly to create “Austin,” a 2,715-square-foot stone chapel-sculpture with colored glass windows that opened in early 2018. Before the Blanton Museum, Roberts held curatorial positions at the Museum of Modern Art (MoMA) in New York, the Indianapolis Museum of Art and the Whitney Museum. She also served as Director of Research for the Sol LeWitt Wall Drawing Catalogue Raisonné. Roberts earned her master's from the University of California, Santa Barbara, and her bachelor's in art history from Williams College.

Sol LeWitt, who lived from 1928 to 2007, was a pioneer of conceptual art and is considered one of the most influential artists of the second half of the twentieth century. His artistic practice included wall drawings, structures, photography, printmaking, artist's books, drawings, gouaches, and folded and ripped paper works. The exhibition, “Strict Beauty: Sol LeWitt Prints” is the most comprehensive presentation of the artist's printmaking to date and it is on view at the Williams College Museum of Art in Williamstown, MA through June 12.Curated by David S. Areford, professor of art history at the University of Massachusetts Boston, the exhibition is accompanied by an in-depth catalog co-published by the New Britain Museum of American Art, Williams College Museum of Art, and Yale University Press.

Angela Westwater at 257 Bowery, 2020, photo by Alexei Hay Angela Westwater co-founded Sperone Westwater Fischer in 1975 with Italian art dealer Gian Enzo Sperone and German gallerist Konrad Fischer, opening a space at 142 Greene Street in SoHo, New York. (The gallery's name was changed to Sperone Westwater in 1982.) An additional space was later established at 121 Greene Street. The founders' original program showcased a European avant-garde alongside a core group of American artists to whom its founders were committed. Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; six early Gerhard Richter shows; two Cy Twombly exhibitions in 1982 and 1989; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 -- part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti. Other early historical exhibitions at the Greene Street space include a 1989 group show, "Early Conceptual Works," which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled "Gold: Gothic Masters and Lucio Fontana"; and selected presentations of work by Piero Manzoni. From May 2002 to May 2010, the gallery was located at 415 West 13 Street, in a 10,000-square foot space in the Meatpacking District. In September 2010, Sperone Westwater inaugurated a new Foster + Partners designed building at 257 Bowery. Today, over 45 years after its conception, the gallery continues to exhibit an international roster of prominent artists working in a wide variety of media. Artists represented by Sperone Westwater include Bertozzi & Casoni, Joana Choumali, Kim Dingle, Shaunté Gates, Jitish Kallat, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Otto Piene, Alexis Rockman, Susan Rothenberg, Tom Sachs, Peter Sacks, Andrew Sendor, and William Wegman. Past exhibitions, press, and artworks can be found on the gallery website. Born in Columbus, Ohio, Westwater received her BA from Smith College and her MA from New York University. She arrived in New York City in 1971 and landed her first job as a “gallery girl” at the John Weber Gallery at 420 West Broadway. From 1972 to 1975, she served as Managing Editor of Artforum magazine. In 1975, the same year the gallery was founded, Westwater was appointed to the Board of Trustees of The Louis Comfort Tiffany Foundation, where she has served as President since 1980. The books mentioned in the interview are The Free World, Art and Thought in the Cold War by Louis Menand and A Life of Picasso, The Minotaur Years by John Richardson. Joana Choumali, Untitled (Ça Va Aller), 2019, mixed media, 9 1/2 x 9 1/2 inches (24 x 24 cm), 16 1/4 x 16 1/4 inches (41,3 x 41,3 cm) Joana Choumali, WE ARE STILL NOW, 2022, mixed media, 4 parts; 38 1/2 x 78 inches (97,8 x 198,1 cm)

Hello! Welcome back to episode fifty-one of our monthly podcast about games and game audio. This episode is a brief deep-dive into the concept of mastery, and the journey required to achieve that goal. It's a bit of a brain dump surrounding the process of starting a creative endeavour, and addresses practice, fear, looking stupid, experimentation, and a host of other subjects. There's a variety of clips and books referenced in this episode, which have been linked below. Andrew Price - The Habits of Highly Effective Artists Ira Glass - The Gap Jake the Dog - Sorta Good at Something Benedict Cumberbatch reads Sol LeWitt's letter to Eva Hesse Expert: Understanding the Path to Mastery by Roger Kneebone Think Like an Artist by Will Gompertz How to be an Artist by Jerry Saltz Hosted by:  Derek Brown - @subwoofersub Barney Oram - @BarneyOram Follow Soundbytes on Twitter: @soundbytes_p Join the Soundbytes Discord Server: https://discord.gg/fP7wAEKjBP Audio Podcast Alliance: audiopodcast.org

With the New Britain Museum of American Art staging two concurrent exhibitions of Sol LeWitt’s prints, we listen back to our 2019 hour on the Hartford native, one of the giants of conceptualist and minimalist art. As an artist, LeWitt abandoned the long histories of painting and drawing and sculpture in favor of his Wall Drawings and Structures. And as an art figure, he abandoned the conventions of celebrity and resisted ever even having his picture taken. This hour, a look at Connecticut’s own Sol LeWitt. GUESTS: David Areford - Associate professor of art history at the University of Massachusetts Boston and curator of Strict Beauty: Sol LeWitt Prints for the New Britain Museum of American Art Lary Bloom - The author of Sol LeWitt: A Life of Ideas Andrea Miller-Keller - Was the Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth Atheneum from 1968 to 1998 Cary Smith - An artist who makes abstract paintings Join the conversation on Facebook and Twitter. Colin McEnroe, Cat Pastor, and Chion Wolf contributed to this show, which originally aired May 9, 2019.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In this week's episode, Anna (https://twitter.com/AnnaRRose) and Tarun (https://twitter.com/tarunchitra) dive back into the NFT space with their guest Luiz (https://twitter.com/dgntec) from FingerprintsDAO (https://www.fingerprintsdao.xyz/). FingerprintsDAO is a collector organization for artists, curators and producers. Luiz takes us through new paradigms of NFT creation, its governance and the wild world of on-chain art where it's the smart contract that is the art and wherein the value lies. Here are some links mentioned this episode: * Episode 150: NFTs & Rarible with Alex Salnikov (https://zeroknowledge.fm/150-2/) * FingerprintsDAO (https://www.fingerprintsdao.xyz) * Autoglyphs (https://www.larvalabs.com/autoglyphs) * DEAFBEEF (https://deafbeef.com/) * 0xmons (https://0xmons.xyz/#/) * CryptoPunks (https://opensea.io/collection/cryptopunks) * Sarah Meyohas (https://sarahmeyohas.com/) * Sarah Meyohas' Cloud of Petals (https://sarahmeyohas.com/cloud-of-petals) * tuba (https://twitter.com/0xtuba) * Loot (https://lootnft.io) * PleasrDAO (https://pleasr.org) * Hypebeast (https://hypebeast.com) * Sol LeWitt (http://www.artnet.com/artists/sol-lewitt/) * ArtBlocks (https://www.artblocks.io/) * Fidenza (https://tylerxhobbs.com/fidenza) * Framergence (https://framergence.art/) * Pulsquares (https://pulsquares.art/) * Chromie Squiggle (https://artblocks.io/project/0) * Twin Flames (https://www.justinaversano.com/twinflames) * pplpleasr (https://pplplsr.com/) * Cryptovoxels (https://www.cryptovoxels.com/) * Mitchell F Chan (https://medium.com/@mitchellfchan) * NFTs, Generative Art, and Sol LeWitt by Mitchell F Chan (https://medium.com/@mitchellfchan/nfts-generative-art-and-sol-lewitt-e99a5fa2b0cb) * Bitchcoin (https://bitchcoin.tech/) * Tarun's art project (https://www.instagram.com/p/BxzyLBeICAV/?igshid=498rkr8g9mi2) . Be sure to register for the next ZK Jobs Fair (https://www.eventbrite.com/e/zk-jobs-fair-4-tickets-167586621095) on September 30th if you're looking for opportunities in crypto. For potential hiring teams, we still have booths available, so do get in touch by emailing sponsorships@zeroknowledge.fm. Thank you to this week's sponsor Aleo! Aleo (http://aleo.org/) a new public Layer-1 blockchain tailor-made for building private applications. Check out the website (http://aleo.org/), or roll up your sleeves and visit leo-lang.org (https://leo-lang.org/) to start building. Aleo also invites the community to participate in an ongoing setup ceremony for trustlessly generating the system parameters at setup.aleo.org (http://setup.aleo.org/). And be sure check out the generative NFTs that you get if you participate! If you like what we do: Subscribe to our announcement newsletter (https://zeroknowledge.substack.com/) to not miss any event! Follow us on Twitter - @zeroknowledgefm (https://twitter.com/zeroknowledgefm) Join us on Telegram (https://t.me/joinchat/TORo7aknkYNLHmCM) Catch us on Youtube (https://www.youtube.com/channel/UCYWsYz5cKw4wZ9Mpe4kuM_g) Read up on the r/ZKPodcast subreddit (https://www.reddit.com/r/zkpodcast) Give us feedback! -https://forms.gle/iKMSrVtcAn6BByH6A Support our Gitcoin Grant (https://gitcoin.co/grants/329/zero-knowledge-podcast-2) Support us on the ZKPatreon (https://www.patreon.com/zeroknowledge) Donate through coinbase.commerce (https://commerce.coinbase.com/checkout/f1e56274-c92b-4a99-802f-50727d651b38)

We discuss: - installing museum exhibitions - the role of a studio manager - side hustles - the art world is commerce - selling out - contemporary art criticism - the importance of the text with artwork - the need for context in contemporary art - being a parent in the art world - Public Art     People + Places mentioned: Heathers Movie - https://www.imdb.com/title/tt0097493/ Sol LeWitt - https://massmoca.org/event/sol-lewitt-a-wall-drawing-retrospective/ Miss Rockaway Armada - http://www.missrockaway.org Swoon - https://swoonstudio.org Anthony Sansotta - https://patch.com/connecticut/woodbury-middlebury/ev--working-with-lewitt-a-conversation-with-anthony-s959532b927 Joseph C. Thompson - https://www.wbur.org/news/2020/08/25/founding-director-of-mass-moca-departing The Alchemist, Novel by Paulo Coelho - https://www.waterstones.com/book/the-alchemist/paulo-coelho/9780722532935 John Hogan - https://wsimag.com/art/44292-sol-lewitt-wall-drawings Fritha Langerman - https://frithalangerman.com Independent Curators International - https://curatorsintl.org Renaud Proch - https://curatorsintl.org/events/ICI_Announces_Renaud_Proch_as_new_Executive_Director Hanne Mugaas - https://twitter.com/Hanne_M Geir Haraldseth - https://www.instagram.com/thefuturistix Marte Daniels Jølbo Astrid Helen Windingstad Maiken Winum - https://www.instagram.com/maiwin Legacy Russell - https://www.instagram.com/ellerustle Johanna van Gogh-Bonger - https://www.nytimes.com/2021/04/14/magazine/jo-van-gogh-bonger.html Tominga Hope O'Donnell - https://wisefoolpod.com/senior-curator-of-contemporary-art-at-the-munch-museum-tominga-odonnell-oslo-norway/ Munchmuseet on the Move - https://www.munchmuseet.no/en/munchmuseet-on-the-move/ Public Art Agency Sweden - https://publicartagencysweden.com 'Forever and Ever' Article by Heather Jones - https://www.contemporaryartstavanger.no/forever-and-ever/     https://www.textezurkunst.de/122/was-not-made-you/ https://swoonstudio.org/#/swimming-cities/     Audio editing by Jakub Černý Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com + Kunstsentrene i Norge – https://www.kunstsentrene.no    

“The ancient Greeks had technology in their DNA. And you can understand this in their religion because, they had a god for technology, Hephaistos. I remembered it while we are discussing this shield and thorax. They were made with fire and a hammer. And this was doing the work of the god Hephaistos. His characteristic tool was a fire and a hammer.”The Museum Herakleidon was founded in 2004 by Mr. and Mrs. Firos and extends to two buildings in the historic district of Thissio, next to the Acropolis, the Ancient Agora and the Temple of Hephaestus. The first building is located at 16 Herakleidon str. and the second one 150 meters further, at 37 Ap. Pavlou str., one of the busiest pedestrian streets of Athens.During the first decade of its operation, the museum focused on artistic activities and organized exhibitions with artworks of great artists such as M.C. Escher, Victor Vasarely, Carol Wax, Constantine Xenakis, Adolf Luther, Francesco Scavullo, Toulouse-Lautrec, Edgar Degas, Edvard Munch, Sol LeWitt and others. At the same time, a plethora of cultural activities allowed visitors to explore the essence of each artist's perspective.· www.herakleidon-gr.org
· www.creativeprocess.info

In this final episode of Into the Aura, we revisit the central question of the series: can the aura survive the processes of reproduction? We consider the present status of reproduction in the digital age, from Google Earth to Instagram, before revisiting Sol LeWitt's theories of conceptual art and asking ourselves, is there ever art without process? This episode is presented by Daniel Grimme, Nate Krohn, and Max Pierce.

Hartford native Sol LeWitt was one of the giants of conceptualist and minimalist art. As an artist, he abandoned the long histories of painting and drawing and sculpture in favor of his Wall Drawings and Structures. And as an art figure, he abandoned the conventions of celebrity and resisted ever even having his picture taken. This hour, a look at Connecticut's own Sol LeWitt. GUESTS: David Areford - Associate professor of art history at the University of Massachusetts Boston Lary Bloom - The author of Sol LeWitt: A Life of Ideas Andrea Miller-Keller - Was the Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth Atheneum from 1968 to 1998 Cary Smith - An artist who makes abstract paintings Join the conversation on Facebook and Twitter. Colin McEnroe and Chion Wolf contributed to this show, which originally aired May 9, 2019.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Episode Notes ArtNet looks at the App Find out more at https://three-minute-modernist.pinecast.co

Art museum directors are caught up in competing travails, from financial shortfalls to racial reckoning to ill-advised deaccessioning. But talented curators across the U.S. are still managing to bring artistic talent to the fore, and Veronica Roberts, Curator of Modern and Contemporary Art at the Blanton Museum of Art, is among the museum field's most imaginative, capable, and humane. We retrace her steps at the leading museums in New York to her adopted state of Texas, with detours to artists' studios, including those of Ellsworth Kelly, Sol LeWitt, and Diedrick Brackens. And we touch on her use of Instagram to champion emerging artists as well as flora, fauna, and architecture.

If You Want To Get Rid of Creative Block, You're In The Right Place Letter from Sol LeWitt to Eva Hesse: https://www.auxoro.com/blog/sol-lewitts-letter-to-eva-hesse-creative-block-artist FOLLOW AUXORO (INSTA): https://www.instagram.com/auxoro/FOLLOW AUXORO (FB): https://www.facebook.com/auxoromag/FOLLOW AUXORO (Twitter): https://twitter.com/AuxoromagSUPPORT AUXORO ON PATREON (Thank You): https://www.patreon.com/auxoroSUPPORT AUXORO ON PAYPAL (Thank You): paypal.me/zacharygrossfeld1SUPPORT AUXORO ON VENMO (Thank You): @Zachary-Ross-4AUXORO NEWSLETTER: https://www.auxoro.com/theaux=AUXORO MERCH: https://www.auxoro.com/store=WEBSITE/BLOG: https://www.auxoro.com/AUXORO PODCAST: https://linktr.ee/auxoro

Hartford native Sol LeWitt was one of the giants of conceptualist and minimalist art. As an artist, he abandoned the long histories of painting and drawing and sculpture in favor of his Wall Drawings and Structures. And as an art figure, he abandoned the conventions of celebrity and resisted ever even having his picture taken. This hour, a look at Connecticut's own Sol LeWitt.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.