Podcast appearances and mentions of Jennifer Egan

Notes from James:The biggest lie about writing is that it takes years. I've written multiple books in less than a month—including bestsellers. With the right system, anyone can do this.In this episode, I break down how to structure your first book and why your life experience, not your grammar, is your superpower. You'll also hear my take on AI writing, and why your personal story is something no algorithm can ever replicate.Episode Highlights:Yes, you really can write and publish a great book in 30 days. In Part 2 of this writing series, I walk you through the actual systems that make it not only possible—but repeatable.You'll learn four powerful “meta-outline” frameworks you can use to organize any non-fiction book quickly and clearly. I'll show you how I wrote Think Like a Billionaire in under 30 days using one of these frameworks, and how authors I know have launched entire careers with similar methods (some even in just three days). I also dive deep into one of the most important—but most overlooked—parts of writing a book: your first sentence. You'll hear legendary first lines from some of the world's best authors and learn why they work.This episode is a blend of process and artistry—because writing a great book requires both.This episode is sponsored by BetterHelp.Give online therapy a try at betterhelp.com/JAMES and get on your way to being your best self.What You'll Learn:4 concrete frameworks that will help you write a 20+ chapter book fastThe myth of needing years to write a book (and how to break it)How I turned podcast interviews with billionaires into a full book in less than a monthWhy your first sentence matters more than your title—and how to make it irresistibleHow to write with authenticity, vulnerability, and momentumWhy AI can't replace you—and never will—when it comes to storytellingTimestamps00:00 Introduction: Writing a Book in 30 Days00:54 The Four Frameworks for Writing02:03 Example: Think Like a Billionaire05:10 Overcoming Writing Myths13:14 AI and the Future of Writing20:47 The Power of a Strong First Line23:51 Exploring the Opening Lines of Iconic Novels24:14 Ralph Ellison's Invisible Man: A Civil Rights Era Classic25:04 Jack Kerouac's On the Road: A Journey of Rediscovery27:23 Gabriel Garcia Marquez's 100 Years of Solitude: A Nobel-Winning Masterpiece30:54 Kurt Vonnegut's Slaughterhouse-Five: A War Story with a Twist34:20 Jennifer Egan's Welcome to the Goon Squad: A Pulitzer Prize Winner35:25 Charles Bukowski's Post Office: A Tale of Mistakes and Realities38:57 William Gibson's Neuromancer: The Birth of Cyberpunk40:16 The Importance of First Lines in Storytelling42:36 Crafting Relatable and Vulnerable NarrativesP.S. Want to go deeper? Check out my full course on Udemy or visit chooseyourselfacademy.com: How to Write and Publish a Book in 30 Days – available now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jennifer Egan, author of "The Keep," reads an excerpt from the novel and gives her answer to the question "Can the imagined become the reality?"  The full interview from a 2006 episode of "Conversations On The Coast with Jim Foster" can be heard now wherever you get your podcasts.  Photo: jenniferegan.com/Pieter M. van Hattem

Ed note: my new permanent intro and outro music is, in fact, the Tennis song "Need Your Love."Alaina Moore and Pat Riley of Tennis are good friends of mine, which means this episode is more of a conversation than an interview as we go deep into the creative process. The band's website features Alaina surrounded by books, and this is hardly a surprise: they are voracious, and I do mean voracious, readers. We're always texting each other about the latest books we've read. Our latest obsession, as you'll hear, is Jennifer Egan.The new album by Tennis is Face Down in the Garden. And while it may be their last, I'm excited for what the future holds for Alaina and Pat.

This year marks the 250th birthday of Jane Austen, whose novels have been beloved, riffed on, and adapted for centuries. We discuss her work and legacy with Helen Fielding, whose book Bridget Jones's Diary drew direct inspiration from Austen, and with Pulitzer Prize-winning author Jennifer Egan. Listeners also share their thoughts on the beloved author.

Sara Cutaia joins us to discuss a story from A VISIT FROM THE GOON SQUAD by Jennifer Egan.  https://www.storystudiochicago.org/ https://chireviewofbooks.com/  https://arcturus.chireviewofbooks.com/ 

KWBU's Malcolm Foster reviews the Pulitzer Prize winning book A Visit From the Goon Squad, by Jennifer Egan.

Jennifer Egan joins Deborah Treisman to read and discuss “Kat,” by Margaret Atwood, which was published in The New Yorker in 1990. Egan's books of fiction include “The Keep,” “A Visit from the Goon Squad,” “Manhattan Beach,” and “The Candy House.” She is a winner of the National Book Critics Circle Award, the Pulitzer Prize, and the Andrew Carnegie Medal for Excellence in Fiction, among other honors. She has been publishing fiction and nonfiction in The New Yorker since 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/fantasy

Bestselling novelist and award-winning journalist Jennifer Egan joins us on this week's episode of You Are What You Read. You know Jennifer's work: Manhattan Beach, A Visit from the Goon Squad, Candy House, and more. A winner of the Pulitzer Prize, the National Book Critics Circle Award, and the Andrew Carnegie Medal for Excellence in Fiction, Jennifer's books are the gold standard. It's no wonder they have also been included in the New York Times's 100 Best Books of the 21st Century and among President Barack Obama's favorite reads. Jennifer's writing also appears in The New Yorker and The New York Times. In this conversation, we get to know Jennifer beyond the page and the crucial steps she took to become a writer- her gap year between high school and college thinking she would be an archeologist, her career as a model, her time spent as a temp in New York City…and her many stories in between.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Recorded Friday, November 1, 2024 Book talk begins at 19:20   Our 2024 Fall Sweater KAL is continuing.  You have until January 15, 2025 to complete an adult sweater and post a photo in our FOs thread.  It must have some type of sleeves - short sleeves are fine!  Check out our bundles of patterns for inspiration and join the discussion on our Sweater KAL Chatter thread!   Our Zoom group is continuing.  Please join us on Saturdays, 12 noon Pacific time.  All the info you need is in our Ravelry group!   EVENTS We will be at the New Years Fiber Retreat at the St Francis Retreat Center in San Juan Bautista, CA in January. Dates for NoCKRs will be April 10-13, 2025, and invitations will go out by Thanksgiving!    KNITTING Tracie finished: Rialto Baby Hat by Haley Waxberg in Universal Uptown DK in Aqua and Lavender Just Float by Stephanie Lotven (TellyBean Knits) in Apple Fiber Studio Sparkling Cider in Malachite and Life in the Long Grass Silk/Merino Sock in Autumn   Tracie continues to work on: Davis #5 by Pam Allen in Western Sky Knits Merino 17 Worsted- Nightfall colony Scraps Chaps by Barbara Prime #6 -“Chihuahua” in Encore Worsted …a hint of summer by Isabel Kraemer in Fyberspates Scrumptious Lace in Jen S. Green and JuniperMon Fibers Findley in Curacao Socks for Ryan in Marinated Yarns Practicality 75/25 in Melted Box of Crayons colorway   Barb is still working on: Yume by Isabel Kraemer, using Indigodragonfly R.O.U. Sport in the Is She all Green and Fuzzy and Mossy colorway   Barb has cast-on: Granito by Joji Locatelli, using Serendipidye Dyeworks 24 Carrot Fingering MCN in the Peppermint Julip colorway Two by Two beanie by Anne Gagnon using a mystery worsted yarn in a Heather gray colorway The Market Bag by Davina Choy, using a DK white cotton pima and a DK blue cotton pima   Barb has frogged:  Thundertwist hat by Knitting Daddy (Greg Cohoon) using a mystery worsted yarn in a Heather gray colorway Fibonacci Love by Hinterm Stein - wrong yarn for the pattern     BOOKS Tracie read: The Monk (DS Cross #5) by Tim Sullivan - 4 stars A Visit From the Goon Squad by Jennifer Egan - 3.5 stars Re-Read the last two Cormoran Strike books - The Ink Black Heart  and The Running Grave.  Liked The Ink Black Heart better this time!  5 stars for both.  Can't wait for #8, The Hallmarked Man. Sunny Days: The Children's Television Revolution That Changed America by David Kamp - 4 stars   BOOKS Who Could Ever Love You by Mary L. Trump - 4 stars Mystery of L'Inconnu by Dan Grylles - 3 stars   Barb recommends Anatomy of Lies, a true crime limited series on Peacock

This week we visit with Linda Kass, novelist and owner of Gramercy Books in Bexley, Ohio. Located in suburban Columbus, Gramercy is known for its series of fantastic author events and much more. Books We Talk About: The Housekeeper and the Professor by Yoko Ogawa, The Remains of the Day and Never Let Me Go by Kazuo Ishiguro, A Little Life by Hanya Yanagihara, The Nickel Boys by Colson Whitehead, Stoner by John Williams, The Queen's Gambit by Walter Tevis, A Visit from the Goon Squad by Jennifer Egan, The Waiting by Michael Connelly, The Stolen Queen by Fiona Davis and more!

The story in the magazine's October 7th, 2024, issue is “Stories About Us” by Lore Segal. Segal wasn't able to read her story for the podcast. But, in 2010, on the New Yorker Fiction Podcast, Jennifer Egan read and discussed a different story by Lore Segal—“The Reverse Bug,” from 1989—and we wanted to share this bonus sampling of Segal's work with you instead. 

Send us a textHello Mary on the pod today! Stella Wave, Helena Straight, and Mikaela Oppenheimer released their debut album in 2020, when Wave was 19 and Oppenheimer and Straight were 16. The band talks about their collective and individual writing processes, and we also discussed our shared love for the novelist Jennifer Egan.Hello Mary's latest album Emita Ox is out now on Frenchkiss Records. 

The latest novel from author Danzy Senna tells the story of a struggling novelist who seems to land a dream deal with a big streaming network. But as she works with a bigtime producer to develop the "Jackie Robinson of biracial comedies," things start to go horribly wrong. Senna joins us to discuss her novel, Colored Television. Senna will be speaking with Jennifer Egan at the Center for Fiction on Friday evening.

We're off for Labor Day weekend, but are excited to bring you a great episode of The Book Review podcast. As part of The New York Times Book Review's recent 100 Best Books of the 21st Century project, podcast host and Book Review editor Gilbert Cruz has been interviewing some of the authors whose books appeared on the list. In this episode, he talks to Jennifer Egan about her Pulitzer-winning novel, “A Visit From the Goon Squad.” They discuss the early challenges the book faced in finding an audience, the meaning of its title and Egan's initial reluctance to decide whether the book was a novel or a story collection.

'I wasn't even sure I was going to write a novel.'  Author Zahid Gamieldien joins us to discuss his debut novel, All the Missing Children. Zahid speaks about his start writing short stories, his decision to transition to novel writing based on the advice of a publisher, and how he sees the differences between prose and screenwriting.  He also speaks about the challenge of fitting in writing time while raising children, and his four-year-old son's assessment of his work.   Plus, more spec fiction talk!  Zahid Gamieldien is an author, screenwriter, editor and writing tutor. His short fiction has been published in literary journals including Overland, Meanjin, Kill Your Darlings, Island Magazine and many others. His co-written screenplays have been listed for awards such as the Australian Writers' Guild's John Hinde Award and the AMC One-Hour Pilot Award at the Austin Film Festival. His debut novel is All The Missing Children. Books & authors discussed in this episode: 2666 by Roberto Bolaño;  A Visit from the Goon Squad by Jennifer Egan;  Hurricane Season by Fernanda Melchor;  The Three-Body Problem by Liu Cixin;  The Guest List by Lucy Foley;  Dark Matter by Blake Crouch Get your copy of All the Missing Children from your local bookshop or library. Supporting libraries and neighbourhood bookshops supports authors.  Zahid and James will be appearing in conversation together to discuss 'All the Missing Children' at Manly Library on Tuesday 15 October. And make sure to check out Zahid at Bad Crime Sydney on Friday 13 September.  Upcoming events  Ashley is part of the Northern Beaches Readers Festival, 27-28 September Ashley is teaching Online: Creative Nonfiction for Writing NSW, a six-week online course starting 30 September Ashley is in conversation with Heather Taylor Johnson in celebration of her latest novel, Little Bit, on Thursday 3 October, 6.30pm  Ashley is teaching Crafting Memoir for the New England Writers Centre online, Saturday 12 October, 2-3.30pm  James is teaching Writing Setting and Landscape for Writing NSW, Saturday 26 October, 10am-4pm Learn more about Ashley's bestselling psychological thriller Dark Mode and get your copy from your local bookshop or your library.  Learn more about James' award-winning novel Denizen and get your copy from your local bookshop or your library. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson

As part of its recent 100 Best Books of the 21st Century project, The New York Times Book Review is interviewing some of the authors whose books appeared on the list. This week, Jennifer Egan joins host Gilbert Cruz to discuss her Pulitzer-winning novel about the music industry, “A Visit From the Goon Squad,” and talks, among other things, about the early challenges it faced in finding an audience, the meaning of its title and her initial reluctance to decide whether the book was a novel or a story collection.

Annie Kantor earned her B.F.A. in Textile Design from the Rhode Island School of Design. She honed her craft working in the contract textile industry designing woven upholstery and panel fabrics, serving as Head of Custom Studio at Maharam. While tackling the renovation of a period home in Oakland, Annie became frustrated by the lack of enticing designs in metal. She saw an opportunity to apply her expertise in repeating-pattern design and developed a line of custom metalwork that blossomed into Modern Metal. In this episode, Nada sits down with Annie to talk about her experience building a niche business for a high-end market. When she couldn't buy what she needed, she endeavored to create her own product. Annie pinpoints the decision that set her on a different course toward growing her revenue by scaling back on one particular effort. Her joy is evident when she talks about the craftsman she feels lucky to work with and the importance of building a healthy culture. For Annie, the road to a sustainable business was long but liberating. Check out Annie's website and the books she's reading: The Covenant of Water and Cutting of Stone by Abraham Verghese and Manhattan Beach by Jennifer Egan. Follow on Instagram: @modernmetaldesignsPlease follow us at @thisislibertyroad on Instagram; we want to share and connect with you and hear your thoughts and comments. Please rate and review this podcast. It helps to know if these conversations inspire and equip you to consider your possibilities and lean into your future with intention. This episode is brought to you by our friends at NativePath. To begin your bone health journey, go to getnativepath.com/LIBERTY for a special 45% off discount for being a Liberty Road listener. Hosted on Acast. See acast.com/privacy for more information.

Elizabeth Glazer, founder of the journal Vital City and former director of the New York City Mayor's Office of Criminal Justice, talks about the many challenges post-pandemic New York City faces and her take on the "urban doom loop" theory, and why she thinks the city will always bounce back. Plus, Jennifer Egan, author of many books including Manhattan Beach and The Candy Shop and a contributor to this Vital City issue, shares why she'll never leave New York.

Acclaimed author Claire Messud joins us to discuss her latest novel,This Strange Eventful History, a family drama in part based on her own family's history following Algerian independence. Critics are calling it some of her best work. Messud is speaking tonight with Jennifer Egan at the Center for Fiction.

Wszystkie omawiane w tym odcinku książki są świeżynkami, które dopiero co weszły na rynek. Pierwsza pozycja jest wstrząsającym reportażem, po którym kupno nowego smartfonu, nie mówiąc już o elektryku, można przypłacić potężnymi wyrzutami sumienia. Druga, ważnym przekazem o przyszłości świata pod rządami AI, autorstwa jednego z najważniejszych filozofów technologii. I na deser coś lżejszego kalibru. Po raz pierwszy w tym cyklu powieść. I to nie science fiction. Jak już, to raczej socjo-tech fiction, ale z bardzo aktualnym twistem. Omawiane książki: - "Krwawy kobalt. O tym, jak krew Kongijczyków zasila naszą codzienność" Siddharth Kara, Wydawnictwo W.A.B., tłum. Hanna Pustała-Lewicka - "Deep Utopia: Life and Meaning in a Solved World" Nick Bostrom - "Domek z piernika" Jennifer Egan, Wyd. Znak Literanova, tłum Anna Gralak Na skróty do omawianych książek: 01:52 - “Krwawy kobalt” Siddharth Kara 16:34 - “Deep Utopia: Life and Meaning in a Solved World”, Nick 25:08 - "Domek z piernika”, Jennifer EganBostrom

Dive into the latest episode, as Andrea Motley Crabtree shares her groundbreaking journey from joining the Army in 1977 to becoming the first Black female deep-sea diver across all U.S. military branches and the U.S. Army's first female deep-sea diver.  Conquering intense training, her story of perseverance and the power of support will inspire you.  This is truly a story of courage and determination.    Audio mixing by Concentus Media, Inc., Temple, Texas.    Show Notes:  Bio:  Andrea Motley Crabtree, Ret. U.S. Army Master Sergeant enlisted in May 1977 and served through April 1998.  Her MOS were 35E series, Signal Corps/Ordnance and 00B Deep Sea Diver, Second Class, Engineer.  She entered the Delayed Entry Program (DEP) in February 1977 to May 1977 (PV1).  Then was shipped from Detroit MEPS to Basic Training at Ft McClellan, Alabama in May of 1977, and then graduated in July 1977 E 1st Battalion 1st Brigade (PV2).  Attended Advance Individual Training (AIT) Ft. Belvoir, Virginia 35E20 and 35E30 Senior Special Electrical and Electronic Device Repairman August 1977 to January 1978 (PFC).  Then participated in Hometown Recruiting Program USADRC January to February 1978.  Duty stations: 513th Maintenance Battalion 3rd ACR Ft Bliss, Texas February 1978 to May 1979 (SP4), 614th Maintenance Battalion Attachment 71st Maintenance Battalion Nuremberg, Germany July 1979 to May 1980 (SP5).  Reenlisted for Ft Ord California to get SCUBA certified.  Then stationed with Co A 707th Maintenance Battalion 7th Infantry Division Ft Ord California June 1980 to September 1981.  Fourth permanent duty station. 86th Diving Detachment 30th Engineer Battalion Ft Belvoir Virginia Oct 81 to Jan 83. Petroleum Distribution Systems Pohang Korea January 1983 to January 1984 (SSG).  511th Diving Detachment 30th Engineer Battalion Ft Belvoir, Virginia January 1984 to 1985 reclassified.  HHC USAG, 313 SIG CO, then to HHC USAG, G1, Ft Hood Texas 1985 to 1986.  DA selected for recruiting duty.  TDY To Ft. Benjamin Harris for recruiting school and graduated May 1987.  Recruiting duty. Newburgh Recruiting Battalion, Newburgh New York June 1987 to July 1988.  Ft. Gordon, GA for ANOC August 1988 to December 1988.  HQ&A 360th Signal Battalion, 15th Signal Brigade, Ft. Gordon GA. Assigned as instructor November 1988 to March 1990. Drill Sergeant School, Ft. Jackson, SC. January 1990 to March 1990.  Assigned as Drill Sergeant C Co. 360th Signal Battalion, 15th Signal Brigade, Ft. Gordon, GA March 1990 to March 1992.  HHC 17th Signal BN. APO, AE 09225 April 1992 to December 1993.  HHC USAG Ft. Carson, Colorado January 1994 to October 1995. Headquarters & Headquarters, 307th Signal BN. Camp Carroll Korea, APO Area Pacific 96260 February 1996 to September 1996. HHC DISCOM, 101st Airborne Division (AASLT), Ft. Campbell, Kentucky 42223, FORSCOM September 1996 to April 1998.  Certified by the Professional Association of Diving Instructors (PADI) and the National Association of SCUBA Diving schools (NASDS).  But then turned down promotion to Staff Sergeant to be eligible for dive school.  Enroute to Ft Rucker Alabama, assigned there for UCMJ while TDY to United States Navy Diving & Salvage Training Center Panama City Beach, Florida. In October 1981 arrived at dive school, failed swim test.  She was given one week to practice, and retake swim test, but failed second swim test. She disenrolled herself and this allowed for the opportunity to come back to school later, as flunking out would not allow a return to the course. In October 1981 assigned to HHC 30th Engineer Battalion Ft. Belvoir Virginia home of the 511th Diving Detachment, and 86th Diving Detachment. She went swimming every day to improve her time.  In November 1981 TDY Ft Eustis, Virginia to attend two-week diver pre-screen course.  January 1982 went back to dive school and in April 1982 graduated. She has also participated and medaled in the National Senior Games in shot put, discus, javelin, and table tennis.  She loves Pickleball and tries to play five days a week. Her picture hangs at the U. S. Army Women's Museum at Fort Gregg Adam's, the painting of her by Henry Taylor hangs at the Metropolitan Museum of Art in the Before We Could Fly: An Afrofuturist Period Room, Tavares Strachan did a piece titled: In Plain Sight, Distant Relatives a piece at displayed at the Marian Goodman Gallery. She was a consultant for the book Manhattan Beach by Jennifer Egan. She is included in the book The Only Woman by Immy Humes, (A book that spotlights 100 historical photographs of lone woman hidden among groups of men). Who's Who of American Women, Who's Who of Emerging Leaders in America. Member of Phi Theta Kappa International Honor Society, and her Website: www.reddiverdown.com. She owned and operated Crabtree & Sons Lawn Maintenance, Inc., substitute taught for two years, and studied computer science at Aiken Technical College.  She has three sons and a grandchild on the way.  Andrea is also a two-time cancer survivor.      

Greg Jackson joins Deborah Treisman to read and discuss “Safari,” by Jennifer Egan, which was published in The New Yorker in 2010. Jackson has published a story collection, “Prodigals,” and a novel “The Dimension of a Cave,” which was one of The New Yorker's Best Books of 2023. He has been publishing in the magazine since 2014.

Michael Rohd is a theatre-maker, educator, process designer, writer and facilitator. His research and creative practice is focused on civic imagination. He has a 30+ year history of projects across sectors bringing cultural activity to the work of public engagement, community planning and cross-sector coalition building. In 1992 in Washington DC he co-founded Hope Is Vital, an arts & public health program that, over 8 years, helped start up theatre-based public engagement/HIV prevention coalitions in over 80 communities around the US. In 1999, he co-founded Sojourn Theatre and served as artistic director for 20 years, co creating and directing nearly 30 devised often site specific and participatory theatre works. In 2012, he co-founded Center for Performance and Civic Practice, a collective of nine artists/facilitators who  work with organizations and agencies around the country on community research, transformational process and system change. He is currently Civic Collaborations Director for One Nation One Project, a national arts/municipality/public health project & research cohort in partnership with National League of Cities; he is co-designer/co-facilitator for Art-Train, a virtual national technical assistance program in partnership with Springboard for the Arts.  He recently founded the Co-Lab for Civic Imagination at the University of Montana, and he is author of the book Theatre for Community, Conflict and Dialogue. Key Takeaways Groups of people share something, whether that is space, time, values or goals What is the harm of entering a space with the intention of persuading others at all costs? Bringing people together might require different tactics depending on their goals. Reflect and dialogue with community members before jumping in Working with a co-facilitator makes for better processes and better outcomes When things are off, be mindful. Pause and be transparent about what might be going wrong We all need to build our capacity for listening Guest's Media Recommendations: The Candy House by Jennifer Egan (book) Can't Drink Salt Water by Kendra Mylnechuk Potter (play) __ Find Guest's work: https://howlround.com/commons/michael-rohd __ For more of Michael's work, visit our website www.incognitotheplay.com or follow us on Instagram @incognitotheplay __ Thanks to Ned Doheny for providing our podcast music! You can find him and his music on Spotify. Editing and co-production of this podcast by Emma Yarger. Email info@incognitotheplay.com with questions or comments about the show!

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God's pronouns are going to be” )–as well as the protagonist's temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Cohen, Charles Yu, Caryl Phillips, Jennifer Egan, Helen Garner and Orhan Pamuk. Mentioned in this Episode: By Sheila Heti: Pure Colour How Should a Person Be? Alphabetical Diaries Ticknor We Need a Horse (children's book) The Chairs are Where the People Go (with Misha Glouberman) Also mentioned: Oulipo Group Autofiction: e.g. Ben Lerner, Rachel Cusk, Karl Ove Knausgard Craig Seligman, Sontag and Kael George Eliot, Middlemarch Clarice Lispector (e.g. The Hour of the Star) Kenneth Goldsmith Soliloquy Willa Cather , The Professor's House (overlap of reality and recollection): “When I look into the Æneid now, I can always see two pictures: the one on the page, and another behind that: blue and purple rocks and yellow-green piñons with flat tops, little clustered houses clinging together for protection, a rude tower rising in their midst, rising strong, with calmness and courage–behind it a dark grotto, in its depths a crystal spring.”) William Steig, Sylvester and The Magic Pebble. Listen and Read: Transcript: 6.6 Overtaken by Awe: Sheila Heti speaks with Sunny Yudkoff Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Why do books have chapters? With this seemingly simple question, Dr. Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. In The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton University Press, 2023) Dr. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediaeval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dr. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time. T his interview was conducted by Dr. Miranda Melcher whose  forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why do books have chapters? With this seemingly simple question, Dr. Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. In The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton University Press, 2023) Dr. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediaeval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dr. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time. T his interview was conducted by Dr. Miranda Melcher whose  forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why do books have chapters? With this seemingly simple question, Dr. Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. In The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton University Press, 2023) Dr. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediaeval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dr. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time. This interview was conducted by Dr. Miranda Melcher whose  forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why do books have chapters? With this seemingly simple question, Dr. Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. In The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton University Press, 2023) Dr. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediaeval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dr. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time. T his interview was conducted by Dr. Miranda Melcher whose  forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This week on Rational Security, Quinta and Scott were joined by Lawfare Executive Editor Natalie Orpett and Cyber Fellow Eugenia Lostri to talk through the big national security news waking us up from our long winter's nap this week, including:“Rocky Mountain, Bye.” Colorado's Supreme Court has bid goodbye to former President Donald Trump's 2024 candidacy (for now, at least), holding in a 4-3 ruling that he is disqualified as a candidate by virtue of Section 3 of the 14th Amendment. Will this ruling hold? And where will it go from here?“Houthis to Sea, so Rudely, a Wop Bop a Loo Bop a Wop Bam Boom.” Attacks by Yemen-based (and Iran-backed) Houthi rebels have led major shippers to avoid the Red Sea, dealing a serious blow to global commerce. But the United States and a coalition of allies has announced a new maritime effort—the (perhaps too) aptly named Operation Prosperity Guardian—to keep trade flowing. What will this military operation look like? And what will it mean for the global economy?“Not So Bueno(s) Aires?” Argentina has a new president in the form of eccentric populist economist and literal dogfather Javier Milei. What does his election mean for the future of the country? We have a live dispatch from Buenos Aires to talk it over.For object lessons, Quinta recommended Jennifer Egan's 2022 classic “A Visit From the Goon Squad” and her latest “The Candy House.” Scott shared his preferred recipe for mulled wine and the secret ingredient: star anise. Natalie shared a wealth of new materials celebrating civil rights leader Bayard Rustin, including a new film Rustin, as well as a recent profile in The New Yorker. And Eugenia gave the people what they want with her endorsement of the Dragon Age series of games.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Quinta and Scott were joined by Lawfare Executive Editor Natalie Orpett and Cyber Fellow Eugenia Lostri to talk through the big national security news waking us up from our long winter's nap this week, including:“Rocky Mountain, Bye.” Colorado's Supreme Court has bid goodbye to former President Donald Trump's 2024 candidacy (for now, at least), holding in a 4-3 ruling that he is disqualified as a candidate by virtue of Section 3 of the 14th Amendment. Will this ruling hold? And where will it go from here?“Houthis to Sea, so Rudely, a Wop Bop a Loo Bop a Wop Bam Boom.” Attacks by Yemen-based (and Iran-backed) Houthi rebels have led major shippers to avoid the Red Sea, dealing a serious blow to global commerce. But the United States and a coalition of allies has announced a new maritime effort—the (perhaps too) aptly named Operation Prosperity Guardian—to keep trade flowing. What will this military operation look like? And what will it mean for the global economy?“Not So Bueno(s) Aires?” Argentina has a new president in the form of eccentric populist economist and literal dogfather Javier Milei. What does his election mean for the future of the country? We have a live dispatch from Buenos Aires to talk it over.For object lessons, Quinta recommended Jennifer Egan's 2022 classic “A Visit From the Goon Squad” and her latest “The Candy House.” Scott shared his preferred recipe for mulled wine and the secret ingredient: star anise. Natalie shared a wealth of new materials celebrating civil rights leader Bayard Rustin, including a new film Rustin, as well as a recent profile in The New Yorker. And Eugenia gave the people what they want with her endorsement of the Dragon Age series of games.We've pushed back the recording of our annual end-of-year listener-submitted episode, so you have until December 23 to send in whatever topics and object lessons you want us to discuss! Just email them to rationalsecurity@lawfaremedia.org. Hosted on Acast. See acast.com/privacy for more information.

Bestselling, Booker Prize-winning author, Anne Enright, spoke to me about eagles and moles, the interior engineering of a novel, her love of Irish poetry, and her latest THE WREN, THE WREN. Anne Enright won the Man Booker Prize and the Irish Fiction Award for her novel The Gathering. She has also been awarded the Andrew Carnegie Medal for Excellence, a Lifetime Achievement Award from the Irish Book Awards, and was the first Laureate for Irish Fiction (2015-2018). Her latest novel The Wren, the Wren, was named a Most Anticipated Book of the Year by TIME, The Millions, Literary Hub, and others, and is described as the story of “... three generations of … women who must contend with inheritances―of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home.” The New York Times called it, "... a powerful, thoughtful book by one of the great living writers on the subject of family," and Pulitzer Prize-winning author Jennifer Egan said of the book, “The Wren, the Wren is an electrifying romp through language itself―its dizzying possibilities and satisfactions―led by one the most gifted writers working in English today." Anne Enright has also published two books of short stories, her essays on literary themes have appeared in the London Review of Books and The New York Review of Books, and she writes for the books pages of The Irish Times and The Guardian. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Anne Enright and I discussed:  The moment of burnout that changed her career How she used to be a night owl scribe Why you shouldn't over-panic, or over-plan The fallacies of impostor syndrome and inspiration How to create a fictional poet out of thin air Taking a long look at James Joyce across the table And a lot more! Show Notes: Anne Enright - Wikipedia The Wren, the Wren: A Novel by Anne Enright (Amazon) Anne Enright Amazon Author Page Book Review: ‘The Wren, the Wren,' by Anne Enright - The New York Times Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

About  1.4 million people in the United States end up in homeless shelters every year, with many thousands more living on the street. You could fill the city of San Diego with the unhoused. The problem seems gigantic, tragic, and intractable. But there are proven solutions. For the chronically homeless, a key strategy is supportive housing—providing not only a stable apartment but also services like psychiatric and medical care on-site. TheNew Yorkercontributor Jennifer Egan spent the past year following several individuals who had been homeless for long periods of timeas they transitionedinto a new supportive-housing building in New York. “Is it easy to bring people with these kinds of difficult histories into one place in the span of eight months? No,” she tells David Remnick. “Does it work? From what I have seen, the answer is yes.” By one estimate, addressing the country's homeless problem would cost about ten billion dollars. But Egan argues that figure pales in comparison to what we're spending on the problem in the form of emergency medical care, emergency shelter, and other piecemeal solutions. “No one wants to see that line item in a budget, but we are already spending it in all of these diffuse ways,” she says. “We are hemorrhaging money at this problem.”

About  1.4 million people in the United States end up in homeless shelters every year, with many thousands more living on the street. You could fill the city of San Diego with the unhoused. The problem seems gigantic, tragic, and intractable. But there are proven solutions. For the chronically homeless, a key strategy is supportive housing—providing not only a stable apartment but also services like psychiatric and medical care on-site. The New Yorker contributor Jennifer Egan spent the past year following several individuals who had been homeless for long periods of time as they transitioned into a new supportive-housing building in New York. “Is it easy to bring people with these kinds of difficult histories into one place in the span of eight months? No,” she tells David Remnick. “Does it work? From what I have seen, the answer is yes.” By one estimate, addressing the country's homeless problem would cost about ten billion dollars. But Egan argues that figure pales in comparison to what we're spending on the problem in the form of emergency medical care, emergency shelter, and other piecemeal solutions. “No one wants to see that line item in a budget, but we are already spending it in all of these diffuse ways,” she says. “We are hemorrhaging money at this problem.”

About 1.2 million people in the United States experience homelessness in a given year—you could nearly fill the city of Dallas with the unhoused. But there are proven solutions. For the chronically homeless, a key strategy is supportive housing—providing not only a stable apartment, but also services like psychiatric and medical care on-site. The New Yorker contributor Jennifer Egan spent the past year following several individuals as they transitioned into a new supportive-housing building in Brooklyn. She found that this housing model works and argues that it could be scaled up nationally for less than the cost of emergency services for the homeless. But “no one,” Egan notes ruefully, “wants to see that line item in their budget.” Plus, Joe Garcia, an inmate serving a life sentence for murder in California's High Desert State Prison, reads from his essay “Listening to Taylor Swift in Prison,” recently published by The New Yorker.

Jennifer Egan is not only a novelist, she's also written short stories and award-winning magazine journalism. She's one of those writers who can both spin a fascinating yarn and load it up with insights into everything from human nature to the future of technology, all while pulling off bewitching turns of phrase; what the writer Jonathan Franzen has called “micro felicities.” Egan is as funny, fascinating, and open IRL as she is on the page although it's not clear she feels that way given she talks about how much smarter she feels in writing than in speaking!In this episode we talk about:Egan's writing process The power of writing by hand The shocking, relentless, ruthless discipline that she imposes on herself to never do the same thing twice as she's writingCuriosity, awe, and panic attacksHow she handles feedbackHer feelings of insubstantiality Our cultures fetishization of authenticityThe impact of success on her workAI and our possible technological futuresFull Shownotes: https://www.tenpercent.com/tph/podcast-episode/jennifer-eganSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It only took 500-or-so episodes to revisit the world of Egan's Pulitzer Prize-winning novel A Visit from the Goon Squad. We did, of course, have to wait for Egan to write her sequel (sort of) novel. This follow-up to a post-postmodern classic is focused on memories (digital and otherwise) and relationships (virtual and otherwise). It's got "what if the Meta but for everyone's memories" okay?? Our theme music was composed by Nick Lerangis. Advertise on OverdueSee omnystudio.com/listener for privacy information.