English feminist writer
POPULARITY
Anche se statisticamente più donne che uomini si laureano o conseguono un dottorato in filosofia, poche donne fanno carriera all'università. Tra i docenti e le docenti di ruolo di prima fascia il numero degli uomini è infatti ancora maggiore di quello delle donne. Dalle riflessioni di Mary Astell e Virginia Woolf fino ai dati contemporanei, esploriamo come il sapere occidentale abbia storicamente escluso il pensiero femminile, perpetuando una falsa neutralità. Rumore è un podcast di Roma Tre Radio. Voci: Melissa Ventura e Sabrina Picardi Scrittura: Carlotta Malafarina e Sofia Alonzi Musiche: Daniele Muriana Montaggio: Daniele Muriana e Mattia Cona Supervisione editoriale: Cristiana Mugnaini FONTI E CONSIGLI DI LETTURA - HASLANGER, S., Changing the Ideology and Culture of Philosophy: Not By Reason (Alone), «Hypatia», 23, 2008, 2, pp. 210-223 - Gazzetta L, 2021. “Educare al genere. Il contributo della filosofia”, disponibile su: https://it.pearson.com/aree-disciplinari/agora/filosofia/filosofia-nostro-tempo/educare-genere-contributo-filosofia.html - A. Cavarero, Il pensiero femminista. Un approccio teoretico in F. Restaino- A. Cavarero, Le filosofie femministe, Bruno Mondadori 2002, p. 81 - Gazzetta L, 2021. “Studiare e insegnare filosofia: un percorso a ostacoli per le donne”, disponibile su:https://it.pearson.com/aree-disciplinari/agora/filosofia/filosofia-nostro-tempo/studiare-insegnare-filosofia-percorso-ostacoli-donne.htm
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices
English Women's Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women's utopianism that extends back to medieval women's monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women's literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women's intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
"Writing on the Wall" is a global platform founded by Professor William Kolbrener and novelist Ronit Eitan in response to the traumatic events of October 7th and the alarming rise in global antisemitism. The co-founders, despite their differing perspectives on many issues, share a steadfast belief: the fight against antisemitism can begin by uniting diverse voices through poetry and art. In a world where some wield literature, art, and scholarship as tools of intimidation and exclusion, efforts to silence Israelis and their supporters grow—alongside the grim reality of Hamas holding Israelis and Americans hostage. Yet, there are those who embrace the transformative power of writing to challenge antisemitism and foster collective healing. As Executive Director of Writing on the Wall, a nonprofit initiative based at Bar-Ilan University, Professor Kolbrener spearheads creative and community-driven responses to combat hate and division. How should we confront the intellectual boycotts and the subtler but equally harmful efforts to marginalize Israeli academics? In today's episode, William Kolbrener shares his approach, offering a powerful example of resistance through creativity and inclusion. William Kolbrener is a Full Professor of English Literature at Bar-Ilan University in Israel, with a Ph.D. from Columbia University. His research explores the intersections of literature, theology, and politics, focusing on figures such as John Milton, Mary Astell, and Rabbi Joseph Soloveitchik. He is the author of several influential books that integrate literary studies, Jewish thought, and philosophy: Milton's Warring Angels: A Study of Critical Engagements (Cambridge University Press, 1996): A key contribution to Renaissance studies, focusing on critical interpretations of John Milton. Open Minded Torah: Of Irony, Fundamentalism, and Love (Continuum, 2011): A collection of essays blending Jewish tradition with contemporary thought. The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016): An exploration of Soloveitchik's philosophical legacy in the modern age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
"Writing on the Wall" is a global platform founded by Professor William Kolbrener and novelist Ronit Eitan in response to the traumatic events of October 7th and the alarming rise in global antisemitism. The co-founders, despite their differing perspectives on many issues, share a steadfast belief: the fight against antisemitism can begin by uniting diverse voices through poetry and art. In a world where some wield literature, art, and scholarship as tools of intimidation and exclusion, efforts to silence Israelis and their supporters grow—alongside the grim reality of Hamas holding Israelis and Americans hostage. Yet, there are those who embrace the transformative power of writing to challenge antisemitism and foster collective healing. As Executive Director of Writing on the Wall, a nonprofit initiative based at Bar-Ilan University, Professor Kolbrener spearheads creative and community-driven responses to combat hate and division. How should we confront the intellectual boycotts and the subtler but equally harmful efforts to marginalize Israeli academics? In today's episode, William Kolbrener shares his approach, offering a powerful example of resistance through creativity and inclusion. William Kolbrener is a Full Professor of English Literature at Bar-Ilan University in Israel, with a Ph.D. from Columbia University. His research explores the intersections of literature, theology, and politics, focusing on figures such as John Milton, Mary Astell, and Rabbi Joseph Soloveitchik. He is the author of several influential books that integrate literary studies, Jewish thought, and philosophy: Milton's Warring Angels: A Study of Critical Engagements (Cambridge University Press, 1996): A key contribution to Renaissance studies, focusing on critical interpretations of John Milton. Open Minded Torah: Of Irony, Fundamentalism, and Love (Continuum, 2011): A collection of essays blending Jewish tradition with contemporary thought. The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016): An exploration of Soloveitchik's philosophical legacy in the modern age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
"Writing on the Wall" is a global platform founded by Professor William Kolbrener and novelist Ronit Eitan in response to the traumatic events of October 7th and the alarming rise in global antisemitism. The co-founders, despite their differing perspectives on many issues, share a steadfast belief: the fight against antisemitism can begin by uniting diverse voices through poetry and art. In a world where some wield literature, art, and scholarship as tools of intimidation and exclusion, efforts to silence Israelis and their supporters grow—alongside the grim reality of Hamas holding Israelis and Americans hostage. Yet, there are those who embrace the transformative power of writing to challenge antisemitism and foster collective healing. As Executive Director of Writing on the Wall, a nonprofit initiative based at Bar-Ilan University, Professor Kolbrener spearheads creative and community-driven responses to combat hate and division. How should we confront the intellectual boycotts and the subtler but equally harmful efforts to marginalize Israeli academics? In today's episode, William Kolbrener shares his approach, offering a powerful example of resistance through creativity and inclusion. William Kolbrener is a Full Professor of English Literature at Bar-Ilan University in Israel, with a Ph.D. from Columbia University. His research explores the intersections of literature, theology, and politics, focusing on figures such as John Milton, Mary Astell, and Rabbi Joseph Soloveitchik. He is the author of several influential books that integrate literary studies, Jewish thought, and philosophy: Milton's Warring Angels: A Study of Critical Engagements (Cambridge University Press, 1996): A key contribution to Renaissance studies, focusing on critical interpretations of John Milton. Open Minded Torah: Of Irony, Fundamentalism, and Love (Continuum, 2011): A collection of essays blending Jewish tradition with contemporary thought. The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016): An exploration of Soloveitchik's philosophical legacy in the modern age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies
"Writing on the Wall" is a global platform founded by Professor William Kolbrener and novelist Ronit Eitan in response to the traumatic events of October 7th and the alarming rise in global antisemitism. The co-founders, despite their differing perspectives on many issues, share a steadfast belief: the fight against antisemitism can begin by uniting diverse voices through poetry and art. In a world where some wield literature, art, and scholarship as tools of intimidation and exclusion, efforts to silence Israelis and their supporters grow—alongside the grim reality of Hamas holding Israelis and Americans hostage. Yet, there are those who embrace the transformative power of writing to challenge antisemitism and foster collective healing. As Executive Director of Writing on the Wall, a nonprofit initiative based at Bar-Ilan University, Professor Kolbrener spearheads creative and community-driven responses to combat hate and division. How should we confront the intellectual boycotts and the subtler but equally harmful efforts to marginalize Israeli academics? In today's episode, William Kolbrener shares his approach, offering a powerful example of resistance through creativity and inclusion. William Kolbrener is a Full Professor of English Literature at Bar-Ilan University in Israel, with a Ph.D. from Columbia University. His research explores the intersections of literature, theology, and politics, focusing on figures such as John Milton, Mary Astell, and Rabbi Joseph Soloveitchik. He is the author of several influential books that integrate literary studies, Jewish thought, and philosophy: Milton's Warring Angels: A Study of Critical Engagements (Cambridge University Press, 1996): A key contribution to Renaissance studies, focusing on critical interpretations of John Milton. Open Minded Torah: Of Irony, Fundamentalism, and Love (Continuum, 2011): A collection of essays blending Jewish tradition with contemporary thought. The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016): An exploration of Soloveitchik's philosophical legacy in the modern age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
More at https://www.philosophytalk.org/shows/mary-astell. Mary Astell (1666–1731) was an English philosopher and writer who advocated for equal rights for women. While she described marriage as a type of “slavery,” she was also a staunch conservative who claimed that women who did marry should accept subordination to their husbands. So what was Astell's vision for the education of women? How did she reconcile her seemingly conflicting views on marriage? And why did philosopher John Locke criticize her views on natural law? Josh and Ray explore her life and thought with Allauren Forbes from McMaster University. Part of the "Wise Women" series, supported by a grant from the National Endowment for the Humanities.
Mary Astell (1666-1731) is recognized today as a pioneering writer in English feminist history. She advocated that women have the same capacity for reason as men, and published critiques of the institution of marriage. But at the same time, she was politically conservative, and supported patriarchal ideas. For Further Reading: Astell (1666-1731) – Project Vox Mary Astell (Stanford Encyclopedia of Philosophy) Letters Concerning the Love of God A Serious Proposal to the Ladies This month, we're pulling back the curtain to reveal women overlooked in their own lifetimes or in our historical accounts of the eras in which they lived. We're talking about the activists, thinkers, leaders, artists, and innovators history has forgotten. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
Sabina shares: Today we look at some philosophical thought relating the sorts of things we tend to base our friendships on and how that may impact how we process friendship loss. Sparked by an episode on ABC's Philosopher's Zone podcast that discusses how the philosophers Aristotle and Mary Astell considered friendship. Themes include aspects such as utility, pleasure and self-development that can define our friendships, and recognising chemistry with potential new friends.Get in touch via Instagram @friendings.showShow art by NZ artist John Lancashire a.k.a. monday.painter Hosted on Acast. See acast.com/privacy for more information.
Just as the title states! After two motherlode history episodes, we're doing an all media episode! Shannon walks us through the history of feminist literature from the earliest surviving scraps of parchment to a recent 2022 best-seller about women turning into dragons! Join us to learn about everything in between! After that we discuss a dam removal project that's showing great promise as an environmental remediation project. Show notes: https://phys.org/news/2023-06-shattering-myth-men-hunters-women.html https://en.wikipedia.org/wiki/Protofeminism https://en.wikipedia.org/wiki/Feminist_movement https://en.wikipedia.org/wiki/Feminist_literature https://en.wikipedia.org/wiki/List_of_feminist_literature Sappho: https://www.charlottemuseum.co.nz/post/who-was-sappho https://en.wikipedia.org/wiki/Sappho Giovanni Boccaccio: https://en.wikipedia.org/wiki/De_Mulieribus_Claris Christine de Pisan: https://en.wikipedia.org/wiki/Christine_de_Pizan https://en.wikipedia.org/wiki/The_Book_of_the_City_of_Ladies Heinrich Cornelius Agrippa: https://en.wikipedia.org/wiki/Heinrich_Cornelius_Agrippa https://www.jstor.org/stable/41298737 Jane Anger: https://digital.library.upenn.edu/women/anger/protection/protection.html Aphra Behn: https://en.wikipedia.org/wiki/Aphra_Behn https://en.wikipedia.org/wiki/Oroonoko https://en.wikipedia.org/wiki/The_Rover_(play) Mary Astell: https://en.wikipedia.org/wiki/Mary_Astell https://iep.utm.edu/mary-astell/ https://1000wordphilosophy.com/2018/06/03/mary-astells-a-serious-proposal-to-the-ladies-1694/ Blue Stockings Society: https://en.wikipedia.org/wiki/Blue_Stockings_Society Judith Sargent Murray https://en.wikipedia.org/wiki/Judith_Sargent_Murray https://en.wikipedia.org/wiki/On_the_Equality_of_the_Sexes Mary Wollstonecraft: https://en.wikipedia.org/wiki/Mary_Wollstonecraft https://www.britannica.com/biography/Mary-Wollstonecraft https://en.wikipedia.org/wiki/A_Vindication_of_the_Rights_of_Men https://en.wikipedia.org/wiki/A_Vindication_of_the_Rights_of_Woman https://www.britannica.com/topic/A-Vindication-of-the-Rights-of-Woman https://en.wikipedia.org/wiki/William_Godwin https://en.wikipedia.org/wiki/Memoirs_of_the_Author_of_A_Vindication_of_the_Rights_of_Woman Virginia Woolf: https://www.bl.uk/people/virginia-woolf Beatrice Webb: https://en.wikipedia.org/wiki/The_Wages_of_Men_and_Women:_Should_They_be_Equal%3F Maya Angelou: https://en.wikipedia.org/wiki/Maya_Angelou https://www.womenshistory.org/education-resources/biographies/maya-angelou Recommended book list Nonfiction and poetry: The Feminine Mystique by Betty Friedan In Search of Our Mothers' Gardens by Alice Walker Feminist Theory: From Margin to Center by Bell Hooks Gender Trouble: Feminism and the Subversion of Identity by Judith Butler Why Women Have Better Sex Under Socialism by Kristen Ghodsee Dislocating Cultures: Identities, Traditions and Third Word Feminism by Uma Narayan The Seven Necessary Sins for Women and Girls by Mona Eltahawy I know My Name by Chanel Miller Citizen: An American Lyric by Claudia Rankine The Argonauts by Maggie Nelson Women, Culture & Politics by Angela Y. Davis The Second Sex by Simone de Beauvoir My Secret Garden by Nancy Friday The Vagina Monologues by Eve Ensler The Female Eunuch by Germaine Greer The Bridge Called My Back by Multiple Writers Men Explain Things to Me by Rebecca Solnit Gender Outlaw by Kate Bornstein Fiction, for the most part: When Women Were Dragons by Kelly Barnhill The Power by Naomi Alderman Broken Earth trilogy by N. K. Jemisin Parable of the Sower by Octavia E. Butler Manhunt by Gretchen Felker-Martin Herland by Charlotte Perkins Gilman Diving into the Wreck by Adrienne Rich Women who Run With the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés Wide Sargasso Sea by Jean Rhys The Awakening by Kate Chopin The Vegetarian by Han Kang Their Eyes Were Watching God by Zora Neale Hurston The Bloody Chamber by Angela Carter Happy News: https://apnews.com/article/klamath-dams-removal-tribes-restoration-seeds-1bffbd1c351992f0f164d81d92a81b47 Listener mail link: Duncan's Ritual https://www.barnesandnoble.com/s/Duncans%20ritual Other Appearances: Come see us on Aron Ra's YouTube channel! He's doing a series titled Reading Joseph's Myth BoM. This link is for the playlist: https://www.youtube.com/playlist?list=PLXJ4dsU0oGMKfJKvEMeRn5ebpAggkoVHf Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Facebook page: https://www.facebook.com/glassboxpodcast Twitter: https://twitter.com/GlassBoxPod Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on “Store” here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com
[REBROADCAST FROM March 13, 2023] In continuing our Women's History Month programming looking at female trailblazers, we turn our attention to female philosophers! Author Regan Penaluna joins us to discuss her new book, How to Think Like a Woman: Four Women Philosophers Who Taught Me How to Love the Life of the Mind, which explores the life and careers of Damaris Cudworth Masham, Mary Astell, Catharine Cockburn and Mary Wollstonecraft. This segment is guest-hosted by Kerry Nolan.
In continuing our Women's History month programming looking at female trailblazers, we turn our attention to female philosophers! Author Regan Penaluna joins us to discuss her new book How to Think Like a Woman: Four Women Philosophers Who Taught Me How to Love the Life of the Mind, which explores the life and careers of Damaris Cudworth Masham, Mary Astell, Catharine Cockburn and Mary Wollstonecraft.
The philosopher Mary Astell (1666 – 1731) has been described as “the first English feminist”. Born in Newcastle in relatively poor circumstances in the aftermath of the upheaval of the English Civil War and the restoration of the monarchy, she moved to London as a young woman and became part of an extraordinary circle of intellectual and aristocratic women. In her pioneering publications, she argued that women's education should be expanded, that men and women's minds were the same and that no woman should be forced to marry against her will. Perhaps her most famous quotation is: “If all Men are born Free, why are all Women born Slaves?” Today, she is one of just a handful of female philosophers to be featured in the multi-volume Cambridge History of Political Thought. The image above is from Astell's "Reflections upon Marriage", 3rd edition, 1706, held by the British Library (Shelfmark 8415.bb.27) With: Hannah Dawson Senior Lecturer in the History of Ideas at King's College London Mark Goldie Professor Emeritus of Intellectual History at the University of Cambridge Teresa Bejan Associate Professor of Political Theory at Oriel College, University of Oxford Producer: Simon Tillotson
Born a generation before Mary Wollstonecraft, seventeenth-century English philosopher Mary Astell wrote the groundbreaking works A Serious Proposal to the Ladies, her plea and plan for the education of women, and an indictment of early modern marriage called Some Reflections upon Marriage. Her work was praised by contemporaries, including Robinson Crusoe author, Daniel Defoe. In this week's mini episode, find out more about Astell and why we should all know who she is.
This episode explores the life and work of 17th century English thinker Mary Astell, best known for her promotion of women's education in her work A Serious Proposal to the Ladies. She is sometimes called the first English feminist.
Mary Astell and Lady Mary Wortley Montagu had a lot more in common than having a record book full of firsts— the first English feminist, the founder of the first school with an all female board of governors, the first English female travel writer, the first woman published in the Spectator. They were also connected by a passion for politics, a commitment to justice, and a strong friendship. Throughout their more than fifteen-year friendship, the women certainly influenced each other, and even the ends of their lives mirrored each other. Find out all about them in this episode of Sistory Untold! For more information follow us on Twitter and Instagram @sistoryuntold, email us at sistoryuntold@gmail.com or find our episode sources on our website sistoryuntold.com
The philosopher Mary Astell (1666 – 1731) has been described as “the first English feminist”. Born in Newcastle in relatively poor circumstances in the aftermath of the upheaval of the English Civil War and the restoration of the monarchy, she moved to London as a young woman and became part of an extraordinary circle of intellectual and aristocratic women. In her pioneering publications, she argued that women’s education should be expanded, that men and women’s minds were the same and that no woman should be forced to marry against her will. Perhaps her most famous quotation is: “If all Men are born Free, why are all Women born Slaves?” Today, she is one of just a handful of female philosophers to be featured in the multi-volume Cambridge History of Political Thought. The image above is from Astell's "Reflections upon Marriage", 3rd edition, 1706, held by the British Library (Shelfmark 8415.bb.27) With: Hannah Dawson Senior Lecturer in the History of Ideas at King’s College London Mark Goldie Professor Emeritus of Intellectual History at the University of Cambridge Teresa Bejan Associate Professor of Political Theory at Oriel College, University of Oxford Producer: Simon Tillotson
The philosopher Mary Astell (1666 – 1731) has been described as “the first English feminist”. Born in Newcastle in relatively poor circumstances in the aftermath of the upheaval of the English Civil War and the restoration of the monarchy, she moved to London as a young woman and became part of an extraordinary circle of intellectual and aristocratic women. In her pioneering publications, she argued that women’s education should be expanded, that men and women’s minds were the same and that no woman should be forced to marry against her will. Perhaps her most famous quotation is: “If all Men are born Free, why are all Women born Slaves?” Today, she is one of just a handful of female philosophers to be featured in the multi-volume Cambridge History of Political Thought. The image above is from Astell's "Reflections upon Marriage", 3rd edition, 1706, held by the British Library (Shelfmark 8415.bb.27) With: Hannah Dawson Senior Lecturer in the History of Ideas at King’s College London Mark Goldie Professor Emeritus of Intellectual History at the University of Cambridge Teresa Bejan Associate Professor of Political Theory at Oriel College, University of Oxford Producer: Simon Tillotson
Leitura do "livro do feminismo", que trata do início de escritas literárias com uma perspectiva feminista, em especial a atuação da autora Mary Astell (1666-1731).
My guest this week is Simone Webb (@SimoneWebbUCL), a PhD student in gender studies at UCL. We do another of our many many parts better know a philosopher series. We focus on the early conservative feminist philosopher Mary Astell, with a little Foucault appetizer.Simone's website: https://simonewebb.weebly.com/Invocation: Rishi SanghaniEditing by Brian ZiegenhagenMusic by GW RodriguezSibling Pod Philosophers in Space: https://0gphilosophy.libsyn.com/Support us at Patreon.com/EmbraceTheVoidIf you enjoy the show, please Like and Review us on your pod app, especially iTunes. It really helps!If you enjoyed this and want to discuss more, start a conversation with me here: https://letter.wiki/AaronRabinowitz/conversationsNext week: Right Wing Postmodernism with Matt Mcmanus
Penseuse éminente du XVIIe siècle, la théologienne anglaise Mary Astell est une des toutes premières figures du féminisme occidental.À une époque où l'assujettissement des femmes semblait garantie par le "droit naturel", ses prises de position féministes ont, en effet, ouvert la voie vers une prise de conscience féminine face au caractère injuste de l'inégalité des sexes. Voici son histoire... See acast.com/privacy for privacy and opt-out information.
Ever since Mary Astell was introduced as the "First English Feminist" in 1986, scholars have been perplexed by her dual commitments to natural equality and social, political, and ecclesiastical hierarchy. But any supposed "paradox" in her though is the product of a modernist conceit that treats equality and hierarchy as antonyms, assuming the former must be prior, normative, and hostile to the latter. Seeing this, two other crucial features of Astell's thought emerge: her ethics of ascent and the psychology of superiority. These, in turn, illuminate her lifelong fascination with ambition as a feminine virtue, as well as her curious embrace of Machiavelli. Astell's politics and ethics are thus doubly worthy of recovery, both as the product of a singularly brilliant early modern mind and as a fascinating but forgotten vision of "equality before egalitarianism" that sheds light on the persistent complexities of equality and hierarchy to this day.
Episode 7: Interview with Penny Weiss on Mary Astell and others by New Narratives in the History of Philosophy
Speaking with Dr Jacqueline Broad, who is writing a book about Mary Astell, a 17th century English feminist and philosopher, who was quite famous in her time, but whose influence and notoriety has dissipated considerably since.
Interview with Jacqueline Broad about Mary Astell and her philosophical influences and interlocutors.
“Uyan ey kadın! Usun alarm çanları tüm evrende yankılanıyor; haklarını bil! Doğanın heybetli krallığını artık önyargılar, fanatizm, batıl inanç ve yalanlar kuşatmıyor. Hakikatin meşalesi bütün aptallık ve kibir bulutlarını dağıttı...” (Olympe de Gouges) Bu satırlar, Olympe de Gouges’a ait. Kendisi Aydınlanma Çağı’nın önemli kadın filozoflarından biri. Dizimizin önceki bölümünde Antik Çağ-Rönesans dönemi kadın filozofları ele almıştık. Bu bölümde ise, 17. yüzyıldan 19. yüzyıla kadar olan dönem ile devam ediyoruz. Yeniçağ’ın derin düşünen kadınları: Özgür düşüncenin tekrar hayat bulduğu Rönesans döneminden sonra başlayan dönem, bilim adına önemli gelişmelerin yaşandığı bir dönem olmuştur. Bu devrin felsefedeki yıldızı, René Descartes’tir. Her şeyden kuşku duyulabileceğini savunan ve “Derin Düşünceler” isimli yöntemi geliştiren Descartes’in düşünceleri kuşkusuz bu dönem kadın düşünürlerini etkilemiştir. Margaret Cavendish. (1623-1673) Bu kadın filozoflardan ilki, Margaret Cavendish’tir. 1623-1673 yılları arasında İngiltere’de yaşayan Margaret, soylu bir aileden gelmektedir ancak buna uygun bir eğitim almamıştır. Bu dönemde meydana gelen siyasi olaylar (Kralın idam edilişi) Margaret’in Paris’e sürgüne gitmesine neden olmuştur. Burada evlendiği Mareşal W. Cavendish sayesinde zaman içerisinde felsefe üzerine eğilmiştir. 1660 yılından sonra tekrar İngiltere’ye dönen Cavendish 1667 yılında dünyanın en eski akademisi sayılan “Royal Society of London”ın toplantısına katılan ilk kadın olmuştur. Cavendish’e göre madde dediğimiz kavram durağan değil aksine canlıdır. Madde, zekâ ve zihin doğaya aittir. Madde kendi içinde değişiklik gösterir, insan ise doğaya aittir ve madde üzerinde yaptırım gücü yoktur. Madde ve insan bir bütünün parçalarını oluşturmaktadır. İnsanların bütün varlıkların en akıllısı olduklarını zannedenler, diğer yaratıkların doğası hakkında hiçbir şey bilmez ve yetkin bir insanın bile ya zihnine ya da bedenine ait olan mecazi devinimlerin hepsini tanımaz. (Grounds of Natural Philosophy) Margaret’e göre insan da nesnel ve duygusal olmak üzere iki kısımdan oluşmaktadır. Bu iki kısım arasında birbirine hükmetme yerine uzlaşma söz konusudur. Yine ona göre bir tek Tanrı her şeyden bağımsızdır. Tanrı’nın insanlar tarafından kavranamayacağını, bilginin bu noktada sınırlı kaldığını savunur. “Philosophical Letters” “Grounds of Natural Philosophy” önemli eserleridir. Grounds of Natural’da daha net dile getirdiği gibi insan en üstün varlık değildir ve doğa üzerinde egemen olmaya çalışmaması gerektiğini vurgulamaktadır. Yazıları, ölümünden sonra eşi tarafından yayınlanmıştır. Mary Astell'in portresi. Bu dönemin bir diğer kadın filozofu; Mary Astell’dir. Mary, bir din adamı olan amcasından aldığı matematik, felsefe dersleri ile kendini geliştirmiş, daha sonra Londra’ya yerleşmiştir. Burada bir arkadaşı ile tuttuğu ev dönemin entelektüel merkezi haline gelmiştir. Mary, dönemin diğer kadın filozofları gibi Descartes’in felsefesini yorumlamanın yanı sıra Locke’un Ampirizm’inden de etkilenir. Bu felsefeye göre bilgi, deneyimler sayesinde kazanılmaktadır. Bu fikri savunan Mary de kadın ve erkeğin sahip olacağı ussal birikimin deneyimler ışığında kazanılacağını söyler. Özellikle kadına yönelik eğitimler düzenlenmelidir, alacağı eğitim, kadının kendisine olan özgüvenini yükseltecektir ama kadın yine de ona göre kamusal görevlerde daha geri planda kalmalıdır. “Bilgisizlik kötü huylara meylettirir, tersine olarak kötü huylar da bizi bilgisiz bırakır, öyle ki birinden kurtulmamız, diğerinden kaçınmamız gerekir.” Mary Astell, önyargısız düşünceyi ve kanıtlara bağlı inancı savunmaktadır. Bu noktada Descartes’in düşüncelerini desteklemiştir.
An introduction to John Milton: man, poet, and legend. Milton's place at the center of the English literary canon is asserted, articulated, and examined through a discussion of Milton's long, complicated association with literary power. The conception of Miltonic power and its calculated use in political literature is analyzed in the feminist writings of Lady Mary Chudleigh, Mary Astell, and Virginia Woolf. Later the god-like qualities often ascribed to Miltonic authority are considered alongside Satan's excursus on the constructed nature of divine might in Paradise Lost, and the notorious character's method of analysis is shown to be a useful mode of encountering the author himself.
An introduction to John Milton: man, poet, and legend. Milton's place at the center of the English literary canon is asserted, articulated, and examined through a discussion of Milton's long, complicated association with literary power. The conception of Miltonic power and its calculated use in political literature is analyzed in the feminist writings of Lady Mary Chudleigh, Mary Astell, and Virginia Woolf. Later the god-like qualities often ascribed to Miltonic authority are considered alongside Satan's excursus on the constructed nature of divine might in Paradise Lost, and the notorious character's method of analysis is shown to be a useful mode of encountering the author himself.