Podcasts about Mary Wollstonecraft

What is feminism? Is it really rotten root and branch? Can Christians call themselves feminists? What do proponents and opponents of feminism get right? What do they get wrong? Why does Emily know so much about Mary Wollstonecraft? And why is it so important to never respond to an email when Casey is talking?All this and more in the first part of our conversation about feminism.Show Notes:The Feminist Question by Father Francis MartinThe Rights of Woman: Reclaiming a Lost Vision by Erika BachiochiThe Dignity of Dependence: A Feminist Manifesto by Leah Libresco SargeantWho Stole Feminism by Christina Hoff SummersA Vindication of the Rights of Men by Mary WollstonecraftA Vindication of the Rights of Women by Mary WollstonecraftThoughts on the Education of Daughters by Mary Wollstonecraft“Steelman or Strawman: Carrie Gress' Something Wicked” by Angela Franks“Something Wicked Leaves Readers Unprepared to Evangelized” by Leah Libresco SargeantSomething Wicked by Carrie GressThe End of Woman by Carrie GressLooking for more sane(ish) Catholic conversation. Upgrade your subscription today and don't miss a minute. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit visitationsessions.substack.com/subscribe

This week, dear listeners, Scary Spirits Podcast lifts its candle to the storm‑lit heavens to commemorate the 40th anniversary of Ken Russell's 1986 cult horror film Gothic—a delirious vision born of madness, poetry, and moon‑drenched terror. Join your devoted hosts, Karen and Greg, as they descend into the fevered dreams of the film, where Lord Byron himself looms large, temptation whispers, and nightmares take elegant form. Between spectral analysis and wicked insight, they sip a specially crafted Lord Byron Cocktail, a libation as darkly seductive as the poet's own legend. If you crave horror film discussion, gothic cinema, and literary hauntings served with wit and atmosphere, this episode of Scary Spirits is your invitation to the Villa Diodati—where art, excess, and horror first dared to collide. Pour a drink, dim the lights, and linger with us among the spirits. Lord Byron Cocktail • 1 part KLEOS Mastiha Spirit• 1 part gin• 3/4 parts fresh lemon juice• 1/4 part simple syrup• 6 cucumber slices Instructions: Shake all ingredients vigorously. Strain and serve up in a chilled coupette. Garnish with a cucumber peel. Source: drinkkleos.com A Brief Synopsis: On a warm summer night in 1816 at the Swiss lakeside château of Lord Byron, the poet and his guests — Percy Bysshe Shelley; his fiancée, Mary Wollstonecraft; her half-sister, Claire; and his private doctor John Polidori — spend the evening sharing ghost stories while under the influence of experimental compounds provided by the doctor. As the night goes on, reality and the horrific tales begin to commingle. Some of the topics discussed and highlights of this episode include: Karen gives us a brief history of each of the main characters Claire Clairmont Dr. John Polidori Lord Byron Percy Shelley Mary Shelley Our rating of the film: This movie was OK. It took us 3 cocktails to get through it. Take our online survey! We want to know more about you! Please take our survey. All questions are optional and you can remain completely anonymous if you prefer. Tell us what you like or would like to hear more of! All music on the Scary Spirits Podcast is provided by the band “Verse 13”. Please check them out. You can listen to all their music on their Bandcamp page. Get social with us! Connect with us on Facebook and Instagram Subscribe on YouTube to watch Greg attempt to make all the featured cocktails Follow @ScarySpiritsPod Questions, comments or suggestions? Shoot us an email at info@scaryspirits.com As an Amazon Associate, we may earn a small percentage of qualifying purchases through our links.

Månedens bok er A Vindication of the Rights of Woman (1792) av Mary Wollstonecraft. Boken er et av de aller første filosofiske forsvarene for kvinners likestilling. I Jakten på det borgerlige diskuterer Torkel Brekke, Skjalg Stokke Hougen og Mathilde Fasting hvorfor verket fortsatt er relevant, og hva det forteller oss om borgerlige idealer, frihet og medborgerskap. Episode 665.See omnystudio.com/listener for privacy information.

Hermione Lee is the renowned biographer of Virginia Woolf, Edith Wharton, Penelope Fitzgerald, and, most recently, Tom Stoppard. Stoppard died at the end of last year, so Hermione and I talked about the influence of Shaw and Eliot and Coward on his work, the recent production of The Invention of Love, the role of ideas in Stoppard's writing, his writing process, rehearsals, revivals, movies. We also talked about John Carey, Brian Moore, Virginia Woolf as a critic. Hermione is Emeritus Professor of English Literature at the University of Oxford. Her life of Anita Brookner will be released in September.TranscriptHenry Oliver: Today I have the great pleasure of talking to Professor Dame Hermione Lee. Hermione was the first woman to be appointed Goldsmiths' Professor of English Literature at the University of Oxford, and she is the most renowned and admired living English biographer. She wrote a seminal life of Virginia Woolf. She's written splendid books about people like Willa Cather, Edith Wharton, and my own favorite, Penelope Fitzgerald. And most recently she has been the biographer of Tom Stoppard, and I believe this year she has a new book coming out about Anita Brookner. Hermione, welcome.Hermione Lee: Thank you very much.Oliver: We're mostly going to talk about Tom Stoppard because he, sadly, just died. But I might have a few questions about your broader career at the end. So tell me first how Shavian is Stoppard's work?Lee: He would reply “very close Shavian,” when asked that question. I think there are similarities. There are obviously similarities in the delighting forceful intellectual play, and you see that very much in Jumpers where after all the central character is a philosopher, a bit of a bonkers philosopher, but still a very rational one.And you see it in someone like Henry, the playwright in The Real Thing, who always has an answer to every argument. He may be quite wrong, but he is full of the sort of zest of argument, the passion for argument. And I think that kind of delight in making things intellectually clear and the pleasure in argument is very Shavian.Where I think they differ and where I think is really more like Chekov, or more like Beckett or more in his early work, the dialogues in T. S. Elliot, and less like Shaw is in a kind of underlying strangeness or melancholy or sense of fate or sense of mortality that rings through almost all the plays, even the very, very funny ones. And I don't think I find that in Shaw. My prime reading time for Shaw was between 15 and 19, when I thought that Shaw was the most brilliant grownup that one could possibly be listening to, and I think now I feel less impressed by him and a bit more impatient with him.And I also think that Shaw is much more in the business of resolving moral dilemmas. So in something like Arms and the Man or Man and Superman, you will get a kind of resolution, you will get a sort of sense of this is what we're meant to be agreeing with.Whereas I think quite often one of the fascinating things about Stoppard is the way that he will give all sides of the question; he will embody all sides of the question. And I think his alter ego there is not Shaw, but the character of Turgenev in The Coast of Utopia, who is constantly being nagged by his radical political friends to make his mind up and to have a point of view and come down on one side or the other. And Turgenev says, I take every point of view.Oliver: I must confess, I find The Coast of Utopia a little dull compared to Stoppard's other work.Lee: It's long. Yes. I don't find it dull. But I think it may be a play to read possibly more than a play to see now. And you're never going to get it put on again anyway because the cast is too big. And who's going to put on a nine-hour free play, 50 people cast about 19th-century Russian revolutionaries? Nobody, I would think.But I find it very absorbing actually. And partly because I'm so interested in Isaiah Berlin, who is a very strong presence in the anti-utopianism of those plays. But that's a matter of opinion.Oliver: No. I like Berlin. One thing about Stoppard that's un-Shavian is that he says his plays begin as a noise or an image or a scene, and then we think of him as this very thinking writer. But is he really more of an intuitive writer?Lee: I think it's a terribly good question. I think it gets right at the heart of the matter, and I think it's both. Sorry, I sound like Turgenev, not making my mind up. But yes, there is an image or there is an idea, or there are often two ideas, as it were, the birth of quantum physics and 18th-century landscape gardening. Who else but Stoppard would put those two things in one play, Arcadia, and have you think about both at once.But the image and the play may well have been a dance between two periods of time together in one room. So I think he never knew what the next play was going to be until it would come at him, as it were. He often resisted the idea that if he chose a topic and then researched it, a play would come out of it. That wasn't what happened. Something would come at him and then he would start doing a great deal of research usually for every play.Oliver: What sort of influence did T. S. Elliot have on him? Did it change the dialogue or, was it something else?Lee: When I was working with him on my biography, he gave me a number of things. I had extraordinary access, and we can perhaps come back to that interesting fact. And most of these things were loans he gave them to me to work on. Then I gave them back to him.But he gave me as a present one thing, which was a black notebook that he had been keeping at the time he was writing Rosencrantz and Guildenstern, and also his first and only novel Lord Malquist and Mr. Moon, which is little known, which he thought was going to make his career. The book was published in the same week that Rosencrantz came up. He thought the novel was going to make his career and the play was going to sink without trace. Not so. In the notebook there are many quotations from T. S. Elliot, and particularly from Prufrock and the Wasteland, and you can see him working them into the novel and into the play.“I am not Prince Hamlet nor was meant to be.” And that sense of being a disconsolate outsider. Ill at ease with and neurotic about the world that is charging along almost without you, and you are having to hang on to the edge of the world. The person who feels themself to be in internal exile, not at one with the universe. I think that point of view recurs over and over again, right through the work, but also a kind of epigrammatical, slightly mysterious crypticness that Elliot has, certainly in Prufrock and in the Wasteland and in the early poems. He loved that tone.Oliver: Yes. When I read your paper about that I thought about Rosencrantz and Guildenstern quite differently. I've always disliked the idea that it's a sort of Beckett imitation play. It seems very Elliotic having read what you described.Lee: There is Beckett in there. You can't get away from it.Oliver: Surface level.Lee: Beckett's there, but I think the sense of people waiting around—Stoppard's favorite description of Rosencrantz was: “It's two journalists on a story that doesn't add up, which is very clever and funny.”Yes. And that sense of, Vladimir going, “What are we supposed to be doing and how are we going to pass the time?” That's profoundly influential on Stoppard. So I don't think it's just a superficial resemblance myself, but I agree that Elliot just fills the tone of that play and other things too.Oliver: In the article you wrote about Stoppard and Elliot, the title is about biographical questing, and you also described Arcadia as a quest. How important is the idea of the quest to the way you work and also to the way you read Stoppard?Lee: I took as the epigraph for my biography of Stoppard a line from Arcadia: “It's wanting to know that makes us matter, otherwise we're going out the way we came in.” So I think that's right at the heart of Stoppard's work, and it's right at the heart of any biographical work, whether or not it's mine or someone else's. If you can't know, in the sense of knowing the person, knowing what the person is like, and also knowing as much as possible about them from different kinds of sources, then you might as well give up.You can't do it through impressions. You've got to do it through knowledge. Of course, a certain amount of intuition may also come into play, though I'm not the kind of biographer that feels you can make things up. Working on a living person, this is the only time I've done that.It was, of course, a very different thing from working on a safely dead author. And I knew Penelope Fitzgerald a little bit, but I had no idea I was going to write her biography when I had conversations with her and she wouldn't have told me anything anyway. She was so wicked and evasive. But it was a set up thing; he asked me to do it. And we had a proper contract and we worked together over several years, during which time he became a friend, which was a wonderful piece of luck for me.I was doing four things, really. One was reading all the material that he produced, everything, and getting to know it as well as I could. And that's obviously the basic task. One was talking to him and listening to him talk about his life. And he was very generous with those interviews. I'm sure there were things he didn't tell me, but that's fine. One was talking to other people about him, which is a very interesting process. And with someone like him who knew everyone in the literary, theatrical, cultural world, you have to draw a halt at some point. You can't talk to a thousand people, or I'd have still been doing it, so you talk to particularly fellow playwrights, directors, actors who've worked with him often, as well as family and friends. And then you start pitting the versions against each other and seeing what stands up and what keeps being said.Repetition's very important in that process because when several people say the same thing to you, then you know that's right. And that quest also involves some actual footsteps, as Richard Holmes would say. Footsteps. Traveling to places he'd lived in and going to Darjeeling where he had been to school before he came to England, that kind of travel.And then the fourth, and to me, in a way, almost the most exciting, was the opportunity to watch him at work in rehearsal. So with the director's permissions, I was allowed to sit in on two or three processes like that, the 50th anniversary production of Rosencrantz and Guildenstern at the Old Vic with David Lavoie. And Patrick Marber's wonderful production of Leopoldstadt and Nick Hytner's production of The Hard Problem at the National. So I was able to witness the very interesting negotiations going on between Tom and the director and the cast.And also the extraordinary fact that even with a play like Rosencrantz, which is on every school syllabus and has been for 50—however many years—he was still changing things in rehearsal. I can't get over that. And in his view, as he often said, theater is an event and not a text, and so one could see that actual process of things changing before one's very eyes, and that for a biographer, it's a pretty amazing privilege.Oliver: How much of the plays were written during rehearsal do you think?Lee: Oh, 99% of the plays were written with much labor, much precision, much correction alone at his desk. The text is there, the text is written, and everything changes when you go into the rehearsal room because you suddenly find that there isn't enough time with that speech for the person to get from the bed to the door. It's physics; you have to put another line in so that someone can make an entrance or an exit, that kind of thing.Or the actors will say quite often, because they were a bit in awe—by the time he became well known—the actors initially would be a bit in awe of the braininess and the brilliance. And quite often the actors will be saying, “I'm sorry, I don't understand. I don't understand this.” You'd often get, “I don't really understand.”And then he would never be dismissive. He would either say, “No, I think you've got to make it work.” I'm putting words into his mouth here. Or he would say, “Okay, let's put another sentence or something like that.”Oliver: Between what he wrote at his desk and the book that's available for purchase now, how much changed? Is it 10%, 50? You know what I mean?Lee: Yes. You should be talking to his editor at Faber, Dinah Wood. So Faber would print a relatively small number for the first edition before the rehearsal process and the final production. And then they would do a second edition, which would have some changes in it. So 2%. Okay. But crucial sometimes.Oliver: No, sure. Very important.Lee: And also some plays like Jumpers went through different additions with different endings, different solutions to plot problems. Travesties, he had a lot of trouble with the Lenins in Travesties because it's the play in which you've got Joyce and you've got Tristan Tzara and you've got the Lenins, and they're all these real people and he makes him talk.But he was a little bit nervous about the Lenin. So what he gave him to say were things that they had really said, that Lenin had really said. As opposed to the Tzara-Joyce stuff, which is all wonderfully made up. The bloody Lenins became a bit of a problem for him. And so that gets changed in later editions you'll find.Oliver: How closely do you think The Real Thing is based on Present Laughter by Noël Coward?Lee: Oh, I think there's a little bit of Coward in there. Yes, sure. I think he liked Coward, he liked Wilde, obviously. He likes brilliant, witty, playful entertainers. He wants to be an entertainer. But I think The Real Thing, he was proud of the fact that The Real Thing was one of the few examples of his plays at that time, which weren't based on something else. They weren't based on Hamlet. They weren't based on The Importance of Being Earnest. It's not based on a real person like Housman. I think The Real Thing came out of himself much more than out of literary models.Oliver: You don't think that Henry is a bit like the actor character in Present Laughter and it's all set in his flat and the couples moving around and the slight element of farce?The cricket bat speech is quite similar to when Gary Essendine—do you remember that very funny young man comes up on the train from Epping or somewhere and lectures him about the social value of art. And Gary Essendine says, “Get a job in a theater rep and write 20 plays. And if you can get one of them put on in a pub, you'll be damn lucky.” It's like a model for him, a loose model.Lee: Yes. Henry, I think you should write an article comparing these two plays.Oliver: Okay. Very good. What does Stoppardian mean?Lee: It means witty. It means brilliant with words. It means fizzing with verbal energy. It means intellectually dazzling. The word dazzling is the one that tends to get used. My own version of Stoppardian is a little bit different from, as it were, those standard received and perfectly acceptable accounts of Stoppardian.My own sense of Stoppardian has more to do with grief and mortality and a sense of not belonging and of puzzlement and bewilderment, within all that I said before, within the dazzling, playful astonishing zest and brio of language and the precision about language.Oliver: Because it's a funny word. It's hard to include Leopoldstadt under the typical use of Stoppardian, because it's an untypical Stoppard.Lee: One of the things about Leopoldstadt that I think is—let's get rid of that trope about Stoppardian—characteristic of him is the remarkable way it deals with time. Here's a play like Arcadia, all set in the same place, all set in the same room, in the same house, and it goes from a big hustling room, late 19th-century family play, just like the beginning of The Coast of Utopia, where you begin with a big family in Russia and then it moves through the '20s and then into the terrible appalling period of the Anschluss and the Holocaust.And then it ends up after the war with an empty room. This room, is like a different kind of theater, an empty room. Three characters, none of whom you know very well, speaking in three different kinds of English, reaching across vast spaces of incomprehension, and you've had these jumps through time.And then at the very end, the original family, all of whom have been destroyed, the original family reappears on the stage. I'm sorry to tell this for anyone who hasn't seen Leopoldstadt. Because when it happens on the stage, it's an absolutely astonishing moment. As if the time has gone round and as if the play, which I think it was for him, was an act of restitution to all those people.Oliver: How often did he use his charm to get his way with actors?Lee: A lot. And not just actors. People he worked with, film people, friends, companions. Charm is such an interesting thing, isn't it? Because we shouldn't deviate, but there's always a slightly sinister aspect to the word charm as in, a magic charm. And one tends to be a bit suspicious of charm. And he knew he had charm and he was physically very magnetic and good looking and very funny and very attentive to people.But I think the charm, in his case, he did use it to get the right results, and he did use it, as he would say, “to look after my plays.” He was always, “I want to look after my plays.” And that's why he went back to rehearsal when there were revivals and so on. But he wasn't always charming. Patrick Marber, who's a friend of his and who directed Leopoldstadt, is very good on how irritable Stoppard could be sometimes in rehearsal. And I've heard that from other directors too—Jack O'Brien, who did the American productions of things like The Invention of Love.If Stoppard felt it wasn't right, he could get quite cross. So this wasn't a sort of oleaginous character at all. It's not smooth, it's not a smooth charm at all. But yes, he knew his power and he used it, and I think in a good way. I think he was a benign character actually. And one of the things that was very fascinating to me, not only when he died and there was this great outpouring of tributes, very heartfelt tributes, I thought. But also when I was working on the biography, I was going around the world trying to find people to say bad things about him, because what I didn't want to do was write a hagiography. You don't want to do that; there would be no point. And it was genuinely quite hard.And I don't know the theater world; it's not my world. I got to know it a little bit then. But I have never necessarily thought of the theater world as being utterly loving and generous about everybody else. I'm sure there are lots of rivalries and spitefulness, as there is in academic life, all the rest of it. But it was very hard to find anyone with a bad word to say about him, even people who'd come up against the steeliness that there is in him.I had an interview with Steven Spielberg about him, with whom he worked a lot, and with whom he did Empire of the Sun. And I would ask my interviewees if they could come up with two or three adjectives or an adjective that would sum him up, that would sum Stoppard up to them. And when I asked Spielberg this question, he had a little think and then he said, intransigent. I thought, great. He must be the only person who ever stood up to him.Oliver: What was his best film script? Did he write a really great film.Lee: That one. I think partly the novel, I don't know if you know the Ballard novel, the Empire of the Sun, it's a marvelous novel. And Ballard was just a magical and amazing writer, a great hero of mine. But I think what Stoppard did with that was really clever and brilliant.I know people like Brazil, the Terry Gilliam sort of surrealist way. And there's some interesting early work. Most of his film work was not one script; it was little bits that he helped with. So there's famously the Indiana Jones and the Last Crusade, he did most of the dialogue for Harrison Ford.But there are others like the One Hundred and One Dalmatians, where I think there's one line, anonymously Stoppardian in there. One of the things about the obituaries that slightly narked me was that there, I felt there was a bit too much about the films. Truly, I don't think the film work was—he wanted it to be right and he wanted to get it right—but it wasn't as close to his heart as the theater work. And indeed the work for radio, which I thought was generally underwritten about when he died. There was some terrific work there.Oliver: Yes. And there aren't that many canonical writers who've been great on the radio.Lee: Absolutely. He did everything. He did film, he did radio. He wrote some opera librettos. He really did everything. And on top of that, there was the great work for the public good, which I think is a very important part of his legacy, his history.Oliver: How much crossover influence is there between the different bits of his career? Does the screenwriting influence the theater writing and the radio and so on? Or is he just compartmentalized and able to do a lot of different things?Lee: That's such an interesting question. I don't think I've thought about it enough. I think there are very cinematic aspects to some of the plays, like Night and Day, for instance, the play about journalism. That could easily have been a film.And perhaps Hapgood as well, although it could be a kind of John le Carré type film thriller, though it's such a set of complicated interlocking boxes that I don't know that it would work as a film. It's not one of my favorite players, I must say. I struggle a little bit with Hapgood. But, yes, I'm sure that they fed into each other. Because he was so busy, he was often doing several things at once. So he was keeping things in boxes and opening the lid of that box. But mentally things must have overlapped, I'm sure.Oliver: He once joked that rather than having read Wittgenstein from cover to cover, he had only read the covers. How true is that? Because I know some people who would say he's very clever in everything, but he's not as clever as he looks. It's obviously not true that he only read the covers.Lee: I think there was a phase, wasn't there, after the early plays when people felt that he was—it's that English phrase, isn't it—too clever by half. Which you would never hear anyone in France saying of someone that they were too clever by half. So he was this kind of jazzy intellectual who put all his ideas out there, and he was this sort of self-educated savant who hadn't been to Oxford.There was quite a lot of that about in the earlier years, I think. And a sense that he was getting away with it, to which I would countermand with the story of the writing of The Invention of Love. So what attracted him to the figure of Housman initially was not the painful, suppressed homosexual love story, but the fact that here was this person who was divided into a very pernickety, savagely critical classical editor of Latin and a romantic lyric poet. In order to work out how to turn this into a play, he probably spent about six years taking Latin lessons, reading everything he could read on the history of classical literature. Obviously reading about Housman, engaging in conversation with classical scholars about Housman's, finer points of editorial precision about certain phrases. And what he used from that was the tip of the iceberg. But the iceberg was real.He really did that work and he often used to say that it was his favorite play because he'd so much enjoyed the work that went into it. I think he took what he needed from someone like Wittgenstein. I know you don't like The Coast of Utopia very much, but if you read his background to Coast of Utopia, what went into it, and if you compare what's in the plays, those three plays, with what's in the writing about those revolutionaries, he read everything. He may have magpied it, but he's certainly knows what he's talking about. So I defend him a bit against that, I think.Oliver: Good, good. Did you see the recent production at the Hamstead Theatre of The Invention of Love?Lee: I did, yes.Oliver: What did you think?Lee: I liked it. I thought it was rather beautifully done. I liked those boats rowing around that clicked together. I thought Simon Russell Beale was extremely good, particularly very moving. And very good in Housman's vindictiveness as a critic. He is not a nice person in that sense. And his scornfulness about the women students in his class, that kind of thing. And so there was a wonderful vitriol and scorn in Russell Beale's performance.I think when you see it now, some of the Oxford context is a little bit clunky, those scenes with Jowett and Pater and so on, it's like a bit of a caricature of the context of cultural life at the time, intellectual life at the time. But I think that the trope of the old and the young Housman meeting each other and talking to each other, which I still think is very moving. I thought it worked tremendously well.Oliver: What are Tom Stoppard's poems like?Lee: You see them in Indian Ink where he invents a poet, Flora Crewe, who is a poet who was died young, turn of the century, bold feminist associated with Bloomsbury and gets picked up much later as a kind of Sylvia Plath-type, HD type heroine. And when you look at Stoppard's manuscripts in the Harry Ransom Center in the University of Austin, in Texas, there is more ink spent on writing and rewriting those poems of Flora Crewe than anything else I saw in the manuscript. He wrote them and rewrote them.Early on he wrote some Elliot—they're very like Elliot—little poems for himself. I think there are probably quite a lot of love poems out there, which I never saw because they belong to the people for whom he wrote them. So I wouldn't know about those.Oliver: How consistently did Stoppard hold to a kind of liberal individualism in his politics?Lee: He was accused of being very right wing in the 1980s really, 1970s, 1980s, when the preponderant tendency for British drama was radicalism, Royal Court, left wing, all of that. And Stoppard seemed an outlier then, because he approved of Thatcher. He was a friend of Thatcher. He didn't like the print union. It was particularly about newspapers because he'd been a newspaper man in his youth. That was his alternative university education, working in Bristol on the newspapers. He had a romance heroic feeling about the value of the journalist to uphold democracy, and he hated the pressure of the print unions to what he thought at the time was stifling that.He changed his mind. I think a lot about that. He had been very idealistic and in love with English liberal values. And I think towards the end of his life he felt that those were being eroded. He voted lots of different ways. He voted conservative, voted green. He voted lib dem. I don't if he ever voted Labour.Oliver: But even though his personal politics shifted and the way he voted shifted, there is something quite continuous from the early plays through to Rock ‘n' Roll. Is there a sort of basic foundation that doesn't change, even though the response to events and the idea about the times changes?Lee: Yes, I think that's right, and I think it can be summed up in what Henry says in The Real Thing about politics, which is a version of what's often said in his plays, which is public postures have the configuration of private derangement. So that there's a deep suspicion of political rhetoric, especially when it tends towards the final solution type, the utopian type, the sense that individual lives can be sacrificed in the interest of an ultimate rationalized greater good.And then, he's worked in the '70s for the victims of Soviet communism. His work alongside in support of Havel and Charter 77. And he wrote on those themes such as Every Good Boy Deserves Favour and Professional Foul. Those are absolutely at the heart of what he felt. And they come back again when he's very modest about this and kept it quiet. But he did an enormous amount of work for the Belarus exile, Belarus Free Theater collective, people in support of those trying to work against the regime in Belarus.And then the profound, heartfelt, intense feeling of horror about what happened to people in Leopoldstadt. That's all part of the same thing. I think he's a believer in individual freedom and in democracy and has a suspicion of political rhetoric.Oliver: How much were some of his great parts written for specific actors? Because I sometimes have a feeling when I watch one of his plays now, if I'd been here when Felicity Kendal was doing this, I would be getting the whole thing, but I'm getting most of it.Lee: I'm sure that's right. And he built up a team around him: Peter Wood, the director and John Wood who's such an extraordinary Henry Carr in in in Travesties. And Michael Hordern as George the philosopher in Jumpers. And he wrote a lot for Kendal, in the process of becoming life companions.But he'd obviously been writing and thinking of her very much, for instance, in Arcadia. And also I think very much, it's very touching now to see the production of Indian Ink that's running at Hampstead Theatre in which Felicity Kendal is playing the older woman, the surviving older sister of the poet Flora Crewe, where of course the part of Flora Crewe was written for her. And there's something very touching about seeing that now. And, in fact, the first night of that production was the day of Stoppard's funeral. And Kendal couldn't be at the funeral, of course, because she was in the first night of his play. That's a very touching thing.Oliver: Why did he think the revivals came too soon?Lee: I don't really know the answer to that. I think he thought a play had to hook up a lot of oxygen and attract a lot of attention. If you were lucky while it was on, people would remember the casting and the direction of that version of it, and it would have a kind of memory. You had to be there.But people who were there would remember it and talk about it. And if you had another production very soon after that, then maybe it would diminish or take away that effect. I think he had a sort of loyalty to first productions often. What do you think about that? I'm not quite sure of the answer to that.Oliver: I don't know. To me it seems to conflict a bit with his idea that it's a living thing and he's always rewriting it in the rehearsal room. But I think probably what you say is right, and he will have got it right in a certain way through all that rehearsing. You then need to wait for a new generation of people to make it fresh again, if you like.Lee: Or not a generation even, but give it five years.Oliver: Everyone new and this theater's working differently now. We can rework it in our own way. Can we have a few questions about your broader career before we finish?Lee: Depends what they are.Oliver: Your former colleague John Carey died at a similar time to Stoppard. What do you think was his best work?Lee: John Carey's best work? Oh. I thought the biography of Golding was pretty good. And I thought he wrote a very good book on Thackery. And I thought his work on Milton was good. I wasn't so keen on The Intellectuals and the Masses. He and I used to have vociferous arguments about that because he had cast Virginia Woolf with all the modernist fascists, as it were. He'd put her in a pile with Wyndham Lewis and Ezra Pound and so on. And actually, Virginia Woolf was a socialist feminist. And this didn't seem to have struck him because he was so keen to expose her frightful snobbery, which is what people in England reading Woolf, especially middle class blokes, were horrified by.And she is a snob, there's no doubt about it. But she knew that and she lacerated herself for it too. And I think he ignored all the other aspects of her. So I was angry about that. But he was the kind of person you could have a really good argument with. That was one of the really great things about John.Oliver: He seems to be someone else who was amenable and charming, but also very steely.Lee: Yes, I think he probably was I think he probably was. You can see that in his memoir, I think.Oliver: What was Carmen Callil like?Lee: Oh. She was a very important person in my life. It was she who got me involved in writing pieces for Virago. And it was she who asked me to write the life of Virginia Woolf for Chatto. And she was an enormous, inspiring encourager as she was to very many people. And I loved her.But I was also, as many people were, quite daunted by her. She was temperamental, she was angry. She was passionate. She was often quite difficult. Not a word I like to use about women because there's that trope of difficult women, but she could be. And she lost her temper in a very un-English way, which was quite a sight to behold. But I think of her as one of the most creative and influential publishers of the 20th century.Oliver: Will there be a biography of her?Lee: I don't know. Yes, it's a really interesting question, and I've been asking her executors whether they have any thoughts about that. Somebody said to me, oh, who wants a biography of a publisher? But, actually, publishers are really important people often, so I hope there would be. Yes. And it would need to be someone who understood the politics of feminism and who understood about coming from Australia and who understood about the Catholic background and who understood about her passion for France. And there are a whole lot of aspects to that life. It's a rich and complex life. Yes, I hope there will be someday.Oliver: Her papers are sitting there in the British Library.Lee: They are. And in fact—you kindly mentioned this to start with—I've just finished a biography of the art historian and novelist, Anita Brookner, who won the Booker prize in 1984 for a novel called Hotel du Lac.And Carmen and Anita were great buddies, surprisingly actually, because they were very different kinds of characters. And the year before she died, Carmen, who knew I was working on Anita, showed me all her diary entries and all the letters she'd kept from Anita. And that's the kind of generous person that she was.That material is now sitting in the British Library, along with huge reams of correspondence between Carmen and many other people. And it's an exciting archive.Oliver: She seems to have had a capacity to be friends with almost anyone.Lee: Yes, I think there were people she would not have wanted to be friends with. She was very disapproving of a lot of political figures and particularly right-wing figures, and there were people she would've simply spat at if she was in the room with them. But, yes, she an enormous range of friends, and she was, as I said, she was fantastically encouraging to younger women writers.And, also, another aspect of Carmen's life, which I greatly admired and was fascinated by: In Virago she would often be resuscitating the careers of elderly women writers who had been forgotten or neglected, including Antonia White and including Rosamund Lehmann. And part of Carmen's job at Virago, as she felt, was not just to republish these people, some of whom hadn't had a book published for decades, but also to look after them. And they were all quite elderly and often quite eccentric and often quite needy. And Carmen would be there, bringing them out and looking after them and going around to see them. And really marvelous, I think.Oliver: Yes, it is. Tell me about Brian Moore.Lee: Breean, as he called himself.Oliver: Oh, I'm sorry.Lee: No, it's all right. I think Brian became a friend because in the 1980s I had a book program on Channel 4, which was called Book Four. It had a very small audience, but had a wonderful time over several years interviewing lots and lots of writers who had new books out. We didn't have a budget; it was a table and two chairs and not the kind of book program you see on the television anymore. And I got to know Brian through that and through reviewing him a bit and doing interviews with him, and my husband and I would go out and visit him and his wife Jean.And I loved the work. I thought the work was such a brilliant mixture of popular cultural forms, like the thriller and historical novel and so on. And fascinating ideas about authority and religion and how to be free, how to break free of the bonds of what he'd grown up with in Ireland, in Northern Ireland, the bombs of religious autocracy, as it were. And very surreal in some ways as well. And he was also a very charming, funny, gregarious person who could be quite wicked about other writers.And, he was a wonderfully wicked and funny companion. What breaks my heart about Brian Moore is that while he was alive, he was writing a novel maybe every other year or every three years, and people would review them and they were talked about, and I don't think they were on academic syllabuses but they were really popular. And when he died and there were no more books, it just went. You can think of other writers like that who were tremendously well known in their time. And then when there weren't any more books, just went away. You ask people, now you go out and ask people, say, “What about The Temptation of Eileen Hughes or The Doctor's Wife or Black Robe? And they'll go, “Sorry?”Oliver: If anyone listening to this wants to try one of his novels, where do you say they should start?Lee: I think I would start with The Doctor's Wife and The Temptation of Eileen Hughes. And then if one liked those, one would get a taste for him. But there's plenty to choose from.Oliver: What about Catholics?Lee: Yes. Catholics is a wonderful book. Yes. Wonderful book. Bit like Muriel Spark's The Abbess of Crewe, I think.Oliver: How important is religion to Penelope Fitzgerald's work?Lee: She would say that she felt guilty about not having put her religious beliefs more explicitly into her fiction. I'm very glad that she didn't because I think it is deeply important and she believes in miracles and saints and angels and manifestations and providence, but she doesn't spell it out.And so when at the end of The Gate of Angels, for instance, there is a kind of miracle on the last page but it's much better not to have it spelt out as a miracle, in my view. And in The Blue Flower, which is not my favorite of her books, but it's the book of the greatest genius possibly. And I think she was a genius. There is a deep interest in Novalis's romantic philosophical ideas about a spiritual life, beyond the physical life, no more doctrinally than that. And she, of course, believes in that. I think she believed, in an almost Platonic way, that this life was a kind of cave of shadows and that there was something beyond that. And there are some very mysterious moments in her books, which, if they had been explained as religious experiences, I think would've been much less forceful and much less intense.Oliver: What is your favorite of her books?Lee: Oh, The Beginning of Spring. The Beginning of Spring is set in Moscow just before the revolution. And its concerns an Englishman who runs a print and publishing works. And it's based quite a lot on some factual narratives about people in Moscow at the time. And it's about the feeling of that place and that time, but it's also about being in love with two people at the same time.And, yes, and it's about cultural clashes and cultural misunderstanding, and it is an astonishingly evocative book. And when asked about this book, interviewers would say to Penelope, oh, she must have lived in Moscow for ages to know so much about it. And sometimes she would say, “Yes, I lived there for years.” And sometimes she would say, “No, I've never been there in my life.” And the fact was she'd had a week's book tour in Moscow with her daughter. And that was the only time she ever went to Russia, but she read. So it was a wonderful example of how she would be so wicked; she would lie.Oliver: Yes.Lee: Because she couldn't be bothered to tell the truth.Oliver: But wasn't she poking fun at their silly questions?Lee: Yes. It's not such a silly question. I would've asked her that question. It is an astonishing evocation of a place.Oliver: No, I would've asked it too, but I do feel like she had this sense of it's silly to be asked questions at all. It's silly to be interviewed.Lee: I interviewed her about three times—and it was fascinating. And she would deflect. She would deflect, deflect. When you asked her about her own work, she would deflect onto someone else's work or she would tell you a story. But she also got quite irritable.So for instance, there's a poltergeist in a novel called The Bookshop. And the poltergeist is a very frightening apparition and very strong chapter in the book. And I said to her in interview, “Look, lots of people think this is just superstition. There aren't poltergeists.” And she looked at me very crossly and said they just haven't been there. They don't know what they're talking about. Absolutely factual and matter of fact about the reality of a poltergeist.Oliver: What makes Virginia Woolf's literary criticism so good?Lee: Oh, I think it's a kind of empathy actually. That she has an extraordinary ability to try and inhabit the person that she's writing about. So she doesn't write from the point of view of, as it were, a dry, historical appreciation.She's got the facts and she's read the books, but she's trying to intimately evoke what it felt like to be that writer. I don't mean by dressing it up with personal anecdotes, but just she has an extraordinary way of describing what that person's writing is like, often in images by using images and metaphors, which makes you feel you are inside the story somehow.And she loves anecdotes. She's very good at telling anecdotes, I think. And also she's not soft, but she's not harshly judgmental. I think she will try and get the juice out of anything she's writing about. Most of these literary criticism pieces were written for money and against the clock and whilst doing other things.So if you read her on Dorothy Wordsworth or Mary Wollstonecraft or Henry James, there's a wonderful sense of, you feel your knowledge has been expanded. Knowledge in the sense of knowing the person; I don't mean in the sense of hard facts.Oliver: Sure. You've finished your Anita Brookner biography and that's coming this year.Lee: September the 10th this year, here and in the States.Oliver: What will you do next?Lee: Yes. That's a very good question, though a little soon, I feel.Oliver: Is there someone whose life you always wanted to write, but didn't?Lee: No. No, there isn't. Not at the moment. Who knows?Oliver: You are open to it. You are open.Lee: Who knows what will come up.Oliver: Yes. Hermione Lee, this was a real pleasure. Thank you very much.Lee: Thank you very much. It was a treat. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

On the day of a national anti-ICE general strike, host Esty Dinur is in conversation with writer Sophie Lewis about her book, Enemy Feminisms: TERFs, Policewomen, and Girlbosses Against Liberation.  Lewis reckons with the white supremacy of bourgeois feminism but refuses to “be evicted from the house of feminism” because she doesn't want to cede ground to TERFS, femonationalists, and other enemy feminisms. Meanwhile, Lewis wants to recover histories of anti-fascist, anti-colonial, insurgent, and undercommons feminism. Dinur points to women like Kristi Noem, Pam Bondi, Caroline Levitt, Madeleine Albright, Condoleezza Rice, Hillary Clinton, and even Kamala Harris who have supported wars all over the world, and wonders, “are these the women I've fought for?” Lewis also discusses the right to pleasure within the gender liberation struggle, the mythology of feminist figures like Mary Wollstonecraft and May French Sheldon, “feminist misogyny,” and family liberation. Sophie Lewis is a self described ex-academic, writer, left activist and adoptive Philadelphian (transplanted from Europe). She is the author of several books, including Full Surrogacy Now, Abolish the Family, Enemy Feminisms, and the forthcoming essay collection FEMMEPHILIA. Sophie’s essays also appear everywhere from the New York Times to n+1 and the London Review of Books. She teaches short courses on social philosophy and theory online at the Brooklyn Institute for Social Research, and you can find her newsletter at patreon.com/reproutopia or browse her archive at lasophielle.org/. Sophie is currently working on a book for Penguin, The Liberation of Children (2027). Featured image of the cover of Enemy Feminisms, available from Haymarket Books.  Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Refusing Eviction from the House of Feminism appeared first on WORT-FM 89.9.

Today we're diving into the wildly dramatic life of Mary Shelley, the mother of science fiction and the ultimate OG Goth Girl. From radical feminist and revolutionary parents, to graveyard hookups, to the stormy summer that gave us Frankenstein, Mary's life was just as haunting as her work. In this episode, we unpack how Mary Shelley's grief, genius, and chaotic social circle shaped one of the most influential novels of all time and how she remained quietly radical long after the world tried to tame her. In this episode, we cover: Mary Shelley's radical upbringing and goth childhood Percy Shelley, Lord Byron, and the messiest friend group imaginable The true origins of Frankenstein Grief, motherhood, and loss Mary Shelley's underrated radical legacy Time stamps: 00:00 Introduction and New Year Greetings 03:26 Mary Shelley's Early Life and Family 04:37 Mary Wollstonecraft & William Godwin: Radical Parents 16:53 Teenage Years in Scotland (Emotional Glow-Up) 19:43 Percy Shelley has entered the chat 24:09 The Graveyard Scene & Running Away 31:53 Return to England and Family Rejection 36:58 The Birth of Frankenstein 47:26 Loss, Grief & Moving to Italy 54:14 Mary Shelley's Later Life and Legacy Queens podcast is part of Airwave Media podcast network. Please get in touch with advertising@airwavemedia.com if you would like to advertise on our podcast. Want more Queens? Head to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, check out our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ merch store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Never miss a Queens Podcast happening! Sign up for our newsletter: https://eepurl.com/gZ-nYf Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Shelley is known as the mother of the science fiction genre for her groundbreaking novel, ​Frankenstein​. But beyond the page, she faced a life of personal tragedy and a society unprepared to grapple with her public persona. As the daughter of legendary proto-feminist Mary Wollstonecraft, Mary Shelley was born into controversy. In her adult life, her entanglements with celebrity Romantic poets kept her at the center of high society gossip. In this episode, Lena and Alissa weave together the various elements of this complex life (featuring a graveyard tryst!), and discuss what it meant to be a woman ahead of her time.  This episode was first published on 07/23/2020. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Wrestle Heist #1 steals the show, Mary Shelley gets her due, and Edenfrost sparks a deep discussion about folklore, history, and storytelling. Subscribe to the Major Spoilers Podcast Network Master Feed! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN WRESTLE HEIST #1 Writer/Artist: Kyle Starks Publisher: Image Comics Cover Price: $3.99 Release Date: December 17, 2025 A former pro wrestler—who has a brush with death thanks to a crooked promoter—assembles a crew of fellow wrestlers he's screwed over... to rob him blind during the biggest wrestling event of the year. From the outrageous, action-packed mind of multi-time Eisner nominee KYLE STARKS (Peacemaker Tries Hard, Sexcastle, I Hate This Place), with eye-popping colors by VLADIMIR POPOV (Where Monsters Lie, Fearscape), comes a no-holds-barred heist caper packed with body slams and backstabs. [rating:4.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4pAIAtg MATTHEW VR TROOPERS #5 Writer: Mairghread Scott Artist: Sebastián Píriz Publisher: BOOM! Studios Cover Price: Release Date: December 17, 2025 A daring rescue leads to shocking revelations! Ryan and J.B. storm Ziktor Industries to save Kaitlin, only to find she's suffered a humiliating fate! With a little help from Ryan's mother, Amy, the Troopers battle back—but Grimlord has a new weapon in store…one with ties to Ryan's past. Will their greatest threat prove to be the one they never saw coming? [rating:3/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/49fxtQP RODRIGO MARY SHELLEY - THE ETERNAL DREAM Writer: Alessandro di Virgilio Artist: Manuela Santoni Publisher: Mad Cave Studios Cover Price: $19.99 Release Date: January 13, 2026 Mary Shelley: The Eternal Dream is an expressively illustrated fictional account of the life of writer Mary Shelley, as told by her famous invention, Frankenstein's monster. With cameos by a variety of other famous writers and historical figures, this graphic novel is perfect for fans of literary and feminist history. The extraordinary life of the woman who created one of fiction's most enduring characters: Frankenstein's monster. Born at the turn of the 19th century to the famous philosopher Mary Wollstonecraft (forerunner of the feminist movement) and William Godwin (novelist and radical politician), Mary Shelley lived a life in constant flight from social conformity. Her struggle birthed a pop culture phenomenon. Now in print for the first time in English, Mary Shelley: The Eternal Dream chronicles Shelley's relationships with other important artists and writers, including her eventual husband Percy Shelley, and the 'butterfly effect' of love, hardship, tragedy, and inspiration that led to the creation of the infamous monster. [rating: 4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4q5mxL6 DISCUSSION EDENFROST Writer: Amit Tishler Artist: Bruno Frenda Publisher: Mad Cave Studios Release Date: 2024 Two Jewish siblings summon the power of a Golem to fight their way through the fires of the Russian Civil War. Will the monster be their salvation, or hasten their demise? After losing their parents in a pogrom, teenage siblings Alex and Yuli use the mystical power of a Golem to survive the chaos of the Russian Civil War. In a harrowing journey through war-torn Ukraine, the duo will face the harsh reality of warfare, ethnic bias, and national pride as they fight for their own place in the world. You can purchase this issue via our Amazon affiliate link - https://amzn.to/498A7b0 CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends! [su_signoff]

We're in our Regency Era and just finished Mary Shelley Month, and Claire Clairmont REFUSES TO BE IGNORED. We're revisiting the story of this iconic woman, whose story feels even more meaningful now that we've learned about her (kind of) stepmother Mary Wollstonecraft, as well as more about the Regency Era in which Claire made her mark. Plus, our guest Lesley McDowell's book Clairmont is now available in North America!! (It wasn't when we first recorded this a bit ago). Click here to buy the Clairmont eBook. (aff link) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Preorder info for Ann's upcoming book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Crack the Book, we dive into a fascinating mix of political and philosophical texts from Ted Gioia's Immersive Humanities List: the U.S. Declaration of Independence, the Constitution, the Communist Manifesto, and Mary Wollstonecraft's A Vindication of the Rights of Women.I revisit the Declaration with fresh eyes—its sharp list of grievances and its insistence on mutual respect still sparkle with clarity. The Constitution, shorter than I expected, impressed me with how firmly it centers the individual while still designing a workable government.From there we move to Marx and Engels, whose Manifesto frames history as a struggle between classes and calls for radical redistribution of power. Finally, I explore Wollstonecraft's early feminist argument for women's education and its importance for society's progress.Next week: a palate-cleansing turn to Jane Austen. Join me!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)The Preamble, in case you need a refresher!CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

PREVIEW — Molly Beer — Angelica Schuyler Church and London's Educated Women. Angelica Schuyler Churchmoved to London following the war, establishing herself as a prominent figure among educated women residing in Mayfair. Angelica joined the Blue Stocking movement, which emphasized intellectual development and education for young women. Her social circle included Margaret Kemell Gage and the exceptionally talented Maria Cosway, positioning Angelica alongside pioneering intellectuals like Mary Wollstonecraft who were actively publishing and advancing education reform. 1772 LONDON

Mary Shelley – La madre dei mostri e dei sogniUna ragazza di appena diciotto anni, una notte di tempesta sul lago di Ginevra, e un sogno che cambierà per sempre la storia della letteratura.Figlia di due rivoluzionari, segnata dalla perdita e dalla passione, Mary Shelley trasforma il dolore in creazione, dando vita a Frankenstein, il primo romanzo di fantascienza moderna.Ma dietro la creatura, c'è una donna che sfida la società del suo tempo, che scrive per sopravvivere e per affermare che l'immaginazione femminile può creare universi.Un viaggio tra amore, ribellione e solitudine, alla scoperta della mente geniale e tormentata che ha dato vita al mostro più umano di tutti.Bibliografia e SitografiaMary Shelley, Frankenstein; or, The Modern Prometheus (1818, ed. riv. 1831)Mary Shelley, The Journals of Mary Shelley 1814–1844, ed. by Paula R. Feldman and Diana Scott-Kilvert, Oxford University Press, 1995Mary Shelley, Selected Letters, ed. by Betty T. Bennett, Johns Hopkins University Press, 1995Mary Shelley, Lodore (1835)Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley, Random House, 2015Miranda Seymour, Mary Shelley, Grove Press, 2001wikipediahttps://www.enciclopediadelledonne.it/edd.nsf/biografie/mary-shelley

This week we look at women's rights in the early republic, focusing in on the reaction to Mary Wollstonecraft's A Vindication of the Rights of Women in 1792.

María Zaragoza despliega su "tela de Aracne" para recordarnos a Mary Wollstonecraft, madre de Mary Shelley y autora de "Vindicación de los derechos de la mujer", que denuncia la opresión impuesta a las mujeres de aquella época. Además, recibimos a Andrea Pellejero, Núria Corominas y Júlia Barbany, del colectivo Las Huecas, que nos presentan su nueva obra "Risa caníbal". Más tarde, repasamos con Conxita Casanovas las películas más destacadas de la 70ª edición del festival Seminci de Valladolid. Escuchar audio

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

In this special episode with the brilliant British artist Maggi Hambling, released on Maggi's birthday, host Janet Ellis finds out about Maggi's love for all things 'Just William'. Having been introduced to the books by Richmal Crompton at a young age, and often identifying with the lead character, Maggi tells Janet how the books have continued to provide her with joy throughout her life.  Maggi's achievements are many and varied, including the distinction of being the first artist in residence at the National Gallery. As a painter and sculptor, Maggi's notable works include her intricate land and sea paintings, as well as her sculptures; the memorial to Mary Wollstonecraft, A Conversation with Oscar Wilde and the Scallop on Aldeburgh Beach celebrating the composer Benjamin Britten. From 20th November 2025 to 24th January 2026, 'OOO LA LA: Maggi Hambling and Sarah Lucas' is at Sadie Coles HQ and Frankie Rossi Projects in London www.frankierossiart.com.   The book Maggi Hambling, published by Rizzoli New York, is released 28 October 2025 www.rizzoliusa.com

It's Mary Shelley Month, which requires us to revisit this classic Vulgar History episode about Mary Shelley: Goth Queen, Mom Friend. And honestly, it hits different now that we know more about her mother, Mary Wollstonecraft. Shop Mary Shelley: Goth Queen, Mom Friend merch! (US) Shop Mary Shelley: Goth Queen, Mom Friend merch (rest of world) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Preorder info for Ann's upcoming book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In last week's episode, Mary Wollstonecraft decided to head over to Paris as the French Revolution was turning into The Terror, just for the vibes. This week, we learn what she did when she got there (and which of our faves she ran into!), and what happened next. Trigger warning: discussion in this episode includes depression, suicidal ideation, and attempted suicide. Next time: we get into the story of Wollstonecraft's daughter, Mary Shelley!! — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Preorder info for Ann's upcoming book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Mary Shelley Month on Vulgar History! For Halloween season, we're looking at goth icon Mary Shelley and her friends and family. And we'e starting with her equally iconic mother, Mary Wollstonecraft! — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Preorder info for Ann's upcoming book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 698: Mr. Harrison's Confessions | Chapters 7-8 Book talk begins at 16:51 Want to hear how Gaskell balances grief, comedy, and social satire all in one breath? Tune in and let the story carry you away. --------------------------------------------------------------- Gaskell knew from dying children, shame we don't read more of these old books b/c vaxx-preventable deaths might be more recognized HORRIBLE NURSE blaming Sophie Sophie had to be an adult from a young age - she speaks to Mary Wollstonecraft's points about women's educational restrictions being BS b/c women had to take on running the home which (if done right) was no less heavy than what the men did at work. Part of how we got here in this mess - only valuing $ Mrs Rose and her hair dye him teasing her presets his friend Jack Marchand's description of his jokey youth Paper Game Miscellaneous Illigitimate kids podcast - Harriet Smith mentioned - CHECK NEWSLETTER AND SHOWNOTES FOR UPDATES ON FREE MOVIE NIGHTS - We've done Jaws and Jurassic Park, for Nov 6th we will watch Dead Mean Don't Wear Plaid - first Thursday of month, 8pm Eastern, on Discord (FREE) BOOK/WATCH PARTIES coming up in 2025: Last Thursday of every month, 8pm Eastern: Sep—The Last Unicorn (movie) Oct—Random Harvest (book) Nov—Random Harvest (movie) Dec—Lamb: The Gospel According to Biff, Christ's Childhood Pal (book) *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

En 1816, un volcán afectó el clima de todo el planeta. Percy Shelley, Lord Byron, John William Polidori y una jovencísima Mary Wollstonecraft pasaron, gracias a a ello, un año sin verano en la Villa Diodati, teniendo así las condiciones perfectas para crear a dos poderosos monstruos de la literatura: El Vampiro y la Criatura de Frankenstein.

Greg Jenner is joined in twelfth-century England by Dr Gabrielle Storey and comedian Cariad Lloyd to learn all about Empress Matilda and the medieval civil war known as the Anarchy. A granddaughter of William the Conqueror, Matilda was born into England's new Norman royal family. As a young girl she was used as a dynastic pawn by her father and sent to Germany to marry the Holy Roman Emperor. Here she was crowned empress and trained to rule. When her younger brother died, followed by her husband, Matilda returned to England to take her place as her father's heir. But after her father's death she was beaten to the throne by her cousin Stephen, and so began the medieval civil war known as the Anarchy. Although Matilda ultimately lost, her son, Henry, was made Stephen's heir, and he went on to rule with support and advice from his royal mother. So who was the real winner? This episode traces Matilda's dramatic life from daughter of a king to empress of Germany to queen-in-waiting of England. Along the way, we ask whether medieval sexism prevented her from taking the throne, and look at the ways a woman could rule in twelfth-century Europe.If you're a fan of fearsome queens, violent family feuds and medieval royal drama, you'll love our episode on Empress Matilda.If you want more medieval queens with Dr Gabrielle Storey, check out our episode on Eleanor of Aquitaine. For more from Cariad Lloyd, listen to our episodes on Agrippina the Younger, Mary Wollstonecraft, and the Arts and Crafts Movement. And for more English royal feuds, there's our episode on the Causes of the British Civil Wars.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Clara Chamberlain Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: Philip Sellars

Vita e opere di Mary Wollstonecraft, filosofa e scrittrice inglese. Pensiero della pioniera dei diritti femminili e fondatrice del femminismo liberale.

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women? As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London's statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent. But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you'll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy. And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

What's the episode about?In this episode, hear Patricia MacCormack on philosophy, death activism, veganism, antinatalism, necrosexuality, the Anthropocene, dudebros in academia, and a loving and vitalist relationship to deathWho is Patricia?Professor Patricia MacCormack is Professor of Continental Philosophy. She is the author of Cinesexuality (Routledge2008) and Posthuman Ethics (Routledge 2012) and the editorof The Animal Catalyst (Bloomsbury 2014), Deleuze andthe Animal (EUP 2017), Deleuze and the Schizoanalysis ofCinema (Continuum 2008) and Ecosophical Aesthetics (Bloomsbury 2018) and The Ahuman Manifesto: Activisms for the End of the Anthropocene. She recently completed a Leverhulme Fellow researching and developing Death Activism and completing the monograph Death Activism for Bloomsbury (2025), which we will talk about today. She is also the author of numerus journalarticles and anthology chapters and the author of fiction.  Patricia's photo is of her on Mary Wollstonecraft's former grave.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: MacCormack, P. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 3 July 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.29473577What next?Check out more episodes or find out more about the hosts! Got a question? Get in touch.

Join the #McConnellCenter as we welcome Natalie Fuehrer Taylor for a presentation on the importance of the book The Education of Henry Adams! Natalie Taylor is an Associate Professor of Political Science at Skidmore College.  She is the author of The Rights of Woman as Chimera: the Political Philosophy of Mary Wollstonecraft and the editor of A Political Companion to Henry Adams.  We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center

In de podcast Wat Blijft een aflevering over de Engelse Verlichtingsfilosoof Mary Wollstonecraft. Zij geldt als inspirator voor het twintigste-eeuwse feminisme. Haar belangrijkste werk, het boek A Vindication of the Rights of Woman (1792) is een pleidooi voor gelijke rechten voor vrouwen, ze trok haar leven lang ten strijde tegen achterstelling van vrouwen. Haar eigen leven was vol pieken en dalen, van een nare jeugd met een alcoholistische vader tot romantische affaires die uiteindelijk misliepen. Ze stierf in het kraambed aan kraamvrouwenkoorts, na de geboorte van haar dochter Mary Shelley die later de beroemde roman Frankenstein zou schrijven.       Journalist Inge ter Schure praat met:      *Jet Bussemaker, voormalig staatssecretaris van VWS en minister van OCW voor de PvdA en tegenwoordig Hoogleraar Wetenschap, beleid en maatschappelijke impact aan de Universiteit Leiden.      *Jabik Veenbaas, schrijver, vertaler en filosoof, gespecialiseerd in De Verlichting. Hij schreef het voorwoord bij Wollstonecrafts 'Pleidooi voor de rechten van de vrouw' en nam haar levensverhaal op in zijn boek 'De Verlichting als kraamkamer'.        *Heleen Debruyne, Vlaams schrijver, feminist en presentator. Zij schreef onder andere het boek 'Vuile lakens', waarin ze samen met Anais van Ertvelde blootlegt dat seksuele vrijheid een illusie is. 

Today we have Dr. Matthew McManus on to discuss his book The Political Theory of Liberal Socialism. It turns out that there is an extensive tradition of socialism emerging out of classical liberal theory in the 19th century that is clearly relevant for today. What can modern leftists learn from John Stuart Mill, Mary Wollstonecraft, John Rawls, and many others? Listen to find out.

Fascist Alert! DHS sends out provocative new posters - The Trump administration wants you to turn in your neighbor so they can haul them away. Fascist history returns. California Governor Newsom takes down Trump. News....Iran, the national guard staying in LA? Trump wants to flood liberal cities with ICE? Are Trump's goons intentionally targeting the press? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join the #McConnellCenter as we welcome Natalie Fuehrer Taylor for a presentation on the importance of the Henry Adams novel Democracy! Natalie Taylor is an Associate Professor of Political Science at Skidmore College.  She is the author of The Rights of Woman as Chimera: the Political Philosophy of Mary Wollstonecraft and the editor of A Political Companion to Henry Adams.  We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center

Happy Mother's Day! This episode is for anyone who has a mom, is a mom, has lost a mom, wants to be a mom, or anything in between - so, yes, we talk about how hard this day can be for people in addition to celebrating it. Sheena covers mother Ann Jarvis and daughter Anna Jarvis, who inspired others to celebrate their mothers. Hannah covers the original goth queens, Mary Wollstonecraft and her daughter, Mary Shelley. Lori shares the story of Mary Ann Bevan, a mother who endured humiliation as the "ugliest woman in the world" to provide for her family.

In 1816, 18-year-old Mary Wollstonecraft Godwin (later Shelley) birthed science fiction during a rainy vacation on Lake Geneva. Inspired by a vision of a man crouched beside the corpse he reanimated, Frankenstein warned of what happens when man tries to play God. Two centuries later, the monsters are real, and they're called Musk, Altman, and Zuckerberg. Today's tech titans, like Frankenstein's Victor, race to build superintelligent machines in their image: soulless wannabe-gods with devastating reach. Gil Duran, of the Nerd Reich newsletter, connects this to A.I. worship, quoting a billionaire obsessed with “creating God” through algorithms. M.I.T.'s annotated Frankenstein likens Victor's horror to Oppenheimer's nuclear regret. We've entered a new atomic age, but instead of bombs, it's information weapons and hacked minds. As Pulitzer-nominated journalist Carole Cadwalladr warns, this is what a digital coup looks like. A.I. is trained to replace journalists, strip away privacy, and deepen inequality, just as Gaslit Nation has warned since 2018. What's the answer? Community. Skill-sharing. Nature. The real world. Jack Welch, once worshipped like Musk is today, gutted G.E. with fear-based leadership. Now he's a cautionary tale. So will today's tech gods be. Mary Shelley saw it coming. “Frightful must it be,” she wrote. We agree. But there's power in human connection, in rejecting the machine's illusions. Frankenstein's monster was abandoned. Let's not abandon each other. Join our resilience salons. Find your people. Build the future together. Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit! Show Notes   The song you heard in this week's episode is “Unspoken Word” by Evrette Allen: https://soundcloud.com/user-726164627/unspoken-word-mix-13/s-GEvlnfQnmh4?si=954f31de09d644948d51a225224bd7ba&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing   Nerd Reich: https://www.newyorker.com/magazine/2018/02/12/the-strange-and-twisted-life-of-frankenstein   After two hundred years, are we ready for the truth about Mary Shelley's novel? https://www.newyorker.com/magazine/2018/02/12/the-strange-and-twisted-life-of-frankenstein   Astronomers have determined the exact hour that Mary Shelley thought of Frankenstein. https://lithub.com/astronomers-have-determined-the-exact-hour-that-mary-shelley-thought-of-frankenstein/   AI's Energy Demands Are Out of Control. Welcome to the Internet's Hyper-Consumption Era Generative artificial intelligence tools, now part of the everyday user experience online, are causing stress on local power grids and mass water evaporation. https://www.wired.com/story/ai-energy-demands-water-impact-internet-hyper-consumption-era/   Short-term profits and long-term consequences — did Jack Welch break capitalism? https://www.npr.org/2022/06/01/1101505691/short-term-profits-and-long-term-consequences-did-jack-welch-break-capitalism   Carole Cadwalladr TED Talk: This Is What a Digital Coup Looks Like https://www.youtube.com/watch?v=TZOoT8AbkNE   Self-styled prophets are claiming they have "awakened" chatbots and accessed the secrets of the universe through ChatGPT https://www.rollingstone.com/culture/culture-features/ai-spiritual-delusions-destroying-human-relationships-1235330175/

What are the consequences of feminist ideals on modern women? How have they affected the work-life balance, the denigration of motherhood, and the quest for female autonomy?Carrie Gress is a fellow at the Ethics & Public Policy Center and at Catholic University. She is also the author of several books. Her latest is titled, The End of Woman: How Smashing the Patriarchy Has Destroyed Us.Greg and Carrie discuss her latest book, where she argues that feminism has been detrimental to women's happiness and societal roles. Carrie explores the historical roots of feminism dating back to the French Revolution, and cites key figures such as Mary Wollstonecraft and the people around her. Carrie critiques the feminist movement's focus on autonomy, notes its influence from communism and socialism, and laments its impact on modern societal issues, including motherhood, family dynamics, and mental health. *unSILOed Podcast is produced by University FM.*Episode Quotes:What feminism forgot about motherhood16:41: I think the problems really get bigger. The more you start seeing how it's not just about women going to work, but it's really an ideology that we've been fed over and over again, and told that this is really the route to happiness. Meanwhile, something like motherhood is denigrated, even though, you know, there's so much personal growth that happens from motherhood. There's so much growth in terms of just maturing. And I think that's one of the great things about motherhood — it just pulls you out of yourself. And that's what people are resistant to — you don't wanna see how impatient you are. You don't wanna see your limits. And that's what motherhood pushes you to, so that you have to surpass them and become better than what you were before. And there's nobody to take over for you at five o'clock. It just keeps going. And I think that the ways in which our virtues are really extended and can grow — but, you know, few people understand and think through that prism when it comes to motherhood.Home solidifies who you are20:26: Home isn't meant to just be a hotel where you check in at night, but it's meant to be a place where you really solidify who you are. You learn your gifts; you learn your connection to family. And in that rootedness, then you can go out into the world and be something.What really is feminism?03:51: Feminism is a way to protect ourselves against things, instead of really opening ourselves up to something more beautiful, which comes about within the family, within having children, within the home — which is not to say that women shouldn't work. I'm obviously a working mom, but I think it has to be balanced with understanding who we are. And instead of rejecting something, it's really going back to embracing ourselves — the life of womanhood as a mother and wife, and caring for others.Show Links:Recommended Resources:Betty FriedanCongress of American WomenSimone de BeauvoirMary WollstonecraftElizabeth Cady StantonPercy Bysshe ShelleyWilliam GodwinJean-Jacques RousseauMargaret SangerGloria SteinemGuest Profile:Faculty Profile at the Ethics & Public Policy CenterCarrieGress.comProfile on LinkedInSocial Profile on InstagramHer Work:Substack NewsletterAmazon Author PageThe End of Woman: How Smashing the Patriarchy Has Destroyed UsTheology of Home III: At the SeaTheology of Home II: The Spiritual Art of HomemakingTheology of Home: Finding the Eternal in the EverydayThe Marian Option: God's Solution to a Civilization in CrisisThe Homemaker's LitanyUltimate Makeover: The Transforming Power of MotherhoodThe Catholic Thing ArticlesNational Catholic Register Articles

 The North began, the North held on,The strife for native land;When Ireland rose to smite her foesGod bless the Northern landThomas DavisIn the 1790s Belfast was the centre of an Irish political movement which linked Antrim and Down with the Republics of France and America, and Belfast citizens celebrated the Fall of the Bastille, drank toasts to Mirabeau and Lafayette and studied Payne's great book, The Rights of Man. Presbyterians formed the Society of United Irishmen and declared for Catholic emancipation, for the abolition of church establishments and tithes, for resistance to rack rents and for sweeping agrarian reforms. They gave a cordial welcome to Mary Wollstonecraft's Vindication of the Rights of Women and joined with their Catholic neigbours in the struggle for national independence and political democracy.  Calls for Kurdish peace process welcomedFollowing World War 1 the European colonial states divided the Middle East into British and French zones of interest. An initial commitment to a Kurdish state was ignored and the Kurdish people were forcibly partitioned between Syria, Turkey, Iraq and Iran. Winston Churchill, who was Colonial Secretary in 1920 and helped draw up the state boundaries of that region, cleared the use of poison gas against the Kurdish people in Iraq. The renowned writer and historian Noam Chomsky writes that Churchill favoured the use of poison gas "against recalcitrant Arabs as an experiment" and cleared their use on the basis that; "I am strongly in favour of using poisoned gas against uncivilised tribes."Since then the region has been convulsed with conflict. Not least has been thecenturies long struggle of the Kurdish people to self-determination. Time for UnityThe Spring budget statement from the British Chancellor last week exemplifies much that is wrong in the current union between the North and England. It was a statement that Margaret Thatcher would have approved of. It directly attacks the most vulnerable in society and promises more cuts to public services, including welfare provision. It commits Labour to the implementation of policies that will cause significant difficulties for the North. It will significantly increase poverty, particularly for children and people with disabilities. At the same time Labour intends spending more money on weapons for war.  Free PalestineThis column salutes Mothers Against Genocide for their Protest on Mother's Day against the genocidal war by the Zionists against the people of Palestine.  Mothers Against Genocide are an inspirational group of women who campaign assertively and imaginatively for peace and self-determination for the people of Palestine. Their overnight vigil at the gates of Leinster House was forcibly cleared by An Garda Síochána and eight protesters were arrested. 

Greg Jenner is joined in Victorian England by Dr Isabella Rosner and comedian Cariad Lloyd to learn all about the ethos, practitioners and creations of the Arts and Crafts movement.Most people have heard of William Morris, one of the leaders of the Arts and Crafts movement that came to prominence in England in the last decades of the 19th Century. His abstract, nature-inspired designs still adorn everything from wallpaper and curtains to notebooks and even dog beds. And the company he founded, Morris & Co., is still going strong. But the history of this artistic movement, and the other creatives who were involved, is less well known.Arts and Crafts, which advocated a return to traditional handicrafts like needlework, carpentry and ceramics, was a reaction to the Industrial Revolution and included a strong socialist vision: its practitioners wanted everyone to have access to art, and to be able to enjoy homes that were comfortable, functional and beautiful. This episode explores Morris and other creatives both in and outside his circle, including Edward Burne-Jones, May Morris, Gertrude Jekyll and Philip Webb. It looks at the ethos that inspired them, the homes and artworks they created, and asks how radical their political beliefs really were.If you're a fan of groundbreaking artistic developments, gorgeous interior design, the intersection between art and politics, and Victorian interpersonal drama, you'll love our episode on the Arts and Crafts movement.If you want more from Cariad Lloyd, check out our episodes on Georgian Courtship and Mary Wollstonecraft. And for more British artistic movements, listen to our episode on the Bloomsbury Group.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Jon Norman-Mason Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

In The Political Theory of Liberal Socialism (Routledge, 2024), McManus presents a comprehensive guide to the liberal socialist tradition, stretching from Mary Wollstonecraft and Thomas Paine through John Stuart Mill to Irving Howe, John Rawls, and Charles Mills. Providing a comprehensive critical genealogy of liberal socialism from a sympathetic but critical standpoint, McManus traces its core to the Revolutionary period that catalyzed major divisions in liberal political theory to the French Revolution that saw the emergence of writers like Mary Wollstonecraft and Thomas Paine who argued that liberal principles could only be inadequately instantiated in a society with high levels of material and social inequality to John Stuart Mill, the first major thinker who declared himself a liberal and a socialist and who made major contributions to both traditions through his efforts to synthesize and conciliate them. McManus argues for liberal socialism as a political theory which could truly secure equality and liberty for all. An essential book on the tradition of liberal socialism for students, researchers, and scholars of political science and humanities. Matthew McManus is a lecturer in Political Science at the University of Michigan, USA. He is the author of The Political Right and Equality (Routledge) and A Critical Legal Examination of Liberalism and Liberal Rights among other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Full Video Series at Mary Wollstonecraft goes off on Rousseau, hoisting him with his own Petard, as it were.* 00:00 Opening 00:57 I Have Notes 06:26 CHAPTER 3 06:44 Introduction to Bodily Strength and Gender 07:34 Misconceptions About Genius and Health 10:21 The Superiority Debate: Men vs. Women 11:43 ROUSSEAU Footnote: Why Women Can't ________ 17:38 Education and Female Virtue 19:01 EXTENSIVE   FOOTNOTE from Mr. Day's "Sandford and Merton", Vol III 22:30  Critique of Rousseau's Views on Women 27:11 ROUSSEAU Quote re Girls & Dolls & Coquettes 30:39 ROUSSEAU Footnote on Girl Writing the Letter "O" 36:30 The Consequences of Female Subjugation 38:05 The Call for Rational Education 40:51 The Corruption of Power and Female Dignity 41:24 Revolutionizing Female Manners 44:55 The Nature of Worship and Rational Conduct 47:20 The Role of Women in Society 51:53 The Consequences of Dependence 54:36 ROUSSEAU Footnote: Men Have All The Good Qualities (sorry ladies!) 01:02:06 ROUSSEAU Footnote - "How Lovely is Her Ignorance" 01:07:13 Summing Up: The Call for Rational Virtues 01:10:53 Outro • Xiran Jay Zhao, Author of "Iron Widow" has an amazing Channel chock full of things you never knew you needed to learn—but you do.    /   • If you've never read Anne Brontë, please take a listen to CraftLit's "The Tenant of Wildfell Hall" (starts with episode 516—). She's the most shocking, most modern, and arguably the best of the Brontë writers. You likely missed her b/c Charlotte didn't like this book's 'sensibilities' and did what she could to ghost it after Anne's death. Bad Charlotte! *The phrase's meaning is that a bomb-maker is blown ("hoist", the past tense of "hoise") off the ground by his own bomb ("petard"), and indicates an ironic reversal or poetic justice. []

Guest: Susan J. Wolfson is a professor of English at Princeton University and author of On Mary Wollstonecrafts A Vindication of the Rights of Woman: The First of a New Genus. The post Mary Wollstonecraft, The French Revolution and The Tyranny of Men  appeared first on KPFA.

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveFor some people, “liberal socialism” sounds like an oxymoron. Liberalism is a political idea that promises to protect individual rights. Socialism, on the other hand, is about collective power: the power of workers to organize and, if not quite seize, at least have a say in the administration of the means of production. Liberalism is about freedom, while socialism is about equality. Not so, argues Matthew McManus, political science professor at the University of Michigan. In his new book, The Political Theory of Liberal Socialism, McManus recovers the oft-forgotten tradition of liberal socialism. He tells the story of great liberal socialist thinkers while also crafting a contemporary version of liberal socialism, relevant for today.Samuel Kimbriel and Santiago Ramos open the episode with a discussion about the 2022 “Freedom Convoy” trucker protests in Canada, which displayed some of the tensions between socialist and liberal ideals. The conversation moves on to the thought of Mary Wollstonecraft, whether John Rawls was a socialist, and how Matthew's experience working for McDonald's converted him to socialism.Samuel and Santiago press Matthew about a core first principle: equality. Why does he hold to this principle? Where does it come from? How can it be philosophically defended and justified? Matthew considers the different sources of political conviction: personal experience, and political theory. Which one is more influential in a person's mind?In our bonus section for paid subscribers, Matthew criticizes the “nebbish incrementalism” of neoliberalism and the excesses of “postmodern skepticism,” while declaring: “Left wing intellectuals have a lot more that they could be doing.”Required Reading:* Matthew McManus, The Political Theory of Liberal Socialism (Amazon). * Matthew McManus faculty page (University of Michigan). * Matthew McManus and Carlo Lancellotti debate about conservatives and equality (WoC). * Matthew McManus, “The Liberal Democratic Socialism of John Rawls” (Liberal Currents). * “Canadian Trucker Convoy Descends on Ottawa to Protest Vaccine Mandates” (New York Times). * Article about 2010 anti-G20 protests in Canada: “Police take ‘pre-emptive strikes' with sweeping arrests” (CTV News). * Santiago Ramos, “The Meaning of McDonald's” (WoC).* Samuel Kimbriel and Damir Marusic debate “What Politics is Really About” (WoC). * Podcast with Alexandre Lefebvre, “Liberalism is Not Neutral” (WoC). * Derek Parfit, Reasons and Persons (Amazon). * Mary Wollstonecraft (Stanford Encyclopedia of Philosophy). This post is part of our collaboration with the University of Pittsburgh's Center for Governance and Markets.Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us!

FOR ACTUAL TEXT of Mary Wollstonecraft's *A Vindication of the Rights of Woman* USE CLOSED CAPTIONS—Links to discussed topics can be found below the timecodes. Please ask QUESTIONS and add CLARIFICATIONS in the comments. 00:00 Intro notes 01:07 Introduction and Recap 01:46 Understanding the Concept of a Standing Army 03:57 Wollstonecraft's Arguments and Modern Parallels 07:11 The Consequences of Poor Education for Women 08:34 Dignity 09:21 Virtue and Rationality 12:19 Marriage and Equality in Relationships 15:44 Wollstonecraft's Critique of Religious and Social Logic 20:39 CHAPTER 2 PART 2—Introduction to Wollstonecraft's Critique 20:59 Critique of Rousseau's Views on Women 23:36 The Role of Women in Society 30:29 Marriage and Female Education 36:53 The Importance of Virtue and Reason 43:56 The Consequences of Female Subjugation 01:00:38 The Path to Female Empowerment 01:06:28 Conclusion: A Call for Equality 01:10:26 Post-Chapter Two Comments 01:13:09 MW on China (part 1) Full Text Links Full Text of Vindication: https://bit.ly/craftlit-vindication-text Full Text of Paradise Lost: https://bit.ly/craftlit-milton Full Text of Èmile: https://bit.ly/craftlit-Emile As promised: CraftLit's Socials Find everything here:  Join the newsletter:  Podcast site: http://craftlit.com Facebook:  Facebook group:  Pinterest:  TikTok podcast:  Spooky Narration:  Email: heather@craftlit.com Call and share your thoughts! 1-206-350-1642 SUPPORT THE SHOW! CraftLit App Premium feed  (only one tier available) PATREON:  (all tiers, below) Walter Harright - $5/mo for the same audio as on App Jane Eyre - $10/mo for even-month Book Parties Mina Harker - $15/mo for odd-month Watch Parties All tiers and benefits are also available as —YouTube Channel Memberships —Ko-Fi NEW at CraftLit.com — *Premium SITE Membership*  (identical to Patreon except more of your support goes to the CraftLit Team) If you want to join us for a particular Book or Watch Party but you don't want to subscribe, please use  or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list. Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) Call 1-206-350-1642

FOR ACTUAL TEXT of Mary Wollstonecraft's *A Vindication of the Rights of Woman* USE CLOSED CAPTIONS—Links to discussed topics can be found below the timecodes. Please add QUESTIONS and CLARIFICATIONS in the comments. FULL SERIES: 00:00 Intro notes 01:56 Understanding MW's Annotations 05:02 Note 1 on Islam - PBS LINK:  05:44 Sura Ghafir 40:40 06:17 Note on Islam 2  07:03 Define: Providence 08:00 Notes on Genesis and Creation 10:07 Definition: Sensual 11:01 Virtue and Moratily in MWs View 12:22 Deifine: Positive  14:23 CHAPTER TWO TEXT: A Vindication on the Rights of Woman 14:30 The Prevailing Opinion of a Sexual Character Discussed 16:07 Women's Education and Virtue 18:09 Critique of Rousseau and Other Authors 28:16 The Superficial Knowledge of Women and Soldiers 31:51 The Impact of Standing Armies 34:57 The Tyranny of Sensualists 35:32 Rousseau's Unnatural Sophia 42:28 Post-chapter Footnotes *Links for you* Not Discussed Today, But Useful Now & In Future Episodes , written within a year after her death from Placental Sepsis after giving birth to her second daughter Mary Wollstonecraft Godwin (Shelley) Mary Wollstonecraft's death: Link below Full-Text Links Full-text of Vindication: Full-text of Paradise Lost: Full-text of Èmile: More links and info on MW's death can be found at the end of this post. Not Wollstonecraft, but also good to know... Bot Army—Irksome Humans May Not Be Human My response: Ages ago, there was a Twitter bot that you could forward a tweet to and get a reading of a % chance whether or not the tweet came from a bot. I used it all the time—and calmed down A LOT. Then it disappeared. Does anyone else remember using something like that?     CraftLit's Socials Find everything here: Join the newsletter: Podcast site: Facebook: Facebook group: Pinterest: TikTok podcast: Spooky Narration: Email: heather@craftlit.com Call and share your thoughts! 1-206-350-1642 SUPPORT THE SHOW! CraftLit App Premium feed  (only one tier available) PATREON:  (all tiers, below) ——Walter Harright - $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties All tiers and benefits are also available as YouTube Channel Memberships Ko-Fi NEW at CraftLit.com — Premium SITE Membership  (identical to Patreon except more of your support goes to the CraftLit Team) If you want to join us for a particular Book or Watch Party but you don't want to subscribe, please use or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list. Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) Call 1-206-350-1642 __________ MW's Death Trigger Warning: Women's Healthcare—Placental sepsis Placental sepsis led to the death of Mary Wollstonecraft in 1797 after she gave birth to her daughter Mary Godwin. It is now more commonly known as puerperal sepsis or postpartum sepsis. This condition is an infection that occurs after childbirth. In the past, it was a major cause of maternal deaths related to childbirth, especially before modern hygiene practices and antibiotics became available. Global Situation Today: - Maternal sepsis remains a serious issue and is still a significant cause of maternal deaths around the world. - The World Health Organization (WHO) estimates that maternal sepsis accounts for about 10% of all maternal deaths globally. It tends to be more common in areas where many births happen at home, there are not enough skilled healthcare workers, and healthcare systems are weak. Historical Background: During Wollstonecraft's time, doctors often worked in unhygienic environments and did not yet understand germs. Consequently, infections after childbirth were sadly common and often turned deadly. - Peer Reviewed Journal Articles on Placental Sepsis: Cambridge: ; AIMDR: ; Incidences of: -Trigger Warning: Details on MW's death:

Ben Burgis welcomes back major friend of the pod Matt to talk his new book: "The Political Theory of Liberal Socialism," in which he "presents a comprehensive guide to the liberal socialist tradition, stretching from Mary Wollstonecraft and Thomas Paine through John Stuart Mill to Irving Howe, John Rawls, and Charles Mills." Buy the book here: https://www.routledge.com/The-Political-Theory-of-Liberal-Socialism/McManus/p/book/9781032647234?srsltid=AfmBOopS7HP7ywGhn4LB27-wBYa_vGV9tmNts-t-GIdllMV_bajrCsQrFollow Matt on Twitter: @MattPolProfFollow Ben on Twitter: @BenBurgisFollow GTAA on Twitter: @Gtaa_ShowBecome a GTAA Patron and receive numerous benefits ranging from patron-exclusive postgames every Monday night to our undying love and gratitude for helping us keep this thing going:patreon.com/benburgisRead the weekly philosophy Substack:benburgis.substack.com

Our societies, our norms, our values are all shaped by stories from the past. Devdutt Pattanaik joins Amit Varma in episode 404 of The Seen and the Unseen to discuss his life, our society and why we should take mythology seriously. Note: This is Part 2 of a 12-hour episode, being uploaded in two parts now because Spotify and YouTube don't allow uploads over 12 hours. So do listen to Part 1 first -- and if you are on another podcast app, just play the full version if it is there! (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out 1. Devdutt Pattanaik on Instagram, Twitter, LinkedIn, Wikipedia, YouTube, Amazon and his own website. 2. Myth = Mithya: Decoding Hindu Mythology -- Devdutt Pattanaik. 3. The Girl Who Chose -- Devdutt Pattanaik. 4. The Boys Who Fought -- Devdutt Pattanaik. 5. Ramayana Versus Mahabharata -- Devdutt Pattanaik. 6. My Gita -- Devdutt Pattanaik. 7. Bahubali: 63 Insights into Jainism -- Devdutt Pattanaik. 8. Sati Savitri -- Devdutt Pattanaik. 9. Business Sutra -- Devdutt Pattanaik. 10. Ahimsa: 100 Reflections on the Harappan Civilization -- Devdutt Pattanaik. 11. Olympus -- Devdutt Pattanaik. 12. Eden -- Devdutt Pattanaik. 13. East vs West -- The Myths That Mystify -- Devdutt Pattanaik's 2009 TED Talk. 14. Today My Mother Came Home -- Devdutt Pattanaik. 15. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen. 16. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 17. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 18. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 19. Yuganta -- Irawati Karve. 20. Women in Indian History — Episode 144 of The Seen and the Unseen (w Ira Mukhoty). 21. The Jewel in the Crown -- BBC TV series. 22. Heat and Dust -- James Ivory. 23. The Sexual Outlaw -- John Rechy. 24. Bombay Dost and Gay Bombay. 25. The Double ‘Thank You' Moment — John Stossel. 26. The Kama Sutra. 27. Liberty -- Isaiah Berlin. 28. Thought and Choice in Chess -- Adriaan de Groot. 29. The Seven Basic Plots -- Christopher Booker. 30. The Seven Basic Plots -- Episode 69 of Everything is Everything. 31. The Hero with a Thousand Faces -- Joseph Campbell. 32. The Big Questions -- Steven Landsburg. 33. 300 Ramayanas — AK Ramanujan. 33. The egg came before the chicken. 34. The Evolution of Cooperation — Robert Axelrod. 35. The Trees -- Philip Larkin. 36. Who We Are and How We Got Here — David Reich. 37. Early Indians — Tony Joseph. 38. Tony Joseph's episode on The Seen and the Unseen. 39. A Life in Indian Politics — Episode 149 of The Seen and the Unseen (w Jayaprakash Narayan). 40. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 41. Jugalbandi -- Vinay Sitapati. 42. Perfect Days -- Wim Wenders. 43. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 44. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 45. Mary Wollstonecraft and bell hooks. 46. If India Was Five Days Old -- Devdutt Pattanaik. 47. The Road to Freedom — Arthur C Brooks. 48. The Master and His Emissary -- Iain McGilchrist. 49. This Be The Verse — Philip Larkin. 50. Human -- Michael Gazzaniga. 51. The Elephant in the Brain — Kevin Simler and Robin Hanson. 52. The Blank Slate -- Steven Pinker. 53. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 54. Wanderers, Kings, Merchants — Peggy Mohan. 55. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 56. The Reformers -- Episode 28 of Everything is Everything. 57. The Golden Bough -- James Frazer. 58. Myth And Reality: Studies In The Formation Of Indian Culture -- DD Kosambi. 59. Srimad Bhagavatam -- Kamala Subramaniam. 60. Boris Vallejo on Instagram, Wikipedia and his own website. 61. The Last Temptation Of Christ -- Nikos Kazantzakis. 62. The Last Temptation Of Christ -- Martin Scorcese. 63. Jeff Bezos on The Lex Fridman Podcast.  64. The Poem of the Killing of Meghnad -- Michael Madhusudan Dutt. 65. Eichmann in Jerusalem: A Report on the Banality of Evil — Hannah Arendt. 66. The Crown -- Created by Peter Morgan. 67. Profit = Philanthropy — Amit Varma. 68. Imaginary Number — Vijay Seshadri. 69. The Buddha's Footprint -- Johan Elverskog. 70. A Prehistory of Hinduism -- Manu Devadevan. 71. The ‘Early Medieval' Origins of India -- Manu Devadevan. 72. Unmasking Buddhism -- Bernard Faure. 73. The Red Thread -- Bernard Faure. 74. The Power of Denial -- Bernard Faure. 75. The Thousand and One Lives of the Buddha -- Bernard Faure. 76. A Modern Look At Ancient Chinese Theory Of Language -- Chad Hansen. 77. Hermann Kulke, Umakant Mishra and Ganesh Devy on Amazon. 78. The Hours -- Michael Cunningham. 79. The Hours -- Stephen Daldry. 79. Ancestral Dravidian languages in Indus Civilization -- Bahata Ansumali Mukhopadhyay. 80. Myth -- Laurence Coupe. This episode is sponsored by Rang De, a platform that enables individuals to invest in farmers, rural entrepreneurs and artisans. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Tell' by Simahina.

Our societies, our norms, our values are all shaped by stories from the past. Devdutt Pattanaik joins Amit Varma in episode 404 of The Seen and the Unseen to discuss his life, our society and why we should take mythology seriously. Note: This is Part 1 of a 12-hour episode, being uploaded in two parts now because Spotify and YouTube don't allow uploads over 12 hours. So if you are on another podcast app, just play the full version if it is there! (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out 1. Devdutt Pattanaik on Instagram, Twitter, LinkedIn, Wikipedia, YouTube, Amazon and his own website. 2. Myth = Mithya: Decoding Hindu Mythology -- Devdutt Pattanaik. 3. The Girl Who Chose -- Devdutt Pattanaik. 4. The Boys Who Fought -- Devdutt Pattanaik. 5. Ramayana Versus Mahabharata -- Devdutt Pattanaik. 6. My Gita -- Devdutt Pattanaik. 7. Bahubali: 63 Insights into Jainism -- Devdutt Pattanaik. 8. Sati Savitri -- Devdutt Pattanaik. 9. Business Sutra -- Devdutt Pattanaik. 10. Ahimsa: 100 Reflections on the Harappan Civilization -- Devdutt Pattanaik. 11. Olympus -- Devdutt Pattanaik. 12. Eden -- Devdutt Pattanaik. 13. East vs West -- The Myths That Mystify -- Devdutt Pattanaik's 2009 TED Talk. 14. Today My Mother Came Home -- Devdutt Pattanaik. 15. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen. 16. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 17. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 18. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 19. Yuganta -- Irawati Karve. 20. Women in Indian History — Episode 144 of The Seen and the Unseen (w Ira Mukhoty). 21. The Jewel in the Crown -- BBC TV series. 22. Heat and Dust -- James Ivory. 23. The Sexual Outlaw -- John Rechy. 24. Bombay Dost and Gay Bombay. 25. The Double ‘Thank You' Moment — John Stossel. 26. The Kama Sutra. 27. Liberty -- Isaiah Berlin. 28. Thought and Choice in Chess -- Adriaan de Groot. 29. The Seven Basic Plots -- Christopher Booker. 30. The Seven Basic Plots -- Episode 69 of Everything is Everything. 31. The Hero with a Thousand Faces -- Joseph Campbell. 32. The Big Questions -- Steven Landsburg. 33. 300 Ramayanas — AK Ramanujan. 33. The egg came before the chicken. 34. The Evolution of Cooperation — Robert Axelrod. 35. The Trees -- Philip Larkin. 36. Who We Are and How We Got Here — David Reich. 37. Early Indians — Tony Joseph. 38. Tony Joseph's episode on The Seen and the Unseen. 39. A Life in Indian Politics — Episode 149 of The Seen and the Unseen (w Jayaprakash Narayan). 40. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 41. Jugalbandi -- Vinay Sitapati. 42. Perfect Days -- Wim Wenders. 43. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 44. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 45. Mary Wollstonecraft and bell hooks. 46. If India Was Five Days Old -- Devdutt Pattanaik. 47. The Road to Freedom — Arthur C Brooks. 48. The Master and His Emissary -- Iain McGilchrist. 49. This Be The Verse — Philip Larkin. 50. Human -- Michael Gazzaniga. 51. The Elephant in the Brain — Kevin Simler and Robin Hanson. 52. The Blank Slate -- Steven Pinker. 53. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 54. Wanderers, Kings, Merchants — Peggy Mohan. 55. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 56. The Reformers -- Episode 28 of Everything is Everything. 57. The Golden Bough -- James Frazer. 58. Myth And Reality: Studies In The Formation Of Indian Culture -- DD Kosambi. 59. Srimad Bhagavatam -- Kamala Subramaniam. 60. Boris Vallejo on Instagram, Wikipedia and his own website. 61. The Last Temptation Of Christ -- Nikos Kazantzakis. 62. The Last Temptation Of Christ -- Martin Scorcese. 63. Jeff Bezos on The Lex Fridman Podcast.  64. The Poem of the Killing of Meghnad -- Michael Madhusudan Dutt. 65. Eichmann in Jerusalem: A Report on the Banality of Evil — Hannah Arendt. 66. The Crown -- Created by Peter Morgan. 67. Profit = Philanthropy — Amit Varma. 68. Imaginary Number — Vijay Seshadri. 69. The Buddha's Footprint -- Johan Elverskog. 70. A Prehistory of Hinduism -- Manu Devadevan. 71. The ‘Early Medieval' Origins of India -- Manu Devadevan. 72. Unmasking Buddhism -- Bernard Faure. 73. The Red Thread -- Bernard Faure. 74. The Power of Denial -- Bernard Faure. 75. The Thousand and One Lives of the Buddha -- Bernard Faure. 76. A Modern Look At Ancient Chinese Theory Of Language -- Chad Hansen. 77. Hermann Kulke, Umakant Mishra and Ganesh Devy on Amazon. 78. The Hours -- Michael Cunningham. 79. The Hours -- Stephen Daldry. 79. Ancestral Dravidian languages in Indus Civilization -- Bahata Ansumali Mukhopadhyay. 80. Myth -- Laurence Coupe. This episode is sponsored by Rang De, a platform that enables individuals to invest in farmers, rural entrepreneurs and artisans. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Tell' by Simahina.

Professor and author Matt McManus returns to the show to discuss his newest book, "The Political Theory of Liberal Socialism". Together they explore the major themes of the book, hash out the disagreements they have between revolutionary Marxism and democratic socialism, explore critical thinkers like Karl Marx, Thomas Paine, Mary Wollstonecraft, and John Rawls, wrestle with the questions of revolution and communism as the ultimate goal of socialism, and much more. "Providing a comprehensive critical genealogy of liberal socialism from a sympathetic but critical standpoint, McManus traces its core to the Revolutionary period that catalyzed major divisions in liberal political theory to the French Revolution that saw the emergence of writers like Mary Wollstonecraft and Thomas Paine who argued that liberal principles could only be inadequately instantiated in a society with high levels of material and social inequality to John Stuart Mill, the first major thinker who declared himself a liberal and a socialist and who made major contributions to both traditions through his efforts to synthesize and conciliate them." Check out our other episodes with Matt HERE Outro Song: "Best of All Possible Worlds" by Ajj feat: Kool Keith & Kimya Dawson Support Rev Left HERE Follow us on IG HERE