Podcasts about o brother where art thou

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2026 and rate them. This coupon code will get you 25% off the ebooks in the Ghost Armor series at my Payhip store: FALLARMOR The coupon code is valid through September 21, 2026. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 319 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September the 4th, 2026, and today I'm looking back at the movies and streaming shows I watched over Summer 2026. We will also have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Ghost Armor series at my Payhip store. That coupon code is FALLARMOR. As always, you can get the coupon code and the links to my Payhip store available in the show notes for this episode. This coupon code will be valid through September 21st, 2026, so if you need a new ebook for this fall, we have got you covered. Now an update on my current writing, publishing, and audiobook projects. I'm pleased to report that the rough draft of Blade of Visions is done. It came to 99,000 words. It'd be kind of cool if it came to 100,000, but as I've learned in the 15 years I've been doing this, it's not a good idea to pad things for length. Editing is underway. I'm about 15% through the first pass of edits. I'm working on the cover design, so I'm on good track to have the book out before the end of the month. I also wrote a tie-in short story called Winter Crown and don't forget that [newsletter] subscribers will get a free ebook copy of that short story when Blade of Visions comes out later this month. So this makes a very excellent time to subscribe to my new release newsletter. I am also 12,000 words into Elven-Warlock, which will be the seventh book in the Half-Elven Thief series. Hopefully that will be out in October, if all goes well. In audiobook news, I think Blade of Thieves (as narrated by Brad Wills) and Cloak of Worlds (as narrated by Hollis McCarthy) are now finally available at all the usual audiobook stores, which includes Audible, Apple, Amazon, Kobo, Google Play, Chirp, and all the others. So if you want to listen to those if you are going on a Labor Day road trip, you can check those out. A reminder that Stealth and Spells Online: The Complete LitRPG trilogy (narrated by C.J. McAllister) is also available on Audible, so check that out. That's 32 hours long and that would also cover all your Labor Day travels. So that is where I'm at with my current writing, publishing and audiobook projects. 00:02:22 Main Topic of the Week: Summer 2026 Movie Roundup So let's move on to our main topic this week. Our main topic this week is the Summer 2026 Movie Roundup and I always enjoy doing those. These episodes are a little less serious than some of the other episodes and it's fun to talk about things I enjoyed and that you might enjoy as well. And I did see a lot of new movies this summer. In fact, I went to the actual theater four times for Masters of the Universe, The Odyssey, Spider-Man, and Coyote vs. Acme, which is probably more than I've gone in a single season since before COVID times. So as usual, here are the movies I saw this summer (rated from least favorite to most favorite). The grades are totally subjective and based on nothing but my own thoughts and opinions. First up is The Breadwinner, which came out in 2026. This is basically standup comedian Nate Bargatze's act come to life as a movie. If you've seen Bargatze's standup, his usual routine is to portray himself as the dumb husband and bumbling Girl Dad, which is actually quite clever from a comedic standpoint since you're unlikely to have outraged mobs calling for your head if all you're doing is making fun of yourself. Anyway, Bargatze portrays Nate Wilcox, the best Toyota salesman in Nashville. (Don't worry, this is the first of only many product placement moments.) He lets his wife Kate manage the household and do the bulk of the work with their three daughters. When Kate's invention takes off on Shark Tank, she has to go to South Korea for two weeks to oversee manufacturing, leaving Nate in charge of the kids. Comedic chaos ensues. On the positive side of this movie, I did approve how this movie showed a married couple trying to work through a rough patch and do what's right for their kids and each other in a semi-productive way rather than blowing up their lives over nonsensical trivialities in the style of Eat, Pray, Love. On the downside, there was a lot of product placement, to the point where it at times felt like an extended commercial with bits of plot jammed in between product endorsement. No doubt most of the production budget came from product placement money. Will Forte was funny as an eccentric roofing contractor and Martin Herlihy as a shifty DoorDash employee. Kumail Nanjiani was funny as Nate's rival salesman at the car dealership. So overall, I would say this was blandly amusing and inoffensive with some funny slapstick moments. Overall grade: C- Next up is Supergirl, which came out in 2026. This movie really was sort of a strange combination of John Wick and the human trafficking subplot from 2020's Black Widow. The end result wasn't quite as good as Superman from 2025, alas. I did like this movie's interpretation of Supergirl. Kara Zor-El's departure from Krypton was way more traumatic than Superman's, so she's dealing with her unresolved emotional issues by traveling from planet to planet with red suns and getting hammered since the same yellow sun that gives Kryptonians their superpowers on Earth also keeps them from getting drunk because their bodies process alcohol too efficiently. However, Kara comes to a planet where a girl named Ruthye lives. Ruthye's family has been slaughtered by ruthless brigands yet led by Krem of the Yellow Hills and she's going on a quest for revenge. When Ruthye tries to recruit Kara for the quest, she's not interested, but then Krem steals Kara's spaceship and poisons her dog Krypto. Krem carries the antidote on his person, so now Kara and Ruthye team up to get vengeance on Krem and to heal Krypto. Krem is a nasty piece of work and he and his space gang travel from planet to planet abducting women to be their wives. I think the problem was that Krem was kind of a boring but nasty villain, but he was still boring. He was basically a space thug with too many piercings. Lex Luthor from 2025 Superman, by contrast, was a really interesting villain, this malignant narcissist who knows that his obsession with Superman is over the top, but he's going to act on it anyway. Additionally, I don't think this version of Supergirl is quite capable of being a lead character on her own. She'd make a superb secondary character, but I don't think she could quite carry a movie on her own. And Jason Momoa was pretty good as Lobo. Overall grade: C- Next up is Troy, which came out in 2004. I wanted to see this either before or after I watched The Odyssey this summer and ended up watching it the day before I went to see The Odyssey. I would say this movie was slow and ponderous, but I did enjoy watching it. This is an adaption of The Iliad and has the sort of slow stateliness of epic films from the '60s. It had good performances and good battle scenes. Brian Cox was enjoyable as a scenery chewing Agamemnon and Brad Pitt worked as Achilles. Interestingly, his version of Achilles reminded me of the interpretation of Feyd-Rautha Harkonnen from Dune 2 as sort of a violent psychopath with his own twisted sense of honor. Oddly, despite the fact that this was rather a long movie, the ending seems a bit rushed, like we needed to hurry up and get to the Trojan Horse. It was amusing how Achilles' relationship with Patroclus was changed to "cousin" for the modern audience, but Greek views on sexuality would definitely be unpalatable with both right-wing and left-wing versions of the modern mind, which is a good thing because while the Greeks contributed a great deal to the development of civilization, they were into a lot of unsavory stuff. So overall, I would say this was a fun, epic movie, but I think this walked so the 2026 version of The Odyssey could run. Amusing fact: Christopher Nolan was apparently supposed to direct this, but the deal fell through and he got Batman Begins as a consolation prize instead. Overall grade: B- Next up is The Dink, which came out in 2026. This is an Apple TV comedy movie about pickleball of all things. I feel like this was made because some Apple executive got made fun of by some tennis players for playing pickleball and then decided to take revenge through media. Jake Johnson plays Dustin Boyd, a washed up former child tennis star who now works at his father's tennis club. The club has difficulties because of a growing influx of pickleball players who the hardcore tennis players hate. Dustin's father decides to use the club's bylaws to force a duel match to decide the issue, in the grand tradition of wacky comedy stakes. Dustin really wants to play the duel match, but his wrist is injured in an accident. To get his wrist mobility back, the doctor suggested he play some pickleball and Dustin views this as beneath him, but he really wants to play again, so he signs up for pickleball. This ends up being a wacky sports company/buddy movie as Dustin gradually befriends an eccentric older pickleball player. Ed Harris should really do more comedic roles. He was great as Dustin's stern, yet unscrupulous father. I do admire Apple TV's dedication to making random stuff. Overall grade: B- Next up is Green and Gold, which came out in 2025, and this is a melodrama about a farmer and his granddaughter dealing with the grim economic realities of farming. This is set in 1992/1993 era Wisconsin. Buck refuses to modernize his dairy farm in Door County, Wisconsin. His granddaughter Jenny is a talented musician and also a skilled farmer, and Buck wants her to take over the farm one day, but Jenny's ambitions are looking elsewhere. Events come to a head when Jenny realizes that Buck is deeply in debt to the bank, which is about to foreclose on the farm. However, Buck and the chief banker have a personal animosity, so they settle on a bet. If the Green Bay Packers win a Super Bowl title in 1993, the banker will give Buck one more year to turn things around on the farm. Meanwhile, Jenny begins to wonder if her music ambitions might generate the money to save the farm. Of course, if you are familiar with the history of the Packers, you know that they won a Super Bowl in 1996, not 1993. The movie has carried on the back of the very strong performances of its actors. It also has an ambiguously happy ending, as is true with so many things in farming. I like this movie because I've spent a lot of my life in the American Midwest, [and] I did appreciate how it shows the difficulties of the farming life. Also, this is important: a fall from a ladder is a plot point. Ladder safety is important, people! If you are going up a ladder, for heaven's sake don't climb the ladder in high heels like the character in question does. Wear sensible, well-fitting shoes with good soles. A very long time ago, I used to work with a guy who would climb extension ladders in cowboy boots. It is nothing short of the mercy of God that he didn't fall off and shatter half the bones in his body. Overall grade: B Next up is Grumpy Old Men, which came out in 1993. Apparently this is set in Wabasha, Minnesota, which is amusing because filming actually took place in several areas in the Twin Cities in Eastern Minnesota, but not actually in Wabasha. I found that personally amusing because I'm quite familiar with the area and so I recognize several filming locations. Anyway, the movie is about two retirees, Max and John, who are enemies and have been enemies for years, but Max is lonely and wants to get married again, and John is about to lose his house to the IRS due to tax problems. Things come to a head when an attractive literature professor moves across the street and both Max and John take an interest in her and start competing for her affections. However, it turns out that Max and John are actually best friends whose love language happens to be hatred and practical jokes, kind of like Wile E. Coyote and Road Runner, but more on them below. This was a good character comedy/drama. It was interesting that the professor was an early version of the Manic Pixie Dream Girl trope, albeit several decades before someone came up with the term. This is worth watching both as a character and comedy drama and a time capsule of the 1990s. Sometimes a movie ages a bit badly (Airplane and the Thomas Crown Affair from the Spring Movie Roundup come to mind), but this didn't. The sequel Grumpier Old Men from 1995 is basically the same movie, but with the characters acting about 20% dumber so a sitcom style plot can happen. Still entertaining, but not as good as the first one, so Grumpier Old Men only gets a B-, but Grumpy Old Men gets a B+. Next up is Masters of the Universe, which came out in 2026. It was amusing to read reviews of this movie because people thought way too hard about a movie that is essentially about battling action figures. Anyway, this was pretty good. It was nice to see a movie about a science fiction property that doesn't actually hate the source material. Basically it's a live action version of the cartoons from the '80s, albeit with somewhat more thoughtful moments. I heard someone suggest that it was close in tone to Thor: Ragnarok, and that seems accurate. The plot is that Skeletor conquers Eternia and 10-year-old Prince Adam is sent with the Sword of Power through a magical portal to Earth to keep him and the sword out of Skeletor's reach. However, Adam loses the sword while passing through the gate and 15 years later is working in human resources. He's still seeking for the sword despite his therapist trying to convince him that it was a trauma-induced fantasy. However, his persistence pays off and he does find the sword. Teela, who is one of the resistance leaders against Skeletor's rule, comes to Earth to find him and bring him back, but Skeletor's minions arrive to claim the sword as well. Adam and Teela escape back to Eternia and it's up to Adam to find a way to use the Sword of Power to become the hero that Eternia needs. Dolph Lundgren's cameo was great. Overall, I would say this is a fun movie to watch, especially if you're a Millennial or Gen Xer who saw the cartoons or the live action movie back in the '80s. Jared Leto has something of an increasingly questionable reputation these days, but he did a good job as Skeletor, played him halfway between the solemn gravitas of the 1987 version and the malevolent comedic cornball of the cartoons. Of course, in my opinion, the Frank Langella version from 1987 is the best version of Skeletor since he placed it with all the seriousness of a Shakespearean villain monologue at the Royal Shakespeare Company. In hindsight, it wasn't terribly surprising that this underperformed at the box office. It felt like it was made for guys my age, not for kids. I would've been comfortable bringing an eight-year-old to see The Mandalorian and Grogu or Super Mario Galaxy, but I would've been less certain bringing a kid that age to see Masters of the Universe. Additionally, it seemed very Marvel in tone, and I think the overall mood of the US these days is less "Marvel Cinematic Universe quips and banter" and more sort of the grimness of The Odyssey, which we'll talk about shortly. Overall grade: B+ Next up is Young Washington, which came out in 2026, a biopic of the early life of George Washington, covering how he more or less accidentally started the French and Indian War and how he recovered his reputation at the Battle of Braddock's Field. To be fair, the international situation at the time meant that someone was going to start the French and Indian War. It just happened to be Washington, who was in the wrong place at the wrong time. Overall, I liked this. It was reasonably historically accurate, though some of the emotional and family dialogue at times was a bit clunky. Additionally, Washington was portrayed as having revolutionary leanings much earlier in life than he actually did, since when he was a young man, he had no thoughts of being anything but a British subject and officer. That said, some of the most implausible stuff in the movie actually happened in real life. Like if I were to write in a novel that the future president of the United States personally rallied the army's rear guard to save as many men as possible from an ambush, and in the process had two horses shot out from under him and ended up with bullet holes in his hat and coat (all while fighting continuously), you would probably find that a bit implausible, but it actually happened that way. Washington's daring actions during that battle were one of the reasons he was appointed commander of the Continental Army during the Revolutionary War, that and there weren't many other colonials with as much experience of military command as Washington. In that vein, the battle scenes were the best part of the movie. They captured the brutality and messiness of 18th Century warfare without being especially graphic. Anyway, I'm glad this is getting a sequel. Maybe we'll end up with a Young Washington Cinematic Universe. Overall grade: B+ Next up is Meet the Parents, which came out in 2000, and this is probably one of the apex forms of cringe comedy. Ben Stiller plays Greg Focker, a nurse who's in love with schoolteacher Pam Burns. Greg wants to marry Pam, but overhears a phone call with her sister where she says her fiancé asked permission of her traditional father first. Greg decides that he's going to ask Pam's father's permission first to get off on the right foot, and so accompanies Pam to her sister's wedding and her parents' house to, as the title says, Meet the Parents. However, Pam's father is the former CIA counterintelligence officer Jack, and he and Greg immediately get on each other's nerves. To make things worse, the airline has lost Greg's luggage. From these two starting premises follow a cascading series of hilarious disasters that accumulate in a septic tank fire on the lawn. I'm not sure, but I think I saw this one in the theaters when it came out in 2000, and I thought it was funny then. With 26 years of additional life experience under the belt, I still think it's pretty funny, though you could still tell that this movie was filmed before 9/11 because if Greg had his airport meltdown seen today, the consequences would've been much worse. Overall grade: B+ Next up is O Brother Where Art Thou, which came out in 2000. This is a very, very, very specific adaptation of The Odyssey directed by the Coen brothers. George Clooney plays Everett, a convict who escapes from a chain gang in Mississippi during the Great Depression. He wants to find a treasure and he recruits fellow convicts Delmar and Peter to assist him. Along the way, Everett and his team encountered 1930s era versions of the Sirens, the cyclops, the blind prophet Tiresias, and other characters and foes from the original Odyssey myth. Everett and his friends end up running a scam where they pretend to be a Christian music group, but as it turns out, they're actually pretty good at singing, so this leads to unexpected hilarity and opportunities. This was also a very funny movie. Imagine The Odyssey is a comedy with a lot of singing set in the Deep South during the Depression, and you're there. If you're a fan of bluegrass music, this is worth watching. If you've seen Christopher Nolan's The Odyssey, it's worth watching this just to ponder how the same source material can produce such wildly divergent interpretations. If you don't care about The Odyssey, then this is still a fun movie to watch. Proof: I mentioned to someone that I had seen this and she responded that she both loved the movie and was surprised to learn that he had in fact been inspired by The Odyssey. Overall grade: A- Next up is Hoppers, which came out in 2026. Like most Pixar movies, this was very high concept. Unlike many recent Pixar movies, it wasn't too depressing and didn't disappear up its own tailpipe. In the city of Beaverton, hot tempered girl Mabel bonds with her grandmother in their favorite place, a woodland grove favored by beavers. Years later, Mabel is a biology student under Dr. Fairfax, but is neglecting her studies to face off against her nemesis, the popular yet sketchy Mayor Jerry of Beaverton. Mayor Jerry wants to build an expressway that will wipe out the woodland grove, and he's perfectly within his rights to do it since no animals have been found living there. Since Mabel's grandmother has died, she's unwilling to give up the grove. However, Dr. Fairfax's research might give her a way. Dr. Fairfax has worked out a way to temporarily transfer human consciousness to a robotic beaver capable of speaking to real beavers, much like the plot of Avatar. In a funny scene, Fairfax angrily denies that it's just like Avatar. Mabel gets the idea to use this to convince real beavers to settle in the grove, thereby thwarting Mayor Jerry's plans. This touches off both a wacky yet poignant adventure. The plot was very well structured and it followed the proper rules of story structure, which I've talked about before. Mabel definitely is a protagonist who takes action, but experiences setbacks and problems of her own creation. It was pretty good. I say it was a return to form for Pixar after some of their weaker movies in the 2020s. Overall grade: A Now it's time for my three favorite movies of summer 2026, all of which I actually saw in the theater. First up is Coyote versus Acme, which came out in 2026. This movie had an extra surge of popularity from the fact that Warner Brothers canceled it as a tax write-off, but distributor Ketchup Entertainment revived it. That makes it a plucky underdog since Warner Brothers senior executives are kind of like the apex version of soulless corporate bug men. Like if I wrote characters in my books who acted like Warner Brothers senior executives, people would think I was being didactic and heavy-handed. Anyway, after decades of failures in efforts to capture the Road Runner, Wile E. Coyote decides to sue Acme Corporation for its numerous defective products. Coyote teams up with a lazy strip mall lawyer named Kevin Avery, who specializes in getting small settlements from Acme. However, Avery and Coyote end up filing a massive lawsuit against Acme, which means they'll face the full wrath of Acme Corporation, including its ace lawyer Buddy Crane and its ruthless CEO, Foghorn Leghorn. What follows is a comedic courtroom battle as Coyote and Avery try to defeat Acme Corporation, defeat its sinister plans, and Coyote starts to realize that Road Runner might actually be his best friend. Both quite amusing and touching, and I'm glad this was rescued from the tax write-off vault. Overall grade: A Next up is The Odyssey, which came out in 2026. This wasn't quite as good as Oppenheimer in 2023 in my opinion, but it was still very good and very much worth seeing. It was weird that The Odyssey was briefly a football in the never-ending US culture war scrum because the movie isn't really political and doesn't really have a message beyond "war is destructive and bad", which every sensible person would agree with, and a lesser message of "violating the law of morality has unforeseen cascading bad consequences, including the destruction of civilization", which is also quite true and was one of the themes of Oppenheimer. Nolan himself dismissed the controversies as "irrelevant" and "part of the territory" since no one had actually seen the movie yet, and given that The Odyssey has made a billion and a half dollars as of this recording, I think that may have proved his point. I imagine the scrutiny from Batman fans back in the 2010s was way more intense since in the modern era, many people care more deeply about the accuracy of Batman than The Odyssey. I do think the debate over the historical accuracy in The Odyssey is pointless because the Odyssey is myth, not history. The Iliad and The Odyssey are a lot like Arthurian myth in terms of their actual historicity. Even when Arthurian legend was massively popular with English kings and nobles in the late medieval and early modern period (for example, Henry VIII's older brother was named Arthur in imitation of King Arthur), the version of Arthurian myth they celebrated and wished to emulate had virtually no connection to the reality of Britain in the 500s AD and was instead a sort of fantasy version of their own time in the 14th and 15th centuries. By the time The Odyssey was written down, no doubt a similar process was underway. Both The Iliad and The Odyssey and the Arthurian cycle probably have a kernel of historical truth buried underneath the tales of magic swords, sirens, cyclopses, and vengeful witches with magic islands. There likely was a Romano-British warlord who might have been named Arthur (or possibly Ambrosius Aurelianus) who held off the Saxons for a while before he was overwhelmed and killed. Likewise, Heinrich Schliemann was a highly eccentric and very sketchy crazy rich guy, but he did prove that there really was some version of the city of Troy that was destroyed at the end of the Bronze Age. But everything beyond those basic details came from thousands of years of embellishments and flourishes from later poets and writers. So arguing about the historical accuracy of The Odyssey is a bit like arguing if Star Wars portrays faster than light travel in an accurate way. That kind of argument is just missing the point entirely. It's also interesting to see how modern standards clashed with the ancient mindset. You know how I always say that everywhere in the United States is exactly the same right until it really, really isn't? I think ancient people are just like us until they really, really weren't. Like ancient people would have been superstitious to an extent that even the most credulous crystal and aura influencer on TikTok would find horrifying and frequently violent in a way that the most strident self-defense advocate would find shocking. The Odyssey's version of Odysseus feels guilt and remorse over his actions in a way an actual ancient Greek probably wouldn't have, but so what? This is The Odyssey viewed through the lens of the 21st century, just as those English nobles viewed the myth of King Arthur and his knights through the lens of their time. As I mentioned with Troy above, the ancient Greeks were often quite brutal and would celebrate sacking an enemy city. One side note before we get to the movie, I probably found it funnier than I should have how Nolan favorably cited classicist Emily Wilson's translation of The Odyssey as a source, and Wilson then had an extended and unintentionally comedic multi-article crashout about how much she hated the movie and of course how much she hated the commemorative Trojan Horse popcorn bucket. Apparently Wilson hated the movie so much she's going to do a new translation of The Odyssey, much to her publisher's baffled dismay. No one does offended huffy petulance quite like an academic. Anyway, back to the movie. It follows the familiar story of Odysseus through Christopher Nolan's preference for non-linear storytelling and practical effects. I did think it was interesting how in this interpretation, Odysseus explicitly connected the ruse of the Trojan Horse with the collapse of the Bronze Age and the rise of the Sea Peoples. It's also probably the most supernatural film Nolan has ever done with actual fantasy and supernatural elements as opposed to science fiction like Inception, Tenant, and Interstellar. Odysseus talks to Athena throughout the movie and it's left up to the viewer's interpretation whether or not he's actually talking to Athena or his own guilt-ridden hallucinations. That said, Odysseus encounters a witch with actual magic powers and travels to the underworld to speak with the shades of the dead, so it's entirely possible he's talking to the actual Athena. In this version, as I mentioned, Odysseus is guilt-ridden over the ruse of the Trojan Horse, which is shown as a violation of the sacred hospitality of Zeus's law and as great a crime as the creation of the atomic bomb in Oppenheimer, which of course is similar to Oppenheimer, where Oppenheimer's creation of the atomic bomb is treated similarly. There are also some genuinely scary sequences in the movie. The bit with the underworld is very spooky, the cyclops is actually quite frightening, and the character of Circe reaches the level of scary previously attained by Heath Ledger's version of The Joker in The Dark Knight. If Nolan ever decides he wants to do a horror movie, it will probably be one of the scariest ones ever made. To sum up, The Odyssey has great performances, great spectacle, great cinematography, and great action sequences. As an interesting interpretation of the original myth, definitely worth seeing. I think you can tell it was a great movie because of all the arguments on the Internet about "what does it really mean?" Great art often has that effect. Overall grade: A The final of my three favorite movies of [Summer] 2026 is Spider-Man: Brand New Day, which came out in 2026. There's a rumor, and I don't know if it's true or not, that Tom Holland found the experience of working with Christopher Nolan on The Odyssey so eye-opening that he insisted that if they made another Spider-Man movie, it had to have a reason for existing other than "make a lot of money". If this story is true, it clearly worked. Previously, I though the two best Spider-Man movies were Spider-Man 2 from 2004 and Spider-Man: No Way Home from 2021. I must now amend that opinion to say that there are three best Spider-Man movies and Spider-Man: Brand New Day is one of the three. It is pretty good. I would've trimmed it here and there, but I thoroughly enjoyed it and is an excellent Spider-Man story that totally captures the essence of the character within a good story. It takes place four years after the events of No Way Home erased everyone's memory that Peter Parker was Spider-Man. Peter has now been crime fighting full time, but it is taking a severe toll on his emotions and personal life that he's deliberately ignoring. Meanwhile, Spider-Man has become the beloved crime fighter of New York, trusted by both the NYPD and the Federal Department of Damage Control, which is a reoccurring frenemy for superheroes from other movies. When someone launches an attack on the headquarters of Damage Control, the director recruits Peter to fight their new enemy, a mysterious figure who uses telepathy to possess people from a distance. Peter is the only one who can sense it thanks to his spider sense, and he's also the only one able to resist the telepath's possession abilities. But despite his resistance to possession, fighting a telepath is a dangerous proposition for someone with as many emotional issues as Peter, and things start to spiral out of control when the telepath starts digging into his life. But there's another lesson Peter has to learn. People (and especially superheroes) who take the federal government at its word tend to regret it. For that matter, ignoring his emotional issues is causing Peter's spider powers to start acting in strange ways. But of course, at the end of the day, Spider-Man always follows his conscience, no matter how high the cost to him personally. Definitely an enjoyable movie. All the scenes with Spider-Man and Punisher were great, and the two of them had a great dynamic together. A few other Marvel Cinematic Universe people show up, but this is probably one of the most standalone movies the MCU has done in a while. Of course, the risk of MCU Continuity Lockout is always there (which is one of the reasons I started writing Half-Eleven Thief in 2023). Overall grade: A So I would say it was a pretty good summer for movies. It's also valuable lessons in not taking the Internet too seriously, which too many people do nowadays. There are all these dedicated analyses on X, Threads, and Reddit in June and May explaining why The Odyssey was going to fail for whatever reason, and instead it made $1.5 billion. So I think that's a good lesson in not taking everything you read on the internet a little too seriously. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show enjoyable. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

Howdy, Void! We're in the south this week, discussing O Brother Where Art Thou, thinking of Dolly, and wondering how the Cohen brothers thought this movie was related to the epic, the Odyssey? Is it about faith, fate, or fortune? We're honestly not sure, but it's got a banger soundtrack. Erin gets another chance to talk about moonshine while Brennan shares that he was this close to being on the national news for all the wrong reasons. We really enjoyed the idea of Pete turning into a horny toad but wished that there was a little more justice for Penny. But let's all agree that George Nelson was honestly the worst. 

In which Rachel and Lauren are joined by special guest Andrea to break down their favorite and not so favorite Muppets in different categories.Listen along to the 2026 Listener Submitted Playlist: https://music.youtube.com/playlist?list=PLI2PLl03a020&si=RCw6RDK4bCCbfiheAnd submit your review for O Brother Where Art Thou: https://docs.google.com/forms/d/e/1FAIpQLSdr_2vNcBNSFlZ5MFdvg9cVBlu6QQbbQe3bmrKywf-xoJ74og/viewform?usp=sharing&ouid=115836138571651474114

On the 530th episode of Piecing It Together, Rachel Wagner joins me to talk about The Rivals of Amziah King. This electrifying new movie from writer/director Andrew Patterson stars Matthew McConaughey and a whole lot of bees. Puzzle pieces include O Brother Where Art Thou, Mud, Thelma and Louise and Sinners.As always, SPOILER ALERT for The Rivals of Amziah King and the movies we discuss!Written by Andrew PattersonDirected by Andrew PattersonStarring Matthew McConaughey, Angelina LookingGlass, Jake Horowitz, Kurt RussellBlack BearRachel Wagner is a film critic and runs Rachel's Reviews at https://rachelsreviews.net/She also co-hosts the Hallmarkies Podcast at https://www.hallmarkiespodcast.com/Follow Rachel on Twitter @rachel_reviewsMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

O Brother Where Art Thou is a somewhat musical, somewhat Odyssey retelling, and all story about a trio of idiots who get everything they want (although not exactly how they want it.) We talk about: Seattle Trip, No Other Choice, The Bitter Tears of Petra von Kant, Hell Maiden, Cacadia, Breaking Bad Finale, Return Of The King Is Bad, WWE2k Modding, Restory, U-Haulin', FF7, Fields Of Misteria, Heavenly Creatures, More Coen White People, Blind Seer, Selling Your Soul, Singin', Movie Twins, Horny Toad, Meeting At The Urinal, Spread My Seed, Put Him In The Tower, My Wife The Quest Giver, Deep Cut Odyssey, Tight Spot, Southern Off, Psylocke, Inflation, Idiot Trio,

In which Rachel and Lauren draft a team of women to compete against each other! See which team comes out on top!Also, feel free to listen along to this year's Listener Submitted Playlist: https://music.youtube.com/playlist?list=PLI2PLl03a020Come back in September to hear our reviews of your songs!And submit your reviews for O Brother Where Art Thou by September 10th! Submit your review here: https://docs.google.com/forms/d/e/1FAIpQLSdr_2vNcBNSFlZ5MFdvg9cVBlu6QQbbQe3bmrKywf-xoJ74og/viewform?usp=sharing&ouid=115836138571651474114

Anthony Bourdain, whose early experience working in a restaurant kitchen is chronicled in the new biopic Tony, once singled out Ratatouille as Hollywood’s best depiction of working in a restaurant kitchen, which is all the invitation we need to revisit Brad Bird’s 2007 Pixar classic. So this week, with the help of Vulture critic Roxana Hadadi, we consider how Ratatouille trusts its viewers to accept an audacious premise, and rewards them in emotional payoff; parse the nuances and contradictions of its “anyone can cook” mantra; and lament that its lone female character of consequence falls victim to Trinity Syndrome. And yes, of course this group of critics has some thoughts on Anton Ego and the film’s take on criticism. Then in Feedback, we discuss a short excerpt from a much longer, in-depth analysis we received in response to our O Brother Where Art Thou? episode. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Anthony Bourdain, whose early experience working in a restaurant kitchen is chronicled in the new biopic Tony, once singled out Ratatouille as Hollywood’s best depiction of working in a restaurant kitchen, which is all the invitation we need to revisit Brad Bird’s 2007 Pixar classic. So this week, with the help of Vulture critic Roxana Hadadi, we consider how Ratatouille trusts its viewers to accept an audacious premise, and rewards them in emotional payoff; parse the nuances and contradictions of its “anyone can cook” mantra; and lament that its lone female character of consequence falls victim to Trinity Syndrome. And yes, of course this group of critics has some thoughts on Anton Ego and the film’s take on criticism. Then in Feedback, we discuss a short excerpt from a much longer, in-depth analysis we received in response to our O Brother Where Art Thou? episode. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

In true "Odyssey" fashion, we're adding a few more stops to this Homeric kick. Today, it's the Coen Brothers' 2000 adaptation of "The Odyssey" — a banjo-picking romp full of scoundrels, sirens, and Depression-era commentary on the battle between newness and nostalgia. My sister Grace is here to discuss why "O Brother Where Art Thou?" was one of our childhood touchstones, flex some translation knowledge, and play a disturbing album sales game.

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

In which Rachel and Lauren tried to go on a memory lane, near 9 year anniversary field trip to Menchies...and the audio did not record. Whomp whomp. So they played a game to see how well they know each other instead.Remember to submit your 3 songs for the playlist! Current obsession, song with a sweet sweet instrument solo, and a song that grounds you!And watch O Brother Where Art Thou by September.

The Summer of Jason goes on a long journey as welcome long lost, yet most frequent Escape Hatch recurring guest, co-host of the Cinenauts podcast, ctcher! In preparation for Christopher Nolan's magnum opus The Odyssey next week, we revisit one of the greatest adaptations of Homer's classic work, the Coen Brother's 2000 masterpiece starring George Clooney, O Brother Where Art Thou?Chapters Introduction (00:00:00) Hatch News (00:20:16) O Brother Where Art Thou Roundtable (00:26:51) Your Letters (01:22:45) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Before Christopher Nolan's latest epic retelling of Homer's Odyssey, Let's chat about one of the world's oldest work of literature and review the 2000 loosely based adaptation from the Coen Brothers, O Brother Where Art Thou. Starring George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Badalucco, John Goodman and Holly Hunter in supporting roles.It follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem the Odyssey.Hosted on Ausha. See ausha.co/privacy-policy for more information.

That's IT! I've had it with these motherf*ckin' SNAKES on this motherf*ckin' PODCAST! Our ongoing surprise series JetBag: Emergency Landing continues with another instalment, and this one is a real first class episode if I do say so myself. Featuring yet another Evil Flight Attendant theory, reflections on the band Cobra Starship, and a pitch for a brand new Obra Dinn-alike video game (TM TM TM). Over in the Pop Corner we talked about so many things I've divided them into categories: New Release Movies The Invite, Toy Story 5, Couture Old Movies Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982), Orpheus (1950), The Doom Generation (1995), Crooked House (2017), O Brother Where Art Thou (2000), Kiki's Delivery Service (1989), A Woman Under the Influence (1974) TV The Traitors NZ Season 3, Widow's Bay Video Games Alice: Madness Returns (2011), The Seance of Blake Manor (2025), Ratline (2026), Utter a Name (2025) Music CMAT's Euro-Country (2025) RIP Bonnie Tyler, your rasp will live on forever.

In which Rachel and Lauren give progressively easier quotes to each other to guess the movie.Comprising films from the 2010s, 2000s, 1970s, and 1940s. Submit your songs to the Listener Submitted Podcast Playlist! 1 - Current Obsession2 - Song with a sweet, sweet instrument solo3 - Song that grounds youAnd remember to watch O Brother Where Art Thou and submit your review here: https://docs.google.com/forms/d/e/1FAIpQLSdr_2vNcBNSFlZ5MFdvg9cVBlu6QQbbQe3bmrKywf-xoJ74og/viewform?usp=send_form

This...is Film Club. Join Rachel and Lauren as they discuss Kubo and the Two Strings, the intersection of justice and mercy, and what origami gift they'd want Kubo to make them.Watch the third annual Film Club, O Brother Where Art Thou, and submit your review by September 10th to be included in the next Film Club episode: https://forms.gle/479DnYntseEWBnxJ9

Message us ANONYMOUSLYIt's finally 'Ben's Birthday Bash 4: You Want Some More?!' and we are joined by requested Guest: Jess(ica) Erin Martin to review Ben's pick "O Brother, Where Art Thou?" (2000 Dir. Joel & Ethan Coen). The episode tells a story about a story about a story with a horny toad, a Cyclops, sacred cows, singing into a can, psychos, sirens, suitors, Soggy Bottom GIRL, and how no matter how hard you ride them... Wild Hogs Can't Be Broken. BONUS! - An advance listen to the trailer for Ben's short film "Rough Ways." 6/23!MORE WITH JESSICA:Wild Hearts Can't Be BrokenGremlinsSupport the show**All episodes contain explicit language**Main Artwork - Ben McFadden'Review Review Intro/Outro' Themes - Jamie Henwood"What Are We Watching?" & "Whatcha Been Doin'?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul Root ("Shelf Help" - Paul Root)Podcast/Program Concept - Paul Root

O Brother Where Art Thou is a somewhat musical, somewhat Odyssey retelling, and all story about a trio of idiots who get everything they want (although not exactly how they want it.) We talk about: Seattle Trip, No Other Choice, The Bitter Tears of Petra von Kant, Hell Maiden, Cacadia, Breaking Bad Finale, Return Of The King Is Bad, WWE2k Modding, Restory, U-Haulin', FF7, Fields Of Misteria, Heavenly Creatures, More Coen White People, Blind Seer, Selling Your Soul, Singin', Movie Twins, Horny Toad, Meeting At The Urinal, Spread My Seed, Put Him In The Tower, My Wife The Quest Giver, Deep Cut Odyssey, Tight Spot, Southern Off, Psylocke, Inflation, Idiot Trio,

In which Rachel and Lauren play the "say a character and I'll tell you if it fits the category I'm thinking of" game. Get your Kubo and the Two Strings reviews in ASAP! Announcing the third quarterly film club: O Brother Where Art Thou!

Back in 1962, the Tornados released "Telstar" a spaced out instrumental written and produced by Joe Meek. It was the First Record by a British Rock Group to Reach Number One in the US Hot 100 and it set Meek apart from the record producers of his time. We explore "Telstar" and the Meek's career and legacy, from ingenuity to outer space to paranoia and beyond. Plus, a jaw-clenching Mouthgarf Report and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Telstar_(instrumental) https://en.wikipedia.org/wiki/Joe_Meek https://en.wikipedia.org/wiki/I_Hear_a_New_World https://www.tinymixtapes.com/news/joe-meeks-pop-masterpiece-i-hear-a-new-world-gets-the-chance-to-haunt-a-whole-new-generation-of https://open.spotify.com/album/2icihEwgiDuWvCL80YlWCb?si=7nQM4ZV8Se6gbmq-WmTVTg https://open.spotify.com/track/6W5mQNW9bBqPdZq8RmJeVm?si=b153299c18ea49c7 Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Steven Spielberg Film

On the 514th episode of Piecing It Together, Derrick Murray joins me to talk about Is God Is. This blazing story of revenge from director Alesha Harris based on her own play is out now in theaters. Puzzle pieces include Kill Bill, O Brother Where Art Thou, and Eve's Bayou.As always, SPOILER ALERT for Is God Is and the movies we discuss!Written by Alesha HarrisDirected by Alesha HarrisStarring Kara Young, Mallori Johnson, Sterling K Brown, Vivica A Fox, Janelle MonaeOrion / AmazonDerrick Murray is a film critic and writes for NerdbotCheck out Derrick's work on Nerdbot at https://nerdbot.com/author/derrick-murray/And Follow Derrick on Twitter @DrokcomedyMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/156983152It's the April music exchange! In this installment, Josh and I discuss the O Brother Where Art Thou? soundtrack and the Tony Hawk Pro Skater 3 soundtrack CD. Music by The Soggy Bottom Boys, Alien Ant Farm, and SHADE08 ★ Support this podcast on Patreon ★

The President deploys the F-bomb to try to stop Iran, the US pulls off a daring rescue of an airman, the space toilet is clogged with frozen waste, actor Ray McKinnon ("Ford vs Ferrari," "O Brother Where Art Thou") re-releases a couple of projects very special to him, and more.

It's been four years since Linda Jean Stokley and Montana Hobbs released a full album. The two, better known collectively as The Local Honeys, dropped a 45 last summer and have blessed fans with a couple of new singles in the last couple of months. But there has been no official announcement of a new record coming. We think we may have squeaked out a hint or two that one might be as the two joined Frank and Falls for the latest episode of Roots Music Rambler. The interview was a bit of a Morehead State University reunion for the Honeys and Falls, all three of whom are graduates. And Falls tried to not lapse into his native mountain accent as he and Frank talked to the pair about everything from the purpose of music to protest songs and channeling Pink Floyd to the Kentucky music scene. At the end of the day, Linda Jean and Montana are and will forever be leaders in the use of mountain and traditional music influences in a modern Appalachian sound in Americana music. They not only make great folk-rock and country music, but teach and mentor young musicians with their involvement in programs like Cowan's Creek Mountain Music School. The two are currently embarked on a spring tour with Cole Chaney and well worth the time and investment to see them live.  Frank and Falls also discuss the Grand Ole Opry's 25th Anniversary Celebration of the film “O Brother Where Art Thou” and share Pickin' the Grinnin' recommendations. Falls pointed to a recent live act he saw in Stripmall Ballads. Frank shared a band her son Anthony was amused by on satellite radio: Buffalo Traffic Jam.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Grand Ole Opry's “O Brother Where Art Thou' pics from Falls The Local Honeys online The Local Honeys on Spotify The Local Honeys on Instagram The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Stripmall Ballads on Spotify Buffalo Traffic Jam on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

The full scale invasion of Ukraine began four years ago today. Ukraine Unbroken is an evening of five new plays written in response to the war. David Edgar talks about his, Five Day War, which imagines the puppet government waiting to move in when Kviv falls, and the other dramas. Between the plays Ukrainian musician Mariia Petrovska sings and plays the bandura. She talks about her involvement and the bandura, the national instrument that was once banned. And Mariia plays and sings live in the studio.As Oscar-winning British cinematographer Sir Roger Deakins looks back at his career through his visual memoir Reflections: On Cinematography, he talks to Samira about his practical and inventive approach to working on many iconic films such as 1984, O Brother Where Art Thou, 1917, tackling sci fi on Bladerunner 2049 and Bond with Skyfall. The government has announced the introduction of new legisation to introduce monitoring by Ofcom of streaming services. Front Row explores the implcations of this.And we consider the novels selected for the International Booker Prize longlist, announced today with writer and head judge Natasha Brown. The books in contention are: The Nights Are Quiet in Tehran by Shida Bazyar, translated from German by Ruth Martin We Are Green and Trembling by Gabriela Cabezón Cámara, translated from Spanish by Robin Myers The Remembered Soldier by Anjet Daanje, translated from Dutch by David McKay The Deserters by Mathias Énard, translated from French by Charlotte Mandell Small Comfort by Ia Genberg, translated from Swedish by Kira Josefsson She Who Remains by Rene Karabash, translated from Bulgarian by Izidora Angel The Director by Daniel Kehlmann, translated from German by Ross Benjamin On Earth As It Is Beneath by Ana Paula Maia, translated from Portuguese by Padma Viswanathan The Duke by Matteo Melchiorre, translated from Italian by Antonella Lettieri The Witch by Marie NDiaye, translated from French by Jordan Stump Women Without Men by Shahrnush Parsipur, translated from Persian by Faridoun Farrokh The Wax Child by Olga Ravn, translated from Danish by Martin Aitken Taiwan Travelogue by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin KingPresenter: Samira Ahmed Producer: Julian May

It's the middle of award season, and Ryan Coogler's ode to the Black music canon Sinners has emerged as the Oscars frontrunner and the most nominated film in Academy Awards history. The love the movie has for the Delta blues is front and center, and begs the question: will the movie's legacy help bring the blues back into popular culture? There's already been a precedent for films reviving dead genres – think The Sting and its ragtime score, or O Brother Where Art Thou's relationship to bluegrass – and on this episode of Switched On Pop, Reanna and Nate talk with Vulture writer Fran Hoepfner about the times in which movie soundtracks have shifted the musical culture. Read Fran's piece on movie scoring, The Death of the Classic Film Score, here. Songs discussed: Miles Caton – I Lied to You Bee Gees – Stayin' Alive Underworld – Born Slippy (Nuxx) Marvin Hamlisch – The Entertainer Wu-Tang Clan – Fast Shadow Bee Gees – More Than A Woman Whitney Houston – I Have Nothing Harry McClintock – The Big Rock Candy Mountain Alison Krauss – Down To The River To Pray The Soggy Bottom Boys – I Am A Man Of Constant Sorrow *NSYNC – Bye Bye Bye The Brian Setzer Orchestra – Jump Jive An' Wail Cab Calloway – Minnie the Moocher Royal Crown Revue – Hey Pachuco! Caravan Palace – Lone Digger Big Bad Voodoo Daddy – Go Daddy O Squirrel Nut Zippers – Hell Fergie, Q-Tip, GoonRock – A Little Party Never Killed Nobody Lana Del Rey – Young And Beautiful Max Richter – On the Nature of Daylight Kavinsky – Nightcall College, Electric Youth – A Real Hero M83 – Midnight City The Weeknd – Take My Breath Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor Tim Blake Nelson is known for his work in "O Brother Where Art Thou," "Watchmen" and most recently, "The Lowdown." In addition to his work as a playwright, photographer, director and filmmaker, his second novel, Superhero, a satire about the Hollywood industry of blockbuster films, is available now. Nelson discusses the book and his many other projects.

Actor Tim Blake Nelson, known for roles in “O Brother Where Art Thou” and most recently “The Lowdown,” is coming back to Tulsa with his new book, Superhero.He will be at Congregation B'nai Emunah in Tulsa on Thursday for a book talk presented by Magic City Books and will also host a screening of his new film “On the End” at Circle Cinema on Friday.He talks about his upbringing in Tulsa and filming in Oklahoma and why superhero movies reflect American society.

After a kid related hiatus, we are back.  Matt and Jay catch up and hit a couple of topics: What is DC K.O.?   Warner Bros potential sale We then catch up on homework, limiting it to movies and TV shows, including Materialists, Before We Go, Heads of State, Novocaine, The Wild Robot, The Quiet Place, O Brother Where Art Thou, Big Fish, Paper Towns, Hundreds of Beavers, Honey Don't, I Like Me (John Candy Documentary), High Potential S1, Task S1, Peacemaker S2, The Four Seasons, The Way Home, Nobody Want This, Brightburn, The Substance, Evil Dead 2, Strange Darling, 28 Years Later, Dead Zone, 40 Acres, Death of a Unicorn, Vicious, Significant Other, Lowlifes, The Owners, You Hurt My Feelings, and Batman vs Teenage Mutant Ninja Turtles. This week's beer was Mother's Brewing's Oktoberfest.  The featured song is "Time Machine" by Mylo Bybee. You can find them on the Nyrdcast Featured Music Playlist and at: Website | Instagram | YouTube | Facebook Check us out at our website and on social media.  Don't forget to rate and review the podcast on iTunes or wherever you listen to your podcasts.

00:00 - 8:30ish - Intros: Our friend and show patron, Ryan, joins us off screen/mic, Warhammer, the price of a PCCB,    8:30ish - 44:00ish - The other stuff we watched this time!   Curtis - Evil Dead II, In the Lost Lands, A Better Tomorrow, The Conjuring: The Devil Made Me Do It, The Conjuring: Last Rites, Friendship, The Pit, Highlander, Ms. 45, O Brother Where Art Thou? The Pack (Community)   Austin - The Roses, Guardians of the Galaxy, 47 Meters Down, I Saw the Devil   Cody - The Pack (Community), The Roses, The Toxic Avenger, The Ugly Stepsister, Predator: Killer of Killers, Lilo & Stitch (2025), 5 Nights at Freddy's, Darkman, Until Dawn, Peter Pan's Neverland Nightmare, Dangerous Animals   Lucas - 47 Meters Down, The Green Knight, Caught Stealing, Inglourious Basterds, Coco, The Life of Chuck, The Sword and the Sorcerer, Dollman   44:00ish - 1:17:00ish - 47 METERS DOWN UNCAGED - SHUDdown and discussion!   1:17:00ish - End - “Blbwblbwblbwblbwblbw” - Underwater Horror awards and our next theme!

Laughter—why does it happen? Brilliant filmmaker and comedy consigliere Ian Faria joins the study group to break down comedy in all its forms, be it slapstick physical violence, zinging dialogue, or a slow-burn silent reveal. Ian is just wrapping up post-production on a feature with his comedy group Simple Town and has much to share. This episode is the whole ball of wax and you're just gonna love it—definitely stay tuned to the very end for a surprise...! Coens covered: No Country for Old Men, Raising Arizona, The Big Lebowski, O Brother Where Art Thou?, The Ladykillers, Burn After Reading Plus: Friendship, Simple Town Goes to London Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Oscar-winning writer/director Ethan Coen (No Country For Old Men, Fargo) and wrtier/producer/editor Tricia Cooke (The Big Lebowski, O Brother Where Art Thou) collaborate on their second film together for the second year in a row after 2024's Drive Away Dolls.  And once again, their film stars Emmy-nominee Margaret Qualley (Maid, Fosse/Verdon, The Substance) who this time is playing the titular Honey Donohue, who is a private detective investigating multiple murders around Bakersfield....could those crimes be connected?  And do they all lead to the local corrupt preacher Drew Devlin played by Chris Evans? (Captain America trilogy, Knives Out, Sunshine) And just how does a local cop named MG Falcone (Aubrey Plaza) whom Honey strikes up a romance with exactly factor into all of this?  Let's find out if even just one Coen brother can keep the magic going....  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

SHE'S ALIVE!! WHAT A FINALE! Severance Full Episode Reacton Watch Along:   / thereelrejects   Go to https://www.HelloFresh.com/REJECTS10FM now to Get 10 Free Meals + a Free Item per box for Life with active subscription! Severance Reaction, Recap, Commentary, Analysis, & Spoiler Review! Greg Alba & John Humphrey dive deep into Episodes 7, 8, & 9 (Defiant Jazz, What's for Dinner?, The We We Are). These episodes deliver some of the most shocking twists and emotional reveals of the series so far. From Mark's (Adam Scott – Parks and Recreation, Step Brothers) discovery about Gemma (Dichen Lachman – Altered Carbon, Agents of S.H.I.E.L.D.), to Irving's (John Turturro – The Big Lebowski, O Brother Where Art Thou, The Batman) heartbreaking journey toward Burt (Christopher Walken – The Deer Hunter, Catch Me If You Can), and Helly's (Britt Lower – Casual, Man Seeking Woman) massive Eagan family reveal, these final chapters pull the rug out from under us. Patricia Clarkson—sorry, Patricia Arquette (Boyhood, Escape at Dannemora) as Harmony Cobel continues to terrify, while Zach Cherry (Shang-Chi and the Legend of the Ten Rings) brings steady heart as Dylan, especially in his big overtime switch moment. We break down the non-linear structure, the brilliant direction from Ben Stiller, and the cinematography that makes Lumon feel both corporate and sinister. Popular scenes we discuss include: the Defiant Jazz dance party, the Waffle Party reward, the overtime contingency awakening, Helly's gala speech reveal, and of course, Mark's final words: “She's alive.” With Severance Season 2 on it's way to win some emmys, these episodes remain some of the most tense, brilliantly written finales in recent TV history. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we look at the subject of death including - Stephen Ireland; NHS Chestfeeding Workshops;  Billboard Chris wins in Australia; Chris Coghlan vs the Priest; Pascal Robinson-Foster's death chant at Glastonbury; Country of the Week - Thailand; Zoohran Mandani and the artificial construct of violence;  Transfeminist Pregnancy; Turkish Islamists attack LeMan; The UK Governments definition of extreme right wing; Pakistani Drug Dealer can stay in UK to teach son Islam; The effects of Cruise Ships on Climate Change;  the Planet is getting Greener;  O Brother Where Art Thou?  AI and Medicine;  The Thickness of Justin Welby;  The Death of Jimmy Swaggert; and 1 Corinthians 15:55  with music from Alison Krauss; Ralph Stanley; Soggy Bottom Boys; EmmyLou Harris ;  Gillian Welch; Acts Music

Ol “lilly lungs” Lukie is back, celebrating one month and one week of having this cold! Yay! 405 Chaos. Another invention I could/should invent, but won't. Jeff Dye & Fiends at the Comedy Store. Among the many other natural attributes I've been blessed with, I've also come to realize I'm “I'll be right with you” guy. 28 Jeers Later, and O Brother Where Art Thou. (Seriously, where art thou?)

This is a free Demo--Full episode can be found at: patreon.com/c/RememberShuffleThe Shuffle Bois turn from the worst Classics adaptation of the 2000s (Troy) to what might be the best, the Coen Brothers' "O Brother Where Art Thou." After describing the source material - Homer's Odyssey - the bois give a plot summary of the Cohen brothers' southern folklore epic. They then discuss some themes of the film - the North's view of the South in 2000, the place of music in the film, and the various mythologies of the film. They close out, as always, with the echoes in the culture, looking forward to Christopher Nolan's 2026 Odyssey adaptation.

(00:00-19:49) A classic return song just for Doug. How can you not love a little rag time? Jackson with a quick little drop symphony. Audio of Oli Marmol talking about Sonny Gray's start last night. How fast are pitchers going to be throwing in 10 years? Marmol talking about facing Misiorowski in his debut. Cold leftovers. Chairman made gooey butter cake for the guys. Oli talking about Andre Granillo in his debut. Would you rather die young or eat Doug's diet?(19:57-31:16) O Brother Where Art Thou is special to Jackson. Martin loves the movies Rushmore. Antonio Brown in some trouble with attempted murder charges. Vontaze Burfict laid the wood on him. Who plays each of the members of the dais in their biopic? Martin's got some physicality to him.(31:26-43:21) 'Yoff talk. There have been three instances of Game 7's in the Stanley Cup and NBA Finals in the same year. MLB player survey on robo umpires. Self-driving cars. Adapt or die, Doug.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Larry talks about his love for Alison Krauss, the movie "O Brother Where Art Thou", and the city of Owensboro all in hour 2 of Wednesday's show. See omnystudio.com/listener for privacy information.

What movie means the most to the Aeronauts, not because of the film itse;f, but the circumstances around it? Who is Silverclaw? Email us your questions at wordballoonspod@gmail.com

(00:00-27:45) A sufficient apology to the audience. Did a sprinkler head get Walker? Jim Bowden's grades in The Athletic for the Cards offseason. It's surprisingly not great. More of a stand still than a reset. Fun with guessing games. Chairman Steve checking in with us talking housing designs in Jefferson County. Interior design. Cruisin' down 55 to Arnold. Not happy with commercials and the 2Fox live shots. (27:54-38:12) Jackson likes folk music. Never Gonna Give You Up has 1.5B views on YouTube. Jackson's favorite movie is O Brother Where Art Thou. Ozempic. (38:22-59:02) Jackson creating even more controversy from yesterday's EMOTD debacle. I just want peace. John Denton with a Jordan Walker update. MRI results released later today. Very brief audio of John Cooper and Jordan Binnington. Doug is underwhelmed. Audio from Macrodosing talking Moneyball. Whoops. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-27:45) A sufficient apology to the audience. Did a sprinkler head get Walker? Jim Bowden's grades in The Athletic for the Cards offseason. It's surprisingly not great. More of a stand still than a reset. Fun with guessing games. Chairman Steve checking in with us talking housing designs in Jefferson County. Interior design. Cruisin' down 55 to Arnold. Not happy with commercials and the 2Fox live shots. (27:54-38:12) Jackson likes folk music. Never Gonna Give You Up has 1.5B views on YouTube. Jackson's favorite movie is O Brother Where Art Thou. Ozempic. (38:22-59:02) Jackson creating even more controversy from yesterday's EMOTD debacle. I just want peace. John Denton with a Jordan Walker update. MRI results released later today. Very brief audio of John Cooper and Jordan Binnington. Doug is underwhelmed. Audio from Macrodosing talking Moneyball. Whoops. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the sixty-second episode of The Cinematic Odyssey, though recorded on September 29, 2024, Tristen and Max dive into their first look at the Coen Brothers and their 2000 epic "O Brother Where Art Thou?". They go through ghost stories and fables of the actual American South while comparing this film to Homer's Odyssey, with Max also gushing over the banjo and the Soggy Bottom Boys. Tristen and Max also dive into the idea of deus ex machina (dir. Alex Garland) and how the movie is far more Greek than it appears. 

October 2024 Dante's Old South Major Jackson is the author of six books of poetry, including Razzle Dazzle: New & Selected Poems (2023) and The Absurd Man (2020). He is also the author of A Beat Beyond: The Selected Prose of Major Jackson . A recipient of fellowships from the Academy of American Poets, The National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. Major Jackson lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He serves as the Poetry Editor of The Harvard Review and hosts the podcast – The Slowdown. www.majorjackson.com Tim Blake Nelson is an actor, writer, director, and producer who has appeared in over ninety films including Just Mercy, Lincoln, Holes, The Incredible Hulk, Meet the Fockers, Minority Report, O Brother Where Art Thou?, The Ballad of Buster Scruggs, and Old Henry. Other recent acting credits set for release in 2023 and 2024 include The Bricklayer, Bang Bang, Captain America: New World Order, and Invisibles. His playwriting credits include Socrates, Anadarko, The Grey Zone and Eye of God, the last two of which Nelson adapted and directed for the screen. Other film directing credits include O, Leaves of Grass, and Anesthesia the last two of which he also wrote. His first novel, City of Blows, was published earlier this year and will be released as a paperback in early 2024. Geoffrey Owens was born and raised in the Prospect Heights section of Brooklyn, New York. He attended New York City public schools before attending Yale University.He has had a notable career as a teacher and an actor. On television, he played ‘Elvin' on NBC's “The Cosby Show,” as well as roles on numerous other shows, including “It's Always Sunny in Philadelphia,” “Power,” and “Divorce.” He currently lives in Montclair, New Jersey. He thanks Josette for all her support. https://shorturl.at/y4m5D Seth Ingram is a seasoned film producer, educator, and Creative Director of the Rome International Film Festival (RIFF), where he has elevated the event into one of Georgia's most celebrated showcases for independent cinema. As the founder of the Film Program at Georgia Highlands College, Seth also serves as Division Chair of Film, Theatre, and Digital Entertainment, where he mentors emerging filmmakers. His production work includes films such as Signing Day, Spirit Halloween: The Movie, and Outlaw Posse. Recently, he was named one of Georgia's most influential figures in the creative economy by Georgia Entertainment News. Mobley, acclaimed indie singer/songwriter and multi-instrumentalist, returns with a rhapsodic new single, "Y'r Ghost," via Last Gang Records / MNRK Music Group. Written, performed, and produced by Mobley himself, this release signals his reemergence from the studio, where he's been fervently crafting the sci-fi epic foreshadowed on his late 2022 EP Cry Havoc!. “Y'r Ghost” offers a first glimpse of the next installment of this sweeping sonic and narrative world. www.mobleywho.com Additional Music by: Logan Mac “Dance Under Stars” Special Thanks Goes to Our Sponsors: Lucid House Press: www.lucidhousepublishing.com Whispers of the Flight: https://shorturl.at/eAhoD The Crown: www.thecrownbrasstown.com The Red Phone Booth: www.redphonebooth.com Bright Hill Press: www.brighthillpress.org UCLA Extension Writing Program: www.uclaextension.edu Mercer University Press: www.mupress.org NPR: https: www.npr.org WUTC: www.wutc.org The host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: https://shorturl.at/Fwv48 Check out his Teachable courses, The Working Writer and Adulting with Autism, here: https://shorturl.at/9bsU3

SEASON 2 - EPISODE 108 - TIM BLAKE NELSON - ACTOR / WRITER / DIRECTOR On this episode of the Team Deakins Podcast, we speak with actor, writer, and director Tim Blake Nelson (LEAVES OF GRASS, THE BALLAD OF BUSTER SCRUGGS, LINCOLN) about a wide range of topics. We had the pleasure of working with him on O BROTHER WHERE ART THOU?, and we had a wonderful time catching up with him. We learn all about his journey from Oklahoma to his first breaks as an actor, and we discuss the artistic and academic foundation that informs his choices as a filmmaker. James and Tim both studied the classics in college, and they compare their Latin and Greek syllabi and reflect on how they still draw from what they learned during their education. Picking the subject back up later in the episode, we also learn the truth behind the apocryphal myth as to whether anyone actually read Homer's Odyssey before shooting O BROTHER. Tim later reflects on his parallel career as a playwright, and we learn why he doesn't direct his own plays as he muses on the different demands of conceptualizing a story for the stage versus one for the screen. Later, we discuss his career as a director, and Tim shares his increasingly difficult experiences funding his independent films. Towards the end, we discuss his recent role as the star of his son's feature debut, ASLEEP IN MY PALM, and we ask Tim about his recent novel, CITY OF BLOWS, and learn how the story was inspired by Tim's real experiences in Hollywood during the COVID-19 pandemic. - This episode is sponsored by Aputure

Jimbo forgot to add Bond's segment to the main episode of O Brother Where Art Thou, so he is releasing a solo episode for Bond's segment of the podcast Hosted on Acast. See acast.com/privacy for more information.

Jimbo and Kyle review O Brother Where Art Thou? This movie is about 3 escaped convicts trying to make it back to their families. While being pursued by law enforcement, they take on the persona of the Soggybottom Boys, and record a hit song. Hosted on Acast. See acast.com/privacy for more information.

TIM BLAKE NELSON - Actor, writer, director, and producer Tim Blake Nelson has appeared in over ninety feature films, including Steven Spielberg's Lincoln, Ang Lee's Billy Lynne's Long Halftime Walk, Louis Letterier's The Incredible Hulk, Jay Roach's Meet the Fockers, Steven Gaghan's Syriana, Miguel Arteta's The Good Girl, Steven Spielberg's Minority Report, Terrence Malick's The Thin Red Line, Andrew Davis' Holes, and the Coen Brothers' O Brother Where Art Thou? Nelson also starred as the title character in Netflix's The Ballad of Buster Scruggs, written and directed by the Coen Brothers. He next appears in Marvel's Captain America: New World Order, reprising his role as “Samuel Sterns” from The Incredible Hulk. Andrew Liner - Andrew Liner can most recently be seen starring in Peacock's VAMPIRE ACADEMY from Executive Producer Julie Plec and can currently be seen in HBO Max's original film, GRAY MATTER. Next up, he will be shooting a lead role in Destry Spielberg's directorial debut, PLEASE DON'T FEED THE CHILDREN opposite Michelle Dockery. Vincent Grashaw - Director/Editor And Then I Go with Melanie Lynskey, Justin Long, and newcomers Arman Darbo and Sawyer Barth. Also, What Josaiah Saw and Coldwater. Synopsis: Retired pugilist Bernard “Bang Bang” Rozyski (Tim Blake Nelson) is inspired to try his hand at training once he reconnects with his estranged grandson. While their training brings Bang Bang out of the hole he's been living in, everyone questions his motivations, including an ex-girlfriend from decades ago, who was privy to Bang Bang's meteoric rise in the sport in the 80s as well as the rivalry with his former opponent, her cousin and Detroit's Mayoral candidate Darnell Washington. Is Bang Bang merely passing down inherited rage, or is there true altruism behind his tutelage? Questions: Vincent Grashaw - How did he come across this script from Will Janowitz? Why he chose to edit the entire film and taking a month? How did editing inform your directing? How did his background inform what he wanted to say about boxing? Tim - How did this script come to you? What went into the preparation for this film? Andrew - What was the audition like? How did you guys do the droopy eye and why was that important to include? Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠ For more like this, try TRIBECA: Lisa Edelstein and Gina Torres discuss "THE EVERYTHING POT" --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

T Bone Burnett is one of the most accomplished music producers of the past 50 years. He sits down with Guy to talk about buying a recording studio at age 17; being pushed out of his creative comfort zone by Bob Dylan on the Rolling Thunder Revue tour; building soundtracks for the Coen Brothers and True Detective; and why, at age 76, he's the happiest and most creative he's ever been.T Bone's new album, The Other Side, is available here: https://shop.tboneburnett.com/Links from the Show: Rolling Thunder Revue documentary on NetflixTrue Detective Season 1 soundtrackBig Lebowski soundtrackInside Llewyn Davis soundtrackGeorge Clooney performing I Am a Man of Constant Sorrow in O Brother Where Art Thou? Los Lobos: How Will the Wolf Survive? AlbumT Bone's InstagramFor more conversations like this – with guests ranging from Diplo to Jewel to Andy Garcia to Tom Hanks – go to https://www.thegreatcreators.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every major filmmaker has to start somewhere....and this Neo-Noir thriller was the feature filmmaking debut for Joel and Ethan Coen forty years ago.  Yes the same brothers who have delivered many memorable films since then including Fargo, The Big Lebowski, O Brother Where Art Thou, Inside Llewelyn Davis, and No Country For Old Men for which they won Best Picture at the Oscars.  This is the simple story of four people in the heart of Texas: a bar owner (Dan Hedaya), his wife (Frances McDormand), her secret lover (John Getz), and the mysterious stranger (M. Emmet Walsh) hired by the bar owner to spy on them....and possibly more? :o Of course, things get increasingly dicey and violent from there....it's time to revisit one of the more influential thrillers of the 1980's. Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/