Podcast appearances and mentions of Kirsten Johnson

"Cameraperson" is a documentary directed by Kirsten Johnson that treats the film as a memoir of her life. In this day and age with ties to social media, almost no moment is lost. We share everything and not all of it is worth sharing. Let's just be for real. This film shows us who Kirsten Johnson is through not only her work but her personal life. She shares us crime, loss, and murder. We also see new life, love, and the freedom of where she lives which is the USA. She goes to places where she she purposefully puts herself and company in danger but all of this, to understand life. To Understand people, to make a sense as to what we can provide for life. I like this documentary a lot. We see it through lengthy shots of all kinds situations and they all tie in together, good editing. I liked learning how to interview people. Johnson is very particular about how she films. She definitely puts thought into how she wants the shot to look like and it definitely doesn't want it to be plain and simple. I like the consideration of the shots she chose because I'm sure she has hard drives upon hard drives of footage. She shares us her own vulnerability with footage of different points of her aging mom and you can see how impactful it to her. What's crazy overall about this film, is the fact that there's no voice-over talking points. Just footage. RAW footage. When pieced together the way she did it, she wins in life. Forever.#cameraperson #kirstenjohnson

Ben Russell delves into the concept of observational cinema, sharing insights on his latest co-directing effort “Direct Action” (with Guillaume Cailleau), which portrays a radical activist community in France. It debuted at Berinale and just screened at the New York Film Festival. Past films discussed include Kirsten Johnson's “Cameraperson” and the observational films of Frederick Wiseman and The Maysles Brothers.Ben shares his experience transitioning as a filmmaker from America to France, exploring the differences between American and European cinema, and the impact of public funding on film production. The discussion also touches on filmmaking techniques, audience engagement, and the importance of creating context for films. Ben emphasizes the power of cinema to inspire action and reflection, advocating for a more immersive and community-oriented approach to filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Dale Peshek v. Kirsten Johnson

Emmy-winning filmmaker Kirsten Johnson discusses the impact of AI on filmmaking and society. And she talks about her two new documentaries and a scripted films she's directing about Susan Sontag that will feature actress Kristen Stewart. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse's All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse's ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York's theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds. Listen and subscribe to The Film that Blew My Mind on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro destacaron las obras de la periodista y novelista británica, Angela Carter, los documentales de Kirsten Johnson y de Brian Knappenberger y el libro de Epicteto.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro destacaron las obras de la periodista y novelista británica, Angela Carter, los documentales de Kirsten Johnson y de Brian Knappenberger y el libro de Epicteto.

Mark 14:1-9It was two days before the Passover and the festival of Unleavened Bread. The chief priests and the scribes were looking for a way to arrest Jesus by stealth and kill him; for they said, ‘Not during the festival, or there may be a riot among the people.'While he was at Bethany in the house of Simon the leper, as he sat at the table, a woman came with an alabaster jar of very costly ointment of nard, and she broke open the jar and poured the ointment on his head. But some were there who said to one another in anger, ‘Why was the ointment wasted in this way? For this ointment could have been sold for more than three hundred denarii, and the money given to the poor.' And they scolded her.But Jesus said, ‘Let her alone; why do you trouble her? She has performed a good service for me. For you always have the poor with you, and you can show kindness to them whenever you wish; but you will not always have me. She has done what she could; she has anointed my body beforehand for its burial. Truly I tell you, wherever the good news is proclaimed in the whole world, what she has done will be told in remembrance of her.' I promise, I'm almost done inviting you to listen to Anderson Cooper's All There Is podcast. So much of our midweek Lenten series on “grieving well” was inspired by the interviews, conversations, and insights from that show. I can't recommend it enough.And one of the ways of grief we didn't cover on Wednesday nights over the course of the last five weeks seems so appropriate for today, I just couldn't resist. It's called “anticipatory grief” and it's something I never really wondered much about until hearing Anderson's interview with a film-maker named Kirsten Johnson, who actually made a movie about her dad's dementia, as he was suffering, declining, and very literally preparing to die, long before he ever found himself in hospital bed or nursing home, even. More on that in a moment … but keep the notion of “anticipatory grief” in mind, if you could. In some ways it speaks for itself.Today, this Palm Sunday, is a day full of symbols and story and looking ahead, because it's all about what is to come in the days that follow Jesus' entry into Jerusalem. In many churches on Palm Sunday – and at Cross of Grace, many years – we simply hear the Passion narrative of Jesus' last days and hours, leading up to his crucifixion and death. But there will be time for that, later this week. Particularly, on Good Friday, we'll gather to hear about his last steps and last words, and last breath, even, on the cross.So today, we're just getting started – with the parade into Jerusalem before the big holiday for the Jews and now, even closer to the Passover, we find Jesus having dinner and being anointed with oil by this woman who seems to anticipate something others have missed … something Jesus understands … which is that his death looms. It is right around the corner and coming soon.And, who knows why she understands and anticipates what others don't? Maybe she was paying attention at that parade, when Jesus rode into Jerusalem on that donkey and those palm branches and cloaks were laid out before him.Maybe she knew that he'd gotten the attention of the powers that be, that his challenge to the Empire would be his undoing.Maybe she knew her scripture enough to recognize, in those shouts of “Hosanna,” that here was, indeed, this one who had come in the name of the Lord.Maybe, as John's Gospel tells it, this was Jesus' good friend, Mary, Martha's sister and the sister of Lazarus. And maybe she came with the oil because Jesus had told her; given her the inside scoop. Maybe she had a plan to show the others something they hadn't been able to catch onto yet. I wonder, if maybe Jesus had even asked her to do just that. Or maybe her moment of anointing was a surprise – even to Jesus – that set his final days on a new course, in a way that surprised even him.Whatever the case, the point is clear. Jesus was about to die. This woman knew it. Jesus knew it. And, I think, it was time for the rest of the crew to finally get with the program, and to understand the fullness of what was coming.But that's hard news to hear, right – that the end is near for those we care about? that death is coming for those we love? It's easy stuff to deny, isn't it? We're inclined to pretend and to live otherwise, as much and for as long as we're able, a lot of the time. We are hangers on, “tooth and nail” kind of people, most of the time, when it comes to death and dying. But, whether he was ready for it or not, I think that's the blessing Jesus received from this woman who anoints him today. I think she reminded him – and anyone who was really able to hear it, that his death was pending … on the way … imminent. And her anointing becomes a blessing – a teachable moment – Jesus, himself, uses to prepare his people for the truth and fullness of what was to come.See, in all of that grumbling about the perfume and about how much it cost and about how much it could have done for the poor, Jesus seems to be unfussed. Because, back in Jesus' day, this kind of anointing with perfume was done when someone died. They anointed the body with oils as a ritual sort of cleansing, as a spiritual sort of preparation for the afterlife, and, quite practically, I imagine, to keep the smell to a minimum once the bodies were left to decompose in those family tombs that got used from one funeral to the next.All of that is why Jesus doesn't bother with the others when they pretend to care that the money from that perfume could have been used to help the poor. He tells them to back off, to leave the woman alone, and to let her do with her perfume whatever she wants to do with her perfume. “You'll always have the poor with you,” he promises. “You will not always have me,” he warns. “You will not always have me.”Kirsten Johnson, the filmmaker Anderson Cooper interviews about this thing called “anticipatory grief” – the one who made a movie about her own father's decline into dementia, dying, and death – hosted a funeral service for her dad, while he was alive and still well and able to experience it, himself.In the family's church, with all of their loved ones gathered, people who had known him throughout his entire life came and spoke and said what they would want to say at his actual funeral, when the time came. Only, he was able to watch it, hear it, experience it, on this side of heaven. What a gift.What if, in that moment with Jesus over dinner, that woman was giving her version of a eulogy? Offering him the gift of her anticipatory grief … sharing the depth of her love for him … anointing him as cosmic royalty in the eyes of the creator of the universe … showing whoever was paying attention that nothing was or is or could be more valuable than the kind of love he came to share – not her perfume or her paycheck or her pretending that everything was just fine.At that funeral that wasn't really a funeral, for the man with dementia who wasn't dead yet, a woman stood up and said, “as long as my memory lives, the memory of him will live in me.”And I wonder if our lesson for today, if our invitation as we enter into yet another Holy Week, is to anticipate the grief that's on the way in the days to come. And I don't mean in a long-suffering, masochistic, self-flagellating kind of way. I mean, in a worshipful, awe-inspiring, reverent, hope-filled kind of way that might change our lives – and change our way in this world – if we let that kind of grief have its way with us more often than we're inclined, so much of the time.I mean, if we lived every day like Jesus' sacrifice was just around the corner, instead of just one Holy Week out of 52 in every year… wouldn't things be different for us, as his followers? And then maybe the world could be different, too?Would we be more grateful for what we already have and stop coveting the green grass on the other side of every fence?Would we give more generously, out of our abundance, as Jesus commanded? Or would we keep giving from what we have leftover or saving and striving for a day that may never come?Would the extent of our social activism be limited to our social media feed? Or might we get out and do more with our hands and with our feet and with our voices and with our votes?Would we save our greatest expressions of love and devotion for the funeral, or would we say more of those things face to face with words and actions, instead? Would we ask for forgiveness and offer it more often and with more integrity?Because the reason we can be honest and real and even embrace the grief that has or will come to us all, is because of the good news we share as children of God, as followers of Jesus, as the baptized in Christ, headed into this Holy Week.See, this grief we anticipate – ours, Christ's, that woman who made the movie, or the one with the perfume – none of this grief wins the day. It doesn't last forever. It invites us to anticipate, too, the new life that follows. Our grief is evidence of the deep, abiding love God has for us all. And it calls us to more of the love, joy, grace, guts and faith with which we're called to live on this side of heaven and for the sake of the world, our God so loves.Amen

Kirsten Johnson tackles the subject none of us want to...well...most of us want to. Our parents mortality. Kirsten faces the fact that her father, has a limited time on earth and does what we all do...act out her fathers death over and over and over! --- Send in a voice message: https://podcasters.spotify.com/pod/show/threedudespod/message

I talk with Justine Martin, director of the Oscar shortlisted documentary OASIS.We talk about:how she developed a love for film growing up in Montreal;what people should expect to see when they watch her debut film;her vision of what a documentary should look like;how to handle issues regarding consent, especially when making a documentary with children;what it was like for her debut film to make such a splash;what's it like as an independent filmmaker in Montrealwhat's next for this extraordinarily talented Canadian filmmaker.Justine made a superlative film in OASIS and especially for her debut film, she deserves all the praise she's receiving for creating a beautiful piece of art. And as striking as that is, what's more amazing to me is how grounded she is about the success of her film. What she did is not a common occurrence. You're not supposed to make a documentary short as your first film and have it shortlist for the Oscars. But the main takeaway from the conversation is she trusted herself and she trusted her vision for the film. She took steps to make an excellent documentary, with high quality sound and shots. The playground, the crunchiness of the forest, the lake in the rain, these are all things that will be with you for a long time ago. The link to the film is below; I hope you're able to watch it before listening to this episode.And that you'll be joining me in cheering for Justine in the year ahead.Justine's Indie Film Highlight: Cameraperson, directed by Kirsten Johnson (https://www.imdb.com/title/tt5375040/)Links:OASIS (https://www.nytimes.com/video/opinion/100000009022484/oasis.html)OASIS Instagram (https://www.instagram.com/p/C12wDv8LzjO/?img_index=1)Justine Martin's Instagram (https://www.instagram.com/justi.marti/)Support the Podcast Through Membership (https://app.redcircle.com/shows/9ddc691d-2273-47d5-a1b9-5a4acb0670f5/exclusive-content)Support this podcast at — https://redcircle.com/first-time-go/exclusive-content

Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse's All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle.We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse's ingenious use of dance, documentary, theater, music, and more. Cooper shares his personal ties to the film, calling on his days in New York's theater scene of the 1970s. And Tabitha (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds. Hosted on Acast. See acast.com/privacy for more information.

Wisconsin Department of Health Services Secretary-Designee Kirsten Johnson received bipartisan approval in a Senate Committee earlier this month. Prior to that, she led the Public Health Department in the city of Milwaukee during the height of the COVID-19 pandemic. She now leads the state as the Medicaid program unwinds from pandemic enrollment and faces other […]

“To be Black is the greatest fiction of my life. Yet I'm still bound to its myth.” The filmmaker and photographer RaMell Ross shares this excerpt from an artist statement in a conversation with Jason Fox, the editor of nonfiction journal World Records, in a new audio series called Trust Issues. Produced by World Records, the series explores how images can both bring us together and alienate us from each other. The first episode, featuring RaMell, focuses on the historical role of nonfiction cinema in teaching us to see, inhabit, and police race. How do documentaries both reflect and actively reshape the lived experiences of people of color? Last week, at the Camden International Film Festival in Maine, Devika moderated a panel discussion with Jason, RaMell, and Milisuthando Bongela (director of CIFF selection Milisuthando) expanding on some of the core ideas of the series—including the responsibilities of the maker, the critic, and the viewer in how nonfiction images construct and reinforce ideas of racial difference. Listen to the end for a surprise cameo from the filmmaker Kirsten Johnson! P.S.: This conversation was recorded live with an audience. Please excuse the occasionally spotty audio quality!

Mark Resiman joined me to discuss the brilliance of the Dick Van Dyke Show and working with Carl Reiner on "Summer Rental"; meeting Woody Allen as a teenager; Robert Klein and Rodney Dangerfield; seeing Don Rickles live as a teenager; going to Boston University; getting a job writing jokes for a birthday party comedy album and having it lead to writing for David Steinberg; getting hired for the last four episodes of season six of Saturday Night Live; becoming partners with Jeremy Stevens; writing a Bill Cosby "lite" beer ad for Eddie Murphy and hanging out with him backstage; going to Thicke of the Night; meeting guests Muhammad Ali and Frank Zappa; the comic regulars; the long hours; getting his first movie pitch, "Summer Rental" produced by Bernie Brillstein; working on Dear John with Bob Ellison and Rod Parker; writing the pilot for Puppetman for Brillstein and Jim Henson; writing on Rhythm and Blues; working of Flying Blind with Tea Leoni; consulting; Phil Rosenthal; getting hired on Wings; suggesting Amy Yasbeck; doing Encore! Encore! with Nathan Lane and Joan Plowright; joining Fraser is season seven; creating the Jean Smart character that won her an Emmy; highbrow dialogue added later; Niles and Daphne finally get together; creating the In-Laws starring Elon Gold, Jean Smart, and Dennis Farina; working on Big House with Kevin Hart; Quintuplets rushed into production with Andy Richter; Retired at 35 with George Segal and Jessica Walters; The Exes with Wayne Knight, Donald Faison, Kirsten Johnson; seeing Andi Mack and realizing their is a new kind of family sitcom; Sydney to the Max a parent in the 90's and his kid today; mentoring Danielle Fishel as a director; two sets of kids means hours are easier; strict Disney rules for child actors; multi camera vs. one camera sitcoms; losing weight; one camera sitcoms harder for the actor; Friends would be a nightmare with six equal leads; Angel-Casey-Lee the best people to learn from; how to write

On this week's Capitol Chats podcast, Department of Health Services Sec. Kirsten Johnson talks about the importance of expanding Medicaid coverage in Wisconsin, which would save Medicaid recipients money. She also said the state's abortion ban could make Wisconsin less attractive to medical students, arguing the lack of abortion access is a "travesty."    

On this week's Capitol Chats podcast, Department of Health Services Sec. Kirsten Johnson talks about the importance of expanding Medicaid coverage in Wisconsin, which would save Medicaid recipients money. She also said the state's abortion ban could make Wisconsin less attractive to medical students, arguing the lack of abortion access is a "travesty."    

Documentary filmmaker Jim Lebrecht ("Crip Camp") comes on to discuss his podcast "The Art of Documentary" where he interviews documentary filmmakers such as past Filmwax guests as Roger Ross Williams, Kirsten Johnson and Bing Liu.

Director & DOP Kirsten Johnson, President of the 2023 Œil d'or Jury, and writer, director, and producer Guetty Felin in conversation about the many ways filmmaking creates possibilities to search for the invisible, to bring life to the dead and to time travel in our own lives.This discussion was organized by Cannes Docs - Marché du Film with the support of Doc Alliance, Participant, LaScam in association with L'oeul d'or, Année du Documentaire, DAE, CNC, & ACID. Distributed by Docs in Orbit in partnership with Cannes Docs. For show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.

Host Jim LeBrecht speaks to documentary filmmaker Kirsten Johnson about her life, her history as a cinematographer and the film Cameraperson, which documents her many years working behind the camera. They also discuss her father, Dick Johnson, and what inspired her to make the film Dick Johnson is Dead. Dick Johnson is Dead is available to stream on Netflix, and Cameraperson is available to stream on HBO Max. Transcript

Gavin Mevius (Mixed Reviews podcast) joins us this episode for Kirsten Johnson's portrait in humanism with 2016's Cameraperson. Together we get into the much more emotionally taxing first cut of the doc, what makes the editing so powerful and the film being right up there with some of the best docs guests have brought to the pod --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

there is a pose A TWIST OF THE WRIST TURNED UPWARDS AND CROSSED LEGS used to signify the state between life and death we will try &show u (with thanks to Elizabeth Price for showing us) -- TRACKLIST: 1. Cantilena for Flute and Organ (Adagio espressivo) 2. Silueta - Carmen Villain 3. The Reckoning - Ekin Fil, Ella Zwietnig 4. Triste suis de vostre langeur - Anonymous, Michal Gondko, La Morra, Corina Marti 5. A love Song - Live Field Recording - Pauline Oliveros 6. By the Still Water, op. 114 - Amy Beach, Kirsten Johnson 7. Sonata for Viola and Piano, Op. 22: I. Allegretto (Rubato) - Marion Bauer, Sigrid Karlstrom, Eric Trudel 8. Magdalena - Sarah Davachi 9. Le Malentendu - Lafawndah, Lala &ce

As her father nears the end of his life, filmmaker Kirsten Johnson stages his death in inventive and comical ways to help them both face the inevitable. You can watch Kirsten Johnsons film on Netflix now!

In this META episode of the Gavin and Ruby explore some strange self aware movies both dealing with real life events in different ways. They start with Milos Forman's avant-garde biopic about the life of Andy Kaufman Man on the Moon, then talk about Kirsten Johnson's documentary about the death of her father Dick Johnson is Dead. Will Gavin and Ruby be able to maintain their sense of selves with all this self awareness? Listen to find out. Man on the Moon: 6:56 Dick Johnson is Dead: 21:59 Groovie News/Recommendations: 42:54 Instagram: @gavinandrubypodcast Gavin's Letterboxd: Gavin_Lemon Ruby's Letterboxd: ruuubyv

In our first dispatch on the world premieres at the 2023 Sundance Film Festival, we delve into the under-discussed and oft-ignored World Dramatic Competition. We go deep on our favourite World Dramatic Competition title so far: Slow (dir. Marija Kavtaradze), Scrapper (dir. Charlotte Regan), and When It Melts (dir. Veerle Baetens). Finally, we turn to two early US highlights: Erica Tremblay's Fance Dance and Luke Lorentzen's documentary A Still Small Voice.  Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes.  00:00 Introduction 09:10 Films from the Sundance World Dramatic Competition so far: Slow, Heroic, Scrapper, When It Melts, Mamacruz, Girl 53:23 Fancy Dance starring Lily Gladstone 1:18:35 A Still Small Voice 1:24:22 Sundance bingo More about the films discussed in the episode Erica Tremblay's Fancy Dance is in the US Dramatic Competition and about an Indigenous woman (Lily Gladstone) searching for her sister who recently went missing (MMIWG) while suddenly finding herself the sole guardian for her 12-year-old niece. The documentary A Still Small Voice(dir. Luke Lorentzen) in the US Documentary Competition is about the toll on a hospital chaplain of constantly extending empathy to others. Slow is a Lithuanian film about a dancer navigating a new relationship with her asexual partner. The film Scrapper is about a working class twelve-year-old girl in Dagenham who recently lost her mother and reconnects with her estranged father (an excellent Harris Dickinson). When It Melts is about a traumatic childhood event in a twelve-year-old girl's life that has devastating consequences for her as an adult. We also discuss Heroic (dir. David Zonana, Workforce) and Mamacruz (dir. Patricia Ortega), which also screened in the World Dramatic Competition. In past years, we've found some of our favourite films at Sundance in this section, including The Dog Who Wouldn't Be Quiet (2021), Charter (2020), The Souvenir (2020), God's Own Country (2017), Mammal (2016), Sand Storm (2016), and Homesick (2015). Unfortunately, these films also have the tendency to disappear so we wanted to throw a spotlight on the competition this year (as we do every year!), to draw attention to films you'll want to watch out for at local film festivals, which may be your only opportunity to watch them, or could get buried on VOD in the future. And hopefully, we can help get these films noticed and distributed! About the Sundance 2023 season This is the third episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste on Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes on E3 of the Sundance 2023 podcast season: Fancy Dance, Slow, Scrapper, A Still Small Voice and more Links to articles/books related to the 2023 selections Get our book on creative nonfiction film, Subjective Realities, featuring interviews with Tabitha Jackson, Penny Lane, Robert Greene, Kirsten Johnson, Joe Bini, Pacho Velez, and more. Read our coverage of Hala and Crystal Swan, which were both shot by cinematographer Carolina Costa (who did Fancy Dance). Listen to our Penny Lane and Carol Nguyen interview (which also exists in Subjective Realities) in podcast form where they discuss the genre "creative nonfiction" and how why Lane coined it to describe her films. Read about why we named Harris Dickinson and Lily Gladstone as two of the fifty screen stars of tomorrow in 2021. Dickinson stars in the World Dramatic Competition film Scrapper at Sundance 2023. Gladstone stars in the US Dramatic Competition film Fancy Dance. Watch Lockdown Film School with Lily Gladstone. Gladstone has a new film, Fancy Dance, at Sundance 2023, and we're excited to see it. Read an excerpt from our interview with Lily Gladstone which touches on her love of linguistics from the ebook Roads to nowhere: Kelly Reichardt's broken American Dreams. Gladstone talks about learning different languages, which is particularly relevant to Fancy Dance in which she speaks Cherokee. Read our interview with writer-director Sonia Boileau on her Missing and Murdered Indigenous Women and Girls (MMIWG) drama Rustic Oracle. Fancy Dance, one of our festival favourites thus far, also addresses MMIWG. Read Orla's Quick Thoughts review on last year's Girl Picture, in which one third of the central trio of characters questions whether she's asexual. This was the highlight of the 2022 World Dramatic Competition. This year's Slowalso features an asexual character. Download the Sundance 2023 bingo card to follow along at home. Related episodes to E3 Discover all of our past podcast episodes on films that screened at Sundance. To listen to all of these related episodes, become a member. Ep. 123: Sundance 2022: Creative nonfiction (FREE): In this episode, we talk about Sundance's history of programming creative nonfiction films and how this has changed in the last decade. We'll be on the lookout for exciting new creative nonfiction films at the festival this year. Our early favourite is A Still Small Voice. Bonus Episode 23: Sundance 2022: Fiction Films (Members Only): At the end of Sundance 2022, we reflect on the highs, lows, discoveries, and disappointments among the fiction films at the festival, including Girl Picture, the best film in the 2022 World Dramatic Competition. Ep. 63: Indigenous YA, part 2 (Members Only): In this episode, we discuss a fantastic films about MMIWG that precedes Fancy Dance, Rustic Oracle, a film made in Canada. Rustic Oracle would make for a great double feature with Fancy Dance. Ep. 53: First Stripes and Boys State (Members Only): We go deep on the fantastic documentary First Stripes, which follows new recruits through basic training in the Canadian military.        

Unsung Heroes presented by Woodbine Entertainment featuring Kirsten Johnson, owner of Kesmarc 

Trainer Larry Rivelli joins us to discuss Lecomte contender Two Phil's. Owner Jerry Bach talks about his talented 3-year-old filly Chop Chop making her seasonal debut in the Silverbulletday Stakes. Jockey Keith Asmussen reflects upon his emotional win at Oaklawn last weekend and Laurel analyst Kali Francois shares her thoughts on a full slate of Saturday stakes. We recognize Kesmarc's Kirsten Johnson on Unsung Heroes presented by Woodbine Entertainment. Plus, Scott Shapiro with this week's TwinSpires Triple Play, Kurt Becker's Stroll Through Racing History presented by Keeneland, Calling All Three-Year-Olds with Bobby Neuman presented by Spendthrift and Dale Romans & Tim Wilkin debate the sports hottest topics on 'I Ask, They Answer' presented by the University of Louisville Equine Industry Program.

Today on KIOS at the Movies, Joshua LaBure, is joined by, Courtney Bierman, to discuss the 2016 documentary from cinematographer, Kirsten Johnson, Camerperson.Cameraperson is now streaming on HBO Max and Criterion Channel. It's also playing at Film Streams on September 20th.

In this short and sweet 20 minute episode, MYA host, Megan Morgan goes on a journey exploring the origins of some of the United States' most favorite soul foods including collard greens, corn bread, sweet potatoes, macaroni and cheese, and more. Former MYA guest, Kirsten Johnson, shares her recipe for ancestral infused collard greens at the very start! Most of the foods covered in this episode are linked back to a time period when Black Americans were enslaved. But, even though so much of these foods' culinary deep roots originated far away from the American south, their popularity eventually spread far and wide. Lucky for us to be alive today to be able to experience them, learn more about their origins, and try new twists on these much-loved dishes for ourselves. Follow us on social media, to see recipes from teachers Kirsten Johnson and Melody Johnson (no relation), writer Lawrence Hill, and more. Submit some of your own at: myyogaaudio@gmail.com to be featured! --- Support this podcast: https://anchor.fm/megan-morgan1/support

Host Luke Burbank and announcer Elena Passarello celebrate dads this week, in honor of Father's Day; filmmaker Kirsten Johnson comes to terms with the life, death, and legacy of her father through her Netflix documentary Dick Johnson is Dead; comedian and podcaster Chris Garcia pokes fun at his life choices by channeling his Cuban father; and Wilco frontman Jeff Tweedy serenades us with "Save It For Me," accompanied by his two sons. 

Cameraperson es un documental dirigido por Kirsten Johnson, camarógrafa en muchos documentales que recopila sus materiales y descartes en una especie de diario. Una película caleidoscópica y rara de esas nos gustan tanto.

Creating Wealth is a mindset- and learning to build a legacy for your family requires more than a side hustle. Join us for this week's 'Mommy Moments Uncut' episode as we hear from Kirsten Johnson, a mom of 3, business woman and wife. She shares how she has built and continues to build generational wealth for her family, why it matters now, while also teaching our children the steps to a positive money mindset starting now. Guest Info: Kirsten Johnson is an award-winning business coach and mentor. This teacher turned business coach has a strong passion to see others succeed. Kirsten has taught thousands the art of business and marketing, how to pay off debt, and live a true financially free life. To connect with Kirsten, find her on Instagram (kirsten_johnson_) and Facebook (Kirsten Johnson) Mommy Moments: Uncut, is part of the Coaching Team Embers Podcast. A couple times a month, you'll hear a bonus episode with a mom we just met!These segments are recorded with a live audience. It's interactive, raw and uncut. We hope you enjoy the conversationn today! Connect with us Thanks for listening! To join these live discussions, connect with Coaching Team Embers on TikTok (@coachingteamembers) where you can register for these free weekly live events- you can also find us on Instagram (Jasmin Embers) and join the Coaching Team Embers Community on Facebook, a growing group of over 5,000 parents! Facebook: Host: Jasmin Embers Group (Coaching Team Embers Podcast) Instagram TikTok --- Support this podcast: https://podcasters.spotify.com/pod/show/jasmin-embers0/support

In part 1 of this new series on Black Business Kirsten breaks down how to carve your own path, transform your mindset, tap into your value and build your business as you center community. Kirsten @in_her_voices gathered our whole lives in this conversation as a Black woman who is retired and serving the most overlooked communities while making yoga accessible to the people with her work as President of @yogamovesus. Learn more about the Decolonize Your Teaching Mentorship Program here.

A Guiding Meditation with the intention of sending love to all living beings. For more ways to live a more intentional life, visit www.zennya.ca/link and explore the different ressources I have for you. Also, if you want to go deeper and set yourself up for success, I have a workshop coming up alongside my partner in Mindful Awareness Shilpa Lewis and NSM coach Kirsten Johnson. Connect with me @ www.zenny.ca/links Join the conversation on Instagram and Facebook Up for the challenge?! Join here! Connect with Shilpa and I to find out more about The Transition Tool Kit Event with Kirsten Johnson Many thanks and many blessings

There is a massive restructuring going on right now. People are fed up with the way they are being treated and now more than ever realize that what they do for a living NEEDS to align with their values. Can you feel that shift? Connect with me @ www.zenny.ca/links Join the conversation on Instagram and Facebook Connect with Shilpa and I to find out more about The Transition Tool Kit Event with Kirsten Johnson or visit www.zennya.ca/mmmtransitiontoolkit Many thanks and many blessings

In this episode I get to dive in with the owners of Detroit Doulas, Kirsten Johnson and Alex Idziak, to chat about the journey of pregnancy and how a doula can be an individuals or couples rock throughout the process. We talk about the differences between a doula and other providers, how powerful the body is, the importance of creating a relaxing environment you're comfortable in, surrendering, and so much more.

When it comes to holistic wellbeing, take the steps you need to take to find what's best for you. Nobody else will know what works but you. Connect with me @ www.zenny.ca/links Join the conversation on Instagram and Facebook Connect with Shilpa and I to find out more about The Transition Tool Kit Event with Kirsten Johnson on December 4th and 5th. Many thanks and many blessings

Kirsten Johnson is a yoga teacher, founder of the In Her Voices Podcast, current President of Yoga Moves Us, collaborator with Free Day of Yoga and Free Yoga Sacramento, a mom, a recent retiree, and so much more. Kirsten's mission is centered around community and she believes that every voice should be heard and that our work is to make yoga and wellness practices accessible for all ages and abilities. She promotes body positivity and mindfulness tools to connect the body, heal trauma and create healthy habits for lasting physical and mental well-being. She works to provide inclusive experiences and resources for practitioners, studios and teachers on improving yoga accessibility to marginalized populations, encouraging all to listen and speak from your inner voices. --- Support this podcast: https://anchor.fm/megan-morgan1/support

Stephen Petronio is a choreographer, dancer, and the artistic director of the Stephen Petronio Company. Stephen has created over 35 works for his company and has been commissioned by some of the world's most prestigious modern and ballet companies, including William Forsythe's Ballet Frankfurt (1987), Deutsche Opera Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013). Over his career, Petronio has collaborated with a wide range of artists in many disciplines. Collaborators include some of the most talented and provocative artists in the world: composers Valgeir Sigurðsson, Nico Muhly, Rufus Wainwright, Lou Reed, Laurie Anderson, and Peter Gordon; visual artists Robert Longo, Cindy Sherman, Anish Kapoor, Donald Baechler, and Janine Antoni; fashion designers Narciso Rodriguez, John Bartlett, Benjamin Cho, and Leigh Bowery.Stephen Petronio's  training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton's Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012 to 2014. He has been entangled with visual artist Janine Antoni in a number of discipline-blurring projects, including the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson, and most recently Ally, in collaboration with Anna Halprin and Adrian Heathfield, which premiered at The Fabric Workshop and Museum in Philadelphia in summer of 2016. Petronio and Antoni were the 2017 McCormack Artists in Residence at Skidmore college, where they showed their series of installations, Entangle. Most recently, he was commissioned by The Juilliard School to set a work, #PrayerForNow, on their fourth year students for the New Dances Edition 2019. Petronio's memoir, Confessions of a Motion Addict, is available at Amazon.com.  Movement Without Borders Festival - October 2, 2021 - Ernesto Breton performing Rudy Perez's Coverage Revisited. Fall For Dance - October 15 & 16, 2021 - New York City Center - SPC performing American Landscapes (2019). Petronio Punk Picks and Other Delights - November 18-21 - La MaMa - SPC revives a series of solos and duets from Stephen's formative days coming up in the East Village and invites Bloodlines(future) artist Johnnie Cruise Mercer to the stage. Alex Waters:Alex Waters is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own music, as well as writing and recording for dependent artists such as The Living. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

Welcome to In Her Voices - HerStories. The first episode is an introduction to the podcast and a chapter of my story. Sharing community yoga service and Body Positive conversations. Just retired and enjoying pursuing purposeful passions. Supporting community yoga in Sacramento and working with Free Day of Yoga, Free Yoga Sacramento and Yoga Moves Us. Host curated Body Positive yoga experiences for women. Connect with me on Instagram and Facebook @in_her_voices www.inhervoices.com ,

“Don't film if you can live without filming.” Those are the words of Victor Kossakovsky from his 10 Rules of documentary making. Those rules are the starting point for a wide-ranging conversation with Victor along with Kirsten Johnson and Garrett Bradley, moderated by Pure Nonfiction host Thom Powers. All three directors were part of DOC NYC's 2020 Short List for feature documentaries. Kirsten was previously on episode 24 discussing her previous film Cameraperson; her latest film is Dick Johnson is Dead on Netflix. Garrett was previously on episode 125 discussing her new film Time on Amazon Prime. Victor's new film is Gunda, distributed in the U.S. by Neon. In this conversation he also refers to his earlier films Losev and The Belovs.

EPISODE TWO   TW: This episode deals with parental death and the grieving process.   Scott attempts to make Jamie weep on mic by choosing this wonderfully painful documentary. Does Riesling lift spirits? Duh. Pro-tip: Riesling pairs perfectly with a good cry. Also with documentaries exploring death and parental relationships. DICK JOHNSON IS DEAD, directed by Kirsten Johnson, is available on Netflix. Julian Haart 1000L Riesling was purchased for $21.99 from Crush Wine Co. It is now out of stock due to extreme deliciousness. Try Peter Lauer's 'Barrel X' Riesling available for $23 at Verve Wine, in store or shipped!   Intro and Outro music is selected from Camille Saint-Saëns' ‘The Carnival of the Animals - XII. Fossils' as performed by the Seattle Youth Symphony licensed under Creative Commons (https://creativecommons.org/licenses/by-sa/3.0/legalcode)

Kirsten Johnson is a filmmaker who is pushing the limits of the form. Her latest feature, Dick Johnson Is Dead, is a documentary/experimental film about her father's struggle with dementia and his imminent demise. Our talk with Kirsten is wide-ranging and she is quick to turn the tables on the interview and talk about George. But we promise you this is no self-indulgent therapy session, it's a thorough examination of why we tell stories and how we grieve those closest to us. We also discuss the necessity of "humanizing" the crew members on a set and how whatever camera you shoot on is a beautiful and historic artifact. Make sure you're sitting down for this one -- it gets real. Learn more about your ad choices. Visit podcastchoices.com/adchoices

American filmmaker Kirsten Johnson's most recent film is called ‘Dick Johnson is Dead', it's about her dad, a man she has adored her whole life. A few years ago Dick was diagnosed with dementia. Scared that she was losing the man she loved, she decided she had to try and capture his spirit on screen. But this is no ordinary movie, it follows Kirsten as she stages her father's death in a number of grisly ways. It may sound bizarre but it appealed to their shared sense of humour, and by seeing him come back to life over and over again it allowed Kirsten to feel like she was making her dad live forever. Kirsten's documentary film Dick Johnson Is Dead is now available to watch on Netflix. Presenter: Emily Webb Producer: Fiona Woods Picture: Dick Johnson Credit: Dick Johnson Is Dead

What does the 2020 pandemic mean for movie awards season? Welcome to season 6! In this episode, Andrew is joined by Omaya Jones to discuss the beautiful new film Dick Johnson is Dead from director Kirsten Johnson (streaming now on Netflix). The movie is a hilarious and heartwarming documentary about aging and death and power of human connection. They also discuss 2020 and how strange the movie year has been, looking ahead to the 2021 Oscars and what effect the coronavirus might have on the awards show and the movies that get Oscars attention. Read a full episode transcript here My guest Omaya Jones is a movie podcaster at Film Quotes Film and the programmer of the Arkansas Times film series. LINKS Watch Dick Johnson is Dead on NetflixDick Johnson is Dead on Letterboxd CONNECT WITH US Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the monthly email newsletter: arthousegarage.com/subscribe

Dick Johnson is Dead is a film by Kirsten Johnson, documenting the end of her father's life through sometimes comical recreations of all the different ways that he may die.

We're back after a semi-short break! The new film this week is Kirsten Johnson's follow-up to her 2016 documentary, CAMERAPERSON. It's a remarkably personal undertaking paying homage to her father, titled DICK JOHNSON IS DEAD. See where we land on one of the standouts from this year's Sundance Film Festival. The PICK SIX segment this go 'round sees us ranking our choices for the SIX BEST REVENGE FILMS OF ALL-TIME. Lots of sweat, blood and vengeance to make note of here. In one of the more out-of-left-field THROWBACK CHALLENGES to date, we break down our first watch of retired left-handed pitcher CC Sabathia's all-time favorite film, HARLEM NIGHTS. Yes, you read all of that correctly. Cheers! --- Support this podcast: https://anchor.fm/the-film-harmonic/support

With more documentaries at fingertips than ever before, it's a treat to experience something truly original and striking. This picture dares to expand the possibilities of the form and redefine what we expect from non-fiction storytelling. This week, Jesse is joined by guest Jordan Snyder to discuss such a picture, Kirsten Johnson's "Dick Johnson Is Dead," a heartwarming and hilarious ode to aging father that's easily the year's most unique documentary experience.

Kicking off the show this time around is a quick rundown on the key winners and films that debuted at the Cannes Film Festival earlier this month. From there we speed into a healthy discussion on Olivia Wilde's directorial debut, BOOKSMART. Did we fall in love with it as much as the festival circuit folk? Find out now. For a Memorial Day-centric PICK SIX segment, we count down our favorite war films of all-time. On this rendition of the THROWBACK CHALLENGE, Andy talks about his sit-down with the Zellner Bros. fantastical adventure opus, KUMIKO: THE TREASURE HUNTER, while Noah goes deep into the well with Kirsten Johnson's doc, CAMERAPERSON. Episode 8 will forever be known as the one where Noah drinks Bamurana from Oskar Blues & Cigar City, while Andy sips on Sorcerer from Fat Heads. Cheers! --- Support this podcast: https://anchor.fm/the-film-harmonic/support

Behind the identity politics on the left are the people actually living it on the right. Walter and Zavier Bicott host Kirsten Johnson as she runs for Minnesota State Senate.

On Twitter: @Cameraperson16 @purenonfiction @thompowersCamerapersonPure NonfictionDOC NYCThis interview was recorded on May 5, 2016 at the Montclair Film Festival's Audible Lounge. Pure Nonfiction is distributed by the TIFF podcast network.