Podcasts about mutant ape yacht club

The crypto market is buzzing with activity as Bitcoin breaks the $61,000 mark, propelled by favorable U.S. economic data. Goldman Sachs has made a surprising pivot, now holding $418 million in Bitcoin spot ETFs. NFTs are showing signs of recovery, with blue-chip collections like Mutant Ape Yacht Club leading the charge. Crypto.com secures a landmark partnership with UEFA Champions League, potentially introducing millions of new users to digital assets. Meanwhile, the industry faces challenges as Canadian exchange ezBtc's founder misappropriates $9.5 million, and Bitpanda warns of rising phishing attempts. The crypto world watches closely as Mt. Gox transfers $2 billion in Bitcoin for creditor repayment, and analysts speculate on how the 2024 U.S. presidential election might reshape the digital asset landscape. HOW CAN SUPPORT? SUBSCRIBE: ⁠RARE BITS PODCAST⁠    WATCH: ⁠RAREBITS LIVE YOUTUBE⁠   READ: RARE BITS SUBSTACK⁠  Follow on X: BEATBROKER RARE BITS LIVE GET SOME MERCH RARE BITS GEAR:⁠RARE BITS MERCH⁠

Welcome back to NFT Alpha! Your #1 source for NFT news. Today Taco discusses the TOP NFT trading volume on Cardano, Ethereum and Polygon. Taco also covers 3 major stories today in the NFT Ecosystem; Dookey Dash opens back up today, Bitcoin NFT's cause Stacks (STX) to explode, and Blur Season 2 opens up.

Non-fungible tokens (NFTs), the blockchain-based method to verify and transfer ownership of a digital asset, exploded in popularity in 2021.  Though some collections such as NBA Top Shot and CryptoPunks had existed before last year's climb in popularity, NFTs largely did not enter mainstream consciousness until the arrival of Bored Ape Yacht Club, a collection of 10,000 algorithmically assembled images of languid monkeys.  The success of Bored Ape Yacht Club in the spring of 2021 sparked an influx of large-scale NFT collections such as Mutant Ape Yacht Club, Meebits, Doodles, Cool Cats and Azuki. What followed was the scramble in the crypto community to buy in early to the next popular project, and the rush for non-crypto natives to understand what these types of tokens even are.  Around the same time as so-called profile-picture projects emerged, NFTs also expanded into the gaming sector through play-to-earn (P2E) mechanics. The P2E game Axie Infinity particularly emerged as a giant in the blockchain-based gaming space in the late summer and early fall of 2021 before losing traction.  In all, NFTs surpassed $13 billion in trading volume in 2021. NFT trading volume cooled in concert with the broader crypto bear market in 2022. With high-profile parties like Coinbase and GameStop entering the space, this technology doesn't seem to be going away. And with them, so too are pertinent questions around copyright and ownership. In this debut episode of The Block's NFT Scoop, reporter MK Manoylov speaks with The Block Research's Thomas Bialek about the history of NFTs, where they came from, and what lead to their explosion in popularity in 2021. Episode 68 of Season 4 of The Scoop was recorded remotely with The Block's MK Manoylov and The Block Research's Thomas Bialek. Listen below, and subscribe to The Scoop on Apple, Spotify, Google Podcasts, Stitcher or wherever you listen to podcasts. Email feedback and revision requests to podcast@theblockcrypto.com. This episode is brought to you by our sponsors Chainalysis & IWC Schauffhausen About Chainalysis Chainalysis is the leading blockchain data platform. We provide data, software, services, and research to government agencies, exchanges, financial institutions, and insurance and cybersecurity companies in over 60 countries. Backed by Accel, Addition, Benchmark, Coatue, Paradigm, Ribbit, and other leading firms in venture capital, Chainalysis builds trust in blockchains to promote more financial freedom with less risk. For more information, visit www.chainalysis.com. About IWC Schaffhausen IWC Schaffhausen is a Swiss luxury watch manufacturer based in Schaffhausen, Switzerland. Known for its unique engineering approach to watchmaking, IWC combines the best of human craftsmanship and creativity with cutting-edge technology and processes. With collections like the Portugieser and the Pilot's Watches, the brand covers the whole spectrum from elegant timepieces to sports watches. For more information, visit IWC.com

This show was sponsored by Jenkins The Valet and Tally Labs for their upcoming drop Azurbala. In this episode, we talk about the accusations from 0xb1 against the crypto exchange, Celsius, exposing them as a Ponzi scheme. We then discuss WAGMIi United, the new soccer team project that's dropping in the NFT space, as well as some other stories like the Mutant Ape Yacht Club's recent run-up, and the current state of the NFT market with new economic data coming out. Azurbala's Twitter Tune in live every weekday Monday through Friday from 9:00 AM Eastern to 10:30 AM Buy our NFT Sign up for FTX Join our discord Check out our Twitter Give us your thoughts on the show by leaving a rating. -- DISCLAIMER: You should never treat any opinion expressed by the hosts of this content as a recommendation to make a particular investment, or to follow a particular strategy. The thoughts and commentary on this show are an expression of the hosts' opinions and are for entertainment and informational purposes only. This show is never financial advice.

Opensea的崛起之路，也是NFT的行业发展史 【主播】泓君，《硅谷101》主持人 【嘉宾】Mohan Zhang，Facebook Novi Team工程师，NFT玩家（Twitter：@NoCommas） 【后期】穆正东 【你将听到】 【03:46】 NFT早期集中在艺术品市场，但并未崛起 【05:32】 关键转折点：CryptoPunks及其仿盘的出现 【09:46】 Beeple的拍卖对艺术家和NFT玩家不重要 【11:35】 Opensea崛起与NFT的核心：不是艺术，是社区 【12:47】 为什么说Clubhouse的火爆带火了NFT市场？ 【15:36】 引爆点：当所有人头像都换成了无聊猿 【19:07】 无聊猿是如何火起来的？ 【27:01】槽点满满的Opensea：审核、诈骗、双重发布、中心化 【30:57】 Looksrare是Opensea的挑战者吗？ 【38:25】 站在NFT的风口：Opensea的十倍增长期 【42:38】 Coinbase、FTX纷纷进军NFT交易市场，会冲击Opensea吗？ 【42:40】 点评Opensea上成交量前十名的NFT 【名词解释】 【NFT项目】 Beeple 本名Mike Winkelmann，美国数字艺术家、图形设计师、动画制作人，作品多反应当下流行文化与时事热点，作品《每一天：前5000天》以6934万美元在佳士得完成拍卖，在当时创下全球第三大艺术拍卖。 CryptoKitties 以以太币交易的虚拟猫咪宠物游戏，2017年上线，刚上线的时候一度让以太坊网络瘫痪，可以购买宠物猫并让他们繁殖后台。Dapper Labs是背后的团队，也是NBA Topshot团队的前身。 CyptoPunks 第一个NFT项目，诞生于2017年，他们制作像素卡通小人，总量1万枚，有很多限量版的CryptoPunk。Larva labs，Cryptopunks背后的团队。 【NFT平台系列】 OpenSea 成立于2018 年1 月，目前是全球最大的加密数字藏品市场。 Nitfy Gateway NFT加密艺术作品出售平台。2019年被“比特币亿万富翁”双胞胎Winklevoss 兄弟的数字货币交易平台 Gemini 收购，平台与 Beeple、Mad Dog Jones加密艺术家的合作。 SuperRare 是一个区块链技术支持的艺术创作者和收藏者的社交网络平台，走精品画廊路线。 Rarible 2020年成立的Opensea平台，也是第一个发行代币治理的NFT平台，目前已经将CryptoKitties团队所创建的FLOW链整合到其平台中。 Looksrare 在2022年1月11日正式上线的NFT交易平台，以社区方式成立的平台，刚出来时风头正劲，号称超过Opensea的交易量，但近期陷入刷单、团队套现丑闻。 Coinbase 成立于2012年的美国加密货币交易所，2021年在纳斯达克上市，也是第一家在美国上市的加密货币公司，近期宣布发力NFT P2P市场。 币安 2017年成立，全球交易量最大的加密货币交易所，近期宣布发力NFT交易市场。 FTX 美国加密货币衍生品交易平台，近期也宣布发力NFT交易市场。 【行业术语】 Defi Decentralized Finance，去中心化金融，指基于智能合约发展的去中心化金融，也指链上的金融应用 OG Old Gangster或者是Original Gangster，原始大佬，意思是元老级、教父级的人物，也有最顶级最厉害的意思 PFP Profile picture，头像 Mint 铸造发行NFT 【NFT项目】 排名前十的NFT项目 1.CryptoPunks ；2.Bored Ape Yacht Club（无聊猿）；3.Decentraland ；4.Mutant Ape Yacht Club（变异猴）；5.Art Blocks Curated；6.The Sandbox；7.Clone X；8.Azuki；9.Rarible；10.Decentrland Wearables Phanta Bear Ezek平台联合周杰伦潮牌 PHANTACi 发布的 NFT 项目 ，全球发行仅限量 1 万个。PHANTACi 是由周杰伦 Jay 和好友 Ric 在 2006 年共同创立的潮流品牌。 Loot 黑底白字形式的NFT，在投资机构Paradigm投资以后一周爆红，NFT领域的后起之秀。 【口误勘正】 1.Beeple作品成交价口误成6100万美元，应为6900万美元； 2.Phanta Bear为Ezek平台联合周杰伦潮牌 PHANTACi 联名推出的NFT，不为周杰伦本人发布。 【BGM】 Roundabout Circus - Mac Taboel 【在这里找到我们】 收听渠道：苹果｜小宇宙｜ 海外用户：苹果｜Spotify｜TuneIn｜GooglePlay｜Amazon Music Twitter：@Web3_101 【嘉宾言论仅代表个人，本期节目不构成任何投资建议哦】

This morning, we discuss the challenges in the NFT market recently, including some up-and-coming projects Gossamer seeds, and Moonrunners. We also talk about Pixel Vault and the future of their partnership with Dana White and the UFC might look like. We consider the brand aspect of Doodles, Nick sells a Mutant Ape Yacht Club live on the show, and have some guests on to discuss the broader market/economic concepts. Tune in live every weekday Monday through Friday from 9:00 AM Eastern to 10:30 AM Buy our NFT Sign up for FTX Join our discord Check out our Twitter Give us your thoughts on the show by leaving a rating. -- DISCLAIMER: You should never treat any opinion expressed by the hosts of this content as a recommendation to make a particular investment, or to follow a particular strategy. The thoughts and commentary on this show are an expression of the hosts' opinions and are for entertainment and informational purposes only. This show is never financial advice.

Sexta-feira com giro de notícias especial só aqui na Rádio Bitcoin. Brasileiros estão entre os que mais lucraram com criptomoedas em 2021. Mastercard acredita que criptomoeda é o ativo de investimento mais maduro. Neymar compra NFT do Mutant Ape Yacht Club por mais de R$ 800 mil e aumenta sua coleção de 'macacos digitais'. Clique no link e ouça agora mesmo!

In this show, we talked about all the action that we're seeing in the NFT market including Mutant Ape Yacht Club clearing a 30 Ethereum floor, the underwhelming reveal before the reveal of beans, which is the Azuki companion drop, and of course the face-melting pump of Aku the Moon God Akutars and Micah Johnson himself. Micah Johnson's Twitter Tune in live every weekday Monday through Friday from 9:00 AM Eastern to 10:30 AM Buy our NFT Sign up for FTX Join our discord Check out our Twitter -- DISCLAIMER: You should never treat any opinion expressed by the hosts of this content as a recommendation to make a particular investment, or to follow a particular strategy. The thoughts and commentary on this show are an expression of the hosts' opinions and are for entertainment and informational purposes only. This show is never financial advice.

The latest cryptocurrency news live - crypto prices, breaking bitcoin news and altcoin crypto news from the official Global Crypto Press Association. https://www.globalcryptopress.com/2022/04/you-wont-believe-what-cannabis-company.html meleedose.commeleeverse.aiMeleeMelee https://www.instagram.com/meleedose/https://twitter.com/meleedoseMeleeverseMeleeverse

**This week on The Download; digital ads evolve as online privacy increases, Substack poaches podcasts from Patreon, and iHeartMedia is buying NFTs to make podcasts about them.**A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You’re Still Being Tracked on the Internet, Just in a Different Way*. A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You’re Still Being Tracked on the Internet, Just in a Different Way*. Throughout the piece Chen and Wakabayashi alternate between birds-eye views of the tech industry and personal anecdotes from small business reflecting the changing landscape of traditional digital ads. “The rise of this tracking has implications for digital advertising, which has depended on user data to know where to aim promotions. It tilts the playing field toward large digital ecosystems such as Google, Snap, TikTok, Amazon and Pinterest, which have millions of their own users and have amassed information on them. Smaller brands have to turn to those platforms if they want to advertise to find new customers.” Where in previous years a business would be able to purchase ad space on services like Instagram or Facebook, famous for their tracking providing fine-tuned results, now the pendulum has shifted. “Shawn Baker, the owner of Baker SoftWash, an exterior cleaning company in Mooresville, N.C., said it previously took about $6 of Facebook ads to identify a new customer. Now it costs $27 because the ads do not find the right people, he said.” With the devaluing of assumed default channels of advertising, more budgets are being redistributed to new avenues of advertising. Especially options with first-party data. While podcast advertising doesn’t offer that data for users, the contextual nature and growth of podcasting-first data solutions are becoming appealing options for those buyers Dave Jones (no relation to the undersea legend) posted a blog to Substack Monday with intent to clear the air on Podcasting 2.0. What exactly is Podcasting 2.0? As Jones puts it: “The Podcasting 2.0 project is simply this: A vision of what podcasting experiences can be in the future, and a set of free, open source standards for how that vision becomes reality.” Jones goes on to give context for what some of these open-source standards could look like, folding them into a fictional day in the life a podcast super-listener named Joy. Throughout Joy’s typical work day she uses a one-size-fits-all podcatcher app that folds features and functionality from existing first-party services into one place. Whenever a video podcast she likes goes live, Podcast 2.0 framework allows her to join in and listen to just the audio (much like YouTube’s audio-only feature). When she dips into the video portion of the stream she can tip money to the hosts, causing an on-screen notification akin to Superchats on YouTube and donations on Twitch. Her app displays episode-specific links and data mentioned in podcasts manually placed by the hosts. It automatically switches to lower bitrate versions of audio feeds when traveling into areas with poor signal. In Joy’s Podcast 2.0 world she can check comments and reviews aggregated from other podcasting apps. “Every bit of the above scenario is perfectly possible using only RSS and open source standards. Much of it is already functioning today in apps and services that are early adopters.” For those who’ve only heard of Podcasting 2.0 in passing, Jones’ piece aims to explain the passion and potential open-source future the concept could provide. We move from a story posted on Substack to a story about Substack. On Tuesday Ashley Carman published the Bloomberg piece Substack Poaches Patreon Stars for Expanded Push into Podcasting. Substack now offers two resources popular with monetized podcasts: a newsletter and a private RSS feed for paying subscribers. Substack’s COO Hamish McKenzie says the company is giving grants to certain podcasters who make the switch from Patreon. Though, like a recent report on YouTube offering grants for podcasters to pivot to video, Substack is keeping quiet as to which specific podcasts got grants. Currently only four are known. The grants Substack offers serve to soften the blow of abandoning an existing service. Patreon does not offer the ability to take paid subscriptions to a competitor’s platform. Podcasters making the switch will lose patrons, moreso than they normally would to monthly churn. Marketers have been telling podcasters that newsletters are a successful way to create and own an audience. Substack taking initiative shows they might begin to own and understand the market of podcasts centered around communities. And, by extension, own the revenue derived from said market. That said, this introduces another hosting solution that does not appear to be following IAB standards. Substack joins Apple’s subscription product, Supercast, and Supporting Cast in that crowd. This isn’t necessarily an issue for the individual user because they provide first party info. Nevertheless, it does show the IAB standard doesn’t have the teeth many hoped it would as this industry continues to grow ****Soon it might be time to break out the picket signs and pro-worker chants at Spotify. On Monday Ashley Carman, making her second appearance this episode, published the Bloomberg article *Spotify Podcast Union is Ready to Strike Over Contract Terms*. Barring successful negotiations, the Parcast Union is poised to execute the first ever strike at Spotify. The union cites unaddressed issues include basic concerns like pay, but also staff diversity concerns and IP rights. “The bargaining committee told Bloomberg News that Spotify specifically doesn’t want to commit to a request that half of job candidates who make it past the phone interview stage be people of color, people who identify as LGBTQ+ or people with disabilities. They also added they haven’t agreed on acceptable salary minimums.” 97% of Parcast union members have pledged to join the strike, spanning multiple departments. “A strike would be a first for Spotify and would come at a particularly fraught time for its podcast ambitions. The company laid off the internal team at its fourth podcast studio, known as Studio 4, in January, and has struggled to get much of its headline-driving content off the ground.” For more information on that reference to unreleased headline-driving content, we direct you to the March third episode of The Download for coverage of that particular story. Here’s hoping the union walks away from the bargaining table with their goals achieved. People deserve to be paid a fair living wage, and podcasting on the scale Spotify operates at is certainly big enough to handle that. For our final story of the week, something bizarre. Non-fungible tokens, a digital collectible known for being rife with pump-and-dump schemes and other classic forms of financial scams, are potentially getting their first big break in podcasting through iHeartMedia’s new scheme. Sara Fischer, reporting for Axios, broke exclusive news on Tuesday: iHeartMedia is building a podcast network around NFTs they’ve purchased. “iHeartMedia is currently in talks to make 10–15 investments in prominent NFT collections over the next few days — including CryptoPunks, Mutant Ape Yacht Club, and World of Women — per Khalil Tawil, EVP of strategy at iHeartMedia.” As Tawil describes it, iHeartMedia will purchase NFTs from various internet-popular collections and then craft a slate of podcasts that retroactively create a series of stories and characters around the algorithmically-generated artwork they sort-of own. Fischer quotes Khalil Tawil as saying there is “no real precedent for this.” While technically true in the context of podcasting, it’s not new in other forms of media. Most notable are the multiple attempts at getting NFT animated series off the ground, as Vice covered in November. Though, iHeartMedia has the scale needed to truly take advantage of the IP inherent in their purchases. From Hot Pod on Thursday, “One of the unique features of these character-based NFT series is that they often hand IP rights over to whoever owns them. That means if you buy a Bored Ape, you can print your Bored Ape on a T-shirt, market that shirt online, put it on a billboard, and so on. Folks who believe in the NFT hype want to turn these collections into a sort of decentralized Disney, which, I suspect, will overshoot reality by at least a few orders of magnitude.” Whether iHeart’s decentralized Disney will profit or not remains to be seen. The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Special thanks to Ian Powell for his audio prowess, and to our media host, Omny Studio.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

**This week on The Download; digital ads evolve as online privacy increases, Substack poaches podcasts from Patreon, and iHeartMedia is buying NFTs to make podcasts about them.**A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You’re Still Being Tracked on the Internet, Just in a Different Way*. A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You’re Still Being Tracked on the Internet, Just in a Different Way*. Throughout the piece Chen and Wakabayashi alternate between birds-eye views of the tech industry and personal anecdotes from small business reflecting the changing landscape of traditional digital ads. “The rise of this tracking has implications for digital advertising, which has depended on user data to know where to aim promotions. It tilts the playing field toward large digital ecosystems such as Google, Snap, TikTok, Amazon and Pinterest, which have millions of their own users and have amassed information on them. Smaller brands have to turn to those platforms if they want to advertise to find new customers.” Where in previous years a business would be able to purchase ad space on services like Instagram or Facebook, famous for their tracking providing fine-tuned results, now the pendulum has shifted. “Shawn Baker, the owner of Baker SoftWash, an exterior cleaning company in Mooresville, N.C., said it previously took about $6 of Facebook ads to identify a new customer. Now it costs $27 because the ads do not find the right people, he said.” With the devaluing of assumed default channels of advertising, more budgets are being redistributed to new avenues of advertising. Especially options with first-party data. While podcast advertising doesn’t offer that data for users, the contextual nature and growth of podcasting-first data solutions are becoming appealing options for those buyers Dave Jones (no relation to the undersea legend) posted a blog to Substack Monday with intent to clear the air on Podcasting 2.0. What exactly is Podcasting 2.0? As Jones puts it: “The Podcasting 2.0 project is simply this: A vision of what podcasting experiences can be in the future, and a set of free, open source standards for how that vision becomes reality.” Jones goes on to give context for what some of these open-source standards could look like, folding them into a fictional day in the life a podcast super-listener named Joy. Throughout Joy’s typical work day she uses a one-size-fits-all podcatcher app that folds features and functionality from existing first-party services into one place. Whenever a video podcast she likes goes live, Podcast 2.0 framework allows her to join in and listen to just the audio (much like YouTube’s audio-only feature). When she dips into the video portion of the stream she can tip money to the hosts, causing an on-screen notification akin to Superchats on YouTube and donations on Twitch. Her app displays episode-specific links and data mentioned in podcasts manually placed by the hosts. It automatically switches to lower bitrate versions of audio feeds when traveling into areas with poor signal. In Joy’s Podcast 2.0 world she can check comments and reviews aggregated from other podcasting apps. “Every bit of the above scenario is perfectly possible using only RSS and open source standards. Much of it is already functioning today in apps and services that are early adopters.” For those who’ve only heard of Podcasting 2.0 in passing, Jones’ piece aims to explain the passion and potential open-source future the concept could provide. We move from a story posted on Substack to a story about Substack. On Tuesday Ashley Carman published the Bloomberg piece Substack Poaches Patreon Stars for Expanded Push into Podcasting. Substack now offers two resources popular with monetized podcasts: a newsletter and a private RSS feed for paying subscribers. Substack’s COO Hamish McKenzie says the company is giving grants to certain podcasters who make the switch from Patreon. Though, like a recent report on YouTube offering grants for podcasters to pivot to video, Substack is keeping quiet as to which specific podcasts got grants. Currently only four are known. The grants Substack offers serve to soften the blow of abandoning an existing service. Patreon does not offer the ability to take paid subscriptions to a competitor’s platform. Podcasters making the switch will lose patrons, moreso than they normally would to monthly churn. Marketers have been telling podcasters that newsletters are a successful way to create and own an audience. Substack taking initiative shows they might begin to own and understand the market of podcasts centered around communities. And, by extension, own the revenue derived from said market. That said, this introduces another hosting solution that does not appear to be following IAB standards. Substack joins Apple’s subscription product, Supercast, and Supporting Cast in that crowd. This isn’t necessarily an issue for the individual user because they provide first party info. Nevertheless, it does show the IAB standard doesn’t have the teeth many hoped it would as this industry continues to grow ****Soon it might be time to break out the picket signs and pro-worker chants at Spotify. On Monday Ashley Carman, making her second appearance this episode, published the Bloomberg article *Spotify Podcast Union is Ready to Strike Over Contract Terms*. Barring successful negotiations, the Parcast Union is poised to execute the first ever strike at Spotify. The union cites unaddressed issues include basic concerns like pay, but also staff diversity concerns and IP rights. “The bargaining committee told Bloomberg News that Spotify specifically doesn’t want to commit to a request that half of job candidates who make it past the phone interview stage be people of color, people who identify as LGBTQ+ or people with disabilities. They also added they haven’t agreed on acceptable salary minimums.” 97% of Parcast union members have pledged to join the strike, spanning multiple departments. “A strike would be a first for Spotify and would come at a particularly fraught time for its podcast ambitions. The company laid off the internal team at its fourth podcast studio, known as Studio 4, in January, and has struggled to get much of its headline-driving content off the ground.” For more information on that reference to unreleased headline-driving content, we direct you to the March third episode of The Download for coverage of that particular story. Here’s hoping the union walks away from the bargaining table with their goals achieved. People deserve to be paid a fair living wage, and podcasting on the scale Spotify operates at is certainly big enough to handle that. For our final story of the week, something bizarre. Non-fungible tokens, a digital collectible known for being rife with pump-and-dump schemes and other classic forms of financial scams, are potentially getting their first big break in podcasting through iHeartMedia’s new scheme. Sara Fischer, reporting for Axios, broke exclusive news on Tuesday: iHeartMedia is building a podcast network around NFTs they’ve purchased. “iHeartMedia is currently in talks to make 10–15 investments in prominent NFT collections over the next few days — including CryptoPunks, Mutant Ape Yacht Club, and World of Women — per Khalil Tawil, EVP of strategy at iHeartMedia.” As Tawil describes it, iHeartMedia will purchase NFTs from various internet-popular collections and then craft a slate of podcasts that retroactively create a series of stories and characters around the algorithmically-generated artwork they sort-of own. Fischer quotes Khalil Tawil as saying there is “no real precedent for this.” While technically true in the context of podcasting, it’s not new in other forms of media. Most notable are the multiple attempts at getting NFT animated series off the ground, as Vice covered in November. Though, iHeartMedia has the scale needed to truly take advantage of the IP inherent in their purchases. From Hot Pod on Thursday, “One of the unique features of these character-based NFT series is that they often hand IP rights over to whoever owns them. That means if you buy a Bored Ape, you can print your Bored Ape on a T-shirt, market that shirt online, put it on a billboard, and so on. Folks who believe in the NFT hype want to turn these collections into a sort of decentralized Disney, which, I suspect, will overshoot reality by at least a few orders of magnitude.” Whether iHeart’s decentralized Disney will profit or not remains to be seen. The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Special thanks to Ian Powell for his audio prowess, and to our media host, Omny Studio.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

**This week on The Download; digital ads evolve as online privacy increases, Substack poaches podcasts from Patreon, and iHeartMedia is buying NFTs to make podcasts about them.**A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You're Still Being Tracked on the Internet, Just in a Different Way*. A fair amount of coverage has been written about the so-called death of targeted advertising. Privacy changes implemented by Google and Apple have made some waves, but said waves are having interesting effects on the industry. On Wednesday Brian Chen and Daisuke Wakabayashi published a New York Times piece called *You're Still Being Tracked on the Internet, Just in a Different Way*. Throughout the piece Chen and Wakabayashi alternate between birds-eye views of the tech industry and personal anecdotes from small business reflecting the changing landscape of traditional digital ads. “The rise of this tracking has implications for digital advertising, which has depended on user data to know where to aim promotions. It tilts the playing field toward large digital ecosystems such as Google, Snap, TikTok, Amazon and Pinterest, which have millions of their own users and have amassed information on them. Smaller brands have to turn to those platforms if they want to advertise to find new customers.” Where in previous years a business would be able to purchase ad space on services like Instagram or Facebook, famous for their tracking providing fine-tuned results, now the pendulum has shifted. “Shawn Baker, the owner of Baker SoftWash, an exterior cleaning company in Mooresville, N.C., said it previously took about $6 of Facebook ads to identify a new customer. Now it costs $27 because the ads do not find the right people, he said.” With the devaluing of assumed default channels of advertising, more budgets are being redistributed to new avenues of advertising. Especially options with first-party data. While podcast advertising doesn't offer that data for users, the contextual nature and growth of podcasting-first data solutions are becoming appealing options for those buyers Dave Jones (no relation to the undersea legend) posted a blog to Substack Monday with intent to clear the air on Podcasting 2.0. What exactly is Podcasting 2.0? As Jones puts it: “The Podcasting 2.0 project is simply this: A vision of what podcasting experiences can be in the future, and a set of free, open source standards for how that vision becomes reality.” Jones goes on to give context for what some of these open-source standards could look like, folding them into a fictional day in the life a podcast super-listener named Joy. Throughout Joy's typical work day she uses a one-size-fits-all podcatcher app that folds features and functionality from existing first-party services into one place. Whenever a video podcast she likes goes live, Podcast 2.0 framework allows her to join in and listen to just the audio (much like YouTube's audio-only feature). When she dips into the video portion of the stream she can tip money to the hosts, causing an on-screen notification akin to Superchats on YouTube and donations on Twitch. Her app displays episode-specific links and data mentioned in podcasts manually placed by the hosts. It automatically switches to lower bitrate versions of audio feeds when traveling into areas with poor signal. In Joy's Podcast 2.0 world she can check comments and reviews aggregated from other podcasting apps. “Every bit of the above scenario is perfectly possible using only RSS and open source standards. Much of it is already functioning today in apps and services that are early adopters.” For those who've only heard of Podcasting 2.0 in passing, Jones' piece aims to explain the passion and potential open-source future the concept could provide. We move from a story posted on Substack to a story about Substack. On Tuesday Ashley Carman published the Bloomberg piece Substack Poaches Patreon Stars for Expanded Push into Podcasting. Substack now offers two resources popular with monetized podcasts: a newsletter and a private RSS feed for paying subscribers. Substack's COO Hamish McKenzie says the company is giving grants to certain podcasters who make the switch from Patreon. Though, like a recent report on YouTube offering grants for podcasters to pivot to video, Substack is keeping quiet as to which specific podcasts got grants. Currently only four are known. The grants Substack offers serve to soften the blow of abandoning an existing service. Patreon does not offer the ability to take paid subscriptions to a competitor's platform. Podcasters making the switch will lose patrons, moreso than they normally would to monthly churn. Marketers have been telling podcasters that newsletters are a successful way to create and own an audience. Substack taking initiative shows they might begin to own and understand the market of podcasts centered around communities. And, by extension, own the revenue derived from said market. That said, this introduces another hosting solution that does not appear to be following IAB standards. Substack joins Apple's subscription product, Supercast, and Supporting Cast in that crowd. This isn't necessarily an issue for the individual user because they provide first party info. Nevertheless, it does show the IAB standard doesn't have the teeth many hoped it would as this industry continues to grow ****Soon it might be time to break out the picket signs and pro-worker chants at Spotify. On Monday Ashley Carman, making her second appearance this episode, published the Bloomberg article *Spotify Podcast Union is Ready to Strike Over Contract Terms*. Barring successful negotiations, the Parcast Union is poised to execute the first ever strike at Spotify. The union cites unaddressed issues include basic concerns like pay, but also staff diversity concerns and IP rights. “The bargaining committee told Bloomberg News that Spotify specifically doesn't want to commit to a request that half of job candidates who make it past the phone interview stage be people of color, people who identify as LGBTQ+ or people with disabilities. They also added they haven't agreed on acceptable salary minimums.” 97% of Parcast union members have pledged to join the strike, spanning multiple departments. “A strike would be a first for Spotify and would come at a particularly fraught time for its podcast ambitions. The company laid off the internal team at its fourth podcast studio, known as Studio 4, in January, and has struggled to get much of its headline-driving content off the ground.” For more information on that reference to unreleased headline-driving content, we direct you to the March third episode of The Download for coverage of that particular story. Here's hoping the union walks away from the bargaining table with their goals achieved. People deserve to be paid a fair living wage, and podcasting on the scale Spotify operates at is certainly big enough to handle that. For our final story of the week, something bizarre. Non-fungible tokens, a digital collectible known for being rife with pump-and-dump schemes and other classic forms of financial scams, are potentially getting their first big break in podcasting through iHeartMedia's new scheme. Sara Fischer, reporting for Axios, broke exclusive news on Tuesday: iHeartMedia is building a podcast network around NFTs they've purchased. “iHeartMedia is currently in talks to make 10–15 investments in prominent NFT collections over the next few days — including CryptoPunks, Mutant Ape Yacht Club, and World of Women — per Khalil Tawil, EVP of strategy at iHeartMedia.” As Tawil describes it, iHeartMedia will purchase NFTs from various internet-popular collections and then craft a slate of podcasts that retroactively create a series of stories and characters around the algorithmically-generated artwork they sort-of own. Fischer quotes Khalil Tawil as saying there is “no real precedent for this.” While technically true in the context of podcasting, it's not new in other forms of media. Most notable are the multiple attempts at getting NFT animated series off the ground, as Vice covered in November. Though, iHeartMedia has the scale needed to truly take advantage of the IP inherent in their purchases. From Hot Pod on Thursday, “One of the unique features of these character-based NFT series is that they often hand IP rights over to whoever owns them. That means if you buy a Bored Ape, you can print your Bored Ape on a T-shirt, market that shirt online, put it on a billboard, and so on. Folks who believe in the NFT hype want to turn these collections into a sort of decentralized Disney, which, I suspect, will overshoot reality by at least a few orders of magnitude.” Whether iHeart's decentralized Disney will profit or not remains to be seen. The Download is a production of Sounds Profitable. Today's episode was hosted by Shreya Sharma and Manuela Bedoya, and the script was written by Gavin Gaddis. Bryan Barletta and Evo Terra are the executive producers of The Download from Sounds Profitable. Special thanks to Ian Powell for his audio prowess, and to our media host, Omny Studio. See omnystudio.com/listener for privacy information.

Hoy: los anuncios digitales están evolucionando ya que está aumentando la privacidad en línea, Substack roba podcasts de Patreon y iHeartMedia está comprando NFTs para hacer podcasts basados en ellos. Se ha hablado mucho sobre la supuesta muerte de la publicidad dirigida en la internet. Los cambios de privacidad implementados por Google y Apple han hecho ruido, y este ruido está teniendo efectos interesantes. El miércoles, Brian Chen y Daisuke Wakabayashi publicaron un artículo en el New York Times llamado: You’re Still Being Tracked on the Internet, Just in a Different Way. Es decir, “Todavía te rastrean en el Internet, solo que de una manera diferente” En esta lectura, Chen y Wakabayashi alternan entre vistas panorámicas de la industria tecnológica y anécdotas personales de pequeñas empresas que reflejan el entorno cambiante de los anuncios digitales tradicionales. En palabras de ellos: “El aumento de este rastreo tiene implicaciones para la publicidad digital, el cual ha dependido de los datos de los usuarios para saber a dónde dirigir las promociones. Favorece los grandes ecosistemas digitales como los de Google, Snapchat, TikTok, Amazon y Pinterest, que tienen millones de usuarios y han acumulado información sobre ellos. Las marcas más pequeñas tienen que recurrir a esas plataformas si quieren anunciarse para encontrar nuevos clientes.”. En años anteriores una empresa podía comprar espacio publicitario en servicios como Instagram o Facebook, famosos por su rastreo que antes brindaba resultados precisos, pero ahora todo ha cambiado. Según el artículo, “Shawn Baker, el dueño de Baker SoftWash, una empresa de limpieza de exteriores en Mooresville, en la Carolina del Norte, contó que previamente necesitaba unos seis dólares en anuncios en Facebook para identificar a un nuevo cliente. Ahora cuesta veintisiete dólares porque los anuncios no encuentran a las personas correctas.” Aunque los temas centrales de esta historia no son particularmente nuevos, el artículo de Chen y Wakabayashi los agrega para brindar una visión general de cómo están afectando el mundo de la publicidad. Esta es la primera gran cobertura del New York Times sobre el tema, lo que significa que esta historia ha florecido oficialmente más allá de los blogs nichos de tecnología. Dave Jones publicó un blog en Substack este lunes con la intención de iluminar lo oscuro sobre Podcasting 2.0. ¿Qué es el Podcasting 2.0? Como dice Jones, "El proyecto Podcasting 2.0 es simplemente esto: una visión de lo que pueden ser las experiencias de podcasting en el futuro, y un conjunto de estándares gratuitos y de código abierto sobre cómo esa visión se convierte en realidad.” Jones provee contexto sobre cómo podrían verse algunos de estos estándares de código abierto a través de un día ficticio en la vida de un súper oyente de podcasts llamado Joy. A lo largo del día de trabajo típico de Joy, ella utiliza una aplicación universal de podcatcher que combina las características y la funcionalidad de los servicios de primera parte existentes en un solo lugar. Cada vez que se publica un podcast de video que le gusta, el marco de Podcast 2.0 le permite unirse y escuchar solo el audio (bastante similar a la función de YouTube que reproduce solo audio). Cuando se mete en la parte de video de la transmisión, puede dar una propina de dinero a los anfitriones, lo que genera una notificación en pantalla similar a Superchats en YouTube y donaciones en Twitch. Su aplicación muestra enlaces específicos de episodios y datos mencionados en podcasts que son colocados manualmente por los anfitriones. También cambia la transmisión de audio automáticamente a versiones con una tasa de bits más baja cuando ella viaja a áreas con poca señal. En el mundo Podcast 2.0 de Joy, puede consultar los comentarios y reseñas agregados de otras aplicaciones de podcasting. En palabras de Jones, “cada parte del escenario anterior es perfectamente posible usando solo RSS y estándares de código abierto. Una gran parte ya está funcionando hoy en aplicaciones y servicios que son adoptadores tempranos, es decir early adopters”. Para aquellos que solo han oído hablar un poco del Podcasting 2.0, el artículo de Jones aspira explicar la pasión y el futuro potencial de código abierto que podría brindar el concepto. Cambiamos de una historia publicada en Substack a una historia sobre la plataforma. El martes, Ashley Carman publicó el artículo en la editorial Bloomberg, llamado: Substack Poaches Patreon Stars for Expanded Push into Podcasting. Es decir, “Substack se roba a las estrellas de Patreon para entrar más al podcasting”. Substack ahora ofrece dos recursos populares entre los podcasts monetizados: un boletín informativo y una fuente RSS privada para suscriptores que pagan. El director de operaciones de Substack, Hamish McKenzie, dice que la compañía está otorgando subsidios a ciertos podcasters que hacen el cambio de Patreon. Sin embargo, al igual que un informe reciente en YouTube que ofrece subsidios para que los podcasters hagan videos de su contenido, Substack mantiene una boca cerrada sobre cuáles podcasts específicos obtuvieron subsidios. Actualmente solo se conocen cuatro. Según Carman, “Los cuatro programas que hacen el cambio como parte de este anuncio incluyen el programa de política exterior “American Prestige”, que tiene más de dos mil suscriptores de pago de Patreon, y el programa de análisis de noticias “The Fifth Column”, que tiene más de cuatro mil. Kmele Foster, coanfitrión de “The Fifth Column”, dijo que su equipo recibió dinero para hacer el cambio y “se sintió lo suficientemente cómodo para hacer la mudanza.” Los subsidios que ofrece Substack sirven para ablandar el golpe que viene con abandonar un servicio existente. Patreon no ofrece la posibilidad de aceptar suscripciones pagas a la plataforma de un competidor. Los podcasters que hagan el cambio perderán patrocinadores, más de lo que normalmente perderían debido al cambio mensual. Los especialistas en marketing les han dicho a los podcasters que los boletines son una forma exitosa de crear y mantener una audiencia. La iniciativa de Substack muestra que podrían comenzar a comprender cómo manejar el mercado de podcasts centrado en las comunidades, incluso manejar los ingresos derivados de dicho mercado. Dicho esto, la noticia presenta otra solución de alojamiento que no parece seguir los estándares del IAB. Substack se une al producto de suscripción de Apple, Supercast y Supporting Cast en esa multitud. Esto no es necesariamente un problema para el usuario individual porque proporciona información de primera parte. Sin embargo, muestra que el estándar del IAB no tiene los dientes que muchos esperaban que tendría a medida que esta industria continúa creciendo. Pronto podría ser el momento de sacar los carteles de protesta y los cánticos a favor de los trabajadores en Spotify. El lunes, Ashley Carman, haciendo su segunda aparición en este episodio, publicó el artículo en Bloomberg, llamado: *Spotify Podcast Union is Ready to Strike Over Contract Terms, o sea,“*El sindicato de podcasts en Spotify está listo para la huelga por los términos de contrato Salvo negociaciones exitosas, el sindicato de Parcast está listo para ejecutar la primera huelga en Spotify. El sindicato cita cuestiones no abordadas que incluyen preocupaciones básicas como el pago, pero también preocupaciones sobre la diversidad de los empleados y los derechos de propiedad intelectual. En palabras de Carma, “el comité de negociación le dijo a Bloomberg News que Spotify específicamente no quiere comprometerse con una solicitud de que la mitad de los candidatos que superen la etapa de la entrevista telefónica sean personas de color, personas que se identifiquen como LGBTQ o personas con discapacidades. También agregaron que no han acordado salarios mínimos aceptables.” El noventa y siete por ciento de los miembros del sindicato de Parcast, el cual incluye varios departamentos, se han comprometido a unirse a la huelga Según el artículo, “una huelga sería la primera para Spotify y llegaría en un momento particularmente tenso para sus ambiciones de podcast. La compañía despidió, en enero, al equipo interno en su cuarto estudio de podcast, conocido como Studio 4, y ha tenido problemas para hacer despegar mucho de su contenido que genera titulares La descarga tiene la esperanza de que el sindicato se aleje de la mesa de negociaciones con sus objetivos realizados. Las personas merecen que se les pague un salario justo y digno, y el podcasting en la magnitud en la que opera Spotify es ciertamente lo suficientemente grande como para cumplir con eso. En nuestra historia final de esta semana -- algo muy extraño. Los tokens no fungibles, o NFTs, coleccionables digitales conocido por estar plagado de esquemas de pump-and-dump y otras formas clásicas de estafas financieras, están posiblemente obteniendo su primera gran oportunidad en los podcasts a través del nuevo proyecto de iHeartMedia. Sara Fischer, informando en la editorial, Axios, dio noticias exclusivas el martes: iHeartMedia está construyendo una red de podcasts basados en los NFTs que la empresa ha comprado. En palabr as de Fischer, "iHeartMedia actualmente se encuentra en conversaciones para realizar entre diez y quince inversiones en colecciones destacadas de NFTs durante los próximos días. Estas incluyen tokens no fungibles conocidos como CryptoPunks, Mutant Ape Yacht Club y World of Women -- según Khalil Tawil, vicepresidente ejecutivo de estrategia de iHeartMedia." Tal como lo describe Tawil, iHeartMedia comprará NFTs de varias colecciones populares de internet y luego creará una lista de podcasts que crearán retroactivamente una serie de historias y personajes basadas en la obra de arte que, en ciertos modos, poseen. Fischer cita a Khalil Tawil, "no hay un precedente real para esto". Aunque técnicamente es cierto en el contexto de los podcasts, no es nuevo en otras formas de medios. Lo más notable son los múltiples intentos de hacer series exitosas animadas de NFTs, como lo cubrió la editorial Vice en noviembre. Sin embargo, iHeartMedia tiene la magnitud necesaria para aprovechar verdaderamente la propiedad intelectual inherente a sus compras. La editorial Hot Pod dijo el jueves, “Una de las características de estas series de NFTs basadas en personajes, es que ceden con frecuencia los derechos de propiedad intelectual a quien sea que los posean. Eso significa que, si uno compra un bored ape, uno puede imprimir el bored ape en una camiseta, comercializar esa camiseta en línea, ponerla en una valla publicitaria, etcétera. Las personas que creen en el potencial de los NFTs quieren convertir estas colecciones en un cierto tipo de Disney descentralizado que, sospecho, superará la realidad.” Queda por ver si el Disney descentralizado de iHeart ganará dinero La Descarga es una producción de Sounds Profitable. El episodio de hoy fue presentado por Manuela Bedoya y Gabriel Soto, y escrito por Gavin Gaddis. Bryan Barletta y Evo Terra son los productores ejecutivos de La Descarga de Sounds Profitable. Un agradecimiento especial a Ian Powell por su majestuosa ingeniería de audio, y a Omny Studio por alojar La Descarga.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Today we are joined by Josh in person at the ape mansion to discuss the historic flip of Azuki and MAYC. With Azuki's recent airdrop that turned out to be dirt, the floors of all Azuki-associated collections went on a significant run. We theorize that this could be the beginning of a bull run for NFT traders, while also considering the rivalry that may spawn between Azuki and Bored Ape Yacht Club. Josh Bobrowksy: https://twitter.com/joshbobrowsky Buy our NFT: https://thenifty.com/nft Sign up for FTX: https://thenifty.com/ftx Join our discord: http://www.thenifty.com/discord Check out our Twitter: https://twitter.com/niftyportal -- DISCLAIMER: You should never treat any opinion expressed by the hosts of this content as a recommendation to make a particular investment, or to follow a particular strategy. The thoughts and commentary on this show are an expression of the hosts' opinions and are for entertainment and informational purposes only. This show is never financial advice.

OpenSea is a non-fungible token (NFT) platform that has gained popularity in late 2021 and now into 2022. There are many popular projects such as Bored Ape Yacht Club and Mutant Ape Yacht Club that are listed on the platform. This has also become a marketplace to buy metaverse land as well. Recently the market place has fallen victims to a hacker who was able to take people's NFTs. The company is actively seeking to investigate the problem but this is an eye opening experience for people who buy and sell on the platform. Since crypto is still loosely regulated, this case just shows investors how risky crypto trading can be.

Contact Us - Or Subscribe to our Newsletter. Pilote Podcast Episode 2 - Show NotesFacebook, NFT Sales, Identity, Gaming & Digital Marketing.(2:05) NFT is the WAP of Web3!(2:58) Facebook User Numbers and Share Price - Daily Active Users (DAU) are down… kinda.. Facebook's owner Meta Platforms says DAUs fell to 1.929bn in the three months to the end of December, compared to 1.930bn in the previous quarter.(9:00) Napster V Apple Music is Sandbox V Meta(12:20) Certain NFTs outsold the global film industry in January? “NFTs Outsold the Entire Movie Industry in January. The NFT Bored Ape Yacht Club & Mutant Ape Yacht Club collections did more in sales on OpenSea ($495m) than the global movie industry did at the box office ($482m) (16:03) NFTs as Profile pics. Linkedin has a policy which says that profile pictures should be photographs and has asked some users to take down their NFTs.(18:20) We Need to Talk About…. Identity(20:16) Bitcoin Whitepaper. (33:24) The Metaverse, Destination Marketing and Gaming(33:36) Rockstar announces GTA6(41:25) Can you learn Digital Marketing in 8 Days?(48:33) Tommy Emmanuel's Classical GasSupport the show (http://www.pilotemedia.com/pilote-podcast/)

On the very first episode of The WGMI Podcast Brett, Bento, and Kosher discuss what WGMI Studios is and how NFT holder will benefit. Plus the state of the market and how to develop an "investment thesis" Projects mentioned in today's episode include: Invisible Friends, HapeBeast, Hype Bears, Azuki, Karafuru and more (:01) Why we started WGMI (2:00) What this podcast, website, newsletter, and project will be (11:00) Livestreams, AMAs, and guests (20:00) Top signals: Azuki and Karafuru could indicate "euphoria" stage of the market (23:00) Pixelmon, Raid Party, Gooniez (33:00) Expectations for Coinbase NFT platform (36:00) HapeBeast and Hype Bears (43:00) Invisible Friends, Mutant Apes, Cool Cats (50:00) What's next for WGMI Not financial advice.  Join The WGMI Podcast Discord: https://discord.gg/ujh4rRTxrP Follow WGMI Studios on Twitter: https://twitter.com/WGMI_Studios Opensea: https://opensea.io/collection/wgmi-studios-genesis Brett: Twitter- https://twitter.com/thebrettway Youtube: https://www.youtube.com/channel/UCsg20ERGZt9eHVZRXROJSqg Kosher Plug:  Twitter - https://twitter.com/KosherPlug YouTube - https://www.youtube.com/c/KosherPlug BentoBoi: Twitter - https://twitter.com/BentoBoiNFT YouTube - https://www.youtube.com/channel/UCi9YaudzKqcTwpgyViM-aRg

In this episode of Crypto Daily, I discuss the possible regulations and crackdowns happening in the UK for crypto advertising, Shiba Inu's burn commitments, stolen NFTs that included Bored Ape Yacht Club and Mutant Ape Yacht Club, and why the co-founder of Reddit believes all games will be Play-to-Earn in five years. Please follow our show wherever you listen to podcasts - and please leave a review on Apple Podcasts. If you get your podcasts on Youtube, be sure to subscribe and leave a comment there. Please follow our show wherever you listen to podcasts - and please leave a review on Apple Podcasts. If you get your podcasts on Youtube, be sure to subscribe and leave a comment there. Be sure to follow me on: Instagram: @DustinKnouse https://www.instagram.com/dustinknouse/ Twitter: @DustinKnouse https://twitter.com/DustinKnouse Linkedin: @DustinKnouse https://www.linkedin.com/in/dustinknouse/ Facebook: @DustinKnouse https://www.facebook.com/DustinKnouseOfficial/ TikTok: @DustinKnouse https://www.tiktok.com/@dustinknouse Resources: Crypto and NFTs could face UK regulation crackdown in 2022 due to fears young people risk losing money 9 businesses commit to the SHIB token burn initiative in 2022 ‘I have been hacked': collector loses more than $2m of NFTs overnight Reddit cofounder Alexis Ohanian predicts play-to-earn crypto will be the only type of games people play in 5 years --- Send in a voice message: https://podcasters.spotify.com/pod/show/cryptodailyshow/message

The Bored Ape Yacht Club is a collection of 10,000 NFTs, each of which costs a minimum of $200,000 (Initially sold for 0.08 ETH each). These act as both avatars and tickets to an online social club. OpenSea revealed it has already generated more than $700 million in sales in 2022. Volume on Monday was a record high for OpenSea. Mutant Ape Yacht Club (an official spinoff of BAYC) is currently the top-ranked NFT project in terms of seven-day volume. Is Bored Apes more than just a JPEG? or is it a branding success anomaly?#BoredApes #MutantApes #NFT~Bored Apes Joining P2E Metaverse | The Legacy NFT Anomaly For Celebrities~⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺⎺Become a Diamond Circle Member FREE! ➜ https://bit.ly/PBDiamondCircleSubscribe on YouTube ✅ https://bit.ly/PBNYoutubeSubscribeFacebook

Cyberpunks, Mutant Ape Yacht Club, VeeFriends NFT's

(Aired September 2, 2021) DomainSherpa - Down The Rabbit Hole - September 2, 2021: Going ApeSh!t As we say on DomainSherpa - all roads lead to domains. And in the reverse, domains lead us "down the rabbit hole" for different topics all the time. This show, typically hosted by JT, Drew & Yoni, is where we discuss a wide variety of subjects - with plenty of talk about domains, crypto, NFTs, and digital assets - along with a bunch of other stuff as well. In this episode, JT is joined by Shane, Josh, Alan, James Booth, & Jack Kal as they dive deeper into the world of NFTs and the Bored Ape Yacht Club. They discuss the recent Mutant Ape Yacht Club drop, Steph Curry joining the BAYC community, the upcoming auctions at Sotheby's & Christie's, ETH, OpenSea, the future of NFTs, and more! So tune in and jump down the rabbit hole with us!

In Episode 11, Von and Sean review everything that has happened over the last week in the NFT world and everything that is up and coming. Von talks about a different blockchain. Sean talks about his love for the Mutant Ape Yacht Club. Both of them talk about a potential triple-double banger that is releasing next week. What is Sean buying this week? That and a whole lot more. 

On Episode 4 of Two Bored Apes, Jaime and Roy record in-person for the very first time. They talk about the Mutant Ape Yacht Club, and boy, those Mutants sure are insane. They have a discussion about what someone new to NFTs without a large budget might do to get going in the space. Naturally they also talk about Art Blocks. They touch on Blitmaps, 0N1 Force, and plenty of random stuff. For once even DeFi gets spoken about!  Show NotesWork Hard, Play Hard, Give Backhttps://opensea.io/collection/work-hard-play-hard-give-backMutant Ape Yacht Clubhttps://boredapeyachtclub.com/#/maycAfter Dinner Mintshttps://www.youtube.com/channel/UCJ3do9nWP6qaJkcbxZaJZ4wGeometry Runnershttps://artblocks.io/project/138/galleryBeatboxeshttps://artblocks.io/project/145/galleryTHE GOOSEhttps://artblocks.io/token/13000879The Tuliphttps://artblocks.io/token/78000313Abstract of the dayhttps://opensea.io/collection/abstract-of-the-dayLetters from a Zenecahttps://zeneca33.substack.com/

In dieser Folge sprechen wir über die Mutant Ape Yacht Club, Koala Intelligence Agency und über Gary Vaynerchucks NFT-Aktion. Instagram: @nft.talk Auch als Videopodcast bei YouTube.

Record sales on OpenSea! 0N1 Force Diamond Hands! Cryptodads! The Sevens! Visa buys a Cryptopunk! Mutant Ape Yacht Club! The TrashKatz discuss it all! Group Hug!