Podcast appearances and mentions of Anish Kapoor

Een kleur, zwarter dan zwart, houdt al ruim 10 jaar de gemoederen van de kunstwereld bezig. Twee Engelse kunstenaars vechten elkaar de tent om iets dat nauwelijks zichtbaar is: vantablack. Anish Kapoor heeft het alleenrecht om Vantablack te gebruiken vastgelegd en dat is tegen het zere been van de kunstwereld. Stuart Semple, een andere Britse kunstenaar, bindt de strijd aan met Kapoor en start een controverse die gretig wordt uitgemeten in de pers. Kortom, smullen geblazen (met de nodige zwarte humor).

Emiliano Molina, una figura constante en el diseño mexicano contemporáneo, trazó un camino singular desde su inmersión en el arte, pasando por las emblemáticas escuelas de San Carlos y La Esmeralda, hasta encontrar en el diseño industrial una búsqueda de funcionalidad, rigor y una nueva forma de expresión. En este episodio de Designaholic, Jorge Diego Etienne conversa con Emiliano sobre esta fascinante trayectoria que culminó en la fundación de Cuchara, su reconocida marca de muebles con sede en la Ciudad de México. Exploramos cómo su formación artística moldeó su enfoque del diseño, marcado por una profunda filosofía funcionalista y una constante optimización de materiales. Emiliano nos guía a través de la evolución de Cuchara, desde sus inicios como un estudio multidisciplinario hasta consolidarse como una marca de muebles distintiva, compartiendo valiosas anécdotas sobre ferias, tiendas y los aprendizajes prácticos y filosóficos que han jalonado su camino. Este episodio ofrece una mirada íntima al proceso creativo y a las decisiones que dan vida a los muebles de Cuchara, un testimonio honesto sobre la construcción de un proyecto con pasión, constancia y un fuerte concepto.#DiseñoIndustrial #MobiliarioMexicano #Cuchara #EmilianoMolina #DiseñoFuncional #HechoEnMéxico #Designaholic #Creatividad #HistoriaDelDiseñoEmiliano Molina es un diseñador industrial originario de la Ciudad de México y la mente creativa detrás de la marca de mobiliario Cuchara. Con una sólida formación en artes, Emiliano fusiona su sensibilidad estética con un enfoque en la funcionalidad y la optimización de recursos. A través de Cuchara, ha desarrollado un lenguaje de diseño distintivo que equilibra la forma con el propósito, creando piezas que reflejan una profunda reflexión conceptual y una cuidada atención a los detalles. Además de su trabajo en Cuchara, Emiliano comparte su pasión por el diseño como profesor en la Universidad Iberoamericana.Puedes Seguir en Instagram a Emiliano Molina en:@emilianomolina @cucharadiseno Show Notes y Links relacionados a este episodioEste episodio fue grabado en NADA.soundroom: https://www.instagram.com/nada.soundroom/Recomendación: El libro “Design after Capitalism. Transforming Design Today for an Equitable Tomorrow” por Matthew Wizinskyhttps://mitpress.mit.edu/9780262543569/design-after-capitalism/Objeto favorito: El camastro de la línea Alza (https://cucharastore.com/collections/alza?srsltid=AfmBOoomC3FXF5uMhSXec0kHLwza0h__CRatJiVKBxC1Mtb-C7AOOyVt)y el sillón LC2 de Le Corbusier (https://decofilia.com/1928-sillon-lc2-y-lc3/)Cuchara Diseño: https://cucharadiseno.com/Universidad Iberoamericana (IBERO): https://ibero.mx/Academia de San Carlos (ENAP UNAM): https://enap.unam.mx/Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda": http://enpeg.bellasartes.gob.mx/Damien Hirst: https://gagosian.com/artists/damien-hirst/Anish Kapoor: https://anishkapoor.com/StudioRoca: https://studioroca.com/Carmen Cordera: https://galeriamexicana.mx/blogs/acerca/galeria-mexicana-de-disenoPirwi: https://pirwi.com/Charlotte Perriand: https://www.arquitecturaydiseno.es/creadores/charlotte-perriandEste episodio es patrocinado por MillerKnollNo te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://bit.ly/30yyPD0Nuestra página web es: http://designaholic.mxInstagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the ArtTactic Podcast, Adam Green speaks with Mazdak Sanii, CEO of Avant Arte, one of the most fascinating success stories in the art market's print sector over the past several years. What began as an online art community quickly evolved into a powerhouse platform for publishing limited-edition prints by both emerging and established artists. Mazdak shares the story behind Avant Arte's founding and its evolution, explaining how the company has attracted a remarkable roster of collaborating artists, including Ed Ruscha, George Condo, Anish Kapoor, Ai Weiwei, Elizabeth Peyton, and Mickalene Thomas. He also discusses how Avant Arte has successfully differentiated itself in an increasingly saturated market by enhancing the collector experience and building a strong community around the platform. Adam and Mazdak delve into how collector behavior has shifted over the past few years, from the speculative frenzy of flipping to a more thoughtful and measured approach. They also explore key insights from Avant Arte's newly released Collectors Report, offering a glimpse into the most compelling trends shaping the future of the art world.

In this episode of The Compendium, we dive into the hilarious and dramatic saga of Anish Kapoor vs Stuart Semple: The Art World's Pettiest Feud. It's a story about the world's blackest black, the brightest pink, and a feud that rocked the art world. Discover how exclusivity and artistic activism collided when Kapoor claimed the rights to Vantablack, sparking Semple's colourful counterattack with Pinkest Pink. From petty antics to groundbreaking art innovation, this episode explores the ongoing battle for inclusivity, creativity, and, of course, the blackest black paint.We give you the Compendium, but if you want more, then check out these great resources:The Pinkest Pink Paint – Culture HustleVantablack Explained – Surrey NanoSystemsAnish Kapoor's Cloud Gate – Art Institute ChicagoThe Story of Black 4.0 – Stuart Semple's YouTube ChannelThe Feud That Shaped Modern Art Activism – ArtNetMessage Kyle and AdamConnect with Us:

A arte e a educação são pilares importantes para transformar a vida de crianças e adolescentes em várias partes do Brasil. No episódio desta semana, vamos conhecer como a bailarina e empresária, Cecília Brennand, vem resgatando e encaminhando jovens para um futuro promissor. Ela foi a criadora do Aria Social, um projeto que atende famílias em vulnerabilidade na cidade de Jaboatão dos Guararapes, em Pernambuco. Mais de 10 mil pessoas já passaram por formação integral na instituição em música e dança. A Sarah Camarotti, superintendente sênior de negócios do Bradesco Large Corporate também participa do programa. A apresentação é da Priscila Forbes, banker do Bradesco Global Private Bank. Acompanhe! O conteúdo a seguir exposto pela empresa convidada não representa, necessariamente, a opinião e as práticas utilizadas pelo Bradesco.  #ariasocial #arte #ballet #musica #cultura #transformacaosocial #pernambuco Musical Capiba – “Pelas ruas eu vou”Capiba é um dos espetáculos que celebra os mais de 30 anos do Aria Social, criado pela bailarina e empresária, Cecília Brennand. No musical, eles trazem a história do compositor Lourenço da Fonseca Barbosa de frevos pernambucanos que tem mais de 200 composições, entre elas a ópera Missa Armorial. Direção geral: Cecília BrennandDireção artística: e roteiro Ana Emília FreireDireção musical da maestrina: Rosemary OliveiraDireção teatral do ator: Tuca AndradaFigurino: Beth GaldêncioProfessores: Dayvison Albuquerque, Rodolpho Alexandre e Rodrigo Lins. Filme Curral – Direção: Marcelo Brennand. Elenco: Thomás Aquino, José Dumont, Rodrigo Garcia e Carla Salle. Conta a história de um homem que decide ajudar um amigo de infância a se eleger vereador para tentar resolver o problema da seca na cidade em que vivem. Disponível na Netflix.  Sobre a Casa Bradesco – A Casa Bradesco é um símbolo de inspiração e acesso à cultura para todos. Como apoiador de longa data das artes e da cultura, o Bradesco dá nome à Casa Bradesco, um espaço icônico na Cidade Matarazzo, em São Paulo. Mais do que um edifício, a Casa Bradesco é um epicentro de criatividade, proporcionando experiências culturais excepcionais e democratizando o acesso à arte para um público diverso. Inaugurada no dia 15 de setembro, a Casa já acolhe a exposição de Anish Kapoor, renomado artista indo-britânico, na SALA AQUI, disponível ao público até janeiro de 2025, com ingressos adquiridos pelo aplicativo MATA APP, na Apple Store ou Play Store e na bilheteria física exclusiva para funcionários e clientes Bradesco. Benefícios mediante a disponibilidade. Como parte do nosso compromisso de tornar a cultura acessível, funcionários e clientes Bradesco desfrutam de 50% de desconto durante a semana (quarta a sexta-feira) e 25% aos finais de semana e feriados. Além da entrada gratuita todas as terças-feiras para o público geral. Fique por dentro das novidades pelo Instagram @CasaBradesco e celebre a criatividade conosco.See omnystudio.com/listener for privacy information.

We don't often look up to men, but when we do - it's Stuart Semple (Anish Kapoor) annnnnd we return to a little Liver King life, BE A MAN!Write us some of your cringe stories at [nervouslaughterpodcast@gmail.com](mailto:nervouslaughterpodcast@gmail.com)The socials: [Instagram](https://www.instagram.com/nervouslaughterpodcast) | [Facebook](https://www.facebook.com/NervousLaughterPodcast) | [Twitter](https://twitter.com/NervouslaughPod) Write us some of your cringe stories at nervouslaughterpodcast@gmail.comThe socials: Instagram | Facebook | Twitter

Growing up, Liz Kleinrock never felt like she fit into her Jewish community in Washington, D.C. Born in Korea and adopted into an Ashkenazi family, she constantly felt pressure to justify her Judaism—whether at Hebrew school, summer camp or synagogue. Years later, after becoming a professional antibias and antiracist educator, she met author Caroline Kusin Pritchard, and the two clicked. One day, they got an idea: to create an educational, illustrated, family-friendly book that redefines the face of Judaism—literally. The result is What Jewish Looks Like, released September 2024, which profiles unconventional Jewish icons. The collection includes British-Indian sculptor Anish Kapoor, historic Ethiopian community leader Uri Ben Baruch and American trans activist Jazz Jennings—about as varied a scope as one could imagine that crosses skin colour, religious affiliation and cultural identity. The book's launch has been met warmly in Jewish spaces. And yet, as Kleinrock and Kusin Pritchard tell Rivka Campbell on The CJN's podcast about Jews of colour, even on their book tour, they face microaggressions in every city. For them, it's a constant reminder of why this kind of content is needed—not just to educate younger Jewish generations, but older ones as well. Credits Host: Rivka Campbell Producer: Michael Fraiman Music: Westside Gravy Support The CJN Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Rivkush (Not sure how? Click here)

Hello and welcome back to a new episode of Jo's Art History Podcast Bitesize. The week we deep dive into Anish Kapoor's Cloud Gate Host: Jo McLaughlin Instagram: ⁠⁠https://www.instagram.com/josarthistory/⁠⁠ Website: ⁠⁠https://www.josarthistory.com/podcast⁠⁠ Email: ⁠⁠josarthistory@gmail.com⁠⁠ Please support the podcast by buying me a book from my Amazon Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_sha

Atsoupé, artiste peintre, est l'invitée du 16ème épisode de Femmes artistes / Artistes femmes. Je l'ai rencontrée en juillet dernier, dans son atelier à Montrouge, en région parisienne, un petit atelier en fond de cour baigné de soleil. La joie de vivre émanait de son visage. Nous étions entourées de ses visages, pour la plupart plus grands que nature. Des visages aux regards francs, parfois sombres, ornés de matières et de couleurs.Après, une enfance africaine, témoin d'atrocités, Atsoupé poursuit sa scolarité en France. Victime à l'adolescence d'un accident grave, elle découvre la peinture, tout en réapprenant à marcher. Ce faisant, elle réapprivoise sa mémoire, partiellement effacée. L'art d'Atsoupé, « brut » de prime abord, se développe, s'enrichit et s'épanouit au contact des autres, durant ses années aux Beaux-Arts de Paris. Aujourd'hui jeune maman, Atsoupé vit entre Paris et la Bourgogne, auprès de son compagnon, artiste peintre également.Nous avons parlé de la peinture comme révélateur de souvenirs (et d'avenir), des rêves (ce qu'ils lui inspirent), de sa maternité, de sa manière de créer, si spontanée, de ses envies de peindre « radicalement », de peindre rien et tout en même temps, du sacré et de l'éphémère, de bleu, de rouge, de liberté, et de mouvement. Liberté de peindre n'importe où, n'importe quand. De ne peindre que des visages, mais en mettant tout dedans, l'océan, la pluie, le soleil, le jour. Et la nuit, aussi.Pendant cet entretien, nous avons aussi évoqué :Les artistes qui inspirent son travail :Pina Bausch, Cy Twombly, Jaume Plensa, Anish Kapoor et sa performance Leviathan, à l'occasion de Monumenta 2011 au Grand Palais à Paris.Références littérairesLes tisseurs de silence par Philippe Filliot et Soizic Michelot, Éditions Les heures brèves (2024)L'oeil le plus bleu de Toni Morrison Oeuvre décrite en intro de l'épisode : Visage noir sur fond jaune (2023) Encre et pastel sur papier 76 x 57 cmSes prochaines expositions :Salon Also Known As Africa (AKAA) avec la galerie Anne de Villepoix, du 18 au 20 octobre 2024Exposition collective Africains Everywhere (Région Centre-Val de Loire) du 19 au 20 octobre, du 15 au 27 octobre et du 1er au 3 novembre 2024Pour suivre Atsoupé : sa page Instagram @atsoupe et le site internet de sa galerie Anne de Villepoix  https://www.annedevillepoix.com/atsoupePour soutenir le podcast : suivre, commenter, étoiler ! Et se rendre sur ma page Tipee : https://en.tipeee.com/artistes-femmes-le-podcast ainsi que sur la page instagram du podcast @artistesfemmeslepodcast.Femmes artistes / Artistes femmes est un podcast entièrement indépendant créé et produit par Ada Kafel. Ada Kafel est artiste peintre, art-thérapeute et maman d'un petit garçon de 6 ans. On peut voir son travail sur sa page instagram @a_felka.Musique :Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 de Frederic Chopin par Maria Joao PiresHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

No podcast ‘Notícia No Seu Tempo', confira em áudio as principais notícias da edição impressa do jornal ‘O Estado de S.Paulo' desta terça-feira (20/08/2024): O índice Ibovespa, o principal da B3, a Bolsa brasileira, alcançou ontem sua máxima histórica, com 135.778 pontos. O recorde de negócios na B3 acompanhou alta das bolsas americanas, em meio à redução das apostas de recessão nos Estados Unidos e diante da possibilidade de queda dos juros no país em setembro. Os investidores estão animados também com as projeções de crescimento do PIB brasileiro neste ano e com a percepção de convergência de posições sobre a inflação entre o presidente Lula e o diretor de Política Monetária do Banco Central, Gabriel Galípolo, mais forte candidato a assumir o comando da instituição. A expectativa é que a tendência de alta da Bolsa permaneça. Uma elevação da taxa Selic pelo BC para conter a inflação, como esperado pelo mercado, tende a atrair mais investidores para o País.  E mais: Política: Nunes e Boulos tentam conter ‘lacração' de Marçal, que vira alvo de MP Economia: Despesa com seguro-desemprego e abono deve subir 35% em 4 anos Internacional: Protestos expõem divergências na abertura da convenção democrata Caderno 2: Casa Bradesco abre as portas na Cidade MatarazzoSee omnystudio.com/listener for privacy information.

*By listening to this episode you confirm that you are not Anish Kapoor, you are in no way affiliated to Anish Kapoor, you are not listening to this episode on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information and belief this episode will not make its way into the ears of Anish Kapoor. Write us some of your cringe stories at nervouslaughterpodcast@gmail.comThe socials: Instagram | Facebook | Twitter  Stuart Simple Links:https://culturehustle.com/collectionshttps://www.reddit.com/r/CuratedTumblr/comments/qwswl7/about_the_bean_and_stuart_semple/#lightbox  https://www.wmagazine.com/story/anish-kapoor-stuart-semple-blackest-blackhttps://www.facebook.com/events/the-bean/kiss-the-bean-for-anishs-birthday/1373927079378460/    Poorly Done Gyotaku:https://www.tiktok.com/@vcr_party/video/7302468918512307498?lang=enhttps://www.reddit.com/r/DiWHY/comments/p1tepp/i_liked_the_result_but_the_method/ Write us some of your cringe stories at nervouslaughterpodcast@gmail.comThe socials: Instagram | Facebook | Twitter

In 2016, Surrey Nanosystems created a substance known as "The Blackest Black." Immediately, a British artist purchased the exclusive rights to use the "Vantablack" substance in art. The art world was angry and started developing ways to strike back. In this episode, we talk about Vantablack, Anish Kapoor, Stuart Semple and more. Then we chat with Hypnotist, Magician and Entrepreneur, CJ Johnson! Review this podcast at https://podcasts.apple.com/us/podcast/the-internet-says-it-s-true/id1530853589 Bonus episodes and content available at http://Patreon.com/MichaelKent For special discounts and links to our sponsors, visit http://theinternetsaysitstrue.com/deals

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/stewart-semple-color-as-performance-art/But the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===It's fanboy time again. You get to see me barely contain my excitement as I speak to a hero of mine, the incredible artist Stuart Semple. I ask some tough questions about art and color. Strike that: none of the questions are tough, but the answers are wonderful.Stuart Semple is a multidisciplinary British artist who works in painting, sculpture, happenings, technology, and activism. He is well known for his sociologically engaged works, which often discuss youth politics, accessibility, and democracy.Listen to Stuart and I discuss creation, emotion, performance art, and color.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - - Introduction (01:56) - - Why do we need Art? (03:33) - - What's up with Anish Kapoor and black paint? (05:03) - - Stuart's pinkest-pink, blackest-black rebellion (06:26) - - How music and color interact to drive Stuart's art (08:50) - - How do you turn off your logical thinking? (09:56) - - Where does your knowledge of color come from? (10:57) - - Can someone learn how to use color? (12:02) - - Who inspires Stuart? (13:04) - - How do you know when a painting is finished? (14:04) - - About critics and the value of criticism (15:24) - - Loving bad art (15:52) - - The role of provocation or shock (17:40) - - Is Stuart's career path intentional or intuitive? (18:58) - - Goodbye and thanks

VS Arte - Anish Kapoor vs Yves Klein (Caterina Venia) by Roma Tre Radio

As a taster to his new series, choreographer and dancer Akram Khan introduces us to his passion for movement and the way it affects everything he does in life. In conversation with Marquee TV's Director of Content, Susannah Simons.Akram's groundbreaking and innovative work includes projects ranging from Jungle Book reimagined to the 2012 Olympic opening ceremony, while his many collaborators include Anish Kapoor, the National Ballet of China and Kylie Minogue. He believes our 21st century lives are becoming more and more static and that moving our bodies can often alleviate both physical and psychological problems and open up a new perspective on life. In the lead up to a series of conversations Akram will be having with celebrated artists, actors and musicians about their relationship with movement, we find out how the man himself ticks. Move to Live is a podcast brought to you by Marquee TV and Tandem Productions and is available on all main podcast platforms.If you'd like to get in touch with the show you can email: movetolivepodcast@gmail.comOr get in touch on our socials:Twitter: @marqueeartstvInstagram: @marqueeartstvFacebook: https://www.facebook.com/marqueetvYoutube: https://www.youtube.com/@MarqueeTVThe show is also available as a video podcast via Marquee TV - https://marquee.tv/, the leading streaming platform showcasing arts and culture to millions of arts fans around the world.#movetolivepodcastCredits:Director and Producer: Alex AndersonAssistant Producer: Marion BettsworthResearcher: Charlotte Barbour-CondiniExecutive Producer: Sarah DevonaldMusic: Jay Witsey and Aref Durvesh Hosted on Acast. See acast.com/privacy for more information.

It's a colossus of glass, metal, and stone with a location that makes all the other Paris monuments envious. Located between the Seine and the Champs-Élysées, the Grand Palais was built for the 1900 Exposition Universelle world fair to showcase French art. Closed three years ago for its first complete renovation in history, it's getting a second lease of life for the Paris Olympics and Paralympics. FRANCE 24 takes you behind the scenes. Since its opening in 1900, variety has defined Paris's Grand Palais. From automobile fairs to agricultural events and horse competitions, its nave has seen dozens of events hosted under its majestic glass roof. And while it has held numerous commercial events, art has always been centre stage.During its 124-year history, wars have pressed pause on this vitality. During World War I, the Grand Palais was transformed into a military hospital. During World War II, it hosted two exhibitions in service to Nazi propaganda. But in the late 1940s, the nave returned to hosting exhibitions, with the first Renault 4L presented there, followed by the pressure cooker in the 1950s. After a few years of neglect, the nave was back in action for the FIAC (International Contemporary Art Fair) of 1977. A variety of events followed: carnivals, ice rinks, electronic music concerts and fashion shows. In 2017, Tour de France cyclists even crossed under its glass roof. For the Monumenta contemporary art exhibition, the nave was taken over by world-famous French and foreign artists: Christian Boltanski, Anish Kapoor and Daniel Buren, to name but a few. As part of the Art Paris contemporary art fair, Chinese photographer Li Wei flew under the glass roof, remaining weightless for 10 minutes for an iconic photo shoot.Make way for the OlympicsIn the summer of 2024, the nave of the Grand Palais will host Olympic fencing and taekwondo events, a first for this architectural gem. "Athletes and the public will take in a building that is one-of-a-kind in the world," Didier Fusillier, president of the Grand Palais, told us enthusiastically. "You have to imagine that, in the Grand Palais, you could fit the entire Palace of Versailles. This immensity will create the experience of an extraordinary Olympic event," he continued. But in order to organise the Olympics there and continue to use the Grand Palais, restoration work was essential. This vast project began in March 2021 and is expected to be completed in spring 2025.A renovation project facing daily challengesFour years of work, a budget of nearly €500 million and up to 1,000 workers on site every day are needed to renovate the building in record time, as the project's director Daniel Sancho explained to us. "We face technical challenges every day depending on the discoveries we make: lead, asbestos, and this slows down the construction," Sancho explained. Another challenge is the nave, with its 13,500 square metres of glass roof. When asked about insulation, Sancho smiled: "There is no insulation. We are in a greenhouse. In order to improve the comfort of the public, we have therefore decided to make the space comfortable at ground level. We have integrated a fluid-based heating system into the flooring: we circulate either cold water or hot water to achieve a reasonable level of comfort without having to heat the 450,000 cubic metres of the nave, which would be a waste of energy."Photographing the construction site to immortalise itFrench photographer and visual artist Marguerite Bornhauser was chosen by the Grand Palais in 2021 to capture the renovation project. The 35-year-old was given carte blanche to immortalise the work, which she calls an "endless" source of inspiration."Everything inspires me," she told us as she took us to the roof of the Grand Palais, which is usually inaccessible. "There are the aspects everyone knows about the Grand Palais, such as the wonderful nave and the immense size. And at the same time, I have an eye for detail, so I like the perks from the construction site – everything that falls to the ground, a glint of light – it's endless!”Bornhauser photographs these details with her digital and film cameras on the roof of the Grand Palais, in the nave, but also in the basement of the building, which she particularly loves. "The brightness from the construction site's neon lights is quite astonishing. It's spectacular, very theatrical. And I also find that it represents the workers' labour well. The men become a bit like shadows, there's a lot of chiaroscuro. It's dramatic actually with these lights falling like that, with these neon lights; the ceilings are lower, there are fewer colours, it's very, very different."In the coming months, Bornhauser will continue to photograph the construction site. Because while the work on the nave will be complete for the Olympics, it will continue in the rest of the Grand Palais until June 2025.

Join us for this week's episode where we talk about artist Anish Kapoor, who is tooooo famous to not be more well known by the farts. And we talk about paint pigment drama. Grimes did whaaaa??? Also, happy leap day! Let's play a leap game.  Socials: twitter: @artfartspod instagram: @artfartspodcast tiktok: @artfartspodcast email us at theartfartspodcast@gmail.com sources:  https://anishkapoor.com https://en.m.wikipedia.org/wiki/Anish_Kapoor https://www.choosechicago.com/articles/tours-and-attractions/the-bean-chicago --- Support this podcast: https://podcasters.spotify.com/pod/show/artfarts037/support

This week, we are excited to share our podcast episode, which features our webinar with Dr. Anish Kapoor. The episode covers valuable insights into leveraging technology and smart marketing tactics to take your practice to the next level.

Federico Leoni"Metafisica dello specchio"Anish Kapoor e la poesia delle superficiMarsilio Artewww.marsilioeditori.itArtista del non-oggetto, poeta della dualità, autore di opere sospese tra materiale e immateriale, Anish Kapoor esplora la soglia che divide e riunisce luce e ombra, maschile e femminile, concavità e convessità, in un incessante andirivieni di pieni e vuoti. I suoi oggetti sono dotati di una presenza incisiva e sottrattiva insieme: massimamente consistenti, capaci di imporsi con forza irrefutabile, allo stesso tempo e per lo stesso motivo possiedono una qualità evanescente, illocalizzabile, fantasmatica. Sembrano essere nel mondo, ma anche disegnare un passaggio in cui il mondo è destinato a riversarsi per scomparire o da cui sembra dover risorgere.Grazie a opere come Sky Mirror, Cloud Gate, Dirty Corner, l'inesauribile ricerca condotta dal maestro degli opposti ci consegna «la più chiara esperienza di noi stessi, il nostro ritratto più ovvio, più quotidiano». In un tempo in cui tutto è «crosta delle cose», in cui oggetti e persone parlano di sé attraverso la pelle, lo specchio riporta in superficie la profondità, quella forma scura, quel buco nero che racchiude le domande fondamentali sull'Essere.Federico Leoni(1974) insegna Antropologia filosofica all'Università di Verona, dove dirige, insieme a Riccardo Panattoni, il Centro di ricerca «Tiresia» per la filosofia e la psicoanalisi.È coordinatore scientifico del festival Kum! di Pesaro. Scrive su «aut aut», «Alias», «doppiozero» e su varie riviste italiane e straniere. Tra i suoi libri più recenti: Habeas corpus (2008), L'idiota e la lettera (2013),Bergson (2021), L'immagine-scatola (2022).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Avant Arte, the curated marketplace that makes discovering and owning art radically more accessible, announces its first selection of artists to be included in its 2024 digital art programme. Avant Arte digital art programme the course of the year, Avant Arte will collaborate with renowned digital artists including Dawnia Darkstone, William Mapan, Matt DesLauriers, Laura El, Deekay, Emily Xie, Grant Riven Yun, mpkoz, Martin Grasser and Linda Dounia. William Mapan, Centrifuge, 2024, prints from the edition of by Avant Arte, image courtesy of Avant ArteGenerative artists - Coding the physical In a first-time collaboration, Avant Arte partners with leading generative artist Matt Deslauriers this February for a time-limited print edition and 4 NFTs that will be available to all for 48 hours only. The new work is the culmination of an in-depth study by the artists into colour theory that has seen him explore the translation of his practice from CYMK to RGB as he continues the aesthetic exploration commenced in his most well-known series, Meridian. The work will be announced tomorrow, Later in the year, we will collaborate with fellow generative artists including Emily Xie known for her Memories of Quilin work inspired by historic quilts in LACMA's collection and her Off Script works that explore collage through coding; Senegalese artist Linda Dounia who explores power structures and the biases of AI through her generative practice and is most known for her AI in Bloom series, and Martin Grasser who rose to prominence for his design of the original Twitter blue bird Logo as a designer and his systems-based practice that saw him collaborate with revered early generative artist Vera Molnár to bring her works to the blockchain. In addition, Avant Arte will release a curated selection of works by mpkoz. Growing Up - A landmark solo exhibition for Grant Riven Yun Avant Arte and Grant Riven Yun will present Growing Up, his first solo exhibition in Seoul, South Korea in March 2024. Growing Up will present 13 new physical works, all made at Avant Arte's master printmakers Make-Ready, that continue Yun's work of documenting American regionalism. The works respond to the period he lived part-time in New England between 2019-2023. The nostalgia associated with the architecture and landscape of the region led him to reflect on his own experience as a second-generation Korean-American and presenting this new chapter of his practice in Seoul, South Korea marks a full circle moment for the artist. Cozomo de' Medici curation continued Continuing their collaboration of curated releases, Cozomo de' Medici has selected Wiliam Mapan, Dawnia Darkstone, Laura El and Deekay as the first artists for the year ahead. Both William Mapan and Dawnia Darkstone's editions, Centrifuge and Digital Chemicals, respectively sold out after launch earlier this month. A digital illustrator and author that treads the line between eerie and quaint, Laura El will release Park Avenue, an exclusive limited edition of 30 physical prints with accompanying NFTs of the same artwork in early February. Followed by the release of Deekay's inaugural physical print, Love Ripples on Valentine's Day. Love Ripples sees Deekay's work printed on a mirrored metal composite by Avant Arte's master printmakers, Make-Ready who have led the way in creating innovative new printing methods to bring the digital into the physical realm. Avant Arte is known for collaborating with leading contemporary artists like Ai Weiwei, Anish Kapoor, Jenny Holzer and Nina Chanel Abney to produce and offer limited edition works - from sculpture and works on paper to NFTs and hand-finished screen prints. In 2022, it added digital art to its offering with the ambition to bridge the divide between digital and physical art and to support artists' creative output across any medium. Last year, they significantly expanded their digital arts programme, bringing their printmaking expertise to a series of major collabora...

Akram's rich career includes performing at the opening ceremony of the London Olympics, collaborating with artists Anish Kapoor and Antony Gormley, and choreographing tours and videos for the likes of Kylie Minogue and Florence + the Machine. He was awarded an MBE for services to dance in 2005. He kindly invited us to his home last summer and we recorded this conversation in a shady spot in the garden. Akram is of Bangladeshi descent and he grew up above his parents' restaurant in south-west London. He was bullied at school and harassed by the National Front outside of it, so he's always had a conflicted view of his community. As a child, he was introverted to the point of being mute, and movement quickly became his primary form of expression. He tells me how he danced so enthusiastically at home that the lights in the restaurant below would start shaking, putting the customers off their food. The word ‘home' has come to mean many things for Akram: it's the small studio in the garden where he practises dance for four hours every morning, it's the stage on which he performs, and it's also his own body. As is the case for so many true artists, there's a lot of conflicting emotion inside him. He talks particularly poignantly about his relationship with his late father, who always struggled to demonstrate his love. Akram's story has really stayed with me. Being able to talk to people on this podcast is a great privilege, and conversations like this one really remind me of that.For more: Visit The Modern House website to see images of the spaces discussed in this episodeCheck out the latest from the Akram Khan CompanyProduction: Hannah PhillipsEditing and mixing: Oscar CrawfordGraphic Design: Tom YoungMusic: FatherThis episode was sponsored by Vitsoe Hosted on Acast. See acast.com/privacy for more information.

CHECK OUT THE 2023 TRIVIA ADVENT-URE CALENDAR, AVAILABLE NOW! The closest episode of Verboten to date, who's going to bring it across the finish line? Joining Jay this week:   Have Mersenne: Luc Leavenworth - National Diaper Bank Network David McDermott - Donate blood products through the American Red Cross vs. There is no Asha, only Zuul: Asha Ouseph - Follow @MuffyMarracco (and @liquid.kourage) on TikTok! Dana Buxbaum - Visit Critical Grind Board Game Cafe in the Chicago suburbs!   This episode sponsored by Critical Grind Board Game Cafe and Liquid Kourage Entertainment. Editing's expensive! Help us hire an editor by supporting us on Patreon! Connect with us on Facebook, Instagram, and Bluesky! To contact the show directly, email us at VerbotenPod@gmail.com! Think you have the best words? Apply to appear on the show at https://ptebb.com/appearancerequest! Please consider leaving the show a 5 star rating and review. See you next week! ©2023, Verboten. Proud member of the PTE Network.

This is a look at one of modern day art's biggest artist beefs. Stuart Semple and Anish Kapoor fight over the rights to the world's blackest black- VantaBlack.Follow on Social Media:@Justicetries @CleanPalettePodcast

Well, we made it to the end of the year (almost!), and we are back at the Art Angle with our monthly Round Up, where we bring together some of our esteemed reporters to talk about the big stories that are swirling in the air. Joining host Ben Davis this week to chat are senior editor Kate Brown and senior market reporter Eileen Kinsella. As always, there is a lot to talk about this month. First up, we'll discuss the the state of the art market as evidenced by the recent art auctions in New York, ahead of the final crash of art fairs of the year taking place in Miami. We'll also talk about the state of politics and culture in Italy, which interestingly enough, now involves a conversation about J.R.R. Tolkien, the beloved author of Lord of the Rings. Finally, we discuss artist Anish Kapoor and his Vantablack, ultra-black artworks, which are on view now at Lisson Gallery in New York.

Neil Thomas is the founder and director of Atelier One, one of the most creative engineering practices in the UK. The firm has worked on building projects such as Singapore Arts Centre, Federation Square in Australia, and Baltic in Gateshead, as well as with a hugely impressive roster of artists, including Anish Kapoor, Marc Quinn and Rachel Whiteread. It has also created stages for stadium rock shows from Pink Floyd, The Rolling Stones, U2, and Take That, often in collaboration with architect, the late Mark Fisher.The practice was the engineer behind the opening ceremony of London's 2012 Olympic Games and the 2014 Winter Olympics in Sochi. While Neil also teaches at Yale and MIT.Over recent years, he has developed a fascination with bamboo and was part of the team that created the award-winning Arc building, a community wellness space and gymnasium for the Green School campus in Bali.In this episode we chat about: the role of a structural engineer; his ability to talk a number of design languages; the genesis of his obsession with bamboo and its extraordinary properties; overcoming bamboo's image problem; giving up a teaching post at Yale to build with the material; wanting to be an engineer from childhood; the importance of David Bowie to his life; and, er, having a pony tail in his youth.Support the show

What is the role of public art in our communities? And how has it changed across the timespan of human history? From the mysterious construction of Stonehenge in Scotland to Anish Kapoor's Cloud Gate (affectionately called ‘The Bean') in Chicago, public art has always served a purpose. Whether it provides a space for sacred rituals or acts as a monument to a bustling metropolis, public art has the power to spark conversations and deepen our sense of community. Today, we are honored to welcome back Badir McCleary, whose passion and commitment to public art has led him across the country for Remote, an exclusive video series in partnership with NOT REAL ART! exploring and documenting public art in all its glorious complexity. Tuning in you'll hear us catch up with Badir, as we chat about the episodes he's done for Remote thus far, the fascinating artworks and artists he's come across, and what he's uncovered about the ever-evolving role of public art. Discover key lessons from his two-part series in Washington DC about the government's role in public art, how his eye-opening conversation with Charles Dixon deepened his knowledge of producing these types of artworks, along with a whole host of insights from other fascinating cities he's covered like Los Angeles and San Antonio. Our conversation also unpacks key themes in public art, such as the role of technology in contemporary pieces, why allocating resources to marketing and storytelling is essential, how public art can foster community engagement, plus a whole lot more. Join us today as we delve into the multi-faceted nature of public art and the immense sense of wonder it can instill in all of us!Key Points From This Episode:Catching up with Badir on the work he's been doing for Remote, his series on public art.Public art in San Antonio and how it has grown and flourished over the last decade.Insights into his two-part series on Washington DC for Remote.Key differences in how people engage with public art versus art in a gallery or museum.Chicago's thriving public art scene and why Badir would love to do a Remote episode on it.Unpacking the role of scale in public art, especially for contemporary pieces.How technology can be used to educate and provide information on public art pieces.The importance of allocating resources to marketing and storytelling for public artworks.Reflecting on Desert X, the first installation of his Remote series, and why it's worth watching.How the function of public art has evolved over centuries.Why Badir's Remote episode set in Philadelphia is so special to him.Philadelphia's beautiful use of markers sharing the cultural history of public spaces.Inspirational lessons from Badir's interview with Charles Dixon.Insight into Badir's upcoming episode on Austin and other parts of Texas.Unpacking the significance of public art in our nation's capital, Washington DC.For more information, please visit http://notrealart.com/badir-mcCleary

Oggi a Cult: Marcello Lorrai dalla Biennale Musica di Venezia; la mostra "Untrue. Unreal" di Anish Kapoor a Palazzo Strozzi a Firenze; Francesca Scotti sul suo ultimo libro "Shimaguni. Atlante narrato delle isole del Giappone"; la rubrica di classica di Giuseppe Califano...

By listening this podcast, you confirm that you are not Anish Kapoor, you are in no way affiliated to Anish Kapoor, you are not listening to this podcast on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information, and belief this podcast will not make its way into the hands of Anish Kapoor.  ⁠⁠Intro Song⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Outro Song⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tumblr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aviandalek Audio YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Maximum Ride Google Drive⁠⁠ Pikmin 4

Talk Art SPECIAL EPISODE!!!! We go on an electric Art Adventure from Leeds to Edinburgh! Russell and Robert drive to Jupiter Artland in Edinburgh in a BMW electric iX to meet Jupiter's founder, the philanthropist Nicky Wilson, and discover some sculpture legends en route. Our first stop is the Henry Moore Institute in Leeds. We convene in their incredible library with Laurence Sillars, Head of the Institute, to explore their mission to inspire everyone to enjoy and study sculpture through their exhibitions, library, archive & research. We explore their current group exhibition 'The Weight of Words' and a solo show of Egon Altdorf (1922 - 2008). We chat to Errin Hussey to discover the Sculpture Research Centre with archive of sculptors papers including Helen Chadwick. Before driving through the countryside all the way to Antony's Gormley's iconic 'Angel of The North' in Gateshead, Tyne and Wear. Since its completion in 1998, this epic public sculpture has become a treasured location for local families but also art lovers who make the pilgrimage from across the UK. It is believed to be the largest sculpture of an angel in the world and is viewed by an estimated 33 million people every year.We continue our trip all the way to Lindsey Mendick's new solo exhibition at Jupiter Artland in Scotland and meet Nicky Wilson, Jupiter's incredible founder and leading philanthropist. Jupiter Artland is an award-winning contemporary sculpture garden located just outside Edinburgh. Founded in 2009, Jupiter Artland has grown into one of Scotland's most significant arts organisations, with an international reputation for innovation and creativity. Set over 100 acres of meadow, woodland and indoor gallery spaces, Jupiter Artland is home to over 30 permanent and unique site-specific sculptures from artists Phyllida Barlow, Christian Boltanski, Charles Jencks, Anish Kapoor and Antony Gormley, as well as a seasonal programme of carefully curated exhibitions and events from a plethora of artists, both emerging and established. We navigated our art trip with help from the My BMW App and the BMW Art Guide - a wonderful book created with Independent Collectors - the go-to guide to discover new collections where art is presented in the most diverse and interesting settings. The first of its kind, the Art Guide is a perfect companion for city trips abroad or for finding havens of contemporary art right on your doorstep. Now in it's 7th edition, the guide presents 304 private, yet publicly accessible, collections of Contemporary Art — featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with color photographs take the reader to 51 countries and 224 cities, often to regions that are off the beaten path.Talk Art exclusive! We have 100 free copies of the BMW Art Guide on a first come, first serve basis for our listeners. Until stocks last. Visit the BMW microsite to get your free copy: https://bmwgroupculture.com/talk-art?partner=wXh5oswjlPFollow @BMWGroupCulture to learn more about BMW's commitment to art. Hosted on Acast. See acast.com/privacy for more information.

And just like that... It's time for Just The Gist to take a bow. For now!After 12 million downloads, hundreds of nutso stories and many, many fart jokes, Just The Gist is going on a little hiatus. So I wanted to take a moment to thank YOU, the Gisteners. From the absolute bottom of my heart, thank you for joining us on this crazy segway ride. Thank you so, so much for Gistening. Truly. And remember, this curtain call is 'goodbye' for now, but not forever! There's too many dumb billionaires in the world for JTG to stay away too long. RECCOS Listen to Jacob's episode on Stuart Semple vs Anish Kapoor here https://bit.ly/jtg-stuartsemple . Listen to Jacob's interview with Stuart Semple here  https://bit.ly/3Ptv7V1 . Listen to Jacob's episode on Lindy Chamberlain here  https://bit.ly/jtg-lindychamberlain Listen to Rosie's episode 'Trapped at the bottom of the ocean for 60 hours' and the story of Harrison Okene's survivial in an underwater shipwreck https://bit.ly/jtg-harrison . Listen to Rosie's episode on the Trashman Yacht Sinking - https://bit.ly/jtg-trashman  Listen to Rosie's ep on Elizabeth Holmes - https://bit.ly/jtg-elizabethholmes . Listen to Mum Says My Memoir Is A Lie Rosie's other podcast https://bit.ly/memoir-lie . FOLLOW THE SHOW: Follow @justthegistpodcast on Instagram https://bit.ly/jtg-gram . Check out @justthegistpodcast in TikTok https://bit.ly/jtg-tiktok . Follow @jacobwilliamstanley on Instagram https://bit.ly/jacobwilliamstanley-IG . Follow @rosiewaterland on IG https://bit.ly/rosiewaterland-ig . CREDITS Hosts: Rosie Waterland & Jacob Stanley  Executive Producer: Elise Cooper Audio Imager: Nat Marshall Social Producer: Zoe Panaretos Managing Producer: Sam Cavanagh  Find more great podcasts like this at www.listnr.com/See omnystudio.com/listener for privacy information.

Secession Podcast: Members Carl Pruscha in conversation with Bettina M. Busse Secession Podcast: Members is a series of conversations featuring members of the Secession. This episode is a conversation between the member Carl Pruscha and the art historian and curator Bettina M. Busse. It was recorded on April 5, 2023. Carl Pruscha (b. 1936 in Innsbruck) studied architecture at the Academy of Fine Arts in Vienna with Lois Welzenbacher and Roland Rainer and urban planning at Harvard University with José Luis Sert. In 1976 Pruscha became university professor and head of his institute at the Academy of Fine Arts Vienna. From 1988 to 2002, he was the rector of the academy. An important project from this period was the reconstruction of the so-called Semper Depot. From 2001 to 2005, Pruscha transitioned to the position of professor in Design and Habitat, Environment & Conservation. At the invitation of the Getty Institute in Los Angeles, he wrote critical analyses of architectural developments in countries of the Global South. From 2005, he realised the new school building for the organisation "One World Foundation" in Sri Lanka. Carl Pruscha was Chairman of the Advisory Board for Art and Building in the Ministry of Science, Art and Research, is a sought-after jury member in art and architecture competitions, and has been awarded the Austrian Decoration for Science and Art and the Gold Decoration for Services to the City of Vienna, among others. Bettina M. Busse is an art historian and curator at Kunstforum Wien. Before that, she worked for many years as a curator at MAK Museum of Applied Arts/Contemporary Art, Vienna. She has curated numerous exhibitions on Contemporary and Modern Art, including Joseph Beuys, Anish Kapoor, Jannis Kounellis, Jenny Holzer. The Cindy Sherman Effect. Identity and Transformation in Contemporary Art, Kunstforum Wien, 2020, Rebecca Horn, 2021 and David Hockney Insights, Kunstforum Wien, 2022. In 2003, together with Kasper König, she was responsible for the Austrian Pavilion at the Venice Biennale (Bruno Gironcoli). Co-founder and director of the Bruno Gironcoli Estate. She is currently working on the most comprehensive retrospective of Marina Abramovic's work to date, which will be shown at Kunstforum Wien in 2025. Bettina M. Busse is author and editor of numerous texts and publications. The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Christian Lübbert Editor: Paul Macheck Programmed by the board of the Secession Produced by Christian Lübbert

What Is The Bean? Join us today as we learn about this iconic Chicago landmark. Sources: https://theclare.com/chicago-bean-history-inside-story-behind-cloud-gate/  https://www.britannica.com/biography/Anish-Kapoor  https://millenniumparkfoundation.org/art-architecture/cloud-gate/  https://www.choosechicago.com/articles/tours-and-attractions/the-bean-chicago/  https://theculturetrip.com/north-america/usa/illinois/articles/brief-history-of-the-chicago-bean/  Send us listener mail!  Send an audio message: anchor.fm/inquisikids-daily/message  Send an email: podcast@inquisikids.com 

This week Melissa transports you to the Pucci Palazzo in Florence, Italy, for a conversation with Laudomia Pucci that covers fashion, food, her family's legacy in Florence, and much more. Laudomia Pucci is a native Florentine and the daughter of Emilio Pucci. She became the CEO of the PUCCI brand at just 28 years-old after her father's passing and has been integral to the international expansion of the brand… successfully overseeing its merger with luxury conglomerate LVMH. The Pucci family has been a prominent Florentine family since the 13th Century. Today, they're best known as the creative masterminds behind the luxury fashion brand PUCCI, created by Emilio. The bold, pattern-forward designs were beloved by Sophia Loren, Jackie Kennedy, and Marilyn Monroe…to name a few. The designs truly embody the Italian Dolce Vita. Emilio was not only Italy's first ready-to-wear designer, but he was also one of the first Italian fashion brands to be headquartered in Florence.   Today, Laudomia is the President of Emilio Pucci Heritage – a site dedicated to nurturing brand culture and history. In this episode, Laudomia will discuss the Pucci fashion house, its legacy, her career, the future of fashion, as well as an intimate window into her Florence.And this week on Destination Hacks, Melissa highlights restaurants, hotels, and more attractions to include on your next trip to Florence! If you want more information on the hotels, restaurants, or museums mentioned in this week's episode, click on the links below:  Hotels:Four Seasons FirenzeVilla San Michele, a Belmond HotelRocco Forte's Hotel SavoyHotel LungarnoPortrait FirenzeThe PlaceHelvetia and BristolRestaurants:Cantinetta AntinoriBuca LapiAtelier de' NerliOsteria Cinghiale BiancoRistorante Il Profeta FirenzeOsteria dell' EnotecaMuseums:LaTinaia Al Bosco - Contemporary art foundation outside of Florence. Their current exhibition, “Borrowed Views” showcases a dozen of Olafur Eliasson pieces until the end of June.Palazzo Strozzi - Contemporary art museum that will have a major Anish Kapoor show in the fall.Palatine Gallery- Major artworks collected by the Medici dynasty displayed on the first floor of the Renaissance Pitti Palace.Bardini Gardens - Stunning gardens in the center of FlorenceNational Museum of Bargello - National Museum in one of the oldest buildings in Florence that dates back to 1255.

Pink is the new black (especially when no one else can use that black). View this week's show notes for visuals and more!

Linda Tugnoli"Art Night. I colori dell'arte"Rai 5Mercoledì 15 febbraio Art Night - I colori dell'arte. Rosso Prima Visione RAILa storia dell'arte raccontata da una prospettiva del tutto originale, quella dei colori e dei pigmenti che hanno permesso di creare le più memorabili opere dell'uomo: dai dipinti sulle caverne, ai meravigliosi manufatti egizi, agli affreschi di Giotto, ai dipinti di Raffaello, di Monet, di Van Gogh, fino all'arte contemporanea. Sei puntate eccezionali attraverso il fil-rouge (mai termine fu più adatto) di altrettanti colori: il rosso, il blu, il giallo, il verde ed infine il bianco e il nero. La serie “I colori dell'arte” è proposta da mercoledì 15 febbraio alle 21.15 su Rai 5. Introdotta dal caleidoscopico Neri Marcorè, una serie prodotta da Mark in video, in collaborazione con Rai Cultura, scritta e diretta da Linda Tugnoli in quattro anni di coloratissimo lavoro, montata da Sandro Capponi, cambierà lo sguardo con cui è stata letta la storia dell'arte fino ad oggi.I protagonisti della storia dell'arte diventano i pigmenti, i processi chimici, gli esperimenti, i metodi di lavorazione, i costi delle materie prime, le avventure della ricerca. A raccontare questa storia – in riprese originali ed interviste esclusive – i luoghi e i personaggi più famosi dell'arte in Italia e nel mondo, ma anche curiosità nascoste e luoghi meno frequentati dal turismo: dalle grotte di Chauvet in Francia all'artista contemporaneo Anish Kapoor, dal Museo Egizio di Torino alla Cappella degli Scrovegni a Padova, dai colori ritrovati sulle statue classiche dal Mann di Napoli al Metropolitan Museum di New York, dalle stampe di Piranesi, al bianco e nero della fotografia, alla Forbes Pigment Collection di Harvard, la più antica collezione di pigmenti del mondo, fino a Michel Pastoureau considerato il massimo esperto di colori sul pianeta. Apre la serie il rosso, il primo colore dell'umanità. Nelle gole dell'Ardèche, in una Francia glaciale popolata di fiere e mammuth, un clan di Cro-magnon ha già una visione complessa del proprio posto nel mondo, ed è la sua arte a dirlo. Il rosso ha due facce opposte anche nella storia dell'arte: sottoforma di ocra, è il pigmento più disponibile in natura, ma può incarnarsi anche nella preziosissima porpora, nel raro e costoso cinabro, nella lacca di cocciniglia che al tempo dei conquistadores valeva quanto e più di tutto l'argento delle miniere del Nuovo Mondo.Sicuramente fin dall'antichità è stato protagonista di ogni manufatto dell'uomo: dall'ocra rossa delle pitture paleolitiche della grotta Chauvet, descritta dall'archeologa Valerie Moles, dal rosso degli Egizi, che ci raccontano Enrico Ferraris curatore del Museo Egizio di Torino e Paola Buscaglia Centro Conservazione e Restauro La Venaria Reale, fino al celebre Rosso Pompeiano protagonista degli affreschi conservati al Museo Archeologico Nazionale di Napoli, di cui parleranno la restauratrice Gabriella Prisco e la responsabile sezione affreschi Museo Archeologico Nazionale di Napoli, Floriana Miele. Ma in Italia c'è anche una delle uniche Miniere di Cinabro, sul Monte Amiata, oggi chiusa e trasformata in un Parco Nazionale, come ci racconta il Direttore del Parco, Daniele Rappuoli, geologo. Con un salto dall'altro lato del mondo si arriva allo splendente rosso delle lacche cino-giapponesi grazie all'intervento della Direttrice del Museo d'Arte Orientale di Venezia, Marta Boscolo Marchi. Ma certo, se si pensa al rosso, non può che venire in mente Tiziano, che ha caratterizzato così bene i capelli delle donne che ha rappresentato, da lasciare il suo nome legato a quello del colore rosso. Ne parla il co-curatore della Mostra milanese L'immagine della donna nella Pittura Veneziana del ‘500, Stefano Zuffi. E il rosso dell'ultimo Caravaggio, quello di Giuditta ed Oloferne, conservato alle Gallerie Nazionali di Arte Antica Barberini Corsini a Roma, oggetto di un restauro affascinante descritto da Carlo Giantomassi e Beatrice De Ruggieri. Fino al rosso di Anish Kapoor, che ha destato scalpore quando ha letteralmente invaso di rosso Palazzo Manfrin a Venezia e dichiara che “l'oscurità del rosso è più scura dell'oscurità del nero”.E ci sono anche molte curiosità, dal Codice Purpureo di Rossano Calabro, raccontato dalla storica della miniatura Lucinia Speciale, al Rosso dei Tintori Medievali di Lauris, con Lise Camoin, maestra di tinture naturali, all'Ecomuseo dell'Ocra di Roussillon, in Francia con il suo Direttore Matthieu Barrois, fino ad un rosso unico ed incredibile, quello delle gocce di sangue studiate dalla restauratrice Francesca De Vita dell'Ecce Homo di Antonello da Messina conservato al Collegio Alberoni di Piacenza.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

We spoke to Giles Alexander from his  St. Peters studio.  His painting practice strives to understand, 'us', and 'belonging' and in turn, the universe. Hence, Giles's fascination with planets and space.  'Giles Alexander's art practice explores the visual discourse of belonging. He asks us how we find a sense of belonging in a city, a country, the world, and the universe. Alexander's humanist preoccupations have led to a multi-disciplinary practice marked by the high production value and technical skill. The artist is conscious that the questions he ponders - around belonging, origin, and the universe - have absorbed humanity since we encountered the power of thought.'Giles is represented by Olsen Gallery and Mars Gallery. NB: we talked about Vantablack, a blackest black paint made and trademarked exclusively by the artist, Amish Kapoor, for his sole use. Another artist, Stuart Semple, has made his own blackest black paint, in retaliation, for everyone can use except Anish Kapoor! Thanks, Giles, we really enjoyed our chat and hope everyone does too! 

INCREDIBILI MEZZI TECNOLOGICI™ hanno permesso la realizzazione di questa puntata live!!Stupite di Sio, Nick & Lorro-romano mentre vi deliziano con fatti e nozioni!!+++Supporta il podcast+++

Né en 1965 à Constantine (Algérie), Kamel Mennour est issu d'une famille de 3 enfants, avec une maman femme de ménage et un papa peintre en bâtiment. Ses parents ont quitté l'Algérie alors qu'il avait 15 mois. Arrivés en France, ils s'installent à Belleville : « nous étions assez pauvres mais très heureux », se souvient Kamel Mennour.Il découvre l'art alors qu'il faisait du porte-à porte pour vendre des lithographies.  À la fin des années 90, un coup du destin, il installe sa première galerie rue Mazarine, puis rue Saint-André des Arts. Très vite, c'est la Fiac, c'est Art Basel, c'est une autre galerie à Londres, deux autres à Paris. C'est une explosion, c'est Larry Clark, Jan Saudek, Daniel Buren, Anish Kapoor, Claude Lévêque, etc. Des découvertes et des confirmations.  Kamel Mennour est aujourd'hui l'une des personnalités les plus influentes et les plus respectées de l'art contemporain. Dans cet épisode de PAUSE, il revient sur son parcours et sa success-story faite d'amour et de passion.

On this episode of the Lynckup Podcast we had the pleasure of talking to artist Farah Monday. We talked about how she got started in art, her love of skulls, true crime, Stuart Semple and Anish Kapoor beef and much more.      https://www.tiktok.com/@farahmonday     https://www.farahmonday.com/     https://www.instagram.com/farahmonday/     https://twitter.com/farahmonday     https://www.facebook.com/farahmondayart     "Farah Monday was born and raised in the mountains of Southwest Virginia and currently resides in the Winston-Salem, NC area. As an artist, Farah's creative passion and expressive technique evolved from her studies in fine art & graphic design. Her work, which reflects experiences & imagination, spans many mediums and showcases focused portions of larger compositions."

Over the years, we've been very fortunate to have some bona fide legendary artists on this show, from Ai Weiwei to Judy Chicago to Anish Kapoor to Ed Ruscha. But none of them, to my mind, are as surprising to talk to as the great performance artist Marina Abramović, who host Andrew Goldstien had the privilege of interviewing toward the start of this year. When you think about her art, what comes to the fore are profound themes of life and death, pain, and transcending the body. When you're talking to her, you think: wait, she's hilarious? And provocative, and blunt, and something like down-to-earth. We enjoyed the conversation about her work and her Abramovic Method so much that, this week, while the Art Angle team hits the beach for a little vacation, we thought we'd re-air the episode for your listening pleasure. In fact, the Abramovic Method might even come in handy for durationally enduring all this heat. Enjoy.  

On August 4th, 1986, it was discovered that the most expensive painting in Australia, 'The Weeping Woman' by Pablo Picasso, was missing from the National Gallery of Victoria's collection. Turned out it had been abducted by a cheeky new organisation no-one had ever heard of: the "Australian Cultural Terrorists” (the A.C.T) who were holding the painting ransom. Their demands? Increase funding to the arts, or the painting would be incinerated.  Was this really a crime? Or was it more of an act of protest? Or a piece of performance art? Whatever the ACT intended it to be viewed as, it's hilariously funny.  Jacob shares the story with long time friend of the podcast and guest host Stuart Semple. Follow Stuart on Instagram @stuartsemple Skip straight to the story: approx 13:21 We give you Just The Gist, but if you want more, there's this: Watch the fantastic documentary “Framed”  https://www.sbs.com.au/ondemand/program/framed Read this article from the day after the painting was found to be missing  https://www.theage.com.au/culture/art-and-design/from-the-archives-1986-victoria-refuses-stolen-picasso-ransom-demand-20210730-p58ei5.html Check out these articles, written 30 years after the painting went missing, featuring a few theories about who the Australian Cultural Terrorists were…  https://www.smh.com.au/entertainment/art-and-design/thomas-dixon-first-person-weeping-woman-20160623-gpqixc.html https://www.crikey.com.au/2016/08/31/who-stole-picassos-weeping-woman-2/ To enjoy the Google reviews some folks have left for the Ann Freedman's new gallery, just google Freedman Art and scroll through reviews like this one:  “On the way out, a thin, curly, gray haired lady whispered that she could get me a Picasso for $500. I talked her down to $325!  Paint was barely dry!  It looks great, hanging over the cat litter box!” If you haven't heard Jacob's episode about the fued between Stuart Semple & Anish Kapoor, scroll back in your feed to episode #35 'Stuart Semple vs Anish Kapoor' Jacob caught up with Stuart last year too, scroll back to episode #99 'CHATTING WITH STUART SEMPLE' See omnystudio.com/listener for privacy information.

The Scream by Edvard Munch is one of the most famous artworks out there, and one of the most widely referenced. We see it in pop culture on t-shirts and posters, in the Simpsons and other cartoon parodies and one of the most famous scenes in the movie Home Alone saw Kevin mimic the pose of The Scream as he put on after shave. Of course, while we think we know the work, there is a lot people get wrong. For example, the painting isn't about a person screaming. Munch was painting his feeling of anxiety being overwhelmed as he heard the scream of nature all around him. Also, some say the figure in the painting was based on a Peruvian mummy that was on display around that time. For my second segment, we got a little-known fact about mummies from Andrew and Kate, the hosts of Let's Talk Petty. They have a few more episodes to go in their first season, and if you aren't familiar, check them out. I got hooked on the show when I came across their episode on the petty rivalry between Stuart Semple and Anish Kapoor. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mollie Morris can help YOU get your finances in order! Get in touch for a free consultation here: http://m3virtualaccounting.com/Please consider becoming a Patron here! www.patreon.com/unspoiledThese chapters are the ones in which Harry heads to meet Mab at the Bean, and over a thousand people get swept up in the march behind him. Also, Butters and Sanya show up with Murphy in tow. I'm not sure if this user actually took the picture, but this image of the Bean from above is sourced from here: https://www.reddit.com/r/confusing_perspective/comments/d2zm1d/aerial_view_of_the_bean/For the full saga about Anish Kapoor and Vantablack, click here: https://mediachomp.com/hated-elitist-artist-anish-kapoor-his-bean-and-vantablack-controversy/If you'd like to join our Discord and get in on some of the convo, check it out here! Non-patrons welcome! https://discord.gg/rEF2KfZxfV

Sitar player and composer Anoushka Shankar tells John Wilson about the most significant cultural influences and experiences that have shaped her own artistic life. Taught in the Indian classical tradition by her father, the legendary musician Ravi Shankar, Anoushka is renowned as one of the world's greatest living sitarists. She has been nominated for seven Grammy Awards and, as a composer, has worked in a diverse array of genres, including jazz and electronica, and films scores. Anoushka talks about the huge musical influence that her father had on her. As a child, she went to his concerts not knowing he was her father until her parents began living together when she was seven. He gave her her first sitar and took her on as his pupil amongst the many others that came to their house for his teaching. She describes how seeing Akram Khan's dance production Kaash - a collaboration with composer Nitin Sawhney and artist Anish Kapoor - inspired new ways of composing. She recalls how the rape and murder of a 23 year old girl in Delhi in 2012 led to her revealing that, as a child, she had been abused by a family friend. Anoushka also explains how the TimesUp movement, campaigning for workplace equality, made her reassess the role of women within music, and inspired the 2020 album Love Letters, which was made with an all-women team of musical collaborators. Producer: Edwina Pitman

In Emotional Baggage, psychiatrist Professor Henrietta Bowden Jones talks to four people about their experience of migration: artist Anish Kapoor, June Angelides, founder of Mums In Technology, Dina Nayeri, author of The Ungrateful Refugee, and Baroness Benjamin.

In todays episode, Andrew breaks down the petty feud between artists Anish Kapoor and Stuart Semple. We also have a new listener story that Kate starts off the show with. We love hearing from our listeners. Especially when they send us petty stories, so send them in! Here is a link to purchase some of Stuart Semples paints on Amazon. Why not own what you just listened to us talking about? Plus it helps to support the show so ...The Worlds Colouriest Powder PaintsThe Worlds Glowiest Glow PigmentBlack 2.0If you have a petty story and would like us to discuss it, please be sure and send it in anywhere below (email preferred). Also, we'd love it if you'd subscribe and give us a review. It helps us a ton!Support The Show: Buy Us a CoffeeLets Talk Petty! Teepublic Store: Buy Our MerchWorld Wide Web: www.letstalkpetty.comTwitter: pettytalkpodInstagram: letstalkpettypodFacebook: facebook.com/letstalkpettypodEmail: letstalkpettypod@gmail.comCall/text: 1-904-446-8448 Hosted on Acast. See acast.com/privacy for more information.

This weekend, guest host Taylor Nicole Rogers talks to Ukrainian filmmaker Iryna Tsylik, director of the documentary The Earth is Blue as an Orange. It won a major directing award at Sundance in 2020 and has now become one of the films being used to explain the current war in Ukraine around the world. The film was shot in 2017 in a disputed area of eastern Ukraine, and focuses on a family making home movies during the conflict. Iryna reflects on the power of art now that she's had to flee her own home. Then we hear from Louis Wise, who recently interviewed the sculptor Anish Kapoor about his grand plans for this year's Venice Biennale. --------------Special offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial are here: http://ft.com/weekendpodcast--------------Want to say hi? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap. You can also keep up with FT coverage by following @financialtimes on Instagram and Twitter.--------------The first US FT Weekend Festival is on Saturday, May 7 in Washington, DC. To attend virtually or in person, buy tickets at http://ft.weekendfestival.com – use the discount code FTFriends2022 for 10% off.--------------Links and mentions from the episode: –Key coverage of the war in Ukraine is free to read: https://www.ft.com/content/77ab8dcf-cb02-4e57-aff0-85c8a84f5a1f –Iryna Tsylik's documentary, ‘The Earth is Blue as an Orange' https://www.sundance.org/projects/the-earth-is-blue-as-an-orange – Iryna writes public updates using her Facebook account here: https://www.facebook.com/ira.tsilyk –Louis Wise on Anish Kapoor: https://www.ft.com/content/6a371cb7-9042-4f6f-8cc3-5a7f0f8444ad –Louis is on Instagram @louisquinze –Jan Dalley, ‘Is it right to cancel Russian artists?' https://www.ft.com/content/c5b1a01a-dc5b-41a6-a941-2480d2123fe9 --------------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Tommy Bazarian. See acast.com/privacy for privacy and opt-out information.

This weekend, guest host Taylor Nicole Rogers talks to Ukrainian filmmaker Iryna Tsylik, director of the documentary The Earth is Blue as an Orange. It won a major directing award at Sundance in 2020 and has now become one of the films being used to explain the current war in Ukraine around the world. The film was shot in 2017 in a disputed area of eastern Ukraine, and focuses on a family making home movies during the conflict. Iryna reflects on the power of art now that she's had to flee her own home. Then we hear from Louis Wise, who recently interviewed the sculptor Anish Kapoor about his grand plans for this year's Venice Biennale. --------------Special offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial are here: http://ft.com/weekendpodcast--------------Want to say hi? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap. --------------The first US FT Weekend Festival is on Saturday, May 7 in Washington, DC. To attend virtually or in person, buy tickets at http://ft.weekendfestival.com – use the discount code FTFriends2022 for 10% off.--------------Links and mentions from the episode: –Key coverage of the war in Ukraine is free to read: https://www.ft.com/content/77ab8dcf-cb02-4e57-aff0-85c8a84f5a1f –Iryna Tsylik's documentary, ‘The Earth is Blue as an Orange' https://www.sundance.org/projects/the-earth-is-blue-as-an-orange – Iryna writes public updates using her Facebook account here: https://www.facebook.com/ira.tsilyk You can also keep up with FT coverage by following @financialtimes on Instagram and Twitter.–Louis Wise on Anish Kapoor: https://www.ft.com/content/6a371cb7-9042-4f6f-8cc3-5a7f0f8444ad –Louis is on Instagram @louisquinze –Jan Dalley, ‘Is it right to cancel Russian artists?' https://www.ft.com/content/c5b1a01a-dc5b-41a6-a941-2480d2123fe9 See acast.com/privacy for privacy and opt-out information.

Episode 99 Notes and Links to Sara Borjas' Work        On Episode 99 of The Chills at Will Podcast, Pete welcomes Sara Borjas, and the two talk about, among other topics, Sara's relationship with language, bilingualism and identity, pochismo, formative and transformative writers and teachers, and themes and ideas from Sara's standout collection, Heart Like a Window, Mouth Like a Cliff.        SARA BORJAS is a Xicanx pocha, is from the Americas before it was stolen and its people were colonized, and is a Fresno poet. George Floyd. Delaina Ashley Yaun Gonzalez. Lorenzo Perez. Xiaojie Tan. Say their names. Joyce Echaquan. Her debut collection of poetry, Heart Like a Window, Mouth Like a Cliff was published by Noemi Press in 2019 and won a 2020 American Book Award. Juanito Falcon. Breonna Taylor. Daoyou Feng. Elcias Hernandez-Ortiz. Sara was named one of Poets & Writers 2019 Debut Poets, is a 2017 CantoMundo Fellow, and the recipient of the 2014 Blue Mesa Poetry Prize. Hyun Jung Grant. Ahmaud Arbery. Suncha Kim. Her work can be found in Ploughshares, The Rumpus, Poem-a-Day by The Academy of American Poets, Alta and The Offing, amongst others. Sandra Bland. Soon Chung Park. Yong Ae Yue. She teaches innovative undergraduates at UC Riverside, believes that all Black lives matter and will resist white supremacy until Black liberation is realized, lives in Los Angeles, and stays rooted in Fresno. Say their names. Justice for George Floyd and the countless others. She digs oldiez, outer space, aromatics, and tiny prints, is about decentering whiteness in literature, creative writing, and daily life.    Buy Sara Borjas' Heart Like a Window, Mouth Like a Cliff   From The Rumpus:"A CLEANSING TORNADO: HEART LIKE A WINDOW, MOUTH LIKE A CLIFF BY SARA BORJAS" The Georgia Review Review of Heart Like a Window, Mouth Like a Cliff   “Pocha and Proud: An Interview with Sara Borjas” from Los Angeles Review of Books At about 2:30, Sara talks about her relationship with language growing up, particularly her relationship with Spanish and bilingualism    At about 6:00, Sara explains the “pocho lecture” and how speaking Spanish was punished in her parents' lives   At about 9:10, Pete asks Sara what she was reading as a kid, and if she “saw herself” in what she read   At about 11:10, Sara talks about her first exposure to writers of color, guided by Professors Alex Espinoza and Sameeta Najmee, and reading greats like Helena Maria Viramontes and Marisela Norte   At about 12:15, Pete and Sara talk about their shared admiration for Marisela Norte and Sara's work connecting to that of Moffat Takadiwa   At about 13:00, Sara talks about Tomás Rivera and his background and connections to UIC Riverside where she teaches   At about 14:00, Sara muses on the void that existed in her reading that “aligned with whiteness” and how it affected her    At about 15:50, Pete and Sara discuss “pocho” and its implications; Sara talks about reclaiming its meaning   At about 20:00, Sara describes the ways in which people of color, her parents included, have been innovative in escaping prejudice and oversimplified narratives   At about 20:45, Pete asks Sara about “pocho” in work that has come in recent years, including by innovators like Alan Chazaro, Episode 92 guest   At about 23:20, Sara shouts out writers who have and continue to have an effect on her through their chill-inducing work, including Marwa Helal, Aria Aber, Layli Long Soldier, Anthony Cody, Tongo Eisen-Martin, Roque Dalton, Bob Kaufman, Alejandra Pizarnik, and some standout students of hers   At about 26:25, Pete asks Sara how she explains to her students about “language to assert power,” including how Marwa Helal flips the script   At about 28:30, Pete wonders about Sara's thoughts on “decoding” her poetry, and poetry “having one answers”   At about 31:30, Pete asks Sara about the idea of reciting poetry from memory, and she talks about the “power” that comes from memorizing, including how she talked to Tongo Eisen-Martin about memorization   At about 33:20, Sara describes how she grew into becoming a poet, including some incredible mentorship and encouragement from Juan Luis Guzmán, and transitions into ways in which she and other women have been made to feel like they need to be quiet   At about 37:30, Sara meditates on her evolving attitude towards her missions and work over the years   At about 39:10, Pete wonders how Sara seeks out and pumps up students who are like she was when she was in school   At about 41:50, Pete and Sara have a discussion about Sara's ideas of prose and other formas, as done in Heart Like a Window, Mouth Like a Cliff; she also describes some probing and helpful questions from Carmen Gimenez Smith that led to writing ideas   At about 46:35, Sara details the inspiration she received from Anish Kapoor's installation, and how it served as a muse for Sara's poem “We are Too Big for This House”   At about 49:35, Pete asks Sara about poem titles and their connection to the poems themselves    At about 50:55, Sara gives her thoughts on translation in her poems   At about 52:20, Sara answers Pete's question regarding if Sara is the narrator/protagonist of her poems   At about 53:50, Sara talks about the importance of creative expression and the power and beauty of poems, as exemplified by Michael Torres and The Minnesota Prison Writing Workshop   At about 55:20, Pete asks Sara about her collection using powerful words from Audre Lorde and Cherie Moraga as epigraphs   At about 59:00, Sara describes identity as seen in her work, including Aztlan's significance in the collection's first poem and in society as a whole; she describes it as a “marker” and a “tool for transformation”   At about 1:02:00, Pete recounts some brilliant and profound lines about identity from poems in the collection, including ones about women's liberation     At about 1:04:45, Pete cites “Los de Abajo” and asks Sara about her ideas of rasquachismo and its importance in her work; she shouts out creative art as seen at Tío's Tacos in Riverside   At about 1:06:55, Sara and Pete discuss the “mother and daughter' relationships” as an overriding theme in her collection; Sara shouts out Rachel McKibbens as another inspiration   At about 1:10:20, Sara and Pete converse about intergenerational trauma and machismo in Sara's work   At about 1:12:45, Pete wonders about Narcissus and the multiple appearances in Sara's work; she mentions inspiration coming from a class taken with Reza Aslan   At about 1:16:10, Sara talks about conceptions of gender as seen in her work   At about 1:18:00, Sara gives background on “Mexican Bingo” and reads the poem   At about 1:22:30, Pete asks about Sara's future projects, including her penchant for writing skits and music   At about 1:24:00, Sara gives out contact info and encourages people to buy her book from Noemi Press or on Bookshop You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. I'm looking forward to sharing Episode 100 (WHOA) with Susan Muaddi Darraj, teacher, writer of the groundbreaking Farrah Rocks middle-grade series, and winner of the AWP Grace Paley Prize for Short Fiction. The episode airs on January 17.    

This week we talk to the iconic techno musician Richie Hawtin, who never plans his live performances. He crafted his dark, rhythmic tracks in the early days of Detroit's techno scene and today collaborates with artists and designers, such as Anish Kapoor and Raf Simmons. His journey to mastering his craft required him to confront his shy, introverted nature, find routines to stave off nerves that could derail his performances, and nurture his energy flow. Produced and edited by James Harper Mixed and mastered by Sam McKenna Jingle by Rhys Tivey Follow Gigi on Instagram and Twitter: @gilliansagansky Follow Richie on Instagram and Twitter: @richiehawtin A Type7 podcast https://type7.com/. A RecTag production.