Podcasts about lore segal

Lore Segal, ursprünglich Lore Groszmann, wurde am 9. März 1928 in Wien, Österreich, geboren. Sie ist eine renommierte Schriftstellerin und Übersetzerin, die für ihre scharfsinnigen und oft humorvollen Betrachtungen über Migration, Identität und Familie bekannt ist.Segal entkam dem Nazi-Regime als Teil des Kindertransportes, einer Rettungsaktion, die jüdische Kinder vom Wiener Westbahnhof nach Großbritannien brachte. Diese frühen Erfahrungen prägten viele ihrer späteren literarischen Werke. Nach dem Krieg studierte sie am Bedford College in London und emigrierte schließlich in die Vereinigten Staaten.Ihr bekanntestes Werk, "Other People's Houses" (deutsch: „Wo andere Leute wohnen“), ist eine semi-autobiografische Erzählung, die ihre Kindheit und Jugend während des Krieges reflektiert. Segal beschreibt darin mit tiefem Einfühlungsvermögen und subtiler Ironie die Herausforderungen und Hoffnungen von Flüchtlingen.Mein Kolle Udo Seelhofer hat sich mit Karin Hanta, die einige Werke von Segal ins Deutsche übersetzte, getroffen. Hanta kuratierte die Ausstellung „Ich wollte Wien liebhaben, habe mich aber nicht getraut“, die bis 26. Jänner im Bezirksmuseum Josefstadt zu sehen war. In dem Gespräch erzählt Hanta, wie das Trauma der Vertreibung das literarische Schaffen der am 7. Oktober 2024 verstorbenen Segal und ihre Beziehung zu Wien beeinflusste.

In this episode, a few pages of the following books will be read:The Hidden Girl and Other Stories by Ken LiuTales of Pirx the Pilot by Stanislaw LemA Day in the Life of a Smiling Woman: Complete Short Stories by Margaret DrabbleLadies' Lunch and other stories by Lore Segal

本期岛上主播：于是 肖一之 钟娜 何润哲 广岛乱 【导语】 2024年还没走到尽头，我们已经急着回望。本期「自由潜水」特别版年度阅读盘点，跳岛的常驻主播于是、肖一之、钟娜、何润哲和广岛乱在回顾一年来的阅读与生活时，不约而同地发现每个人都或多或少落入“错乱”——在长达一年的时间轴上，我们打下纷乱的标签。步履不停，却依旧像在兜兜转转。日历上的标记越积越多，出口却始终隐没在下一页待办事项之后。 “人生多是不可预料之事。”这一年，我们在现实里反复失衡，也依旧在书堆里翻找答案——钟娜又认识了一位“既旧且新”的有趣作家；于是高效完成了系统性阅读的全部计划；广岛终于记住了自己读过的书；肖一之从书架第二排捞回经典的心愿也算达成；润哲扎进翻译的世界里，在大部头原文和译稿之间来回穿梭。而当我们在“没读”“读过”“读过却忘了”的混沌里反复穿行，那些闪烁着微光的句子，也仍然漂浮在未来的书单里，等待第一次或者再一次相遇。 或许，阅读不是抵达答案，而是练习新的疑问；读书也不为逃离生活，而是走向更大更远的真实。 从一个岛，到另一个岛，我们依然轻盈，努力雀跃。感谢每一位素未谋面的岛民朋友，2025，我们还会在新的书页里相遇。 【本期嘉宾】 于是，作家，译者。译有珍妮·温特森、奥尔加·托卡尔丘克等作家的作品。著有《查无此人》《你我好时光》等。 肖一之，文学研究者，上海外国语大学英语学院讲师。 钟娜，中英双语写作者，译者。译有《聊天记录》《正常人》。（豆瓣ID：阿枣） 何润哲，跳岛FM策划人，译者。缓慢社会化中。（社交平台ID：烧酒哲） 广岛乱，跳岛FM策划人，影像创作者，小红书/豆瓣ID：广岛乱。 【时间轴】 PART1 一个词总结我们的2024年 01:35 错乱！过去和未来都重叠在2024，就这样忙乱地度过了一年 03:25 调整——好像应该卷一下了，但还是过完年再说吧！ 08:30 忙了又忙，但人生多是不可预料之事：到了说再见的时刻 12:38 饿了么？饿了就上岛吃饭 PART2 Flag检阅环节：书都读了吗？ 13:48 “很新的老作家”Lore Segal：小说依然可以撬动沉重的议题 19:20 一边从书架第二排打捞旧书，一边买新书的肖一之 20:04 要系统性读书的Flag没有倒，在探索与重读中无限延伸 21:31 《真正的归宿》《岛屿的厝》《感官回忆录》：在2024，和跳岛一起发掘爱书 24:18 读了原文，也翻译着大部头：做译者的乐趣有哪些？ 28:15 译者之间的决斗：当《雅各布之书》的英译者决定写小说 PART3.1 明珠与遗珠：2024年这些书很火 36:05《世上为什么要有图书馆》：借书卡上的“名利场” 40:45 一本厚厚的《猫鱼》，打捞起“漏网之鱼”般的记忆碎片 46:50《芭芭雅嘎下了个蛋》：这个关于生命、女巫和神话的故事理应在今天流行 49:15《冷到下雪》：跳出身份政治叙事的东亚母女故事 62:17 师承迪迪埃·埃里蓬，90后法国作家如何回应社会现实 68:57 All Fours：一个非常好笑的中年危机故事 PART3.2 明珠与遗珠：我们的年度之书 72:24 “游着，游着，看到一只水獭”：让我们《野泳去》，从文字走向真实的世界 81:22 “每一个花萼都是一处居所”：来自昆虫之城的一组书信 86:07 《如何谈论你没读过的书》：不是我不读书，是我在和每一本书保持公正距离 97:56 “勒古恩果然有点东西”：用科幻手法重写《埃涅阿斯纪》 101:27 真的假的？广岛乱的年度之选震惊在场所有人 PART3.3 明珠与遗珠：这些书应该有更多人看到！ 105:52 心爱的艺术家塌房了怎么办——来读读《划清界限？》 107:29 《资本主义现实主义》读到抑郁，读《人类世的“资本论”》好像又还有救 111:34 真相本不澄明，那些不提供答案的书才让人读到立体的世界 PART4 新的一年，在新的岛屿上重逢 113:41 偶尔做一下卷人也没关系，肖老师向工业小说开战 114:20 随心所欲地阅读，自由自在地生活 116:29 感谢陪伴，多多上岛吃饭！ 【节目中提到的人名和作品】 PART2 Lore Segal: Her First American, The Reverse Bug, Shakespeare's Kitchen ｜杜布拉夫卡·乌格雷西奇｜帕特里西亚·海史密斯｜弗兰茨·卡夫卡｜珍妮特·温特森｜彼得·汉德克｜安妮·埃尔诺《真正的归宿》｜龚万莹《岛屿的厝》 ｜ 伊莎贝尔·阿连德《感官回忆录》｜黑泽明《生之欲》｜Albert Camus & Maria Casarès: Correspondance (1944-1959) | Lydia Davis: Essays Two ｜流沙河《不亦乐乎二十四》｜艾略特·温伯格《观看王维的十九种方式》｜奥尔加·托卡尔丘克《云游》《雅各布之书》｜Jennifer Croft: The Extinction of Irena Rey PART3.1 村上春树《小城与不确定性的墙》｜李颖迪《逃走的人》｜伊恩·麦克尤恩《钢琴课》｜米歇尔·维勒贝克《基本粒子》｜杨素秋《世上为什么要有图书馆》｜威廉·萨克雷《名利场》｜朱光潜｜李赋宁｜杨绛｜陈冲《猫鱼》｜珍妮特·温特森｜赛尔乔·莱昂内《西部往事》｜杜布拉夫卡·乌格雷西奇《芭芭雅嘎下了个蛋》《无条件投降博物馆》｜邵艺辉《好东西》｜欧建梅《冷到下雪》｜克拉斯诺霍尔卡伊·拉斯洛｜丹尼斯·约翰逊《火车梦》｜蕾切尔·卡斯克《成为母亲》｜石黑雄一《远山淡影》｜萨莉·鲁尼｜《我的天才女友》｜迪迪埃·埃里蓬｜爱德华·路易《谁杀了我的父亲》《一个女性的抗争和蜕变》｜乔治·佩雷克《物》｜Miranda July: All Fours * PART3.2 罗杰·迪金《野泳去》｜ 伊丽莎白·柴·瓦沙瑞莉 &金国威《奈德》｜伍尔夫｜何雨珈｜罗伯特·麦克法伦《荒野之境》｜Leena Krohn: *Tainaron｜《JOJO的奇妙冒险 石之海》｜加斯东·巴什拉《空间的诗学》｜Pierre Bayard: Comment parler des livres que l'on n'a pas lus ?, Comment parler des lieux où l'on n'a pas été ?, Comment parler des faits qui ne sont pas produits ?, Qui a tué Roger Ackroyd ? 《谁杀死了罗杰·艾克罗伊德？》｜阿加莎·克里斯蒂《罗杰疑案》｜戴维·洛奇｜厄休拉·勒古恩《黑暗的左手》，Lavinia｜维吉尔《埃涅阿斯纪》｜玛格丽特·阿特伍德《珀涅罗珀记》｜阿内·拉鲁《原始星球》｜乔治·威尔斯《时间机器》 PART3.3 埃里克·豪陶洛·马瑟斯《划清界限？ 如何对待失德艺术家的作品》｜爱丽丝·门罗｜马克·费舍《资本主义现实主义》｜韩炳哲｜刘铮《西书东藏》｜赵萝蕤 ｜ 斋藤幸平《人类世的“资本论”》｜奥尔加·托卡尔丘克《雅各布之书》 出品方 | 中信出版集团文学事业部 制作人 | 何润哲 广岛乱 文案编辑 | 李小马 运营编辑 | 黄鱼 不理 荔枝 后期剪辑 | 崔崔 片头音乐 | 钱子恒 片尾音乐 | Bella Ciao performed by Yves Montand 视觉顾问 | 孙晓曦 视觉指导 | 汐和 平面设计 | 心心 公众号：跳岛FM Talking Literature

Can making good choices extend our healthy life and shorten the dying process at the end? https://bit.ly/4hReUVp In this Episode:01:46 - Ready for the Holidays?06:47 - Lore Segal, Émigré Life Novelist, Dies at 96 12:25 - Recipe of the Week: Texas Twinkies14:00 - Making the Most of Life in Old Age24:19 - OutroIs it a requirement to get sick as we get old? Can we reduce the risk and delay the onset of age-related diseases? While aging is inevitable, can we have healthy aging process with a compressed dying so that we have a sudden death in our old age. One day, we're going to die. What should that mean for how we live today?Support the showGet show notes and resources at our website: every1dies.org. Facebook | Instagram | YouTube | mail@every1dies.org

John Wilson on Lord Ouseley, the co-founder of the anti-racism football campaign ‘Kick it Out' and former Chair of the Commission for Racial Equality. The landscape artist and printmaker Norman Ackroyd whose work celebrates some of the most remote and inhospitable areas of the UK. Lore Segal, the author whose book ‘Other People's Houses' told the story of her fleeing the Nazis on a Kindertransport and being fostered in England. The Grammy Award winning singer Cissy Houston was a leading light in gospel music and sung with a range of artists including Elvis, Van Morrison, Jimi Hendrix and her daughter Whitney.Producer: Ed Prendeville Archive: BBC HardTalk Interview 05/02/2013, Notes on Water – Poppy Ackroyd ,Norman Ackroyd – Archipelago poem, BBC Front Row Norman Ackroyd interview with John Wilson 10/11/2016, Cissy Houston - Sweet Inspiration, PBS, 1987 Youtube upload, Whitney Houston interview with her mom Cissy, 1988 Youtube upload,Cissy Houston: The Sweet Inspirations, NVLP, 2009 Youtube upload, BBC Woman's Hour 30/06/18 Lore Segal Interview

The story in the magazine's October 7th, 2024, issue is “Stories About Us” by Lore Segal. Segal wasn't able to read her story for the podcast. But, in 2010, on the New Yorker Fiction Podcast, Jennifer Egan read and discussed a different story by Lore Segal—“The Reverse Bug,” from 1989—and we wanted to share this bonus sampling of Segal's work with you instead. 

Lore Segal reads her story “Beyond Imagining,” from the June 10, 2024, issue of the magazine. Segal's most recent books are “The Journal I Did Not Keep: New and Selected Writing” and “Ladies' Lunch and Other Stories,” which came out last year.

At 95, Lore Segal has been writing for almost sixty years. The author of Other People's Houses, Half the Kingdom and Shakespeare's Kitchen, which was a finalist for the Pulitzer Prize, Segal's latest book is called Ladies' Lunch and Other Stories. It's been named a New Yorker Best Book of the Year. *This interview originally aired Oct. 20, 2013.

At 95 years old, Lore Segal is at the top of her game with her latest story collection, Ladies' Lunch.

Lore Segal reads her story “On the Agenda,” which appears in the September 18, 2023, issue of the magazine. Segal's most recent books are “The Journal I Did Not Keep: New and Selected Writing” and “Ladies' Lunch: and Other Stories,” which comes out later this month. 

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This week, we are joined by a very special guest, the award-winning author of legendary books for children including Tell Me a Mitzi (1970), All the Way Home (1973), Tell Me a Trudy (1979), along with her Pulitzer-Prize finalist novel, Shakespeare's Kitchen (2008): Lore Segal. Much of Lore's work is influenced by her experiences during World War II, when Lore was sent from Austria to England on a kindertransport, moving from one host family to another. This episode details Lore's life, career, and her incredible wealth of writing knowledge. Follow SCBWI on Instagram: https://www.instagram.com/scbwi/Follow SCBWI on Twitter: https://twitter.com/scbwiFollow SCBWI on Tik Tok: https://www.tiktok.com/@therealscbwiJoin SCBWI: https://www.scbwi.org/join-scbwi/Support the show

Las recomendaciones de esta semana son: 'Las casas ajenas' de Lore Segal, 'El juego de las nubes' de Goethe y 'Pequeñas mujeres rotas' de Marta Sanz.

Las recomendaciones de esta semana son: 'Las casas ajenas' de Lore Segal, 'El juego de las nubes' de Goethe y 'Pequeñas mujeres rotas' de Marta Sanz.

In this inaugural episode of Widdershins, please enjoy “The Juniper Tree” by The Brothers Grimm as read by candlelight on a chilly moonless evening. This version is from The Juniper Tree and Other Tales from Grimm, Selected by Lore Segal and Maurice Sendak, Translated by Lore Segal with four tales translated by Randall Jarrell. **Content Warning** As with all Grimm tales, this does not shirk from the dark side. There is violence towards children, murder, death, and the questionable contents of a cannibalistic stew. Consider yourself forewarned. To learn more about Widdershins, please visit: www.widdershinsstories.com For more information on Ashley, please visit: www.oldgrowthalchemy.com www.patreon.com/oldgrowthalchemy For more information on Joe, please visit: www.joesabourin.com

The Usual Uncertainties—Jonathan Blum's highly anticipated first collection—is storytelling at its finest. In precise, elegant prose, these stories follow characters and communities often consigned to the edge of the frame: a community college dropout, a geriatric care manager, a square dance bar mitzvah, a Scrabble club, an entrepreneurial Thai immigrant, and a South Florida country club. With echoes of Leonard Michaels, Mavis Gallant, and Lore Segal, Blum explores the ways our divergent histories tether us together and at times push us completely apart. The Usual Uncertainties revels in the persistent human struggle to love with abandon and marks a radiant voice in American short fiction. 

From her very first story—which appeared in The New Yorker in 1961—to today, Lore Segal’s voice has been unique in contemporary American literature, hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental. Segal has often used her own biography as both subject and inspiration: At age ten she was sent on the Kindertransport from Vienna to England to escape the Nazi invasion of Austria, grew up among English foster families and eventually made her way to the US. This experience inspired her first novel, “Other People’s Houses” and is one that she has revisited throughout her career. From that beginning, Lore's writing has ranged widely across form as well as subject matter. With a new collection of her work entitled “The Journal I Did Not Keep: New and Selected Writing” released on June 25, Lore joins us for a look back at her illustrious career, in this edition of “Leonard Lopate at Large” on WBAI.

Published in 1714 by Daniel Defoe, a notoriously controversial political pamphleteer, Robinson Crusoe marked the beginning of realistic fiction as a literary genre. Before the end of the year, the first volume had run through four editions. Now, that’s some 18th century bestselling! From Tom Hanks in Cast Away to Ridley Scott’s The Martian, Robinson Crusoe has had such an endless legacy that there is a word dedicated to its descendants to mark a genre: Robinsonade. It is a profound commentary on society, a tale of isolation and new beginnings, but Ol’ Matty dares to say that this is not a colonialist fairy tale, unwittingly locking horns with many critics including James Joyce. I think you can take him, bud.After a brush with death in the form of vengeance crazed unicycling bears and angry tribes, Ol’ Matty finds himself safe in a fellow castaway’s hideout. As his friend makes the bread, hunts the meat and gathers the other ingredients, Ol’ Matty makes himself useful, somehow, by regaling the tale of Robinson Crusoe, the tale of a young Englishman who defies the will of his parents, rejects the comforts of civilisation to become an adventurer, and finds himself alone and desolate on a deserted island, struggling turn the wilderness into his own utopia, or even, perhaps, a communist commune. Depends how generous you’re feeling.I’m noticing that every time Ol’ Matty tries to tell a ripper story, he just can’t find the right audience. Rob seemed downright bored by the telling of Robinson Crusoe, and leaves to investigate some riff raff armed with muskets, despite the M16 wielding grizzly hunting our hero outside. Ol’ Matty followed, armed with a club (sandwich), discovering that Rob had declared war against a group of invading pirates. There was no time to lose.I mean, of course Ol’ Matty joined the pirates. Who was this Rob guy anyway? It’s not like Rob has the ability of Crusoe and can defeat castaways and pirates alike by mastering fate and the island itself! After all, if Rob and Crusoe were one and the same, that would completely throw our deep and gritty story’s canon. In the first battle for island supremacy of many, I’m sure (knowing Ol’ Matty), our hero and his bafflingly loyal band of buccaneers do battle against some Rob dude and even an older enemy. Look at us, we’ve got recurring characters and intrigue!All the same, Ol' Matty has created a wonderfully tropical, topical and delicious word sandwich with all the perseverance and self-reflection of Defoe’s landmark novel, salvaging the shipwreak that is 18th century history (bread), swimming deeply into introspective story (meat), meeting nuanced and individualistic characters (cheese), foraging through thoughtful themes (sauce) and whatever he apparently feels fit the setting. I think it’s his way of making sure he adds salad. Well, he can’t seem to make friends even when he’s one of the few options, but he can make an effort.Robinson Crusoe (1719) is a confessional novel by Daniel Defoe. I say confessional for Defoe was quite cheeky, as the story is written as the journal of the titular character and his castaway adventures. Indeed, the first edition credited the work's protagonist Robinson Crusoe as its author, leading many readers to believe he was a real person and the book a travelogue of true incidents. It was not a hard sell, as this is a contender for the first English novel of all time. And yet Ol’ Matty has the audacity to claim Defoe is as relatable as a university student! I told him not to drink the seawater.Crusoe is the archetypal story of the castaway on a desert island, a wasteland turned to personal kingdom ripe with grapes and scrapes of all kinds, including pirates, cannibals, and the wrath of nature itself. I think there was some Grenache somewhere, too. That’s a kind of grape, right? Not that it’s in the book, just Ol’ Matty was drinking it while reading Crusoe on the island, and during his adventures on the island and also when recording on the island. I wonder if the island has AA?Love stories? Love hearing about the tales of old with Ol' Matty but want to know them yourself? Want to join the Book Club Sandwich but don't have the time or desire to sit down and read? Well, you dolt, check out Audible, where you can drive to your destination and faraway lands all at once. P.S. Audible, please sponsor me.For more short stories like the one featured here, Dandelion by Lore Segal, see The New Yorker either online or subscribe to have the magazine delivered for those delectable morning reads. You sponsor me too, New Yorker.I have only ever read the book with my own eyeballs so I can't personally vouch for any version on Audible, however there is an Amazon Classics Edition that I think the reader matches the tone of Crusoe in an entertaining way. This is Robinson Crusoe, narrated by Steve West.In terms of film adaptations, in my opinion, Cast Away with Tom Hanks is your best bet, along with The Martian if you want a version IN SPAACE (that’s not 1964’s Robinson Crusoe on Mars). If you want to see the traditional Crusoe in action, there’s the TV Show Crusoe, which I thought was pretty neat as a tike (but have not since revisited), Man Friday, as mentioned, is an alternate version of the story that reverses the roles of Crusoe and Friday to make a criticism against Western Civilisation, and one of my favourite filmmakers of all time, Luis Buñuel, made an adaptation in 1954.Until next time, my Quixotes!Ol' Matty's sources:https://www.newyorker.com/magazine/2019/03/25/dandelionhttps://www.sbs.com.au/movies/article/2015/10/02/how-george-clooneys-o-brother-where-art-thou-accent-was-family-affair> - O’Brother Where Art Thou, George Clooney’s Accent’s origin - An overall biography of Daniel Defoe.https://www.undiscoveredscotland.co.uk/usbiography/s/alexanderselkirk.html – The potential source material, most likely, of Robinson Crusoehttps://www.theguardian.com/books/2019/apr/19/robinson-crusoe-at-300-its-time-to-let-go-of-this-toxic-colonial-fairytale – The Guardian’s attacking article, attacking interpretation of the text rather than the text itself.https://en.wikipedia.org/wiki/Robinson_Crusoe - Robinson Crusoe, good ol’ Wikipediahttps://www.youtube.com/watch?v=7rPXjCy83zg – Man Friday, the full film on YouTube.Find us on FACEBOOK, TWITTER, or EMAIL us on deliciouswordsandwichpodcast@gmail.comwww.thatsnotcanonproductions.com

Under normal circumstances, the entire premise of this podcast is that Betsy will present Kate with a picture book "classic" that she has never seen before and she will read it for the first time. To change things up, Kate suggested that Betsy bring a picture book that neither of them had read. At the same time, she mentioned in a previous episode that when it comes to classic Jewish picture books, the only ones the show has ever done were Hanukkah based. Add in the fact that this is a cult classic that came back in print two years ago, and you've got yourself a heckuva show. Show Notes: - Betsy keeps quoting from a Marjorie Ingall article in Tablet Magazine that was called Lore Segal's Warm and Weird 'Tell Me a Mitzi'. We highly recommend that you seek it out for even more background information: https://www.tabletmag.com/scroll/193108/lore-segals-warm-and-weird-tell-me-a-mitzi -Lore Segal's family's story was told in the Academy Award winning documentary Into the Arms of Strangers. You can see the trailer for it here: https://www.youtube.com/watch?v=GIXmLLBrNQY - See the full Show Notes here: http://blogs.slj.com/afuse8production/2019/06/03/fuse-8-n-kate-tell-me-a-mitzi-by-lore-segal-and-harriet-pincus/

Dan and Eric talk about: their summit at a Starbuck's in East Brunswick, New Jersey, the halfway point between Brooklyn and Philadelphia; Zach Helfand's piece on Bubba the Love Sponge and his vile radio antics; Ed Caesar's long, winding and jaw-dropping story about Arron Banks, the 'bad boy' of Brexit; Lore Segal's spectacular short story, beautiful writing, and long history with the magazine, as well as her new collection of short stories; Hilton Als' return to the mag and his discussion of the current Broadway production of "Kiss Me Kate"; and the work and life of W.S. Merwin, whose death inspired Dan to revisit his extraordinary poetry.  

Lore Segal reads her story “Dandelion,” from the March 25, 2019, issue of the magazine. Segal is the author of three story collections and five novels, including “Her First American” and “Half the Kingdom.” A new book, “The Journal I Did Not Keep: New and Selected Writing,” will be published in June.

Lore Segal reads her story "Ladies' Lunch," from the February 27, 2017, issue of the magazine. Segal is the author of five novels, including "Her First American," and "Half The Kingdom, which was published in 2013.

Alice Mattison joins Deborah Treisman to read and discuss Lore Segal’s “The First American,” from a 1983 issue of the magazine.

Jennifer Egan reads Lore Segal's "The Reverse Bug."